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Speaker 1: This is the Will and Woody Podcast.

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Speaker 2: Now wards, there's two things you need to know about

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Speaker 2: what we're doing now. First and foremost, you and I effectively,

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Speaker 2: I've got to be careful with my words here, effectively

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Speaker 2: snuck in. Well. No, we snuck into the Australian Open

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Speaker 2: dressed as tennis players last year.

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Speaker 3: It was extraordinary. It was yeah, we're.

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Speaker 2: Going to say probably slightly embarrassing for the security team there.

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Speaker 2: You and I rocked up in Polos tennis shorts and

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Speaker 2: shoes and a racket bag with no racket in it,

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Speaker 2: and we walked straight in. Yeah. Yeah, Now, we don't

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Speaker 2: condone that, and we don't anyone else does it.

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Speaker 1: We also, we are trained performers, and I actually think

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Speaker 1: you're taken away from just how good we looked.

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Speaker 2: Well, we did, and we looked legit and did we

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Speaker 2: rinse it for all it's worth. Yes, we drank a

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Speaker 2: lot of free champagne. Yes, And it got to the

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Speaker 2: point where it was so easy to move around that

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Speaker 2: we nearly took Raphael on the dolls practice caught from him. Listen,

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Speaker 2: I know, hello, that Feelstrillian's orphans.

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Speaker 3: I'm not sure if we have this who is about

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Speaker 3: to play.

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Speaker 4: Here on the doll.

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Speaker 2: The doll your friends, we know him, maybe we could

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Speaker 2: hit up with him. We'll do we need to speak

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Speaker 2: to to have crickets. Yeah, so you know, something a

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Speaker 2: bit more touchy than others.

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Speaker 1: But we then signed people's AO magazines. And then when

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Speaker 1: Rappa walked out, I think I said to him, refer

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Speaker 1: you are me.

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Speaker 3: Fifty dollars he gave me, really cut me. I have

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Speaker 3: no idea what that was.

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Speaker 2: Totally outside the bit. Did you just try and get

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Speaker 2: fifty dollars off?

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Speaker 5: You know?

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Speaker 2: I sawry Chance, you saw him, you saw dollar signs. Anyway, Look,

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Speaker 2: it was a crazy bit. He's probably still said on

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Speaker 2: Instagram Facebook, Willam, what do you want to see it

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Speaker 2: for yourself? But what I want to do is I

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Speaker 2: want to access the character that I played that time

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Speaker 2: to see into the Australian Open. His name is Gornder,

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Speaker 2: not over. It's all money made.

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Speaker 5: Guy.

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Speaker 2: He's playing mixed doubles again. He's having a good year.

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Speaker 3: He wins a lot though.

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Speaker 2: Yeah, well he's struggling a little bit with their fluffy balls,

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Speaker 2: the extra fluffy balls at the tournament, which is.

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Speaker 1: The same as the guy that rap beat in round one.

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Speaker 1: He complained about fluffy, but the balls.

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Speaker 2: Are getting too fluffy. So right up next, Gorndon the

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Speaker 2: Doova calls a local tennis shop to find out how

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Speaker 2: fluffy their balls are. This prank is as juvenile as

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Speaker 2: you expect it was going to be. Let's let's just

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Speaker 2: call this the tiw top shof gif up. Huge issue

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Speaker 2: with the with the balls at the Australian Open. Recently,

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Speaker 2: balls have been too fluffy. A few players have complained

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Speaker 2: and right now that well, the tennis player that we've

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Speaker 2: got a wrong affiliation with is Gorndon ot Ovah, it's

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Speaker 2: your money made. He's had a huge issue with the

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Speaker 2: balls at the at the Open.

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Speaker 3: He's a windy guy.

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Speaker 2: He's a windy guy as well. I think he's you know,

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Speaker 2: his doubles partner Stavros Scratchinich is also particularly wingy.

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Speaker 3: Don't you bring Stavros scratching it into this?

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Speaker 2: Is he even at the Open this year? Sta I

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Speaker 2: didn't come across Gowanda. Right now is going to call

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Speaker 2: a tennis shop, yeah, in Melbourne looking for replica balls

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Speaker 2: to what they're using at the Australian Open that are

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Speaker 2: going to be sufficiently fluffy.

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Speaker 3: Yeah, makes sense.

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Speaker 2: So he's gonna he's gonna make that call right now.

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Speaker 3: Perfect, This is high brow stuff.

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Speaker 2: How dare you.

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Speaker 3: Give me three days to.

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Speaker 2: Come with this? For the cases that's been Yes, a lot.

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Speaker 6: I'm calling my name gond not over. I'm playing the

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Speaker 6: Australian Open twenty twenty three. I'm calling serving ease.

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Speaker 2: Is that right? You're sure?

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Speaker 5: Yes?

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Speaker 2: Fantastic, Matt. Are you nice to meet you? First? First thing?

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Speaker 6: And I'm playing mixed doubles at Australian Open and I'm

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Speaker 6: looking for some practice balls and I was wondering if

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Speaker 6: you could help me with that.

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Speaker 2: Yes, I do not currently have access.

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Speaker 6: To the official Australian Open practice pol but my partner

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Speaker 6: tells me that they are currently fluffy, and so I

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Speaker 6: was wanting to know if you have similarly fluffy balls.

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Speaker 4: Now I don't have fluffy balls.

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Speaker 6: Okay, but do you have balls in shop that have

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Speaker 6: got access hair on them?

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Speaker 7: Yes?

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Speaker 4: We do have the downlup poll.

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Speaker 2: Right, you've got the balls, we've got the download balls. Yes,

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Speaker 2: but how much hair are on your balls?

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Speaker 4: What what scale will use you used to determine whether

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Speaker 4: or not they're hary?

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Speaker 2: Well, it depends who lost hits the bulls as well

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Speaker 2: as I understand bulls. Right, So no one's hit him,

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Speaker 2: no one's hit your balls, okay.

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Speaker 4: Now, and no one's hit my balls, and no one's

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Speaker 4: touched the hairs on my balls. That I can do

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Speaker 4: this whole day.

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Speaker 3: Light and flippant.

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Speaker 2: Made me laugh. That was so good. My name is Will.

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Speaker 2: I'm calling from radio station show called Will and Woody.

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Speaker 2: Have you heard of us?

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Speaker 4: Yeah, beautiful, I haven't.

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Speaker 3: Actually, oh right, you haven't heard of us? And your

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Speaker 3: highjacked down prank?

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Speaker 8: Well, good prank?

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Speaker 9: Here now you are?

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Speaker 2: You're going on? If you're there? Not going on?

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Speaker 4: Yeah, Harry balls fet.

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Speaker 3: The every day?

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Speaker 2: How many if your hand.

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Speaker 4: How many you'd be surprised?

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Speaker 2: Anonymous call and I'm just going here.

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Speaker 4: Here we go. Always get a bit twitchy when they

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Speaker 4: go to.

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Speaker 2: Sell me something or prank me or whatever. That's amazing.

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Speaker 2: What's the shop called called serving Ace If you're in?

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Speaker 2: If you're in, yeah, Pond's go and see Matt for

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Speaker 2: the best tennis gear and the hairious balls and the business.

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Speaker 2: Thanks mate, I wonder.

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Speaker 3: It's Will and Woody.

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Speaker 2: Australian idol starts next Monday, featuring our very own car

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Speaker 2: Standelanz who joins us right now and will and.

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Speaker 10: You welcome to the show mate, gentlemen, thank you for

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Speaker 10: a very much, what a wonderful, what a wonderful welcome,

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Speaker 10: and thank you for letting me come on your program

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Speaker 10: to tell everyone stop listening to the radio. Took the

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Speaker 10: television on, which I've never said before in my life,

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Speaker 10: because we're radio people. Now let's have a look around

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Speaker 10: the channels and see what we're up against. So we

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Speaker 10: on seven Australian id or the return after fifteen or

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Speaker 10: sixteen years. The nostalgia me a couple of hotties and

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Speaker 10: some bloke from bloody down South and we're in America,

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Speaker 10: Harry Connick Junr.

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Speaker 2: Then over on ten.

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Speaker 10: That old chestnut A Survivor. We don't have to watch

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Speaker 10: that till the end. We don't have to watch that

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Speaker 10: at the beginning. And then over on Channel nine they've

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Speaker 10: got that bloody Maths thing. Now this year I feel

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Speaker 10: that we're over it because we've all watched The Bachelor

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Speaker 10: with the three ways and the three blokes and the

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Speaker 10: different chicks and the boyfriend, the cold saws. It's been

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Speaker 10: quite on over the relationships. I want to see a

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Speaker 10: couple of losers singing terribly and told to go home

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Speaker 10: and think about a new career.

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Speaker 1: So are we going to see Are.

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Speaker 3: We going to see a more sensitive Kyle this year?

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Speaker 8: Though?

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Speaker 3: Since you know, since the birth of Odor, you're going

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Speaker 3: to go hard again.

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Speaker 10: Listen, there is a difference through my eyes, judging from

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Speaker 10: sixteen years ago. Music the industry has changed. You know,

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Speaker 10: Adele's Lizzos, all these people that you would never have

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Speaker 10: seen before because the music industry used to that you

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Speaker 10: have to be Britney Spears, you have to be sixteen,

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Speaker 10: and if you're not, you're not You're not getting a guernsey.

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Speaker 10: It's changed and I'm reflecting that change. I'm having a look,

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Speaker 10: I'm not anyone that's ugly or gross. They can still

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Speaker 10: stay this time, right, Which is crazy?

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Speaker 2: Is that a filter? Sixteen years ago when you were

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Speaker 2: a judge, it must have been like, how are they

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Speaker 2: going to come up on the camera?

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Speaker 10: Something that was like, thought about all I care about

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Speaker 10: this time is can I make money out of this

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Speaker 10: person having a.

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Speaker 2: Record career in the future.

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Speaker 10: They really and that's really what all the record companies

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Speaker 10: are looking at when they invest in a singer. Of course,

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Speaker 10: they're not really caring whether they like your song or not.

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Speaker 10: It's like, does this person have the chops? Can they

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Speaker 10: a yeah? Are they marketable? They can they sing? Do

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Speaker 10: they have good sensibility? Because the hardest part. A lot

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Speaker 10: of kids think getting a record deals the hard part,

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Speaker 10: but it's not. It's sustained the career over time. That's

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Speaker 10: the difficult part in every artist struggles with that.

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Speaker 2: Yeah.

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Speaker 1: Well, speaking of cash and making money, mate, I saw

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Speaker 1: that you were flying private private jets between locations when

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Speaker 1: you were riding Idol.

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Speaker 3: Was that in your rider when you signed on for

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Speaker 3: the show.

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Speaker 10: Yes, that's that's just my day. That's my day to

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Speaker 10: day rider. Like if you wanted me to do the

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Speaker 10: radio show, because I'm signed here to this radio network,

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Speaker 10: that's my first priority. And then when seven came knocking,

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Speaker 10: I said, look, I'm still going to do the radio show.

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Speaker 10: And when I'm in Perth auditioning, I'm gonna do the

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Speaker 10: radio show at three o'clock in the morning Perth time,

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Speaker 10: and then sit around watching Flop sing for sixteen hours

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Speaker 10: in a bloody ballroom at a hotel somewhere. That doesn't

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Speaker 10: sound like fun. So where do I get the fun?

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Speaker 10: I get the private jet and the others are all

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Speaker 10: lineup on Jetstar waiting for their apple and their their

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Speaker 10: tangerine cake or whatever it is. They're hanging out on

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Speaker 10: those things.

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Speaker 2: What else is on the Carl Sandlan's rider, Like, what

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Speaker 2: else is in the.

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Speaker 10: Do standard hotel rooms? I do only the very best

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Speaker 10: suite available in a five star hotel. That this has

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Speaker 10: been years and years. Like before I'd be in a

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Speaker 10: caravan park at Gosford for the week and wouldn't care.

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Speaker 10: But now I've got a child, I've got a fiance,

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Speaker 10: got the big radio show and this, and I just

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Speaker 10: thought do it now. I'm not a well person. You

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Speaker 10: look at me, you don't think, oh he's healthy. He's

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Speaker 10: very close to death.

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Speaker 2: How do we know the most?

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Speaker 10: I need to do all these jobs, and if I

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Speaker 10: do die, the child will take all the money.

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Speaker 2: I want to talk to you a little bit more

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Speaker 2: about the child because we're two new dads this year,

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Speaker 2: dads in the same year, within about two months of

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Speaker 2: each other. We'll talk about it right next. Australian Idol

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Speaker 2: starts next Monday on Channel seven and we've got one

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Speaker 2: of the judges, one of the legends of this radio station.

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Speaker 10: We feel free to say the head judge on Idol.

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Speaker 2: That the King Dick on Idol joins the boys is back.

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Speaker 2: I think you follows. Can I talk a little bit

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Speaker 2: about the judges though, mate, because obviously you've done the

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Speaker 2: show before. What's it like between you guys, because I mean,

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Speaker 2: that's obviously one of the great parts about watching these

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Speaker 2: shows is the chemistry between the judges, how you get on.

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Speaker 2: That's that's a huge part of the narrative. You've got

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Speaker 2: Amy Shark, who's on that. We we love Amy. We's awesome.

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Speaker 2: Meghan Trainer seems like she's a blast as well. Harry

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Speaker 2: Connick Jr. I don't know anything about have you? What's

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Speaker 2: the story with Meghan Trainer and Harry? Meghan?

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Speaker 10: Meghan's great. I met Meghan when she brought out the

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Speaker 10: Fat Chick song?

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Speaker 2: You know that? What was that all about?

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Speaker 10: That beast? About that? I love that I met her

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Speaker 10: and she was a hoot.

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Speaker 2: Yeah, we spent a bit.

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Speaker 10: We spent actually a couple of days ago that Megan

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Speaker 10: and I not romantically, but just sort of music wise.

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Speaker 2: And I didn't seensume romantically. Mato, nobody you didn't need.

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Speaker 10: Someone would have someone would have thought it. And then

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Speaker 10: there's Harry. Now, I think Harry Connick, remember that ages

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Speaker 10: Wiz You're remember that song? Remember that I was too young.

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Speaker 3: I remember that.

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Speaker 10: That was one of the first songs I was ever

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Speaker 10: playing on radio. So I thought he must be in

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Speaker 10: his eighties, Harry chronic junior. Now, if I'm fifty, this

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Speaker 10: guy must be eighty. He's the same age this bloke

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Speaker 10: as me, so very successful early in life. He's one

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Speaker 10: of all the Grammys. Anyway, Look, I don't think him

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Speaker 10: and I didn't mind him. I don't feel he got

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Speaker 10: the vibe of me, and so I did him and

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Speaker 10: I it's a little prickly. I can't sort of have

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Speaker 10: a got because he's been very successful. He's one Grammy's

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Speaker 10: sold fifty million albums.

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Speaker 2: That professionally he's professionally you're not touching that. But personally

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Speaker 2: you didn't get on with it.

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Speaker 10: Personally, I don't. I don't think he gelled with me.

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Speaker 10: And you know, if someone doesn't like you and you

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Speaker 10: feel it, you just don't like them automatically. You know, Well,

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Speaker 10: if you don't love me, I don't like you, and

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Speaker 10: screw you. I'm going to talk about you everyone. But

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Speaker 10: no did you have a blow up.

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Speaker 3: Well, yes, we had a blu on camera off.

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Speaker 10: It wasn't a Mircael Clark stepan. It was completely it

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Speaker 10: was he rang me. I was leaving. I was climbing up,

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Speaker 10: scamping up the three or four stairs to my plane,

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Speaker 10: while he was lined up at the airport going through security.

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Speaker 10: And see I'd said to someone that he wanted the

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Speaker 10: pronouns put onto the contestant sheets. I thought i'd heard

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Speaker 10: him say, yeah, just to a producer, we need the pronouns.

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Speaker 10: And I told someone on an interview, oh, Harry is

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Speaker 10: going on about the pronouns. Apparently it wasn't Harry. And

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Speaker 10: he rang me. Took great offense because you do me

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Speaker 10: like that. I didn't do that. Why are you doing

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Speaker 10: me like that? And I said, it's not doing you

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Speaker 10: like that. You did say it, and when I did not,

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Speaker 10: so I heard you say I didn't say it. He

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Speaker 10: must have heard someone else say it. I said, oh, sorry, bro,

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Speaker 10: no big deal.

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Speaker 2: That was it.

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Speaker 10: Friendship over So that was a big deal for me.

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Speaker 3: He didn't forgive you for that.

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Speaker 10: Well, I don't know if I've never even thought about

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Speaker 10: it since it happened. I just thought, what a flop

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Speaker 10: and just hung up. But he's ice juiceing like no comms,

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Speaker 10: and we don't really chat off the set. But he's

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Speaker 10: got his daughter with him. She's beautiful, lovely girl. I

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Speaker 10: chat with her and I chat with his team, but

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Speaker 10: he's doing his own thing. He's a busy guy. He

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Speaker 10: enjoys his own company. And I've got, you know, like

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Speaker 10: a swarm of busy bees flying around me.

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Speaker 2: Yeah.

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Speaker 1: Speaking of daughters, Kyle, I've got a question for her.

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Speaker 1: So we said before the song that we've all had

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Speaker 1: kids in the same year, which is just within a

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Speaker 1: couple of months.

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Speaker 2: Poor boss had a condition, but.

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Speaker 10: I want him to grow up together. I love the fatherhood.

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Speaker 10: I thought I would hate it, yeah, because I thought,

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Speaker 10: oh God, looking after something that ships itself every ten

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Speaker 10: minutes not my vibe. But I've really enjoyed it. I

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Speaker 10: get a lot of joy out of him. And I'm

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Speaker 10: home a lot more because I used to be like

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Speaker 10: I used to blow like a leaf on the veranda,

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Speaker 10: just gone. I'd be just gone for days. No, I

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Speaker 10: wanted to know where I was, what I was up to.

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Speaker 10: Some of the funnest time on earth, mind you, what happened.

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Speaker 2: A joy for your production team, no doubt.

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Speaker 10: Oh yes, I wouldn't be here one day, or I

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Speaker 10: might be you never knew. But I love it. I'm

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Speaker 10: at home all the time. I really enjoy the fatherhood thing.

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Speaker 2: That's great.

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Speaker 10: Yeah, And I'm lucky because he's very well behaved and

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Speaker 10: a little sweetie.

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Speaker 1: Yeah. Would you be happy, Kyle in let's say fifteen

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Speaker 1: sixteen years Otto comes home and he's brought home one

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Speaker 1: of our daughters or potentially both, knowing your son.

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Speaker 2: My daughter. It's to do with you.

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Speaker 10: You you look at child to show what they want

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Speaker 10: to do.

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Speaker 1: But would you, as his father, would you be like, oh, amazing,

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Speaker 1: this is what his daughter?

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Speaker 3: This is great?

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Speaker 2: Yeah.

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Speaker 10: Look, I am open to anything. The different types of

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Speaker 10: folks that I know, and the people and the sexual

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Speaker 10: experience that I've had in my life. Who am I

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Speaker 10: to question what someone else wants to do or not do.

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Speaker 10: The only thing I'd say is you treat those girls

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Speaker 10: with the utmost respect, because I don't think a lot

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Speaker 10: of people realize I've I it's very important to me

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Speaker 10: that women are respected. So as long as he's a

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Speaker 10: good boy, because I'd prefer him to be gay in

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Speaker 10: all honesty, Yeah, yeah, yeah, because I don't like sport

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Speaker 10: and I'd rather shout to me and go father my

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Speaker 10: dam on Thursday night. Would if you're not too busy, yes,

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Speaker 10: I tell I'm sorry. I won't be able to attend.

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Speaker 10: It's a school night.

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Speaker 2: Maybe maybe he'll end up on Australian idol who knows

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Speaker 2: which premieres next Monday night, Channel seven. Kyle Sandland's back

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Speaker 2: on the panel there look for Channel seven. Mate. Thanks

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Speaker 2: always great to talk to you.

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Speaker 10: Thanks, thank you, gentlemen, and good luck with those kids

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Speaker 10: that they're very lucky. You guys are great, Thank.

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Speaker 2: You too, mate.

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Speaker 10: Thanks guys. After this, it's Willing Woody.

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Speaker 1: If you haven't heard, the FBI is searching through Sleepy

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Speaker 1: Joe Barden's house currently. I'm not right now, but they're

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Speaker 1: currently like doing searches on his house classified documents.

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Speaker 3: This report is going to do a much better job

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Speaker 3: of me for night.

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Speaker 10: President Biden's personal attorney announced the FBI found another batch

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Speaker 10: of classified documents at the president's home in Delaware.

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Speaker 1: Neither the President nor first Lady were present as federal

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Speaker 1: agents poured over handwritten notes, files, binders, and memorabilia dating

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Speaker 1: back decades. Now, Will but Well you're not allowed to

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Speaker 1: take home documents from what I understand anyway, But I

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Speaker 1: think the only thing scarier then the FBI searching your

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Speaker 1: house is the idea of a one night stand searching

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Speaker 1: your house.

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Speaker 3: So a few can.

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Speaker 1: I go back to a world I do not want

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Speaker 1: you to think about this too much, but your single again.

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Speaker 1: I hope that doesn't happen for you obviously, Yeah, okay,

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Speaker 1: can I max Dad could be single again? You never know, absolutely,

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Speaker 1: But what would you be most just a hypothetical.

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Speaker 3: Guys, is there anything in your house right now?

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Speaker 1: If you go back to that world where you are

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Speaker 1: single and the idea that someone could search through all

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Speaker 1: your stuff, Like, is there one thing in particular that

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Speaker 1: you would be worried about them finding.

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Speaker 2: In my house currently?

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Speaker 3: Yeah, so you can't change anything in your house.

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Speaker 1: The hype goes click, you're single, one night stand, they

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Speaker 1: can search through your house.

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Speaker 3: Now, what's the thing you're worried that they'll find? Is

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Speaker 3: there anything that I have a partner? I just said

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Speaker 3: in the hypothetical that you're seeing. You can't just hide

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Speaker 3: her in the closet out this hypothetical.

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Speaker 2: So there's no existence of them in the house don't

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Speaker 2: you own anything embarrassing or something will be damaging to

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Speaker 2: your character or not? Really, I kind of leave it

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Speaker 2: all out there, mate, I'm like, I'm bald, I'm getting fatter.

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Speaker 3: I think she figures that out when she sleeps with you.

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Speaker 2: That thinks she figures that your house. Oh, I don't know,

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Speaker 2: what do you care about?

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Speaker 9: No?

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Speaker 1: Well, well again, in my single life, and I had

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Speaker 1: a doll, I had like a life which.

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Speaker 2: Was but like these days, what have you got off?

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Speaker 1: I've got a drawer of what I call my sexy

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Speaker 1: fun clothes, right yeah, yeah, that's which would include like

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Speaker 1: it's like a fluoro lime green like hot pants.

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Speaker 2: Let's go to k Okay, what do you reckon? He's

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Speaker 2: okay to set it through someone's house?

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Speaker 7: Definitely not right? No, it has Yeah, you know a

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Speaker 7: bit of a hook up. And he left and then

399
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Speaker 7: forgot his stone, so came and knocked on the door,

400
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Speaker 7: walked into my bedside table, opened it up, and took

401
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Speaker 7: his phone out. Been rifling through there.

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Speaker 3: And he and he rifled through there.

403
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Speaker 1: Yeah, but was there anything dodgy in your bedside table?

404
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Speaker 1: That can be a bit of a dodgy drawer if

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Speaker 1: I'm being honest.

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Speaker 7: Well, yeah, of course it's dodgy.

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Speaker 2: It's a bedside table.

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Speaker 1: Yeah, although again he's probably he's probably seen it all utilized,

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Speaker 1: has he.

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Speaker 2: Well, anyway, let's go to Tyson there not, Sorry, mane,

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Speaker 2: we don't go for the top drawer the first night

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Speaker 2: before you go for the top drawer. Have you have

413
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Speaker 2: you rifled through somebody stuff after one night stand? Can you?

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Speaker 2: Are you allowed to?

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Speaker 5: Yeah?

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Speaker 9: Well I've been in a relationship for a while, but

417
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Speaker 9: I have had a look through the top drawer of

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Speaker 9: the bendside table.

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Speaker 8: Or the covers behind the mirror in the bathroom.

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Speaker 4: Just have a peak at what they're doing.

421
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Speaker 2: It's what's it's what's it's what's on reach, isn't it?

422
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Speaker 2: And you're curious, of course. It's funny what you said, though,

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Speaker 2: would like the top drawer can be a dodgy draw.

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Speaker 2: Maybe the top draw shouldn't be a dodgy draw if

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Speaker 2: you're single, because that's the number one draw that the

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Speaker 2: person looks in.

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Speaker 1: But the reason it's you put it in the top

428
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Speaker 1: drawers because it's reaching distance from the bed, right, that's convenience.

429
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Speaker 2: Chuck it in the just you know, chuck it in

430
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Speaker 2: the kitchen.

431
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Speaker 3: Just be like a kitchen. You're pass this, it'll probably

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Speaker 3: mash the potatos. To be fair, Let's go to, let's

433
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Speaker 3: go to.

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Speaker 1: Just sorry, I was too much louisa'sise or is it Lucia?

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Speaker 3: Is it Lucia?

436
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Speaker 2: Or I think it's Louisa. Surely, Louisa, what did you

437
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Speaker 2: what did you find?

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Speaker 6: It?

439
00:21:21,760 --> 00:21:23,000
Speaker 2: A one night stands out?

440
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Speaker 5: Well, I had a very big night and then obviously

441
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Speaker 5: one night fand and I was searching for his name

442
00:21:30,200 --> 00:21:33,679
Speaker 5: and fine, finding that a family's credit card statement and

443
00:21:33,800 --> 00:21:38,800
Speaker 5: this sand had like an insane amount of a huge

444
00:21:38,800 --> 00:21:41,240
Speaker 5: amount of OnlyFans subscriptions on his credit card.

445
00:21:41,240 --> 00:21:43,960
Speaker 3: Build Wow, and so was that was that deal breaker

446
00:21:44,000 --> 00:21:44,760
Speaker 3: for you, Louisa?

447
00:21:46,720 --> 00:21:48,840
Speaker 5: No, the fact that his name was Gordon was the deal.

448
00:21:48,880 --> 00:21:58,520
Speaker 2: Breakout Woods, the Queen of Pop, has announced a world tour.

449
00:22:01,040 --> 00:22:05,800
Speaker 2: Forty years since this song came out, Madonna is doing

450
00:22:05,960 --> 00:22:10,920
Speaker 2: a world tour. The great news for everybody living here

451
00:22:11,320 --> 00:22:14,160
Speaker 2: in Australia is that she's not coming.

452
00:22:17,040 --> 00:22:19,000
Speaker 3: It's pretty big these days, like they're all coming.

453
00:22:19,160 --> 00:22:21,639
Speaker 1: Billy, Joel was in, Johnny was here, Elton, john of

454
00:22:21,680 --> 00:22:22,920
Speaker 1: course Johnny.

455
00:22:23,040 --> 00:22:24,479
Speaker 2: She just got Johnny.

456
00:22:24,600 --> 00:22:25,679
Speaker 3: Everyone calls him Johnny.

457
00:22:25,880 --> 00:22:28,160
Speaker 1: I feel like most world tours now like a straight

458
00:22:28,440 --> 00:22:29,640
Speaker 1: we're they're right.

459
00:22:31,119 --> 00:22:33,000
Speaker 3: From from Donzie Madonna? Of course.

460
00:22:36,720 --> 00:22:38,440
Speaker 2: Yeah, I don't think it's a priority for I don't

461
00:22:38,480 --> 00:22:40,159
Speaker 2: know why. Maybe we've offended her in the past.

462
00:22:40,400 --> 00:22:42,320
Speaker 3: Ye how old is Madonna now?

463
00:22:42,440 --> 00:22:46,119
Speaker 2: I'm going to say seventy wild, I reckon, that's a

464
00:22:46,160 --> 00:22:49,119
Speaker 2: that's a real stab. I've got three or four different

465
00:22:49,119 --> 00:22:50,280
Speaker 2: monkeys typing on typewriter.

466
00:22:50,320 --> 00:22:54,520
Speaker 1: It's sixty four, sixty four close close to seventy, thanks mate.

467
00:22:56,080 --> 00:22:59,320
Speaker 2: Anyway, she's going everywhere in Australia, which is devastating. Sure,

468
00:22:59,800 --> 00:23:02,360
Speaker 2: and I just thought, you know, how can we cover

469
00:23:02,440 --> 00:23:05,199
Speaker 2: this on this show? How can we give Australia a

470
00:23:05,240 --> 00:23:07,680
Speaker 2: slice of Madonna? Given that we're missing out on her?

471
00:23:08,359 --> 00:23:11,960
Speaker 2: And then I remember that we've got this woman who

472
00:23:12,080 --> 00:23:16,440
Speaker 2: is a banker by day but by night also writes

473
00:23:16,760 --> 00:23:20,679
Speaker 2: amazing song parodies. We just give her an artist, give

474
00:23:20,720 --> 00:23:23,960
Speaker 2: her a topic. She mashes them together. Last time, I'm

475
00:23:24,000 --> 00:23:26,640
Speaker 2: not sure how he got there, but it was Abba

476
00:23:26,880 --> 00:23:27,680
Speaker 2: and the soccer room.

477
00:23:27,880 --> 00:23:31,560
Speaker 3: It was because the World Cup was on a No.

478
00:23:31,600 --> 00:23:32,240
Speaker 2: She loves.

479
00:23:33,680 --> 00:23:34,040
Speaker 3: Forehand.

480
00:23:34,600 --> 00:23:36,880
Speaker 2: Her name's Dina. If you missed some of it. Last time,

481
00:23:37,119 --> 00:23:41,400
Speaker 2: hears her doing the soccer roos to Ebba scoring.

482
00:23:41,040 --> 00:23:44,920
Speaker 8: Scoring scoring, Oh no in the soccer were going? No

483
00:23:45,080 --> 00:23:52,080
Speaker 8: window woke up? Come on, Who we are the socer room,

484
00:23:53,240 --> 00:24:01,040
Speaker 8: the ting team from around the world, darker room. Yes,

485
00:24:01,160 --> 00:24:04,600
Speaker 8: we're in the welcome We're going to bring you home.

486
00:24:05,200 --> 00:24:10,440
Speaker 8: Everyone else scared out of the way.

487
00:24:11,000 --> 00:24:14,520
Speaker 2: Oh here's the parody queen that joins us right now, Dina,

488
00:24:14,600 --> 00:24:26,879
Speaker 2: Welcome back to Will's guarantee to blow your mind. Dina,

489
00:24:26,960 --> 00:24:30,040
Speaker 2: welcome back, mate, Thank you, thank you. How are you

490
00:24:30,080 --> 00:24:31,639
Speaker 2: both so well better?

491
00:24:31,680 --> 00:24:31,840
Speaker 8: Now?

492
00:24:32,000 --> 00:24:34,000
Speaker 3: We're so much better out of being your presence?

493
00:24:34,040 --> 00:24:34,320
Speaker 9: Dina?

494
00:24:34,400 --> 00:24:36,760
Speaker 3: How's the how's the writing coming along?

495
00:24:36,800 --> 00:24:38,480
Speaker 1: We know that you you know you can't stop a

496
00:24:38,560 --> 00:24:39,760
Speaker 1: mine like that can't stop.

497
00:24:40,600 --> 00:24:43,720
Speaker 8: No, we can't. Look, I took a little break over Christmas.

498
00:24:43,480 --> 00:24:45,360
Speaker 3: Give myself a bit of a break, fair enough.

499
00:24:46,040 --> 00:24:48,960
Speaker 8: But now that's a new year's underway, so am I?

500
00:24:50,800 --> 00:24:56,719
Speaker 2: And the rumor's true? Dina? Which are I was waiting

501
00:24:56,760 --> 00:25:00,679
Speaker 2: to see what you said? Album in the works is

502
00:25:00,680 --> 00:25:01,280
Speaker 2: what I've heard.

503
00:25:02,640 --> 00:25:05,639
Speaker 8: Look that's meant to be on the quiet. How they

504
00:25:05,760 --> 00:25:08,159
Speaker 8: got out there, but it's under wrapped.

505
00:25:08,160 --> 00:25:09,720
Speaker 2: I didn't want to give this. I didn't want to

506
00:25:09,720 --> 00:25:12,680
Speaker 2: give this. That was unprofessional of me. I'm sorry about that. Okay,

507
00:25:13,000 --> 00:25:15,080
Speaker 2: let's get into it, Dinna, because as I said, as

508
00:25:15,080 --> 00:25:18,040
Speaker 2: you've heard, I'm sure Madonna is doing a world tour.

509
00:25:18,119 --> 00:25:19,880
Speaker 2: She's not coming to Australia, but we need to give,

510
00:25:20,440 --> 00:25:23,439
Speaker 2: you know, Australia a little bit of Madonna, and I

511
00:25:23,480 --> 00:25:25,560
Speaker 2: think that's only going to be through the form of Madina.

512
00:25:25,680 --> 00:25:29,520
Speaker 2: So look the standard standard deal here, mate, You've got

513
00:25:29,560 --> 00:25:32,920
Speaker 2: three minutes one song to write, three song parodies about

514
00:25:33,000 --> 00:25:36,240
Speaker 2: Madonna's world tour and not coming to Australia. Obviously all

515
00:25:36,240 --> 00:25:38,520
Speaker 2: the parodies have to be Madonna songs. Are you up

516
00:25:38,520 --> 00:25:39,080
Speaker 2: to the task?

517
00:25:40,040 --> 00:25:42,000
Speaker 8: I certainly am. Yes, Yep, go for it.

518
00:25:42,080 --> 00:25:42,240
Speaker 10: Yep.

519
00:25:42,440 --> 00:25:43,119
Speaker 8: You're with guys.

520
00:25:43,359 --> 00:25:44,960
Speaker 3: Are you a fan of Madonna? Dina?

521
00:25:45,440 --> 00:25:46,200
Speaker 7: I am?

522
00:25:46,280 --> 00:25:46,560
Speaker 5: I was.

523
00:25:46,600 --> 00:25:48,840
Speaker 8: I was there for Contact Guys back in ninety three

524
00:25:49,119 --> 00:25:56,000
Speaker 8: for first content the g Wow. I couldn't see much,

525
00:25:56,080 --> 00:25:56,920
Speaker 8: but yeah, I was there.

526
00:25:57,040 --> 00:25:58,720
Speaker 3: Why couldn't you see much, Dina?

527
00:25:58,880 --> 00:26:00,679
Speaker 8: Oh? Well, as a g I was sort of in,

528
00:26:00,760 --> 00:26:02,800
Speaker 8: you know, in the back planks as they say, so

529
00:26:03,240 --> 00:26:04,760
Speaker 8: I had to watch her on the big screen.

530
00:26:05,560 --> 00:26:05,800
Speaker 10: Right.

531
00:26:06,400 --> 00:26:08,440
Speaker 2: How old were you doing in nineteen ninety three? Who'd

532
00:26:08,440 --> 00:26:08,840
Speaker 2: you go with?

533
00:26:10,200 --> 00:26:13,400
Speaker 8: I went with my sister in law and how old

534
00:26:13,560 --> 00:26:14,679
Speaker 8: I was in my late twenties.

535
00:26:14,720 --> 00:26:18,720
Speaker 3: I think, wow, yeah, what a time, What a time, Dinna.

536
00:26:18,840 --> 00:26:21,399
Speaker 1: Well, you're definitely the one to be doing parodies about

537
00:26:21,400 --> 00:26:24,840
Speaker 1: Madonna songs can be right up next, we're going to

538
00:26:24,840 --> 00:26:27,719
Speaker 1: be graced with him. Well, I mean, geez, you're very

539
00:26:27,760 --> 00:26:28,440
Speaker 1: lucky Australia.

540
00:26:28,480 --> 00:26:30,040
Speaker 2: Stop talking to her. She's got three minutes.

541
00:26:30,359 --> 00:26:32,879
Speaker 1: Sorry, Dan, she's got We're in the song already, Sorry,

542
00:26:32,880 --> 00:26:33,480
Speaker 1: twenty minutes.

543
00:26:33,520 --> 00:26:34,000
Speaker 3: Get to work.

544
00:26:34,119 --> 00:26:38,400
Speaker 2: Medina takes the air waves. Up next, three Madonna parodies

545
00:26:38,880 --> 00:26:41,640
Speaker 2: three minutes? Can she write them? I'm going to find

546
00:26:41,640 --> 00:26:41,920
Speaker 2: that out.

547
00:26:41,960 --> 00:26:47,200
Speaker 3: Next more Willen Woody Goodness. After this, it's the Women Woody.

548
00:26:46,960 --> 00:26:50,880
Speaker 2: Podcast, Devastating news This afternoon, guys, Ma, Donna is doing

549
00:26:50,880 --> 00:26:53,840
Speaker 2: a world to forty years since Holiday, which is epic,

550
00:26:54,320 --> 00:26:55,320
Speaker 2: But she's not coming to this.

551
00:26:56,720 --> 00:26:58,760
Speaker 3: I sort of still hold home And I said this

552
00:26:58,760 --> 00:26:59,520
Speaker 3: to you before the show.

553
00:26:59,680 --> 00:27:00,879
Speaker 2: What what's enticing her?

554
00:27:01,760 --> 00:27:02,240
Speaker 3: Well, I don't know.

555
00:27:02,359 --> 00:27:05,520
Speaker 2: But if you, if you Madonna's on the phone right now, yep,

556
00:27:05,680 --> 00:27:08,520
Speaker 2: you've called her. You go, Madonna, you're missing out in Australia.

557
00:27:08,880 --> 00:27:10,200
Speaker 2: Tell her why she should come here.

558
00:27:10,520 --> 00:27:14,760
Speaker 1: The beaches, Madonna, the zoos of your held have you

559
00:27:14,960 --> 00:27:17,040
Speaker 1: held kal zoos.

560
00:27:17,160 --> 00:27:18,080
Speaker 2: People, I wouldn't hit.

561
00:27:18,080 --> 00:27:20,000
Speaker 3: I wouldn't hit with the zoos, Yes, I would. They

562
00:27:20,040 --> 00:27:20,960
Speaker 3: love the animals here.

563
00:27:21,040 --> 00:27:23,800
Speaker 2: They don't like animals in captivity is not cool man.

564
00:27:23,720 --> 00:27:25,840
Speaker 1: No, but they will go to a go into the

565
00:27:25,840 --> 00:27:28,720
Speaker 1: bush and find a koala.

566
00:27:29,359 --> 00:27:33,639
Speaker 2: I mean you've got me. We're down there. We stop,

567
00:27:33,720 --> 00:27:36,959
Speaker 2: beach stop zoo, here we go.

568
00:27:37,160 --> 00:27:41,160
Speaker 3: Siara, who is that R and B artist? She loved

569
00:27:41,200 --> 00:27:46,760
Speaker 3: the koalas Ciara Miss Elliott.

570
00:27:48,960 --> 00:27:53,320
Speaker 1: Talking about she loves k okay.

571
00:27:53,520 --> 00:27:59,000
Speaker 2: Let's just get down, back down, and Madonna's to Australia. Zoos,

572
00:27:59,000 --> 00:28:02,040
Speaker 2: beaches and koala's yeah, all to one side. Fine, she's

573
00:28:02,040 --> 00:28:02,480
Speaker 2: not coming.

574
00:28:02,640 --> 00:28:04,040
Speaker 3: Sure, So to give you.

575
00:28:04,000 --> 00:28:06,000
Speaker 2: Guys a bit of Madonna, we're thrown to the Queen

576
00:28:06,040 --> 00:28:10,040
Speaker 2: of parodies, Dina. Yes, Medina returns to Will and Woody

577
00:28:10,080 --> 00:28:13,240
Speaker 2: with three Madonna parodies that she's written in three minutes

578
00:28:13,680 --> 00:28:16,680
Speaker 2: about Madonna not coming to Australia. It's an astounding feat.

579
00:28:16,760 --> 00:28:18,320
Speaker 2: Well is it? She's on the phone right now, Dina,

580
00:28:18,359 --> 00:28:24,760
Speaker 2: Welcome back, Gee Wes three minutes Dina, three Madonna songs

581
00:28:24,880 --> 00:28:27,840
Speaker 2: about Madonna not coming to Australia. How are you feeling, yep,

582
00:28:27,920 --> 00:28:30,560
Speaker 2: I feel good ye, confidence as all hell. Sounds like

583
00:28:30,600 --> 00:28:32,040
Speaker 2: she's got a customer to get back to. All right,

584
00:28:32,119 --> 00:28:34,840
Speaker 2: let's get let's do it, Dina. First one, We're ready

585
00:28:34,880 --> 00:28:36,880
Speaker 2: when you are? Okay, Okay, the first.

586
00:28:36,680 --> 00:28:38,840
Speaker 8: One, I'm really I'm really bummed out, guys that she's

587
00:28:38,880 --> 00:28:41,600
Speaker 8: not coming to Australia. So the first one is hung.

588
00:28:41,440 --> 00:28:48,200
Speaker 2: Up, oh clever, Oh yeah, yeah, yeah, yeah, great song

589
00:28:49,840 --> 00:28:51,000
Speaker 2: a Dinna take it away.

590
00:28:51,720 --> 00:28:56,000
Speaker 8: Okay, every little country that you play in sing I'm

591
00:28:56,080 --> 00:29:01,120
Speaker 8: bummed out. I can't move and swing waiting for your

592
00:29:01,200 --> 00:29:05,560
Speaker 8: tour girl near ang far and bummed out. I can't

593
00:29:05,560 --> 00:29:06,920
Speaker 8: see your pointy e bra.

594
00:29:07,440 --> 00:29:10,000
Speaker 2: She's the best one thing.

595
00:29:10,200 --> 00:29:17,880
Speaker 1: What the wine counted, Cora reference and everything.

596
00:29:18,280 --> 00:29:18,719
Speaker 7: Here we go.

597
00:29:18,840 --> 00:29:25,360
Speaker 2: Number two, DNA far away material material girl, Oh yep,

598
00:29:25,480 --> 00:29:28,080
Speaker 2: good one material.

599
00:29:28,680 --> 00:29:31,080
Speaker 8: She's no spring chicken anymore, saber, Let's go with her.

600
00:29:32,400 --> 00:29:36,720
Speaker 8: Madonna's going on too around the world, but she's not

601
00:29:37,600 --> 00:29:41,720
Speaker 8: a spring chicken girl. You know, she has a dodgy

602
00:29:41,760 --> 00:29:46,000
Speaker 8: hip and she's sixty four. I'll go on to I'll

603
00:29:46,040 --> 00:29:51,040
Speaker 8: be her girl, struggled with one.

604
00:29:54,320 --> 00:29:56,320
Speaker 1: At the end of that one was the chorus that

605
00:29:56,680 --> 00:29:59,040
Speaker 1: she's no longer a spring chicken girl.

606
00:30:01,200 --> 00:30:04,240
Speaker 3: Yeah, unbelievable. I think that's unbelievable.

607
00:30:04,760 --> 00:30:04,960
Speaker 8: Girl.

608
00:30:05,040 --> 00:30:13,680
Speaker 2: Yes, oh, some good ones that is out there? All right,

609
00:30:13,760 --> 00:30:17,480
Speaker 2: there we go vital one Dina, what song is it?

610
00:30:18,360 --> 00:30:22,600
Speaker 8: Okay, it's like a prayer. I'm truly trying to get

611
00:30:22,640 --> 00:30:24,960
Speaker 8: her on, praying that you do change her mind.

612
00:30:25,960 --> 00:30:26,160
Speaker 7: Yeah.

613
00:30:29,120 --> 00:30:34,440
Speaker 2: Yeah, one of the all time bangers. That one, all right, Dina,

614
00:30:34,520 --> 00:30:36,720
Speaker 2: Geez is one of my favorite songs. You better do it.

615
00:30:36,920 --> 00:30:40,120
Speaker 2: Justice Madonna's not coming to Australia, Dina.

616
00:30:39,840 --> 00:30:43,680
Speaker 8: Take away because it's my favorite too. So okay, when

617
00:30:43,720 --> 00:30:49,640
Speaker 8: you called me name, it's pronounced go Madonna. Please one

618
00:30:49,760 --> 00:30:53,520
Speaker 8: to sing your songs. I would stand front row and

619
00:30:53,680 --> 00:30:57,800
Speaker 8: make you look real good. Just come to Australia. I'll

620
00:30:58,000 --> 00:31:01,080
Speaker 8: buy you some songs, me some songs.

621
00:31:04,040 --> 00:31:10,880
Speaker 2: Long even helped me.

622
00:31:11,600 --> 00:31:16,680
Speaker 1: Oh wow, that's the fisher Manna, come to Australia.

623
00:31:17,320 --> 00:31:23,840
Speaker 2: We'll buy you some thongs, Dina. Yeah. If the benches

624
00:31:23,880 --> 00:31:26,080
Speaker 2: and the koalas won't get to hear the thongs will,

625
00:31:26,120 --> 00:31:29,600
Speaker 2: there's no doubt about it. Thanks for joining us, Tina, Hey,

626
00:31:29,640 --> 00:31:31,920
Speaker 2: double double pass to go to Holts Dinu. We love

627
00:31:32,000 --> 00:31:35,760
Speaker 2: yeah Holts Extreme screen double pass. Yes, Medina, She's the best,

628
00:31:36,560 --> 00:31:39,040
Speaker 2: always great to hear your voice, mate, get back to

629
00:31:39,080 --> 00:31:42,920
Speaker 2: the banking or whatever you normally do with your Now

630
00:31:43,240 --> 00:31:45,480
Speaker 2: it's a woman. Would I have asked people to call

631
00:31:45,840 --> 00:31:48,520
Speaker 2: if you think you're driving the fastest car on the

632
00:31:48,600 --> 00:31:50,040
Speaker 2: road right now in Australia.

633
00:31:50,200 --> 00:31:52,280
Speaker 1: Yeah, we don't condone speeding, of course, but if your

634
00:31:52,320 --> 00:31:54,720
Speaker 1: car is capable, yes, it's got the specs.

635
00:31:54,800 --> 00:31:58,200
Speaker 2: Yeah yeah, so thirty one six five that If that's you, now,

636
00:31:58,200 --> 00:31:59,880
Speaker 2: you've got to got to prove it to us, obviously

637
00:32:00,080 --> 00:32:03,600
Speaker 2: by driving it like a maniac. Just tell us why, like,

638
00:32:03,760 --> 00:32:06,280
Speaker 2: tell us exactly how, and I will explain why we're

639
00:32:06,320 --> 00:32:09,640
Speaker 2: doing this in a second. Bear with me, Jamie, Why

640
00:32:09,720 --> 00:32:11,720
Speaker 2: is your car the fastest on the road right now?

641
00:32:12,200 --> 00:32:12,800
Speaker 3: Talks about you?

642
00:32:13,040 --> 00:32:19,920
Speaker 5: Because because I'm driving it, obviously, I'm got me Selfie

643
00:32:20,720 --> 00:32:27,160
Speaker 5: the f S S twenty the FSS red line supercharged

644
00:32:30,400 --> 00:32:33,600
Speaker 5: and producing about eight hundred horse power.

645
00:32:33,880 --> 00:32:37,320
Speaker 2: Wow, Jamie, great stuff, mate, Jamie stown the line that

646
00:32:37,360 --> 00:32:39,600
Speaker 2: sounds like a bloody fast car. Jamie is down the line.

647
00:32:39,600 --> 00:32:41,360
Speaker 1: It's a lot of f I will be what the

648
00:32:41,440 --> 00:32:46,560
Speaker 1: f F frageous?

649
00:32:47,280 --> 00:32:50,120
Speaker 2: That was outrageous? What did you say? Red line? I

650
00:32:50,160 --> 00:32:52,520
Speaker 2: just love all the terminology here, go straight off my head.

651
00:32:52,640 --> 00:32:54,880
Speaker 2: All right, stay please stay with me everyn There's a

652
00:32:54,880 --> 00:32:57,240
Speaker 2: reason why I'm asking if you think you've got the

653
00:32:57,240 --> 00:33:00,320
Speaker 2: fastest car on the road. It's attracted some real care actors.

654
00:33:00,360 --> 00:33:03,400
Speaker 2: This question has expected. Eddie, what's your car like?

655
00:33:04,720 --> 00:33:07,680
Speaker 8: Oh, yes, I need some Pulsa ninety three models, it's

656
00:33:07,680 --> 00:33:09,680
Speaker 8: thirty his old down locket.

657
00:33:10,080 --> 00:33:12,840
Speaker 3: Yeah, great, thisss and pulsa.

658
00:33:14,000 --> 00:33:14,160
Speaker 7: Yeah.

659
00:33:14,200 --> 00:33:20,560
Speaker 2: I think so that's not that quick. What's what's zero

660
00:33:20,640 --> 00:33:21,600
Speaker 2: to one hundred.

661
00:33:21,240 --> 00:33:24,160
Speaker 9: And Eddie, you know, as I say, it's not the

662
00:33:24,680 --> 00:33:25,400
Speaker 9: it's not the car.

663
00:33:25,720 --> 00:33:27,520
Speaker 4: The driver behind the wheel that makes it.

664
00:33:28,160 --> 00:33:31,640
Speaker 2: That's funnily enough, Jamie said the same thing with the flogs.

665
00:33:31,640 --> 00:33:35,560
Speaker 2: They're like months to a flame on this one. Mario Cardi, you.

666
00:33:35,600 --> 00:33:41,440
Speaker 4: Drive, hey guys, BMW yeah, M five competition six hundred

667
00:33:41,440 --> 00:33:44,960
Speaker 4: and fifty horsepits or we will drive and it runs here

668
00:33:44,960 --> 00:33:47,200
Speaker 4: one hundred and three seconds.

669
00:33:46,720 --> 00:33:51,880
Speaker 2: Wow on the roads and pretty flashy, the fastest. But

670
00:33:52,000 --> 00:33:52,840
Speaker 2: it could be out there.

671
00:33:52,880 --> 00:33:55,320
Speaker 3: It could be out there, Mario competition quality.

672
00:33:55,360 --> 00:33:57,680
Speaker 2: Now we've got a whole host of other blokes who

673
00:33:57,680 --> 00:33:59,920
Speaker 2: have called the show who think they've got the fastest

674
00:34:00,040 --> 00:34:02,280
Speaker 2: are on the road. If I can get Jamie and

675
00:34:02,360 --> 00:34:04,880
Speaker 2: Eddie on as well. Guys, the reason I've asked you

676
00:34:04,920 --> 00:34:08,719
Speaker 2: to call is because a new study conducted by the

677
00:34:08,840 --> 00:34:12,200
Speaker 2: University College in London and confirmed that men who buy

678
00:34:12,320 --> 00:34:30,200
Speaker 2: fancy sports cars have small penises.

679
00:34:30,400 --> 00:34:32,680
Speaker 3: What's very exciting news.

680
00:34:32,760 --> 00:34:37,080
Speaker 1: It sounds like all nipples are going to be free

681
00:34:37,160 --> 00:34:44,120
Speaker 1: on social media.

682
00:34:44,239 --> 00:34:47,799
Speaker 2: So is this just effectively turning Instagram into softcore porn?

683
00:34:48,520 --> 00:34:54,319
Speaker 1: William so immature? Come on, get a bit progressive, friend,

684
00:34:54,400 --> 00:34:55,200
Speaker 1: I'm not man.

685
00:34:55,800 --> 00:34:59,080
Speaker 2: But like, really no, it's not. But do any think

686
00:34:59,080 --> 00:35:02,880
Speaker 2: there's just gonna be people just garner hundreds of thousands

687
00:35:02,960 --> 00:35:05,360
Speaker 2: of millions of followers for posting photos of their breasts.

688
00:35:05,920 --> 00:35:08,040
Speaker 3: Maybe, but that's totally up to them. It's their choice.

689
00:35:09,320 --> 00:35:13,280
Speaker 2: So basically stopping Instagram from effectively just becoming self core porn.

690
00:35:14,160 --> 00:35:16,080
Speaker 3: Well, I don't post myself naked.

691
00:35:16,120 --> 00:35:20,160
Speaker 1: I choose to post photos of gee, I don't know myself,

692
00:35:20,880 --> 00:35:22,000
Speaker 1: Oh great dancing?

693
00:35:22,160 --> 00:35:24,560
Speaker 2: Much more like, much more likely to click on that

694
00:35:24,560 --> 00:35:25,040
Speaker 2: than a very.

695
00:35:25,440 --> 00:35:27,680
Speaker 3: Belong there follow me if you're.

696
00:35:29,120 --> 00:35:29,239
Speaker 4: No.

697
00:35:29,320 --> 00:35:32,920
Speaker 1: So basically meta, which is Facebook and Instagram have been

698
00:35:32,960 --> 00:35:38,359
Speaker 1: given sixty days to allow female nipples going on their

699
00:35:38,400 --> 00:35:41,920
Speaker 1: platforms because this current policy or a new policy has

700
00:35:41,960 --> 00:35:45,919
Speaker 1: found that it's actually discriminatory to stop females from showing

701
00:35:45,960 --> 00:35:48,480
Speaker 1: their nipples, like having different rules for men and women there,

702
00:35:48,520 --> 00:35:49,879
Speaker 1: which is totally totally wild.

703
00:35:50,800 --> 00:35:53,560
Speaker 2: But it just who's who said that. It's like a

704
00:35:53,680 --> 00:35:55,240
Speaker 2: it's like a court or something.

705
00:35:55,120 --> 00:35:58,160
Speaker 3: That's given metas oversight board.

706
00:35:58,360 --> 00:36:01,200
Speaker 2: Oh right, it's internal. Yeah yeah, yeah, sounds like a

707
00:36:01,239 --> 00:36:01,880
Speaker 2: PR stunt.

708
00:36:02,320 --> 00:36:03,959
Speaker 3: Oh William, look at you.

709
00:36:04,160 --> 00:36:05,640
Speaker 2: I mean we're talking about it, aren't we.

710
00:36:06,320 --> 00:36:08,719
Speaker 3: Blood that's good stuff, Well done, Zuckerberg.

711
00:36:09,200 --> 00:36:12,640
Speaker 1: But it did make me think, Wilbert about my partner

712
00:36:13,280 --> 00:36:17,400
Speaker 1: and breastfeeding in public, and it's been it's been a

713
00:36:17,400 --> 00:36:20,560
Speaker 1: really interesting journey that I personally have gone through because

714
00:36:20,840 --> 00:36:22,680
Speaker 1: I've actually got my partner, Mim, on the phone right

715
00:36:22,680 --> 00:36:23,120
Speaker 1: now as well.

716
00:36:23,120 --> 00:36:25,439
Speaker 9: Hello, Mim, Caddy boys, good to be back.

717
00:36:26,400 --> 00:36:27,600
Speaker 3: We love having you on, Mim.

718
00:36:28,960 --> 00:36:31,239
Speaker 2: Great to have you back, especially after last time.

719
00:36:31,239 --> 00:36:34,960
Speaker 9: I feel like we you know, it's always nice being back.

720
00:36:35,719 --> 00:36:37,640
Speaker 2: Last we used to shut up and you played audio

721
00:36:37,719 --> 00:36:41,320
Speaker 2: of her on her that's totally fair enough, and now we're.

722
00:36:41,200 --> 00:36:43,280
Speaker 9: Talking about what they want me back again.

723
00:36:43,840 --> 00:36:46,799
Speaker 1: Of course, of course talking about breastfeeding in public as well.

724
00:36:46,880 --> 00:36:50,120
Speaker 1: A real hobby horse of yours men. But I was

725
00:36:50,120 --> 00:36:52,000
Speaker 1: I was saying the team before. I actually felt a

726
00:36:52,000 --> 00:36:54,960
Speaker 1: bit I'm been embarrassed to admit that the first time

727
00:36:55,080 --> 00:36:58,839
Speaker 1: you breastfeed in public, I feel like I got a

728
00:36:58,840 --> 00:37:02,360
Speaker 1: bit weird there, like I got protective almost like I

729
00:37:02,360 --> 00:37:04,160
Speaker 1: almost sat next to you. I reckon mim like a

730
00:37:04,200 --> 00:37:06,120
Speaker 1: mere cat looking for anyone.

731
00:37:07,239 --> 00:37:08,239
Speaker 3: I remember in the.

732
00:37:08,160 --> 00:37:10,879
Speaker 2: Past, in the bar or anything you're in a park.

733
00:37:10,920 --> 00:37:12,800
Speaker 1: We were in a part and I don't know why

734
00:37:12,880 --> 00:37:14,440
Speaker 1: I had this emotional reaction, but it was like, I

735
00:37:14,480 --> 00:37:17,439
Speaker 1: don't want anyone to see your boobs, so I yeah,

736
00:37:17,480 --> 00:37:18,000
Speaker 1: like again I was.

737
00:37:18,160 --> 00:37:20,200
Speaker 3: I was like a sentinel on watch to make sure

738
00:37:20,280 --> 00:37:21,000
Speaker 3: no one could see.

739
00:37:21,040 --> 00:37:24,200
Speaker 1: And it was just ridiculous because I know, well, it's

740
00:37:24,200 --> 00:37:27,359
Speaker 1: just a shame that I viewed your breasts, mim, as

741
00:37:27,400 --> 00:37:30,920
Speaker 1: this sexual thing that shouldn't be seen, whereas they're actually

742
00:37:31,000 --> 00:37:35,600
Speaker 1: providing life to my child, and I just needed to Yeah.

743
00:37:36,239 --> 00:37:40,759
Speaker 9: Before before having the baby, I would look at it like, oh, no, well,

744
00:37:40,800 --> 00:37:42,200
Speaker 9: you know, when I have a baby, I'm feeding like

745
00:37:42,280 --> 00:37:43,640
Speaker 9: the child. You know, of course I'm going to get

746
00:37:43,640 --> 00:37:45,360
Speaker 9: my boobs out in public and be able to feed

747
00:37:45,400 --> 00:37:47,799
Speaker 9: the child, like that's what I need to do. And

748
00:37:47,840 --> 00:37:49,279
Speaker 9: in the minute you do have a baby and you're

749
00:37:49,280 --> 00:37:51,799
Speaker 9: out in public and you're getting your boobs out, which

750
00:37:51,800 --> 00:37:54,080
Speaker 9: are known to be these things that are you know,

751
00:37:55,120 --> 00:37:57,960
Speaker 9: not to feed the child more fun activity, you know.

752
00:37:58,920 --> 00:38:00,680
Speaker 9: Then all of a sudd and you're in public and

753
00:38:00,719 --> 00:38:02,600
Speaker 9: it's like, okay, get them out and do your thing.

754
00:38:02,719 --> 00:38:05,000
Speaker 9: And you're doing you're trying to hide them, more so

755
00:38:05,280 --> 00:38:08,799
Speaker 9: for other people than yourself, because you're uncomfortable with how

756
00:38:08,960 --> 00:38:10,839
Speaker 9: you're making other people feel uncomfortable.

757
00:38:11,040 --> 00:38:14,160
Speaker 1: Where's the hardest place now for you to get the

758
00:38:14,200 --> 00:38:15,280
Speaker 1: boobs out and breastfeed?

759
00:38:15,880 --> 00:38:19,000
Speaker 9: I reckon it's in front of friends more so than strangers.

760
00:38:19,280 --> 00:38:21,680
Speaker 9: In front of friends, you can tell that they're trying

761
00:38:21,719 --> 00:38:23,799
Speaker 9: to look away and you don't know where to look.

762
00:38:23,840 --> 00:38:25,440
Speaker 9: You're like, oh, there's a boob in front of me.

763
00:38:25,480 --> 00:38:27,799
Speaker 9: You naturally are drawn to them. Yeah, and then who

764
00:38:27,840 --> 00:38:28,399
Speaker 9: wouldn't be.

765
00:38:29,480 --> 00:38:31,600
Speaker 3: That's enough of that what you're talking about your breast?

766
00:38:32,040 --> 00:38:34,640
Speaker 1: Can I ask you actually about the incident which happened?

767
00:38:34,840 --> 00:38:37,200
Speaker 1: So we went over a mom and dad's house and

768
00:38:38,120 --> 00:38:40,799
Speaker 1: Dad was caught in a conversation with mim and then

769
00:38:40,920 --> 00:38:43,000
Speaker 1: mim you just you started breastfeeding.

770
00:38:43,719 --> 00:38:44,839
Speaker 3: How did dad go there?

771
00:38:44,840 --> 00:38:46,799
Speaker 1: Because I was watching Dad and it felt like he

772
00:38:46,880 --> 00:38:49,920
Speaker 1: started sweating because he was trying so hard to maintain

773
00:38:50,360 --> 00:38:51,360
Speaker 1: eye contact with you.

774
00:38:51,440 --> 00:38:52,839
Speaker 2: How did he go I.

775
00:38:52,800 --> 00:38:54,480
Speaker 9: Mean between your dad and mine dad.

776
00:38:54,480 --> 00:38:54,800
Speaker 2: I feel it.

777
00:38:54,800 --> 00:38:57,280
Speaker 9: There's been that many times where everyone's sort of sweating

778
00:38:57,280 --> 00:39:01,200
Speaker 9: profusely and they're trying to look away and directions. It's

779
00:39:01,640 --> 00:39:02,200
Speaker 9: it's hard.

780
00:39:03,200 --> 00:39:03,680
Speaker 2: It is hard.

781
00:39:03,719 --> 00:39:05,240
Speaker 3: You're doing a bloody good job, though, min.

782
00:39:05,320 --> 00:39:07,160
Speaker 2: Heyman, can I ask you? It's part of the reason

783
00:39:07,200 --> 00:39:09,680
Speaker 2: that you've, you know, sort of had to cover them

784
00:39:09,760 --> 00:39:12,200
Speaker 2: up a little bit, and you're being wary of covering

785
00:39:12,200 --> 00:39:15,520
Speaker 2: them up is because early on, when you were expressing colostrum,

786
00:39:15,560 --> 00:39:17,480
Speaker 2: what he was renowned for, diving in and drinking it

787
00:39:17,520 --> 00:39:19,680
Speaker 2: out of your nipple before you could catch it yourself.

788
00:39:20,200 --> 00:39:22,080
Speaker 9: That instand I mean the time that he came home

789
00:39:22,200 --> 00:39:24,759
Speaker 9: a little bit tipsy and wanted to be okay in

790
00:39:24,800 --> 00:39:27,560
Speaker 9: the morning. You just dove on in there and went

791
00:39:27,640 --> 00:39:29,960
Speaker 9: in pretty hard, and it's quite confronting sometimes.

792
00:39:30,000 --> 00:39:32,399
Speaker 1: Yeah, last night, I was devastated that you were wearing

793
00:39:32,400 --> 00:39:34,640
Speaker 1: a singlet because we had a few drinks last night

794
00:39:34,680 --> 00:39:38,520
Speaker 1: willing and it's actually an incredible hangover cure. But you

795
00:39:38,640 --> 00:39:40,080
Speaker 1: felt this and I dive in there and you were

796
00:39:40,080 --> 00:39:42,440
Speaker 1: wearing a singlet. Were you wearing a singlet because you

797
00:39:42,520 --> 00:39:43,960
Speaker 1: knew I was going to be going for it.

798
00:39:44,480 --> 00:39:45,880
Speaker 9: I knew it. I knew it. Then I found him

799
00:39:45,880 --> 00:39:48,000
Speaker 9: in the freezer later trying to just frost milk.

800
00:39:48,120 --> 00:39:51,920
Speaker 4: I mean, that did a whole.

801
00:39:51,760 --> 00:39:53,839
Speaker 2: Other kettle of fish. Thanks for Johnny as vip