1 00:00:00,400 --> 00:00:03,640 Speaker 1: Job mission with Jones and Amanda Well Lyn. 2 00:00:03,520 --> 00:00:06,560 Speaker 2: Mc granger, who plays Irene on Home and Away, She's 3 00:00:06,559 --> 00:00:08,080 Speaker 2: going to be on our show on Thursday. But she's 4 00:00:08,080 --> 00:00:14,520 Speaker 2: written a new book and apparently we're in it. Our 5 00:00:14,560 --> 00:00:16,680 Speaker 2: executive producer got a media alert, so. 6 00:00:16,680 --> 00:00:18,919 Speaker 1: Peter fitz Simons didn't get his hand on this and 7 00:00:19,079 --> 00:00:21,079 Speaker 1: cut me out like he did with his wife's book. 8 00:00:21,440 --> 00:00:23,160 Speaker 2: Well, we're talking to Lisa as well this week. 9 00:00:24,280 --> 00:00:25,280 Speaker 1: I'll be bringing that up. 10 00:00:25,720 --> 00:00:27,560 Speaker 2: What the hell you're going to say? Why, Well, you 11 00:00:27,600 --> 00:00:29,960 Speaker 2: mentioned Carl Stefanovica, not you, Well, you. 12 00:00:29,920 --> 00:00:34,360 Speaker 1: Know she's She's in my book, which is still available 13 00:00:34,360 --> 00:00:35,600 Speaker 1: just entire for Christmas football. 14 00:00:36,600 --> 00:00:37,720 Speaker 2: Well, in Lynn's new book. 15 00:00:37,760 --> 00:00:40,440 Speaker 1: But I think Pete was threatened, of course. 16 00:00:40,720 --> 00:00:46,320 Speaker 2: Let's put it down to that. But Lynn has a 17 00:00:46,400 --> 00:00:49,960 Speaker 2: chapter in here that mentions us, and it's we did 18 00:00:50,000 --> 00:00:52,000 Speaker 2: a radio interview with her. I will read what she 19 00:00:52,159 --> 00:00:55,279 Speaker 2: says about it. I feel incredibly blessed to say I've 20 00:00:55,280 --> 00:00:58,200 Speaker 2: been I've blissfully gone to work every day feeling confident, 21 00:00:58,240 --> 00:01:00,800 Speaker 2: proud and all in all so here in my job. 22 00:01:01,280 --> 00:01:03,880 Speaker 2: That is until twenty nineteen, when I was being interviewed 23 00:01:03,920 --> 00:01:07,640 Speaker 2: by radio stars Jones in Amanda on WSFM. As far 24 00:01:07,680 --> 00:01:10,399 Speaker 2: as interviews go, I always love talking to these guys. 25 00:01:10,400 --> 00:01:14,120 Speaker 2: They're clever, funny, incredibly decent human beings. After decades of 26 00:01:14,160 --> 00:01:15,760 Speaker 2: answering questions like how does it feel to be the 27 00:01:15,800 --> 00:01:18,199 Speaker 2: longest running female for cast member and do you still 28 00:01:18,240 --> 00:01:20,399 Speaker 2: love being on the show, I knew this little chat 29 00:01:20,560 --> 00:01:22,680 Speaker 2: could be done in my sleep. I think I might 30 00:01:22,720 --> 00:01:26,240 Speaker 2: have been simultaneously cooking breakfast while I chatted. Completely out 31 00:01:26,280 --> 00:01:28,840 Speaker 2: of the blue. Jonesy chimed in with, it's amazing to 32 00:01:28,880 --> 00:01:31,160 Speaker 2: think that they nearly wrote you out in two thousand 33 00:01:31,240 --> 00:01:34,720 Speaker 2: and two. I said that, and she writes, I'm sorry 34 00:01:34,800 --> 00:01:37,360 Speaker 2: what she said. If I'd had a drink in my mouth, 35 00:01:37,680 --> 00:01:40,399 Speaker 2: I'm confident droplets would have been flying through the air. 36 00:01:40,520 --> 00:01:44,720 Speaker 2: Here's actually what happened. We've found that interview. 37 00:01:45,080 --> 00:01:47,680 Speaker 1: Is it true that in two thousand and two they 38 00:01:47,720 --> 00:01:52,440 Speaker 1: wanted to write Irene out of the show? Jeez, dh, 39 00:01:52,800 --> 00:01:53,400 Speaker 1: I don't think. 40 00:01:54,360 --> 00:01:56,160 Speaker 2: Well, we were told that they were going to write 41 00:01:56,200 --> 00:01:57,960 Speaker 2: you out, but a new producer came in and said, 42 00:01:58,000 --> 00:02:01,920 Speaker 2: don't be ridiculous. Okay, well you know more than me 43 00:02:02,960 --> 00:02:05,360 Speaker 2: and I never knew that. 44 00:02:05,560 --> 00:02:09,160 Speaker 1: Oh my god father. And now you've got all these 45 00:02:09,240 --> 00:02:13,520 Speaker 1: years of anxiety to catch up with I'm going to go. 46 00:02:13,919 --> 00:02:17,080 Speaker 1: I was feeling perfectly fine, so I spoke to you today. 47 00:02:18,160 --> 00:02:20,640 Speaker 2: She does sound a bit thrown, doesn't she She wrote 48 00:02:20,639 --> 00:02:25,040 Speaker 2: that way. She wrote that she phoned a partner straight away, 49 00:02:25,080 --> 00:02:27,600 Speaker 2: to a partner of thirty six years, and said Paul, 50 00:02:27,639 --> 00:02:29,520 Speaker 2: and said, we have to thank a woman called Coral 51 00:02:29,840 --> 00:02:32,240 Speaker 2: for me not being written out. She saved my bacon. 52 00:02:32,560 --> 00:02:35,359 Speaker 2: She says here that apparently there were plans to write 53 00:02:35,400 --> 00:02:37,720 Speaker 2: Irene out because the producers felt she didn't have anywhere 54 00:02:37,760 --> 00:02:39,960 Speaker 2: to go and now that her kids were gone. By 55 00:02:40,000 --> 00:02:41,760 Speaker 2: a stroke of luck, a new script producer by the 56 00:02:41,800 --> 00:02:44,720 Speaker 2: name of Coral had arrived and was horrified. She pleaded 57 00:02:44,720 --> 00:02:46,880 Speaker 2: with the producers to let me stay. Instead, she had 58 00:02:46,880 --> 00:02:49,640 Speaker 2: big plans for Irene. Well, you'd think I would have 59 00:02:49,639 --> 00:02:51,640 Speaker 2: picked up on this at work through green room chatter. 60 00:02:51,680 --> 00:02:54,080 Speaker 2: This was literally the first I had. 61 00:02:53,919 --> 00:02:56,240 Speaker 1: Heard of it. I've learned. If you were on Home 62 00:02:56,280 --> 00:02:57,880 Speaker 1: and Away and they said, are you going to go 63 00:02:57,960 --> 00:02:59,800 Speaker 1: on a plane, you're going to a car, or you 64 00:02:59,800 --> 00:03:03,480 Speaker 1: going to walk past and elevator shaft, don't go near them, 65 00:03:03,919 --> 00:03:04,240 Speaker 1: as if. 66 00:03:04,200 --> 00:03:06,120 Speaker 2: They would film an episode of someone walking past an 67 00:03:06,120 --> 00:03:08,280 Speaker 2: elevator shaft where nothing happened. 68 00:03:10,400 --> 00:03:13,239 Speaker 1: Even in home and Away where it's all single foloor buildings, 69 00:03:13,840 --> 00:03:15,800 Speaker 1: don't go near an elevator shaft. 70 00:03:16,360 --> 00:03:18,320 Speaker 2: Well, we are going to be talking to Lynn on Thursday. 71 00:03:18,840 --> 00:03:20,560 Speaker 2: Jonesy and Amanda's samation