1 00:00:00,440 --> 00:00:03,880 Speaker 1: Jersey and Amanda jam Nason. 2 00:00:04,519 --> 00:00:07,320 Speaker 2: Fam Hello there, it's Jersey Demanda thanks to Mojo Holmes. 3 00:00:07,320 --> 00:00:09,760 Speaker 2: Mostly sunny nineteen in the City in eighteen in our 4 00:00:09,840 --> 00:00:12,760 Speaker 2: West Chili this morning. Right now, it's ten degrees, it's 5 00:00:12,800 --> 00:00:13,600 Speaker 2: twelve past eight. 6 00:00:13,760 --> 00:00:15,319 Speaker 1: Were you someone who was a big fan of The 7 00:00:15,400 --> 00:00:16,680 Speaker 1: Missus dubt Via Films? 8 00:00:16,960 --> 00:00:19,320 Speaker 2: You know, I kind of liked it. I never understood 9 00:00:19,320 --> 00:00:23,799 Speaker 2: why she was so against his character. You know, he 10 00:00:23,840 --> 00:00:26,960 Speaker 2: seemed like a fun sort of guy, and Sally Field 11 00:00:27,000 --> 00:00:29,120 Speaker 2: was just not into his you know, why did he 12 00:00:29,160 --> 00:00:31,160 Speaker 2: why did they get divorced? It just seemed like he did. 13 00:00:31,320 --> 00:00:33,159 Speaker 2: It wasn't like he was a womanizer, he went out 14 00:00:33,240 --> 00:00:35,680 Speaker 2: drinking or took drugs or anything like that. It was 15 00:00:35,720 --> 00:00:37,040 Speaker 2: just he was just a bit of a goofball. 16 00:00:38,479 --> 00:00:41,040 Speaker 1: Well, I think I saw it recently. I don't think 17 00:00:41,080 --> 00:00:43,360 Speaker 1: I saw it at the time. And a lot of 18 00:00:43,400 --> 00:00:44,879 Speaker 1: people are sort of looking at it now is they're 19 00:00:44,880 --> 00:00:47,880 Speaker 1: a bit old and going m The premise of it 20 00:00:47,960 --> 00:00:51,600 Speaker 1: is that Daniel played by Robin Williams, he's a voiceover 21 00:00:51,680 --> 00:00:53,840 Speaker 1: artist living in San Francisco. He and his wife separated, 22 00:00:53,840 --> 00:00:56,600 Speaker 1: his wife being Sally Field. He can't fathom the idea 23 00:00:56,600 --> 00:00:59,880 Speaker 1: of not seeing his children. So the obvious thing to do. 24 00:01:00,000 --> 00:01:02,200 Speaker 1: Who dress up as an older English woman so we 25 00:01:02,240 --> 00:01:05,920 Speaker 1: can work as a family's nanny. Why wouldn't you Hmm, 26 00:01:06,120 --> 00:01:08,520 Speaker 1: it's the same story as TUTSI, really, isn't it? So 27 00:01:08,760 --> 00:01:11,360 Speaker 1: we're Dustin Hoffman dresses as a woman and discovers he's 28 00:01:11,360 --> 00:01:13,240 Speaker 1: a better man by pretending to be a woman. Yeah, 29 00:01:13,440 --> 00:01:15,520 Speaker 1: same thing here, he's a better farmer by pretending to 30 00:01:15,520 --> 00:01:19,760 Speaker 1: be an It says here people make and because she 31 00:01:19,800 --> 00:01:24,400 Speaker 1: doesn't know that it's him, she Sally Field takes a 32 00:01:24,480 --> 00:01:27,120 Speaker 1: face value that this person isn't the ex husband. 33 00:01:27,120 --> 00:01:27,479 Speaker 2: It's a bit. 34 00:01:28,920 --> 00:01:31,240 Speaker 1: Well, yes, as someone said here, people make fun of 35 00:01:31,240 --> 00:01:33,440 Speaker 1: Sally Field's character in Missus doubt Fife. We're not seeing 36 00:01:33,480 --> 00:01:38,679 Speaker 1: through Robin Williams ruse, but accusing your nanny of secretly 37 00:01:38,720 --> 00:01:41,600 Speaker 1: being your ex husband disguised as an elderly British woman 38 00:01:41,680 --> 00:01:43,679 Speaker 1: is a sort of shot you don't take unless one 39 00:01:43,720 --> 00:01:46,440 Speaker 1: hundred percent certainly she'd sound kooky. 40 00:01:46,640 --> 00:01:47,560 Speaker 2: You'd have to be sure. 41 00:01:48,200 --> 00:01:50,320 Speaker 1: Someone else here says, yeah, what kind of films is Hey? 42 00:01:50,360 --> 00:01:52,320 Speaker 1: I just found out the older British woman who's been 43 00:01:52,320 --> 00:01:54,600 Speaker 1: looking after my children is actually my ex husband. In 44 00:01:54,640 --> 00:01:58,680 Speaker 1: a costume. Nothing weird here. You know you just said 45 00:01:58,720 --> 00:02:02,520 Speaker 1: before that you feel that Why was Sally Field so 46 00:02:02,600 --> 00:02:05,120 Speaker 1: hard on the charming Robin Williams when he was the 47 00:02:05,200 --> 00:02:07,840 Speaker 1: daddy's kookie and fun? Someone said he was a kid. 48 00:02:07,840 --> 00:02:09,600 Speaker 1: I thought Sally Field was such a kill joy in 49 00:02:09,600 --> 00:02:12,800 Speaker 1: Missus Doubtfire. Now I'm older, I'm looking at hang on. 50 00:02:12,840 --> 00:02:17,079 Speaker 1: He brought a pony into the house. Yeah, that's not fun. 51 00:02:17,680 --> 00:02:19,480 Speaker 1: You know he was one of those dads he says, Hey, 52 00:02:19,520 --> 00:02:21,600 Speaker 1: I'm fun. You go, well, do the heart stuff. 53 00:02:22,040 --> 00:02:23,880 Speaker 2: Do the heart stuff well, and good to bring the 54 00:02:23,919 --> 00:02:27,440 Speaker 2: pony in made, but we're not an animal house up. 55 00:02:27,520 --> 00:02:29,600 Speaker 1: Someone else says. One of these classic movies you watch 56 00:02:29,600 --> 00:02:31,519 Speaker 1: innocently as a child, only as an adult you find 57 00:02:31,520 --> 00:02:35,800 Speaker 1: yourself realizing things like why Sally Field's character left the husband. 58 00:02:36,120 --> 00:02:37,000 Speaker 1: He was a pain in. 59 00:02:36,960 --> 00:02:38,960 Speaker 2: The neck when he's going from table. 60 00:02:39,200 --> 00:02:41,639 Speaker 1: That was just irritating and stupid and dumb. 61 00:02:41,440 --> 00:02:42,040 Speaker 2: Dumbest thing. 62 00:02:42,840 --> 00:02:44,160 Speaker 1: Did they get back together as a. 63 00:02:44,080 --> 00:02:49,560 Speaker 2: Couple, No, no, no, because did she end up. 64 00:02:49,440 --> 00:02:52,800 Speaker 1: With Piers who piss Morgan? 65 00:02:57,400 --> 00:02:59,440 Speaker 2: That's right, he was the deboney man. 66 00:03:00,160 --> 00:03:02,880 Speaker 1: I hope she ended up with him. But also they've 67 00:03:02,919 --> 00:03:05,720 Speaker 1: even't gone so far. This is a snippet of it. 68 00:03:05,880 --> 00:03:09,160 Speaker 1: Slight change of music and atmosphere and missus doubtfire. The 69 00:03:09,280 --> 00:03:16,320 Speaker 1: trailer becomes a horror film. Hello, Hello, I'm calling in 70 00:03:16,360 --> 00:03:18,400 Speaker 1: regards to the air. Are you read in the peaper? 71 00:03:19,360 --> 00:03:19,600 Speaker 2: Yes? 72 00:03:20,800 --> 00:03:22,720 Speaker 1: Would you tell me a little bit about yourself? 73 00:03:23,280 --> 00:03:23,480 Speaker 2: Oh? 74 00:03:23,760 --> 00:03:24,519 Speaker 1: Certainly, dear. 75 00:03:30,200 --> 00:03:32,480 Speaker 2: Oh creepy, creepy. 76 00:03:34,280 --> 00:03:37,160 Speaker 1: You wear a costume you're in Have you checked the children? 77 00:03:37,520 --> 00:03:39,800 Speaker 1: Take them there your don't worry. I am