1 00:00:01,080 --> 00:00:04,280 Speaker 1: Dowered by the High Harve Radio WAPP from ninety six 2 00:00:04,320 --> 00:00:08,400 Speaker 1: AIRVM to where Fever You're listening today, This is Clearzy 3 00:00:08,640 --> 00:00:11,440 Speaker 1: Lisa's podcast Coming up on the podcast, it was a 4 00:00:11,480 --> 00:00:15,440 Speaker 1: homecoming for Perth Claire Hooper with her new show for Fringe, Sweet. 5 00:00:15,240 --> 00:00:18,520 Speaker 2: Charity Now the Fringe Show. Sylvia Korns talks about if 6 00:00:18,560 --> 00:00:21,280 Speaker 2: It Be Your Will, the tribute to Leonard Cohen, and 7 00:00:21,360 --> 00:00:22,920 Speaker 2: she sings. 8 00:00:22,320 --> 00:00:24,599 Speaker 1: And we asked the question what's your key to happiness? 9 00:00:25,320 --> 00:00:28,640 Speaker 2: The old question you know, what buys your happiness? And 10 00:00:28,680 --> 00:00:31,800 Speaker 2: the old allegation that money doesn't make you happy. I've 11 00:00:31,800 --> 00:00:34,479 Speaker 2: always disagreed with this. By the way, a Harvard professor 12 00:00:34,520 --> 00:00:37,320 Speaker 2: has explained why winning twenty million dollars in the lottery 13 00:00:37,360 --> 00:00:41,479 Speaker 2: won't make you happy in the long run. He says 14 00:00:41,680 --> 00:00:44,720 Speaker 2: that discovering if this is doctor Sanjeev Chopra, he's a 15 00:00:44,720 --> 00:00:48,920 Speaker 2: professor of medicine at Harvard Medical School. He says, after 16 00:00:49,120 --> 00:00:51,199 Speaker 2: you know, discovering that you've won twenty million on the 17 00:00:51,200 --> 00:00:54,720 Speaker 2: lottery would surely make any sane person on this planet jubilant, 18 00:00:55,040 --> 00:00:58,120 Speaker 2: But it's not the case, he said. Research has found 19 00:00:58,120 --> 00:01:01,000 Speaker 2: that a lot of people that win the lottery after 20 00:01:01,040 --> 00:01:03,840 Speaker 2: a year are back to their baseline. Okay, that's not 21 00:01:03,840 --> 00:01:07,160 Speaker 2: about happiness. That's about bad money management. He says. They 22 00:01:07,200 --> 00:01:09,520 Speaker 2: might have bought a big house, a big mansion, a 23 00:01:09,520 --> 00:01:12,480 Speaker 2: new car, but some of them just fritted it away 24 00:01:12,640 --> 00:01:14,000 Speaker 2: gambling and that sort of thing. 25 00:01:14,120 --> 00:01:16,560 Speaker 1: Okay, that's their problem. Their decisions, bad decisions. 26 00:01:16,600 --> 00:01:20,440 Speaker 2: Okay, he says. The key, the number one key to 27 00:01:20,560 --> 00:01:25,200 Speaker 2: happiness is friends, followed by gratitude. Well, I'll tell you 28 00:01:25,200 --> 00:01:27,919 Speaker 2: this much, Professor Chopper. If I want twenty million dollars 29 00:01:28,000 --> 00:01:30,680 Speaker 2: in on the lottery, I'd be damn Grateful'd be pretty, 30 00:01:30,800 --> 00:01:32,280 Speaker 2: and I'd probably have a few new friends. 31 00:01:33,120 --> 00:01:34,120 Speaker 1: Gratitude. 32 00:01:34,160 --> 00:01:37,039 Speaker 2: This is the thing about these kinds of statements. You know, 33 00:01:37,080 --> 00:01:39,680 Speaker 2: you always hear people say money doesn't buy your happiness 34 00:01:39,800 --> 00:01:42,560 Speaker 2: because they're thinking about the things that you buy with money, 35 00:01:42,600 --> 00:01:44,520 Speaker 2: the big screen TV, the match in the car, the 36 00:01:44,520 --> 00:01:48,880 Speaker 2: security money. Money allows you to sleep through the night 37 00:01:48,960 --> 00:01:51,840 Speaker 2: with no stress because you're never worried about paying your 38 00:01:51,840 --> 00:01:53,680 Speaker 2: rent or your mortgage going to. 39 00:01:53,600 --> 00:01:55,640 Speaker 1: Start in the morning and you go, oh, how much 40 00:01:55,680 --> 00:01:56,320 Speaker 1: is it going to cost me? 41 00:01:56,840 --> 00:02:01,200 Speaker 2: Exactly? Now, that is happiness. If that buy you happiness, 42 00:02:01,640 --> 00:02:05,080 Speaker 2: then I don't know what's going to It's not about 43 00:02:05,080 --> 00:02:06,160 Speaker 2: the material things you're doing. 44 00:02:06,160 --> 00:02:06,200 Speaker 3: It. 45 00:02:06,280 --> 00:02:09,120 Speaker 2: It's the freedom. It's the freedom to be able to say, 46 00:02:09,280 --> 00:02:11,320 Speaker 2: go study philosophy or something which is never going to 47 00:02:11,360 --> 00:02:13,079 Speaker 2: get you a job, but you know you might want 48 00:02:13,080 --> 00:02:13,760 Speaker 2: to do it for fun. 49 00:02:13,840 --> 00:02:15,640 Speaker 1: I also had someone so I'm pretty sure it was 50 00:02:15,680 --> 00:02:17,440 Speaker 1: Billy Joel said once he goes, you know, people talk 51 00:02:17,440 --> 00:02:19,760 Speaker 1: about happiness and they think about this euphoric happiness all 52 00:02:19,760 --> 00:02:21,120 Speaker 1: the time. And he says, it's not about that because 53 00:02:21,120 --> 00:02:22,880 Speaker 1: that can't last. It's about contentment. 54 00:02:22,960 --> 00:02:25,320 Speaker 2: It's long term contentment, absolutely, And. 55 00:02:25,240 --> 00:02:27,080 Speaker 1: Then on another stage it was David Lee Roth saying 56 00:02:27,080 --> 00:02:28,720 Speaker 1: money can't buy your happiness, but it buys you a 57 00:02:28,760 --> 00:02:31,440 Speaker 1: really cool big yacht to sail up right alongside happiness. 58 00:02:31,480 --> 00:02:35,840 Speaker 2: And also a very good lawyer. So you know, yeah, 59 00:02:35,880 --> 00:02:41,359 Speaker 2: I'm free, Steve, And what's yours? It's a choice. 60 00:02:41,800 --> 00:02:45,360 Speaker 4: And often just make sure you enjoy every day. 61 00:02:45,000 --> 00:02:47,720 Speaker 1: Yes, okay, mining every day for joy, Steve. 62 00:02:47,919 --> 00:02:51,720 Speaker 5: That you may wake up small and get on the 63 00:02:51,720 --> 00:02:52,320 Speaker 5: horse and. 64 00:02:53,800 --> 00:02:55,919 Speaker 2: I hope you can get off at the end of 65 00:02:55,960 --> 00:02:59,919 Speaker 2: the day. That's yeah, that'll that'll make you happy. Thank you, Steve. 66 00:03:00,040 --> 00:03:02,440 Speaker 1: Next day you have good day. 67 00:03:02,760 --> 00:03:05,400 Speaker 2: Marina and heathridch what's your key to happiness? 68 00:03:07,600 --> 00:03:13,840 Speaker 5: You're going yeah, I see you guys so well and 69 00:03:14,120 --> 00:03:18,120 Speaker 5: talking about the wellness and happiness. Uh, Like I already 70 00:03:18,200 --> 00:03:22,280 Speaker 5: mentioned that. My grandma was always signing me, be healthy 71 00:03:22,360 --> 00:03:23,680 Speaker 5: and you will be happy. 72 00:03:24,080 --> 00:03:25,760 Speaker 1: Yeah, healthy and happy. Look after your health. 73 00:03:26,880 --> 00:03:27,760 Speaker 3: Yeah, and. 74 00:03:29,760 --> 00:03:35,560 Speaker 5: As long as your loved ones and yourself healthy, you're 75 00:03:35,600 --> 00:03:37,160 Speaker 5: going to be very, very happy. 76 00:03:38,120 --> 00:03:43,240 Speaker 2: Sounds like yeah, good advice grandma, Adam, sounds like good 77 00:03:43,240 --> 00:03:44,280 Speaker 2: advice from Grandma. 78 00:03:45,640 --> 00:03:51,480 Speaker 5: Yeah, because of myself now, yeah, the wisdom of the. 79 00:03:54,480 --> 00:03:55,320 Speaker 1: Wisdom damn right. 80 00:03:55,440 --> 00:03:59,280 Speaker 2: Well then, my grand last favorite piece of advice was 81 00:03:59,360 --> 00:04:02,440 Speaker 2: keep yourself now, keep yourself nice, and I'm happy to 82 00:04:02,480 --> 00:04:06,280 Speaker 2: say I always have. Also, remember you're out. 83 00:04:06,400 --> 00:04:07,920 Speaker 1: She the one who said, good luckly that Matthews. 84 00:04:08,200 --> 00:04:08,720 Speaker 2: That was my man. 85 00:04:08,840 --> 00:04:09,240 Speaker 3: That was not. 86 00:04:12,200 --> 00:04:17,920 Speaker 2: Yes Joanne in Mayland's what do you think is the 87 00:04:18,000 --> 00:04:19,160 Speaker 2: key to happiness? 88 00:04:19,839 --> 00:04:22,000 Speaker 4: Okay, I think it's having a distraction? 89 00:04:22,160 --> 00:04:22,320 Speaker 5: Now. 90 00:04:22,400 --> 00:04:25,640 Speaker 4: My favorite one is talking taking my doggies for a 91 00:04:25,720 --> 00:04:29,320 Speaker 4: walk in the morning. They give me a good los, 92 00:04:29,480 --> 00:04:33,000 Speaker 4: I get a bit of exercise, and then I can people, are. 93 00:04:32,839 --> 00:04:33,880 Speaker 2: You doing it right now? 94 00:04:34,720 --> 00:04:35,680 Speaker 6: I actually. 95 00:04:37,000 --> 00:04:41,680 Speaker 4: Talking? Else is just walking the dogs, honestly, can hear 96 00:04:42,440 --> 00:04:44,400 Speaker 4: in the background and with the. 97 00:04:44,400 --> 00:04:46,400 Speaker 1: Dogs, but actually breathing, Joanne is also a good thing. 98 00:04:48,279 --> 00:04:51,080 Speaker 2: I like that walking the dogs gives me the strength 99 00:04:51,160 --> 00:04:52,040 Speaker 2: to people. 100 00:04:55,200 --> 00:04:56,400 Speaker 1: The distraction from the rubbish. 101 00:04:56,480 --> 00:04:59,360 Speaker 2: Well done, Joe, thanks to thank you bye. 102 00:04:59,480 --> 00:05:02,400 Speaker 1: I like that having the distraction, Gina and two rocks. 103 00:05:02,440 --> 00:05:05,880 Speaker 2: What's your key to happiness? Good morning morning, Gina. 104 00:05:06,680 --> 00:05:10,839 Speaker 6: I think it is being that positive, half full person. 105 00:05:11,440 --> 00:05:13,359 Speaker 6: I believe you've got a little bit of happy in 106 00:05:13,440 --> 00:05:19,040 Speaker 6: you already, and you're positive, and you find the positive 107 00:05:19,080 --> 00:05:22,359 Speaker 6: and everything you can see and twist it around. It 108 00:05:22,520 --> 00:05:23,400 Speaker 6: just makes you that. 109 00:05:23,400 --> 00:05:24,280 Speaker 2: Little bit of happy. 110 00:05:24,400 --> 00:05:28,919 Speaker 6: My license plate says smile small, and I think you 111 00:05:29,080 --> 00:05:29,719 Speaker 6: just get. 112 00:05:29,560 --> 00:05:30,080 Speaker 4: In the car. 113 00:05:30,279 --> 00:05:32,560 Speaker 6: You have that little bit of happiness and make it 114 00:05:32,640 --> 00:05:34,240 Speaker 6: till you make it stays with you. 115 00:05:34,000 --> 00:05:35,799 Speaker 1: A glass half full kind of person, Gina. 116 00:05:36,440 --> 00:05:38,680 Speaker 6: Always all the way hand you. 117 00:05:38,880 --> 00:05:40,800 Speaker 2: Act happy, be happy. 118 00:05:40,480 --> 00:05:41,240 Speaker 6: I think so. 119 00:05:41,279 --> 00:05:42,360 Speaker 5: I think that's the key. 120 00:05:42,520 --> 00:05:43,600 Speaker 4: A little bit of money. 121 00:05:43,560 --> 00:05:46,679 Speaker 1: Helps, certainly, you don't need the stress. 122 00:05:46,760 --> 00:05:50,920 Speaker 2: Yeah, thanks Gina, thank you. Yeah. Sometimes things are a 123 00:05:50,960 --> 00:05:53,440 Speaker 2: conscious decision. It doesn't just happen. 124 00:05:53,560 --> 00:05:54,520 Speaker 1: Ye, you get the choice of it. 125 00:05:54,520 --> 00:05:55,960 Speaker 2: So I'm going to be happy and I'm not going 126 00:05:55,960 --> 00:05:57,800 Speaker 2: to sweat all the you know, rubbish. 127 00:05:57,440 --> 00:05:58,960 Speaker 1: Sweat the small and it's often the small stuff. We 128 00:05:59,000 --> 00:06:02,680 Speaker 1: sweat the ridiculous things. Absolutely, sometimes you just need to reality. 129 00:06:02,360 --> 00:06:04,599 Speaker 2: Until something big happens and then you realize what you. 130 00:06:05,000 --> 00:06:06,120 Speaker 1: See what other people are going through. 131 00:06:07,600 --> 00:06:10,320 Speaker 2: Yes, Christy in Westminster, Hello. 132 00:06:10,160 --> 00:06:12,479 Speaker 7: Hey Christy, Hello, Hey you do guys good? 133 00:06:12,560 --> 00:06:16,839 Speaker 2: What do you think is the key to happiness? Alone time? 134 00:06:17,400 --> 00:06:19,159 Speaker 8: Given five minutes a day? 135 00:06:19,560 --> 00:06:23,560 Speaker 4: Yes, give me my piece and then I'll always be happy. 136 00:06:23,720 --> 00:06:28,240 Speaker 2: I'm just going to have a little bit of time alone, 137 00:06:28,880 --> 00:06:34,000 Speaker 2: maybe ten alone time for the soul. Totally. It really 138 00:06:34,120 --> 00:06:35,000 Speaker 2: is important. 139 00:06:35,040 --> 00:06:36,719 Speaker 1: Do you know how many parents are shaking their heads 140 00:06:36,720 --> 00:06:39,240 Speaker 1: in agreement this week? Take the school this week, Christine, 141 00:06:39,320 --> 00:06:39,880 Speaker 1: right there. 142 00:06:40,120 --> 00:06:43,120 Speaker 4: I know how much celebration. Give me another hour and 143 00:06:43,160 --> 00:06:47,919 Speaker 4: I'll be drine my youngest to school. I will be happy. 144 00:06:48,120 --> 00:06:50,400 Speaker 2: These parents that can't wait to just go to the toilet, 145 00:06:50,480 --> 00:06:52,480 Speaker 2: to close the door and have it. Yeah, but still 146 00:06:53,080 --> 00:06:55,400 Speaker 2: my mom on the other side, I a cat. Now 147 00:06:55,520 --> 00:06:56,279 Speaker 2: I've got a kitten. 148 00:06:57,560 --> 00:07:01,400 Speaker 7: Yeah, oh my god, I can't even pee without the cat. 149 00:07:01,760 --> 00:07:03,320 Speaker 1: I want to come in. I want to scratch the 150 00:07:03,360 --> 00:07:05,200 Speaker 1: door or come in and spook your ankles. 151 00:07:05,440 --> 00:07:05,760 Speaker 5: My kid. 152 00:07:05,839 --> 00:07:06,679 Speaker 2: Not alone time. 153 00:07:06,520 --> 00:07:11,920 Speaker 1: Though, a bit of solitary time. 154 00:07:13,160 --> 00:07:14,000 Speaker 2: Thanks Christie. 155 00:07:14,640 --> 00:07:16,200 Speaker 4: Thanks guys, have a great day you too. 156 00:07:16,880 --> 00:07:20,320 Speaker 2: Thanks some good calls coming in alone time for your health. Absolute, 157 00:07:21,160 --> 00:07:23,240 Speaker 2: there's lots of keys to happiness. Thank you for all 158 00:07:23,280 --> 00:07:28,840 Speaker 2: your calls. This morning, More Lore Lisa More podcast Soon 159 00:07:32,040 --> 00:07:34,360 Speaker 2: If It Be Your Will, a tribute to Leonard Cohen, 160 00:07:34,440 --> 00:07:36,680 Speaker 2: is on at the Jones Way Theater. There are only 161 00:07:36,760 --> 00:07:39,120 Speaker 2: tickets left for this Friday show and you can get 162 00:07:39,160 --> 00:07:42,600 Speaker 2: those through fringeworld dot com dot au. From the show, 163 00:07:42,680 --> 00:07:47,280 Speaker 2: joining us May and Sylvia Corns, good morning, Good morning. Now. 164 00:07:47,320 --> 00:07:50,240 Speaker 2: I've said many times, haven't I clary, that I think 165 00:07:50,280 --> 00:07:52,880 Speaker 2: the closest thing I've ever had to a religious experience 166 00:07:52,920 --> 00:07:56,040 Speaker 2: with seeing Leonard Cohen live in concert. When did you 167 00:07:56,200 --> 00:07:57,680 Speaker 2: fall in love with Leonard Cohen? 168 00:07:58,200 --> 00:08:03,400 Speaker 3: I think he's been somewhat present, but I think I 169 00:08:03,480 --> 00:08:07,000 Speaker 3: really fell in love with him when I first heard 170 00:08:07,080 --> 00:08:10,640 Speaker 3: the album Various Positions and that has If It Be 171 00:08:10,720 --> 00:08:12,720 Speaker 3: Your Will and Dance Me to the End of Love 172 00:08:13,280 --> 00:08:16,920 Speaker 3: and Hallelujah on it and Yeah, I just thought this 173 00:08:17,000 --> 00:08:20,160 Speaker 3: is phenomenal. I wish when I was seventeen, I didn't 174 00:08:20,200 --> 00:08:21,640 Speaker 3: think I was too cool to see a concert with 175 00:08:21,640 --> 00:08:22,120 Speaker 3: my parents. 176 00:08:22,680 --> 00:08:25,760 Speaker 2: Oh you that and you saw you so let it 177 00:08:25,840 --> 00:08:27,840 Speaker 2: live Yeah, it's something I came to later in life 178 00:08:27,840 --> 00:08:30,200 Speaker 2: as well. Yeah, definitely. 179 00:08:30,520 --> 00:08:33,480 Speaker 1: Yeah, so much influence on so many musicians. But no, 180 00:08:33,679 --> 00:08:36,040 Speaker 1: not just the fans, but the musicians. It became fans 181 00:08:36,040 --> 00:08:38,560 Speaker 1: of Leonard Cohen. It never ending, isn't it. You hear 182 00:08:38,600 --> 00:08:41,000 Speaker 1: about the people who are influenced by him. Yes, definitely 183 00:08:41,320 --> 00:08:45,400 Speaker 1: that songwriting style and you know also that voice. Magical voice. 184 00:08:45,520 --> 00:08:48,800 Speaker 3: Oh people said otherwise about his voice, but yeah, they 185 00:08:48,800 --> 00:08:53,319 Speaker 3: don't think it's very people are idiots. I quite like 186 00:08:53,400 --> 00:08:56,880 Speaker 3: his voice. I find it quite soothing love. Yeah, some 187 00:08:56,880 --> 00:08:59,480 Speaker 3: people were just say eh, but I also think it 188 00:08:59,559 --> 00:09:02,480 Speaker 3: is great what people have done with his work, and 189 00:09:02,559 --> 00:09:05,120 Speaker 3: he's very humble about that in that Yep, you know, 190 00:09:05,240 --> 00:09:08,400 Speaker 3: this is what I put forward and people have taken 191 00:09:08,400 --> 00:09:09,200 Speaker 3: it to another level. 192 00:09:09,280 --> 00:09:12,360 Speaker 2: It's amazing how much his voice did deepen though over 193 00:09:12,360 --> 00:09:13,959 Speaker 2: the years. You know what you heard in the last 194 00:09:14,000 --> 00:09:16,520 Speaker 2: few years. If you listened to the album that came 195 00:09:16,520 --> 00:09:19,040 Speaker 2: out in nineteen sixty seven with Suzanne on it, for example, 196 00:09:19,360 --> 00:09:23,719 Speaker 2: he actually sounds so well for him. He sounds really surprio. 197 00:09:26,160 --> 00:09:26,559 Speaker 1: L wasn't it. 198 00:09:27,520 --> 00:09:27,760 Speaker 9: Yeah. 199 00:09:27,880 --> 00:09:31,680 Speaker 2: Yeah, he had an incredible life, which is because, of course, 200 00:09:31,720 --> 00:09:35,079 Speaker 2: what you need to write such incredible poems and songs, 201 00:09:35,080 --> 00:09:37,960 Speaker 2: as he did, you have both of your favorite song. 202 00:09:38,200 --> 00:09:40,360 Speaker 3: I think mine's probably a given in that it's the 203 00:09:40,440 --> 00:09:41,319 Speaker 3: title of the show. 204 00:09:42,200 --> 00:09:44,920 Speaker 2: Okay, well, tell us about how the show works. Is 205 00:09:45,400 --> 00:09:47,360 Speaker 2: it all songs? You say you've got a six piece 206 00:09:47,559 --> 00:09:50,680 Speaker 2: band with you, You've got your own web sisters. I 207 00:09:50,760 --> 00:09:54,320 Speaker 2: guess do you tell stories of Leonard through it to 208 00:09:54,440 --> 00:09:55,480 Speaker 2: join the songs together. 209 00:09:55,880 --> 00:09:56,439 Speaker 7: Absolutely. 210 00:09:56,520 --> 00:10:00,840 Speaker 3: Yeah, We've got a combination of stories to introduce some 211 00:10:00,920 --> 00:10:03,760 Speaker 3: of the songs. And then there were some other songs 212 00:10:03,760 --> 00:10:05,839 Speaker 3: where we thought, you know, this poem is actually a 213 00:10:05,920 --> 00:10:09,560 Speaker 3: bit more fitting. So yeah, combination of stories and poems. 214 00:10:09,800 --> 00:10:11,280 Speaker 1: Isn't it funny? List of you were saying that you 215 00:10:11,320 --> 00:10:13,160 Speaker 1: came across Lennar Cohn and you became a huge fan 216 00:10:13,240 --> 00:10:15,480 Speaker 1: later in life. I had never heard of Lennon Cohen 217 00:10:15,559 --> 00:10:17,520 Speaker 1: after being a music fan for a long time until 218 00:10:17,720 --> 00:10:20,680 Speaker 1: the Jennifer Warns did that album and that song First 219 00:10:20,720 --> 00:10:23,720 Speaker 1: We Take Manhattan became a pretty big pop hit. Let's 220 00:10:23,720 --> 00:10:26,880 Speaker 1: be honest. Yeah, it's funny. It doesn't matter when you 221 00:10:27,080 --> 00:10:29,559 Speaker 1: find something. And then I went back and through the 222 00:10:29,800 --> 00:10:30,880 Speaker 1: like I've done with a lot of backs who and 223 00:10:30,920 --> 00:10:33,640 Speaker 1: a lot of people do, but this discovery. Doesn't matter 224 00:10:33,640 --> 00:10:36,400 Speaker 1: what era that you find things you can hear the genius. 225 00:10:36,120 --> 00:10:37,359 Speaker 3: Yes, definitely. 226 00:10:37,840 --> 00:10:40,520 Speaker 2: Now the wonderful thing is you're going to perform a 227 00:10:40,600 --> 00:10:44,080 Speaker 2: song for us Sylvia with may on guitar. What song 228 00:10:44,080 --> 00:10:44,959 Speaker 2: you're going to do for us? 229 00:10:45,600 --> 00:10:49,240 Speaker 3: We thought we would do Susan as a shout out 230 00:10:49,240 --> 00:10:50,600 Speaker 3: to your lovely producer. 231 00:10:55,440 --> 00:11:05,439 Speaker 10: All right, well, whenever you're ready, Susanne takes you down 232 00:11:06,120 --> 00:11:08,560 Speaker 10: to her place near the river. 233 00:11:09,160 --> 00:11:13,800 Speaker 8: You can hear the boats go by, you can spend 234 00:11:13,800 --> 00:11:18,439 Speaker 8: the night beside her, and you know that she's half crazy, 235 00:11:19,120 --> 00:11:23,120 Speaker 8: and that's why you wanna be there. And she feeds 236 00:11:23,200 --> 00:11:27,960 Speaker 8: your tea and oranges that come all the way from China, 237 00:11:28,760 --> 00:11:32,160 Speaker 8: And just when you mean to tell her that you 238 00:11:32,400 --> 00:11:36,640 Speaker 8: have no love to give her, she gets you on 239 00:11:36,760 --> 00:11:41,880 Speaker 8: her wavelength and she lets the river answer that you've 240 00:11:41,960 --> 00:11:50,959 Speaker 8: always been her lover. And you want to travel with her, 241 00:11:51,000 --> 00:11:56,160 Speaker 8: and you want to travel alone, and you think maybe 242 00:11:56,240 --> 00:12:01,240 Speaker 8: you'll trust her, for you've touched your perfect bite with 243 00:12:01,360 --> 00:12:12,280 Speaker 8: your mind. Jesus was a sailor as he walked upon 244 00:12:12,840 --> 00:12:17,560 Speaker 8: the water, and he spends a long time watching from 245 00:12:17,679 --> 00:12:24,560 Speaker 8: his lonely wooden tower until he knew for certain only 246 00:12:24,720 --> 00:12:29,360 Speaker 8: drowning men could see him. He said, all men shall 247 00:12:29,440 --> 00:12:34,559 Speaker 8: be sailors then, until the sea shall free them. But 248 00:12:34,880 --> 00:12:42,080 Speaker 8: he himself was broken long before the sky would open, forsaken, 249 00:12:42,720 --> 00:12:54,040 Speaker 8: almost human. He sank beneath your wisdom like a storm, 250 00:12:54,360 --> 00:12:59,199 Speaker 8: and you want to travel with him, and you want. 251 00:12:59,000 --> 00:13:03,920 Speaker 9: To travel b Then you think maybe you'll trust him, 252 00:13:04,520 --> 00:13:11,680 Speaker 9: for he's touched your perfect body with his mind. 253 00:13:14,559 --> 00:13:19,520 Speaker 8: Now, Susanne takes your hand and she leads you to 254 00:13:19,720 --> 00:13:25,240 Speaker 8: the river. She is wearing rags and feathers from salvation 255 00:13:25,920 --> 00:13:31,360 Speaker 8: army counters. And the sun pours down like honey on 256 00:13:31,600 --> 00:13:36,360 Speaker 8: our lady of the harbor, and she shows you aver 257 00:13:36,720 --> 00:13:40,200 Speaker 8: to look among the garbage. 258 00:13:39,800 --> 00:13:41,320 Speaker 2: And the flowers. 259 00:13:41,320 --> 00:13:47,200 Speaker 8: Sarah heroes in the seaweed. There are children in the 260 00:13:47,400 --> 00:13:53,040 Speaker 8: morning there leaning out for love, and they'll lean that 261 00:13:53,240 --> 00:14:03,319 Speaker 8: way forever. While Suzanne holds the mirror. And you want 262 00:14:03,360 --> 00:14:08,880 Speaker 8: to travel weather, and you want to travel blinde and 263 00:14:09,240 --> 00:14:13,840 Speaker 8: you think maybe she'll trust you, for you've touched her 264 00:14:13,880 --> 00:14:16,680 Speaker 8: perfect body with your. 265 00:14:21,600 --> 00:14:26,400 Speaker 2: That was so beautiful, beautiful, Thank you. I have chills, chills, 266 00:14:26,800 --> 00:14:30,560 Speaker 2: absolutely stunning. Girls there. You got to get in quick 267 00:14:30,640 --> 00:14:33,240 Speaker 2: to get tickets that are left for this Friday, show 268 00:14:33,760 --> 00:14:36,440 Speaker 2: at the Jonesway Theater. If it be your will attribute 269 00:14:36,480 --> 00:14:42,040 Speaker 2: to lettered Cohen. Tickets are through fringeworld dot com dot au. Amazing. 270 00:14:42,240 --> 00:14:44,080 Speaker 1: Do you mind doing the whole journey miteal back catalog. 271 00:14:45,720 --> 00:14:50,680 Speaker 3: Yes, love, Johnny, thank you, thanks very much. 272 00:14:51,080 --> 00:14:53,680 Speaker 2: Claire Hooper is in town for Sweet Charity, her fringe 273 00:14:53,680 --> 00:14:56,320 Speaker 2: show until February the fifth. You can get tickets through 274 00:14:56,360 --> 00:14:58,560 Speaker 2: fringeworld dot com dot you and Claire joining us. 275 00:14:58,560 --> 00:15:01,880 Speaker 7: Hello, welcome home, oh mate, thank you so much. It's 276 00:15:01,920 --> 00:15:03,920 Speaker 7: not fun too. 277 00:15:04,360 --> 00:15:06,360 Speaker 2: It was the start of the pandemic the last time 278 00:15:06,400 --> 00:15:06,880 Speaker 2: we saw you. 279 00:15:07,400 --> 00:15:09,280 Speaker 7: Yeah, it was just it was nipping at our heels. 280 00:15:09,320 --> 00:15:11,680 Speaker 2: Well, I wonder what will happen here? 281 00:15:13,080 --> 00:15:18,920 Speaker 7: I know, remember the good old day I missed not caringly. 282 00:15:19,240 --> 00:15:21,520 Speaker 7: I was just talking outside. We were like, remember when 283 00:15:21,560 --> 00:15:23,240 Speaker 7: you didn't care if you had a sniffle. 284 00:15:23,840 --> 00:15:25,600 Speaker 1: I miss it so much, And all of a sudden 285 00:15:25,600 --> 00:15:26,560 Speaker 1: it was a mask. 286 00:15:26,600 --> 00:15:29,280 Speaker 7: We have to that on And remember the first few 287 00:15:29,360 --> 00:15:32,160 Speaker 7: days of maskuloid. Oh my gosh, you're in a sci 288 00:15:32,200 --> 00:15:35,160 Speaker 7: fi film perfectly. I mean, I'm still wearing them on 289 00:15:35,200 --> 00:15:38,160 Speaker 7: the planes. Yeah, yeah, I'm one of the only people. 290 00:15:38,200 --> 00:15:39,760 Speaker 7: But I'm also like, I don't want to land in 291 00:15:39,800 --> 00:15:40,720 Speaker 7: Perth and get sick. 292 00:15:40,960 --> 00:15:43,400 Speaker 2: So yeah, I think I'm always going to wear one 293 00:15:43,400 --> 00:15:46,120 Speaker 2: on a plane now, because you know, it's okay to 294 00:15:46,200 --> 00:15:48,120 Speaker 2: learn a few things from the pandemic as well. There 295 00:15:48,120 --> 00:15:51,000 Speaker 2: are times when yeah, it's not a bad idea to 296 00:15:51,000 --> 00:15:56,320 Speaker 2: not have everyone's germs all over you. Yeah, plathing ground. 297 00:15:56,320 --> 00:15:58,760 Speaker 7: Yeah, didn't we. I feel like we always had it 298 00:15:58,800 --> 00:16:01,600 Speaker 7: in us on planes because in pre mass on planes, 299 00:16:01,600 --> 00:16:04,880 Speaker 7: you'd be sitting there going these feels too close, yes, yeah, 300 00:16:05,000 --> 00:16:05,720 Speaker 7: too intimate? 301 00:16:05,960 --> 00:16:10,080 Speaker 2: Yeah, and is yeah, we used to. 302 00:16:10,400 --> 00:16:14,760 Speaker 7: We used to be really confused once are they incredibly ill? 303 00:16:14,880 --> 00:16:19,080 Speaker 7: Are they from? Yeah? Like also you'd be yeah, I 304 00:16:19,200 --> 00:16:21,360 Speaker 7: used to. I used to see people in mass when 305 00:16:21,360 --> 00:16:24,400 Speaker 7: you're on like trains traveling in other parts of the world, 306 00:16:24,520 --> 00:16:26,400 Speaker 7: and you'd be like, what do they think they're going 307 00:16:26,440 --> 00:16:29,280 Speaker 7: to catch from me? And now I realized no, you know, 308 00:16:29,400 --> 00:16:32,520 Speaker 7: like actually they probably had a cold and they're being like, 309 00:16:32,800 --> 00:16:36,760 Speaker 7: now we understand sometimes it's courteous, it's not yea, rather. 310 00:16:36,560 --> 00:16:38,320 Speaker 2: Than being you know, jumping to being offended. 311 00:16:39,360 --> 00:16:41,640 Speaker 1: Last year, my first plight anywhere was to Geraldon for 312 00:16:41,680 --> 00:16:43,760 Speaker 1: work last year and I'm looking at the magazine in 313 00:16:43,800 --> 00:16:46,800 Speaker 1: the back. I've never really thought about who touched the 314 00:16:46,800 --> 00:16:47,680 Speaker 1: magazine before, and I. 315 00:16:47,640 --> 00:16:52,480 Speaker 7: Went, probably no, no, now we're we're so jumping. Yeah, 316 00:16:52,680 --> 00:16:55,200 Speaker 7: all right, don't overthink anyway. That is how long it's been. 317 00:16:55,280 --> 00:16:56,040 Speaker 2: I can't believe. 318 00:16:56,680 --> 00:17:00,560 Speaker 7: And I'm in the same venue, you know, And it's 319 00:17:00,600 --> 00:17:04,119 Speaker 7: a weird like no time past. But actually three of 320 00:17:04,160 --> 00:17:07,200 Speaker 7: the hardest years of anyone actually passed. 321 00:17:07,560 --> 00:17:09,840 Speaker 2: When you I mean you are from Perth. When you 322 00:17:09,880 --> 00:17:13,000 Speaker 2: get back to Perth, the things that you really miss 323 00:17:13,040 --> 00:17:15,760 Speaker 2: that you think, I must do that immediately, or I 324 00:17:15,840 --> 00:17:18,600 Speaker 2: must go you know, such a place for. 325 00:17:20,080 --> 00:17:22,240 Speaker 7: Oh yeah, well I did one of them this morning. 326 00:17:22,359 --> 00:17:27,080 Speaker 7: I took one of my favorite runs. Okay, I know 327 00:17:27,160 --> 00:17:29,320 Speaker 7: you were hoping for. This is my favorite Hart spot. 328 00:17:30,160 --> 00:17:32,280 Speaker 2: This is when I was like when I lived away 329 00:17:32,280 --> 00:17:34,640 Speaker 2: from Perth, I couldn't wait to get back to watch 330 00:17:34,640 --> 00:17:38,200 Speaker 2: a sunset at the beach because I get a sunset. 331 00:17:38,960 --> 00:17:41,760 Speaker 7: No, you don't do it's a. 332 00:17:41,800 --> 00:17:42,880 Speaker 2: Weird on the ocean. 333 00:17:43,240 --> 00:17:45,439 Speaker 7: I get a sunset out front of my house. I 334 00:17:45,520 --> 00:17:47,800 Speaker 7: just look down Moreland Road towards the freeway and the 335 00:17:47,920 --> 00:17:50,920 Speaker 7: sunsets over the freeway and it's so beautiful. Guys, It's 336 00:17:50,960 --> 00:17:57,560 Speaker 7: almost as good as part of Yeah, I'm out in 337 00:17:57,560 --> 00:18:01,840 Speaker 7: the upper the zigzag, you know, like yeah, yeah, where 338 00:18:01,880 --> 00:18:03,719 Speaker 7: you run up the hill you get the hardest bit 339 00:18:03,800 --> 00:18:05,960 Speaker 7: first and then you fall down the gravelly slopes. 340 00:18:06,080 --> 00:18:06,240 Speaker 9: Yeah. 341 00:18:06,480 --> 00:18:09,280 Speaker 1: Home absolutely cure crime memories. 342 00:18:09,520 --> 00:18:12,960 Speaker 2: Yeah yeah, I had because I grew up in Lismurdy 343 00:18:13,000 --> 00:18:14,080 Speaker 2: and I had a friend who used to be able 344 00:18:14,119 --> 00:18:17,120 Speaker 2: to drive his Mini down Zigzag with his feet while 345 00:18:17,119 --> 00:18:19,320 Speaker 2: he was rolling a should we say cigarette? 346 00:18:20,080 --> 00:18:20,480 Speaker 1: You can say that. 347 00:18:23,160 --> 00:18:25,000 Speaker 2: I don't advise it. I don't think you can even 348 00:18:25,080 --> 00:18:26,159 Speaker 2: drive the sag anymore? 349 00:18:26,200 --> 00:18:27,959 Speaker 1: Can you? 350 00:18:27,960 --> 00:18:28,159 Speaker 3: You can? 351 00:18:28,240 --> 00:18:30,320 Speaker 7: You actually you can drive, and you can still drive it. 352 00:18:30,520 --> 00:18:33,160 Speaker 1: Okay, maybe just on an scooter. 353 00:18:33,760 --> 00:18:34,879 Speaker 7: Yeah that maybe that's smart. 354 00:18:34,920 --> 00:18:36,520 Speaker 2: Yeah, greatgerous. 355 00:18:37,320 --> 00:18:40,719 Speaker 7: I've got a story in my show about my my 356 00:18:40,920 --> 00:18:43,680 Speaker 7: husband's cousin was his hero when he was growing up. Yeah, 357 00:18:43,760 --> 00:18:45,800 Speaker 7: and it's all based on this one experience where he 358 00:18:45,880 --> 00:18:47,760 Speaker 7: was eleven and his cousin took him to terminator too 359 00:18:47,800 --> 00:18:49,480 Speaker 7: and let him hold the steering wheel while he rolled 360 00:18:49,480 --> 00:18:51,320 Speaker 7: a cigarette. And it's just like, I mean, when you're 361 00:18:51,320 --> 00:18:53,880 Speaker 7: an eleven year old boarn, You're like, well that's it. 362 00:18:54,040 --> 00:18:58,879 Speaker 7: That's my guy on him. He's my new dad. Yeah, yes, yeah, 363 00:18:58,920 --> 00:19:00,960 Speaker 7: And I mean it's so for me because I'm now 364 00:19:01,160 --> 00:19:04,800 Speaker 7: knowing this man as someone who's thirty years older and 365 00:19:04,880 --> 00:19:07,680 Speaker 7: keeps the fedora in an acoustic guitar in the boot 366 00:19:07,680 --> 00:19:10,399 Speaker 7: of his car just in case the situation should arise. 367 00:19:11,119 --> 00:19:13,720 Speaker 7: When I know, and I just feel, I'm like such 368 00:19:13,760 --> 00:19:16,280 Speaker 7: an awful person. I can't handle the fact that it 369 00:19:16,359 --> 00:19:19,919 Speaker 7: makes me. I mean, good on him having a for 370 00:19:19,960 --> 00:19:23,200 Speaker 7: door an acoustic guitar that nobody ever asked him to take out, 371 00:19:23,320 --> 00:19:25,600 Speaker 7: but good on him. But I'm always like, I'll just 372 00:19:25,760 --> 00:19:27,520 Speaker 7: I'll just see it happen. I'll see it. I'll see 373 00:19:27,520 --> 00:19:29,399 Speaker 7: that point in the barbecue where he's rummaging in the 374 00:19:29,400 --> 00:19:31,960 Speaker 7: boot of the car. I'll be like, I need to 375 00:19:31,960 --> 00:19:34,600 Speaker 7: go to the toilet for forty five minutes. I can't 376 00:19:34,640 --> 00:19:35,000 Speaker 7: do it. 377 00:19:35,040 --> 00:19:37,480 Speaker 1: I'm such a horrible aby. Shark's going to walk around 378 00:19:37,480 --> 00:19:39,080 Speaker 1: the corner and ask for an audition. What's going on. 379 00:19:40,400 --> 00:19:44,680 Speaker 7: I think he's just a good guy. Yeah, Yeah, we've 380 00:19:44,680 --> 00:19:46,960 Speaker 7: had Yeah, we've had We've had the CD on for 381 00:19:47,040 --> 00:19:50,720 Speaker 7: long enough. Now it's time for me. And he's such 382 00:19:50,760 --> 00:19:53,679 Speaker 7: a sweet man. Honestly, he's a really sweet man. I 383 00:19:53,760 --> 00:19:57,120 Speaker 7: just have a very complicated relationship with him. Also, he's 384 00:19:57,160 --> 00:19:59,560 Speaker 7: someone who doesn't call before he drops in, So I 385 00:19:59,600 --> 00:19:59,879 Speaker 7: don't know. 386 00:20:00,680 --> 00:20:01,600 Speaker 2: I hate the popping. 387 00:20:03,680 --> 00:20:07,119 Speaker 7: We have children, you know, like when you have children, 388 00:20:07,160 --> 00:20:08,720 Speaker 7: you can't just have a popping because you don't know 389 00:20:08,760 --> 00:20:10,200 Speaker 7: if they're like you're going to catch them in the 390 00:20:10,200 --> 00:20:13,159 Speaker 7: middle of being monsters, right and you just because you 391 00:20:13,200 --> 00:20:15,520 Speaker 7: need you really need to find tune your children for 392 00:20:15,560 --> 00:20:18,119 Speaker 7: about half an hour before anyone comes over, so that 393 00:20:18,160 --> 00:20:19,120 Speaker 7: they need to find. 394 00:20:18,920 --> 00:20:21,000 Speaker 2: You in myself. First of all, I need to get dressed. 395 00:20:21,520 --> 00:20:23,359 Speaker 2: Then I need to do a quick tidy up. 396 00:20:23,520 --> 00:20:27,160 Speaker 7: Oh I don't like I don't like it. What if 397 00:20:27,160 --> 00:20:28,760 Speaker 7: I was just about to go to the shops. I 398 00:20:28,760 --> 00:20:29,920 Speaker 7: don't understand anyone. 399 00:20:30,480 --> 00:20:33,240 Speaker 1: Okay, guys, Arenie Claire's coming over in about forty minutes. 400 00:20:36,440 --> 00:20:39,240 Speaker 2: Generation was all about the popping. I remember people popping 401 00:20:39,280 --> 00:20:40,200 Speaker 2: in left, right and center. 402 00:20:42,000 --> 00:20:45,280 Speaker 7: You're not don't know. I don't mean it. I don't 403 00:20:45,280 --> 00:20:47,800 Speaker 7: meet anyone who's into them except the people that do them. 404 00:20:47,840 --> 00:20:49,920 Speaker 7: And I don't understand. 405 00:20:50,240 --> 00:20:51,280 Speaker 2: That's telling, isn't it. 406 00:20:51,280 --> 00:20:54,239 Speaker 1: So Claire family always a great source of material, but 407 00:20:54,320 --> 00:20:57,840 Speaker 1: sometimes you have to get clearance. What's going on with you? 408 00:20:57,920 --> 00:20:58,040 Speaker 3: Now? 409 00:20:58,440 --> 00:20:58,840 Speaker 2: All right? 410 00:20:59,119 --> 00:21:02,640 Speaker 7: Yeah, I look, I am I'm doing I'm doing due 411 00:21:02,680 --> 00:21:05,920 Speaker 7: diligence at the moment. My kids are six and eight, 412 00:21:07,400 --> 00:21:10,880 Speaker 7: and one of them has forbidden me to tell her stories, 413 00:21:10,920 --> 00:21:13,160 Speaker 7: and I'm like, it's really interesting, but I'm on board. 414 00:21:13,200 --> 00:21:15,720 Speaker 7: I'm like, if that's what you've chosen, you're not in 415 00:21:15,760 --> 00:21:19,520 Speaker 7: the show. So I mean, I only tell stories about 416 00:21:19,520 --> 00:21:21,080 Speaker 7: the eight year old. The poor eight year old is 417 00:21:21,080 --> 00:21:24,280 Speaker 7: now carrying double to load. Fine, but I will not 418 00:21:24,320 --> 00:21:26,600 Speaker 7: mention the other one. My sister in Laura is going 419 00:21:26,600 --> 00:21:29,479 Speaker 7: through a marriage breakup. She's just stayed with us for 420 00:21:29,560 --> 00:21:32,840 Speaker 7: four months. I'm so sorry, love, but you make it 421 00:21:32,840 --> 00:21:36,240 Speaker 7: into the like, if you've been four months, you got 422 00:21:36,240 --> 00:21:37,560 Speaker 7: to pay you You've got to pay your rent. 423 00:21:37,680 --> 00:21:37,800 Speaker 4: Right. 424 00:21:39,359 --> 00:21:43,320 Speaker 7: So when Monday morning, I was like, I've put it 425 00:21:43,359 --> 00:21:44,879 Speaker 7: off for too long. I had to send her a 426 00:21:44,960 --> 00:21:47,200 Speaker 7: text with all the jokes I'm telling about her failing 427 00:21:47,240 --> 00:21:49,399 Speaker 7: marriage in my show. I was like, can you please 428 00:21:49,960 --> 00:21:52,399 Speaker 7: approve these before I do them to hundreds of people? 429 00:21:53,520 --> 00:21:57,440 Speaker 7: Good honor? She wrote back, then they're funnier than they 430 00:21:57,480 --> 00:22:03,639 Speaker 7: are sad. Which is I mean? Is that permission? 431 00:22:03,760 --> 00:22:07,240 Speaker 2: I don't know it is I think so. 432 00:22:06,040 --> 00:22:10,800 Speaker 7: I think I might have paid back her into a 433 00:22:10,880 --> 00:22:13,920 Speaker 7: corner late, but I've got permission, and that's the good news. 434 00:22:14,040 --> 00:22:17,639 Speaker 2: But the six year old, No, because they know they're rights. 435 00:22:17,720 --> 00:22:19,600 Speaker 2: These days, these six year. 436 00:22:19,520 --> 00:22:22,879 Speaker 7: Olds totally appreciated. She's a very private person. 437 00:22:23,320 --> 00:22:23,560 Speaker 5: Yeah. 438 00:22:24,359 --> 00:22:26,639 Speaker 1: Is that a little bit like the Osbourne's or the 439 00:22:26,680 --> 00:22:28,560 Speaker 1: Kardashings when one of the family members doesn't want to 440 00:22:28,600 --> 00:22:30,040 Speaker 1: be part of the that's right. 441 00:22:30,119 --> 00:22:33,840 Speaker 7: When we make my incredibly soon to be incredibly successful 442 00:22:33,920 --> 00:22:38,320 Speaker 7: reality show, Yes, the Hooper Dufhins. No, there'll be one missing. 443 00:22:38,480 --> 00:22:40,399 Speaker 7: They will be like, why the two beds in the 444 00:22:40,480 --> 00:22:43,880 Speaker 7: children's room only one child in this family? That's because 445 00:22:43,920 --> 00:22:45,560 Speaker 7: there's a six year old hiding under one of those 446 00:22:45,600 --> 00:22:47,240 Speaker 7: beds for the entire filming schedule. 447 00:22:48,160 --> 00:22:50,800 Speaker 2: Is there any TV on the horizon in the any 448 00:22:50,920 --> 00:22:53,600 Speaker 2: more TV on the horizon in the near future question? 449 00:22:53,920 --> 00:22:53,960 Speaker 3: No. 450 00:22:54,119 --> 00:22:57,400 Speaker 7: I'm being very fickle at the moment. Okay, so I'll 451 00:22:57,480 --> 00:23:00,400 Speaker 7: drop in on things, and I don't not to any 452 00:23:01,840 --> 00:23:02,560 Speaker 7: dropping on TV. 453 00:23:04,520 --> 00:23:05,760 Speaker 6: Yeah I should. 454 00:23:06,280 --> 00:23:08,359 Speaker 7: I mean, they've been all these things floating around and 455 00:23:09,000 --> 00:23:12,120 Speaker 7: now I'm very noncommittal, and it's it's actually a really 456 00:23:12,200 --> 00:23:13,680 Speaker 7: nice thing. At this time of the year. I'm about 457 00:23:13,680 --> 00:23:16,040 Speaker 7: to do Perth Fringe and then I don't know if 458 00:23:16,040 --> 00:23:19,800 Speaker 7: you've heard of that, I did going on stage last 459 00:23:19,880 --> 00:23:22,280 Speaker 7: night I was like, well, out of Melbourne, fringe everyone. 460 00:23:22,760 --> 00:23:26,280 Speaker 7: I mean, I started started with a mistake, moving on 461 00:23:26,800 --> 00:23:30,160 Speaker 7: got Perth and then Adelaide and Canberra and Brisbane and Melbourne. 462 00:23:30,240 --> 00:23:32,600 Speaker 2: And it's this lovely that's going to take up a 463 00:23:32,640 --> 00:23:33,080 Speaker 2: bit of time. 464 00:23:33,200 --> 00:23:35,119 Speaker 7: Yeah, it's lovely because it means you don't have to 465 00:23:35,200 --> 00:23:37,960 Speaker 7: think about anything else. It's just like a few months 466 00:23:38,000 --> 00:23:41,760 Speaker 7: of touring and I realize I should be thinking about 467 00:23:41,800 --> 00:23:44,480 Speaker 7: what happens in June, but I'm not. 468 00:23:44,920 --> 00:23:47,399 Speaker 1: And that's good to say. Good evening Perth when you 469 00:23:47,440 --> 00:23:49,080 Speaker 1: get to Melbourne, or I will. 470 00:23:50,119 --> 00:23:53,680 Speaker 7: I promise I'll do it, all right, good evening Perth, 471 00:23:53,760 --> 00:23:54,399 Speaker 7: all right, I'll do it. 472 00:23:55,880 --> 00:23:58,000 Speaker 2: The shows that Johnny Fox's yeah. 473 00:24:00,080 --> 00:24:03,480 Speaker 7: Pleasure Garden, Yes, all right, well come on, doubt it's 474 00:24:03,480 --> 00:24:05,359 Speaker 7: going to be a lot of fun, lovely to see you. 475 00:24:05,560 --> 00:24:07,640 Speaker 2: Welcome home, enjoy your your time at home. 476 00:24:07,840 --> 00:24:09,640 Speaker 7: Thank you. I'm home now, I've seen you guys. 477 00:24:10,800 --> 00:24:11,119 Speaker 8: Thank you. 478 00:24:11,680 --> 00:24:15,960 Speaker 1: It's more Clezyre Lisa Poor podcast soon. 479 00:24:20,680 --> 00:24:27,160 Speaker 2: The Sure Report on ninety six airm Elton John's Farewell 480 00:24:27,240 --> 00:24:30,639 Speaker 2: tour has just officially become the highest earning run of 481 00:24:30,960 --> 00:24:34,520 Speaker 2: all time, according to Billboard. The trek, which started in 482 00:24:34,560 --> 00:24:37,040 Speaker 2: September of twenty eighteen, and we'll come to an end. 483 00:24:37,119 --> 00:24:40,480 Speaker 2: This July has so far grossed one point one five 484 00:24:40,640 --> 00:24:44,800 Speaker 2: nine billion Ossie dollars. The previous record holder was Ed Sheeran. 485 00:24:45,080 --> 00:24:49,080 Speaker 2: Oh really a few years between the two. For fans, 486 00:24:49,280 --> 00:24:51,719 Speaker 2: a King of the Hill revival is in the works. 487 00:24:51,880 --> 00:24:54,719 Speaker 2: Mike Judge will once again lead the voices, with original 488 00:24:54,800 --> 00:24:58,280 Speaker 2: cast members Kathy and Jimmy I Love Kathy Steak, Stephen 489 00:24:58,320 --> 00:25:01,280 Speaker 2: Root and Lauren tom All return. It's being developed by 490 00:25:01,320 --> 00:25:03,520 Speaker 2: the guy who did the recent reboot of The Wonder Years. 491 00:25:03,920 --> 00:25:06,560 Speaker 2: And yesterday we learned the news that la Vernon Shirley 492 00:25:06,680 --> 00:25:09,800 Speaker 2: star Cindy Williams died last week. Actually she died. The 493 00:25:09,840 --> 00:25:12,120 Speaker 2: news came out yesterday at the age of seventy five 494 00:25:12,520 --> 00:25:15,200 Speaker 2: after a short illness. She was Shirley to Penny Marshall's 495 00:25:15,280 --> 00:25:18,840 Speaker 2: Laverne Lavoyan. I was so sad. I loved Laverne and 496 00:25:18,880 --> 00:25:21,560 Speaker 2: Shirley growing up. And it had for mine one of 497 00:25:21,640 --> 00:25:31,360 Speaker 2: the most classic themes ever five Next Famine, Half the Marine. 498 00:25:34,800 --> 00:25:36,879 Speaker 2: Give us any chance, We'll take it. 499 00:25:39,200 --> 00:25:39,919 Speaker 8: We'll break in. 500 00:25:46,720 --> 00:25:52,520 Speaker 2: Good times. Better song was Happy Days. It was up 501 00:25:52,520 --> 00:25:54,480 Speaker 2: there with the Mary Tyler Moore themes song, and. 502 00:25:54,520 --> 00:25:58,520 Speaker 1: It showed women working class women out there living in Yeah. 503 00:25:58,560 --> 00:26:00,959 Speaker 2: The show started as a spin off Happy Days he did. 504 00:26:01,040 --> 00:26:01,240 Speaker 1: Yeah. 505 00:26:01,240 --> 00:26:04,840 Speaker 2: They were friends of the Fonds and both gone now 506 00:26:05,080 --> 00:26:10,000 Speaker 2: He's Marshall died in twenty eighteen. Yeah, one of these days, 507 00:26:10,000 --> 00:26:12,119 Speaker 2: I'm still going to get a poodle skirt, I. 508 00:26:12,119 --> 00:26:14,520 Speaker 1: Think issue No, you know, you know what, they lived 509 00:26:14,840 --> 00:26:17,359 Speaker 1: a poodle. The two girls lived to almost exactly the 510 00:26:17,400 --> 00:26:17,600 Speaker 1: same 511 00:26:17,680 --> 00:26:22,480 Speaker 2: Age a few months for all the memory n and 512 00:26:22,560 --> 00:26:24,760 Speaker 2: Shirley Clazy and Lisa