1 00:00:00,520 --> 00:00:04,320 Speaker 1: Let Me Tell You a Story. On Time Cleary releases 2 00:00:04,519 --> 00:00:09,800 Speaker 1: The story behind the song The Reflex by Jiranne Duranne, 3 00:00:10,039 --> 00:00:12,959 Speaker 1: Released in nineteen eighty four, The song was heavily remixed 4 00:00:12,960 --> 00:00:15,320 Speaker 1: for single release and was the third and last to 5 00:00:15,360 --> 00:00:18,279 Speaker 1: be taken from their third studio album, Seven and the 6 00:00:18,400 --> 00:00:19,480 Speaker 1: Ragged Tiger. 7 00:00:20,840 --> 00:00:25,079 Speaker 2: It actually became the band's most successful single, topping charts 8 00:00:25,360 --> 00:00:29,760 Speaker 2: internationally in nineteen eighty four. The remixes for both the 9 00:00:29,800 --> 00:00:31,920 Speaker 2: seven inch and the twelve inch singles. Remember when we'd 10 00:00:31,960 --> 00:00:35,880 Speaker 2: go and get those. We order them down at Dunda Record, 11 00:00:36,560 --> 00:00:39,080 Speaker 2: wait three months for them to arrives. 12 00:00:39,120 --> 00:00:40,080 Speaker 3: We spent a bomb, didn't we. 13 00:00:40,520 --> 00:00:45,000 Speaker 2: They were created by Nile Rogers, and the story behind 14 00:00:45,040 --> 00:00:47,040 Speaker 2: the song has a local twist. 15 00:00:47,280 --> 00:00:49,800 Speaker 3: It certainly does so funky Nile from the bandshk of 16 00:00:49,840 --> 00:00:52,320 Speaker 3: course with you mate Bernard Edwards, but he worked solo 17 00:00:52,360 --> 00:00:54,960 Speaker 3: on this one. The Australian connection, Lisa you're referring to 18 00:00:55,000 --> 00:00:57,080 Speaker 3: there had something to do with a fellow who used 19 00:00:57,080 --> 00:00:59,960 Speaker 3: to say do yourself a favor a bit is Duranda 20 00:01:00,080 --> 00:01:01,640 Speaker 3: and vice player John Taylor. 21 00:01:01,600 --> 00:01:05,440 Speaker 4: You know, in excess. You know, we first encountered them 22 00:01:05,600 --> 00:01:09,280 Speaker 4: when we went to Australia in eighty two, I think 23 00:01:09,319 --> 00:01:12,839 Speaker 4: it was, and they were you know, and Shabu Shabar 24 00:01:13,000 --> 00:01:15,200 Speaker 4: was the album, and I was like, Wow, these guys 25 00:01:15,200 --> 00:01:18,639 Speaker 4: are amazing. They're like the real thing. And they hadn't 26 00:01:18,640 --> 00:01:23,200 Speaker 4: broken really outside of Australia at that time, so I 27 00:01:23,280 --> 00:01:26,440 Speaker 4: became a fan. But they played a much bigger part 28 00:01:26,480 --> 00:01:29,959 Speaker 4: in our evolution in at the end of eighty three 29 00:01:30,200 --> 00:01:32,560 Speaker 4: when we'd gone on tour. We'd started a tour in 30 00:01:32,600 --> 00:01:35,360 Speaker 4: Australia and after the show in Melbourne, we'd gone to 31 00:01:35,880 --> 00:01:40,560 Speaker 4: this guy, Molly Meldrum. He's this media superstar there. I mean, 32 00:01:40,600 --> 00:01:42,399 Speaker 4: he'd really played a big part in breaking the band 33 00:01:42,480 --> 00:01:45,520 Speaker 4: down there. He's interviewed everybody, yeah to go do it right, 34 00:01:45,600 --> 00:01:48,160 Speaker 4: Yeah yeah yeah. I mean he's got signed photos from 35 00:01:48,200 --> 00:01:51,120 Speaker 4: John and Yoko and he's an amazing guy. Anyway, So 36 00:01:51,360 --> 00:01:55,280 Speaker 4: we're partying down at Molly's place and he's got a 37 00:01:55,280 --> 00:01:59,520 Speaker 4: white label of this new in Excess track and we 38 00:02:00,080 --> 00:02:02,800 Speaker 4: play it and we all thought. We were all like wow, 39 00:02:02,840 --> 00:02:04,840 Speaker 4: you know, we all were all dancing around. So it 40 00:02:04,840 --> 00:02:07,200 Speaker 4: played again, played again, and then we look at the 41 00:02:07,600 --> 00:02:09,720 Speaker 4: Actually it wasn't a it wasn't a white label because 42 00:02:09,720 --> 00:02:12,240 Speaker 4: there was a label that said produced by Nile Rodgers, 43 00:02:12,639 --> 00:02:16,080 Speaker 4: and we just finished this third album and and felt 44 00:02:16,120 --> 00:02:18,959 Speaker 4: there was one there was one song in particular, the Reflex, 45 00:02:19,080 --> 00:02:21,880 Speaker 4: that we felt like it wasn't quite right. It was 46 00:02:21,919 --> 00:02:24,160 Speaker 4: like we didn't quite get at the get at it, 47 00:02:24,600 --> 00:02:26,840 Speaker 4: and you know, and there and then we had this 48 00:02:26,919 --> 00:02:29,679 Speaker 4: idea to call Nile and have him have him work 49 00:02:29,720 --> 00:02:32,840 Speaker 4: on the Reflex. We'd met Nile a few years earlier, 50 00:02:34,400 --> 00:02:36,720 Speaker 4: but at that point we had yet to go into 51 00:02:36,720 --> 00:02:39,400 Speaker 4: the studio together. So we got him on the phone 52 00:02:39,400 --> 00:02:41,200 Speaker 4: and we were like, we just love what you've done 53 00:02:41,240 --> 00:02:44,399 Speaker 4: within excess and you know, and you know, how would 54 00:02:44,400 --> 00:02:46,919 Speaker 4: you feel about doing something to this particular track. 55 00:02:47,040 --> 00:02:49,040 Speaker 3: Amazing to think that they'd finished the album and went, 56 00:02:49,080 --> 00:02:52,040 Speaker 3: well one's not quite right, Yeah that one. 57 00:02:52,240 --> 00:02:54,000 Speaker 2: Yeah, what a great story that. 58 00:02:54,040 --> 00:02:56,280 Speaker 3: Was tible and the fact that it's got that moment 59 00:02:56,400 --> 00:02:59,240 Speaker 3: you can hear how revered Molly is around the world. 60 00:02:59,240 --> 00:03:02,200 Speaker 2: Well, yes, rightly so, Well he broke somebody did so 61 00:03:02,240 --> 00:03:05,079 Speaker 2: many he did, he made them and sometimes that was 62 00:03:05,120 --> 00:03:05,760 Speaker 2: the first market. 63 00:03:05,800 --> 00:03:09,840 Speaker 3: Even so that it was Molly helping Theministratia that kicked 64 00:03:09,880 --> 00:03:11,680 Speaker 3: so much off, it's hard to get the meaning of 65 00:03:11,720 --> 00:03:14,480 Speaker 3: songs out of the voice from Derandauran, he's John again 66 00:03:14,560 --> 00:03:17,000 Speaker 3: and Simon the bond leadsing. Of course, if Duran talking 67 00:03:17,000 --> 00:03:19,040 Speaker 3: about the meaning behind the reflex. 68 00:03:18,720 --> 00:03:21,520 Speaker 4: People always ask me what the song's about, And I 69 00:03:22,040 --> 00:03:26,560 Speaker 4: never tell people what songs are about. Okay, I mean 70 00:03:26,560 --> 00:03:29,000 Speaker 4: it's a really interesting lyric. Actually, I mean like you 71 00:03:29,400 --> 00:03:31,480 Speaker 4: wouldn't get you wouldn't hear a lyric like that today. 72 00:03:31,520 --> 00:03:34,680 Speaker 4: You know. It's like the early eighties was really great 73 00:03:34,800 --> 00:03:39,200 Speaker 4: for profoundly weird, paranoid pop lyrics. 74 00:03:39,640 --> 00:03:45,600 Speaker 3: I sold the Renoir. Were they just gibberishly lyrics? So 75 00:03:46,120 --> 00:03:48,440 Speaker 3: I saw the Renoir and the TV set and. 76 00:03:48,400 --> 00:03:50,680 Speaker 2: Yeah, they were just like using all the words. 77 00:03:50,640 --> 00:03:53,120 Speaker 3: Yeah, thrown in a bag like David Bell used to do. 78 00:03:53,160 --> 00:03:55,600 Speaker 3: But there is speculation lest that the reflex was about 79 00:03:55,640 --> 00:03:58,360 Speaker 3: gambling and about the reflex being especially when in a 80 00:03:58,440 --> 00:04:00,160 Speaker 3: role with gambling and the reflexes. 81 00:04:00,560 --> 00:04:02,040 Speaker 2: A lonely child is waiting by the part. 82 00:04:02,280 --> 00:04:04,680 Speaker 3: That's right. Yes, selling the Renoir on the TV set 83 00:04:04,680 --> 00:04:07,920 Speaker 3: you're probably looking for, yes, exactly. They don't want to 84 00:04:07,920 --> 00:04:09,960 Speaker 3: be around when this gets out, that's right, And particularly 85 00:04:10,000 --> 00:04:11,960 Speaker 3: with card players. And there is a story that Simon 86 00:04:12,000 --> 00:04:14,040 Speaker 3: had some family members including his dad, who were pretty 87 00:04:14,280 --> 00:04:17,600 Speaker 3: They like to punt so too much, quite possibly, so 88 00:04:17,640 --> 00:04:19,840 Speaker 3: it could have been about that, and hence Simon saying 89 00:04:19,839 --> 00:04:21,160 Speaker 3: there he didn't really want to talk about what the 90 00:04:21,200 --> 00:04:23,840 Speaker 3: song was about, didn't give too much away, but did 91 00:04:23,880 --> 00:04:26,040 Speaker 3: it really matter? When niall got together with the. 92 00:04:26,000 --> 00:04:31,760 Speaker 2: Boys, I just love that whole in excess Molly, yeah, fantastic. 93 00:04:31,160 --> 00:04:32,840 Speaker 3: And he was right. In excess were great from the 94 00:04:32,839 --> 00:04:35,279 Speaker 3: start before they broke around the world. The story behind 95 00:04:35,279 --> 00:04:36,320 Speaker 3: the song randa An