1 00:00:01,480 --> 00:00:05,640 Speaker 1: The Life of Liz, which is about to become a 2 00:00:05,680 --> 00:00:06,320 Speaker 1: stage show. 3 00:00:07,160 --> 00:00:09,840 Speaker 2: Is it a musical god at the moment? No? 4 00:00:10,119 --> 00:00:16,279 Speaker 1: Okay, Liz, Welcome to the studio, Liz. Yes, and you 5 00:00:17,120 --> 00:00:19,680 Speaker 1: have put together a show for Fringe. 6 00:00:20,160 --> 00:00:22,920 Speaker 2: Yes, my first ever. So it's a bit nerve racking, 7 00:00:23,000 --> 00:00:25,079 Speaker 2: but I'm very excited. We'll tell us all about it, 8 00:00:25,600 --> 00:00:28,120 Speaker 2: so believe it or not. I've not always worked in radio. 9 00:00:29,760 --> 00:00:33,160 Speaker 2: I have backstory here and when I interviewed for this job, 10 00:00:33,200 --> 00:00:35,440 Speaker 2: I had to tell them my last job was selling 11 00:00:36,159 --> 00:00:39,440 Speaker 2: a deceased estate of miniature toy cars on the internet. 12 00:00:39,600 --> 00:00:42,360 Speaker 2: It's very specific, it is, and there's a very specific 13 00:00:42,400 --> 00:00:44,280 Speaker 2: type of buyer of which there's a few listeners that 14 00:00:44,320 --> 00:00:44,680 Speaker 2: actually I. 15 00:00:44,720 --> 00:00:46,760 Speaker 1: Have sold two and this big money and it isn't that. 16 00:00:46,880 --> 00:00:49,800 Speaker 2: Huge money in it? And I'm very interesting. And I 17 00:00:49,840 --> 00:00:51,519 Speaker 2: did that full time for six months, and I met 18 00:00:51,520 --> 00:00:52,760 Speaker 2: a lot of people and I had a lot of 19 00:00:52,760 --> 00:00:56,240 Speaker 2: strange experiences, and I figured there was something in it. 20 00:00:56,760 --> 00:00:58,720 Speaker 2: So I caught up with a friend's sister who's a director, 21 00:00:58,760 --> 00:01:00,240 Speaker 2: and I told her about it and she's like, let's 22 00:01:00,280 --> 00:01:04,319 Speaker 2: make a show. So we're making a show and it's autobiographical, 23 00:01:04,680 --> 00:01:06,640 Speaker 2: but it's a little bit fictional too, and it's sort 24 00:01:06,640 --> 00:01:08,880 Speaker 2: of about my life over the last couple of years. 25 00:01:09,720 --> 00:01:12,039 Speaker 2: And I think it'll be funny, maybe a little bit sad, 26 00:01:12,680 --> 00:01:13,360 Speaker 2: mainly funny. 27 00:01:13,880 --> 00:01:14,520 Speaker 1: Are we in it? 28 00:01:16,720 --> 00:01:20,480 Speaker 2: I actually Russell might be doing some voiceover work. Maybe. 29 00:01:20,880 --> 00:01:23,080 Speaker 1: Oh, that's right. You did approach me. You wanted me 30 00:01:23,120 --> 00:01:25,800 Speaker 1: to be like a DJ. 31 00:01:26,720 --> 00:01:29,280 Speaker 2: So maybe Russell might hear Russell in it. 32 00:01:29,400 --> 00:01:31,000 Speaker 1: You asked me to come up with a couple of names, 33 00:01:31,120 --> 00:01:36,160 Speaker 1: Yes you did. Sorry, I did. Uh, DJ PayPal, DJ PayPal. 34 00:01:36,360 --> 00:01:37,320 Speaker 2: There's already a DJ. 35 00:01:37,200 --> 00:01:42,000 Speaker 1: PayPal, DJ Dadbod I like that. Like that, that's your 36 00:01:42,080 --> 00:01:45,280 Speaker 1: DJ name apparently. Okay, Well, I don't know. I've just 37 00:01:45,280 --> 00:01:47,560 Speaker 1: been I was given homework go and find a name 38 00:01:47,600 --> 00:01:48,680 Speaker 1: for your character. 39 00:01:50,640 --> 00:01:53,360 Speaker 2: Audio, So you're welcome to I'll have to think of 40 00:01:53,360 --> 00:01:54,200 Speaker 2: a DJ name. 41 00:01:55,440 --> 00:01:56,640 Speaker 1: I like Petty LaBelle. 42 00:01:56,720 --> 00:02:00,680 Speaker 2: Oh that's fun, sort of a drag drag queen maybe, yes, 43 00:02:00,960 --> 00:02:02,240 Speaker 2: but yeah, it works for anything. 44 00:02:02,440 --> 00:02:06,440 Speaker 1: So this is a show basically about your life, which, 45 00:02:06,520 --> 00:02:10,079 Speaker 1: as we know, is a event slightly unusual life at 46 00:02:10,120 --> 00:02:12,480 Speaker 1: times over the last couple of years. 47 00:02:12,600 --> 00:02:15,440 Speaker 2: Yes, so I won't give away too much, but I 48 00:02:15,480 --> 00:02:18,720 Speaker 2: got I got a medical diagnosis a few years ago 49 00:02:18,760 --> 00:02:21,440 Speaker 2: that mainly older people would get. And it's sort of 50 00:02:22,480 --> 00:02:24,440 Speaker 2: like I had to sort of grasp the idea of 51 00:02:24,520 --> 00:02:26,440 Speaker 2: death and mortality. And a lot of the people I 52 00:02:26,520 --> 00:02:29,240 Speaker 2: was selling cars to they're either dead and I'm selling 53 00:02:29,280 --> 00:02:32,440 Speaker 2: the collection, or they are, you know, a bit older. 54 00:02:32,600 --> 00:02:33,960 Speaker 2: So I think I had a lot of common in 55 00:02:34,000 --> 00:02:36,120 Speaker 2: common with them, and we sort of connected on that level. 56 00:02:36,160 --> 00:02:38,880 Speaker 2: So it sort of about my life, but about their 57 00:02:38,919 --> 00:02:43,760 Speaker 2: lives and about connection through cars, little tiny cars of 58 00:02:43,800 --> 00:02:45,680 Speaker 2: the minuture variety, beautiful. 59 00:02:45,600 --> 00:02:47,800 Speaker 1: Matchbox connections connection. 60 00:02:48,080 --> 00:02:50,480 Speaker 2: Yeah. Yeah. Are they all matchbox cars? 61 00:02:50,639 --> 00:02:50,839 Speaker 1: No? 62 00:02:51,160 --> 00:02:53,400 Speaker 2: I don't actually do a lot of matchbox Oh okay, 63 00:02:54,000 --> 00:02:59,800 Speaker 2: Italian handbuilt Alpha romeos. I'm particularly drawn to the death vehicles, 64 00:02:59,840 --> 00:03:01,880 Speaker 2: like hears a coroner's vehicle. 65 00:03:03,520 --> 00:03:05,800 Speaker 1: Okay, it's just a particular affection you have. 66 00:03:06,160 --> 00:03:08,600 Speaker 2: That's my sort of thing. But you can get anything. 67 00:03:09,080 --> 00:03:11,840 Speaker 2: I have a yogurt or like a yogurt van from 68 00:03:12,120 --> 00:03:14,560 Speaker 2: a yogurt Toad of France nineteen sixty seven, one of 69 00:03:14,600 --> 00:03:16,480 Speaker 2: those promotional vans that go around the toad to France. 70 00:03:16,480 --> 00:03:17,160 Speaker 2: You can get anything. 71 00:03:17,440 --> 00:03:19,919 Speaker 1: Wow, goodness. And this is all going to be made 72 00:03:19,919 --> 00:03:20,880 Speaker 1: into a stage show. 73 00:03:21,000 --> 00:03:22,840 Speaker 2: Well, we can't wait. When when will it be on 74 00:03:23,000 --> 00:03:26,360 Speaker 2: It is on from the fourth of February to the 75 00:03:26,600 --> 00:03:30,320 Speaker 2: eighth of February at the State Theater Center. Where can 76 00:03:30,360 --> 00:03:32,840 Speaker 2: we book through Fringe world dot com dot au. And 77 00:03:32,880 --> 00:03:34,480 Speaker 2: actually we haven't even said the name of the show. 78 00:03:34,760 --> 00:03:38,200 Speaker 2: So the show is it's called playworn, and that is 79 00:03:38,400 --> 00:03:40,080 Speaker 2: when something has been taken out of the box and 80 00:03:40,120 --> 00:03:42,520 Speaker 2: it's used and it's damaged and it's not as valuable. 81 00:03:42,880 --> 00:03:48,360 Speaker 2: So it's a metaphor playworn, Yes, really playworn. 82 00:03:48,400 --> 00:03:51,640 Speaker 1: There you go, there's another episode of It's not used. 83 00:03:53,600 --> 00:03:54,920 Speaker 2: It's not a metaphorm. 84 00:03:56,080 --> 00:03:58,280 Speaker 1: She's been out of the wrapping box for quite some time. 85 00:03:59,720 --> 00:04:02,560 Speaker 2: We can't wait, Liz. Thank you, thanks for having the. 86 00:04:02,440 --> 00:04:05,680 Speaker 1: Wife of Liz coming to a stage near you in 87 00:04:05,720 --> 00:04:08,080 Speaker 1: February for French World. Get your tickets.