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Speaker 1: The rest of the world.

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Speaker 2: What goes on in this hour stays in this hour.

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Speaker 2: Even the boss doesn't listen. Ladies, gentlemen, welcome to the

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Speaker 2: Christian oh col Lester Show. Hey, come on, he's to

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Speaker 2: Christian O'Connor back the show. Monday morning, three minutes past six.

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Speaker 2: Have you had a fantastic weekend? Welcome to the show.

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Speaker 2: Come morning, pats Hey, how are you doing? You're right?

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Speaker 1: Perhaps?

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Speaker 2: Yeah, I'm good bye? Oh Bobby flat there Monday on

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Speaker 2: the radio show The Big One. We'll black it in.

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Speaker 2: That's why I get Patty. Come on remember Radio one

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Speaker 2: O one?

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Speaker 3: Hey? Hey?

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Speaker 2: Also, perhaps you love you know your latest? You know,

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Speaker 2: no one sells what the station's up to better than

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Speaker 2: Patsy today coming no one here bang just giving you

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Speaker 2: some bad news. But hey, how about your favorite eighties tracks?

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Speaker 1: What it is?

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Speaker 2: It's sweetens that old news pield, doesn't it? Sometimes?

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Speaker 4: That's all right?

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Speaker 2: Murder? Why eighty songs? Why don't they do that on TV?

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Speaker 2: Some big news report? Then wrap it up with that

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Speaker 2: you know you can win a car online? Then not

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Speaker 2: so sad?

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Speaker 3: Now?

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Speaker 2: Is it all this misery? What I like about this

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Speaker 2: new eighties thing? The top top eighties songs of the eighties.

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Speaker 2: It sounds like you asked us to find their eighty

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Speaker 2: favorite eighties songs.

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Speaker 1: When is it? I thought it was over the we

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Speaker 1: its over the weekend? Is it still going?

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Speaker 2: Yeah?

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Speaker 5: Building the anticipation, Jack, When.

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Speaker 1: Does it start? Yeah, I just read it out.

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Speaker 5: I get a blue suddenly.

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Speaker 2: And how was your weekend? Was the Jersey Boys good?

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Speaker 2: Red Carpet Patsy were there was a good show.

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Speaker 5: It was a great show, very slick and lots of

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Speaker 5: hair grease.

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Speaker 2: Yeah.

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Speaker 5: And the guy that plays Frankie is amazing, really really

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Speaker 5: really good.

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Speaker 2: Yeah. I saw the one in London in the West End.

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Speaker 2: It was an amazing show to her mother in law,

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Speaker 2: and I didn't think it was gonna be my kind

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Speaker 2: of thing.

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Speaker 1: I'm telling you.

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Speaker 2: The all those songs are amazing, are they?

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Speaker 5: We didn't realize, Like I knew he had a lot

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Speaker 5: of hits, but I didn't realize a lot of the

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Speaker 5: songs were his songs that were great, but I didn't

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Speaker 5: realize they were him.

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Speaker 2: In the four season, you also wrote all the songs

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Speaker 2: were many Vanilli as well. People don't know that about

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Speaker 2: Frankie Valley, right, Yeah, he did. Yeah, all the hits

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Speaker 2: rama as well. Really yeah yeah, real hit machine. Frankie Valley.

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Speaker 2: All right, So two weeks ago I asked Jack Posts

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Speaker 2: to come up with an anthem for this moment. Ready

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Speaker 2: a Monday morning. Okay, Patsy needs that anthem. Melbourne needs

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Speaker 2: that anthem to just get us going, to really just

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Speaker 2: launch us out of the blocks on a Monday morning.

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Speaker 2: The Monday anthem is now ready. We had a little

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Speaker 2: play with it Friday, and obviously that was Friday. We're

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Speaker 2: all in a good mood. Now is the time we

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Speaker 2: really need that kind of red bull to get us going.

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Speaker 2: So what I want you to ask you to do,

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Speaker 2: Melbourne is think about how you are right now. Think

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Speaker 2: about how flat you're feeling right now. It's Monday morning.

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Speaker 2: Oh God, no matter how good the weekend was, we're

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Speaker 2: back into it.

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Speaker 1: It's Monday.

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Speaker 2: It feels like a long time to Friday and that

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Speaker 2: beautiful three day labor weekend coming up. And then I'm

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Speaker 2: going to play you this and I want you to

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Speaker 2: tell me how you feel afterwards, how it moved you

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Speaker 2: or did it not or did it on nine four

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Speaker 2: one four one oh four three. This is especially commissioned

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Speaker 2: unique piece of music. To play now, So just think

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Speaker 2: about this. How does it move you? What happens? I

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Speaker 2: need to know nine four one four one o four

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Speaker 2: three right now, take a moment.

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Speaker 1: Let it in.

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Speaker 2: The alarm clock has no tagged in?

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Speaker 1: Jill to you awake at six am Monday morning?

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Speaker 2: Is here to ruin your life again?

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Speaker 6: Butts of your boss and you read coworkers. Your emails

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Speaker 6: are piling them.

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Speaker 7: If only there was a way to help you get up.

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Speaker 8: There's no bosses here here, there's no emails here here,

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Speaker 8: there's no boring work, makes chewing off Currey.

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Speaker 7: Monday's reborn, the Wars warn come join us in.

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Speaker 1: The breakfast show.

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Speaker 7: Hans up the candle Breakfast Show. It's Monday morning.

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Speaker 2: Gee we go, I will come in here. It's got

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Speaker 2: me going, It's got me going, Patsy, how are you

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Speaker 2: fating love it?

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Speaker 5: That is great?

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Speaker 1: Jack? Jack? How are you feeding? I love it? I

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Speaker 1: actually really enjoy it and I'm a writer of it.

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Speaker 2: No, I think it's great. I think it's a hit.

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Speaker 1: Melbourne.

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Speaker 2: What do you think? Are you feeling moral weight right now?

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Speaker 2: It's a song for you? Nine four one four one

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Speaker 2: four to three? Has it worked?

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Speaker 3: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point.

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Speaker 2: Three's just now an email from SEB saying that he

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Speaker 2: will just have to rely on having another coffee.

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Speaker 1: He didn't like it.

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Speaker 2: What he said is he just said, I'm still gonna

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Speaker 2: have to have another coffee.

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Speaker 1: Well, coffee's an addictive substance that takes time to get

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Speaker 1: addicted to. I'm sure if he listens to that song

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Speaker 1: for a few mondays more and wean him off the caffee,

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Speaker 1: the will wean him off and then he'll become addicted

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Speaker 1: to music.

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Speaker 2: Whatever happens this week, I'm in a great movie because

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Speaker 2: yesterday I brought a whole load of new.

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Speaker 1: Tupperware, so you put it on Instagram.

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Speaker 2: Honestly, I am winning life. Nothing makes me happier than

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Speaker 2: new tuperware. However, and I got if you see the

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Speaker 2: photo right, I must have got like seven different sizes

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Speaker 2: of tupperware so they, hey, don't work. We've got leftover curry.

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Speaker 2: I've got this tool cylindrical thing. I can simply pour

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Speaker 2: it in their seed off the top, you know, salads.

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Speaker 2: I've got tup ofwear to cover that.

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Speaker 1: And you go get a couple of the serial ones?

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Speaker 1: Are they the big tall ones? I actually felt sorry

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Speaker 1: for you when you bought it last night because I

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Speaker 1: haven't won a chance yet to tell you about a

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Speaker 1: superior tupperware type thing, which is these tubs with a

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Speaker 1: white lid that like suction and then they've got a

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Speaker 1: handle that helps you.

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Speaker 2: Why would you criticize a man's touperware choice. I've just

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Speaker 2: said I'm happy, I'm feeling good. I'm winning the week

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Speaker 2: already with new tupperware, and you're telling me about some

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Speaker 2: playing a superiority car.

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Speaker 1: I just know after I experienced it, when Banker brought

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Speaker 1: them home, I was like, what's this rubbish? We don't

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Speaker 1: need this special superior tupperware? This life, isn't it?

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Speaker 2: You always have to yearn for something else. Why can't

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Speaker 2: I just be happy? I feel fulfilled at the moment

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Speaker 2: with my top ofware choices.

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Speaker 1: You know what, I'm going to tip the rice out

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Speaker 1: of one of them and bring them in. Let you

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Speaker 1: play with one of them. Tease me, well, just show

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Speaker 1: you what your life could be.

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Speaker 2: I tell you what, Whatever you get tupperware, the best

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Speaker 2: way about tuperware is bringing it home and just looking

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Speaker 2: at it before you use it. Oh yeah, tuperware, I

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Speaker 2: won't get by the end of this week. I want

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Speaker 2: me to find a single lead. What happens to that? Well, no, sorry,

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Speaker 2: you can find the lids. You've got eight different needs.

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Speaker 2: None of them go with that one today.

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Speaker 1: Yeah, what is it?

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Speaker 2: It's like that they just separate overnight. You know, it's

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Speaker 2: like some sort of toy story thing. They went until

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Speaker 2: I go to bed and the house is asleep, and

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Speaker 2: they start shuffling themselves around somehow.

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Speaker 1: Yeah, I don't look, I don't want to talk about

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Speaker 1: the superior typework. No universal lid, so the lid would

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Speaker 1: work with any top.

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Speaker 5: Oh wow, yeah, god, what did that set your back?

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Speaker 7: Check?

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Speaker 1: Yeah, they are actually don't know the anchor board, but

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Speaker 1: I think they're more expensive than the usual.

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Speaker 2: But that doesn't mean that that's not really good because

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Speaker 2: I like to have different options with tupley because sometimes

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Speaker 2: you want Eddy biddy one to put the kids a

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Speaker 2: little bit of a little of carrots or stuff up that.

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Speaker 1: Yeah, okay, so they aren't different sizes in terms of

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Speaker 1: like from a bird's eye view, they all look the same,

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Speaker 1: but then the depth gets bigger and smaller. Do you

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Speaker 1: say bird's eye view? I love that anyway.

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Speaker 2: This is that's been this morning's tupper Chats The Christian

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Speaker 2: O'Connell Breakfast Show, Melbourne's Gold one oh four point three.

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Speaker 2: Good morning, it's a Christian O'Connor breakfast show. I had

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Speaker 2: a great weekend. I had a yeah, busy weekend basically

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Speaker 2: getting ready for everything's going to happen this week. My

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Speaker 2: wife goes to the hospital today. She's having some kind

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Speaker 2: of reconstructive surgery ACL surgery. It's being mended. She had

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Speaker 2: it done in England last year. Hasn't worked. She still

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Speaker 2: can't strain her knee. So some of the guru of

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Speaker 2: ACL reconstructions in Australia and the world is right here

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Speaker 2: in Melbourne. He does all the footy players, James Herb

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Speaker 2: put me and go. It was kind enough to introduce

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Speaker 2: me to him, doctor Julian Fellows. So he's operating on

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Speaker 2: my wife's knee today about eleven am.

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Speaker 1: And you were telling me about the procedure where he's

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Speaker 1: going to take out the screw.

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Speaker 2: The taking out of a screw, so last year she

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Speaker 2: if anyone knows about ACL's some I didn't even know

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Speaker 2: what the anterior crucier ligament is it snapped yep, right,

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Speaker 2: so the knee basically it was all floppy. And she

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Speaker 2: had some repair last year where they took the hamstring

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Speaker 2: from a dead person and bolted onto her knee Frankenstein style. Yeah,

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Speaker 2: I didn't know you could do this from a cadaver.

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Speaker 2: And wife was going, what about if this person was

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Speaker 2: lazy and had wheek names? So she said to me,

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Speaker 2: I said, it's not like a catalog. Nah, No, niece,

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Speaker 2: I said, even if it was someone who's you know,

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Speaker 2: didn't look after themselves. You've ever seen a large person's calves.

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Speaker 2: They are so shapely and fit they are. I can't

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Speaker 2: I go to the gym, I workout. I can't do

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Speaker 2: anything to shift these calves. I see there's a big

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Speaker 2: guy and I can't stop looking at this guy's calves

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Speaker 2: pear shaped, muscular, beautiful. So anyway, that got like screwed

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Speaker 2: in last last year.

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Speaker 1: A dud person because it didn't work properly. No, so

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Speaker 1: the hamstring was a done well, no the.

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Speaker 2: Reckon Now this Australian guys taking a look at it

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Speaker 2: when an MRI and said, the screw is in the

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Speaker 2: wrong place. So he's got to go in today. Get

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Speaker 2: this generally it knock her out and take the screw out,

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Speaker 2: replace the screws, Like if you took a screw out

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Speaker 2: the wall and you've got to put some like filler in, haven't.

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Speaker 1: Your polyphil them?

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Speaker 2: Two millimeters of bone have got being taken from another

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Speaker 2: some dead the dead bone department. Two millimeters on phones

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Speaker 2: I've got to go in.

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Speaker 1: Can you believe that? Is that precise? And she's worried

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Speaker 1: about getting a lazy person's bone.

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Speaker 2: Or not worried about that because she knows that you

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Speaker 2: guys in Australia here are a lot more active than

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Speaker 2: us lazy bombies. So yeah, she got two millimeters of bone,

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Speaker 2: is being replied, I don't even know how do they

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Speaker 2: do this micro surgery? She saw me how big the

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Speaker 2: scar is going to be? How they do it all?

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Speaker 2: It's tiny because keyhole is it Christian? Yeah? Yeah, so

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Speaker 2: I don't even know how someone does all of that.

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Speaker 2: So anyway, what a result? She's got a night away

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Speaker 2: in the hotel tonighterring to it. But if you're away

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Speaker 2: from your kids and that wherever you are called at hospital,

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Speaker 2: I see it as a hotel state.

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Speaker 1: Okay, taking to the mini bar though.

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Speaker 2: I don't know what room services like at the Atworth,

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Speaker 2: but she's going to find out tonight, so she's there.

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Speaker 2: So this week, this weekend was all about planning this week.

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Speaker 2: That's why I'm getting the tupperware cooking up dishes over

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Speaker 2: the weekend, and I've literally written, now Monday, we'll have

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Speaker 2: this Tuesday, Wednesday, Thursday for because she comes out of

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Speaker 2: the hospital on the Tuesday.

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Speaker 1: And it's all just got to.

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Speaker 2: Just be there this week, right, And I said the kids,

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Speaker 2: everyone's going to step up. So it was all looking

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Speaker 2: like I had everything under control, and then the universe

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Speaker 2: went screw that. Saturday morning, I'd take my twelve year

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Speaker 2: old daughter to do her Saturday sport and she's playing

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Speaker 2: touch rugby. She absolutely loves playing touch rugby, and she's

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Speaker 2: having her best ever games.

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Speaker 1: The coaches and stuff of that.

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Speaker 2: She's having a flying and suddenly she goes flying over

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Speaker 2: and she goes screamed my ankle and I'd even go,

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Speaker 2: oh my god, I went, of course, she's been in

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Speaker 2: an air boot all weekend. She hardly walk, she's in

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Speaker 2: so much pain with the right ankle. So now this

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Speaker 2: week everything is literally had to work out. How can

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Speaker 2: someone pick them up? From school. I'm filming tomorrow doing

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Speaker 2: someone else Wednesday. We sort of it's like landing planes

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Speaker 2: my life this week. I think it's four different people

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Speaker 2: doing school drop offs and pickups this week.

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Speaker 1: And wheelchairs, crutches. What everyone?

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Speaker 2: She's just on one of those you know, the big

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Speaker 2: old yeah.

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Speaker 1: And what about Sarah? Sarah is going to be on crutches.

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Speaker 2: Although, as surgeon said to me, you should be weight

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Speaker 2: bearing within twenty four to forty eight hours, she's going

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Speaker 2: to be on crutches for ten days. I was in there,

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Speaker 2: I said the kids this, I'm going to fit some

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Speaker 2: hidden cameras. I said, what if I see her this

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Speaker 2: walker around the house, We've got her, Okay.

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Speaker 3: The Christian O'Connell Breakfast Show podcast Mildon's Gold one oh

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Speaker 3: four point three on.

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Speaker 2: This day Mystery, on this day all right? Taking him

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Speaker 2: out this morning to March fourth, Then on this day

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Speaker 2: in Mystery first up. Then notes are mentioned for this

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Speaker 2: amazing story I found about yesterday when I was doing

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Speaker 2: some homework nineteen seventy seven on the Stay in History

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Speaker 2: Charlie Chaplin. His body was two people dug up his

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Speaker 2: body held it to ransom.

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Speaker 1: Who do his wife?

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Speaker 2: Oh?

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Speaker 1: That's terrible.

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Speaker 2: I know, I couldn't believe it. Nineteen seventy seven, March

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Speaker 2: to fourth. I did not know about the story. Charlie Chaplin,

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Speaker 2: well the greatest actors ever. His body was dug up

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Speaker 2: two people then hold it to around him. His wife

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Speaker 2: laughs at offguing, we're not paying it, We're not pay

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Speaker 2: He would have thought this was hilarious, something that one

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Speaker 2: of his movies. So she just starts literally laughing. They

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Speaker 2: can't have his body back. We go, well, I'm not

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Speaker 2: paying you half a million. He's dead? Do he won

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Speaker 2: with it? So, but however, it's just in Switzerland by

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Speaker 2: late Geneva, the authorities take a very dim view of this.

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Speaker 2: Switzerland is a very very you know, so neutral country,

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Speaker 2: and they took a very dim view famous dead people

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Speaker 2: should be.

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Speaker 1: So they would.

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Speaker 2: They tried everything for six weeks to find where the

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Speaker 2: body was hidden, and there was like a reward on it,

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Speaker 2: but not from his wife. She was like, I don't care.

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Speaker 1: How long dead was he? Was he a body or

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Speaker 1: only two months? That's dreadful. Yeah, so he was stinky,

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Speaker 1: probably like halfway through decomposing.

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Speaker 2: Yeah, And then after six weeks to get this Macaree

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Speaker 2: Annex were arrested.

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Speaker 1: Car mechanics. I don't know.

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Speaker 2: It's like a kind of idea, like what were we going

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Speaker 2: to do?

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Speaker 1: The business is going to go under?

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Speaker 2: Do you know? Just spit more ideas right now? Charlie

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Speaker 2: Chaplin am I Gus said it's funeral two months ago?

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Speaker 1: What's to say? We dig up his body? I don't know,

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Speaker 1: and do what with it? Ransom?

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Speaker 2: Don't they need to be alive to get a ransom? Yeah,

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Speaker 2: but you know still so Yeah, they're wrestled and they

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Speaker 2: managed to find Charlie Chaplin and then they reburied him,

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Speaker 2: this time under six feet of concrete. Somebody else digging

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Speaker 2: up and holding into ransom. What a story? Why isn't

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Speaker 2: there a silent movie about that? Charlie Chaplin body being

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Speaker 2: held to Ransom's surprising?

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Speaker 1: I mean, it's a kind of stupid thing to do,

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Speaker 1: but kind of surprising. Hasn't happened with more famous people?

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Speaker 2: Benny Hill?

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Speaker 1: Right?

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Speaker 2: I know he made it over here in the seventies.

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Speaker 2: Benny Hill was buried in Southampton, where he's from. And

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Speaker 2: the only reason I know about the story is a

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Speaker 2: friend of mine as a funeral director in Southampton when

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Speaker 2: he first starting on a job some thirty odd years ago,

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Speaker 2: thirty five years ago, it's been doing it for years.

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Speaker 2: He worked on the team that had to go around

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Speaker 2: to Benny Hill's flat. Benny Hill died a really sad,

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Speaker 2: lonely life, been dead for like two or three weeks.

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Speaker 2: No one had gone in and checked up on him.

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Speaker 2: So anyway, Benny had a lot of money and gold

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Speaker 2: and trinkets and he wants he buried with it all.

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Speaker 2: So Hampton, there are some unsavory areas there.

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Speaker 1: People.

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Speaker 2: He'dn't have been in the ground less than six hours

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Speaker 2: until they'd broken into his grave and stolen a load

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Speaker 2: of the gold.

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Speaker 1: And so did they rebury him or did they just

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Speaker 1: leave him?

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Speaker 2: He was against six foot of concrete after that to

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Speaker 2: stop it happening again, isn't it the worst?

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Speaker 5: Well, Elvis is in concrete at Graceland.

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Speaker 1: What do you mean?

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Speaker 2: He's in concrete? Hand So how scary? Warn you? What's

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Speaker 2: in this room?

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Speaker 1: Concrete?

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Speaker 2: Elvis? He's in there, entombed in it.

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Speaker 5: He was buried at Mauscleum down the road and people

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Speaker 5: were breaking in and taking like chipping off bits off

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Speaker 5: his gravestone and stuff. So that's why they decided to

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Speaker 5: move him to Graceland.

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Speaker 2: That's quite You've got to turn up with something like

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Speaker 2: a hammer hand, a chisel chipping off concrete.

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Speaker 1: Elvis. Well, some people have a security guard by them,

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Speaker 1: don't they? Or if I made that up? When you're dead,

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Speaker 1: I thought Jim Morrison had a security guard that like

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Speaker 1: wanders around his grave and just checks you're not doing

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Speaker 1: anything underwater or trying to dig him out.

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Speaker 2: So we'll have to look into this for all we

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Speaker 2: know we might do. I guess there must be hundreds

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Speaker 2: of people go and flock her and do a pilgrimage.

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Speaker 2: Then all right, but that is not today's On this

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Speaker 2: day mystery, On this dayn mystery Today March to fourth.

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Speaker 2: Let's go back to the nineties, when sadly we lost

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Speaker 2: one of the greatest comic actors ever, one of the

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Speaker 2: greatest comic actors ever in many, many, many funny movies,

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Speaker 2: who passed away too soon? So in the nineties, in

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Speaker 2: so many great comedy movies, some of your favorite ones,

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Speaker 2: who do you think passed away way too soon? Nine

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Speaker 2: four one four, one oh four three give us a

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Speaker 2: call with your guests. Comic actor in loads of great

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Speaker 2: Some of the funniest movies ever made died in the

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Speaker 2: mid nineties. Nine four one four one oh four three.

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Speaker 3: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

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Speaker 3: point three.

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Speaker 2: Good morning, Christian O'Connor Breakfast Show on God one o

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Speaker 2: four point three for Richmond Skoda. On this day, mystery,

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Speaker 2: on this day, on this day, mystery Today. Then it

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Speaker 2: is March to fourth, and we're just talking earlier about

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Speaker 2: how on this day mystery. In nineteen seventy seven, less

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Speaker 2: than two months after he's buried, Charlie Chaplin that a

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Speaker 2: little tramp body was dug up by two criminals and

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Speaker 2: it held to ransom and his wife just laughed at us,

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Speaker 2: saying he would have loved this story. Who thought was ludicrous?

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Speaker 2: Keep him, do what you want with him. And then

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Speaker 2: it was when nobody had mobile phones, nineteen seventy seven,

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Speaker 2: So there were they track these two car mechanics, who

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Speaker 2: thought we be a great idea to dig up his

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Speaker 2: body and hold it to ransoms. They police officers monitoring

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Speaker 2: the two hundred phone boxes around the area for weeks

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Speaker 2: because that's like that's the only place you could make

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Speaker 2: a phone call. Demanding something from a public phone box.

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Speaker 1: Was they they bugged them or just looked now.

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Speaker 2: They were just watching out. There were two hundred phone

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Speaker 2: boxes that had monitored and they eventually caught these two

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Speaker 2: car mechanics and then followed them from the phone box

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Speaker 2: to where they were still with the body of Chinie Chaplain.

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Speaker 2: But the real thing I want to know, and you

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Speaker 2: found out about Jim Morrison's grave, which you believed to

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Speaker 2: be heavily guarded.

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Speaker 1: I thought, I remember the story where a security guard

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Speaker 1: patrols his grave. There's a security guard at the cemetery graveyard. Yes,

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Speaker 1: so Oscar Wild is also the Oscar Wild. And now

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Speaker 1: they put Oscar Wild behind like a glass casing, almost like.

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Speaker 2: A how's he looking these days? He's behind glass?

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Speaker 1: Sorry, his grave is behind glass casing. The people were

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Speaker 1: like they were doing with Jim Morrison's grave, writing poems

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Speaker 1: and love letters all over the grave site. But they

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Speaker 1: started putting security in because people started graffiti other graves,

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Speaker 1: non famous graves, having directions to Jim Morrison's grave and

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Speaker 1: arrows pointing like hey, Jim Morrison's graves up here and

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Speaker 1: around to the left, and and people started like taking

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Speaker 1: wine glasses and like making little picnics and stuff there,

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Speaker 1: so they had to kick people out.

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Speaker 2: It's quite a nice place to go and pay respect

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Speaker 2: to somebody with myra, guess, isn't it. And I've just

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Speaker 2: had to look Elvis is not in concrete. He's under concrete,

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Speaker 2: just buried under it. Pay he's not in concrete.

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Speaker 1: I had to quit. Look.

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Speaker 2: Six hundred thousand people a year go and see Elvis Gracelands.

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Speaker 2: That's incredible, isn't he Is he buried in.

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Speaker 5: His home, yea, in the garden to the side of it,

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Speaker 5: and he's.

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Speaker 2: They buried a cat is in the garden. That's the goden?

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Speaker 1: What's that? Man of earth? Elvis?

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Speaker 5: He's next to his dad and his grandma and his

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Speaker 5: shoe box.

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Speaker 1: To the top and we go throw more.

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Speaker 2: Dirt on him. What a great comeback with it will be?

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Speaker 1: Though.

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Speaker 2: So the real thing I'm asking this morning, though, is

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Speaker 2: in the mid nineties then we lost a great comic actor,

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Speaker 2: appeared in so many great movies, some of the funniest

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Speaker 2: movies ever made, died too soon at the age of

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Speaker 2: forty three. And asking you this morning, who do you

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00:20:13,920 --> 00:20:19,080
Speaker 2: think it is? Cam is on the line? Good morning, Cam, Yeah, good,

441
00:20:19,080 --> 00:20:21,080
Speaker 2: I hope you had a good weekend, Cam. So who

442
00:20:21,080 --> 00:20:23,200
Speaker 2: do you think was taken too soon? Which great comic

443
00:20:23,320 --> 00:20:28,040
Speaker 2: actor John Candy is the right answer? Yeah, only forty three,

444
00:20:28,240 --> 00:20:31,399
Speaker 2: way too young. Only forty three died of March fourth

445
00:20:31,640 --> 00:20:35,200
Speaker 2: in ninety four. Great comic character, so many great movies,

446
00:20:35,240 --> 00:20:38,400
Speaker 2: starting with Splash and Planes, Trains and Autraum Deals, Uncle

447
00:20:38,440 --> 00:20:40,520
Speaker 2: Buck and loads of other as well. I remember years

448
00:20:40,520 --> 00:20:43,520
Speaker 2: ago I was like enough to interview Eugene Levy, great

449
00:20:43,560 --> 00:20:47,280
Speaker 2: comic actor himself and a really really funny guy. And

450
00:20:47,960 --> 00:20:50,520
Speaker 2: I didn't realize but he kind of went to college

451
00:20:50,560 --> 00:20:53,680
Speaker 2: with John Candy and howld Remis as the genie's behind Ghostbusters,

452
00:20:53,920 --> 00:20:56,199
Speaker 2: and they formed a improv group and then they were

453
00:20:56,240 --> 00:20:58,280
Speaker 2: in a TV show in Canada together as well, and

454
00:20:58,359 --> 00:21:00,359
Speaker 2: said that no one could ever get any near John Candy.

455
00:21:00,400 --> 00:21:03,360
Speaker 2: So it is an amazing just a powerhouse of comedy.

456
00:21:03,680 --> 00:21:05,119
Speaker 2: This is one of my favorite scenes in one of

457
00:21:05,160 --> 00:21:08,440
Speaker 2: my favorite comedy movies, Planes, Trains and Automobiles. What a

458
00:21:08,480 --> 00:21:11,080
Speaker 2: great kind of DNA of two great comic characters, John

459
00:21:11,119 --> 00:21:12,600
Speaker 2: Candy and Steve Martin.

460
00:21:12,600 --> 00:21:14,600
Speaker 1: Who ever put those two together in one movie?

461
00:21:15,480 --> 00:21:17,320
Speaker 2: Oh?

462
00:21:18,040 --> 00:21:19,320
Speaker 1: Why did you kiss? Fight? Here?

463
00:21:22,760 --> 00:21:29,040
Speaker 7: Where you're holding my hand, there's your other hand between

464
00:21:29,119 --> 00:21:29,840
Speaker 7: two pillows.

465
00:21:31,440 --> 00:21:32,560
Speaker 2: Those aren't pillows.

466
00:21:33,440 --> 00:21:35,920
Speaker 1: I love that movie. I just love that movie.

467
00:21:36,240 --> 00:21:38,440
Speaker 2: They go all right, be the Great John Candy.

468
00:21:38,200 --> 00:21:42,159
Speaker 3: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point.

469
00:21:41,880 --> 00:21:46,360
Speaker 2: Three are into March. For those of us that tufted

470
00:21:46,359 --> 00:21:49,280
Speaker 2: out and went through the whole month of February with

471
00:21:49,680 --> 00:21:53,600
Speaker 2: no booze, I speak as one of the survivors fed Fastest.

472
00:21:53,680 --> 00:21:56,600
Speaker 2: Excuse me, there's been one of people sniggling fed fast

473
00:21:56,640 --> 00:21:57,200
Speaker 2: is now over.

474
00:21:57,359 --> 00:21:58,920
Speaker 1: Yeah, I mean you did some of it, so we

475
00:21:58,920 --> 00:22:00,520
Speaker 1: should congratulate you for some of it.

476
00:22:00,680 --> 00:22:02,119
Speaker 2: To give it as a pie chot, and that's how I

477
00:22:02,240 --> 00:22:03,920
Speaker 2: like to refer to everything, if it was a pie shot.

478
00:22:04,280 --> 00:22:06,680
Speaker 2: I did most of the circle.

479
00:22:06,600 --> 00:22:08,399
Speaker 1: Yes, at least fifty one percent.

480
00:22:08,480 --> 00:22:10,480
Speaker 2: No, I'm telling you now, I reckon. I did a

481
00:22:10,560 --> 00:22:14,320
Speaker 2: good eighty two percent of February was alcohol free.

482
00:22:14,440 --> 00:22:16,919
Speaker 1: It's buzz of all. Actually, you drank more than path two,

483
00:22:18,840 --> 00:22:22,080
Speaker 1: so I thought, you know, I would really good unleashed,

484
00:22:22,080 --> 00:22:23,080
Speaker 1: But I didn't know the weekend.

485
00:22:23,080 --> 00:22:24,960
Speaker 2: Actually, I had like a glass and half of wine

486
00:22:25,000 --> 00:22:27,080
Speaker 2: on Friday night, and that felt like enough. Even that

487
00:22:27,119 --> 00:22:28,080
Speaker 2: I felt a little bit giddy.

488
00:22:28,240 --> 00:22:31,040
Speaker 1: Perhaps there is that homebrew that Brendan bought in on Friday.

489
00:22:31,080 --> 00:22:34,000
Speaker 2: They didn't put me off alcohol for a very long time.

490
00:22:34,240 --> 00:22:36,600
Speaker 2: How about you? How did you celebrate usher in the

491
00:22:36,640 --> 00:22:37,679
Speaker 2: new month now drinking?

492
00:22:37,760 --> 00:22:39,960
Speaker 1: I actually needed a bit on Friday night because I

493
00:22:40,000 --> 00:22:42,800
Speaker 1: went to a friend's party where Bianchor and I didn't

494
00:22:42,880 --> 00:22:44,960
Speaker 1: know a lot of the other friends, and it was

495
00:22:45,000 --> 00:22:46,920
Speaker 1: one of those sit down dinners where.

496
00:22:46,880 --> 00:22:49,879
Speaker 2: Literally my idea of how is one of those and

497
00:22:49,920 --> 00:22:51,680
Speaker 2: it's not being around other people. I fear that I'm

498
00:22:51,720 --> 00:22:54,920
Speaker 2: the dunest person there and where you sit on the table,

499
00:22:55,760 --> 00:22:58,879
Speaker 2: it's everything because I'm always that guy somehow ends up

500
00:22:58,880 --> 00:23:01,280
Speaker 2: on the end. Sorry for the person next to me,

501
00:23:01,320 --> 00:23:04,119
Speaker 2: because there's always like buckets of laughter coming from the

502
00:23:04,160 --> 00:23:06,400
Speaker 2: middle of the table, and you know they're looking down,

503
00:23:06,480 --> 00:23:08,080
Speaker 2: thinking that's where the action is.

504
00:23:08,440 --> 00:23:09,800
Speaker 1: And there's nothing you can do from the end of

505
00:23:09,840 --> 00:23:11,520
Speaker 1: the table. You can't crane your neck and try and

506
00:23:11,600 --> 00:23:11,960
Speaker 1: join it.

507
00:23:11,920 --> 00:23:13,600
Speaker 2: People looking down. Then you want to be in the

508
00:23:13,600 --> 00:23:15,879
Speaker 2: middle where all the action is all about the middle

509
00:23:16,000 --> 00:23:18,679
Speaker 2: or just either side of the middle, bit, isn't it.

510
00:23:18,720 --> 00:23:20,919
Speaker 2: That's the key, that's the key area to get in

511
00:23:20,960 --> 00:23:22,080
Speaker 2: on that big, long table and.

512
00:23:22,040 --> 00:23:24,680
Speaker 1: You're stuck for about two hours so and then there's

513
00:23:24,680 --> 00:23:26,639
Speaker 1: no excuse in the world for you to get up

514
00:23:26,680 --> 00:23:28,080
Speaker 1: and go and tap someone in the shoulder in the

515
00:23:28,119 --> 00:23:30,600
Speaker 1: middle of the table and go, hey, why don't we

516
00:23:30,680 --> 00:23:31,320
Speaker 1: swap seats?

517
00:23:31,640 --> 00:23:34,520
Speaker 2: Absolutely, I've done that before. I just go, hey, you know,

518
00:23:34,560 --> 00:23:37,000
Speaker 2: there's so many interesting people here, why don't we swap

519
00:23:37,080 --> 00:23:38,600
Speaker 2: around musical chair?

520
00:23:38,760 --> 00:23:38,920
Speaker 7: Yeah?

521
00:23:38,960 --> 00:23:41,320
Speaker 2: Why, I'd love to see what you guys, particularly in

522
00:23:41,320 --> 00:23:44,120
Speaker 2: the middle. Well, well, the action is And also, how

523
00:23:44,119 --> 00:23:46,280
Speaker 2: would you rate yourself at small talk? I know we

524
00:23:46,400 --> 00:23:49,800
Speaker 2: do it for a living, but it's a very very small, small,

525
00:23:49,920 --> 00:23:51,600
Speaker 2: narrow band of skills to do this job.

526
00:23:51,720 --> 00:23:53,520
Speaker 1: See, I get I get bored. I get bored with

527
00:23:53,560 --> 00:23:55,520
Speaker 1: my own small talk very quickly. Do you tell me

528
00:23:55,600 --> 00:23:55,920
Speaker 1: what you do?

529
00:23:56,800 --> 00:23:57,000
Speaker 7: Yeah?

530
00:23:57,080 --> 00:23:57,639
Speaker 1: I rarely do.

531
00:23:57,720 --> 00:23:59,400
Speaker 2: If they don't know, I just say that, I'll say

532
00:23:59,840 --> 00:24:02,000
Speaker 2: I work from radio station. They go, what Sometimes I

533
00:24:02,200 --> 00:24:05,520
Speaker 2: walk on the sales side. Otherwise amount of times I've

534
00:24:05,560 --> 00:24:08,520
Speaker 2: told them, and then they do this, I don't listen.

535
00:24:08,720 --> 00:24:09,600
Speaker 1: And that's okay.

536
00:24:09,680 --> 00:24:11,119
Speaker 2: I mean, if I was a plumber, you wouldn't go

537
00:24:11,200 --> 00:24:11,959
Speaker 2: You're not my plumber.

538
00:24:14,320 --> 00:24:15,040
Speaker 1: That's not what I said.

539
00:24:15,040 --> 00:24:17,600
Speaker 2: I just said I'm a plumber. I'm a doctor, not

540
00:24:17,640 --> 00:24:20,360
Speaker 2: my doctor. No, sorry, I've never been to you. Yeah,

541
00:24:22,520 --> 00:24:25,240
Speaker 2: I will never use you as my doctor. Just letting

542
00:24:25,280 --> 00:24:27,240
Speaker 2: you know right now. But anyway, good luck with your doctoring.

543
00:24:27,440 --> 00:24:31,040
Speaker 1: Yeah. I think I talking about what other people do

544
00:24:31,240 --> 00:24:33,320
Speaker 1: is kind of the most boring conversation.

545
00:24:32,920 --> 00:24:36,720
Speaker 2: But because you might find you might be opposite someone who's.

546
00:24:36,560 --> 00:24:39,160
Speaker 1: Got other guy I got, what did he work?

547
00:24:39,359 --> 00:24:42,520
Speaker 2: Is this a sudent like suit and tie type, He's

548
00:24:42,520 --> 00:24:43,800
Speaker 2: going to be a suit and time being an interesting

549
00:24:43,840 --> 00:24:46,160
Speaker 2: guy with it. But this guy was what did you do?

550
00:24:46,640 --> 00:24:50,280
Speaker 1: And honestly couldn't even understand what he did? He worked

551
00:24:50,320 --> 00:24:54,600
Speaker 1: for some company that tries to get like recruits.

552
00:24:54,640 --> 00:24:56,480
Speaker 2: Do you think of make a great game show where

553
00:24:56,480 --> 00:24:58,760
Speaker 2: you actually have dinner for two hours and then win

554
00:24:58,920 --> 00:25:02,000
Speaker 2: cash prizes and what you know from them had to

555
00:25:02,040 --> 00:25:04,199
Speaker 2: do like a breathalyzer test to prove that you were

556
00:25:04,200 --> 00:25:06,600
Speaker 2: still over the limit, and then go what does he do?

557
00:25:06,720 --> 00:25:07,960
Speaker 2: So just hearing you then.

558
00:25:08,080 --> 00:25:12,879
Speaker 1: So he's recruit does the companies to do what? I

559
00:25:13,720 --> 00:25:16,960
Speaker 1: can't remember? I think that I think it's to do

560
00:25:17,000 --> 00:25:19,920
Speaker 1: with employment, like recruits company with recruiting, it must be yeah,

561
00:25:20,000 --> 00:25:23,239
Speaker 1: recruit employees. I don't know.

562
00:25:24,440 --> 00:25:26,400
Speaker 2: And do you think if we asked him, what did

563
00:25:26,400 --> 00:25:28,760
Speaker 2: the guy opposite you, do you think he would have said, well,

564
00:25:28,760 --> 00:25:31,040
Speaker 2: he's on the radio, is Jack Post? I like to

565
00:25:31,080 --> 00:25:33,959
Speaker 2: think so, and so were you stuck out on the end,

566
00:25:33,960 --> 00:25:35,200
Speaker 2: because that's the worst bit.

567
00:25:35,359 --> 00:25:37,960
Speaker 1: Yeah, And I didn't even have for whatever reason, in

568
00:25:38,000 --> 00:25:39,840
Speaker 1: the chef, I didn't even have biancing next to me,

569
00:25:39,880 --> 00:25:41,240
Speaker 1: as like, oh no, not with that.

570
00:25:43,160 --> 00:25:45,720
Speaker 2: You were out in the wilderness there. That's now, when

571
00:25:45,720 --> 00:25:46,920
Speaker 2: do you turn to alcohol?

572
00:25:47,160 --> 00:25:50,520
Speaker 3: The Christian O'Connell breakfast Show, Melbourne's Gold one oh four

573
00:25:50,560 --> 00:25:51,040
Speaker 3: point three.

574
00:25:51,320 --> 00:25:53,840
Speaker 2: I was just telling Jack a story which I've never

575
00:25:53,880 --> 00:25:56,840
Speaker 2: shared on the radio, and once at a stand up gig,

576
00:25:56,880 --> 00:25:59,600
Speaker 2: I told this story and it killed the gig. The

577
00:25:59,600 --> 00:26:02,240
Speaker 2: audience didn't like me, didn't like the story, and I

578
00:26:02,240 --> 00:26:03,879
Speaker 2: couldn't get them back after and I had to just

579
00:26:04,119 --> 00:26:08,800
Speaker 2: end my set. And it's a terrible, terrible story. But

580
00:26:08,960 --> 00:26:10,879
Speaker 2: Jack said I should share it here. But I'm just

581
00:26:10,920 --> 00:26:13,920
Speaker 2: before I even say a word, you're not going to

582
00:26:14,119 --> 00:26:15,800
Speaker 2: like this story and you're not going to like what

583
00:26:15,840 --> 00:26:17,600
Speaker 2: I did. But it's a very very different time in

584
00:26:17,640 --> 00:26:20,320
Speaker 2: my life. It's a very very different kind of radio

585
00:26:20,480 --> 00:26:22,920
Speaker 2: show I did. Then this is story is about sixteen

586
00:26:23,000 --> 00:26:25,600
Speaker 2: years ago. It's before I became a father, which is

587
00:26:25,600 --> 00:26:27,520
Speaker 2: why I ended up saying these words in the radio.

588
00:26:27,800 --> 00:26:30,199
Speaker 1: And it's a good warning for people as well, just

589
00:26:30,359 --> 00:26:33,119
Speaker 1: about talking behind other people's backs. Absolutely. I mean it

590
00:26:33,200 --> 00:26:35,159
Speaker 1: was born because I just talked about a boring guy

591
00:26:35,200 --> 00:26:37,879
Speaker 1: at dinner the other night, and what are the chances

592
00:26:37,920 --> 00:26:38,479
Speaker 1: he's listening.

593
00:26:38,640 --> 00:26:42,399
Speaker 2: Yeah, So we on Sunday women invited by some of

594
00:26:42,440 --> 00:26:44,800
Speaker 2: our oldest friends to come to a christening. They were

595
00:26:44,800 --> 00:26:47,760
Speaker 2: going to become godparents, to come along and meet their family,

596
00:26:47,800 --> 00:26:49,679
Speaker 2: and they were from up north, but they were very,

597
00:26:49,760 --> 00:26:51,480
Speaker 2: very social, and so we went along. I had a

598
00:26:51,520 --> 00:26:54,240
Speaker 2: great time meeting the friends whose baby was being christened,

599
00:26:54,280 --> 00:26:56,240
Speaker 2: and we all had drinks afterwards. We had quite a big,

600
00:26:56,280 --> 00:26:58,919
Speaker 2: long afternoon. It's quite tenently, quite a great session. The

601
00:26:58,960 --> 00:27:00,840
Speaker 2: next morning, I'm doing my radio show and this was

602
00:27:00,840 --> 00:27:04,120
Speaker 2: a very it was just a very uh carp Bilkinton

603
00:27:04,280 --> 00:27:06,280
Speaker 2: was my producer at the time. So it's a very

604
00:27:06,400 --> 00:27:08,840
Speaker 2: kind of edgy breakfast show. I was doing this before

605
00:27:08,840 --> 00:27:11,760
Speaker 2: I became a father. Can I just keep keep emphasizing that?

606
00:27:12,560 --> 00:27:15,480
Speaker 2: And I was saying on air house sometimes in life

607
00:27:15,600 --> 00:27:19,520
Speaker 2: you see a baby that actually scares you, this is awful.

608
00:27:19,520 --> 00:27:21,280
Speaker 2: I shouldn't ever talk about a baby like that and

609
00:27:21,320 --> 00:27:23,480
Speaker 2: her mind, to talk about any a pure little baby

610
00:27:23,520 --> 00:27:25,600
Speaker 2: like that, it's an awful thing. But I was all

611
00:27:25,600 --> 00:27:28,160
Speaker 2: about this baby and how it actually did genuinely scare

612
00:27:28,200 --> 00:27:31,080
Speaker 2: me a bit. That's something about it. When I was

613
00:27:31,080 --> 00:27:33,080
Speaker 2: doing this, just to give a bit more extra energy,

614
00:27:33,240 --> 00:27:36,399
Speaker 2: I was playing the Omen music as well and calling

615
00:27:36,440 --> 00:27:37,720
Speaker 2: it Damien the Devil Baby.

616
00:27:39,400 --> 00:27:41,960
Speaker 1: They cut to a breakfast.

617
00:27:41,520 --> 00:27:43,320
Speaker 2: Scene where all these people get up in the morning.

618
00:27:43,400 --> 00:27:45,639
Speaker 2: They got that Christians seemed like a nice guy. Just

619
00:27:45,680 --> 00:27:48,120
Speaker 2: turn his radio show on. Now they're here one link.

620
00:27:48,200 --> 00:27:50,280
Speaker 2: Oh that's nice. And then I said, at the end

621
00:27:50,280 --> 00:27:51,720
Speaker 2: of it, hey, coming up in ten minutes time, we're

622
00:27:51,720 --> 00:27:52,840
Speaker 2: gonna be talking about this christening.

623
00:27:52,880 --> 00:27:53,880
Speaker 1: And what I saw there?

624
00:27:53,960 --> 00:27:56,679
Speaker 2: They go, oh, he's talking, he's talking about us. This

625
00:27:56,760 --> 00:27:58,600
Speaker 2: is what he said he does. He talks about his life. Oh,

626
00:27:58,640 --> 00:28:03,600
Speaker 2: let's hear it. Cue Omen music and Damian the Devil Baby.

627
00:28:03,920 --> 00:28:06,080
Speaker 2: This poor woman, the mum burst into tears.

628
00:28:06,880 --> 00:28:09,800
Speaker 1: I carry on, I do, the show, show ends, phone

629
00:28:09,840 --> 00:28:10,679
Speaker 1: goes is my wife.

630
00:28:10,880 --> 00:28:12,920
Speaker 2: She's starts swearing straight away, Chris, what the f you

631
00:28:12,960 --> 00:28:15,520
Speaker 2: said on the radio today about the Christening? I went,

632
00:28:15,720 --> 00:28:18,840
Speaker 2: we mean old devil baby. Well they were listening. I went,

633
00:28:19,760 --> 00:28:23,360
Speaker 2: they heard every word. She's in tears, inconsolable. Oh my god,

634
00:28:23,359 --> 00:28:27,040
Speaker 2: I'll call them. You can't. I mean, it's an appalling story, right,

635
00:28:28,160 --> 00:28:31,680
Speaker 2: you can't. Saying sorry isn't good enough, is it? It's awful?

636
00:28:32,240 --> 00:28:35,560
Speaker 2: So I called the dad up and he's like, appreciated apology,

637
00:28:35,640 --> 00:28:38,000
Speaker 2: you know, but you know, you've got to stand the

638
00:28:38,040 --> 00:28:40,200
Speaker 2: consequence of what you're saying something. And I know it's

639
00:28:40,440 --> 00:28:41,880
Speaker 2: so as I can speak to your wife, she doesn't

640
00:28:41,880 --> 00:28:44,920
Speaker 2: want to talk to you. It is that. See, I

641
00:28:44,920 --> 00:28:47,040
Speaker 2: wish I hadn't told the story. Now you made me

642
00:28:47,080 --> 00:28:48,760
Speaker 2: say it about the devil baby.

643
00:28:49,200 --> 00:28:52,080
Speaker 1: I know because I emphasisized.

644
00:28:51,360 --> 00:28:54,400
Speaker 2: Why you've seen a devil baby one of them and they.

645
00:28:54,360 --> 00:28:59,280
Speaker 1: Just I know, in this job, you want to if

646
00:28:59,360 --> 00:29:01,720
Speaker 1: you felt far something interesting, you do want to share

647
00:29:01,760 --> 00:29:04,280
Speaker 1: it without any boundaries or you know what. You don't

648
00:29:04,280 --> 00:29:05,360
Speaker 1: want to censor yourself.

649
00:29:05,640 --> 00:29:08,760
Speaker 2: But maybe when you're talking about babies you should do that.

650
00:29:08,800 --> 00:29:10,320
Speaker 2: So that's the moral of today's story. But I said,

651
00:29:10,320 --> 00:29:11,600
Speaker 2: please don't judge McKay The.

652
00:29:11,640 --> 00:29:14,920
Speaker 3: First and O'Connell Breakfast Show, Melbourne's Gold one oh four

653
00:29:14,920 --> 00:29:15,400
Speaker 3: point three.

654
00:29:15,880 --> 00:29:19,280
Speaker 2: There are some technical differency difficulties this morning. We are

655
00:29:19,320 --> 00:29:22,120
Speaker 2: aware of it and it will be sorted out as

656
00:29:22,160 --> 00:29:25,040
Speaker 2: soon as possible. It looks like the problem was why

657
00:29:25,640 --> 00:29:28,400
Speaker 2: you can't listen online this morning for the website and

658
00:29:28,440 --> 00:29:33,200
Speaker 2: the iHeart app is Huggy took the main station antenna

659
00:29:33,280 --> 00:29:35,920
Speaker 2: home of the weekend. You know he does that amateur

660
00:29:36,040 --> 00:29:39,680
Speaker 2: radio showy Sunday night from his bedroom. There's it, the

661
00:29:39,920 --> 00:29:43,520
Speaker 2: naked Huggy anyway, he shouldn't have done these been tub before.

662
00:29:43,560 --> 00:29:45,240
Speaker 2: But taking the antenna home you can't put it in

663
00:29:45,240 --> 00:29:45,760
Speaker 2: the boot of the car.

664
00:29:46,160 --> 00:29:47,640
Speaker 1: And he tued through the wires again as well.

665
00:29:47,920 --> 00:29:50,000
Speaker 2: Yes again I know he's been talked about that as well.

666
00:29:50,120 --> 00:29:51,880
Speaker 2: We coate it with mustard so he doesn't do that,

667
00:29:51,920 --> 00:29:53,800
Speaker 2: but now he's got a taste for the mustard and

668
00:29:53,840 --> 00:29:56,160
Speaker 2: the cab also. But look, we're working on it, so

669
00:29:56,280 --> 00:29:59,640
Speaker 2: don't worry about it. Time now for Monday's Misheard lyrics.

670
00:30:00,200 --> 00:30:03,240
Speaker 2: This then Big John Sendsday Top five every Monday morning

671
00:30:03,440 --> 00:30:05,640
Speaker 2: and we also go through yours as well, and then

672
00:30:05,680 --> 00:30:07,680
Speaker 2: we have a listened to the contenders and work out

673
00:30:07,680 --> 00:30:09,720
Speaker 2: whether or not yes or no, it does sound they're

674
00:30:09,720 --> 00:30:10,960
Speaker 2: saying something completely different.

675
00:30:11,000 --> 00:30:12,080
Speaker 1: Put them into a Hall of fame.

676
00:30:12,440 --> 00:30:15,800
Speaker 2: In the Hall of fame, then will always be number one.

677
00:30:15,800 --> 00:30:19,560
Speaker 2: Place goes to Celine Dion, the greatest misheard lyric.

678
00:30:19,360 --> 00:30:21,520
Speaker 1: Ever ly.

679
00:30:24,040 --> 00:30:24,920
Speaker 7: Hot Doage.

680
00:30:26,960 --> 00:30:28,640
Speaker 2: She may have thought that she was saying, I believe

681
00:30:28,680 --> 00:30:30,400
Speaker 2: that the heart does go on, but it sounds like

682
00:30:30,440 --> 00:30:32,240
Speaker 2: to us now, I believe that the hot dogs go

683
00:30:32,320 --> 00:30:48,640
Speaker 2: only Hot Doage. And you know Phil Collins was actually

684
00:30:48,680 --> 00:30:50,800
Speaker 2: singing about a lady not with an invisible touch, but

685
00:30:50,840 --> 00:31:03,320
Speaker 2: an invisible Todger and the great Elton John cold cold

686
00:31:03,320 --> 00:31:09,440
Speaker 2: hot or cocoa hot. All right, some brand new ones

687
00:31:09,440 --> 00:31:12,200
Speaker 2: today then from Big John and his top five up first.

688
00:31:12,240 --> 00:31:18,719
Speaker 2: Then you be forty and Red red Wine all right,

689
00:31:19,040 --> 00:31:21,800
Speaker 2: you be fourty in their cod reggae with stay close

690
00:31:21,880 --> 00:31:24,160
Speaker 2: to Me from Red red Wine or is it steak

691
00:31:24,400 --> 00:31:26,720
Speaker 2: Lobs to meet?

692
00:31:30,200 --> 00:31:34,560
Speaker 1: Give it a pass? Yeah, yes, love to me?

693
00:31:35,440 --> 00:31:35,719
Speaker 7: All right.

694
00:31:35,760 --> 00:31:38,680
Speaker 2: Then there's this classic from the seventies from Dobie Gray,

695
00:31:38,800 --> 00:31:44,400
Speaker 2: give me the Beach Boys and Free my soul. Sorry,

696
00:31:44,440 --> 00:31:49,200
Speaker 2: should be give me the beat Boys and free my souls?

697
00:31:50,000 --> 00:31:52,000
Speaker 2: Or are you hearing gimme the Beach Boys and free

698
00:31:52,000 --> 00:32:00,120
Speaker 2: my soul? Yeah? I could just about hear it. This

699
00:32:00,160 --> 00:32:02,520
Speaker 2: is one of my favorites, fine young cannibals. She tries

700
00:32:02,560 --> 00:32:10,880
Speaker 2: me crazy, she drives me crazy and I can't help myself.

701
00:32:11,000 --> 00:32:13,280
Speaker 2: Or is it she dries me crazy and I can't

702
00:32:13,280 --> 00:32:30,840
Speaker 2: have my snacks. It's just about that I can't have

703
00:32:30,880 --> 00:32:41,440
Speaker 2: my snack. That's what I hear more. I mean, the

704
00:32:41,520 --> 00:32:44,560
Speaker 2: guys on every third song on Smooth by Law is

705
00:32:44,800 --> 00:32:46,840
Speaker 2: Michael Buble, Michael Buble.

706
00:32:49,040 --> 00:32:49,400
Speaker 7: Change.

707
00:32:50,520 --> 00:32:52,760
Speaker 2: That is like a dog whistle to smooth listeners. They

708
00:32:52,760 --> 00:32:54,920
Speaker 2: hear a little bit of Mickey Bables and they come

709
00:32:55,040 --> 00:33:00,840
Speaker 2: are running dicuna change men, Mickey Barbles and being in

710
00:33:00,880 --> 00:33:02,800
Speaker 2: your life is going to change me? Or is it

711
00:33:02,920 --> 00:33:08,560
Speaker 2: ping in your life is going to change me?

712
00:33:07,200 --> 00:33:15,720
Speaker 4: Dis kind of sheep yep, And then all the talk

713
00:33:15,800 --> 00:33:18,360
Speaker 4: of the Oscars was Lady Gaga and Bradley.

714
00:33:18,400 --> 00:33:24,760
Speaker 2: Of course, the brilliant song from a Star is Born Shallow.

715
00:33:26,400 --> 00:33:28,640
Speaker 2: I'm at the deep end, watch as I dive in?

716
00:33:28,840 --> 00:33:35,320
Speaker 2: Or is it I'm at the deep end? Watches and diamonds.

717
00:33:37,400 --> 00:33:40,440
Speaker 2: It is like someone's left them down there. She's at

718
00:33:40,480 --> 00:33:47,960
Speaker 2: the deep end. Bang on all right? Then part two

719
00:33:48,000 --> 00:33:50,240
Speaker 2: coming up next summer, your and all the ones that

720
00:33:50,240 --> 00:33:51,840
Speaker 2: have comeing from you in the last week on the

721
00:33:51,880 --> 00:33:53,320
Speaker 2: Monday Misheard Lyrics.

722
00:33:53,000 --> 00:33:57,000
Speaker 3: The Christian O'Connell Breakfast Show podcast, Melbourne's Gold one oh

723
00:33:57,080 --> 00:33:57,840
Speaker 3: four point.

724
00:33:57,640 --> 00:34:01,200
Speaker 2: Three Monday Morning Misheard Lyrics. Now, I tell the best

725
00:34:01,360 --> 00:34:03,640
Speaker 2: of your contributions that have come over the last week,

726
00:34:03,960 --> 00:34:08,160
Speaker 2: starting with a presenter whose anonymity I most guarantee works

727
00:34:08,160 --> 00:34:10,560
Speaker 2: for another radio station. I won't name the radio station.

728
00:34:10,719 --> 00:34:15,360
Speaker 2: I'll give the station name in an anagram W A

729
00:34:16,000 --> 00:34:19,680
Speaker 2: three no want to get it? Man and he or

730
00:34:19,760 --> 00:34:23,000
Speaker 2: she they says this one the great Dean Martin.

731
00:34:23,239 --> 00:34:30,840
Speaker 7: I came here last week round down in na Ours.

732
00:34:30,920 --> 00:34:35,160
Speaker 7: My baby left for Florida on a tree.

733
00:34:36,239 --> 00:34:39,480
Speaker 2: That's the great Dino. I came down last week in

734
00:34:39,640 --> 00:34:43,480
Speaker 2: Nashville because my baby left for Florida on a train. Okay,

735
00:34:43,600 --> 00:34:44,920
Speaker 2: that's what we're listening up for here.

736
00:34:45,120 --> 00:34:52,640
Speaker 7: I came here last week round down in n Ours.

737
00:34:52,760 --> 00:34:56,480
Speaker 7: My baby left for Florida a.

738
00:34:56,560 --> 00:34:59,160
Speaker 2: Tree was the last line. Because my baby left for

739
00:34:59,200 --> 00:35:01,920
Speaker 2: Florida on a train? Or is it because my baby

740
00:35:02,800 --> 00:35:04,840
Speaker 2: left a floater on a train?

741
00:35:06,440 --> 00:35:09,040
Speaker 1: I mean, a woman scorned is a terrifying thing.

742
00:35:09,440 --> 00:35:13,080
Speaker 7: I came here last week round down.

743
00:35:12,920 --> 00:35:16,200
Speaker 1: In It's coming up now, float on a train?

744
00:35:16,600 --> 00:35:16,960
Speaker 7: Ours?

745
00:35:17,040 --> 00:35:23,239
Speaker 2: My baby left for Florida New Hall of Fame, you

746
00:35:23,440 --> 00:35:25,680
Speaker 2: Hall of Flavor, Dino. That's a great one.

747
00:35:25,800 --> 00:35:33,320
Speaker 7: I came here last week round down in the ours.

748
00:35:33,400 --> 00:35:37,799
Speaker 7: My biby left for Florida on a train.

749
00:35:38,280 --> 00:35:41,600
Speaker 1: That's very three A w type humor, isn't it? Wa three?

750
00:35:41,640 --> 00:35:43,000
Speaker 1: I told you no stop him?

751
00:35:43,400 --> 00:35:43,720
Speaker 2: Okay?

752
00:35:43,719 --> 00:35:44,000
Speaker 6: All right?

753
00:35:44,040 --> 00:35:46,080
Speaker 2: This yeah, this one, this came in. Someone texted this

754
00:35:46,200 --> 00:35:48,200
Speaker 2: here at the end of our last Monday's warning to

755
00:35:48,280 --> 00:35:50,759
Speaker 2: put your name on it. But Ray Parker Jr. With

756
00:35:50,760 --> 00:35:55,640
Speaker 2: the theme tune from a great eighties movie Ghostbusters, Ghostbusters

757
00:35:55,719 --> 00:35:56,680
Speaker 2: or those bustards.

758
00:35:59,520 --> 00:36:08,440
Speaker 1: Yeah, those bastards, Yeah.

759
00:36:06,440 --> 00:36:11,000
Speaker 2: Yeah, business on the cast. Business. We need a hawkid

760
00:36:11,040 --> 00:36:13,200
Speaker 2: for this? All right then? And what about this? And

761
00:36:13,360 --> 00:36:20,400
Speaker 2: by state of mind concrete jungle where dreams are made of?

762
00:36:24,120 --> 00:36:30,960
Speaker 2: Or is it concrete jungle wet dream Tomato? Yeah, that's

763
00:36:31,040 --> 00:36:37,759
Speaker 2: bang on great spot that saw Ian Pittman. You can

764
00:36:37,760 --> 00:36:40,480
Speaker 2: get one of our free breakfast shown mugs in Yarra, Glenn.

765
00:36:40,760 --> 00:36:43,200
Speaker 2: If you've got any for next week, email them to

766
00:36:43,239 --> 00:36:46,280
Speaker 2: me Christian at Gold one o four three dot com

767
00:36:46,360 --> 00:36:47,000
Speaker 2: dot au.

768
00:36:47,400 --> 00:36:51,360
Speaker 3: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four point.

769
00:36:51,080 --> 00:36:53,480
Speaker 2: Three of the Weekend I was having my tour to

770
00:36:53,480 --> 00:36:56,600
Speaker 2: get ready for the audition for the school play they're doing,

771
00:36:56,640 --> 00:37:00,920
Speaker 2: bugsy Malone. Are you familiar with the bugsy Malone? A movie?

772
00:37:01,600 --> 00:37:03,680
Speaker 1: I know, I didn't know they made a movie. I

773
00:37:03,719 --> 00:37:07,560
Speaker 1: know that my youngest you Jody Foster Scott Bio.

774
00:37:08,080 --> 00:37:10,879
Speaker 2: Yeah, they made a movie. It's quite a few years

775
00:37:10,920 --> 00:37:13,919
Speaker 2: old and downloaded it for a Yesterday's watch it again.

776
00:37:13,960 --> 00:37:15,440
Speaker 2: I love the movie. You ever seen the movie with

777
00:37:15,480 --> 00:37:20,080
Speaker 2: the splurge Gunpats Customer? Great movie, wasn't it? It was?

778
00:37:20,520 --> 00:37:23,880
Speaker 2: We could have been anything that with the talent we're had.

779
00:37:24,280 --> 00:37:28,000
Speaker 2: Also strange movie to make different time. It's about the

780
00:37:28,280 --> 00:37:32,399
Speaker 2: real lifetimes of a very violent gangster, bugsy Malone. They

781
00:37:32,400 --> 00:37:34,480
Speaker 2: thought what better way to bring the story to life

782
00:37:34,600 --> 00:37:37,560
Speaker 2: than have kiddy gangsters. Don't worry no bullets, We're going

783
00:37:37,600 --> 00:37:39,440
Speaker 2: to use custard, pies and splurges.

784
00:37:39,760 --> 00:37:42,200
Speaker 1: What was the theory behind that? Because I just always

785
00:37:42,200 --> 00:37:44,600
Speaker 1: thought you'd think of it with kids because it's a

786
00:37:44,640 --> 00:37:47,920
Speaker 1: school play. But in the actual movie they're kids.

787
00:37:47,840 --> 00:37:51,959
Speaker 2: Yeah, as gangsters. They're kiddy gangsters with guns, the fire

788
00:37:52,040 --> 00:37:54,560
Speaker 2: custard out of them. It's strange, isn't we think about it?

789
00:37:54,560 --> 00:37:57,800
Speaker 2: It's a very violent story about a gangster bugsy Malone,

790
00:37:57,960 --> 00:37:59,880
Speaker 2: who was a real life gangster. And they get kids

791
00:38:00,520 --> 00:38:02,440
Speaker 2: in a movie to be kiddie gangsters.

792
00:38:03,000 --> 00:38:05,000
Speaker 1: Why haven't we seen? Why didn't they do?

793
00:38:05,080 --> 00:38:08,200
Speaker 2: Other movies like this are very violent movies but reenacted

794
00:38:08,239 --> 00:38:10,400
Speaker 2: by kids, like the Kirk Gamain story. But he shoots

795
00:38:10,440 --> 00:38:13,319
Speaker 2: himself on a nerve guard. Why didn't that take off?

796
00:38:13,320 --> 00:38:15,719
Speaker 1: We get more well in Australia, I mean the Underbelly

797
00:38:15,800 --> 00:38:18,280
Speaker 1: series was very famous, but the kids then all adults.

798
00:38:18,400 --> 00:38:19,840
Speaker 2: Oh well, they should have had kids doing it, like

799
00:38:19,880 --> 00:38:22,640
Speaker 2: they're taking a leaf out of bugsy Malone. So I

800
00:38:22,680 --> 00:38:25,320
Speaker 2: remember our school did a school play of bugsy Malone

801
00:38:25,440 --> 00:38:28,320
Speaker 2: and I auditioned. You had to do a had to

802
00:38:28,360 --> 00:38:31,160
Speaker 2: sing a song. It's musical, and I member music teacher,

803
00:38:31,160 --> 00:38:33,040
Speaker 2: that's back to me, and he was shaking with laughter

804
00:38:33,320 --> 00:38:38,279
Speaker 2: as I was, that's cool. I you could choose your

805
00:38:38,280 --> 00:38:40,440
Speaker 2: own song. And that was when I was first into Elvis.

806
00:38:40,480 --> 00:38:42,440
Speaker 2: I was forty one. No one in the eighties at

807
00:38:42,440 --> 00:38:44,480
Speaker 2: forty was into Elvis, but I was into Elvis. So

808
00:38:44,520 --> 00:38:48,879
Speaker 2: I did Blue Swede Shoes as soon as he goes,

809
00:38:48,880 --> 00:38:50,920
Speaker 2: what song do you want to do? When Elvis Presley

810
00:38:51,000 --> 00:38:54,720
Speaker 2: blue Swede shoes. He went, what Elvis Presley. I went, yeah,

811
00:38:54,800 --> 00:38:56,799
Speaker 2: I mean talk about going in high if you can't sing,

812
00:38:57,040 --> 00:38:59,319
Speaker 2: Elvis Presley. So he has us back to me. He

813
00:38:59,320 --> 00:39:00,920
Speaker 2: starts playing the Oply a bit of Blue Sweated, and

814
00:39:00,960 --> 00:39:04,000
Speaker 2: I start singing. I can see this guy's shoulders shaking

815
00:39:04,040 --> 00:39:06,480
Speaker 2: with laughter, and he goes, okay, cool, Well, well look

816
00:39:06,520 --> 00:39:08,920
Speaker 2: we're going to find out tomorrow. The notice board right

817
00:39:09,000 --> 00:39:11,120
Speaker 2: side of the staff room, that's where all the that's

818
00:39:11,160 --> 00:39:12,640
Speaker 2: where all the roles are going to be up there.

819
00:39:12,920 --> 00:39:14,640
Speaker 2: I go there at ten past day and I was

820
00:39:14,760 --> 00:39:16,960
Speaker 2: devastated to realize that I didn't have a singing part.

821
00:39:17,160 --> 00:39:18,759
Speaker 2: I didn't even have a speaking part. I was cast

822
00:39:18,760 --> 00:39:20,960
Speaker 2: as knuckles and mute henchmen.

823
00:39:21,800 --> 00:39:24,320
Speaker 1: She sung so bad that you can't even talk. Yeah.

824
00:39:25,120 --> 00:39:28,400
Speaker 2: They gave me no words, whether they've spoken or sunk,

825
00:39:28,400 --> 00:39:30,480
Speaker 2: and I quit. I refuse to be part of it.

826
00:39:31,040 --> 00:39:31,560
Speaker 1: I walked.

827
00:39:32,120 --> 00:39:33,840
Speaker 2: I don't know what I thought. They were going to go, please,

828
00:39:33,840 --> 00:39:37,000
Speaker 2: we're giving bugs. I'm like, yeah, okay, if you go

829
00:39:37,120 --> 00:39:41,560
Speaker 2: then see I'm still walking out gust me going okay, yeah,

830
00:39:41,600 --> 00:39:43,120
Speaker 2: no knuckles, and I think, no, I don't want to

831
00:39:43,160 --> 00:39:45,120
Speaker 2: do it. So I didn't do it so very traumatic

832
00:39:45,120 --> 00:39:47,840
Speaker 2: to me, and I just hope my daughter is more successful.

833
00:39:47,840 --> 00:39:48,919
Speaker 1: Well she can redeem the role.

834
00:39:49,200 --> 00:39:51,440
Speaker 2: She can, Yeah, she can. She can actually sing and

835
00:39:51,520 --> 00:39:53,759
Speaker 2: talk and move. So anyway, she's got two auditions for it,

836
00:39:53,840 --> 00:39:56,479
Speaker 2: first one today, another one on Wednesday. But it's opened

837
00:39:56,560 --> 00:40:00,399
Speaker 2: up that whole thing about school plays because on steal

838
00:40:00,440 --> 00:40:02,200
Speaker 2: cast to some minor role, that's it for the rest

839
00:40:02,200 --> 00:40:04,040
Speaker 2: of your time at school, isn't it. They don't go

840
00:40:04,120 --> 00:40:07,000
Speaker 2: from tiny roll next year. You're not the star. It

841
00:40:07,120 --> 00:40:08,440
Speaker 2: just doesn't work like that, does it.

842
00:40:08,600 --> 00:40:10,759
Speaker 1: Yeah. Well, I mean she's the only first year of

843
00:40:10,800 --> 00:40:13,680
Speaker 1: high school, so she can probably work her way up.

844
00:40:13,719 --> 00:40:15,120
Speaker 1: I don't think they're going to give it a lead

845
00:40:15,200 --> 00:40:16,319
Speaker 1: role her first year.

846
00:40:16,320 --> 00:40:18,120
Speaker 2: And I totally don't come home if you don't get

847
00:40:18,160 --> 00:40:21,000
Speaker 2: to you know, I live in my life. I one

848
00:40:21,000 --> 00:40:23,240
Speaker 2: of those dads to live in your life. But because

849
00:40:23,239 --> 00:40:25,799
Speaker 2: of your failures through your kid, so have you been choose?

850
00:40:25,880 --> 00:40:27,840
Speaker 2: Up till three in the morning, up till three in

851
00:40:27,840 --> 00:40:29,759
Speaker 2: the morning. I know, I wouldn't let her sleep until

852
00:40:29,760 --> 00:40:33,520
Speaker 2: you get this down. Very much like old Michael Jackson's

853
00:40:33,520 --> 00:40:35,239
Speaker 2: Old Man Joe. You know, it's firing a gun up

854
00:40:35,239 --> 00:40:39,400
Speaker 2: in the air. Get it right, dance sleeping to stop crying.

855
00:40:40,920 --> 00:40:42,480
Speaker 2: So perhaps were you in the school PLAYE.

856
00:40:42,520 --> 00:40:48,000
Speaker 5: I was in Dracula Spectacular Year seven. Dracular Spectacular was

857
00:40:48,040 --> 00:40:52,839
Speaker 5: a zombie wow speaking role, singing role, singing what did

858
00:40:52,880 --> 00:40:54,400
Speaker 5: you sing? I can't remember.

859
00:40:55,360 --> 00:40:57,279
Speaker 1: That sounded like they kind of can't remember, like I

860
00:40:57,280 --> 00:40:58,360
Speaker 1: can't remember, but I'm.

861
00:40:58,239 --> 00:40:59,799
Speaker 5: Like, no, I can't. I think we had like three

862
00:40:59,880 --> 00:41:00,680
Speaker 5: or four numbers.

863
00:41:00,719 --> 00:41:01,640
Speaker 1: She knows, I.

864
00:41:01,600 --> 00:41:04,520
Speaker 2: Don't memory that memory of yours. Women don't forget anything

865
00:41:04,600 --> 00:41:07,520
Speaker 2: unless it's something they want to forget. It's in there,

866
00:41:07,840 --> 00:41:10,520
Speaker 2: it's in the hurt locker. It is buried down the

867
00:41:10,600 --> 00:41:12,960
Speaker 2: hurt locker. We just haven't got the combination. I bet

868
00:41:13,000 --> 00:41:14,920
Speaker 2: Christian husband knows. Christ if you listen right now, call

869
00:41:14,960 --> 00:41:17,200
Speaker 2: men four one four one O four three Jack. I

870
00:41:17,239 --> 00:41:18,239
Speaker 2: bet you had a decent run.

871
00:41:18,440 --> 00:41:21,360
Speaker 1: I was in that stinky old band that plays the

872
00:41:21,560 --> 00:41:22,440
Speaker 1: musical numbers.

873
00:41:22,920 --> 00:41:26,760
Speaker 2: You know, oh, I know. There was always some tall

874
00:41:26,840 --> 00:41:31,359
Speaker 2: bean polky always there with like the music teacher. Yeah,

875
00:41:32,000 --> 00:41:34,160
Speaker 2: you actually go on then and every night as well,

876
00:41:34,560 --> 00:41:37,239
Speaker 2: and they always pop always forgot to thank you as well.

877
00:41:37,280 --> 00:41:39,160
Speaker 2: At the end, the drama teacher would come on and

878
00:41:39,160 --> 00:41:42,080
Speaker 2: thank everyone. Apart from the lurkios at the back. Do

879
00:41:42,160 --> 00:41:44,239
Speaker 2: you have to wear black shirt or white shirt as well?

880
00:41:46,239 --> 00:41:50,320
Speaker 1: Shirt? And it is the it's just like like honking along.

881
00:41:50,360 --> 00:41:52,640
Speaker 1: I played guitar, but even so I was drowned out

882
00:41:52,680 --> 00:41:55,560
Speaker 1: by the seven flutes and five obos and all the

883
00:41:55,600 --> 00:42:01,400
Speaker 1: other would win instruments and make up most of that band.

884
00:42:02,719 --> 00:42:05,200
Speaker 1: Have you ever been to a school musical where the

885
00:42:05,239 --> 00:42:07,480
Speaker 1: band is actually tight and on it and like, yeah.

886
00:42:07,320 --> 00:42:11,640
Speaker 2: But it's not. They've got James Brown's backing band were terrible,

887
00:42:12,360 --> 00:42:14,200
Speaker 2: but it's all part of the charm of them, isn't it.

888
00:42:14,239 --> 00:42:16,839
Speaker 1: My best friend was the drummer and he was in

889
00:42:16,880 --> 00:42:19,520
Speaker 1: a punk band, and so you get getting told off

890
00:42:19,520 --> 00:42:20,760
Speaker 1: and drubbing too loud.

891
00:42:23,840 --> 00:42:24,160
Speaker 7: All right?

892
00:42:24,200 --> 00:42:26,680
Speaker 2: Then? So I want to hear about your school plate fails.

893
00:42:26,680 --> 00:42:28,640
Speaker 2: Give us a call nine four one four one O

894
00:42:28,800 --> 00:42:31,520
Speaker 2: four three school play fails, best stories. We get your

895
00:42:31,560 --> 00:42:33,080
Speaker 2: next twenty minutes or so. We give you tickets. Come

896
00:42:33,120 --> 00:42:35,560
Speaker 2: and join us Thursday night. Our movie club is back

897
00:42:35,600 --> 00:42:37,920
Speaker 2: first one this year and it's Anchorman. You can come

898
00:42:37,920 --> 00:42:40,839
Speaker 2: and join us Thursday night, nine four one four one

899
00:42:40,840 --> 00:42:42,560
Speaker 2: O four three. Want to hear your stories about your

900
00:42:42,560 --> 00:42:47,000
Speaker 2: school plays? Small roles? Were you in the backing band

901
00:42:47,080 --> 00:42:50,040
Speaker 2: like Jack or in some bit where Patsy claims not

902
00:42:50,080 --> 00:42:52,600
Speaker 2: to remember about the zombie song, but I think she does.

903
00:42:53,040 --> 00:42:54,960
Speaker 2: Nine four one four one O four three. We'll take

904
00:42:54,960 --> 00:42:55,319
Speaker 2: your calls.

905
00:42:55,360 --> 00:42:58,759
Speaker 3: Next the Christian O'Connell Breakfast Show, Melbourne's Gold one oh

906
00:42:58,880 --> 00:42:59,520
Speaker 3: four point.

907
00:42:59,400 --> 00:43:05,239
Speaker 2: Three talking about school place, shabby, small parts she got

908
00:43:05,280 --> 00:43:09,840
Speaker 2: given nine four one four one o four three.

909
00:43:10,000 --> 00:43:11,439
Speaker 1: He always was so jealous of.

910
00:43:13,280 --> 00:43:15,040
Speaker 2: The girl and the boy that got the lead roles,

911
00:43:15,040 --> 00:43:17,920
Speaker 2: won't you They were like the it couple for the

912
00:43:18,000 --> 00:43:20,360
Speaker 2: auditions and stuff like that. I wonder if that any

913
00:43:20,800 --> 00:43:24,160
Speaker 2: a list of Hollywood stars who were back in school

914
00:43:24,239 --> 00:43:27,040
Speaker 2: were cast as a lead role. Juke and any Homersworth

915
00:43:27,080 --> 00:43:29,640
Speaker 2: boys were well, even like Robert DeNiro. Do you think

916
00:43:29,640 --> 00:43:30,360
Speaker 2: he was in bugs Hy.

917
00:43:31,640 --> 00:43:33,560
Speaker 1: You look at the movie which I'm just reading about now.

918
00:43:33,680 --> 00:43:36,279
Speaker 1: Jodie Foster is a fourteen year old is the main

919
00:43:36,600 --> 00:43:39,279
Speaker 1: character in it, and the director said that if he

920
00:43:39,360 --> 00:43:41,200
Speaker 1: had got sick during the making of the film, she

921
00:43:41,239 --> 00:43:43,160
Speaker 1: could have easily taken over. That's how much of an

922
00:43:43,200 --> 00:43:44,360
Speaker 1: adult she was at fourteen.

923
00:43:44,520 --> 00:43:48,600
Speaker 2: Really, isn't that incredible? Just fully formed talent that Scott Baio.

924
00:43:48,680 --> 00:43:50,440
Speaker 2: Do you remember Scott Bile from the eighties. Was it

925
00:43:50,520 --> 00:43:51,320
Speaker 2: Charles in charge?

926
00:43:51,719 --> 00:43:52,480
Speaker 1: Stud? Wasn't he?

927
00:43:53,000 --> 00:43:53,200
Speaker 2: Oh?

928
00:43:53,520 --> 00:43:57,080
Speaker 5: Do you think I was never attracted to him?

929
00:43:57,120 --> 00:43:59,839
Speaker 2: I was deeply attracted to him. Beautiful, deep brown eyes,

930
00:44:00,080 --> 00:44:02,680
Speaker 2: his arms. I wanted to to be my charge here.

931
00:44:02,680 --> 00:44:06,080
Speaker 2: I wanted him to be my babysitter. Anyway, Okay, Luke's

932
00:44:06,120 --> 00:44:09,239
Speaker 2: on the line, Come on in, Luke. Good morning, Good morning, Luke.

933
00:44:09,280 --> 00:44:11,160
Speaker 2: Hope you're well. Tell us about your school play.

934
00:44:12,320 --> 00:44:15,200
Speaker 6: So it was high school musical, yep, and I was

935
00:44:15,200 --> 00:44:16,320
Speaker 6: playing Chad dan Forth.

936
00:44:16,440 --> 00:44:18,719
Speaker 2: That's a good that's a good role. My knowledge of

937
00:44:18,760 --> 00:44:21,080
Speaker 2: high school musical was deep because the kids used to

938
00:44:21,080 --> 00:44:23,520
Speaker 2: insist on watching over and over and over again.

939
00:44:23,600 --> 00:44:26,440
Speaker 1: That's a zecon one, is it? I think? So? Yeah?

940
00:44:27,400 --> 00:44:30,360
Speaker 6: Yeah, I played on Leave. It's a good movie. But anyway,

941
00:44:30,440 --> 00:44:32,120
Speaker 6: I had a really quick change and I had to

942
00:44:32,120 --> 00:44:33,719
Speaker 6: go off side stage and hat I think it was

943
00:44:33,719 --> 00:44:36,520
Speaker 6: about fifteen seconds to get back on in a completely

944
00:44:36,640 --> 00:44:40,280
Speaker 6: new costume. So I had people helping me side stage

945
00:44:40,760 --> 00:44:43,520
Speaker 6: and someone I took my costume off really quick, put

946
00:44:43,560 --> 00:44:45,880
Speaker 6: all the shirt the shorts on, and someone had actually

947
00:44:45,880 --> 00:44:47,560
Speaker 6: put conflakes in my shoes.

948
00:44:49,840 --> 00:44:50,560
Speaker 1: A straight.

949
00:44:51,960 --> 00:44:54,120
Speaker 6: So I put the shoes on and they literally just

950
00:44:54,160 --> 00:44:57,680
Speaker 6: pushed me back out onto the stage. And the whole

951
00:44:57,719 --> 00:45:00,040
Speaker 6: cast knew about it, so everyone on stage was laughing

952
00:45:00,080 --> 00:45:02,719
Speaker 6: about it, and I was pissing myself. I actually had

953
00:45:02,719 --> 00:45:04,960
Speaker 6: to turn around and face upstairs because I was laughing.

954
00:45:05,040 --> 00:45:07,239
Speaker 2: So yeah, I mean, what if they do that for

955
00:45:07,320 --> 00:45:09,840
Speaker 2: me as wedding the old classic conflicts and shoes. I

956
00:45:09,840 --> 00:45:12,000
Speaker 2: mean maybe it's a thing in the drama theatrical world.

957
00:45:12,040 --> 00:45:12,480
Speaker 2: I don't know.

958
00:45:13,440 --> 00:45:15,680
Speaker 6: Yeah, yeah, there's plenty of stage thanks to go on,

959
00:45:15,800 --> 00:45:16,319
Speaker 6: that's for sure.

960
00:45:16,680 --> 00:45:18,279
Speaker 2: All right, Look, thank you very much and cool.

961
00:45:18,760 --> 00:45:20,759
Speaker 8: Thanks Christian, soa have.

962
00:45:20,760 --> 00:45:21,759
Speaker 1: A good week, Kath.

963
00:45:21,800 --> 00:45:23,880
Speaker 2: Good morning, Good morning, Christian.

964
00:45:23,920 --> 00:45:24,279
Speaker 9: How are you.

965
00:45:24,360 --> 00:45:26,399
Speaker 2: I'm good, Carath. I hope you're well this morning as well.

966
00:45:26,440 --> 00:45:28,799
Speaker 2: Thanks for giving the show cool. Tell us about your

967
00:45:28,800 --> 00:45:29,360
Speaker 2: school play.

968
00:45:29,880 --> 00:45:33,879
Speaker 9: Oh okay, you twelve musical Catholic girls school. We were

969
00:45:33,960 --> 00:45:37,560
Speaker 9: doing God's Spell and I tried out for a singing part,

970
00:45:38,200 --> 00:45:42,360
Speaker 9: just a minor pat so instead they made me the choreographer.

971
00:45:42,880 --> 00:45:47,560
Speaker 2: Oh man, that's I get it, your choreographer. Me knuckles.

972
00:45:47,600 --> 00:45:49,080
Speaker 1: I get it. Is brutal, isn't it.

973
00:45:49,600 --> 00:45:49,920
Speaker 2: I know?

974
00:45:50,080 --> 00:45:52,080
Speaker 9: And I explained that to my son. We were listening

975
00:45:52,080 --> 00:45:53,840
Speaker 9: to the show on the way to school and I

976
00:45:53,960 --> 00:45:57,120
Speaker 9: was singing along to the songs and I said, oh,

977
00:45:57,200 --> 00:45:59,040
Speaker 9: they made me choreographer, and he just looked at me

978
00:45:59,080 --> 00:46:01,759
Speaker 9: and we yeah, okay, you're a better choreographer, been you.

979
00:46:04,520 --> 00:46:06,799
Speaker 2: That's quite an important role for a musical. Did you

980
00:46:06,840 --> 00:46:10,520
Speaker 2: have any kind of choreography background or anything?

981
00:46:11,000 --> 00:46:12,320
Speaker 9: Yes, I was. I was a dancer.

982
00:46:12,800 --> 00:46:14,040
Speaker 1: Ah right, gotcha.

983
00:46:14,160 --> 00:46:16,919
Speaker 9: But I wanted to have that three prong not two.

984
00:46:17,000 --> 00:46:19,200
Speaker 2: You want to be like Hugh Jackman a triple threat? Yeah,

985
00:46:19,280 --> 00:46:22,520
Speaker 2: Ryan Gosling, Yeah, we all wanted that. Life doesn't sometimes

986
00:46:22,520 --> 00:46:24,839
Speaker 2: give us the breaks we wanted to. All Right, Kat,

987
00:46:24,880 --> 00:46:27,520
Speaker 2: thanks you, col mate, thank you, bye. All right, can

988
00:46:27,560 --> 00:46:29,440
Speaker 2: the coming then we're talking about your school plays and

989
00:46:29,480 --> 00:46:31,520
Speaker 2: the roles you were given. Nine four one four, one

990
00:46:31,520 --> 00:46:32,360
Speaker 2: oh four three.

991
00:46:32,320 --> 00:46:35,360
Speaker 3: The Christian Oho' Conwell Breakfast Show, Melbourne's Gold one oh

992
00:46:35,480 --> 00:46:36,239
Speaker 3: four point three.

993
00:46:36,520 --> 00:46:38,919
Speaker 2: So this Thursday night, it's back for the first time

994
00:46:38,960 --> 00:46:41,799
Speaker 2: this year our first movie club. This is where we

995
00:46:42,040 --> 00:46:44,160
Speaker 2: squid a movie. You can come along so have been

996
00:46:44,200 --> 00:46:46,560
Speaker 2: with us? Have some pop corners? Well we are going

997
00:46:46,640 --> 00:46:50,520
Speaker 2: to be Jack genuinely used to work for Hoyts Sinners.

998
00:46:51,280 --> 00:46:53,400
Speaker 2: Are you familiar this one? The Hoyts at Vic Gardens

999
00:46:53,400 --> 00:46:57,160
Speaker 2: shopping center corner of Burnley Street and Victoria Street here

1000
00:46:57,160 --> 00:46:57,640
Speaker 2: in Richmond.

1001
00:46:57,640 --> 00:46:59,879
Speaker 1: Oh yeah, this is where I did my training. Yeah. Yeah,

1002
00:47:00,160 --> 00:47:01,240
Speaker 1: started at Melbourne Central.

1003
00:47:01,440 --> 00:47:02,680
Speaker 2: So it's at the top academy.

1004
00:47:02,719 --> 00:47:04,320
Speaker 1: Yeah you my academy.

1005
00:47:05,239 --> 00:47:09,319
Speaker 2: Yeah all right, so you can win your way there now.

1006
00:47:09,440 --> 00:47:11,080
Speaker 2: And the movie we're going to be screened together is

1007
00:47:11,120 --> 00:47:14,399
Speaker 2: a great one, brilliant comedy movie. One of Will Farrell's fine.

1008
00:47:14,400 --> 00:47:16,520
Speaker 2: It's also Paul Rudd. They're all great in this. It's

1009
00:47:16,520 --> 00:47:18,560
Speaker 2: called Sex Panther by Odia.

1010
00:47:19,560 --> 00:47:21,160
Speaker 1: It's illegal in nine countries.

1011
00:47:21,520 --> 00:47:21,719
Speaker 7: Yep.

1012
00:47:22,120 --> 00:47:24,640
Speaker 2: It's made with bits of real panther, so you know

1013
00:47:24,680 --> 00:47:25,560
Speaker 2: it's good making up.

1014
00:47:25,640 --> 00:47:26,600
Speaker 7: He's working on my a.

1015
00:47:26,920 --> 00:47:27,720
Speaker 2: It's quite pungent.

1016
00:47:27,960 --> 00:47:31,120
Speaker 1: Oh yeah, it's a formidable scent.

1017
00:47:31,680 --> 00:47:34,759
Speaker 2: It's like he stings the nostrils in a good way.

1018
00:47:36,120 --> 00:47:37,120
Speaker 1: Brian, I'm going to be honest with you.

1019
00:47:37,200 --> 00:47:41,400
Speaker 2: That smells like pure gasoline. Rockets in flight. They've done studies,

1020
00:47:41,440 --> 00:47:45,160
Speaker 2: you know, after noon daylight six of the time.

1021
00:47:45,560 --> 00:47:50,360
Speaker 1: It works every time, afternoon delight.

1022
00:47:50,520 --> 00:47:52,759
Speaker 2: It's like a who's who of comedy ends up in that.

1023
00:47:53,560 --> 00:47:55,239
Speaker 2: It's a great movie. So come and see it on

1024
00:47:55,440 --> 00:47:58,879
Speaker 2: Thursday night. Hoyts Vic Gardens. You can win your way. Now,

1025
00:47:59,239 --> 00:48:00,520
Speaker 2: what do you got to do that, Whether you've just

1026
00:48:00,560 --> 00:48:02,879
Speaker 2: tuned in this morning for the first time or last week,

1027
00:48:03,040 --> 00:48:05,160
Speaker 2: or you've been with us for the last one hundred

1028
00:48:05,160 --> 00:48:07,399
Speaker 2: and fifty three shows on this new little thing we've

1029
00:48:07,400 --> 00:48:09,759
Speaker 2: got going here, it's just simply tell us something you've

1030
00:48:09,840 --> 00:48:14,759
Speaker 2: learned from the show this morning, Patsy school Play, Dracula Spectacular,

1031
00:48:15,680 --> 00:48:18,160
Speaker 2: anything you've learned from the show that you can share

1032
00:48:18,239 --> 00:48:20,120
Speaker 2: with us. We'll give you tickets to come and join

1033
00:48:20,200 --> 00:48:23,359
Speaker 2: us Thursday night nine four one four one o four

1034
00:48:23,440 --> 00:48:26,399
Speaker 2: three as we will watch Anchorman again together nine four

1035
00:48:26,440 --> 00:48:29,319
Speaker 2: one four one o four three. Anything you've learned from

1036
00:48:29,400 --> 00:48:32,920
Speaker 2: the show, The Christian O'Connell breakfast Show, Melbourne's Gold one

1037
00:48:32,960 --> 00:48:36,000
Speaker 2: oh four point three. So we're all going out Thursday night.

1038
00:48:36,480 --> 00:48:38,560
Speaker 2: You can come and join us. We're gonna watch at

1039
00:48:38,600 --> 00:48:40,560
Speaker 2: our movie club, our first movie club of the year,

1040
00:48:40,920 --> 00:48:43,080
Speaker 2: and it is Anchorman. We're going to screen and come

1041
00:48:43,120 --> 00:48:46,560
Speaker 2: out at Hoyts at Vic Garden. You get a complimentary

1042
00:48:46,640 --> 00:48:49,640
Speaker 2: beer and complimentary popcorn and you come on. So hello,

1043
00:48:49,719 --> 00:48:51,319
Speaker 2: it'd be nice to meet you and share a beer.

1044
00:48:51,640 --> 00:48:53,600
Speaker 2: So we're gonna do Anchorman. I only gotta do is

1045
00:48:53,640 --> 00:48:55,359
Speaker 2: call up some morn at nine four one four one

1046
00:48:55,400 --> 00:48:57,919
Speaker 2: o four three. Whether you're own new listeners, jumped on board,

1047
00:48:58,239 --> 00:49:00,719
Speaker 2: stumbled upon us by accident today, or we've been around

1048
00:49:00,760 --> 00:49:03,960
Speaker 2: for the last one hundred and fifty three shows. Something

1049
00:49:04,080 --> 00:49:06,920
Speaker 2: you've learned from the show, Darryl, Good morning.

1050
00:49:07,719 --> 00:49:08,200
Speaker 9: Good morning.

1051
00:49:08,280 --> 00:49:09,120
Speaker 1: How are we guys?

1052
00:49:09,360 --> 00:49:11,560
Speaker 2: We are good, Daryl. I know you've been a support

1053
00:49:11,600 --> 00:49:14,040
Speaker 2: of the show since the early days. Came to the

1054
00:49:14,160 --> 00:49:16,480
Speaker 2: Grand Final last year ahead of security there.

1055
00:49:17,360 --> 00:49:20,200
Speaker 5: Yeah, and I totally loved the I've.

1056
00:49:20,040 --> 00:49:23,040
Speaker 1: Just showed guys. Thank you very much. Darn.

1057
00:49:23,080 --> 00:49:25,640
Speaker 2: When have you been up to this morning? Busy it work? Ah?

1058
00:49:25,760 --> 00:49:28,360
Speaker 7: Yes, what a love Liz be drinking? Which elizard?

1059
00:49:29,239 --> 00:49:30,160
Speaker 1: You wish you're a lizen?

1060
00:49:31,160 --> 00:49:32,640
Speaker 2: Drinking drinking?

1061
00:49:33,640 --> 00:49:34,200
Speaker 1: Okay, Darren.

1062
00:49:34,280 --> 00:49:36,000
Speaker 2: And something you've learned from the show?

1063
00:49:37,760 --> 00:49:39,720
Speaker 1: I never saying nothing Lain about a baby.

1064
00:49:40,760 --> 00:49:43,320
Speaker 2: Yeah, you're quite right, Oh dear, Yeah, I wish I

1065
00:49:43,320 --> 00:49:45,680
Speaker 2: hadn't shared that. All right, Well listen Darryl. We'll see

1066
00:49:45,719 --> 00:49:46,440
Speaker 2: you there Thursday.

1067
00:49:46,520 --> 00:49:46,719
Speaker 1: Mate.

1068
00:49:47,480 --> 00:49:50,120
Speaker 2: Oh buddy, ours talking to you and you down take

1069
00:49:50,160 --> 00:49:54,880
Speaker 2: care of a good week, Daryl. Wh When we were

1070
00:49:54,920 --> 00:49:56,880
Speaker 2: doing our Grand Final, which was a load of Melbourne's

1071
00:49:56,920 --> 00:49:59,759
Speaker 2: finest grands kicking off against each other so you can

1072
00:49:59,840 --> 00:50:03,040
Speaker 2: kick the footy ball, the furthest We recruited a whole

1073
00:50:03,080 --> 00:50:04,960
Speaker 2: loverview to have different jobs. We're the home of the

1074
00:50:05,000 --> 00:50:08,840
Speaker 2: Western Bulldogs, won't we And he was out of security

1075
00:50:09,040 --> 00:50:11,719
Speaker 2: and do you remember he turned out? Hope he doesn't

1076
00:50:11,719 --> 00:50:14,920
Speaker 2: mind me saying this very hungover slash stool drunk and

1077
00:50:16,320 --> 00:50:18,560
Speaker 2: on the back of his high visitibility jacket that he

1078
00:50:18,640 --> 00:50:21,200
Speaker 2: turned up in himself. He'd written security, but he'd spelt

1079
00:50:21,239 --> 00:50:23,920
Speaker 2: it wrong. He said he got drunk. I forgot how

1080
00:50:23,960 --> 00:50:26,680
Speaker 2: to spell security. So Darren needs to be there again.

1081
00:50:26,680 --> 00:50:28,719
Speaker 2: We've got to have Darrel there. Let's try who we

1082
00:50:28,800 --> 00:50:32,319
Speaker 2: got now. Dean, Good morning, Dean, Good morning guys. How

1083
00:50:32,360 --> 00:50:34,400
Speaker 2: are you We're good Dean, thanks for giving us a call.

1084
00:50:34,440 --> 00:50:36,160
Speaker 2: You fancy having a beer with us Thursday night?

1085
00:50:36,880 --> 00:50:38,239
Speaker 1: Absolutely great man.

1086
00:50:38,320 --> 00:50:40,719
Speaker 2: Okay, and what have you learnt from the show?

1087
00:50:41,600 --> 00:50:44,080
Speaker 8: Well, I mean new listeners. So I've come from another station.

1088
00:50:44,239 --> 00:50:47,040
Speaker 2: Then a little thank you very much?

1089
00:50:47,080 --> 00:50:48,960
Speaker 1: Where have you come from? Can I ask.

1090
00:50:50,600 --> 00:50:54,200
Speaker 8: The other breakfast one the lukewarm breakfast? I think it

1091
00:50:54,239 --> 00:50:55,040
Speaker 8: did right?

1092
00:50:57,760 --> 00:50:59,600
Speaker 2: Okay, well listen, thank you very much for give us

1093
00:50:59,600 --> 00:51:01,359
Speaker 2: a go. And one have you actually managed to pick

1094
00:51:01,400 --> 00:51:01,880
Speaker 2: up so far.

1095
00:51:02,800 --> 00:51:04,800
Speaker 8: I love the morning segment when you have it. This

1096
00:51:04,920 --> 00:51:06,640
Speaker 8: morning's one with the Missouri lyrics.

1097
00:51:06,960 --> 00:51:09,080
Speaker 2: Great, okay, Well, if you ever got any for me,

1098
00:51:09,360 --> 00:51:11,240
Speaker 2: ship them over, but we'll bring them on Thursday.

1099
00:51:11,280 --> 00:51:11,440
Speaker 1: Bell.

1100
00:51:11,600 --> 00:51:13,080
Speaker 2: I look forward to meet and you're Thursday and having

1101
00:51:13,120 --> 00:51:14,400
Speaker 2: a beer with you. Mate, Thanks for giving us a

1102
00:51:14,400 --> 00:51:15,279
Speaker 2: god I really appreciate that.

1103
00:51:15,880 --> 00:51:16,399
Speaker 8: Thanks guys.

1104
00:51:16,560 --> 00:51:19,640
Speaker 2: All right, uh, triple lemmas falling. It's official update the

1105
00:51:19,680 --> 00:51:23,120
Speaker 2: news at nine, please and let's try Scott. Good morning, Scott,

1106
00:51:23,680 --> 00:51:24,160
Speaker 2: good morning?

1107
00:51:24,360 --> 00:51:24,759
Speaker 1: Where are we?

1108
00:51:25,120 --> 00:51:27,240
Speaker 2: I'm good Scotty? What have you learned from the show? Buddy?

1109
00:51:28,200 --> 00:51:30,560
Speaker 8: This is actually from one of the earlier days. We

1110
00:51:31,160 --> 00:51:33,040
Speaker 8: learned that one of the songs you really do not

1111
00:51:33,320 --> 00:51:36,480
Speaker 8: like is the Weather Girls with It's raining men.

1112
00:51:36,840 --> 00:51:40,399
Speaker 2: It's actually put me on thinking of that awful song.

1113
00:51:40,520 --> 00:51:48,160
Speaker 2: What does it even mean? So awful? Loves like Superman

1114
00:51:48,200 --> 00:51:50,360
Speaker 2: when he goes all great? Why are you doing this

1115
00:51:50,480 --> 00:51:52,160
Speaker 2: to me? Guys, Scotty, we'll see you down there.

1116
00:51:52,840 --> 00:51:53,960
Speaker 8: Thanks Sesus everyone?

1117
00:51:54,480 --> 00:51:56,000
Speaker 2: Do you say thank you Jesus? No?

1118
00:51:56,200 --> 00:51:57,359
Speaker 1: Thanks? Hate staring? Oh?

1119
00:51:57,440 --> 00:51:58,680
Speaker 2: Sorry, thank you Jesus?

1120
00:51:59,080 --> 00:51:59,120
Speaker 3: Me?

1121
00:52:01,040 --> 00:52:03,160
Speaker 2: Maybe you got the Christian name confused? All right, give

1122
00:52:03,200 --> 00:52:03,520
Speaker 2: us a call.

1123
00:52:03,600 --> 00:52:06,360
Speaker 3: Nine four one four one four three The Christian O'Connell

1124
00:52:06,360 --> 00:52:09,200
Speaker 3: Breakfast Show Melbourne's Gold one oh four point three.

1125
00:52:09,560 --> 00:52:12,080
Speaker 2: Thank you very much, Pats all right, today's at work

1126
00:52:12,120 --> 00:52:14,400
Speaker 2: time wastter So if you are a new listener a

1127
00:52:14,480 --> 00:52:16,400
Speaker 2: couple of bit we just spoke to m We go

1128
00:52:16,520 --> 00:52:18,239
Speaker 2: on till ten o'clock. We do the seven days called

1129
00:52:18,239 --> 00:52:20,560
Speaker 2: the atwork Time Wasttuff. You can chip in with someone

1130
00:52:20,560 --> 00:52:21,880
Speaker 2: on the Breakfast Show. You don't have to give us

1131
00:52:21,880 --> 00:52:24,160
Speaker 2: a call. It's run just on text, so you can

1132
00:52:24,239 --> 00:52:26,759
Speaker 2: sneakily look like you're doing some work and still get

1133
00:52:26,800 --> 00:52:29,840
Speaker 2: involved with the show. Today's well, we're looking for your

1134
00:52:30,000 --> 00:52:34,600
Speaker 2: kitchen movies. Kitchen movies, how are yours looking?

1135
00:52:35,160 --> 00:52:37,040
Speaker 1: I have won that can't tell if it's terrible or

1136
00:52:37,120 --> 00:52:40,879
Speaker 1: one of my best ever. Oh really excited now? Either

1137
00:52:40,960 --> 00:52:41,399
Speaker 1: way is good.

1138
00:52:42,280 --> 00:52:48,360
Speaker 2: I've got four kettle jacket that's clever, but nothing pretty

1139
00:52:48,400 --> 00:52:58,520
Speaker 2: in sync. Microwaving, private rhyme, waving, saving microwaving, saving, Lord

1140
00:52:58,560 --> 00:53:04,399
Speaker 2: of the Gas Rings. Oh, Planets of the Aprons, that's good.

1141
00:53:04,480 --> 00:53:08,480
Speaker 2: Planets of the Aprons. Those are my kitchen movies?

1142
00:53:08,560 --> 00:53:12,080
Speaker 1: What have you got? Jack? I'm not gonna start with

1143
00:53:12,120 --> 00:53:14,120
Speaker 1: the terrible one, I'm guess just gonna say it, the

1144
00:53:14,239 --> 00:53:22,040
Speaker 1: sisterhood of the Traveling Pantry, Ladle and the tramp.

1145
00:53:22,400 --> 00:53:24,799
Speaker 2: Aah. That's more like it. He's finding his eye now.

1146
00:53:26,000 --> 00:53:32,640
Speaker 1: Backsplash to the future. This is the questionable one. Sinking

1147
00:53:32,760 --> 00:53:37,680
Speaker 1: in the drain, Singing in the rain, Sinking in the drain.

1148
00:53:37,920 --> 00:53:42,240
Speaker 2: Yea lord of the gas rings, Planets of the apron

1149
00:53:42,400 --> 00:53:45,680
Speaker 2: Sinking in the drain, Michael waving private Rye all right,

1150
00:53:45,760 --> 00:53:48,759
Speaker 2: Texas your kitchen movies? Oh fall seven five O three

1151
00:53:48,920 --> 00:53:51,960
Speaker 2: one O four three oh four seven five O three

1152
00:53:52,160 --> 00:53:55,399
Speaker 2: one oh four three where mark them in ten minutes time?

1153
00:53:55,480 --> 00:53:58,359
Speaker 2: After these songs kicking off the sword and were simple minds?

1154
00:53:58,400 --> 00:54:00,560
Speaker 2: Don't you forget about me? On Gold one oh four

1155
00:54:00,600 --> 00:54:01,280
Speaker 2: point three.

1156
00:54:01,800 --> 00:54:05,640
Speaker 3: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point.

1157
00:54:05,520 --> 00:54:07,880
Speaker 2: Three God one of four point three. It's the Christian

1158
00:54:07,920 --> 00:54:10,720
Speaker 2: O'Connor breakfast Show. So Jack, you went on a cookery

1159
00:54:10,800 --> 00:54:11,640
Speaker 2: course over the weekend.

1160
00:54:11,719 --> 00:54:14,080
Speaker 1: Yes, we will love to have you guys over for breakfast,

1161
00:54:14,239 --> 00:54:16,120
Speaker 1: lunch or dinner anytime now that we can.

1162
00:54:16,200 --> 00:54:16,879
Speaker 2: What are you gonna make?

1163
00:54:17,920 --> 00:54:22,160
Speaker 1: We did a sou vid cooking court class that what

1164
00:54:22,320 --> 00:54:25,320
Speaker 1: sou vivid is French, and I've already forgotten what it

1165
00:54:25,360 --> 00:54:28,680
Speaker 1: stands for, but it means something in French, and you

1166
00:54:28,920 --> 00:54:33,160
Speaker 1: cook things very slowly on a lower perfect for you.

1167
00:54:33,520 --> 00:54:39,160
Speaker 2: I notice you're actually slowing down words. The course has worked.

1168
00:54:39,760 --> 00:54:45,160
Speaker 2: It's not marrying breakfast show friendly though you could get

1169
00:54:46,280 --> 00:54:48,560
Speaker 2: sprenge for something in French, is all. I picked up

1170
00:54:48,600 --> 00:54:51,279
Speaker 2: what you said as well. It's French for something in French.

1171
00:54:51,360 --> 00:54:53,640
Speaker 5: But if we go over for breakfast, that means you'll

1172
00:54:53,680 --> 00:54:55,440
Speaker 5: be starting cooking at like midnight.

1173
00:54:55,600 --> 00:54:57,799
Speaker 2: Y started on a Wednesday, ready Saturday morning?

1174
00:54:57,920 --> 00:55:00,800
Speaker 1: Not that slow? No, maybe an hour for two hours?

1175
00:55:01,040 --> 00:55:04,040
Speaker 2: What for breakfast? Well, you cause chucks and sausages in

1176
00:55:04,120 --> 00:55:05,880
Speaker 2: the pan done seven minutes.

1177
00:55:05,760 --> 00:55:08,480
Speaker 1: On an egg, for example, takes twenty seven minutes.

1178
00:55:08,239 --> 00:55:11,800
Speaker 2: Too lazy French eck, come on, French eat to post.

1179
00:55:11,880 --> 00:55:14,279
Speaker 1: So you get a poached egg and you cook it

1180
00:55:14,320 --> 00:55:18,400
Speaker 1: at sixty three degrees for twenty seven minutes? And how

1181
00:55:18,440 --> 00:55:21,160
Speaker 1: does is it the taste? Obviously you know what. I

1182
00:55:21,320 --> 00:55:24,160
Speaker 1: honestly couldn't tell too much difference between a normal poach

1183
00:55:24,239 --> 00:55:25,280
Speaker 1: egg and the course.

1184
00:55:26,120 --> 00:55:28,359
Speaker 2: Are you staring out the window looking for the bus?

1185
00:55:29,040 --> 00:55:31,479
Speaker 1: You honestly couldn't tell the difference between a normal post

1186
00:55:31,520 --> 00:55:33,840
Speaker 1: egg and this special post egg. But all I know

1187
00:55:34,000 --> 00:55:35,480
Speaker 1: is it takes a lot longer to poe.

1188
00:55:35,560 --> 00:55:38,200
Speaker 5: Tell me, did they put vinegar in the water? That's

1189
00:55:38,239 --> 00:55:39,160
Speaker 5: how you poach an egg?

1190
00:55:39,760 --> 00:55:42,719
Speaker 1: Well, swell, no, no, this is more about vacuum seal

1191
00:55:43,600 --> 00:55:45,640
Speaker 1: and so you put it can't I mean, who can

1192
00:55:45,719 --> 00:55:47,360
Speaker 1: be bothered to do that? So you put it in

1193
00:55:47,560 --> 00:55:48,759
Speaker 1: like a zip lock bag.

1194
00:55:49,000 --> 00:55:53,640
Speaker 2: Now you don't what you do? No and no France, No, no,

1195
00:55:56,200 --> 00:55:59,919
Speaker 2: this is this is brexit. This is why is breaking away.

1196
00:56:00,080 --> 00:56:01,280
Speaker 2: It's out these eggs. France.

1197
00:56:01,520 --> 00:56:04,040
Speaker 1: You put a steak in a ziploc bag, for example,

1198
00:56:04,080 --> 00:56:06,080
Speaker 1: how does that take a month? You've seen that for

1199
00:56:06,160 --> 00:56:08,080
Speaker 1: a couple of hours if a post.

1200
00:56:07,800 --> 00:56:09,960
Speaker 2: Egg is half an hour? Do they really?

1201
00:56:10,400 --> 00:56:13,520
Speaker 1: Does it taste fresher? But you know, well it's meant

1202
00:56:13,560 --> 00:56:16,640
Speaker 1: to lock in more more moisture. But then you got

1203
00:56:16,719 --> 00:56:20,120
Speaker 1: to put it on the frying pen afterwards anyway, because well, yeah,

1204
00:56:20,160 --> 00:56:21,440
Speaker 1: to seal it and to see.

1205
00:56:21,280 --> 00:56:23,600
Speaker 2: It, and because that, and also do they do this

1206
00:56:23,840 --> 00:56:27,399
Speaker 2: at restaurants apparently, But you go in and go great, well, listen,

1207
00:56:27,440 --> 00:56:29,000
Speaker 2: it's going to be about five hours. You've got to

1208
00:56:29,040 --> 00:56:30,920
Speaker 2: wait five hours, go and see Harry Potter pot one

1209
00:56:30,960 --> 00:56:31,279
Speaker 2: and two.

1210
00:56:31,360 --> 00:56:33,680
Speaker 1: Well, she actually said if you go into a steak restaurant,

1211
00:56:34,160 --> 00:56:36,279
Speaker 1: there's an optimal time to go because they would have

1212
00:56:36,320 --> 00:56:38,200
Speaker 1: been cooking from the start of the day. But I

1213
00:56:38,239 --> 00:56:39,120
Speaker 1: actually can't remember.

1214
00:56:42,200 --> 00:56:44,400
Speaker 2: The greatest link you've done this year.

1215
00:56:47,040 --> 00:56:50,399
Speaker 3: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

1216
00:56:50,440 --> 00:56:50,879
Speaker 3: point three.

1217
00:56:51,160 --> 00:56:53,799
Speaker 2: Christian O'Connor Breakfast Show on Gold one oh four point

1218
00:56:53,880 --> 00:56:57,680
Speaker 2: three this weekend for big long weekend Labor weekend. Patsy,

1219
00:56:57,760 --> 00:57:00,200
Speaker 2: you've been talking on the show today about this Top

1220
00:57:00,239 --> 00:57:04,120
Speaker 2: eighties Top eighty of the eighties eighties? Yes, and where

1221
00:57:04,160 --> 00:57:05,480
Speaker 2: do they go to pick their favorite songs?

1222
00:57:05,520 --> 00:57:07,279
Speaker 5: They can go the website Gold one o four three

1223
00:57:07,360 --> 00:57:09,440
Speaker 5: dot com dot au and nominally.

1224
00:57:09,120 --> 00:57:10,760
Speaker 2: It's your favorite top two songs of the eighties.

1225
00:57:10,920 --> 00:57:13,719
Speaker 5: Well, that's a really hard one, isn't it. Gosh, I

1226
00:57:13,760 --> 00:57:15,400
Speaker 5: don't know it be something Brian Adams.

1227
00:57:17,520 --> 00:57:18,720
Speaker 1: Was he around in the eighties?

1228
00:57:19,440 --> 00:57:20,640
Speaker 2: Why are you asking, pats.

1229
00:57:22,760 --> 00:57:24,360
Speaker 5: Yes, he was, Thank you very much.

1230
00:57:25,480 --> 00:57:26,680
Speaker 2: I don't know. That's too hard.

1231
00:57:26,760 --> 00:57:27,800
Speaker 1: That's really really hard.

1232
00:57:27,960 --> 00:57:29,560
Speaker 2: Take some time come back to him next couple of weeks.

1233
00:57:30,200 --> 00:57:32,680
Speaker 2: But like Jack's cooking method that the Frenchies do, put

1234
00:57:32,760 --> 00:57:34,880
Speaker 2: in a zip lock the answer all right. Meanwhile, head

1235
00:57:34,960 --> 00:57:37,440
Speaker 2: on to the station website God one four three dot

1236
00:57:37,520 --> 00:57:40,200
Speaker 2: com dot are you all? Weekend? Big Eighties Weekend Here

1237
00:57:40,240 --> 00:57:41,680
Speaker 2: on Gold one oh four point three.

1238
00:57:41,760 --> 00:57:45,120
Speaker 3: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

1239
00:57:45,200 --> 00:57:45,680
Speaker 3: point three.

1240
00:57:45,880 --> 00:57:46,520
Speaker 1: That is it for us.

1241
00:57:46,560 --> 00:57:48,760
Speaker 2: We are back tomorrow morning with five topic Tuesday more

1242
00:57:48,840 --> 00:57:52,080
Speaker 2: chances to come and join us on Thursday night and

1243
00:57:52,200 --> 00:57:54,680
Speaker 2: watch Anchorman. Our movie club first one of this year

1244
00:57:54,760 --> 00:57:57,120
Speaker 2: is back. You can win your tickets tomorrow morning. Title

1245
00:57:57,120 --> 00:57:59,439
Speaker 2: of today's show. Has this come from the last hour?

1246
00:58:00,040 --> 00:58:00,680
Speaker 1: It's French?

1247
00:58:00,880 --> 00:58:05,240
Speaker 2: For something in French? Please? Can you find out the

1248
00:58:05,400 --> 00:58:08,720
Speaker 2: gaps that you had asked? You'll smarter and better half Bianca,

1249
00:58:08,880 --> 00:58:10,840
Speaker 2: she can report back tomorrow. What is the best time

1250
00:58:10,880 --> 00:58:12,200
Speaker 2: to go to a state restaurant? Okay?

1251
00:58:12,520 --> 00:58:13,960
Speaker 1: And what a su vid meaning yes?

1252
00:58:14,280 --> 00:58:16,800
Speaker 2: Yes, then report back tomorrow. All right, Thanks for listening everyone,

1253
00:58:16,880 --> 00:58:18,240
Speaker 2: have a great day. We'll speak to you tomorrow.

1254
00:58:18,400 --> 00:58:21,720
Speaker 3: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

1255
00:58:21,760 --> 00:58:22,240
Speaker 3: point three.