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Speaker 1: Good morning, The Christian Connall Show podcast.

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Speaker 2: Hey podcast is thank you've very much a downloading today's show.

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Speaker 2: Just a little warning, today's show is one of those

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Speaker 2: where the wheels. It's not that the wheels almost came off.

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Speaker 2: The wheels several times did come off. There's a lot

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Speaker 2: of strange stuff on today's show. However, who knew we'll

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Speaker 2: end up talking about times tables more bortnety? Who knew

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Speaker 2: that so many of you in your jobs do actually

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Speaker 2: use your timetables? If you got listen to today's podcast,

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Speaker 2: have you got an unusual phobia or anything to say

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Speaker 2: about the show? Email me Christian at Gold one O

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Speaker 2: four three dot com dot au.

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Speaker 1: On with it The Christian O'Connell Show podcast.

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Speaker 3: Yeah, you still hold a special place in my heart.

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Speaker 4: Boys, another week, another guy coming around to your house

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Speaker 4: to be something.

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Speaker 2: Maybe sometimes I come across like a complete imbecile.

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Speaker 1: The Christian no Connall Show on Gold one four point three.

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Speaker 2: Good morning, Welcome to the show, tesday morning, It's the

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Speaker 2: Christian O'Connor Show. Good morning, jack Bo, Good morning, Good morning,

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Speaker 2: Patria Jones down the line via satellite technology.

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Speaker 3: Good morning, Patty, Good morning boys, how are you yeah,

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Speaker 3: good is.

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Speaker 2: It via satellite technology?

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Speaker 4: And Patsy is talking to us from whereby are pats

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Speaker 4: or what are you up?

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Speaker 5: No?

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Speaker 3: Just the old lady of sel check.

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Speaker 2: She hasn't got NBN despite we found that the whole

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Speaker 2: couldest act. Has it? They opted? Have it?

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Speaker 3: Connection?

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Speaker 4: Your connection?

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Speaker 2: Connection? What year is hello? We got back to your

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Speaker 2: two thousand With their dialogue, it just feels like there's

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Speaker 2: a modem. Actually know when you cut in and out sometimes, Patsy,

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Speaker 2: I get the feeling that Chris is on the landline

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Speaker 2: or something. You got that splitter? Do you meant that

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Speaker 2: little thing you had in the socket in the wall

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Speaker 2: in the early eighty days of the Information super Highway.

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Speaker 4: But Pats, we are the same. We got skipped by

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Speaker 4: the NBN, and it's so hard to get them back.

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Speaker 4: Once they've done your story. Everybody in our street is done.

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Speaker 2: Why do they speed off to I mean they're never

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Speaker 2: a bit and then they just done it and then

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Speaker 2: we're not going back. We don't have revert us in

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Speaker 2: the NBN van Oh well, I.

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Speaker 3: Had so many dramas like they actually did. They did

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Speaker 3: not connect it properly. So we got them to come

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Speaker 3: back out and it's still not working, and of course

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Speaker 3: their call centers closed. The poor things have been stood down,

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Speaker 3: so trying to get anyone out to fix it is

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Speaker 3: just impossible. You've got an email and then they get

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Speaker 3: that about a week later. It's like it's in Iceland

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Speaker 3: or something.

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Speaker 2: But they told me.

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Speaker 4: They told us honestly when I rang them to say it.

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Speaker 4: Because when we were going into home isolation, I was like,

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Speaker 4: we should upgrade to the NBN before we do it.

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Speaker 2: So many parts that had that thought. She was like,

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Speaker 2: that's not let's not get the best.

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Speaker 3: This was prior to Corona.

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Speaker 4: Say yeah, Jack, the call center told us. Now that

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Speaker 4: they've missed you, they'll come back around again in January

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Speaker 4: twenty twenty two.

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Speaker 2: What that's what January twenty two when a human being

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Speaker 2: says that without realizing the words that are leave in

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Speaker 2: their mouth, because this what happens them with these poor

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Speaker 2: people in these kind of center's call centers. Now they're

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Speaker 2: winning from scripts, but aren't they aware? So in two

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Speaker 2: years time, the van's going to come around again.

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Speaker 4: Yeah, And that was same. That was three months ago

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Speaker 4: as well.

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Speaker 2: So still got another you know, nineteen old months. You

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Speaker 2: got to wait in another two years to twenty twenty two.

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Speaker 2: That's ridiculous, Patsy. How was your day yesterday? In isolation

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Speaker 2: of it's anything like mine at the moment with the

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Speaker 2: kids homeschooling every it's just tense. The atmosphere in the house.

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Speaker 2: They're not happy the fuck when I get back every days.

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Speaker 3: As you could cut the atmosphere with a knife out here.

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Speaker 3: We she won't let me help her with her maths.

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Speaker 3: She's struggling a bit with her maths, and I think

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Speaker 3: we're too alike, so she wants me to sit with her.

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Speaker 3: So I sit with her and that just ends up

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Speaker 3: in a fight, which.

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Speaker 2: Break it down for us. What area of maths? At

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Speaker 2: the moment?

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Speaker 3: It was the camera Times table?

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Speaker 2: Oh right, okay, how did you get on with the

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Speaker 2: Times table when you were a kid? Oh?

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Speaker 3: I was terrible at times, absolutely hated them. Is struggling

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Speaker 3: a bit, y, Patsy.

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Speaker 2: No word of a lie. We're talking about your mankey

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Speaker 2: internet connection and it's cutting then out the worst it's

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Speaker 2: been the week today?

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Speaker 4: Or yeah, you don't like.

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Speaker 2: You this morning, Patsy. No talking on the radio from

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Speaker 2: web which in a second.

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Speaker 1: Christian Christian Christian O'Connell show.

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Speaker 2: Like a lot of you still working from home having

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Speaker 2: to you soon for conference calls. So that over the

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Speaker 2: last couple of weeks Patsy's been working from home way

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Speaker 2: out western Werribee and the old internet connection has been

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Speaker 2: hit miss at times. This week has actually been pretty good,

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Speaker 2: but this morning we're getting on the from Patsy normally

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Speaker 2: means that someone's house is online like at this when

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Speaker 2: you're working at home as well. So she just had

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Speaker 2: an almost like I get the I get the feeling.

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Speaker 2: It looked like the scene of a prison wardering doing

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Speaker 2: the rounds, husbands to.

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Speaker 4: The sleep, confiscating laptop.

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Speaker 2: Daughter, done my, done my rounds, check all the windows

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Speaker 2: and look. So that's already can't ever escape to freedom.

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Speaker 2: So as I was saying, y, yesterday, you were struggling

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Speaker 2: with the Audi maths homework, which was times table. Do

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Speaker 2: you remember when you were a kid of a certain

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Speaker 2: age Times table and learning this was a really big thing,

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Speaker 2: wasn't it.

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Speaker 4: I remember that was all math class was. I remember

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Speaker 4: from like all of primary school.

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Speaker 2: Why the over emphasis by the way on times table?

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Speaker 2: Whose line of work have they ever got? Thank god?

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Speaker 2: I really did learn that eight times table? Who is

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Speaker 2: working any line of industry where it's reliant on the knowledge,

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Speaker 2: an intense depth knowledge of the Times table.

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Speaker 4: Probably lots of people just because we work in an

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Speaker 4: industry where you never need to tell any one. Accountants.

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Speaker 2: Yeah, but accountants don't go just needs to balance this

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Speaker 2: eight times eight seven twenty one. Yeah, but are they

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Speaker 2: doing it in those kind of trades will be measuring

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Speaker 2: things of that, weighing things. They're not going to be

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Speaker 2: doing Times tables to build a house.

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Speaker 4: So I think tradees, I think she's right.

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Speaker 2: Do you all right, trades? If I've got this wrong,

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Speaker 2: please let me know this morning. In fact, any industry,

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Speaker 2: anyone listening right now who in the last twelve months

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Speaker 2: has used their knowledge of the Times table, please call

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Speaker 2: in on happily. So I've got this wrong nine four

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Speaker 2: one four one oh four three. My theory is this

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Speaker 2: is filler from teachers that this scam has been going

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Speaker 2: on for years. We do not need in the year

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Speaker 2: twenty twenty the Times table. Anyway. I'm now going to

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Speaker 2: do a spot quiz between Jack and Patsy to see

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Speaker 2: who knows the Times table better eight times three Jack

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Speaker 2: post twenty four, Well done.

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Speaker 3: Oh that's an easy.

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Speaker 2: One, okay, eleven times seven, Pats seventy seven. The everyone

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Speaker 2: knows the eleven times. I always found the seven and

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Speaker 2: the eighths the hardest. The other one was that the

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Speaker 2: tens and the fives were the easiest, and the two

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Speaker 2: times table. All right, patsy seven times.

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Speaker 3: Seven seven, seven's four forty nine.

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Speaker 2: That's slow, jack post nine times eight.

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Speaker 4: This is not sixty quick.

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Speaker 2: Come on, you can work. We've not six fifty four.

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Speaker 2: Sometimes I get embarrassed by just how low the.

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Speaker 3: Bar is to do sixty four.

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Speaker 2: All right, I've just looked over at the lines. Now

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Speaker 2: ten lines jammed. Maybe I got this wrong.

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Speaker 4: Thank god, we can go to callers and not have

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Speaker 4: to continue to come down.

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Speaker 2: We'll come back with this old show. All right, then

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Speaker 2: I'll take a break. When we come back, we're going

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Speaker 2: to go to lines and find out have you in

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Speaker 2: the last twelve months, any line of what whatever you do,

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Speaker 2: have you used your knowledge of the times table?

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Speaker 4: Can I just say, honestly, nine times eight was always

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Speaker 4: my achilles heel. I'm better at all times. That was

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Speaker 4: always Nilly's heel, and it.

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Speaker 2: Still is now As a thirty two year old man.

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Speaker 1: The Christian O'Connell show podcast.

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Speaker 2: Yesterday, I was trying to help one of my kids

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Speaker 2: with some homework with homeschooling, and my fifty year old

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Speaker 2: daughter actually said to me, Dad, you're terrible at this.

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Speaker 2: What did you actually do at school? And I actually

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Speaker 2: said nothing, And actually, I think it's that most of

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Speaker 2: the time just staring out the window praying for another

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Speaker 2: stray dog to come running into a school, because that

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Speaker 2: was the dream day at school. If a dog came,

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Speaker 2: just a stray dog, you should come running in. That's

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Speaker 2: so is it dog dog in the playground that one

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Speaker 2: of the teachers have to go and catch with the

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Speaker 2: greatest day of the rest of the time is staring

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Speaker 2: out the window day dreaming. So we just stumbled into

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Speaker 2: talk about times tables? How do we end up talking

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Speaker 2: about this, by the way.

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Speaker 3: Because yeah, we had tense tense scenes in our house yesterday.

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Speaker 2: Now realizing how bad we all are at times tables,

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Speaker 2: I can understand why Audy was getting tense with you.

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Speaker 2: Patsy Jack has just gone backwards? Which one did I

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Speaker 2: ask you? Or just of course sister an instinct through.

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Speaker 4: My personal kryptonite eight times n I always remember struggling

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Speaker 4: with this I said fifty four, then I changed to

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Speaker 4: fifty six. Patson sixty four. Answer is seventy two.

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Speaker 2: Mass is not the show's strong hoob. So I was

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Speaker 2: just wondering, in this modern age, do the schools really

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Speaker 2: need to be drilling into kids the fear of the

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Speaker 2: times table and knowing all the times tables, the seven

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Speaker 2: times seven's and the eight times nine all that. Who

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Speaker 2: in their line of work these days is using the

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Speaker 2: times tables and on the line. Right now, we've got

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Speaker 2: quite a few of you actually are Let's go to Simon.

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Speaker 2: Good One is Simon?

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Speaker 6: Good morning, boys and girls. Now are we good?

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Speaker 2: So Simon, in the last twelve months, have you used

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Speaker 2: your knowledge that you learned at school of the times table?

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Speaker 6: I certainly have every day of the week. I've got

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Speaker 6: to work out quantities for material and all that sort

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Speaker 6: of thing for the jobs.

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Speaker 2: So what do you do say, I'm a carpenter, right, okay, yeah,

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Speaker 2: but I thought you know, obviously you've been a carpenter, sir,

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Speaker 2: you're in measuring stuff.

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Speaker 6: I get it well exactly. But as a as a kid,

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Speaker 6: you'd think, oh, I'll go into a trailer, need to

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Speaker 6: use my brain. Well that's back fine.

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Speaker 2: Well we actually did do that. You don't really job.

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Speaker 2: You just sort of set here and mumble, press play

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Speaker 2: and the songs playing, and that's it. Rinch repeat a carpenter,

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Speaker 2: So how about the times table them because obviously understand

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Speaker 2: you're measuring the angles and measure twice cut once. But

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Speaker 2: how at the times table? When is seven times seven

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Speaker 2: coming into making a door?

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Speaker 6: Well, not so much as the door.

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Speaker 7: When you're ordering the tials, you've got to.

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Speaker 6: Work at your square meterage. So you have to times

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Speaker 6: the link by the hide or the height by the width,

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Speaker 6: and ne gives you your quantities total, and then you're

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Speaker 6: going to try and order from that.

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Speaker 2: Do you know if I spent an hour trying to

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Speaker 2: do what you do, so goodness no, I would bank

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Speaker 2: ruin your business within the hour the so called doors

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Speaker 2: turning up, they were oblong or hexagon.

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Speaker 6: As a trader, you make a good radio host.

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Speaker 2: A great day, all right? Youer so all right, they're

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Speaker 2: so carpentry. We can take that one off, and says

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Speaker 2: there's more calls as well, Andrew, good morning morning, how

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Speaker 2: are we? I'm good Andrew? So, first of all, tell

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Speaker 2: us what you do for living? What's your trade all right,

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Speaker 2: I'm a baker, and what is it?

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Speaker 8: Every single day, every single day, every single hour, every

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Speaker 8: single minute, every single minute, every single minute.

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Speaker 2: The times table.

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Speaker 8: They're times table.

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Speaker 2: So what's that going to do with bread?

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Speaker 8: All right? I have to you on thirty two vannas

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Speaker 8: before go on a tray. How many trades do you need?

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Speaker 8: Of course, if you've got thirty rolls, thirty rolls to

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Speaker 8: a cat, you need seven hundred and twenty rolls? How

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Speaker 8: many cuts and roles you need?

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Speaker 2: This is speed that you're doing all this and just

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Speaker 2: like a dangerous mind.

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Speaker 4: I still don't know about every minute though. That means

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Speaker 4: you did three calculations during goo goo dolls, because not only.

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Speaker 8: That, you're going to work out how much flower goes

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Speaker 8: in the ball, how much water goes on top of that.

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Speaker 2: So it's a constant series of maths equations for you

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Speaker 2: making those Vienna's.

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Speaker 8: Absolutely and you do it all in your head. Andrew,

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Speaker 8: I wouldn't say that most of it.

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Speaker 6: I do double check.

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Speaker 2: That's increading.

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Speaker 8: If we get it wrong, we get it wrong, all.

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Speaker 2: Right, carpentry bacers. Quite a few trades so far worked out,

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Speaker 2: still using the times table. Andrew, thank you very much

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Speaker 2: you call might have a good day, Ben morning, Christian

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Speaker 2: Ben Times table. First of all, what's your trade? What

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Speaker 2: do you do for living?

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Speaker 1: Mate, working, florestry, forestry?

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Speaker 2: What's that going to do with the times table?

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Speaker 9: So we get more deliveries of flowers and the tubs

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Speaker 9: come in or generally with four bunches of flowers in

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Speaker 9: each tub. So as an example, yesterday we received eighty tubs.

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Speaker 9: Eighty tubs times four that's threads and twenty flowers or

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Speaker 9: bunches of flowers.

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Speaker 4: And we'll have to take your word for that.

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Speaker 2: Actually, as you were saying that, I was writing all

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Speaker 2: this down like it was at school.

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Speaker 3: It's long, multiple cad.

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Speaker 2: It was really long slow multiplication of me doing at Patsy.

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Speaker 2: So is that is that what you're doing all day?

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Speaker 2: Then it's the various flowers and you're giving up all

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Speaker 2: the bunches. You've got to do the maths in your head, yep.

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Speaker 9: So they've got to obviously double check that what they've

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Speaker 9: ordered has come in. So even though in that eighty

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Speaker 9: bunch you might have five red, forty white, you'll have

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Speaker 9: twenty tubs of pink and then maybe fifteen tubs of purple.

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Speaker 2: Is it's actually, Ben, This actually feels like homework for kids.

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Speaker 2: Ben does Ben the forest as four bunches, and twelve

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Speaker 2: of them are red.

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Speaker 4: How many pink are they?

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Speaker 2: Yeah, that's amazing. Well, Ben, thank you very much for

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Speaker 2: giving us a call. Have a good day. You have

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Speaker 2: a good day, all right, So we've got carpentry, bakers,

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Speaker 2: the forests. There's more. Nicole, Good morning, Good morning.

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Speaker 10: How are you.

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Speaker 2: I'm good, Nicole. Thanks for giving us a call. So

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Speaker 2: what do you do for living a cal.

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Speaker 11: I'm a bar maid. Yeah, all day, all day and

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Speaker 11: all night. Add up drinks. When you're making them up,

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Speaker 11: you're eating them up. So by the time you get

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Speaker 11: back to the customer, he's generally drunk and Mike doesn't

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Speaker 11: want to wait anyway, you can just tell them how

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Speaker 11: much it is.

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Speaker 4: Yeah, but that's that's addition. You're adding like, that's that's

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Speaker 4: the plus times plus table.

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Speaker 2: Yeah, No one's going at the bar and to go

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Speaker 2: I need four times four schooners three packets of peanuts.

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Speaker 11: Then you just said it, three times a dollar six

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Speaker 11: is four times five dollars seventy. I see you've done it.

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Speaker 2: Yeah, So will you do that in your head before

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Speaker 2: you go and run up at the TIB because I'm

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Speaker 2: always impressed with people do that.

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Speaker 11: Yeah, because we've well I've been being I made like

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Speaker 11: for forty years or we never had registers like they

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Speaker 11: did it. And plus you've got other bar staff working

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Speaker 11: and someone hugs the register because I don't know how

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Speaker 11: to add, and it becomes quite frustrating. And then you

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Speaker 11: run up and put your opinion and then naked stressed

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Speaker 11: because you've messed up there things. So we just said

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Speaker 11: it all up in our heads and you're quite Yeah,

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Speaker 11: you just run up to the register and turp in

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Speaker 11: the total and it's sort of over in a second.

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Speaker 2: Cool Nicole, tell me this, then, what do you think

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Speaker 2: about when whenever the pubs can safely reopen, What do

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Speaker 2: you think is going to be like when we can

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Speaker 2: go back to pubs.

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Speaker 11: I don't think people are going to really want to go.

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Speaker 9: It's like the CID.

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Speaker 11: A lot of Paris things sending their kids to school. Yeah,

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Speaker 11: a lot of people are talking about it and they're

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Speaker 11: saying they're going to open every second poken machine and yeah, I.

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Speaker 2: Don't know, crazy Nicle, thank you very much to give

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Speaker 2: us a cool take care. It turns out every job

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Speaker 2: uses their timetables apart from this job. Hello, Christian O'Connell

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Speaker 2: Show podcast for this week's Mount Rushmore of This is

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Speaker 2: every Thursday morning we debate the mount Rushmore of something.

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Speaker 2: This week we're moving on to desserts. The Mount Rushmore

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Speaker 2: of desserts. If you can only have four desserts, menus

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Speaker 2: around the world have to change. Only have these four desserts.

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Speaker 2: All the others are thrown off menus. Just these four

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Speaker 2: What needs to be on the Mount Rushmore of desserts, Patty,

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Speaker 2: that's going to use first of all, what do you

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Speaker 2: think that's the other? What's your go to? What's the

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Speaker 2: best dessert?

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Speaker 3: I love a citrus dessert and for made it have

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Speaker 3: to beate lemon meringue pie.

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Speaker 4: Oh yes, eyes just glaze over it is It's not

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Speaker 4: even an option there?

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Speaker 2: Yeah, oh no, how could you.

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Speaker 3: Go past the buttery base and the.

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Speaker 2: Smooth I love it? Yeah, it is that lemon tang.

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Speaker 7: Oh no, I love.

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Speaker 2: In life, you can categorize pop in two ways, those

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Speaker 2: that go for lemon meringue and the rest of us pop. Really,

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Speaker 2: I'm pretty sure if you went around the prisons and

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Speaker 2: most of the people that are banged up there for

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Speaker 2: serious crimes. Are lovers of lemon merangue. That's a fact.

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Speaker 3: What type are we? Let stereotype pets with a lemon meringue?

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Speaker 3: You go through it.

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Speaker 2: I'm just saying I think it rules a lot about

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Speaker 2: our personalities. But it kind of dessert we go to myself,

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Speaker 2: I like chocolate. I won't have anything, and I desert

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Speaker 2: menu and this' it's chocolate based like a child, I

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Speaker 2: won't have anything else. I don't want to hit with

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Speaker 2: fruit in either. Keep your fruit goes a little bit

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Speaker 2: of fruit with the cheese. Lovely, Okay, bring out the

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Speaker 2: little trolley. That's why cheese deserves its own trolley, doesn't

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Speaker 2: it the little trolley? They will out. I love that

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Speaker 2: with a special cheese knife and all that ritual. However,

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Speaker 2: it's the sourness. I think it's sour.

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Speaker 3: People, oh, with the lemon meringue. It's got tons and

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Speaker 3: loads clouds and clouds of white, fluffy clouds, pillowy billowness

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Speaker 3: of sweetness.

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Speaker 2: I'll tell you what. You're making a strong case for

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Speaker 2: the lemon meringue. It's just it's just it doesn't please you,

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Speaker 2: Does it does me?

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Speaker 12: No?

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Speaker 3: No, it's chocolate, chocolate, lay into a bit of it.

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Speaker 3: What what of chocolate in particular?

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Speaker 2: Do you like you lay into a bed of lemon meringue. Yes,

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Speaker 2: I could right, that's arranged just for Patsy's birthday.

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Speaker 3: Oh, I'd love that.

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Speaker 2: Let's get We need a baker to do the base.

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Speaker 2: Get that guy back on. It's got his sums, a

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Speaker 2: biscuity base with it like a like a bed, like

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Speaker 2: a mattress of lemon merangue. Okay, magnificent Jack, what are

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Speaker 2: you going to go for? What's the best dessert for you? Can?

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Speaker 4: I give it, firstly an honorable mention to something I

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Speaker 4: had yesterday for the first time, an English dessert called

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Speaker 4: the Benoffi pie. Oh my god. Oh it was so good.

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Speaker 4: The ankle brought it home from this artisan bakery. It's

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Speaker 4: terrible on the it's got that biscuit based, same sort

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Speaker 4: of biscuit base.

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Speaker 2: By the way, that's a regular thing for you guys

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Speaker 2: to get the thing artisan bakery. I'm a baker's to guy,

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Speaker 2: you go artisan. All that means is you'll be paying

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Speaker 2: an it's a couple of three bucks. It's still bread.

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Speaker 4: No track yesterday at eight point fifty nine am are

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Speaker 4: you off air? It's a good question from Bianca Oranger.

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Speaker 4: It's like, yeah, it's everything, all right. I'm going to

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Speaker 4: the Artison baker.

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Speaker 2: What do you need?

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Speaker 4: She got a Banoffley pie, Boffy pie. So the biscuit base, parramol, yeah,

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Speaker 4: some bananas in there, and then I'm stacked with cream

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Speaker 4: on top.

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Speaker 2: Oh, it's great. It's that biscuity base. You gotta love

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Speaker 2: a big old biscuity base. And then the salted caramel.

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Speaker 2: Salted caramel isn't something we grew up with. It's come

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Speaker 2: along in the last ten years, hasn't. I actually always

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Speaker 2: make sure I've got a squeezy kind of tubeit of

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Speaker 2: it at home, because I reckon you can add it

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Speaker 2: any dishes. Living up with a little bit of salted

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Speaker 2: camel just drizzled on top.

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Speaker 4: You didn't ever know you could get tubes.

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Speaker 3: Can you buy it in a packet?

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Speaker 2: No, you're buying a tube, so you literally just put

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Speaker 2: your pool round.

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Speaker 12: Yeah.

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Speaker 2: I put on broccoli cliefower stuff like that. Delicious. I

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Speaker 2: eat my greens, mommy, but I eat my salted caramel

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Speaker 2: offly pies.

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Speaker 1: Great.

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Speaker 4: I'm putting on the mount Rushmore this morning. I'll always

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Speaker 4: get a chocolate mood. If it's on a menu, well.

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Speaker 2: I'm get a rubber stamp. It is the King, yes,

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Speaker 2: the King, The King of desserts is.

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Speaker 3: The very seventies though, isn't it the chocolate moose?

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Speaker 2: Now I think it's timeless clouds, clouds of.

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Speaker 4: L And if my birthday may requests, oh, just.

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Speaker 2: A big one of chocolate moose, lightly whipped with some

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Speaker 2: salted caramel on top as well. Yeah, go for me,

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Speaker 2: it would be always be a chocolate moose. The other

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Speaker 2: one I absolutely love is I love a cheesecake. Yeah,

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Speaker 2: chocolate cheesecake, salted caramel cheesecake. I love a cheesecake always delivers.

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Speaker 2: Once we did the radio show Lying from Chicago for

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Speaker 2: three nights because the times if it's going back to

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Speaker 2: the UK, it meant that the radio show started at

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Speaker 2: eleven in the evening, right nighttime. Everyone was snoozy. My

438
00:19:59,280 --> 00:20:01,880
Speaker 2: idea was to trying for the first show, why don't

439
00:20:01,920 --> 00:20:03,720
Speaker 2: we go for someone to eat beforehand and have a

440
00:20:03,800 --> 00:20:07,440
Speaker 2: couple of beers. Terable idea. That's the worst thing we

441
00:20:07,560 --> 00:20:10,280
Speaker 2: could have done. So some American who is like a

442
00:20:10,320 --> 00:20:11,560
Speaker 2: kind of toll guy, said, oh, are you going to

443
00:20:11,600 --> 00:20:14,160
Speaker 2: go to something called the Cheesecake Fracture, went, I love cheesecake.

444
00:20:14,640 --> 00:20:16,240
Speaker 3: Oh yeah, that's massive over there.

445
00:20:16,359 --> 00:20:18,399
Speaker 2: Yeah, you know what's that American servings?

446
00:20:19,320 --> 00:20:20,080
Speaker 3: Yeah huge.

447
00:20:20,280 --> 00:20:22,080
Speaker 2: The starter came out and oh no, I think we

448
00:20:22,240 --> 00:20:24,680
Speaker 2: ordered starters. You went there is to started. It was

449
00:20:24,760 --> 00:20:27,720
Speaker 2: the size of a door. Yeah, we all start eating.

450
00:20:27,800 --> 00:20:29,159
Speaker 2: Then we had a couple of beers. I've never eard

451
00:20:29,200 --> 00:20:30,280
Speaker 2: so much food in my life. It was like a

452
00:20:30,400 --> 00:20:32,520
Speaker 2: Christmas dinner. And then we're looking at we've got to

453
00:20:32,520 --> 00:20:34,520
Speaker 2: be on air in half an hour. But time we

454
00:20:34,680 --> 00:20:38,960
Speaker 2: started at eleven o'clock at night. We were awning, we

455
00:20:39,040 --> 00:20:42,600
Speaker 2: were irritable and tired. We have three long hours ahead

456
00:20:42,640 --> 00:20:45,160
Speaker 2: of us. But the Cheesecake fact is an amazing place.

457
00:20:45,160 --> 00:20:47,040
Speaker 2: I suppose it's not available lawer the world. It's amazing

458
00:20:47,040 --> 00:20:48,960
Speaker 2: to be. Yeah, so cheesecake from me, Chocolate Mooseter Patsy

459
00:20:49,040 --> 00:20:51,960
Speaker 2: and the revolting and unnecessary lemon Maraine for Patsy. What

460
00:20:52,080 --> 00:20:53,159
Speaker 2: do you think has to be on there on the

461
00:20:53,240 --> 00:20:56,160
Speaker 2: mount Rushmore of desserts? Give us a cool make your case.

462
00:20:58,320 --> 00:21:01,040
Speaker 1: A Christian O'Connell show podcast.

463
00:21:01,040 --> 00:21:04,680
Speaker 2: This morning on the show. Then it's always got a

464
00:21:04,720 --> 00:21:06,280
Speaker 2: finger right in the past. What's going on in the

465
00:21:06,320 --> 00:21:09,560
Speaker 2: world right now? You say pandemic, we say puddings, desserts.

466
00:21:10,200 --> 00:21:13,320
Speaker 2: The mount rosmore of desserts is what we're debating this morning.

467
00:21:13,560 --> 00:21:17,320
Speaker 2: On nine four three, Jack Post has gone chocolate Moose,

468
00:21:17,840 --> 00:21:19,960
Speaker 2: has a chocolate love of myself. I've gone chocolate Moose,

469
00:21:20,000 --> 00:21:23,000
Speaker 2: but for me, I love a cheesecake, especially salted. Camera

470
00:21:23,119 --> 00:21:26,720
Speaker 2: one and then Patsy in a field all by self

471
00:21:26,800 --> 00:21:28,159
Speaker 2: representing the Patsy.

472
00:21:29,359 --> 00:21:32,920
Speaker 3: Yes, the Lemon merangue a quicker with the old response there.

473
00:21:33,040 --> 00:21:35,200
Speaker 2: I even said, you need to bring you in. What's

474
00:21:35,280 --> 00:21:37,200
Speaker 2: coming on with the server of them all there?

475
00:21:37,720 --> 00:21:37,960
Speaker 7: Yes?

476
00:21:39,880 --> 00:21:41,720
Speaker 2: What are you up to there? And we're abe at home?

477
00:21:42,600 --> 00:21:46,240
Speaker 3: No, just I'm noticing my internet's very very luck last

478
00:21:46,280 --> 00:21:49,359
Speaker 3: year today and that luster is.

479
00:21:49,359 --> 00:21:54,600
Speaker 2: It can blame it on that one I've done Wi Fi.

480
00:21:54,640 --> 00:21:55,600
Speaker 2: It was let me down.

481
00:21:55,480 --> 00:21:58,840
Speaker 3: Today, But it is the lemon merangue. It is the

482
00:21:58,960 --> 00:22:00,920
Speaker 3: upper issue ligament is I believe?

483
00:22:01,080 --> 00:22:07,680
Speaker 2: Yeah? All right? Michelle's texting Christian crem brew Lay and

484
00:22:07,720 --> 00:22:10,760
Speaker 2: I agree with chocolate Moose and Jack tell Chap. There

485
00:22:10,840 --> 00:22:14,520
Speaker 2: is a Jack style artisan takeaway shop in Beau Morris

486
00:22:14,640 --> 00:22:17,199
Speaker 2: which sells the best chocolate Moose in the world, Michelle,

487
00:22:17,200 --> 00:22:19,879
Speaker 2: could you do me a favor. I'm quite happy to

488
00:22:19,960 --> 00:22:21,720
Speaker 2: drive out to Bou Morrison on the way home, go

489
00:22:21,760 --> 00:22:23,320
Speaker 2: down Beach Road as I headed before I get to

490
00:22:23,359 --> 00:22:26,000
Speaker 2: Hampton and go on a little bit little trip. I

491
00:22:26,040 --> 00:22:27,639
Speaker 2: would love to know where there is to go and

492
00:22:27,720 --> 00:22:29,800
Speaker 2: get some of that chocolate moose you speak of. Michelle

493
00:22:29,840 --> 00:22:32,119
Speaker 2: ping me back, thank you very much. Big Dan's on

494
00:22:32,200 --> 00:22:34,760
Speaker 2: the line. Good morning Dan, Good morning everybody?

495
00:22:34,840 --> 00:22:35,240
Speaker 7: Here are we?

496
00:22:35,359 --> 00:22:37,480
Speaker 2: Yeah, we're good? Okay? Dessert? What should be on the

497
00:22:37,520 --> 00:22:38,200
Speaker 2: mount Rushmore?

498
00:22:38,480 --> 00:22:44,439
Speaker 7: Oh my god, man, now here we go, elevation time here. Okay,

499
00:22:44,680 --> 00:22:48,600
Speaker 7: think nice white cake, jelly, whatever you want. You're gonna

500
00:22:48,600 --> 00:22:54,280
Speaker 7: have all different types chocolate cream moose smothered in a

501
00:22:54,400 --> 00:22:57,800
Speaker 7: cherry liqueur terry musw Yeah.

502
00:22:57,880 --> 00:23:02,360
Speaker 4: I don't know about the terramacy. Too much going on, Yeah,

503
00:23:02,520 --> 00:23:03,760
Speaker 4: I think much too much.

504
00:23:04,160 --> 00:23:06,600
Speaker 2: It looks like you're making something and a load of

505
00:23:06,640 --> 00:23:08,919
Speaker 2: other ingredients fell on top of it, and you went,

506
00:23:09,000 --> 00:23:12,520
Speaker 2: oh my god, that's ruined. No, no, no, it's massou it.

507
00:23:13,040 --> 00:23:14,640
Speaker 2: It feels like a made up word and a made

508
00:23:14,720 --> 00:23:17,320
Speaker 2: up dessert. There's a lot going on there. Booze poured

509
00:23:17,359 --> 00:23:20,560
Speaker 2: on top of it to try and make it come together. Yes.

510
00:23:20,760 --> 00:23:21,119
Speaker 7: Correct.

511
00:23:22,480 --> 00:23:23,000
Speaker 2: Last time I.

512
00:23:23,080 --> 00:23:26,480
Speaker 4: Had a tiram assiou was at your house over Christmas. Yes,

513
00:23:26,720 --> 00:23:29,080
Speaker 4: your wife had made one, and I wanted to be

514
00:23:29,160 --> 00:23:31,040
Speaker 4: complimentary because of course she's.

515
00:23:31,280 --> 00:23:33,480
Speaker 2: Very polite of you. If it makes you something you feel,

516
00:23:33,680 --> 00:23:36,480
Speaker 2: feel free to give into that one. To have been complimentary.

517
00:23:36,640 --> 00:23:38,440
Speaker 4: I don't love a tiram massoux, so I had to

518
00:23:38,480 --> 00:23:39,480
Speaker 4: do it through grinded teeth.

519
00:23:40,960 --> 00:23:43,160
Speaker 2: Yeah, there's too much going on with a tiram asou.

520
00:23:43,240 --> 00:23:45,560
Speaker 2: But loads of people like the classic tiramassoux, isn't it's

521
00:23:45,560 --> 00:23:47,280
Speaker 2: a it's a big classic one, big.

522
00:23:47,280 --> 00:23:50,880
Speaker 7: Dam yes it is. It's more for me, yeah, alcohol,

523
00:23:51,240 --> 00:23:55,920
Speaker 7: I don't care about anything. Give me, give me a

524
00:23:55,960 --> 00:23:58,080
Speaker 7: glass of sherry and be happy.

525
00:23:59,359 --> 00:24:01,639
Speaker 2: All right, big strong case. Well mate, thank you very

526
00:24:01,720 --> 00:24:02,320
Speaker 2: much for calling in.

527
00:24:02,960 --> 00:24:03,480
Speaker 7: Thank you so.

528
00:24:04,960 --> 00:24:08,440
Speaker 5: Lee, Good morning, Good morning, Pats Shack and Christian.

529
00:24:10,800 --> 00:24:11,760
Speaker 2: What's she dessert for you?

530
00:24:12,480 --> 00:24:12,640
Speaker 9: Oh?

531
00:24:13,040 --> 00:24:15,240
Speaker 5: It has to be chocolate ripple cake.

532
00:24:15,920 --> 00:24:19,240
Speaker 2: Has to be. I have not had a chocolate ripple cake.

533
00:24:19,800 --> 00:24:20,160
Speaker 2: Is it good?

534
00:24:20,480 --> 00:24:21,439
Speaker 4: My mum used to make him.

535
00:24:22,359 --> 00:24:26,040
Speaker 2: Yeah, yeah, but it's brilliant. A chocolate piple cake.

536
00:24:26,080 --> 00:24:29,399
Speaker 5: You say, it's just chocolate ripple biscuits and cream and

537
00:24:29,560 --> 00:24:32,399
Speaker 5: then you have to wait for it to make it

538
00:24:32,600 --> 00:24:34,960
Speaker 5: magic in the fridge over night, and then just try

539
00:24:35,080 --> 00:24:38,480
Speaker 5: not to eat it all as soon as as you can,

540
00:24:38,640 --> 00:24:41,440
Speaker 5: because it's just you can't eat it. It's so simple

541
00:24:41,520 --> 00:24:44,800
Speaker 5: yet it's just it's just the most amazing dessert.

542
00:24:45,640 --> 00:24:46,639
Speaker 2: Is that? All it was? Lee?

543
00:24:46,840 --> 00:24:50,000
Speaker 4: All I remember is like, chuck all the chocolate ripple biscuits.

544
00:24:50,640 --> 00:24:54,399
Speaker 2: And that's great chocolate ripple biscuits, A great cake with

545
00:24:54,520 --> 00:24:57,840
Speaker 2: all of that. I might get my kids like to bake.

546
00:24:57,920 --> 00:24:59,879
Speaker 2: I might say, I might lie to them and say, listen, you,

547
00:25:00,040 --> 00:25:02,880
Speaker 2: mama said to me that she'd love her mother's she'd

548
00:25:02,920 --> 00:25:04,080
Speaker 2: love a chocolate ripple cake.

549
00:25:05,520 --> 00:25:05,720
Speaker 6: One.

550
00:25:06,760 --> 00:25:08,480
Speaker 5: This is one where the biscuits are just put on

551
00:25:08,560 --> 00:25:10,480
Speaker 5: a tray and you put cream in between.

552
00:25:10,520 --> 00:25:15,400
Speaker 2: And then ah, right, I know, okay, yeah, lovely.

553
00:25:16,320 --> 00:25:18,760
Speaker 3: On the back of the packet, if you get the

554
00:25:18,840 --> 00:25:21,439
Speaker 3: chocolate biscuits in the supermarket, the recipes on.

555
00:25:21,440 --> 00:25:24,600
Speaker 2: The back of read do you know those little things

556
00:25:24,640 --> 00:25:27,200
Speaker 2: are they like serving suggestions and all that fuff on

557
00:25:27,280 --> 00:25:30,320
Speaker 2: hour It's like, don't bother printing all that? Who reads

558
00:25:30,400 --> 00:25:32,880
Speaker 2: the back of it? I was eating it and going

559
00:25:33,240 --> 00:25:35,439
Speaker 2: interesting article here on the back if you read this.

560
00:25:35,760 --> 00:25:38,440
Speaker 4: I remember, there'd always be on cereal boxes like here.

561
00:25:38,480 --> 00:25:40,120
Speaker 4: It makes them right, like we know how to make.

562
00:25:42,000 --> 00:25:48,320
Speaker 2: Make chocolate crackles, serving suggestions. All right, Lee, that's a

563
00:25:48,359 --> 00:25:50,520
Speaker 2: great one, chocolate ripple cake. Thank you very much for cool.

564
00:25:50,680 --> 00:25:50,960
Speaker 5: Thank you.

565
00:25:51,160 --> 00:25:55,240
Speaker 2: Thank Let's go do Shane. Good morning, Good.

566
00:25:55,160 --> 00:25:57,240
Speaker 13: Morning Christian, and go with shine the lightning.

567
00:25:57,280 --> 00:25:57,480
Speaker 14: Boy.

568
00:25:57,560 --> 00:25:58,840
Speaker 13: Here you're going, ah.

569
00:25:59,080 --> 00:26:03,120
Speaker 2: Shane the Lightning always welcome on the show, Shane. What's

570
00:26:03,160 --> 00:26:04,800
Speaker 2: the dessert for you? What should be on?

571
00:26:05,840 --> 00:26:09,560
Speaker 13: I have to agree with you, Christian. My mum makes

572
00:26:09,640 --> 00:26:14,879
Speaker 13: the meanest lemon cheesecake you would ever taste in your life.

573
00:26:15,720 --> 00:26:16,439
Speaker 13: And I'm biased.

574
00:26:18,440 --> 00:26:20,160
Speaker 2: Yeah, cheesecake. That base is lovely.

575
00:26:21,000 --> 00:26:21,200
Speaker 3: Ah.

576
00:26:21,520 --> 00:26:24,960
Speaker 13: She makes two all the time. She gives me one

577
00:26:25,040 --> 00:26:26,639
Speaker 13: and the rest of the family have the other.

578
00:26:28,480 --> 00:26:31,800
Speaker 2: Mummies. Boy, there with your own special that that's great.

579
00:26:31,920 --> 00:26:35,119
Speaker 13: Oh yes, and I think she uses a bucket of

580
00:26:35,240 --> 00:26:36,480
Speaker 13: lemons instead of one lemon.

581
00:26:37,359 --> 00:26:38,840
Speaker 2: Oh wow, Patsy would love that.

582
00:26:39,560 --> 00:26:42,440
Speaker 3: Yeah, I would go a lemon cheesecake. Does she use

583
00:26:42,560 --> 00:26:43,879
Speaker 3: lemons from her own garden?

584
00:26:44,520 --> 00:26:44,720
Speaker 2: Yeah?

585
00:26:44,960 --> 00:26:45,399
Speaker 7: That's right.

586
00:26:45,560 --> 00:26:47,959
Speaker 3: Yeah, because they're often better, aren't they.

587
00:26:48,840 --> 00:26:49,000
Speaker 8: Oh?

588
00:26:49,960 --> 00:26:50,720
Speaker 7: It is to die for.

589
00:26:51,280 --> 00:26:56,080
Speaker 13: Yes, Yeah, it's very nice. I've never tasted anything any

590
00:26:56,160 --> 00:26:57,160
Speaker 13: better like cheesecake.

591
00:26:57,160 --> 00:26:59,320
Speaker 2: Wise lovely Shane, thank you very much. She cool.

592
00:27:00,040 --> 00:27:00,399
Speaker 12: So you go.

593
00:27:02,680 --> 00:27:06,639
Speaker 2: You got any more lemon questions, Patsy, It's just usually.

594
00:27:06,440 --> 00:27:08,320
Speaker 3: When you grow your own lemons, they make it so

595
00:27:08,480 --> 00:27:09,000
Speaker 3: much better.

596
00:27:09,480 --> 00:27:13,400
Speaker 2: Christian Shoe podcast every day. This week we're celebrating mums

597
00:27:13,440 --> 00:27:19,479
Speaker 2: on the show. Brad are producer, an amazing man, an

598
00:27:19,480 --> 00:27:23,560
Speaker 2: amazing man. Yeah, we're lucky to lucky with radios in

599
00:27:23,760 --> 00:27:28,520
Speaker 2: world radio's oldest operator. You know, best friends went to school.

600
00:27:28,680 --> 00:27:30,359
Speaker 2: It was a couple of years above in Marconi. You

601
00:27:30,440 --> 00:27:32,920
Speaker 2: know he built the radio with Marconi, built this city

602
00:27:32,960 --> 00:27:35,440
Speaker 2: on rock and roll. That's Brad arm producer. Often me,

603
00:27:35,480 --> 00:27:38,000
Speaker 2: he will come in and say stuff, do you want?

604
00:27:39,000 --> 00:27:40,760
Speaker 2: You know? Some of two famous examples are do you

605
00:27:40,800 --> 00:27:42,840
Speaker 2: want a swearing parrot? Do you remember that time? I

606
00:27:42,840 --> 00:27:45,119
Speaker 2: don't even know. I wasn't saying we don't have anything

607
00:27:45,160 --> 00:27:46,600
Speaker 2: for tomorrow's show. He just said in the middle of

608
00:27:46,640 --> 00:27:48,119
Speaker 2: a brain sway. Oh, by the way, I've got the

609
00:27:48,200 --> 00:27:50,400
Speaker 2: number of a swearing parrot? Do you want the number

610
00:27:50,400 --> 00:27:52,200
Speaker 2: of a swear This show marks two years and color

611
00:27:52,200 --> 00:27:53,480
Speaker 2: of his time is that the show.

612
00:27:53,840 --> 00:27:56,120
Speaker 4: We should never break back bar never.

613
00:27:57,400 --> 00:27:58,920
Speaker 2: Just now he came in and went, there's those of

614
00:27:59,000 --> 00:28:02,240
Speaker 2: calls coming in about mum stories. Do you want some comedy?

615
00:28:02,320 --> 00:28:03,600
Speaker 2: To begin with right?

616
00:28:04,280 --> 00:28:04,399
Speaker 13: Right?

617
00:28:04,520 --> 00:28:07,280
Speaker 2: And then the next beat he says, following on, do

618
00:28:07,440 --> 00:28:11,840
Speaker 2: we want some comedy. I've got someone online whose mama

619
00:28:11,920 --> 00:28:13,639
Speaker 2: said to scratch her bum and there was there was

620
00:28:13,720 --> 00:28:20,680
Speaker 2: nothing else. That's not a story, all right? Nine four

621
00:28:20,760 --> 00:28:23,720
Speaker 2: one four one o four three. As always that's our numbers.

622
00:28:23,720 --> 00:28:25,320
Speaker 2: Stick it in your phones. That's our numbers every day

623
00:28:25,359 --> 00:28:27,800
Speaker 2: for your stories. This morning, we're looking for just mum stories, okay,

624
00:28:28,080 --> 00:28:30,600
Speaker 2: and our best one gets a thousand dollars Bingley Voucher.

625
00:28:31,080 --> 00:28:34,680
Speaker 2: Let's go to Maria. Good morning, Good morning, how are you.

626
00:28:35,000 --> 00:28:37,120
Speaker 2: I'm good Maria. So you've got a story about your mum.

627
00:28:37,920 --> 00:28:40,600
Speaker 10: I have got a great story about my mum and

628
00:28:41,040 --> 00:28:44,280
Speaker 10: how much of an idiot she can be. Back in

629
00:28:44,360 --> 00:28:46,560
Speaker 10: the eighties, so I was studying through an exam and

630
00:28:46,720 --> 00:28:48,960
Speaker 10: dad was home and kept complaining that I'm more than

631
00:28:49,040 --> 00:28:51,920
Speaker 10: homes making lunch. She'd gone up to the bank, and

632
00:28:52,040 --> 00:28:54,520
Speaker 10: eventually she look After about an hour and a half,

633
00:28:54,640 --> 00:28:56,600
Speaker 10: she rang and she said, oh, I'll be home soon.

634
00:28:56,760 --> 00:28:58,920
Speaker 10: I just have to wait to be interviewed by the police.

635
00:28:59,000 --> 00:29:03,000
Speaker 10: And we were like, what, I've just stopped the bank robbery.

636
00:29:04,000 --> 00:29:06,880
Speaker 10: And so she was in the bank and she noticed

637
00:29:06,880 --> 00:29:10,880
Speaker 10: that the tower next to her was being robbed and she.

638
00:29:12,960 --> 00:29:17,480
Speaker 2: Yes a double barrel shotgun and the bell glava.

639
00:29:20,680 --> 00:29:24,640
Speaker 10: Norm she reckoned. It was because the guy was wearing

640
00:29:24,760 --> 00:29:27,719
Speaker 10: sunglasses and it wasn't a sunny day, and she had

641
00:29:27,760 --> 00:29:31,360
Speaker 10: all these theories. Anyhow, she heard him say hurry up

642
00:29:31,440 --> 00:29:34,080
Speaker 10: to the teller and she was putting bundles of money

643
00:29:34,120 --> 00:29:36,720
Speaker 10: on the first thing, and she just snapped and said,

644
00:29:36,760 --> 00:29:39,440
Speaker 10: you know, my husband works really hard to put money

645
00:29:39,520 --> 00:29:42,480
Speaker 10: in this bank, and this guy just thinks he's going

646
00:29:42,560 --> 00:29:43,320
Speaker 10: to walk in and.

647
00:29:43,360 --> 00:29:44,360
Speaker 12: Take it out like that.

648
00:29:45,200 --> 00:29:47,360
Speaker 10: So as she walked behind him to get out of

649
00:29:47,440 --> 00:29:51,360
Speaker 10: the bank, she tackled him. She started screaming, yes, she

650
00:29:51,480 --> 00:29:54,880
Speaker 10: just grabbed him and started screaming health and the guy

651
00:29:55,280 --> 00:29:57,920
Speaker 10: was wearing wild Yes.

652
00:29:58,600 --> 00:29:59,240
Speaker 6: Yeah, we didn't.

653
00:29:59,480 --> 00:30:01,560
Speaker 10: She didn't know at the time because the gun was

654
00:30:01,760 --> 00:30:04,200
Speaker 10: in the jacket and the jacket was zipped up. But

655
00:30:04,720 --> 00:30:07,080
Speaker 10: he just shrugged her off and ran out of the bank.

656
00:30:07,760 --> 00:30:10,120
Speaker 10: And so she was like, okay, well I'm going now,

657
00:30:10,160 --> 00:30:10,600
Speaker 10: and they're like, no.

658
00:30:10,680 --> 00:30:11,360
Speaker 6: You've got to stay.

659
00:30:13,760 --> 00:30:16,440
Speaker 2: I tried, I tried. Cowards did nothing.

660
00:30:17,800 --> 00:30:20,280
Speaker 10: So the guy was using his own car as the

661
00:30:20,320 --> 00:30:23,000
Speaker 10: getaway car, and so the police went and picked him

662
00:30:23,040 --> 00:30:24,080
Speaker 10: up that night anyway, and.

663
00:30:27,760 --> 00:30:29,800
Speaker 2: Yeah that's my car. Yeah, you were in a robbery earlier.

664
00:30:29,840 --> 00:30:34,560
Speaker 10: Oh so so she came home and so I had

665
00:30:34,600 --> 00:30:36,840
Speaker 10: to stay and be interviewed for by the police, which

666
00:30:36,880 --> 00:30:40,000
Speaker 10: she thought was very very It was just wasn't in

667
00:30:40,080 --> 00:30:43,480
Speaker 10: her plans. So eventually she came home. But that night

668
00:30:44,160 --> 00:30:48,400
Speaker 10: they actually sent her around a counselor. So the bank

669
00:30:48,440 --> 00:30:50,440
Speaker 10: did so well, the police and around a councilor to

670
00:30:50,520 --> 00:30:52,400
Speaker 10: tell her how lucky she was. And then she got

671
00:30:52,520 --> 00:30:55,120
Speaker 10: realized that she could have been in danger. But we

672
00:30:55,280 --> 00:30:57,960
Speaker 10: just thought it was absolutely hysterical. We called her Rambow

673
00:30:58,080 --> 00:30:59,080
Speaker 10: some months after.

674
00:31:00,320 --> 00:31:00,720
Speaker 2: Mumbo.

675
00:31:03,600 --> 00:31:05,680
Speaker 10: The good thing about it was that she actually won

676
00:31:05,760 --> 00:31:09,240
Speaker 10: a ten thousand dollar rewards for stopping the bank robbery.

677
00:31:10,000 --> 00:31:12,720
Speaker 10: And so when she finally got the check, she came

678
00:31:12,800 --> 00:31:14,760
Speaker 10: home and she showed it to Dad and she said, oh, look,

679
00:31:14,800 --> 00:31:17,400
Speaker 10: I've got this ten thousand dollar reward. So I'm going

680
00:31:17,480 --> 00:31:19,160
Speaker 10: on a cruise to Alaska. You can come if you

681
00:31:19,280 --> 00:31:20,640
Speaker 10: want to, but you have to pay for yourself.

682
00:31:22,600 --> 00:31:25,720
Speaker 2: That's amazing. I mean, Yomoma is obviously very, very lucky,

683
00:31:25,760 --> 00:31:28,000
Speaker 2: because this could have been an entirely different story. But

684
00:31:28,960 --> 00:31:30,800
Speaker 2: it's still an incredible act of bravery, even though she

685
00:31:30,840 --> 00:31:31,880
Speaker 2: didn't know the guy was armed.

686
00:31:31,880 --> 00:31:37,120
Speaker 10: But no, it was an incredible act of stupidity. We

687
00:31:37,600 --> 00:31:40,320
Speaker 10: love her dearly that we could not impress enough on

688
00:31:40,440 --> 00:31:41,040
Speaker 10: her hat.

689
00:31:41,800 --> 00:31:44,040
Speaker 2: And she still works to this day as their security guard.

690
00:31:47,520 --> 00:31:49,960
Speaker 2: That's awesome. I love that story about Mumbo. That's great.

691
00:31:50,080 --> 00:31:52,200
Speaker 2: What's your mum's name. What's this great mum's name, Maria.

692
00:31:53,000 --> 00:31:55,160
Speaker 10: Her name's Peggy, and I'd like to say hello to

693
00:31:55,280 --> 00:31:58,080
Speaker 10: her because she's down at Redhill with my sister in

694
00:31:58,160 --> 00:32:01,240
Speaker 10: isolation right now. I texted them to say that I

695
00:32:01,360 --> 00:32:04,280
Speaker 10: was going to be so good morning. Mom, don't kill me.

696
00:32:05,720 --> 00:32:07,840
Speaker 2: Shout out to Peggy. That's a great story. You've got

697
00:32:07,840 --> 00:32:10,280
Speaker 2: an awesome mum, Maria. Thank you very much, My pleasure.

698
00:32:11,200 --> 00:32:14,960
Speaker 1: Christian Chris Christian O'Connell.

699
00:32:14,560 --> 00:32:18,640
Speaker 2: Show show yesterday at this radio station, Huggy Midfield General

700
00:32:18,720 --> 00:32:22,080
Speaker 2: mister mid Mornings here mark twenty nine years at this

701
00:32:22,280 --> 00:32:24,920
Speaker 2: radio station. A remarkable rum which is a lot about

702
00:32:25,000 --> 00:32:26,920
Speaker 2: just how well loved he is and how good he

703
00:32:27,040 --> 00:32:29,960
Speaker 2: is at his job. A day in dow He's never down.

704
00:32:30,360 --> 00:32:32,600
Speaker 2: He's always happy to be on air. And there are

705
00:32:32,600 --> 00:32:34,400
Speaker 2: a lot of people who when they've been in radio

706
00:32:34,400 --> 00:32:36,640
Speaker 2: wil are jaded and cinecle hug isn't one of them.

707
00:32:36,640 --> 00:32:40,160
Speaker 2: He's got a genuine joy of radio and the legacy

708
00:32:40,240 --> 00:32:41,800
Speaker 2: of radio and still been lucky to be part of

709
00:32:41,840 --> 00:32:44,080
Speaker 2: it today. And when we started here he was nothing

710
00:32:44,120 --> 00:32:46,080
Speaker 2: but behind that one hundred percent when he didn't need

711
00:32:46,160 --> 00:32:48,240
Speaker 2: to be so. Anyway, it's a big day yesterday for

712
00:32:48,280 --> 00:32:50,520
Speaker 2: the station, and obviously, Pats, you're out and whereby after

713
00:32:50,600 --> 00:32:53,000
Speaker 2: the show, we all sat around and we sang kind

714
00:32:53,000 --> 00:32:56,760
Speaker 2: of happy radio birthday to Hugging and we had some

715
00:32:57,080 --> 00:32:59,520
Speaker 2: had some cake. Now I didn't know this about hug

716
00:32:59,640 --> 00:33:01,160
Speaker 2: It being will with him two years and I met

717
00:33:01,160 --> 00:33:03,400
Speaker 2: his lovely wife and now about his family and stuff

718
00:33:03,400 --> 00:33:05,360
Speaker 2: like that, but I didn't know about this is the

719
00:33:05,400 --> 00:33:08,000
Speaker 2: big guy. He's got a very specific fear to do

720
00:33:08,080 --> 00:33:08,480
Speaker 2: with cake.

721
00:33:08,600 --> 00:33:12,440
Speaker 3: Do you know this is It's well known and well

722
00:33:12,560 --> 00:33:16,640
Speaker 3: documented in that building in there. He listeners have seen

723
00:33:16,720 --> 00:33:19,000
Speaker 3: him cakes and he doesn't like to eat them.

724
00:33:19,480 --> 00:33:21,240
Speaker 2: Well, there's a separate thing about why he shouldn't do

725
00:33:21,320 --> 00:33:24,280
Speaker 2: that because they might be poisoned. But you know, his

726
00:33:24,480 --> 00:33:27,080
Speaker 2: fear of cakes is about. It's a fear of not

727
00:33:27,320 --> 00:33:29,800
Speaker 2: knowing the origins of the cake.

728
00:33:31,560 --> 00:33:34,840
Speaker 4: So unless essentially, unless he's seen the all the ingredients

729
00:33:34,920 --> 00:33:36,840
Speaker 4: go into it, he won't eat a cake.

730
00:33:36,680 --> 00:33:37,480
Speaker 3: He doesn't trust it.

731
00:33:37,640 --> 00:33:40,120
Speaker 2: Yeah. No, And it took a lot of coaxing from

732
00:33:40,200 --> 00:33:42,840
Speaker 2: us to try and get him to have his birthday

733
00:33:42,920 --> 00:33:46,080
Speaker 2: cake yesterday. Did you see him have any He did have?

734
00:33:46,280 --> 00:33:48,600
Speaker 2: Some how shocked that he did.

735
00:33:49,120 --> 00:33:49,320
Speaker 15: Yeah.

736
00:33:49,640 --> 00:33:51,880
Speaker 2: The boss had to assure him where it had come

737
00:33:51,960 --> 00:33:54,800
Speaker 2: from and how it been put together and stuff like that,

738
00:33:54,880 --> 00:33:56,520
Speaker 2: and you know it won't be one. I only mean

739
00:33:56,560 --> 00:33:58,080
Speaker 2: to laugh at his phobias right there. People have all

740
00:33:58,160 --> 00:34:00,520
Speaker 2: kinds of phoberas. They can be really painful. But I've

741
00:34:00,560 --> 00:34:03,760
Speaker 2: never heard of you know, most phobias are pretty well known,

742
00:34:03,760 --> 00:34:05,720
Speaker 2: aren't they. But I've never heard of a fear of

743
00:34:06,240 --> 00:34:08,320
Speaker 2: the origin of cakes. And I had to look online

744
00:34:08,360 --> 00:34:11,040
Speaker 2: because there's a name for virtually every kind of phobia.

745
00:34:11,400 --> 00:34:15,480
Speaker 2: There's allodexophobia, which is the fear of opinions. One of

746
00:34:15,520 --> 00:34:18,920
Speaker 2: our bosses here has. That's very We're never allowed to

747
00:34:19,040 --> 00:34:22,279
Speaker 2: set off the rash otherwise, you know, giving opinions. What

748
00:34:22,400 --> 00:34:24,880
Speaker 2: about this one? Papaphobia is a fear of the pope.

749
00:34:25,880 --> 00:34:27,719
Speaker 2: Yeah really, I mean you're going to have a pretty

750
00:34:27,760 --> 00:34:30,120
Speaker 2: good life. I mean, how is that going to flare up?

751
00:34:30,320 --> 00:34:32,479
Speaker 2: A fear of the you know, Easter Sundays on TV.

752
00:34:33,400 --> 00:34:36,520
Speaker 2: The rash is coming up. The Papaphobia's back. I've had

753
00:34:36,560 --> 00:34:40,440
Speaker 2: this one sometimes, especially with home schooling at the moment. Nostrophobia,

754
00:34:40,520 --> 00:34:47,160
Speaker 2: that's a fear of returning home. I love this one.

755
00:34:48,920 --> 00:34:53,680
Speaker 2: A phobia is a fear of atomic explosions. Well, surely

756
00:34:53,760 --> 00:34:56,799
Speaker 2: we all have that, yeah, exactly, and there's all yeah,

757
00:34:56,800 --> 00:34:58,279
Speaker 2: there's a whole load, but I've never heard of the

758
00:34:58,360 --> 00:35:00,759
Speaker 2: very specific one. A fear of the origin of cakes

759
00:35:00,760 --> 00:35:02,239
Speaker 2: and not knowing where the cake has come from. So

760
00:35:02,440 --> 00:35:05,440
Speaker 2: if you have an unusual phobia, let us know this morning.

761
00:35:05,480 --> 00:35:08,279
Speaker 2: What is it? Unusual phobias? I don't know. This is

762
00:35:08,280 --> 00:35:09,879
Speaker 2: a phobia. One thing I don't like. You remember when

763
00:35:09,880 --> 00:35:11,040
Speaker 2: you were a kid, and you don't have to do

764
00:35:11,080 --> 00:35:12,360
Speaker 2: it too often as an adult. But I used to

765
00:35:12,400 --> 00:35:14,120
Speaker 2: get lot of sore throats. They took my tonsels out,

766
00:35:14,239 --> 00:35:15,560
Speaker 2: so I have to go to the doctors and have

767
00:35:15,640 --> 00:35:16,839
Speaker 2: that horrible wooden.

768
00:35:18,680 --> 00:35:22,840
Speaker 3: Pedal makes me dry.

769
00:35:24,160 --> 00:35:28,960
Speaker 2: Fingers. How can something be so dry? It goes beyond dry.

770
00:35:30,520 --> 00:35:32,400
Speaker 2: Just a touch of it, a light just touch on

771
00:35:32,520 --> 00:35:34,560
Speaker 2: your tongue and then they're pressing down the tongue.

772
00:35:34,320 --> 00:35:36,960
Speaker 4: To and then imagine if they would scrape it.

773
00:35:39,360 --> 00:35:43,920
Speaker 2: Phobia Okay, yeah, it's actually making my throats. Okay, So

774
00:35:44,200 --> 00:35:49,080
Speaker 2: we're looking for your unusual phobias. Shoe Podcast talk about

775
00:35:49,160 --> 00:35:53,800
Speaker 2: unusual phobias this morning. Bobby listener, Bobby has an unusual

776
00:35:53,840 --> 00:35:58,120
Speaker 2: phoba of Coleslaw. Not just that he's put block caps

777
00:36:01,680 --> 00:36:03,920
Speaker 2: about it. I think for a lot of this stuff,

778
00:36:03,920 --> 00:36:05,719
Speaker 2: it's texture and stuff like that for a lot of us,

779
00:36:05,760 --> 00:36:07,720
Speaker 2: isn't it feels like the tongue depressed of that dryness?

780
00:36:07,760 --> 00:36:10,920
Speaker 2: And Christian I can't. I have a terrible fear of

781
00:36:11,080 --> 00:36:14,359
Speaker 2: ice cubes. I fear they will stick to my skin.

782
00:36:14,520 --> 00:36:19,840
Speaker 2: That comes from the mysteriously named Woozy. Robert's got a

783
00:36:19,880 --> 00:36:22,759
Speaker 2: phobia feet kind of look at his own feet. That's

784
00:36:22,800 --> 00:36:24,560
Speaker 2: got to be troubling putting your shoes or to go

785
00:36:24,640 --> 00:36:27,120
Speaker 2: to work, isn't that? How are you looking at some

786
00:36:27,280 --> 00:36:29,840
Speaker 2: assistant doing that for you, putting your socks on? And

787
00:36:30,200 --> 00:36:32,799
Speaker 2: that's incredible? We are we curious things as human beings

788
00:36:32,880 --> 00:36:35,840
Speaker 2: are the torment that we just do to ourselves. Gareth,

789
00:36:36,360 --> 00:36:39,160
Speaker 2: I used to be petrified of buttons on clothing. I

790
00:36:39,200 --> 00:36:42,480
Speaker 2: have no idea why this is from Lucy. I'm terrified

791
00:36:42,520 --> 00:36:45,400
Speaker 2: of the feeling of oil. I work as a chef

792
00:36:46,000 --> 00:36:48,359
Speaker 2: after wed gloves all the time, so I don't come

793
00:36:48,400 --> 00:36:51,720
Speaker 2: in direct contact with oil. I mean olive oil, cooking oil, sesame,

794
00:36:51,760 --> 00:36:55,280
Speaker 2: all that stuff that's from Lucy. It's got the lines,

795
00:36:55,280 --> 00:36:57,279
Speaker 2: so we've got to be on the line. Good morning, Bee,

796
00:36:57,920 --> 00:37:00,560
Speaker 2: Hi Christian, I'm good to be your other s morning.

797
00:37:00,600 --> 00:37:03,160
Speaker 2: Thanks for calling in. And what's your unusual phobia? Mate?

798
00:37:03,840 --> 00:37:10,120
Speaker 16: Polystyrene? That yeah, thinking about it makes my blood cearl

799
00:37:10,239 --> 00:37:13,000
Speaker 16: and my stomach just we were in the fruit shop

800
00:37:13,040 --> 00:37:16,320
Speaker 16: the other day and I actually like I heard some

801
00:37:16,400 --> 00:37:18,640
Speaker 16: of the guy was like putting some cucumbers or something

802
00:37:18,680 --> 00:37:22,400
Speaker 16: out and I heard some the polystyrene, and my stomach like.

803
00:37:22,480 --> 00:37:24,000
Speaker 14: I literally just had to stop.

804
00:37:24,040 --> 00:37:25,440
Speaker 16: And my part it was like what's wrong? And I

805
00:37:25,520 --> 00:37:26,480
Speaker 16: pointed at and he just.

806
00:37:26,480 --> 00:37:27,400
Speaker 5: Started laughing at me.

807
00:37:27,520 --> 00:37:29,399
Speaker 16: He teases me about it all the time.

808
00:37:29,960 --> 00:37:32,080
Speaker 2: Yeah, what is it about that? I get that completely.

809
00:37:32,360 --> 00:37:34,680
Speaker 2: It's the noise. And then it's like, what is that

810
00:37:34,800 --> 00:37:36,960
Speaker 2: that sound that it makes? Why does it make us

811
00:37:37,080 --> 00:37:38,600
Speaker 2: it's like fingers down a chalkboard for me.

812
00:37:38,680 --> 00:37:40,880
Speaker 16: That is most definitely it's not.

813
00:37:41,400 --> 00:37:44,319
Speaker 2: It's terrible evil stuff I dread when I open up

814
00:37:44,360 --> 00:37:52,919
Speaker 2: a package and there's polystone. Al Right, be love you stuff,

815
00:37:52,920 --> 00:37:54,120
Speaker 2: thank you very much, and give us school. Have a

816
00:37:54,160 --> 00:37:58,840
Speaker 2: good day, thanks Christian buye Irene. Good morning, Good morning.

817
00:37:59,480 --> 00:38:02,520
Speaker 12: I have the rational fear of tomato sauce.

818
00:38:04,239 --> 00:38:05,200
Speaker 4: Are you missing out?

819
00:38:05,800 --> 00:38:08,359
Speaker 2: I mean, well, as far as pizza, you can't even

820
00:38:08,360 --> 00:38:10,040
Speaker 2: have the tomato sauce or the pizza.

821
00:38:10,520 --> 00:38:14,240
Speaker 12: Well, that's the difference. It's a ketchup, so tomato kitchip sauce,

822
00:38:14,680 --> 00:38:20,320
Speaker 12: so tomato paste pure, that's fine. It's the ketchup that

823
00:38:20,719 --> 00:38:24,960
Speaker 12: get that really send shivers down my spine.

824
00:38:25,040 --> 00:38:27,160
Speaker 2: It isn't that interesting now, It's just been since childhood,

825
00:38:27,200 --> 00:38:28,560
Speaker 2: so you could have any of the ketch up with

826
00:38:28,680 --> 00:38:29,279
Speaker 2: chips or anything.

827
00:38:30,200 --> 00:38:34,000
Speaker 12: So as far as I can remember, I think I

828
00:38:34,040 --> 00:38:36,680
Speaker 12: can date it back to watching a movie and I

829
00:38:36,800 --> 00:38:39,959
Speaker 12: was crying. I was about four years old and Mom said,

830
00:38:40,600 --> 00:38:43,840
Speaker 12: it's not blood, it's not real. It's just tomato sauce.

831
00:38:44,239 --> 00:38:48,640
Speaker 12: And I think it's from men. Think yeah, it's.

832
00:38:48,400 --> 00:38:51,200
Speaker 2: Actually your child mind as development at the age of four,

833
00:38:51,239 --> 00:38:53,480
Speaker 2: Ward then next time you see a bottle of ketchup,

834
00:38:53,680 --> 00:38:54,960
Speaker 2: you're just gonna think it was a botle of blood.

835
00:38:54,960 --> 00:38:56,120
Speaker 2: Why would I want that? My chips?

836
00:38:56,120 --> 00:39:00,319
Speaker 12: So are these families so at the sight of at all.

837
00:39:02,000 --> 00:39:04,680
Speaker 12: If if we're having dinner or something and my husband

838
00:39:04,760 --> 00:39:08,520
Speaker 12: wants tomato saus I will sit further away from him

839
00:39:08,640 --> 00:39:11,000
Speaker 12: so I don't see it, I don't smell it, And

840
00:39:11,120 --> 00:39:13,680
Speaker 12: if he doesn't put it away back in the fridge,

841
00:39:14,200 --> 00:39:16,200
Speaker 12: I won't touch it. I'll leave it there and then

842
00:39:16,280 --> 00:39:19,880
Speaker 12: throw it out like I'll get tongues and put it

843
00:39:19,960 --> 00:39:20,399
Speaker 12: in the bin.

844
00:39:23,440 --> 00:39:28,799
Speaker 2: Hazes Irene. Awesome stuff. Thank you very much for sharing

845
00:39:28,840 --> 00:39:32,480
Speaker 2: that with us this morning. No, thank you, all right, Lisa,

846
00:39:32,600 --> 00:39:33,600
Speaker 2: Good morning, Lisa.

847
00:39:33,960 --> 00:39:34,960
Speaker 14: Good morning Christian.

848
00:39:35,120 --> 00:39:36,840
Speaker 2: All right. What's your unusual phobia?

849
00:39:36,880 --> 00:39:37,080
Speaker 1: Mate?

850
00:39:37,360 --> 00:39:37,600
Speaker 12: Oh?

851
00:39:37,760 --> 00:39:43,600
Speaker 14: My unusual phobia is tinseful. So Christmas time is troublesome.

852
00:39:46,080 --> 00:39:49,120
Speaker 14: I feel like the grange. Although my family and friends

853
00:39:49,160 --> 00:39:51,960
Speaker 14: are very supportive and no longer decorate with pins, which

854
00:39:52,000 --> 00:39:59,320
Speaker 14: I really appreciate. We use other decorations. There's lots to

855
00:39:59,400 --> 00:40:01,440
Speaker 14: due from it business time. Just avoid.

856
00:40:06,160 --> 00:40:06,200
Speaker 9: It.

857
00:40:06,320 --> 00:40:09,240
Speaker 14: Will it will care for my anxiety and also stop

858
00:40:09,280 --> 00:40:11,000
Speaker 14: me from feeling constantly nauseous.

859
00:40:11,000 --> 00:40:13,040
Speaker 4: At Christmas time and is it a texture thing?

860
00:40:13,080 --> 00:40:15,120
Speaker 12: Again, it's a texture thing.

861
00:40:15,400 --> 00:40:18,279
Speaker 14: I actually feel physically ill. I don't know if I'm

862
00:40:18,320 --> 00:40:23,239
Speaker 14: scared it'll attack me or attached to me or incredibly irrational.

863
00:40:23,440 --> 00:40:29,480
Speaker 14: And it's definitely Christmas time from basically October onwards is

864
00:40:29,680 --> 00:40:30,280
Speaker 14: a nightmare.

865
00:40:30,520 --> 00:40:30,719
Speaker 2: Yeah.

866
00:40:30,760 --> 00:40:33,520
Speaker 4: And as Christmas gets early and earlier each year, more

867
00:40:33,560 --> 00:40:34,560
Speaker 4: of your year is gone.

868
00:40:35,160 --> 00:40:35,480
Speaker 2: That's it.

869
00:40:35,760 --> 00:40:40,600
Speaker 14: That's it. So I spend my time avoiding shops that

870
00:40:40,760 --> 00:40:42,200
Speaker 14: have it on their decoration.

871
00:40:42,719 --> 00:40:45,640
Speaker 2: Every single shop, whether it's your butchers or anything. They've

872
00:40:45,680 --> 00:40:46,920
Speaker 2: all got tensil in the window.

873
00:40:47,440 --> 00:40:47,719
Speaker 9: That's it.

874
00:40:47,840 --> 00:40:49,640
Speaker 14: I wear like those horse blinders at.

875
00:40:49,560 --> 00:40:57,719
Speaker 2: Chris coming into a pack with pincil Lisa. Incredible. All right, Lisa,

876
00:40:57,760 --> 00:40:59,279
Speaker 2: thank you very much to share and have a good day.

877
00:40:59,719 --> 00:41:00,719
Speaker 14: Thank you, Thank you guys, you too.

878
00:41:00,920 --> 00:41:01,200
Speaker 12: Bye.

879
00:41:01,640 --> 00:41:06,759
Speaker 2: The Christian O'Connell show podcast The Isolated Vocal where we

880
00:41:06,800 --> 00:41:09,880
Speaker 2: played back a song without any of the rest of it.

881
00:41:09,920 --> 00:41:13,200
Speaker 2: It's just the raw, isolated vocal and it makes you

882
00:41:13,400 --> 00:41:15,279
Speaker 2: were here and feel the song in a very different way.

883
00:41:15,480 --> 00:41:16,880
Speaker 2: This is a bit of fun from the eighties. I

884
00:41:17,000 --> 00:41:18,840
Speaker 2: was a huge in the eighties. No sometimes used to

885
00:41:19,080 --> 00:41:21,520
Speaker 2: write your band's logo on your school Bang for me,

886
00:41:21,840 --> 00:41:24,480
Speaker 2: I had a lot of the classic VH logo for

887
00:41:24,640 --> 00:41:26,560
Speaker 2: Van Halen. I love this band. I thought they were

888
00:41:26,560 --> 00:41:28,600
Speaker 2: an awesome band, and Jump was one of the biggest

889
00:41:28,640 --> 00:41:32,200
Speaker 2: hits of the eighties with that amazing synth line and

890
00:41:32,360 --> 00:41:35,680
Speaker 2: also the isolate the vocal from David Lee Roth. So

891
00:41:35,840 --> 00:41:38,680
Speaker 2: this is Jump, huge hit back in nineteen eighty three

892
00:41:38,760 --> 00:41:42,279
Speaker 2: by the awesome Van Halen. This week's isolated star take

893
00:41:42,320 --> 00:41:46,720
Speaker 2: it away, davely Roth? How how you who said that? Maybe?

894
00:41:46,800 --> 00:41:53,160
Speaker 2: How you being? You say you down? Know you well

895
00:41:53,360 --> 00:41:59,879
Speaker 2: know until you begin. Can't you see me standing here?

896
00:42:00,080 --> 00:42:05,000
Speaker 2: I got my back against the wrecking machine. I hate

897
00:42:05,080 --> 00:42:15,160
Speaker 2: the worst that you've seen. Can't you see what I mean? Oh? Maswell?

898
00:42:15,360 --> 00:42:25,680
Speaker 2: Jump job, Go ahead ahead, Jump Maswell, Jump job, Go

899
00:42:25,800 --> 00:42:27,120
Speaker 2: ahead ahead, Jump.

900
00:42:29,760 --> 00:42:30,000
Speaker 9: Job.

901
00:42:31,840 --> 00:42:35,479
Speaker 2: This week's I stated vocal David Lee Roth Van Halen Jump.

902
00:42:35,800 --> 00:42:37,319
Speaker 2: You must have found you know, much of their other

903
00:42:37,360 --> 00:42:40,120
Speaker 2: stuff Van Hayden Jack guitar man. You would love Van

904
00:42:40,160 --> 00:42:40,760
Speaker 2: had Definitely.

905
00:42:40,800 --> 00:42:43,520
Speaker 4: When I was a kid in high school, even fifteen

906
00:42:43,600 --> 00:42:45,759
Speaker 4: years after it would have come out, kids were trying

907
00:42:45,800 --> 00:42:48,120
Speaker 4: to learn eruption, eruption, guitar.

908
00:42:48,160 --> 00:42:50,000
Speaker 2: Eruption, and there the other brilliance on There is this

909
00:42:50,320 --> 00:42:53,120
Speaker 2: Panama as well is an amazing song. I love that.

910
00:42:53,200 --> 00:42:54,680
Speaker 2: I have to did that and listen to it on

911
00:42:54,760 --> 00:42:56,360
Speaker 2: the way home. I was just telling Jack how I

912
00:42:56,960 --> 00:42:59,719
Speaker 2: was fan Hayden fans might know that that a Jump

913
00:42:59,840 --> 00:43:02,280
Speaker 2: is one of the rare Vone Halen songs that actually

914
00:43:02,360 --> 00:43:05,320
Speaker 2: begins with a synth part rather than a big, chunky

915
00:43:05,400 --> 00:43:07,759
Speaker 2: guitar part. That's why it stands out in the whole

916
00:43:07,960 --> 00:43:09,840
Speaker 2: Vane Halen canon. I'm very interesting.

917
00:43:10,400 --> 00:43:12,640
Speaker 4: I did find a bit interesting about Hall of Notes.

918
00:43:12,760 --> 00:43:15,320
Speaker 2: Yeah, obviously it's got the synth that you all know

919
00:43:15,360 --> 00:43:18,040
Speaker 2: that'd be kind of synth thing. And in an interview

920
00:43:18,080 --> 00:43:20,279
Speaker 2: with Daryl Hall, I'm a big fan of Halder Notes.

921
00:43:20,400 --> 00:43:23,400
Speaker 2: An interviewer said, oh, Eddie Van Halen's just confessed that

922
00:43:23,480 --> 00:43:27,720
Speaker 2: he stole the synth line in Jump from Your Kisses

923
00:43:27,760 --> 00:43:30,560
Speaker 2: on My List, stole it all from that song. Daryl

924
00:43:30,600 --> 00:43:32,279
Speaker 2: Hall is smarter and I having got a problem with that.

925
00:43:32,600 --> 00:43:35,880
Speaker 2: We stole our whole sound from singers before us. Rock

926
00:43:35,920 --> 00:43:38,480
Speaker 2: and roll is about inspiration and theft as well, both

927
00:43:38,520 --> 00:43:40,680
Speaker 2: of those. I have no problem with that, all right.

928
00:43:40,680 --> 00:43:44,879
Speaker 2: We got some great emails late to the party. Late

929
00:43:50,920 --> 00:43:52,680
Speaker 2: every single day of the show. We are blessed with

930
00:43:53,120 --> 00:43:55,279
Speaker 2: the stories you share with us on the phones and

931
00:43:55,360 --> 00:43:57,720
Speaker 2: also on the email as well. If it's easier to email,

932
00:43:57,800 --> 00:43:59,920
Speaker 2: than that's all good. We call it Latela Party. It's

933
00:44:00,120 --> 00:44:01,440
Speaker 2: made to make it easy for you if you want

934
00:44:01,440 --> 00:44:03,360
Speaker 2: to drop us a line you hear something on the

935
00:44:03,400 --> 00:44:05,080
Speaker 2: show might have been last week or catching it with

936
00:44:05,120 --> 00:44:06,960
Speaker 2: an old podcast. You can still be part of the

937
00:44:07,000 --> 00:44:09,040
Speaker 2: show whenever you want. We called it lates the Party

938
00:44:09,080 --> 00:44:11,080
Speaker 2: because nothing we talk about on the show is ever

939
00:44:11,200 --> 00:44:13,880
Speaker 2: left completely dead. So a couple of these to go

940
00:44:13,960 --> 00:44:18,560
Speaker 2: through subject heading horrifying TV show. This is great. Some

941
00:44:18,680 --> 00:44:21,160
Speaker 2: of you will go down a wormhole with this Christian.

942
00:44:21,680 --> 00:44:23,960
Speaker 2: Yesterday on the show, you were talking about scary characters

943
00:44:24,000 --> 00:44:26,640
Speaker 2: and kids. TV shows reminded me of a trauma ized

944
00:44:26,800 --> 00:44:30,400
Speaker 2: for There's a classic Australian show called Dot and the Kangaroo.

945
00:44:30,520 --> 00:44:33,440
Speaker 3: Patsy, Yes, I remember Dot and the Kangaroo.

946
00:44:34,480 --> 00:44:39,319
Speaker 2: Innocent little show obviously about a kangaroo and a Dot Dot.

947
00:44:39,520 --> 00:44:41,200
Speaker 3: I think No, I wasn't.

948
00:44:44,320 --> 00:44:46,400
Speaker 2: A scenario looking out the window. What is it you're

949
00:44:46,440 --> 00:44:47,600
Speaker 2: doing shopping online?

950
00:44:48,120 --> 00:44:51,040
Speaker 3: No, I'm saying I think the kangaroo's name was Dot

951
00:44:51,200 --> 00:44:52,160
Speaker 3: wasn't it in this show?

952
00:44:52,320 --> 00:44:54,279
Speaker 4: Well, it's called Dot and the Kangaroo, so I doubt it.

953
00:44:54,719 --> 00:44:55,879
Speaker 3: Hang on, I'm going to my name.

954
00:44:55,920 --> 00:45:01,759
Speaker 2: Isn't Christian and the O'Connell then now Christian and the o'connells.

955
00:45:01,880 --> 00:45:03,920
Speaker 2: It's not like an Irish folk band. Actually, that's right.

956
00:45:03,960 --> 00:45:06,400
Speaker 3: It was an animation Dot in the Kangaroo in nineteen

957
00:45:06,520 --> 00:45:10,000
Speaker 3: seventy seven, Aussie film which combines animation and play.

958
00:45:10,040 --> 00:45:14,440
Speaker 2: On Wikipedia, who is Dot Trump?

959
00:45:15,440 --> 00:45:17,640
Speaker 3: I'm trying to find was it Dot? Was Dot the

960
00:45:17,719 --> 00:45:19,440
Speaker 3: Kangaroo's I'm asking you, don't ask me.

961
00:45:19,600 --> 00:45:21,279
Speaker 2: It's like a politician Trump does this.

962
00:45:21,680 --> 00:45:23,600
Speaker 3: Yeah, and Dot the Bunny.

963
00:45:23,440 --> 00:45:27,879
Speaker 2: That's not it anyway. There's a classic Australian show.

964
00:45:27,960 --> 00:45:29,719
Speaker 3: Dot was a little redheaded girl this.

965
00:45:29,960 --> 00:45:32,000
Speaker 2: I just said, was it Dot? And he went yes.

966
00:45:32,360 --> 00:45:35,080
Speaker 2: He stopped talking to me. I'm not focused on this link.

967
00:45:35,880 --> 00:45:37,160
Speaker 2: I'll tell you what I'm going to do. I'm gonna

968
00:45:37,160 --> 00:45:40,200
Speaker 2: start this. Come on, everyone, am I said the other

969
00:45:40,320 --> 00:45:43,520
Speaker 2: day tight focus formation. We're flying in a Vega play.

970
00:45:49,120 --> 00:45:51,759
Speaker 2: Horror fighting TV show covered that bit. Georgie McCall, that's

971
00:45:51,800 --> 00:45:54,359
Speaker 2: the lady who's evening in. That's a classic Australian show

972
00:45:54,400 --> 00:45:57,560
Speaker 2: called Dot on the Kangaroo. Perhapsy you Russell remember that.

973
00:45:58,280 --> 00:46:00,880
Speaker 3: I remember Dot the Kangaroo. It was about a kangaroo

974
00:46:00,920 --> 00:46:03,279
Speaker 3: and he's little mate, Dot, little redhaired girl.

975
00:46:03,480 --> 00:46:06,479
Speaker 2: Oh, thank you for knowing that. Great service. It's about

976
00:46:06,480 --> 00:46:09,520
Speaker 2: a wholesome friendship between two unlikely pals. My parents used

977
00:46:09,520 --> 00:46:10,879
Speaker 2: to sit my brother and I in front of the show.

978
00:46:11,120 --> 00:46:14,520
Speaker 2: There was usually Joyce viewing Christian. They would leave us alone,

979
00:46:14,960 --> 00:46:17,279
Speaker 2: glued to the TV, placing immense trust in both Dot

980
00:46:17,400 --> 00:46:19,920
Speaker 2: and the Kangaroo to look after us. However, one episode,

981
00:46:19,960 --> 00:46:23,200
Speaker 2: Dot the Kangaroo were visited by the bun Yip Spirit.

982
00:46:23,800 --> 00:46:26,799
Speaker 2: It wasn't great. We already broke us though. The accompanying

983
00:46:27,239 --> 00:46:29,800
Speaker 2: music I've attached for you, She's actually sent me an attachment,

984
00:46:30,760 --> 00:46:34,279
Speaker 2: the most hauntingly eerie piano song ever and composed by

985
00:46:34,320 --> 00:46:37,200
Speaker 2: a human. I haven't seen the episode for twenty odd years,

986
00:46:37,360 --> 00:46:39,920
Speaker 2: but I can still hum. Every note from this bit

987
00:46:39,960 --> 00:46:42,920
Speaker 2: of music can be heard below in this email I've

988
00:46:42,920 --> 00:46:44,400
Speaker 2: got she got it? Here? Have I listened to this?

989
00:46:44,719 --> 00:46:45,879
Speaker 2: I mean, who plays kids?

990
00:46:45,960 --> 00:46:46,000
Speaker 12: This?

991
00:46:49,520 --> 00:46:52,440
Speaker 2: I hope for the piano to kick in. So depressing.

992
00:47:01,480 --> 00:47:10,800
Speaker 2: Don't have nightmares? That is chilly? Do you know what tomorrow?

993
00:47:10,840 --> 00:47:12,960
Speaker 2: When we give away the last one thousand dollars Bingley

994
00:47:13,040 --> 00:47:15,160
Speaker 2: voucher to someone's mum's story and go, well now, and

995
00:47:15,200 --> 00:47:17,359
Speaker 2: you've got one thousand dollars five your mom?

996
00:47:17,960 --> 00:47:19,000
Speaker 16: What did you're going to know?

997
00:47:19,239 --> 00:47:29,439
Speaker 2: Our Mother's day with your mom, Marie. Georgie continues. Also

998
00:47:29,520 --> 00:47:31,640
Speaker 2: the back of Thomas the Tangkinchin, you had a lady

999
00:47:31,640 --> 00:47:33,879
Speaker 2: who called in complaining about it. I understand the fear

1000
00:47:33,920 --> 00:47:37,120
Speaker 2: of trains with faces. However, it's confused why her fear

1001
00:47:37,680 --> 00:47:40,520
Speaker 2: was focused on Henry the gentle push of a train,

1002
00:47:40,880 --> 00:47:43,640
Speaker 2: rather than the real problem in that show was Gordon,

1003
00:47:43,680 --> 00:47:48,680
Speaker 2: the short tempered, toxic masculinity train picture listen list. I

1004
00:47:48,760 --> 00:47:50,920
Speaker 2: love this email. I'm going to send you the We've

1005
00:47:50,960 --> 00:47:53,440
Speaker 2: got one hundred dollars Chemists warehouse gift pattern. I said

1006
00:47:53,480 --> 00:47:56,800
Speaker 2: it to you, Georgie. Picture also attached for reference. She

1007
00:47:56,880 --> 00:47:59,160
Speaker 2: had two attachs with this email on the back of

1008
00:47:59,200 --> 00:48:02,000
Speaker 2: the bun Yip incident. Hang on Bunyip incident, you said,

1009
00:48:05,200 --> 00:48:07,359
Speaker 2: I slept in my parents' bed for months on end

1010
00:48:07,400 --> 00:48:10,120
Speaker 2: after the bunyap episode. Both my brother and I in

1011
00:48:10,160 --> 00:48:13,120
Speaker 2: are our late twenties and recently reminisced about the trauma

1012
00:48:13,600 --> 00:48:16,839
Speaker 2: that the Bunyat song inflicted on me. I blamed every

1013
00:48:16,920 --> 00:48:20,160
Speaker 2: mistake I made in my twenties on the Bunya song PTSD.

1014
00:48:21,480 --> 00:48:24,000
Speaker 2: My brother then revealed that he too had lived in

1015
00:48:24,080 --> 00:48:26,480
Speaker 2: a long childhood here about the Bunyip song, but kept

1016
00:48:26,560 --> 00:48:28,440
Speaker 2: him to himself as he didn't want to appear like

1017
00:48:28,560 --> 00:48:31,080
Speaker 2: a suk Christian. I believe this trait was probably taught

1018
00:48:31,120 --> 00:48:34,040
Speaker 2: to him in childhood by Gordon the toxic Masculinety train.

1019
00:48:37,760 --> 00:48:41,000
Speaker 2: Georgie recall outstanding work. Thank you very much for your

1020
00:48:41,040 --> 00:48:44,040
Speaker 2: email and your two attachments there, Christian, Jack and Pats.

1021
00:48:44,080 --> 00:48:47,239
Speaker 2: This is from Andrew Martin. We were talking about weird

1022
00:48:47,280 --> 00:48:49,120
Speaker 2: Facebook groups that we belong to and you belong to

1023
00:48:49,239 --> 00:48:51,080
Speaker 2: last Friday on the show. I've found a great one

1024
00:48:51,120 --> 00:48:53,520
Speaker 2: for you, Christian. It's on Facebook. I'm a member of

1025
00:48:53,600 --> 00:48:58,200
Speaker 2: this other people's shopping lists. Oh, I might sign up

1026
00:48:58,239 --> 00:49:00,439
Speaker 2: to this. It's a wall of fame for shopping found

1027
00:49:00,480 --> 00:49:03,439
Speaker 2: in the car parks or trolleys of supermarkets around the world.

1028
00:49:03,880 --> 00:49:06,239
Speaker 2: Only got one hundred and sixty one members. Count me in.

1029
00:49:06,280 --> 00:49:08,120
Speaker 2: I'm going to join that as well. Thank you.

1030
00:49:08,239 --> 00:49:10,960
Speaker 4: Ray Well you can even add your blackboard that your

1031
00:49:11,080 --> 00:49:13,319
Speaker 4: wife leaves you shopping list down every week.

1032
00:49:13,360 --> 00:49:16,600
Speaker 2: It's impenetrable and decipherab all that, and then this one

1033
00:49:16,640 --> 00:49:18,920
Speaker 2: about a big thing on yesterday's show, which will come

1034
00:49:19,000 --> 00:49:21,680
Speaker 2: back to after the ads. We need some time to

1035
00:49:21,760 --> 00:49:24,120
Speaker 2: get back into the Love Jar. If you want to

1036
00:49:24,239 --> 00:49:26,200
Speaker 2: email the show at Late Law Party. We love getting

1037
00:49:26,200 --> 00:49:28,640
Speaker 2: your emails. Christian at Gold one, I four three dot

1038
00:49:28,719 --> 00:49:32,280
Speaker 2: com dot au. Coming up next The Love Jar, Part two.

1039
00:49:32,840 --> 00:49:35,200
Speaker 1: The Christian O'Connor show podcast.

1040
00:49:35,520 --> 00:49:36,720
Speaker 2: You can pat see you with a stool.

1041
00:49:37,320 --> 00:49:38,600
Speaker 3: Yep, I'm here boys, Ah.

1042
00:49:38,600 --> 00:49:40,920
Speaker 2: Good stuff, good news, all right, So just reading out

1043
00:49:40,960 --> 00:49:44,239
Speaker 2: some great emails for Latelaw Party and then a buck

1044
00:49:44,239 --> 00:49:46,840
Speaker 2: two go into this one which makes a reference to

1045
00:49:46,920 --> 00:49:49,560
Speaker 2: something we talked about on yesterday's show, an idea from

1046
00:49:49,600 --> 00:49:52,759
Speaker 2: one of you, Yeah lovely lista called Richard Doville, and

1047
00:49:52,960 --> 00:49:57,440
Speaker 2: his idea competition idea was about something called the Love Jar.

1048
00:49:58,080 --> 00:50:00,359
Speaker 2: Now be careful about the kind of language you the moment.

1049
00:50:00,440 --> 00:50:01,840
Speaker 2: I know there's not a school run around, but there

1050
00:50:01,880 --> 00:50:04,239
Speaker 2: might be junior listeners to the show The Love Jar.

1051
00:50:04,640 --> 00:50:07,000
Speaker 2: Richard and his wife have been married seventeen years and

1052
00:50:07,600 --> 00:50:10,279
Speaker 2: what they do is to keep their love alive is

1053
00:50:10,400 --> 00:50:15,640
Speaker 2: every time they have some line down time, Yes, have

1054
00:50:15,719 --> 00:50:18,520
Speaker 2: a little wrestle, have a little wrestle. Yeah, especially to

1055
00:50:18,560 --> 00:50:20,960
Speaker 2: have a little wrestle. And then they each put five

1056
00:50:21,040 --> 00:50:24,960
Speaker 2: dollars in the love jar. Now his words, he said,

1057
00:50:25,000 --> 00:50:27,320
Speaker 2: at the end of the year they often go on

1058
00:50:27,560 --> 00:50:31,840
Speaker 2: holiday with the money in the love jar. Okay, And

1059
00:50:31,960 --> 00:50:33,399
Speaker 2: he was the reason why it was just turning into

1060
00:50:33,440 --> 00:50:36,879
Speaker 2: a competition, was whis we're all missing footy. We could

1061
00:50:37,000 --> 00:50:40,960
Speaker 2: kind of represent our teams in a ladder with us

1062
00:50:41,120 --> 00:50:44,279
Speaker 2: chipping in five dollars every time we lie down, have

1063
00:50:44,400 --> 00:50:46,960
Speaker 2: a little wrestle, five dollars in your own love jar,

1064
00:50:47,200 --> 00:50:49,399
Speaker 2: and then we could maybe you know, we'd been able

1065
00:50:49,440 --> 00:50:51,359
Speaker 2: to sort of check in once a week how much

1066
00:50:51,440 --> 00:50:53,200
Speaker 2: money was in the love jar, and that would be

1067
00:50:53,239 --> 00:50:55,520
Speaker 2: points on the ladder for our representing our footy teams.

1068
00:50:56,760 --> 00:50:58,760
Speaker 2: So anyway, this is I've got a lot of emails

1069
00:50:58,760 --> 00:51:01,400
Speaker 2: about this. I got another one from Richard yesterday evening

1070
00:51:01,520 --> 00:51:03,640
Speaker 2: just saying he was excited that we were excited about

1071
00:51:03,719 --> 00:51:05,880
Speaker 2: the love jar. I was supposed to Shane Crawford yesterday

1072
00:51:05,920 --> 00:51:08,040
Speaker 2: told him about the love jar. This is this isn't

1073
00:51:08,080 --> 00:51:10,239
Speaker 2: his wheelhouse love that this is the kind of area

1074
00:51:10,280 --> 00:51:12,759
Speaker 2: that we always said, don't go talk about stuff like that.

1075
00:51:13,040 --> 00:51:15,719
Speaker 2: Bear in mind, craw thought the funniest thing he's ever

1076
00:51:15,800 --> 00:51:17,120
Speaker 2: done the show is when he came in one when

1077
00:51:17,160 --> 00:51:20,200
Speaker 2: we were playing Tom Petty and free Falling, and Crawf

1078
00:51:20,320 --> 00:51:21,719
Speaker 2: just came off the back of that song and said

1079
00:51:21,719 --> 00:51:23,719
Speaker 2: that he loves this song and haves to sing free

1080
00:51:23,840 --> 00:51:28,600
Speaker 2: balling to it. That's his that's his area. So when

1081
00:51:28,600 --> 00:51:30,480
Speaker 2: I told him about the love Jar, and as our

1082
00:51:30,600 --> 00:51:33,440
Speaker 2: supposed AFL correspondent on the show, you know we might

1083
00:51:33,520 --> 00:51:35,120
Speaker 2: need him to be an ambassador of it, he was

1084
00:51:35,239 --> 00:51:37,880
Speaker 2: all over it. He couldn't contain himself with excitement. So

1085
00:51:37,960 --> 00:51:39,600
Speaker 2: I did a lot of emails about it yesterday, the

1086
00:51:39,640 --> 00:51:42,520
Speaker 2: love Jar, and I got this one here from Anthony

1087
00:51:42,920 --> 00:51:45,879
Speaker 2: christ and I caught up on the show yesterday evening

1088
00:51:45,920 --> 00:51:47,680
Speaker 2: the one You've got here in Melbourne for at seven

1089
00:51:47,680 --> 00:51:49,759
Speaker 2: o'clock and heard you talking to the guy about the

1090
00:51:49,840 --> 00:51:51,839
Speaker 2: love Jar. This is a big idea, it's a great idea,

1091
00:51:52,320 --> 00:51:54,200
Speaker 2: so much so at the end of the link I heard,

1092
00:51:54,239 --> 00:51:56,440
Speaker 2: I turned the radio down and I went into the

1093
00:51:56,520 --> 00:51:58,399
Speaker 2: kitchen to tell my wife about the love Jar. Told

1094
00:51:58,440 --> 00:52:00,560
Speaker 2: her about the couple who every time they do that,

1095
00:52:00,680 --> 00:52:03,640
Speaker 2: they put five dollars in the Love Jar and that

1096
00:52:03,760 --> 00:52:05,480
Speaker 2: they they then at the end of the twelve months

1097
00:52:05,480 --> 00:52:07,880
Speaker 2: they go on holiday together. She then said to me,

1098
00:52:07,920 --> 00:52:13,680
Speaker 2: we'd be lucky enough to have a takeaway. Yeah, Anthony,

1099
00:52:13,800 --> 00:52:16,560
Speaker 2: that was the worry for a lot of people. However,

1100
00:52:17,160 --> 00:52:18,440
Speaker 2: now have you made the bit of music that I

1101
00:52:18,520 --> 00:52:21,360
Speaker 2: asked for yesterday? I have not.

1102
00:52:22,120 --> 00:52:24,440
Speaker 3: I aw, what about the home studio?

1103
00:52:26,400 --> 00:52:26,440
Speaker 6: No?

1104
00:52:26,800 --> 00:52:29,080
Speaker 2: I said, can you do this? You know, I said this,

1105
00:52:29,239 --> 00:52:31,719
Speaker 2: can you do this for tomorrow? The love Jar? Come?

1106
00:52:31,800 --> 00:52:34,000
Speaker 4: I did know the song that, well, it doesn't matter.

1107
00:52:34,120 --> 00:52:37,040
Speaker 2: You've got Spotify, Patty. You know the song The OJ's

1108
00:52:37,120 --> 00:52:39,080
Speaker 2: the love Train. You know, people all over the world

1109
00:52:39,200 --> 00:52:40,399
Speaker 2: joining join the love Train.

1110
00:52:40,880 --> 00:52:42,160
Speaker 3: Oh yeah, yeah, yeah, yeah yeah.

1111
00:52:42,239 --> 00:52:44,239
Speaker 2: And we're going back down dot on the Kangaroo here.

1112
00:52:44,360 --> 00:52:46,040
Speaker 2: Oh yeah yeah. I thought it could be great.

1113
00:52:46,040 --> 00:52:47,279
Speaker 3: I do remember, yeah, a big.

1114
00:52:47,239 --> 00:52:48,600
Speaker 2: Song in the seventies. You know, I thought, when we

1115
00:52:48,719 --> 00:52:50,960
Speaker 2: could go, people all over the world joining join the

1116
00:52:51,080 --> 00:52:52,400
Speaker 2: love Jar, the love Jar.

1117
00:52:52,600 --> 00:52:59,239
Speaker 15: Clever, huh, nothing for Patsy though, you're talking to Jack.

1118
00:52:59,320 --> 00:53:03,960
Speaker 15: I'm sorry, No, Very, Clever, Leo are junior producer has

1119
00:53:04,000 --> 00:53:04,320
Speaker 15: had to go.

1120
00:53:04,800 --> 00:53:05,879
Speaker 4: I do the songs on the show.

1121
00:53:05,920 --> 00:53:07,440
Speaker 2: Well, I said to him, because I could see you

1122
00:53:07,560 --> 00:53:09,719
Speaker 2: one't interesting. You close your laptop. If I do the

1123
00:53:09,800 --> 00:53:12,640
Speaker 2: idea I said to I'm going to commission both of

1124
00:53:12,719 --> 00:53:14,440
Speaker 2: you to do it. He's actually made his.

1125
00:53:16,800 --> 00:53:17,120
Speaker 5: World.

1126
00:53:19,520 --> 00:53:22,200
Speaker 2: It's an upbeat joy song. Why does he sound so miserable,

1127
00:53:24,239 --> 00:53:26,439
Speaker 2: said bosses. Lame idea, lame.

1128
00:53:26,520 --> 00:53:27,080
Speaker 12: I dear.

1129
00:53:28,560 --> 00:53:29,320
Speaker 2: The word.

1130
00:53:34,239 --> 00:53:38,440
Speaker 4: Love playing again, and imagine there's a gun held to him.

1131
00:53:47,200 --> 00:53:50,279
Speaker 2: So you're singing this for me, Rio, he's happy at

1132
00:53:50,280 --> 00:53:51,839
Speaker 2: the moment. You seen that sort of fake office. He's

1133
00:53:51,880 --> 00:53:52,480
Speaker 2: gone fro himself.

1134
00:53:52,640 --> 00:53:54,520
Speaker 4: He's had to isolate Pats and he's sitting in the

1135
00:53:55,160 --> 00:53:55,880
Speaker 4: audio studio.

1136
00:53:55,960 --> 00:53:58,160
Speaker 2: It's normally where the audio producer sits. Yeah, but he's

1137
00:53:58,200 --> 00:53:59,719
Speaker 2: not an audio producer. But he's sat in there. I've

1138
00:53:59,760 --> 00:54:02,040
Speaker 2: never him looking so happy because he's only a little kid.

1139
00:54:02,080 --> 00:54:04,440
Speaker 2: His feet don't touch the floor in his office chair.

1140
00:54:04,840 --> 00:54:06,520
Speaker 2: Every time I walk passed him in the morning. Right,

1141
00:54:06,520 --> 00:54:08,920
Speaker 2: he's so happy. This fake offers. It literally reminds me

1142
00:54:09,000 --> 00:54:10,800
Speaker 2: of one of those take your kid to work today,

1143
00:54:12,239 --> 00:54:19,879
Speaker 2: But really this is good work the world jimes. Love job,

1144
00:54:20,560 --> 00:54:25,000
Speaker 2: Love You need your equivalent tomorrow morning, twenty four hours

1145
00:54:25,040 --> 00:54:26,960
Speaker 2: from now. Okay, all right, love job.

1146
00:54:27,280 --> 00:54:29,920
Speaker 1: Christian O'Connell show podcast.

1147
00:54:29,760 --> 00:54:35,120
Speaker 2: Time for the days at work time waste. What a

1148
00:54:35,200 --> 00:54:41,520
Speaker 2: day today, National Beverage Day, National Beverage Day. So today

1149
00:54:41,520 --> 00:54:45,719
Speaker 2: we're looking for your beverage bands. How are yours looking? Chack?

1150
00:54:47,120 --> 00:54:50,800
Speaker 2: I'm happy, okay, all right, I've got beverage bands on

1151
00:54:50,960 --> 00:54:52,480
Speaker 2: National Beverage Day.

1152
00:54:52,840 --> 00:54:56,480
Speaker 4: Drambuie and the News, Clever, Silvil plus.

1153
00:54:56,920 --> 00:55:01,200
Speaker 2: Nine inch els nine inch else, Cognac at the disco,

1154
00:55:02,480 --> 00:55:06,000
Speaker 2: Gold Red Hot Chili Dot Peppers.

1155
00:55:07,560 --> 00:55:09,800
Speaker 4: Is that was that the slogan from the ad? Or

1156
00:55:09,880 --> 00:55:12,520
Speaker 4: did you make that silver.

1157
00:55:13,200 --> 00:55:17,080
Speaker 2: Abba synth bronze? Oh damn, I was just mentioned in

1158
00:55:17,160 --> 00:55:19,279
Speaker 2: gold for that one aba. Since what have you got? Chat?

1159
00:55:19,320 --> 00:55:19,440
Speaker 15: Then?

1160
00:55:19,640 --> 00:55:23,000
Speaker 4: Beverage bands, the beer fifty two's that's good, yeah, gold,

1161
00:55:23,400 --> 00:55:25,000
Speaker 4: the Shandy warholes.

1162
00:55:24,719 --> 00:55:28,520
Speaker 2: Oh Shandy Shandy. And I showed a little bit of

1163
00:55:28,520 --> 00:55:32,560
Speaker 2: a lemonade shop on that, sir, Yes, bronze bronz, yes.

1164
00:55:32,520 --> 00:55:38,479
Speaker 4: Quitting all that excitement, Yeah, lemonade beer, beer tone coke.

1165
00:55:39,040 --> 00:55:42,520
Speaker 2: Oh no, that's a gold tone coke drink one eight

1166
00:55:42,560 --> 00:55:46,040
Speaker 2: two basic table chair. I call that bronze minus.

1167
00:55:48,520 --> 00:55:49,720
Speaker 4: And doctor salt and pepper.

1168
00:55:50,000 --> 00:55:53,000
Speaker 2: Nah, you didn't do the logo bronze minus minus.

1169
00:55:53,400 --> 00:55:58,520
Speaker 1: Christ Christian O'Connell Show Podcast.

1170
00:55:58,160 --> 00:56:03,239
Speaker 2: Today is that were time waster. Today is National Beverage Day,

1171
00:56:03,360 --> 00:56:07,080
Speaker 2: so we're looking for your beverage bands, drink bands. Jack,

1172
00:56:07,080 --> 00:56:11,440
Speaker 2: you're ready to Mark Ready PASSI you're still playing attention?

1173
00:56:12,000 --> 00:56:14,759
Speaker 3: Yes, some listening. I love this segment. That's one of

1174
00:56:14,800 --> 00:56:18,520
Speaker 3: my fives. What what we're laughing at?

1175
00:56:18,640 --> 00:56:18,839
Speaker 2: Jack?

1176
00:56:18,920 --> 00:56:19,359
Speaker 4: That's good.

1177
00:56:20,680 --> 00:56:24,279
Speaker 3: I liked Jack's today. They were better than yours, I say, lovely.

1178
00:56:24,160 --> 00:56:28,239
Speaker 2: Thank you? All right? We went to Mark Ready, Gin

1179
00:56:28,360 --> 00:56:32,600
Speaker 2: Excess Chin excess Silver clever. Suppose haven't bought out of

1180
00:56:32,680 --> 00:56:36,120
Speaker 2: Gin excess glennon Gelong World, I mate spinal beer tap

1181
00:56:37,320 --> 00:56:40,600
Speaker 2: Bronze that's almost his table chair and some of yours

1182
00:56:40,600 --> 00:56:42,560
Speaker 2: earlier earth wend and fire engine.

1183
00:56:43,880 --> 00:56:45,640
Speaker 4: I don't know what a fire engine is a cocktail?

1184
00:56:45,760 --> 00:56:48,080
Speaker 4: Maybe bronze plus.

1185
00:56:49,400 --> 00:56:53,839
Speaker 2: Pims of Leon gold. That's some Chase Jase Baby Sex

1186
00:56:53,880 --> 00:56:54,480
Speaker 2: on the beach.

1187
00:56:54,360 --> 00:56:56,440
Speaker 4: Boys sounds wrong. Silver.

1188
00:56:56,640 --> 00:57:00,960
Speaker 2: That's from Kay mcgovernor. Hydelwerg Heights signing off here with

1189
00:57:01,120 --> 00:57:03,719
Speaker 2: keeping today's theme of the love Jar. Thank you for

1190
00:57:03,840 --> 00:57:06,520
Speaker 2: keeping the theme going of the love Jar. Kay McGovern

1191
00:57:06,840 --> 00:57:10,840
Speaker 2: smells like zambuka. What a spirit? That is? Bronze Adrian

1192
00:57:11,239 --> 00:57:18,160
Speaker 2: the VB fifty two's silver plus rum direction Silver rum

1193
00:57:18,280 --> 00:57:23,880
Speaker 2: DMC would be good. That's some Ryan Kate Miller Heineken.

1194
00:57:25,880 --> 00:57:30,360
Speaker 4: Oh yeah, Silver Hootie and the boozy fish owls were

1195
00:57:30,400 --> 00:57:32,400
Speaker 4: better than the silver.

1196
00:57:32,640 --> 00:57:33,360
Speaker 2: Dimple minds.

1197
00:57:34,080 --> 00:57:35,160
Speaker 4: I don't know what a dimple is.

1198
00:57:35,240 --> 00:57:39,600
Speaker 3: Bronze juice dimples like a brandy. Sorry, yeah, is it right?

1199
00:57:39,680 --> 00:57:39,880
Speaker 4: Yeah?

1200
00:57:40,000 --> 00:57:40,880
Speaker 3: Dimple brandy.

1201
00:57:41,080 --> 00:57:42,760
Speaker 2: Now with the knowledge of the brandy, how do you

1202
00:57:42,800 --> 00:57:44,040
Speaker 2: feel feel better about it?

1203
00:57:44,200 --> 00:57:44,520
Speaker 4: Silver?

1204
00:57:45,960 --> 00:57:49,160
Speaker 2: We appreciate the craft in that Stadings, the vodka Cranberyes,

1205
00:57:50,200 --> 00:57:55,520
Speaker 2: Silver plus Juice Springsteen, you old juice spring God ashen Ere.

1206
00:57:55,560 --> 00:57:58,800
Speaker 2: He has picked up the party now brew Fighters Silver,

1207
00:57:59,680 --> 00:58:03,200
Speaker 2: the many Wallbangers. I don't know what that is wooll Banger,

1208
00:58:03,280 --> 00:58:08,600
Speaker 2: Classic Cocktail, Silver, Canadian Culture Club, Canadian.

1209
00:58:08,240 --> 00:58:09,520
Speaker 4: Joy Civil Plus.

1210
00:58:10,840 --> 00:58:18,120
Speaker 2: That's rubbish s Club seven up, Silver, Moonshine of the USA.

1211
00:58:18,480 --> 00:58:29,600
Speaker 2: We're dipping again, Beers Affairs, Silver plus, the TGS. Time

1212
00:58:29,720 --> 00:58:31,440
Speaker 2: to go back down the mine. I was coming up

1213
00:58:31,480 --> 00:58:33,160
Speaker 2: in the lift. He sent me back down the mine.

1214
00:58:33,240 --> 00:58:33,439
Speaker 12: Jack.

1215
00:58:33,720 --> 00:58:37,280
Speaker 2: There was nothing there, all right, Timmy, continue tomorrow on

1216
00:58:37,440 --> 00:58:37,800
Speaker 2: the show.

1217
00:58:41,440 --> 00:58:42,880
Speaker 4: Not beverage fans, that's for sure.

1218
00:58:42,920 --> 00:58:46,080
Speaker 2: Yeah, we never do that one together. Okay, tomorrow on

1219
00:58:46,120 --> 00:58:49,320
Speaker 2: the show. Will Patsy still be staring out the window,

1220
00:58:49,440 --> 00:58:51,840
Speaker 2: distracted in ninety five of the links.

1221
00:58:53,680 --> 00:58:56,440
Speaker 3: I've got an excuse today you have as well?

1222
00:58:57,040 --> 00:58:57,320
Speaker 11: You have.

1223
00:58:58,800 --> 00:58:59,040
Speaker 16: You have?

1224
00:59:00,160 --> 00:59:00,920
Speaker 3: Shall we go into it?

1225
00:59:01,560 --> 00:59:03,560
Speaker 2: I don't wanna. I don't wanna. I don't want to.

1226
00:59:03,760 --> 00:59:04,760
Speaker 2: You don't have to say anything.

1227
00:59:05,200 --> 00:59:07,200
Speaker 3: No, it's that time of the month for pets, and

1228
00:59:07,280 --> 00:59:09,000
Speaker 3: I tend to get a bit void in the brain.

1229
00:59:10,000 --> 00:59:13,320
Speaker 3: I short circuit a bit. It's like, you know, when

1230
00:59:13,320 --> 00:59:15,440
Speaker 3: you're pregnant, you have pregnancy brain. It's like it just

1231
00:59:15,560 --> 00:59:16,240
Speaker 3: never went away.

1232
00:59:16,320 --> 00:59:17,000
Speaker 2: But you're pregnant.

1233
00:59:17,720 --> 00:59:18,160
Speaker 1: No I'm not.

1234
00:59:18,520 --> 00:59:20,800
Speaker 3: Don't start that rumor. No, but it's just it's that

1235
00:59:20,920 --> 00:59:22,200
Speaker 3: sort of voidness at time.

1236
00:59:22,360 --> 00:59:24,480
Speaker 2: Sure, yeah, well, look, thank you for letting us know.

1237
00:59:24,640 --> 00:59:27,720
Speaker 2: You know, yeah, well, jack and I've got no idea

1238
00:59:27,760 --> 00:59:29,200
Speaker 2: what that's like. I mean, if that happened to me,

1239
00:59:29,440 --> 00:59:31,240
Speaker 2: to Jackie, be horrendous. I mean, he's up.

1240
00:59:31,960 --> 00:59:32,800
Speaker 4: I'm vacant enough.

1241
00:59:32,840 --> 00:59:35,880
Speaker 2: If it is, yo, yo it is, I get. That's

1242
00:59:35,880 --> 00:59:37,800
Speaker 2: at least now we know, patsy Okay, thank you for

1243
00:59:37,960 --> 00:59:40,440
Speaker 2: sharing that with us this morning as well on Melbourne's

1244
00:59:40,480 --> 00:59:46,720
Speaker 2: Number one rab not to be continued on tomorrow's show.

1245
00:59:46,960 --> 00:59:48,680
Speaker 2: We don't quite know what we're gonna get with Patsy,

1246
00:59:48,840 --> 00:59:51,600
Speaker 2: and that's just great unusual phobias. If you've got any

1247
00:59:51,640 --> 00:59:54,440
Speaker 2: more stories about unusual phobias, we had some great ones today.

1248
00:59:54,640 --> 00:59:56,880
Speaker 2: You can email me Christian at Gold one oh four

1249
00:59:56,960 --> 01:00:00,760
Speaker 2: three dot com dot au. And tomorrow I get a

1250
01:00:00,920 --> 01:00:03,120
Speaker 2: new opener for the love job the love jow you're

1251
01:00:03,160 --> 01:00:03,560
Speaker 2: saying the.

1252
01:00:03,680 --> 01:00:05,720
Speaker 13: World giant has.

1253
01:00:07,320 --> 01:00:12,640
Speaker 2: Love job love art. Thank you, Patsy, she's back in

1254
01:00:12,680 --> 01:00:15,320
Speaker 2: the room all right. Time of today's show is Gordon

1255
01:00:15,440 --> 01:00:18,440
Speaker 2: the Toxic Masculinity Train. Thank you very much for listening.

1256
01:00:18,480 --> 01:00:19,400
Speaker 2: Bye bye everybody.

1257
01:00:19,920 --> 01:00:22,880
Speaker 1: The Christian O'Connell Show Podcast