1 00:00:04,360 --> 00:00:15,239 Speaker 1: It's cut is cutting the room. 2 00:00:16,480 --> 00:00:19,640 Speaker 2: I'm on the cutting room floor today, Amanda. Another case 3 00:00:19,680 --> 00:00:24,240 Speaker 2: of a child damaging a very expensive artwork in a gallery, yep, 4 00:00:24,480 --> 00:00:28,160 Speaker 2: at the Dutch Museum, the Rothco painting, eighty five million 5 00:00:28,200 --> 00:00:31,520 Speaker 2: dollar painting. It was what the kid do? Kids got 6 00:00:31,600 --> 00:00:37,239 Speaker 2: up and just fondled the painting as kids do, fondled it. 7 00:00:37,400 --> 00:00:42,959 Speaker 2: That sounds sad. Scratch scratched, the scratched, just scratched it. 8 00:00:43,440 --> 00:00:43,680 Speaker 1: Uh. 9 00:00:43,760 --> 00:00:47,760 Speaker 2: The painting gray orange on Maroon number eight by Mark Rothkoine, 10 00:00:47,800 --> 00:00:51,919 Speaker 2: one of my favorites, sustained superficial damage. That's not too bad. 11 00:00:51,960 --> 00:00:55,560 Speaker 2: But the kid, the kid has got the kid doesn't 12 00:00:55,560 --> 00:00:57,600 Speaker 2: say how old the kid was, but you know it's 13 00:00:57,640 --> 00:01:00,760 Speaker 2: It's not like one of those stop oiled douchebags go 14 00:01:00,880 --> 00:01:03,040 Speaker 2: and throw and red paint on everything so we will 15 00:01:03,040 --> 00:01:05,920 Speaker 2: have to be boring and drive electric cars. It's a 16 00:01:06,040 --> 00:01:09,080 Speaker 2: kid who has no control of their sense. No, but 17 00:01:09,120 --> 00:01:11,080 Speaker 2: a parent felt like a stop oil protester. 18 00:01:11,319 --> 00:01:14,600 Speaker 3: This drives me crazy because why what parent, let's say, 19 00:01:14,720 --> 00:01:17,880 Speaker 3: kid run up and touch a painting. I don't understand 20 00:01:18,360 --> 00:01:22,600 Speaker 3: how undisciplined children are. I sound like a curmudgeon, but 21 00:01:22,720 --> 00:01:24,839 Speaker 3: I don't get how these kids can be so undisciplined. 22 00:01:24,880 --> 00:01:26,720 Speaker 2: Well, you'd imagine that they'd cover it up a little 23 00:01:26,760 --> 00:01:30,160 Speaker 2: bit more, though at least put the velvet rope around it. 24 00:01:30,319 --> 00:01:33,640 Speaker 3: I'm surprised, But not every painting is going to be that. 25 00:01:33,760 --> 00:01:36,000 Speaker 3: You can get up close and personal for the kid 26 00:01:36,040 --> 00:01:38,119 Speaker 3: to get there and presumably reach up, depending how old 27 00:01:38,120 --> 00:01:39,640 Speaker 3: the kid was, reach up and do it. 28 00:01:40,040 --> 00:01:40,600 Speaker 2: That's bad. 29 00:01:41,080 --> 00:01:42,039 Speaker 3: How much damage did it? 30 00:01:42,040 --> 00:01:45,280 Speaker 2: Call? No, it's not bad. Officials have expressed confidence that 31 00:01:45,319 --> 00:01:48,000 Speaker 2: the painting will be able to return to public display 32 00:01:48,160 --> 00:01:48,760 Speaker 2: in the future. 33 00:01:48,800 --> 00:01:50,720 Speaker 3: And funny, if it was Edward Munch's, you know the 34 00:01:50,760 --> 00:01:53,600 Speaker 3: screen and he's scratching it and the faces going stop. 35 00:01:54,080 --> 00:01:57,680 Speaker 2: Well, remember that time Edward Edward Munch's scream got stolen 36 00:01:57,720 --> 00:02:00,520 Speaker 2: by those robbers. So I imagine the robbers down the 37 00:02:00,600 --> 00:02:02,680 Speaker 2: road with it under his arm, and. 38 00:02:02,600 --> 00:02:05,920 Speaker 3: Then she'd scratch the dogs playing poker and the dogs 39 00:02:05,960 --> 00:02:06,600 Speaker 3: had just going. 40 00:02:07,880 --> 00:02:10,919 Speaker 2: But kids, when you take them out in public, there's 41 00:02:10,919 --> 00:02:12,320 Speaker 2: always there's always. 42 00:02:12,480 --> 00:02:14,440 Speaker 3: There's always a fear. There's always a fear. One of 43 00:02:14,480 --> 00:02:17,000 Speaker 3: the first times we thought we'd try and blood lie 44 00:02:17,040 --> 00:02:18,320 Speaker 3: and when he was earlier and we'd go to a 45 00:02:18,320 --> 00:02:20,120 Speaker 3: restaurant is a fish and chip place down the road, 46 00:02:21,360 --> 00:02:23,640 Speaker 3: and he was he went to the loo and then 47 00:02:23,680 --> 00:02:25,960 Speaker 3: he charmingly was chatting to a one at the next table. 48 00:02:26,080 --> 00:02:27,760 Speaker 3: What she didn't know when I saw, to my horror 49 00:02:27,760 --> 00:02:29,720 Speaker 3: when he stepped away, he had tomato sauce all over 50 00:02:29,760 --> 00:02:31,440 Speaker 3: his hand. He's had his hand on the back of 51 00:02:31,480 --> 00:02:34,000 Speaker 3: the jumper, chatting to her like he was a matredeer. 52 00:02:34,560 --> 00:02:38,800 Speaker 2: Isn't he delightful with a big red hand print? Oh terrible, 53 00:02:39,440 --> 00:02:41,400 Speaker 2: my son. Years ago, I was wearing in a radio 54 00:02:41,440 --> 00:02:43,480 Speaker 2: station in Brisbane and they used to do a thing 55 00:02:43,600 --> 00:02:48,000 Speaker 2: called the River Fire. Basically to make the Brisbane River 56 00:02:48,040 --> 00:02:51,360 Speaker 2: look more interesting. They put fire doctor bing brown. They 57 00:02:51,480 --> 00:02:55,200 Speaker 2: put fireworks to take the focus away from the brownness 58 00:02:55,520 --> 00:02:58,359 Speaker 2: of the Brisbane River. They put fireworks all around it 59 00:02:58,400 --> 00:03:02,919 Speaker 2: and it culminates were that if eighteen I think of 60 00:03:03,000 --> 00:03:04,799 Speaker 2: the time. One of the big get out of it, 61 00:03:05,120 --> 00:03:08,040 Speaker 2: the one warplane we've got. It goes down the length 62 00:03:08,080 --> 00:03:11,680 Speaker 2: of the Brisbane River and does a giant burnout and 63 00:03:11,720 --> 00:03:14,680 Speaker 2: after burn so they dump all this fuel into the 64 00:03:14,680 --> 00:03:18,919 Speaker 2: Brisbane River and it's all fire, and it's done to 65 00:03:19,040 --> 00:03:21,480 Speaker 2: this rock and music track. You got Phil Collins in 66 00:03:21,480 --> 00:03:24,280 Speaker 2: the air tonight and all this stuff has to be 67 00:03:24,360 --> 00:03:28,720 Speaker 2: timed out to the second. So in the broadcast studio, 68 00:03:29,120 --> 00:03:31,640 Speaker 2: we've got our music timed out. And then there was 69 00:03:31,639 --> 00:03:32,639 Speaker 2: a master clock. 70 00:03:33,080 --> 00:03:34,280 Speaker 3: So you were working on the night. 71 00:03:34,400 --> 00:03:36,600 Speaker 2: Yeah, I was working on the night and the head 72 00:03:36,640 --> 00:03:40,360 Speaker 2: technician said, everything has to be timed out perfectly to 73 00:03:40,440 --> 00:03:44,280 Speaker 2: this master clock. Every song. When Owner of a Lonely 74 00:03:44,360 --> 00:03:46,720 Speaker 2: Heart by Yes comes on, then it's got to go 75 00:03:46,760 --> 00:03:50,240 Speaker 2: into Phil Collins in the air tonight and it was all. 76 00:03:50,160 --> 00:03:52,720 Speaker 3: Got up your face. All the songs were lined up. 77 00:03:53,320 --> 00:03:56,440 Speaker 2: For when all the fireworks go off. 78 00:03:56,440 --> 00:03:57,800 Speaker 3: You're a radio guy, you know how to do. 79 00:03:57,840 --> 00:04:03,360 Speaker 2: This plane comes over the top to burn drama, timing 80 00:04:03,520 --> 00:04:06,600 Speaker 2: perfection and then trip so good at the end, and 81 00:04:07,640 --> 00:04:09,760 Speaker 2: that's all he had to do. I took my son, 82 00:04:09,920 --> 00:04:12,080 Speaker 2: who at the time was four years of age and 83 00:04:12,160 --> 00:04:14,680 Speaker 2: long just to see dad at work in his workplace. 84 00:04:14,840 --> 00:04:18,000 Speaker 2: So while the tech nician was explaining all this, and 85 00:04:18,040 --> 00:04:19,880 Speaker 2: what do you know about technicians. 86 00:04:20,200 --> 00:04:23,240 Speaker 3: They're quite down and the likes. 87 00:04:23,120 --> 00:04:25,080 Speaker 2: Our guys are great, but they can be a little 88 00:04:25,160 --> 00:04:29,559 Speaker 2: humorless sometimes is this guy and no one touched this clock. 89 00:04:30,360 --> 00:04:35,240 Speaker 2: And as to say that everything as he's turned his back, 90 00:04:35,600 --> 00:04:39,680 Speaker 2: I've watched Morgan put his finger through the clock face. 91 00:04:40,000 --> 00:04:42,039 Speaker 2: The clock didn't have a class or anything in front 92 00:04:42,040 --> 00:04:43,440 Speaker 2: of them. So he's put it through this. 93 00:04:43,720 --> 00:04:45,520 Speaker 3: You're one of his parents and their kids do no, 94 00:04:45,680 --> 00:04:46,440 Speaker 3: it was the kid. 95 00:04:46,360 --> 00:04:48,680 Speaker 2: Was like he just because as soon as he said, 96 00:04:48,720 --> 00:04:51,640 Speaker 2: don't touch this clock, Morgan's put his finger through there, 97 00:04:52,200 --> 00:04:55,760 Speaker 2: and it stopped the second hand for at least I 98 00:04:55,880 --> 00:04:59,120 Speaker 2: reckon two and a half seconds to three seconds tops. 99 00:04:59,200 --> 00:05:03,960 Speaker 2: It was almost like thing slowed down one thousand, two thousand, 100 00:05:04,480 --> 00:05:07,200 Speaker 2: you know, And I didn't say anything, No one noticed, 101 00:05:07,839 --> 00:05:09,000 Speaker 2: No one noticed anything. 102 00:05:09,480 --> 00:05:13,720 Speaker 3: And how did your sphincter go when you're watching this spectacle? 103 00:05:13,800 --> 00:05:16,159 Speaker 2: My sphincter was just And then the tech came in 104 00:05:16,200 --> 00:05:19,599 Speaker 2: and said, that clock is three seconds out. What's happened. 105 00:05:19,640 --> 00:05:22,279 Speaker 2: So this is before this is as it's going, as 106 00:05:22,320 --> 00:05:25,560 Speaker 2: the whole thing's going to air like as it's happening. 107 00:05:25,720 --> 00:05:28,039 Speaker 2: So the master clock that we'd all timed out to 108 00:05:28,360 --> 00:05:30,520 Speaker 2: was now three seconds out the other clock. So there 109 00:05:30,600 --> 00:05:31,680 Speaker 2: was a series of clocks. 110 00:05:32,680 --> 00:05:34,480 Speaker 3: What was the plane going to be on? 111 00:05:34,120 --> 00:05:37,960 Speaker 2: The plane was on the master clock. That's why we 112 00:05:38,080 --> 00:05:40,800 Speaker 2: had the master clock. And they're talking to the pilot. 113 00:05:41,160 --> 00:05:44,040 Speaker 3: But so if you're all on the same timing is 114 00:05:44,080 --> 00:05:46,440 Speaker 3: it okay? Or do some of the fireworks on another clock. 115 00:05:46,720 --> 00:05:50,120 Speaker 2: As it turned out, a headwind slowed the plane down 116 00:05:50,160 --> 00:05:55,680 Speaker 2: a little bit, so three seconds dovetailed nicely. Wow. It 117 00:05:55,720 --> 00:05:57,240 Speaker 2: was at that point that I bought up with my 118 00:05:57,320 --> 00:05:59,440 Speaker 2: son and put his finger in did you say it? Yeah? 119 00:06:00,040 --> 00:06:04,320 Speaker 3: But that didn't lots of kids fun. 120 00:06:04,240 --> 00:06:06,560 Speaker 2: That didn't go down well. 121 00:06:05,960 --> 00:06:08,000 Speaker 3: With your after burners were going, I bet. 122 00:06:08,000 --> 00:06:11,840 Speaker 2: And for a while then my andies were going to 123 00:06:11,920 --> 00:06:18,080 Speaker 2: look like the Brisbane River. Okay, kids, that's it today. 124 00:06:18,920 --> 00:06:22,400 Speaker 1: Come back to my more Chelsea and Amandaston