1 00:00:00,560 --> 00:00:06,640 Speaker 1: Christ Yeah, welcome friends to the Christian O'Connell Show podcast. 2 00:00:08,119 --> 00:00:09,479 Speaker 2: You love to smoke your meat. 3 00:00:10,720 --> 00:00:14,000 Speaker 3: I feel like some fuss people will come from a 4 00:00:14,040 --> 00:00:17,119 Speaker 3: far to worship at the Mega Baby The Christian O'Connell Show, 5 00:00:17,360 --> 00:00:19,960 Speaker 3: Gold one oh four point three. Hey, good morning, It's 6 00:00:19,960 --> 00:00:23,119 Speaker 3: Wednesday morning. Welcome to the Christian O'Connell Show on Gold 7 00:00:23,160 --> 00:00:25,880 Speaker 3: one oh four point three. Good morning, pats Good morning, 8 00:00:27,160 --> 00:00:28,400 Speaker 3: good morning. Don't you're right, Patsy? 9 00:00:29,080 --> 00:00:29,440 Speaker 4: Normal? 10 00:00:29,760 --> 00:00:31,520 Speaker 2: That was a bit newsy, wasn't it. That was a 11 00:00:31,520 --> 00:00:33,519 Speaker 2: bit good morning, good morning? 12 00:00:33,680 --> 00:00:37,040 Speaker 3: How are you is anything? You're right, Patsy? 13 00:00:37,120 --> 00:00:38,960 Speaker 2: You know I'm good that But that was I going. 14 00:00:39,080 --> 00:00:42,000 Speaker 2: I slip into sideways into like the news mode where 15 00:00:42,000 --> 00:00:46,120 Speaker 2: I try to sound professional, you like Clark Kenton Superman. 16 00:00:46,760 --> 00:00:49,159 Speaker 3: Once she posts those glasses on to the news, you 17 00:00:49,200 --> 00:00:52,360 Speaker 3: know where Patria Patsy's gone here. It's still she's two 18 00:00:52,360 --> 00:00:55,120 Speaker 3: different characters during news and actually on the show, she's 19 00:00:55,160 --> 00:00:57,400 Speaker 3: two different people, isn't she? Pats to you and I 20 00:00:57,480 --> 00:00:59,520 Speaker 3: and the dear listeners. And then once you got on 21 00:00:59,560 --> 00:01:01,800 Speaker 3: the top of the hour or seven minutes after the 22 00:01:01,840 --> 00:01:04,240 Speaker 3: bottom of the hour, then it's Patrina Jones. 23 00:01:04,240 --> 00:01:05,640 Speaker 2: It's all business boys. 24 00:01:05,640 --> 00:01:08,000 Speaker 3: It's all business. Jackie boy, how are you? And how 25 00:01:08,319 --> 00:01:11,800 Speaker 3: is Gordon? As he approaches nine weeks this Friday. 26 00:01:11,520 --> 00:01:13,880 Speaker 5: Another shuker last night I can tell. 27 00:01:14,360 --> 00:01:17,480 Speaker 3: I can just tell the way you walked into the studio. 28 00:01:17,560 --> 00:01:20,960 Speaker 3: I didn't need to ask. Was that the baby one yesterday? 29 00:01:21,880 --> 00:01:24,480 Speaker 3: It's like it's day by day, hour by hour, isn't 30 00:01:24,480 --> 00:01:25,039 Speaker 3: it with a new boy? 31 00:01:25,200 --> 00:01:26,640 Speaker 5: Does it put a smile on your face? 32 00:01:27,240 --> 00:01:31,000 Speaker 3: My question? Those heavy feet, I've done those heavy feet. 33 00:01:31,120 --> 00:01:34,400 Speaker 3: Sometimes tomorrow might be different, although it might be more heavy, 34 00:01:34,440 --> 00:01:37,200 Speaker 3: but it was a heavy, heavy lollop into the studio 35 00:01:37,200 --> 00:01:39,000 Speaker 3: and a pop into your little chair today. I could 36 00:01:39,040 --> 00:01:43,199 Speaker 3: tell Gordon one, Jack and Biancazi and. 37 00:01:43,120 --> 00:01:46,399 Speaker 5: We were only powered by soup last night. Soup for dinner? 38 00:01:46,520 --> 00:01:48,200 Speaker 3: Is that what you could mustard? Just to that's all 39 00:01:48,200 --> 00:01:48,880 Speaker 3: we can must. 40 00:01:48,800 --> 00:01:51,480 Speaker 5: It's actually a delicious soup, potato and couliflower. 41 00:01:52,160 --> 00:01:53,000 Speaker 3: I love a soup. 42 00:01:53,240 --> 00:01:54,440 Speaker 5: It was actually really young. 43 00:01:54,560 --> 00:01:56,400 Speaker 3: But do only need with a soup like the poteto 44 00:01:56,480 --> 00:01:59,720 Speaker 3: couliflower is nice? Actually, but don't you then have nice 45 00:01:59,720 --> 00:02:02,520 Speaker 3: some night bread, like some sound or something, because then 46 00:02:02,560 --> 00:02:03,080 Speaker 3: it's a meal. 47 00:02:03,400 --> 00:02:05,120 Speaker 5: We're running out of everything in the house. And it 48 00:02:05,160 --> 00:02:07,040 Speaker 5: was my job yesterday to go to the grocery store 49 00:02:07,040 --> 00:02:09,240 Speaker 5: and I didn't manage to get there, so we don't 50 00:02:09,240 --> 00:02:09,760 Speaker 5: have bread. 51 00:02:10,520 --> 00:02:12,280 Speaker 3: She's feeding Gord and what do you do. You can 52 00:02:12,320 --> 00:02:12,799 Speaker 3: get bread. 53 00:02:12,880 --> 00:02:13,680 Speaker 5: I got a haircut. 54 00:02:14,040 --> 00:02:16,600 Speaker 2: Oh, check priorities. 55 00:02:16,639 --> 00:02:21,120 Speaker 3: Please stop the music, stop the music. So because you 56 00:02:21,280 --> 00:02:24,880 Speaker 3: got a haircut, there's no bread. There's only limited time 57 00:02:24,919 --> 00:02:33,280 Speaker 3: and boot milk exactly beatles out of it very quickly. 58 00:02:33,560 --> 00:02:35,680 Speaker 3: Ten am is a late day tea and that second 59 00:02:35,760 --> 00:02:37,679 Speaker 3: burning the candle. It's take the next day off. 60 00:02:37,760 --> 00:02:42,440 Speaker 5: There's lots to do. So by accident, my grocery trip 61 00:02:42,560 --> 00:02:44,480 Speaker 5: intersected with me really. 62 00:02:44,320 --> 00:02:46,680 Speaker 3: Wanting in the moment, think you're talking to you right 63 00:02:46,680 --> 00:02:49,360 Speaker 3: now by accident. I'm not your one. I'm not believing 64 00:02:49,400 --> 00:02:52,399 Speaker 3: any of this. By accident intersection. 65 00:02:52,960 --> 00:02:55,000 Speaker 5: I just didn't get around to it. And I didn't 66 00:02:55,040 --> 00:02:55,600 Speaker 5: need a haircut. 67 00:02:55,600 --> 00:02:57,720 Speaker 3: It was so many places to buy bread. 68 00:02:58,800 --> 00:02:59,919 Speaker 5: I'm going to do that chop to. 69 00:03:00,360 --> 00:03:02,120 Speaker 3: But it can't taken long to do the hair. 70 00:03:02,360 --> 00:03:06,119 Speaker 5: No, it doesn't only take fifteen minutes for the rest 71 00:03:06,160 --> 00:03:09,919 Speaker 5: of the day. Guys, this is not a trial by 72 00:03:10,080 --> 00:03:10,880 Speaker 5: it is right now. 73 00:03:11,120 --> 00:03:14,799 Speaker 3: And you know what put the glasses on. Patsy put 74 00:03:14,840 --> 00:03:15,560 Speaker 3: it in the news. 75 00:03:15,560 --> 00:03:18,480 Speaker 6: Patsy look Christian Connell Show podcast. 76 00:03:19,000 --> 00:03:21,079 Speaker 3: I don't know what the time is, it's somewhere between 77 00:03:21,120 --> 00:03:23,680 Speaker 3: six and seven. I am aware of that the studio 78 00:03:23,800 --> 00:03:26,840 Speaker 3: clock has broken for some reason since we're here yesterday 79 00:03:27,160 --> 00:03:29,720 Speaker 3: and two engineers came in and for the last ten 80 00:03:29,760 --> 00:03:32,880 Speaker 3: minutes they've been actually under the desk. It's the thing 81 00:03:32,919 --> 00:03:38,080 Speaker 3: we do once a Wednesday. And just to mend the clock. 82 00:03:38,600 --> 00:03:41,360 Speaker 3: Last week, the microphone just collapsed and the phones didn't work, 83 00:03:42,000 --> 00:03:45,440 Speaker 3: just a flip and this place are they running it 84 00:03:45,520 --> 00:03:47,920 Speaker 3: down to like claim on the assurance. 85 00:03:49,080 --> 00:03:49,320 Speaker 7: They do? 86 00:03:49,560 --> 00:03:51,760 Speaker 3: Is that what they're doing because they can write it 87 00:03:51,800 --> 00:03:54,680 Speaker 3: off as a tax loss. I'm not entirely sure sometimes 88 00:03:54,680 --> 00:03:57,600 Speaker 3: that the show even goes out on air, that marketing 89 00:03:57,640 --> 00:03:59,880 Speaker 3: that they say they do for me? Right, how do 90 00:03:59,920 --> 00:04:03,160 Speaker 3: we know they aren't actors painting that stuff with. 91 00:04:03,240 --> 00:04:04,000 Speaker 2: The trooman show? 92 00:04:04,080 --> 00:04:06,280 Speaker 3: Are we in a simulation right now? Guys, I don't 93 00:04:06,320 --> 00:04:08,960 Speaker 3: know what's going on. All right, let's try and do 94 00:04:09,040 --> 00:04:09,400 Speaker 3: the show. 95 00:04:10,840 --> 00:04:11,280 Speaker 2: Good morning. 96 00:04:11,320 --> 00:04:15,240 Speaker 3: It's a question O'Connell's show for Chemist's Warehouse, Bob, Chemist's Warehouse, 97 00:04:15,280 --> 00:04:16,880 Speaker 3: they could have sponsored the proper break the show with 98 00:04:16,920 --> 00:04:20,839 Speaker 3: the working clock all right, right now? We wanted to 99 00:04:20,880 --> 00:04:22,680 Speaker 3: call us up and just answer the question what are 100 00:04:22,720 --> 00:04:25,080 Speaker 3: you up to right now? Whilst we're chunting on the 101 00:04:25,080 --> 00:04:29,560 Speaker 3: background playing three songs at once, we're doing the show 102 00:04:29,600 --> 00:04:31,960 Speaker 3: Bline today nine four one four one four three. What 103 00:04:32,040 --> 00:04:33,400 Speaker 3: are you up to right now? 104 00:04:34,360 --> 00:04:34,440 Speaker 8: What? 105 00:04:34,600 --> 00:04:36,600 Speaker 3: Someone also doing the show? I have a tab open 106 00:04:36,720 --> 00:04:41,200 Speaker 3: right now. I'm researching baking techniques for the hell of 107 00:04:41,240 --> 00:04:43,240 Speaker 3: tomorrow when you and I have to go back in 108 00:04:43,240 --> 00:04:46,640 Speaker 3: the kitchen to bake something. I'm not gonna do. What 109 00:04:46,680 --> 00:04:47,120 Speaker 3: was gonna do? 110 00:04:47,320 --> 00:04:49,320 Speaker 5: You were going to do Leamington? What are you on now? 111 00:04:49,440 --> 00:04:54,800 Speaker 3: I'm doing something quintessentially British. It's a cake, a cake 112 00:04:55,080 --> 00:04:55,760 Speaker 3: bound cake. 113 00:04:56,279 --> 00:04:58,240 Speaker 5: Interesting. I've been thinking about changing as well. 114 00:04:58,400 --> 00:05:01,880 Speaker 2: No, hang on, no can change all right? You know what? 115 00:05:01,960 --> 00:05:04,880 Speaker 2: Mine takes about twenty million hours, so I'm going to 116 00:05:04,960 --> 00:05:05,680 Speaker 2: change mine as well. 117 00:05:06,200 --> 00:05:07,479 Speaker 5: Have the medieval donut? 118 00:05:07,720 --> 00:05:10,120 Speaker 2: Yes, why are the rules different for you guys? 119 00:05:10,240 --> 00:05:13,320 Speaker 3: Because well, I just thought it'd be nice to do 120 00:05:13,360 --> 00:05:17,760 Speaker 3: a quintessentially British cape. Then you know it's actually so British. 121 00:05:18,080 --> 00:05:20,760 Speaker 3: It's named after a member of royalty. 122 00:05:21,160 --> 00:05:26,680 Speaker 5: Oh, the Charles Flaming Charlie fan. 123 00:05:27,240 --> 00:05:28,360 Speaker 3: What are you thinking about doing? 124 00:05:29,240 --> 00:05:32,320 Speaker 5: I was going to change just because the vanilla saw 125 00:05:32,360 --> 00:05:33,640 Speaker 5: I seems so hard. 126 00:05:34,640 --> 00:05:36,880 Speaker 3: This is a guy who actually couldn't get mine. Bear 127 00:05:36,920 --> 00:05:38,840 Speaker 3: in mind, packs you couldn't get a loaf of break 128 00:05:38,960 --> 00:05:42,479 Speaker 3: yesterday's haircut. So yeah, no, wonder you want to go 129 00:05:42,520 --> 00:05:45,560 Speaker 3: for some many a custard, nice and sugar. I'll be 130 00:05:45,640 --> 00:05:47,520 Speaker 3: really honest too. I looked at some of the steps 131 00:05:47,560 --> 00:05:49,560 Speaker 3: involved in making what I was going to make. That 132 00:05:49,839 --> 00:05:51,359 Speaker 3: seems too much work for Thursday. 133 00:05:51,440 --> 00:05:53,599 Speaker 5: I'm going to make a simple but delicious biscuit called 134 00:05:53,640 --> 00:05:54,240 Speaker 5: the yo yo. 135 00:05:54,600 --> 00:05:58,320 Speaker 2: Oh They're delicious. I've got a great recipe for those. 136 00:05:58,320 --> 00:06:00,760 Speaker 2: I've got my aunt's rest. Did you pass the absolutely? 137 00:06:00,800 --> 00:06:01,320 Speaker 4: I will? 138 00:06:01,640 --> 00:06:03,480 Speaker 3: Do you want to take a recipe from her family? 139 00:06:03,640 --> 00:06:06,440 Speaker 3: Have you eaten any anything that Patsy? Excuse me, ap. 140 00:06:06,640 --> 00:06:09,400 Speaker 2: We come from a very long line. All of Mum's eight. 141 00:06:09,880 --> 00:06:11,039 Speaker 3: Skipt a generation with you. 142 00:06:13,200 --> 00:06:17,160 Speaker 2: Esting them. 143 00:06:16,920 --> 00:06:18,960 Speaker 3: A couple of weeks ago, and that Anzac biscuit for 144 00:06:19,040 --> 00:06:20,560 Speaker 3: three years ago was still in there. 145 00:06:22,480 --> 00:06:27,000 Speaker 2: Just once you wait, I'll redeem myself with this. Wait 146 00:06:27,080 --> 00:06:27,720 Speaker 2: and see. 147 00:06:28,200 --> 00:06:30,160 Speaker 3: So what are you going to do? Yo yo biscuit? 148 00:06:30,279 --> 00:06:32,000 Speaker 3: Yo yo biscuit? All right, I'm going to do my 149 00:06:32,200 --> 00:06:35,719 Speaker 3: quintessentially British cake. I will reveal on Friday. All right, 150 00:06:35,760 --> 00:06:37,719 Speaker 3: what are you up to right now? Nine four one 151 00:06:37,760 --> 00:06:40,039 Speaker 3: four one o four three? And it would be great, 152 00:06:40,040 --> 00:06:41,560 Speaker 3: I for one, if you could call in today and 153 00:06:41,600 --> 00:06:43,680 Speaker 3: just be on hold. Who's who sat in front of 154 00:06:43,720 --> 00:06:45,480 Speaker 3: a clock that works? Just so I can get time 155 00:06:45,560 --> 00:06:47,880 Speaker 3: checks from one of our listeners. The clocks are still 156 00:06:47,880 --> 00:06:50,520 Speaker 3: broken in the studio. All I know is it's somewhere between 157 00:06:50,560 --> 00:06:51,960 Speaker 3: six and seven a m. 158 00:06:52,560 --> 00:06:54,760 Speaker 6: The Christian O'Connell show podcast. 159 00:06:55,279 --> 00:06:58,440 Speaker 3: Let me describe the senior studio. There's me opposite me 160 00:06:58,640 --> 00:07:02,040 Speaker 3: every morning, Jackie Boy, producer Rio to my left. Jack's 161 00:07:02,120 --> 00:07:07,320 Speaker 3: right underneath the desk right now, say hello engineers, two 162 00:07:07,520 --> 00:07:09,360 Speaker 3: grown men underneath the. 163 00:07:09,400 --> 00:07:11,080 Speaker 5: Desk trying to reset a clock. 164 00:07:11,120 --> 00:07:13,960 Speaker 3: Clock now and the button that it's the play button 165 00:07:14,040 --> 00:07:17,040 Speaker 3: essentially for the outbreaks, the songs, everything that is also 166 00:07:17,080 --> 00:07:19,640 Speaker 3: sticking as well. But they've decided, because they're engineers and 167 00:07:19,640 --> 00:07:22,360 Speaker 3: they're smart than us, fix that clock first. Let's not 168 00:07:22,360 --> 00:07:25,960 Speaker 3: one about playing the music. Give him that clock. 169 00:07:26,160 --> 00:07:28,240 Speaker 5: If he can't tell the time, people will check I can't. 170 00:07:28,240 --> 00:07:29,440 Speaker 3: I mean at least once a show it at the 171 00:07:29,480 --> 00:07:31,760 Speaker 3: wrong time. Anyway, I think I've broken that clock by 172 00:07:31,800 --> 00:07:34,320 Speaker 3: getting it wrong, all right, so we're asking you this morning, 173 00:07:34,400 --> 00:07:39,440 Speaker 3: what are you up to right now? Right now the 174 00:07:39,440 --> 00:07:41,720 Speaker 3: studio Jack and I have been worked on from underneath. 175 00:07:41,800 --> 00:07:43,080 Speaker 5: Can I ask a question? Actually? 176 00:07:43,120 --> 00:07:43,360 Speaker 3: Please? 177 00:07:43,680 --> 00:07:46,040 Speaker 5: Is the time check for a radio DJ thing in 178 00:07:46,080 --> 00:07:48,880 Speaker 5: the past. Everybody now in their cars has. 179 00:07:48,960 --> 00:07:52,760 Speaker 3: This films like one of those dull radio podcasts. Who cares? 180 00:07:53,040 --> 00:07:54,520 Speaker 3: I don't think you need to do them anymore. 181 00:07:54,520 --> 00:07:55,240 Speaker 2: Oh, yes you do. 182 00:07:55,560 --> 00:07:56,240 Speaker 5: You can retire. 183 00:07:56,480 --> 00:07:59,240 Speaker 3: This is great, This is great, this will been going on. 184 00:07:59,360 --> 00:08:04,440 Speaker 3: Forums were in radiosviel dot com dot au. I'm with Patsy. 185 00:08:04,800 --> 00:08:10,080 Speaker 3: We check her up in brother radio Country Radio Hamish Andy. 186 00:08:10,120 --> 00:08:11,440 Speaker 3: They didn't care about clocks. 187 00:08:12,280 --> 00:08:15,040 Speaker 2: Radios did. If we don't keep some of the old customs. 188 00:08:15,040 --> 00:08:17,160 Speaker 3: I've got to be honest. If they're really if radio's 189 00:08:17,200 --> 00:08:20,320 Speaker 3: future is built on us speaking the time out loud, 190 00:08:20,800 --> 00:08:23,160 Speaker 3: Jack is right. You've got clocks everywhere. My mic away's 191 00:08:23,200 --> 00:08:25,040 Speaker 3: got a clock, the oven's got a clock. There's a 192 00:08:25,040 --> 00:08:26,760 Speaker 3: clock on an arm, a clock in the car, there's 193 00:08:26,760 --> 00:08:27,720 Speaker 3: a clock everywhere. 194 00:08:27,800 --> 00:08:28,920 Speaker 5: We don't need the time check. 195 00:08:29,840 --> 00:08:31,480 Speaker 3: But is it just easy for them? Then they know, 196 00:08:31,560 --> 00:08:32,840 Speaker 3: Oh my god, I've got to get a Wigan on. 197 00:08:32,840 --> 00:08:35,120 Speaker 5: It's six twenty nine, exactly what do we think they're 198 00:08:35,120 --> 00:08:37,040 Speaker 5: doing though, they're just most people are driving. 199 00:08:37,160 --> 00:08:39,600 Speaker 3: Sometimes we're markers for them. I'm like a pacemaker. 200 00:08:39,679 --> 00:08:41,480 Speaker 5: Okay, I'd love someone to call up and say I 201 00:08:41,520 --> 00:08:43,640 Speaker 5: need the time check I use every morning. 202 00:08:43,720 --> 00:08:46,920 Speaker 3: Okay. Two phone is running right now like a double 203 00:08:46,960 --> 00:08:50,160 Speaker 3: A side on some vinyl. Okay, first A side, what 204 00:08:50,280 --> 00:08:52,920 Speaker 3: are you up to right now? Other A side? Do 205 00:08:52,960 --> 00:08:55,560 Speaker 3: you still need a time check from me in the morning? 206 00:08:55,800 --> 00:08:58,199 Speaker 3: And actually, jenerally want to know now? Nine four one, 207 00:08:58,559 --> 00:09:01,120 Speaker 3: one four three? All right, who have we got here? 208 00:09:01,559 --> 00:09:03,360 Speaker 3: We're not going to go Monica, judging from that common 209 00:09:03,400 --> 00:09:04,319 Speaker 3: down the botlet you know. 210 00:09:05,800 --> 00:09:08,839 Speaker 9: Er, good morning, good morning, How are you? 211 00:09:09,000 --> 00:09:11,400 Speaker 3: I'm good, shower and I'm good Cheryl, Cheryl? What are 212 00:09:11,440 --> 00:09:12,400 Speaker 3: you up to right now? 213 00:09:13,360 --> 00:09:14,920 Speaker 10: I'm just currently at boot camp. 214 00:09:16,160 --> 00:09:18,720 Speaker 9: I'm just getting myself up to do my work out. 215 00:09:18,920 --> 00:09:21,120 Speaker 3: Good for you? Wow, you went what times to start 216 00:09:21,160 --> 00:09:21,720 Speaker 3: in a half six? 217 00:09:22,600 --> 00:09:23,520 Speaker 9: Yes, that's correct. 218 00:09:24,000 --> 00:09:26,840 Speaker 3: And is that Monday, Tuesday, Wednesday, Thursday, Friday? Are you 219 00:09:26,840 --> 00:09:27,520 Speaker 3: doing that all week? 220 00:09:27,600 --> 00:09:29,640 Speaker 9: Or I do that every day of the week? He 221 00:09:29,720 --> 00:09:33,240 Speaker 9: step someday. Goodness is quite exciting and it's awesome. 222 00:09:33,400 --> 00:09:33,760 Speaker 8: Love it. 223 00:09:33,960 --> 00:09:35,120 Speaker 3: How many weeks you've been doing that? 224 00:09:36,160 --> 00:09:40,959 Speaker 9: Two weeks now, which is quite exciting. So changed my life. 225 00:09:41,040 --> 00:09:43,040 Speaker 3: Yeah, and there's a good camaraderie from the other people 226 00:09:43,040 --> 00:09:43,560 Speaker 3: doing it with you. 227 00:09:44,440 --> 00:09:46,000 Speaker 9: Oh everyone here is amazing. 228 00:09:46,120 --> 00:09:48,120 Speaker 10: So everyone's really integrating. 229 00:09:48,160 --> 00:09:49,160 Speaker 9: They're all uplifting. 230 00:09:49,920 --> 00:09:51,440 Speaker 10: They're like, you can do it, you've got. 231 00:09:51,360 --> 00:09:53,720 Speaker 3: It, and what is it? Is it like forty five. 232 00:09:53,760 --> 00:09:55,840 Speaker 3: There's a lot of different circuit training and stuff like that. 233 00:09:55,840 --> 00:09:58,480 Speaker 3: Relentiously crawling, not really. 234 00:09:58,760 --> 00:10:01,920 Speaker 9: So it's called the Bun and it's located in Cranburn 235 00:10:02,040 --> 00:10:05,240 Speaker 9: South and they've got like preset workouts that you do, 236 00:10:05,640 --> 00:10:06,680 Speaker 9: so it's pretty exciting. 237 00:10:07,760 --> 00:10:10,960 Speaker 5: Jim makes it sound like you it's like chest pressing 238 00:10:11,000 --> 00:10:11,760 Speaker 5: pigs and stuff. 239 00:10:12,720 --> 00:10:15,880 Speaker 9: No, you're out in the country land breathing the fresh air. 240 00:10:17,360 --> 00:10:20,400 Speaker 3: Just make it sound like and then shell just quickly 241 00:10:20,400 --> 00:10:22,880 Speaker 3: on your way out, do you do you would you 242 00:10:22,960 --> 00:10:24,960 Speaker 3: benefit still from a time check on the show. 243 00:10:27,200 --> 00:10:29,360 Speaker 9: Not not really, Jackie. 244 00:10:29,559 --> 00:10:30,120 Speaker 7: You would go. 245 00:10:33,000 --> 00:10:34,720 Speaker 11: Fifty one, thank. 246 00:10:34,520 --> 00:10:36,880 Speaker 3: You very much. All right, shall enjoy your workout. 247 00:10:37,040 --> 00:10:40,800 Speaker 2: That can't be right, six six thirty one and two seconds. 248 00:10:40,800 --> 00:10:41,720 Speaker 3: Actually very confused. 249 00:10:41,720 --> 00:10:44,280 Speaker 9: Oh yeah, there you go go about the. 250 00:10:44,240 --> 00:10:47,880 Speaker 3: Bench ressing that pig because Len's want to think that 251 00:10:48,480 --> 00:10:49,800 Speaker 3: a trash. 252 00:10:50,960 --> 00:10:51,400 Speaker 8: He is. 253 00:10:53,520 --> 00:11:00,920 Speaker 3: Right, just got the enginet. Oh, okay. In the meantime, 254 00:11:00,960 --> 00:11:07,360 Speaker 3: I came on with the show, Trish, good morning, Good morning, Trish. 255 00:11:07,400 --> 00:11:08,200 Speaker 3: Do you know what the time is? 256 00:11:09,160 --> 00:11:09,880 Speaker 10: Six thirty one? 257 00:11:10,000 --> 00:11:11,160 Speaker 3: Thank you. I'll be again in to the news him. 258 00:11:11,240 --> 00:11:13,480 Speaker 3: But anyway, Trish, before that was squeeze you in, Trish, 259 00:11:13,520 --> 00:11:14,600 Speaker 3: what are you up to right now? 260 00:11:15,400 --> 00:11:17,960 Speaker 9: I'm off, well morning to go into the laundry mat 261 00:11:18,000 --> 00:11:19,640 Speaker 9: to wash for five people? 262 00:11:20,640 --> 00:11:24,320 Speaker 3: Are they family members or just stranger strangers in the street? 263 00:11:24,720 --> 00:11:27,960 Speaker 3: A bit smelly? Give me your pants? I don't know 264 00:11:28,160 --> 00:11:30,880 Speaker 3: what he wasn't French in that movie? Was he? I 265 00:11:30,960 --> 00:11:31,880 Speaker 3: know who are the five people? 266 00:11:31,920 --> 00:11:33,800 Speaker 6: Trish? 267 00:11:33,840 --> 00:11:35,439 Speaker 10: My husband and I and that's three kids. 268 00:11:35,480 --> 00:11:38,120 Speaker 3: Of course it all makes sense lovely okay, thank you 269 00:11:38,240 --> 00:11:39,000 Speaker 3: very much, Trish. 270 00:11:39,600 --> 00:11:42,680 Speaker 6: Well, Christian Connell's show podcast. 271 00:11:42,800 --> 00:11:44,920 Speaker 3: Thank you very much, Craig the bus drivers. Just the 272 00:11:44,960 --> 00:11:47,560 Speaker 3: email meet tap at the time and there's six thirty 273 00:11:47,640 --> 00:11:49,640 Speaker 3: seven and forty seconds. But of course that's when he 274 00:11:49,760 --> 00:11:52,560 Speaker 3: sent that. That's the most recent time up there. We 275 00:11:52,559 --> 00:11:54,640 Speaker 3: can get you because none of the clocks in a 276 00:11:54,679 --> 00:11:58,400 Speaker 3: studio are working. I didn't realize how much we actually navigate, 277 00:11:58,480 --> 00:12:00,960 Speaker 3: even not just on telling you the time, but actually 278 00:12:00,960 --> 00:12:03,840 Speaker 3: there is some planning an organization. You might be stunned 279 00:12:03,840 --> 00:12:05,160 Speaker 3: to know that goes on. 280 00:12:05,120 --> 00:12:08,280 Speaker 5: Two it guys underneath the desk, one's actually ripped out a. 281 00:12:08,240 --> 00:12:11,600 Speaker 3: Full computer, illat with it like some sort of black 282 00:12:11,640 --> 00:12:15,480 Speaker 3: box flight recording. He just said to me, the clock 283 00:12:15,559 --> 00:12:18,560 Speaker 3: isn't work in the studio and that's what's hold of 284 00:12:18,600 --> 00:12:20,959 Speaker 3: that six o'clock. And he goes, I'm going to take 285 00:12:21,000 --> 00:12:24,920 Speaker 3: this away and file a report and I'll get back 286 00:12:24,920 --> 00:12:28,400 Speaker 3: to you. I think, well, when will we have the 287 00:12:28,400 --> 00:12:31,280 Speaker 3: club again? Perhaps? Have you got the time in there? Yeah? 288 00:12:31,440 --> 00:12:34,280 Speaker 2: Six forty and thirty eight seconds, twenty to seven. 289 00:12:34,360 --> 00:12:39,240 Speaker 3: It is, thank you all right? Nine four one four 290 00:12:39,320 --> 00:12:42,000 Speaker 3: one o four three? What are you up to right now? 291 00:12:42,280 --> 00:12:44,120 Speaker 3: Whilst we're struggling in the background, What are you up 292 00:12:44,160 --> 00:12:47,240 Speaker 3: to right now? And secondary thing this morning? Conducting some 293 00:12:47,400 --> 00:12:51,400 Speaker 3: radio research? How important? It's the good old fashion radio 294 00:12:51,559 --> 00:12:53,800 Speaker 3: time check from you? Do you still need a time 295 00:12:53,880 --> 00:12:57,120 Speaker 3: check from us? Nine four one four one o four three, Peter, 296 00:12:57,400 --> 00:13:01,760 Speaker 3: Good morning, Good morning, present minded Peter. Welcome to the show. 297 00:13:01,760 --> 00:13:03,000 Speaker 3: What are you up to right now? Mate? 298 00:13:03,920 --> 00:13:06,400 Speaker 11: I'm waiting in the car. I get car pulled to work, 299 00:13:06,440 --> 00:13:08,960 Speaker 11: so I'm waiting for my you know, mate to come out. 300 00:13:09,040 --> 00:13:10,480 Speaker 11: And drive me to work. 301 00:13:11,000 --> 00:13:13,240 Speaker 3: And do you do you take turns? In that it 302 00:13:13,320 --> 00:13:15,000 Speaker 3: is only interesting when you see people cart pulling. Who 303 00:13:15,000 --> 00:13:17,080 Speaker 3: gets to pick what they listened to in the morning, 304 00:13:17,120 --> 00:13:18,800 Speaker 3: Because it's all right if you both agree what show 305 00:13:18,840 --> 00:13:21,280 Speaker 3: to listen to? Peter, do you both listen to us 306 00:13:21,400 --> 00:13:22,320 Speaker 3: or do you take turns? 307 00:13:23,640 --> 00:13:27,959 Speaker 11: We mostly listen to you guys, But yeah, it depends 308 00:13:28,000 --> 00:13:30,120 Speaker 11: on if there's three of us, two of us, or 309 00:13:30,120 --> 00:13:33,480 Speaker 11: however many are coupling on the day. But I just 310 00:13:33,480 --> 00:13:35,560 Speaker 11: wanted to let know. I just wanted to let jack 311 00:13:35,640 --> 00:13:39,560 Speaker 11: Post know that the time is important because we can't 312 00:13:39,600 --> 00:13:42,920 Speaker 11: look at our phones. Our boss will go quite crazy 313 00:13:42,960 --> 00:13:44,680 Speaker 11: if we look at our phones during work. 314 00:13:44,760 --> 00:13:48,760 Speaker 3: So who you're working for? They'll Wonka Factory? Yeah's a 315 00:13:48,800 --> 00:13:50,280 Speaker 3: bit of a quick look at the old frock. 316 00:13:50,720 --> 00:13:52,160 Speaker 5: What do you do for work, Peter. 317 00:13:52,559 --> 00:13:54,000 Speaker 11: He's a bit of a tyrant. He's a bit of 318 00:13:54,040 --> 00:13:57,679 Speaker 11: a tyrant. We're just working constructions, so just Chippy worked him. 319 00:13:57,920 --> 00:14:01,080 Speaker 3: Just stop club watching, he spanned all not watching. No 320 00:14:01,080 --> 00:14:04,559 Speaker 3: one should know the time management here. That's why they've 321 00:14:04,559 --> 00:14:05,520 Speaker 3: broken the clocks. 322 00:14:05,600 --> 00:14:06,640 Speaker 5: I'll tell you at it's home. 323 00:14:06,720 --> 00:14:10,079 Speaker 3: Time has been attacking them with hammers overnight. 324 00:14:10,840 --> 00:14:13,000 Speaker 11: He usually says that, and so we don't look at 325 00:14:13,000 --> 00:14:14,760 Speaker 11: the clocks, and if we don't have the radio going 326 00:14:14,840 --> 00:14:17,520 Speaker 11: with the timel we sometimes will completely be smoker. I 327 00:14:17,600 --> 00:14:20,280 Speaker 11: think that's what he hopes for. So we just have lunch, 328 00:14:22,000 --> 00:14:24,200 Speaker 11: no hother break. 329 00:14:24,320 --> 00:14:26,280 Speaker 5: It's a form of torture, isn't it taking away the 330 00:14:26,280 --> 00:14:27,920 Speaker 5: concept of what time it is from people? 331 00:14:28,120 --> 00:14:31,840 Speaker 3: Yeah, you can do that, all right, Peter, Thank you 332 00:14:31,920 --> 00:14:34,560 Speaker 3: very much. A cool thanks. Guys. Do we need to 333 00:14:34,600 --> 00:14:38,840 Speaker 3: send someone down to their workplace against their will? He's 334 00:14:38,840 --> 00:14:42,360 Speaker 3: a bit of a tyrant. You're either tyrant or you're not. 335 00:14:42,480 --> 00:14:45,640 Speaker 3: You're not half fasting the half fast tyrant. Let's go 336 00:14:45,760 --> 00:14:47,720 Speaker 3: to Marie. Come onning Marie. 337 00:14:48,320 --> 00:14:49,200 Speaker 12: Good morning, guys. 338 00:14:49,240 --> 00:14:49,680 Speaker 4: How are you? 339 00:14:49,800 --> 00:14:51,920 Speaker 3: Yeah, we're good, Marie. You having a good week so far? Marie? 340 00:14:52,360 --> 00:14:53,560 Speaker 9: Oh yes, Sam, thank you. 341 00:14:53,800 --> 00:14:54,760 Speaker 3: What are you watching right now? 342 00:14:55,960 --> 00:14:57,960 Speaker 12: I'm sitting in the car about going to work. 343 00:14:59,240 --> 00:15:00,520 Speaker 3: And time checks. 344 00:15:01,480 --> 00:15:04,920 Speaker 12: Yes, we absolutely need them because the alarm goes off 345 00:15:04,960 --> 00:15:08,240 Speaker 12: in the morning and that's great. But being your sort 346 00:15:08,240 --> 00:15:11,080 Speaker 12: of press mooth and you you doze and it's not 347 00:15:11,240 --> 00:15:14,440 Speaker 12: till you hear the time that you think, oh you 348 00:15:14,480 --> 00:15:15,960 Speaker 12: know what, I'm got to get out of bed. 349 00:15:16,760 --> 00:15:19,440 Speaker 3: Pacemaker human alarmer. 350 00:15:20,480 --> 00:15:23,120 Speaker 5: So wouldn't help Marie if even Christian went, hey Marie 351 00:15:23,200 --> 00:15:25,000 Speaker 5: at six thirty, get out of bed, get out of bed. 352 00:15:25,080 --> 00:15:25,840 Speaker 5: You're lateful work. 353 00:15:25,960 --> 00:15:29,560 Speaker 3: Do I need a personalized time check of the day. Absolutely, 354 00:15:32,720 --> 00:15:34,640 Speaker 3: as a bespoke service we're going to do for some 355 00:15:34,680 --> 00:15:37,680 Speaker 3: of you. Just you, Marie, Okay, Oh, thank you so much. 356 00:15:37,760 --> 00:15:39,480 Speaker 12: I mean, it just gives me an a little reason 357 00:15:39,520 --> 00:15:40,760 Speaker 12: to listen, doesn't it It does? 358 00:15:40,840 --> 00:15:43,640 Speaker 3: Yeah, Mary, it is time to conclude this call and 359 00:15:43,680 --> 00:15:44,360 Speaker 3: go to work now. 360 00:15:45,280 --> 00:15:47,640 Speaker 10: Thank you very much. I'm going to deliver some babies. 361 00:15:47,680 --> 00:15:49,440 Speaker 3: Have a good day, are you midwife? 362 00:15:50,000 --> 00:15:50,400 Speaker 6: I am? 363 00:15:50,600 --> 00:15:57,760 Speaker 3: Oh, what a fantastic That was a weird thing for us. 364 00:15:58,280 --> 00:16:07,280 Speaker 3: She's just a keen amateur hobby. Really show they always 365 00:16:07,280 --> 00:16:08,280 Speaker 3: need extra sep of hands. 366 00:16:08,320 --> 00:16:10,360 Speaker 5: Often people won't even ask questions. If you got the 367 00:16:10,360 --> 00:16:10,800 Speaker 5: thud on. 368 00:16:14,240 --> 00:16:15,400 Speaker 3: Marie, you have a good day. 369 00:16:16,120 --> 00:16:17,960 Speaker 12: Thanks guys, you two love your show. 370 00:16:18,960 --> 00:16:23,080 Speaker 1: This is The Christian O'Connell Show Podcast. 371 00:16:23,040 --> 00:16:25,280 Speaker 3: Six fifty four. My friends, how do one know? The 372 00:16:25,360 --> 00:16:32,920 Speaker 3: time iPad special? They found an iPad? Oh technology radio 373 00:16:33,040 --> 00:16:33,920 Speaker 3: five point zero? 374 00:16:34,200 --> 00:16:36,040 Speaker 5: I an iPad. 375 00:16:36,160 --> 00:16:38,320 Speaker 3: I haven't seen one of those in a very long time, 376 00:16:38,360 --> 00:16:40,600 Speaker 3: and I do you remember when iPads first became a thing, 377 00:16:40,640 --> 00:16:43,000 Speaker 3: and suddenly everyone on the news wanted to show that 378 00:16:43,040 --> 00:16:46,880 Speaker 3: they had an't iPad anymore. Just someone's get my iPad 379 00:16:46,960 --> 00:16:50,160 Speaker 3: up here to look at that visual again. In the 380 00:16:50,360 --> 00:16:52,600 Speaker 3: D's game early, do you remember everyone had a iPad 381 00:16:52,640 --> 00:16:57,200 Speaker 3: on TV to show us, Oh you in space, ipadure 382 00:16:57,320 --> 00:17:00,840 Speaker 3: is here and iPad that time got a clock on it. 383 00:17:00,960 --> 00:17:03,320 Speaker 3: What are we going to do with this futureist technology? 384 00:17:03,520 --> 00:17:05,920 Speaker 3: Put a clock on there, put a Sundar lap on there. 385 00:17:06,400 --> 00:17:08,720 Speaker 3: So yeah, it's five to seven this morning. We open 386 00:17:08,720 --> 00:17:10,720 Speaker 3: me up the fine lines. Then. I hope this doesn't 387 00:17:10,800 --> 00:17:12,800 Speaker 3: kick off too much in your relationships today, but we 388 00:17:12,880 --> 00:17:14,680 Speaker 3: just want to ask you a question, if you could 389 00:17:15,080 --> 00:17:20,720 Speaker 3: you love your partner? God, If anything, today's show is 390 00:17:20,760 --> 00:17:24,639 Speaker 3: a celebration of love in all our various forms of 391 00:17:24,640 --> 00:17:29,600 Speaker 3: the relationships that we find ourselves in. You love your partner. 392 00:17:30,160 --> 00:17:34,399 Speaker 3: But an alien has landed. Oh this is good, this 393 00:17:34,480 --> 00:17:36,760 Speaker 3: is effect to attitude. Now I've got the iPad. An 394 00:17:36,760 --> 00:17:39,520 Speaker 3: alien has landed and he said that he can change 395 00:17:39,560 --> 00:17:45,000 Speaker 3: just one thing about your love. The alien knows, my God, 396 00:17:45,000 --> 00:17:46,600 Speaker 3: he's so in love. He said to about if I 397 00:17:46,640 --> 00:17:48,119 Speaker 3: could give you a power, I'm an alien I can 398 00:17:48,160 --> 00:17:50,439 Speaker 3: do anything. If I could change one thing about your partner, 399 00:17:50,640 --> 00:17:53,000 Speaker 3: what would it be? The alien will do it straight 400 00:17:53,000 --> 00:17:54,879 Speaker 3: away with his big old pointing finger, and then go 401 00:17:54,920 --> 00:17:57,600 Speaker 3: back to and he take off, and they would not 402 00:17:57,760 --> 00:18:00,920 Speaker 3: know that they've been probed and reprogrammed. If you could 403 00:18:01,000 --> 00:18:04,080 Speaker 3: change one thing, just one thing about your other half, 404 00:18:04,359 --> 00:18:05,120 Speaker 3: what would it be. 405 00:18:05,119 --> 00:18:08,000 Speaker 5: Jack, Mine's quite simple and innocent, mister Alien. I would 406 00:18:08,000 --> 00:18:10,679 Speaker 5: simply go my wife, especially as it gets into the 407 00:18:10,680 --> 00:18:12,320 Speaker 5: coldon months, where's my hoodies? 408 00:18:12,320 --> 00:18:12,600 Speaker 3: A lot? 409 00:18:12,800 --> 00:18:15,879 Speaker 5: That's fine. When she takes off the hoodie, she pulls 410 00:18:15,880 --> 00:18:18,000 Speaker 5: it in a way where the sleeves pull into the 411 00:18:18,040 --> 00:18:20,359 Speaker 5: inside of the jumper, and she'll just leave it like that. 412 00:18:20,680 --> 00:18:22,960 Speaker 5: So when I go to put the hoodie on, I've 413 00:18:22,960 --> 00:18:25,520 Speaker 5: got to reach into the sleeve, pull it out of 414 00:18:25,560 --> 00:18:27,960 Speaker 5: the jumper both sides. By the time I've got it 415 00:18:28,000 --> 00:18:29,920 Speaker 5: on time not well spent. 416 00:18:30,400 --> 00:18:32,960 Speaker 3: Not just that Sarah is the same thing, but something worse. Jack. 417 00:18:33,080 --> 00:18:35,240 Speaker 3: She will also borrow MIODI, So now I have to 418 00:18:35,280 --> 00:18:39,040 Speaker 3: buy if I'm getting a hoodie, sometimes buy a size down. 419 00:18:39,520 --> 00:18:43,240 Speaker 3: A deco. Won't get you have that one? She go, oh, no, 420 00:18:43,400 --> 00:18:46,119 Speaker 3: I like your one because they like it when it's baggy, 421 00:18:46,160 --> 00:18:49,359 Speaker 3: and when she sat watching TV she draws her knees in. 422 00:18:51,400 --> 00:18:52,120 Speaker 5: Stretching it. 423 00:18:52,240 --> 00:18:55,639 Speaker 3: Oh, as I say, distorting the essential shape and framework 424 00:18:55,680 --> 00:18:58,639 Speaker 3: of it. It's no longer my hoodie. I can't then 425 00:18:58,920 --> 00:19:01,840 Speaker 3: snap it back into space, all right. So if Patsy, 426 00:19:01,840 --> 00:19:03,040 Speaker 3: what would it be for you if you could change 427 00:19:03,119 --> 00:19:04,760 Speaker 3: one thing about your other half? Crystal? 428 00:19:05,200 --> 00:19:07,000 Speaker 2: It just sleeps too much in the arm chair, like 429 00:19:07,119 --> 00:19:10,480 Speaker 2: last night, and let the dinner burn. I went and 430 00:19:10,480 --> 00:19:14,399 Speaker 2: had a shower. He just attention to details sometimes. 431 00:19:14,040 --> 00:19:14,960 Speaker 3: Was he cooking dinner? 432 00:19:15,480 --> 00:19:15,640 Speaker 11: Well? 433 00:19:15,720 --> 00:19:17,960 Speaker 3: Yeah, and he just went to sleep. 434 00:19:18,119 --> 00:19:20,680 Speaker 2: To sleep. And I got out of Sharon. I thought 435 00:19:20,880 --> 00:19:26,000 Speaker 2: I can smell burning saucer, unbelievable, and went out and 436 00:19:26,040 --> 00:19:29,000 Speaker 2: he's catching flies, head right back, mouth right. I've been 437 00:19:29,560 --> 00:19:34,400 Speaker 2: snoring at like five to seven. Chris took about two 438 00:19:34,440 --> 00:19:38,000 Speaker 2: minutes to rouse him. I thought he was dead and 439 00:19:38,119 --> 00:19:39,600 Speaker 2: my scan pans ruined. 440 00:19:39,680 --> 00:19:42,720 Speaker 3: Oh no, what is it? Also? Charcoald moment? You can't 441 00:19:42,760 --> 00:19:43,280 Speaker 3: get it off? 442 00:19:43,480 --> 00:19:44,920 Speaker 2: Yes, point of no return? 443 00:19:45,160 --> 00:19:47,560 Speaker 3: Oh and what was he supposed to be cooking for? 444 00:19:48,840 --> 00:19:56,119 Speaker 2: He's just so he carrots and beans some beans. 445 00:19:56,119 --> 00:19:59,600 Speaker 6: You're listening to the Christian no Kyl's show podcast, You. 446 00:19:59,680 --> 00:20:02,200 Speaker 3: Love I Love your other half. But if you could 447 00:20:02,280 --> 00:20:05,719 Speaker 3: change just one thing about your partner, what would it be? 448 00:20:06,760 --> 00:20:09,080 Speaker 3: Nine four one four one o four three. No matter 449 00:20:09,160 --> 00:20:12,680 Speaker 3: how much you love your other half, there's always there's 450 00:20:12,720 --> 00:20:15,199 Speaker 3: always at least one thing. My wife would actually be 451 00:20:15,240 --> 00:20:17,280 Speaker 3: here about five hours, so she was going through a 452 00:20:17,400 --> 00:20:20,640 Speaker 3: very large drop down menu of things that she's been 453 00:20:20,680 --> 00:20:24,119 Speaker 3: working on. Well, she's naively thinking that over time she 454 00:20:24,160 --> 00:20:27,199 Speaker 3: can eradicate all those things. But twenty four years of marriage, 455 00:20:27,240 --> 00:20:29,280 Speaker 3: she not changed anything. Yeah, good luck with that. If 456 00:20:29,320 --> 00:20:31,840 Speaker 3: I could change one thing about my wife, I'm aware 457 00:20:31,840 --> 00:20:33,680 Speaker 3: that we are one week away from our twenty fifth 458 00:20:34,000 --> 00:20:37,840 Speaker 3: wedding anniversity one thing, it would be the volume, lack 459 00:20:37,880 --> 00:20:42,000 Speaker 3: of control. Holy crap. The other day, I'm having a 460 00:20:42,080 --> 00:20:43,920 Speaker 3: nice chat with her neighbor. It's it's moved in right, 461 00:20:44,240 --> 00:20:47,840 Speaker 3: And then I'm like, oh god, it's my wife. I 462 00:20:47,880 --> 00:20:53,320 Speaker 3: love my wife. But she will yell, yell, I'm not exaggerating, 463 00:20:53,640 --> 00:20:57,600 Speaker 3: yell whether I'm you know, next to her five hundred 464 00:20:57,680 --> 00:21:00,840 Speaker 3: meters away. So I'm out on the row. I'm going 465 00:21:00,920 --> 00:21:03,439 Speaker 3: to be going into the house. Shortly. She sees me 466 00:21:03,520 --> 00:21:10,480 Speaker 3: talk to another being, right, even he goes I said, 467 00:21:10,600 --> 00:21:13,760 Speaker 3: I even said sorry, that's my wife. I didn't want 468 00:21:13,800 --> 00:21:15,880 Speaker 3: to yield back because while I don't know to play 469 00:21:15,880 --> 00:21:21,520 Speaker 3: that game right on the street, what bens out? Sorry, 470 00:21:21,560 --> 00:21:23,879 Speaker 3: I'm gonna have to go now. Her mum is the 471 00:21:23,920 --> 00:21:26,200 Speaker 3: same as well. I'm married into a line of yellers. 472 00:21:26,280 --> 00:21:28,880 Speaker 3: I don't know whether there were sprookers in some former lifetime, 473 00:21:28,880 --> 00:21:32,200 Speaker 3: but in the house, I'll be sat quietly, just minded 474 00:21:32,240 --> 00:21:35,640 Speaker 3: my own business from somewhere else in the house out 475 00:21:35,680 --> 00:21:35,960 Speaker 3: on the. 476 00:21:41,400 --> 00:21:43,920 Speaker 5: How often, be honest, how often do you get called 477 00:21:43,920 --> 00:21:45,680 Speaker 5: from other rooms in the house and pretend you don't 478 00:21:45,680 --> 00:21:46,800 Speaker 5: hear every day? 479 00:21:48,400 --> 00:21:50,600 Speaker 3: Then my wife goes, well, we do talk her? Why 480 00:21:50,600 --> 00:21:56,720 Speaker 3: are you? But if you didn't ignore me, I'll have that. 481 00:21:56,920 --> 00:21:59,359 Speaker 3: Oh my grave, you should have listened the first time. 482 00:22:01,880 --> 00:22:04,560 Speaker 3: All right? Nine four one four one o four three. 483 00:22:04,640 --> 00:22:07,399 Speaker 3: You love your other half, but you could just change 484 00:22:07,480 --> 00:22:09,720 Speaker 3: one thing about them? What would it be? Nine four 485 00:22:09,760 --> 00:22:13,280 Speaker 3: one four one o four three? Good morning, Catherine, Good morning, 486 00:22:13,320 --> 00:22:15,520 Speaker 3: how are you doing. I'm good, Catherine. So what would 487 00:22:15,560 --> 00:22:16,840 Speaker 3: you change about your other half? 488 00:22:17,840 --> 00:22:20,360 Speaker 13: He's adorable and he's such a great guy, but god, 489 00:22:20,400 --> 00:22:21,760 Speaker 13: he snow it's like change. 490 00:22:21,520 --> 00:22:23,080 Speaker 3: Saw really really loudly. 491 00:22:24,720 --> 00:22:26,800 Speaker 13: He tries to sleep for Nixon I sometimes have to 492 00:22:26,800 --> 00:22:28,040 Speaker 13: go there on the other end of the house to 493 00:22:28,040 --> 00:22:28,960 Speaker 13: get a good night's. 494 00:22:28,760 --> 00:22:30,920 Speaker 14: Sleep, though you go down the other end of the bed. 495 00:22:33,160 --> 00:22:35,840 Speaker 13: I'm not judging, but he's very he's very kindly gone 496 00:22:35,840 --> 00:22:38,040 Speaker 13: to Yarrawonga. So I'm having a brilliant week so far. 497 00:22:38,160 --> 00:22:40,560 Speaker 13: But when he gets home, oh my gosh, has he. 498 00:22:40,560 --> 00:22:44,600 Speaker 3: Gone there just to snore? Good luck if you live 499 00:22:44,640 --> 00:22:46,960 Speaker 3: in the area and you're not saving very well. I mean, 500 00:22:46,960 --> 00:22:49,200 Speaker 3: it's hibernating bears Katherine's husband. 501 00:22:50,160 --> 00:22:53,200 Speaker 13: I can still hear him from me, it's just not 502 00:22:53,320 --> 00:22:54,040 Speaker 13: quite so loud. 503 00:22:55,000 --> 00:22:56,600 Speaker 3: Katherine has to go and have a good day. Thanks 504 00:22:56,640 --> 00:22:57,560 Speaker 3: to you on the show too. 505 00:22:57,920 --> 00:22:57,960 Speaker 4: No. 506 00:22:58,160 --> 00:22:59,840 Speaker 3: Four one four one o four three. 507 00:23:00,160 --> 00:23:02,359 Speaker 6: Look Christian O'Connell Show Podcast. 508 00:23:02,960 --> 00:23:06,000 Speaker 3: If you could change just one thing, just one thing 509 00:23:06,080 --> 00:23:09,000 Speaker 3: about your other half who you love deeply love you 510 00:23:09,119 --> 00:23:10,840 Speaker 3: at the half, but if you could change just one 511 00:23:10,880 --> 00:23:12,880 Speaker 3: thing about them, what would it be? Nine four one 512 00:23:13,000 --> 00:23:16,080 Speaker 3: four one four three Jason, good morning. 513 00:23:17,000 --> 00:23:20,200 Speaker 4: Yeah, Christian. I love my life, I really do, to 514 00:23:20,400 --> 00:23:22,440 Speaker 4: the bottom of my heart. But the one thing I 515 00:23:22,520 --> 00:23:24,959 Speaker 4: would change is ACD. 516 00:23:25,680 --> 00:23:26,159 Speaker 3: How do you mean. 517 00:23:27,400 --> 00:23:30,520 Speaker 4: Well, I'll put something down that I want to use 518 00:23:30,760 --> 00:23:32,640 Speaker 4: and go away for a seating to hit something else. 519 00:23:32,680 --> 00:23:33,840 Speaker 4: I'm going to come back. It's gone. 520 00:23:35,440 --> 00:23:37,440 Speaker 3: So what she's trying to sort of tidy up after 521 00:23:37,520 --> 00:23:38,200 Speaker 3: you and around you? 522 00:23:39,440 --> 00:23:42,359 Speaker 4: She always knows, and so like, I play video games 523 00:23:42,400 --> 00:23:45,320 Speaker 4: to d stress. So I put my games in order. 524 00:23:45,359 --> 00:23:48,280 Speaker 4: I want to play them, and then she'll come back 525 00:23:48,320 --> 00:23:49,800 Speaker 4: and put them in out and bit of care order 526 00:23:49,840 --> 00:23:50,840 Speaker 4: and put them somewhere else. 527 00:23:51,160 --> 00:23:52,640 Speaker 3: How many of these games have you got? 528 00:23:53,600 --> 00:23:55,120 Speaker 4: I've got a bit of fifteen. 529 00:23:54,840 --> 00:23:57,639 Speaker 3: Fifteen, and so say for it today for example, right 530 00:23:57,720 --> 00:23:59,159 Speaker 3: later on today after work? Or where have you got 531 00:23:59,160 --> 00:24:02,160 Speaker 3: one today? You want to go home? And Jasons to distress? 532 00:24:02,359 --> 00:24:04,160 Speaker 3: What game would you like to play? First of all, 533 00:24:04,840 --> 00:24:08,399 Speaker 3: cool with dud? And are you playing with mates or 534 00:24:08,480 --> 00:24:10,320 Speaker 3: with that that headset that you will get on? 535 00:24:10,400 --> 00:24:10,680 Speaker 5: What do you do? 536 00:24:10,800 --> 00:24:12,440 Speaker 3: Were you playing with friends or strangers? 537 00:24:13,119 --> 00:24:13,960 Speaker 4: I play solo? 538 00:24:15,680 --> 00:24:17,760 Speaker 3: Gotcha? And that is how you unwind? 539 00:24:18,880 --> 00:24:19,080 Speaker 4: Yeah? 540 00:24:19,600 --> 00:24:21,560 Speaker 3: Gotcha? All right, Jason? Thank you very much? 541 00:24:21,600 --> 00:24:21,840 Speaker 11: You cool? 542 00:24:21,960 --> 00:24:22,520 Speaker 3: Take care of mate? 543 00:24:23,080 --> 00:24:23,399 Speaker 4: Thank you. 544 00:24:25,040 --> 00:24:28,200 Speaker 3: Grown man. We're all thinking, aren't we. 545 00:24:29,320 --> 00:24:31,159 Speaker 5: Yeah, putting your games in order and the order you 546 00:24:31,200 --> 00:24:31,600 Speaker 5: want to play? 547 00:24:31,960 --> 00:24:33,840 Speaker 3: Now, if that's a twelve year old, thirteen year old, 548 00:24:34,200 --> 00:24:35,200 Speaker 3: that's okay, we get. 549 00:24:35,080 --> 00:24:38,359 Speaker 5: It's adults do like you? 550 00:24:38,840 --> 00:24:42,680 Speaker 3: They love that same thing man boys, you know Justine, 551 00:24:42,760 --> 00:24:43,400 Speaker 3: good morning. 552 00:24:43,840 --> 00:24:48,240 Speaker 10: Good morning everyone, Justin, I just wise, I truly, truly 553 00:24:48,320 --> 00:24:50,600 Speaker 10: love my husband. He's a great father and he's a 554 00:24:50,640 --> 00:24:53,639 Speaker 10: great husband. But I know it sounds really trivial, but 555 00:24:54,040 --> 00:24:56,680 Speaker 10: I just wish I could change the way he eats popcorn. 556 00:24:57,320 --> 00:24:59,000 Speaker 3: Oh yeah, what is it? Too loud? 557 00:25:00,320 --> 00:25:03,280 Speaker 10: He's got really good table manners, but the first he 558 00:25:03,359 --> 00:25:05,760 Speaker 10: puts the popcorn in his mouth in the first few bites, like, 559 00:25:07,200 --> 00:25:09,000 Speaker 10: and I don't know how many more times I can 560 00:25:09,119 --> 00:25:11,720 Speaker 10: keep canceling movie night, Like I'm running out of excuses. 561 00:25:14,520 --> 00:25:16,399 Speaker 3: So what is it is? The first couple of bites 562 00:25:16,440 --> 00:25:16,840 Speaker 3: so like that? 563 00:25:17,680 --> 00:25:20,960 Speaker 10: Yeah, and I've said it to him before, you eating popcorn? 564 00:25:21,000 --> 00:25:23,159 Speaker 10: Really lab And he goes, Ah, all my exits have 565 00:25:23,280 --> 00:25:25,800 Speaker 10: told me this too. I'm thinking, why haven't you changed? 566 00:25:26,400 --> 00:25:28,560 Speaker 3: Yeah, this is what happens when he's been in a 567 00:25:28,600 --> 00:25:30,919 Speaker 3: relationship a while, isn't it. You know, at first it's 568 00:25:30,960 --> 00:25:32,720 Speaker 3: like you can do no wrong, and then afterwards you 569 00:25:32,760 --> 00:25:34,639 Speaker 3: can do no right. Well even just the sound of 570 00:25:34,680 --> 00:25:36,800 Speaker 3: the meat and popcorn, It's like, can you do that. 571 00:25:40,960 --> 00:25:41,440 Speaker 10: Exactly? 572 00:25:43,760 --> 00:25:45,280 Speaker 3: Justine? Thank you very much for cool mate, have a 573 00:25:45,320 --> 00:25:45,639 Speaker 3: good day. 574 00:25:46,160 --> 00:25:46,720 Speaker 10: Thank you too. 575 00:25:47,080 --> 00:25:49,080 Speaker 3: Johnny Boy, Johnny Boy, Welcome to the show. 576 00:25:49,880 --> 00:25:50,080 Speaker 11: H R. 577 00:25:50,200 --> 00:25:50,680 Speaker 14: Christians. 578 00:25:51,080 --> 00:25:53,080 Speaker 3: John, what did you change around other half? 579 00:25:53,760 --> 00:25:56,320 Speaker 14: As much as I like my wife, she's a shocker 580 00:25:56,400 --> 00:26:00,520 Speaker 14: for talking with a mouthful at the table. She rolls. 581 00:26:00,680 --> 00:26:02,240 Speaker 14: She rolls a field up and sort of pops it 582 00:26:02,240 --> 00:26:04,639 Speaker 14: in one side, so he cheek blows out and she starts. 583 00:26:04,480 --> 00:26:06,760 Speaker 3: Changing tobacco out in the Old Wild West. 584 00:26:08,800 --> 00:26:12,160 Speaker 14: Very similar. It's not too bad when we're just myself 585 00:26:12,200 --> 00:26:13,960 Speaker 14: and the kids, but we have gifts and stuff over and. 586 00:26:15,640 --> 00:26:20,960 Speaker 3: You're really and you're going to be in a spare room, John. 587 00:26:22,040 --> 00:26:23,200 Speaker 14: I pull her up on a lot of the time, 588 00:26:23,240 --> 00:26:24,440 Speaker 14: and it's a lifelong habit. 589 00:26:25,080 --> 00:26:27,479 Speaker 5: At least seeing the food get munched up. If she's 590 00:26:27,520 --> 00:26:29,040 Speaker 5: putting it over in the cheek, you don't have to 591 00:26:29,080 --> 00:26:29,480 Speaker 5: look at it. 592 00:26:29,640 --> 00:26:32,520 Speaker 3: Yeah, but I've seeing someone like that, Master Kine. What 593 00:26:32,560 --> 00:26:34,600 Speaker 3: it's cool where they put it. There's an animal that 594 00:26:34,720 --> 00:26:36,080 Speaker 3: does that in his bed or something. 595 00:26:37,000 --> 00:26:39,320 Speaker 14: And talking at the same time. Is not real pretty. 596 00:26:41,320 --> 00:26:43,240 Speaker 3: A picture there. We'd love to come around for dinner 597 00:26:43,320 --> 00:26:44,960 Speaker 3: to see this at the Human Zoo. 598 00:26:47,119 --> 00:26:49,040 Speaker 14: Yeah, be interesting. You can see what I mean. 599 00:26:51,160 --> 00:26:53,760 Speaker 3: Thank you very much, John, See you later, Thanks Christian, 600 00:26:53,800 --> 00:26:58,200 Speaker 3: Take care you guys, christ you know Connell's show podcast 601 00:26:59,040 --> 00:27:04,600 Speaker 3: yesterday on Ackland Street, Instant Kilda. Then some painters specialists 602 00:27:04,800 --> 00:27:07,840 Speaker 3: in the field flown over by this radio station from 603 00:27:07,920 --> 00:27:12,760 Speaker 3: Sydney to begin work on a one hundred hour mural. 604 00:27:12,880 --> 00:27:14,840 Speaker 3: You might be thinking, my god, I'm gonna have to 605 00:27:14,880 --> 00:27:17,240 Speaker 3: go a pilgrimission this weekend to see this work of art. 606 00:27:17,600 --> 00:27:21,240 Speaker 3: What is it that they're going to dedicate one hundred hours. 607 00:27:21,480 --> 00:27:23,920 Speaker 5: To doing the Sistine Chapel of Saint Kilda. 608 00:27:24,119 --> 00:27:27,840 Speaker 3: Yes, to watch out Luna Parte. There's a new rival 609 00:27:27,880 --> 00:27:31,840 Speaker 3: in town. It's a painting of me. I don't think 610 00:27:31,880 --> 00:27:34,919 Speaker 3: a hundred hours. Well, that's what they're charging the company. 611 00:27:35,000 --> 00:27:38,880 Speaker 3: You get a quote radio station. You're saying number one 612 00:27:38,960 --> 00:27:42,480 Speaker 3: station in quick quick guys, double double it. And we 613 00:27:42,560 --> 00:27:45,679 Speaker 3: were told that they have quoted one hundred hours. Very 614 00:27:45,760 --> 00:27:49,119 Speaker 3: precise number, isn't it not fifty to sixty or you know, 615 00:27:49,359 --> 00:27:53,600 Speaker 3: maybe under ninety or eighty exactly one hundred hours. 616 00:27:54,200 --> 00:27:56,280 Speaker 5: They started, yes, say at eleven am, so they've done 617 00:27:56,359 --> 00:27:58,760 Speaker 5: seven or eight hours work and then more than halfway done. 618 00:27:58,880 --> 00:28:00,720 Speaker 3: Yep. So chat you're looking at photo of how it 619 00:28:00,840 --> 00:28:03,639 Speaker 3: finished yesterday. Obviously they're back in today. They've got one 620 00:28:03,720 --> 00:28:05,800 Speaker 3: hundred hours in total to do, so they've just they've 621 00:28:05,840 --> 00:28:07,399 Speaker 3: still got another ninety two hours to go. 622 00:28:07,880 --> 00:28:11,720 Speaker 5: I guess the face is the difficult part all that time. 623 00:28:12,040 --> 00:28:13,440 Speaker 3: Becau's where the magic is right. 624 00:28:14,040 --> 00:28:16,440 Speaker 5: They've done pretty much everything except the face. The gold 625 00:28:16,520 --> 00:28:19,439 Speaker 5: logos there, Chris sure connall, you've got your leather jacket 626 00:28:19,520 --> 00:28:22,159 Speaker 5: on and they've left the face blank. And if we 627 00:28:22,280 --> 00:28:24,960 Speaker 5: know anything about murals around Melbourne, the face is where 628 00:28:25,000 --> 00:28:28,879 Speaker 5: it can go wrong. Dusty, Dusty, Dusty given a big 629 00:28:28,960 --> 00:28:31,720 Speaker 5: fist pump looks great, he looks strong. The Richmond jumper 630 00:28:31,760 --> 00:28:33,920 Speaker 5: looks great. The face is a little skew of yes. 631 00:28:34,240 --> 00:28:36,159 Speaker 3: And that's why I'm saying that maybe that's what the 632 00:28:36,280 --> 00:28:39,360 Speaker 3: ninety two hour part is. Is that? And also you 633 00:28:39,440 --> 00:28:41,800 Speaker 3: don't just the way this looks right now of a 634 00:28:41,880 --> 00:28:44,959 Speaker 3: half finished project. Isn't that so many people when they 635 00:28:45,000 --> 00:28:46,760 Speaker 3: come run and quote something where they do a bit 636 00:28:46,800 --> 00:28:48,040 Speaker 3: of the work and then they bug off for a 637 00:28:48,120 --> 00:28:50,320 Speaker 3: couple of days. Do you think they're just going back 638 00:28:50,360 --> 00:28:52,160 Speaker 3: to Sydney now they're back at some point next with 639 00:28:52,600 --> 00:28:55,160 Speaker 3: my brother in law, neither did the paints for another project, 640 00:28:55,320 --> 00:28:55,960 Speaker 3: got new build. 641 00:28:56,120 --> 00:28:58,400 Speaker 5: They couldn't even bother writing your whole name. They've actually 642 00:28:58,480 --> 00:29:01,320 Speaker 5: ridden Kisston O'Connell just left out the R. 643 00:29:01,560 --> 00:29:02,400 Speaker 3: Why have they done that? 644 00:29:02,800 --> 00:29:04,320 Speaker 5: As if we got to five o'clock and go right 645 00:29:04,560 --> 00:29:07,080 Speaker 5: knock off now no hard to do a. 646 00:29:07,080 --> 00:29:12,040 Speaker 3: Curve again our ninety two tomorrow at ten. Now the 647 00:29:12,120 --> 00:29:13,920 Speaker 3: reason why we're telling you all this all lovely. It's 648 00:29:13,960 --> 00:29:17,600 Speaker 3: on Ackland Street. However, this is great. It's an iconic 649 00:29:17,680 --> 00:29:19,200 Speaker 3: thing of the city, isn't it, The street art and 650 00:29:19,240 --> 00:29:22,640 Speaker 3: the murals, and it's amazing as next week well mark 651 00:29:22,720 --> 00:29:24,960 Speaker 3: four years since we actually moved here. This is really 652 00:29:25,080 --> 00:29:28,040 Speaker 3: this is really exciting. However, the exciting thing is we 653 00:29:28,200 --> 00:29:30,120 Speaker 3: decided that a few more walls we're not going to 654 00:29:30,200 --> 00:29:32,280 Speaker 3: take up with my face on there. We want you 655 00:29:32,440 --> 00:29:34,880 Speaker 3: to have whatever you want on your own murals. So 656 00:29:35,000 --> 00:29:37,560 Speaker 3: right now we have one. That is the moment they finish. 657 00:29:37,800 --> 00:29:40,200 Speaker 3: Once they've done that one hundredth hour of me, they're 658 00:29:40,240 --> 00:29:42,760 Speaker 3: moving on to brand new wall in Lygon Street. You 659 00:29:42,800 --> 00:29:44,520 Speaker 3: don't get any one of the most iconic streets in 660 00:29:44,560 --> 00:29:47,560 Speaker 3: the city, Lion Street, there's a wall. We don't know 661 00:29:47,600 --> 00:29:49,440 Speaker 3: what's going to be up there yet. We're going to 662 00:29:49,520 --> 00:29:51,560 Speaker 3: give you the chance to win your own wall. We 663 00:29:51,680 --> 00:29:53,160 Speaker 3: have to do in the next couple of days because 664 00:29:53,160 --> 00:29:55,680 Speaker 3: obviously they've got to begin working at another one hundred hours. 665 00:29:56,360 --> 00:29:59,240 Speaker 3: So what would you love on your own mural, whatever 666 00:29:59,240 --> 00:30:02,080 Speaker 3: it could be. We had some early ideas yesterday for listeners, 667 00:30:02,400 --> 00:30:03,959 Speaker 3: and some of these are really good ideas. You can 668 00:30:04,040 --> 00:30:05,120 Speaker 3: have whatever you want up there. 669 00:30:05,240 --> 00:30:08,640 Speaker 5: Yep Rick's nine month old baby, giant baby on the 670 00:30:08,680 --> 00:30:09,240 Speaker 5: side of the wall. 671 00:30:09,320 --> 00:30:11,440 Speaker 3: Yeap, the Megababy of Melbourne. I like that, and they 672 00:30:11,440 --> 00:30:12,360 Speaker 3: will cheer everybody up. 673 00:30:12,680 --> 00:30:16,400 Speaker 5: A collection of the Muppets that will chair everybody up. 674 00:30:18,760 --> 00:30:20,560 Speaker 3: Down the moment. I know your wife's left you, and 675 00:30:21,040 --> 00:30:22,680 Speaker 3: you know you're gonna have to move out, but hey, 676 00:30:23,000 --> 00:30:27,280 Speaker 3: you seen that baby over there, Gary, Gary, Now tell 677 00:30:27,400 --> 00:30:29,880 Speaker 3: me it's awful you've thrown out the house. 678 00:30:31,120 --> 00:30:34,160 Speaker 5: The Muppets, a collection of all the Muppets, everyone's favorite muppets, 679 00:30:34,160 --> 00:30:34,680 Speaker 5: and that was meant to. 680 00:30:34,720 --> 00:30:38,280 Speaker 3: Run in no way is that the Henson Corporation copyright protected. 681 00:30:39,000 --> 00:30:41,320 Speaker 3: We were not get You wouldn't even get five minutes 682 00:30:41,360 --> 00:30:44,080 Speaker 3: into that. Jim Henson had been landing here his troops. 683 00:30:44,200 --> 00:30:47,120 Speaker 5: Probably the same trouble then with the Obi Wan Kenobi suggestions. 684 00:30:47,120 --> 00:30:51,479 Speaker 5: Oh yes, yeah, Maria wants her brindle colored greyhound. Caesar 685 00:30:51,920 --> 00:30:54,440 Speaker 5: and Sarah suggested all the chefs of Melbourne that don't 686 00:30:54,440 --> 00:30:56,840 Speaker 5: get enough recognition on a wall of chefs. 687 00:30:56,720 --> 00:30:58,720 Speaker 3: Some that came in overnight. I love this one from 688 00:30:59,000 --> 00:31:01,840 Speaker 3: Jane Darmon. All I would say, Jane is right. Have 689 00:31:02,000 --> 00:31:03,840 Speaker 3: you seen the standard of some of the murals in 690 00:31:03,920 --> 00:31:06,480 Speaker 3: the city. Jane would love a picture of her and 691 00:31:06,720 --> 00:31:10,160 Speaker 3: George Michael dancing. Okay, well I'm mined about this is 692 00:31:10,280 --> 00:31:14,160 Speaker 3: what George Michael would look like a right because he 693 00:31:14,520 --> 00:31:18,920 Speaker 3: was a beautiful man in the wrong house. It could 694 00:31:19,080 --> 00:31:24,200 Speaker 3: like is that warning or George Michael. No, it's Princess Dianah, 695 00:31:24,560 --> 00:31:27,720 Speaker 3: it's a Princess Diana mural with listener Jane. 696 00:31:28,080 --> 00:31:28,200 Speaker 7: Uh. 697 00:31:28,600 --> 00:31:31,000 Speaker 3: This is a nice one from Mickey d. Christian. What 698 00:31:31,080 --> 00:31:33,160 Speaker 3: about on the mural? Then in lcol Street a road 699 00:31:33,240 --> 00:31:36,840 Speaker 3: runner cartoon type tunnel so you can watch people smack 700 00:31:36,920 --> 00:31:39,360 Speaker 3: into it when they try and walk through it, like 701 00:31:39,680 --> 00:31:40,880 Speaker 3: why do we offer them a walk? 702 00:31:42,240 --> 00:31:45,640 Speaker 6: This is the Christian O'Connell show podcast. 703 00:31:46,120 --> 00:31:49,400 Speaker 3: Christian. Even though they've quoted you the painters one hundred hours, 704 00:31:50,280 --> 00:31:52,360 Speaker 3: that's probably the total of the painter's tie. So the 705 00:31:52,440 --> 00:31:56,240 Speaker 3: two painters fifty hour job three painters, then thirty three 706 00:31:56,280 --> 00:31:59,240 Speaker 3: point three hours you get the pitchure. Thanks Rob Roboh, 707 00:32:01,800 --> 00:32:06,840 Speaker 3: good god, Christian Shirlie. Patsy want that water treatment plant 708 00:32:06,960 --> 00:32:07,560 Speaker 3: up on the wall? 709 00:32:08,320 --> 00:32:12,920 Speaker 2: I guess the floater in the water. No, that's not nice, 710 00:32:14,640 --> 00:32:15,320 Speaker 2: but you. 711 00:32:15,360 --> 00:32:17,320 Speaker 3: Would love that if you could have your own wall, 712 00:32:17,360 --> 00:32:18,560 Speaker 3: pats you'd love that in the mural? 713 00:32:18,640 --> 00:32:21,520 Speaker 2: No Ah, what would I? I'd have Brian Adams and 714 00:32:21,560 --> 00:32:24,480 Speaker 2: I in like a romantic embrace with. 715 00:32:24,560 --> 00:32:27,440 Speaker 3: His fine romantic embraces. He on top of you naked. 716 00:32:27,640 --> 00:32:29,320 Speaker 3: Oh no, not that she doing? 717 00:32:29,600 --> 00:32:29,640 Speaker 11: No? 718 00:32:29,840 --> 00:32:33,520 Speaker 2: What's he doing? We're clutched like lovers in the night 719 00:32:34,200 --> 00:32:37,240 Speaker 2: with the moon in the background. What like a werewolf 720 00:32:38,000 --> 00:32:40,880 Speaker 2: and his guitar slung over his back with his leather 721 00:32:40,960 --> 00:32:43,160 Speaker 2: pants on, shirtless. 722 00:32:44,640 --> 00:32:50,880 Speaker 3: Quite a scene going into a fan. Aren't he cosplay? 723 00:32:51,920 --> 00:32:54,600 Speaker 3: Patsy version of cosplay and Brian Adams. What we're talking 724 00:32:54,600 --> 00:32:56,800 Speaker 3: about then, is you can win this week on the show. 725 00:32:57,560 --> 00:32:59,200 Speaker 3: You can win your own mural. You think about the 726 00:32:59,320 --> 00:33:01,200 Speaker 3: classic melt mirrors, you can have your own one. It's 727 00:33:01,240 --> 00:33:03,280 Speaker 3: going to take one hundred hours to paint it. It'd 728 00:33:03,320 --> 00:33:05,720 Speaker 3: be going up next week in Liegon Street. We have 729 00:33:05,880 --> 00:33:07,880 Speaker 3: no idea which one of yours were going to pick 730 00:33:07,880 --> 00:33:09,360 Speaker 3: at the moment. So we're just looking for what would 731 00:33:09,360 --> 00:33:11,200 Speaker 3: you do? What do you want on your wall? Nine 732 00:33:12,000 --> 00:33:14,600 Speaker 3: one o four three. If you're going anywhere near Ackland 733 00:33:14,600 --> 00:33:19,600 Speaker 3: Street in Saint Kilda, my face is going up advertising 734 00:33:19,640 --> 00:33:22,840 Speaker 3: the show later on today started yesterday. They've got hot 735 00:33:23,360 --> 00:33:26,440 Speaker 3: ninety percent of the name. Yeah, the the R is 736 00:33:26,520 --> 00:33:27,520 Speaker 3: missing for some reason. 737 00:33:27,600 --> 00:33:30,200 Speaker 5: They've got your silhouette and say the tricky part, how 738 00:33:30,240 --> 00:33:32,600 Speaker 5: do we shure the essence of O'Connell. 739 00:33:32,280 --> 00:33:35,560 Speaker 3: Ninety two hour paint job? So what would you want 740 00:33:35,640 --> 00:33:37,640 Speaker 3: up on your wall? We have to find out the 741 00:33:37,680 --> 00:33:39,240 Speaker 3: next couple of day so they can begin doing it. 742 00:33:39,320 --> 00:33:42,680 Speaker 3: Nine four one four one oh four three Kerry, good morning. 743 00:33:43,240 --> 00:33:47,480 Speaker 8: Good morning Totin. All right, so my suggestion for the 744 00:33:47,560 --> 00:33:51,080 Speaker 8: wall is when I was nineteen, I was in a 745 00:33:51,240 --> 00:33:54,720 Speaker 8: movie in the Sam Worthington called Bootman, and there was 746 00:33:54,760 --> 00:33:57,320 Speaker 8: a scene where I walk into a bar and he 747 00:33:57,520 --> 00:34:00,440 Speaker 8: kisses me. Now I've sent you a screen shot. 748 00:34:00,880 --> 00:34:02,480 Speaker 3: I'm looking at it. I'm looking at it. 749 00:34:03,600 --> 00:34:03,960 Speaker 11: That is. 750 00:34:07,240 --> 00:34:10,960 Speaker 8: My claim to say, I would love you to immortalize 751 00:34:11,080 --> 00:34:12,920 Speaker 8: this iconic scene. 752 00:34:13,320 --> 00:34:15,719 Speaker 3: On the walls. Can I have a look at the 753 00:34:15,760 --> 00:34:19,640 Speaker 3: picture it's I'll say this. It's It's brief, isn't it. 754 00:34:20,760 --> 00:34:23,160 Speaker 3: It looks like he's just saying something into your ear. 755 00:34:24,640 --> 00:34:26,520 Speaker 8: It was brief, But you know they do a lot 756 00:34:26,560 --> 00:34:27,120 Speaker 8: of well. 757 00:34:27,160 --> 00:34:29,600 Speaker 5: I thought when you said kiss, I imagined you, you know, 758 00:34:29,800 --> 00:34:33,520 Speaker 5: a romantic pash Brian Adams Patsy type and brain the moonlight. 759 00:34:33,680 --> 00:34:36,240 Speaker 5: He's a peck on the cheek and his face is obscured. 760 00:34:36,280 --> 00:34:38,640 Speaker 3: You won't even tell who it is, Kerry, I'll tell 761 00:34:38,680 --> 00:34:39,920 Speaker 3: you what. This is the sort of thing you give 762 00:34:39,960 --> 00:34:40,760 Speaker 3: an elderly auntie. 763 00:34:43,600 --> 00:34:46,680 Speaker 8: It's it's my claim to say, I can't even. 764 00:34:46,600 --> 00:34:49,640 Speaker 5: Tell you your Your face is obscured by your hair. 765 00:34:49,760 --> 00:34:53,520 Speaker 5: You can't tell who either person is. Come on, I can't. 766 00:34:54,280 --> 00:34:55,640 Speaker 8: It's an iconic scene. 767 00:34:55,760 --> 00:34:59,080 Speaker 3: Guys, I've missed that movie as well. We just talk 768 00:34:59,120 --> 00:35:02,200 Speaker 3: about boot what's it called Botman? 769 00:35:04,480 --> 00:35:05,440 Speaker 8: About tap dogs? 770 00:35:05,880 --> 00:35:07,480 Speaker 5: I'm having a look at his rotten tomatoes? 771 00:35:07,600 --> 00:35:09,319 Speaker 3: Can you just read out the synops? Please? 772 00:35:09,360 --> 00:35:13,200 Speaker 5: What was Bootman? The comedy movie revolves around a dancer 773 00:35:13,239 --> 00:35:15,600 Speaker 5: who tries to escape from his current workplace at a 774 00:35:15,640 --> 00:35:22,480 Speaker 5: steel plant in order to establish in order to establish 775 00:35:22,560 --> 00:35:26,719 Speaker 5: his own troop of dances. Guys, who's with me? We're 776 00:35:26,800 --> 00:35:28,800 Speaker 5: going on strike. We're going to dance. 777 00:35:30,040 --> 00:35:31,320 Speaker 14: But you know what I get to do. 778 00:35:31,480 --> 00:35:34,200 Speaker 8: I get to tell everyone that I got kissed by 779 00:35:34,360 --> 00:35:35,640 Speaker 8: Jake Sully from Avatar. 780 00:35:37,360 --> 00:35:38,680 Speaker 3: Why don't you go? Whatever it is? What was his 781 00:35:38,800 --> 00:35:42,160 Speaker 3: character called in Bootman, his flash dance Man? 782 00:35:43,080 --> 00:35:45,000 Speaker 8: I can't even remember, Sean. 783 00:35:48,400 --> 00:35:49,640 Speaker 3: Where was it filmed, Kerry? 784 00:35:51,000 --> 00:35:54,000 Speaker 8: Oh, it was in Sydney, all over the place really, 785 00:35:54,680 --> 00:35:57,439 Speaker 8: but in the end scene it was done in a massive, big, 786 00:35:58,320 --> 00:36:02,800 Speaker 8: abandoned factory. The scene where there's like this big concert 787 00:36:02,880 --> 00:36:05,400 Speaker 8: and that was pretty epic. It was done it the 788 00:36:05,480 --> 00:36:08,759 Speaker 8: four days at like six am till five am in 789 00:36:08,800 --> 00:36:10,160 Speaker 8: the morning for three days. 790 00:36:11,239 --> 00:36:11,439 Speaker 11: Yeah. 791 00:36:12,680 --> 00:36:14,600 Speaker 5: The boss walks in, he said, get back to work 792 00:36:14,640 --> 00:36:17,440 Speaker 5: on the steel and they go, no, we're here to dance. 793 00:36:17,719 --> 00:36:22,640 Speaker 3: And then it's like eight mile Welsh, you're going to 794 00:36:22,800 --> 00:36:26,840 Speaker 3: dance yourself. Come on, guys, who doing the old chapdots 795 00:36:26,840 --> 00:36:29,960 Speaker 3: with the still boots? Does it involve a dance off 796 00:36:30,120 --> 00:36:31,400 Speaker 3: at the end of some sort. 797 00:36:32,680 --> 00:36:37,399 Speaker 8: It's more of a concept to commemorate someone's death. 798 00:36:41,760 --> 00:36:43,480 Speaker 3: Shall we have the guy falling off the crane in 799 00:36:43,520 --> 00:36:46,000 Speaker 3: the background or whatever happened at the still plant? 800 00:36:46,960 --> 00:36:53,440 Speaker 5: Wonder guys, Jimmy would have wanted us to dance. Guys, 801 00:36:53,840 --> 00:36:55,520 Speaker 5: he would have wanted us to dance. 802 00:36:56,719 --> 00:36:59,160 Speaker 8: My whole life. I've done dancing my whole life, and 803 00:36:59,360 --> 00:37:01,320 Speaker 8: they do some really good tap dancing. 804 00:37:01,440 --> 00:37:01,960 Speaker 11: I don't know what. 805 00:37:03,480 --> 00:37:05,759 Speaker 3: I'm going to dig this well this weekend and carry 806 00:37:05,760 --> 00:37:11,160 Speaker 3: I'm gonna watch a boot Okay, yeah, this bootman lives on. 807 00:37:11,360 --> 00:37:16,000 Speaker 3: Bring it back. He needs a secret Boman. You and 808 00:37:16,120 --> 00:37:18,879 Speaker 3: him had a baby and now that baby can tap dance. 809 00:37:19,280 --> 00:37:23,360 Speaker 5: Did Sam Worthington do his own dancing? Did Sam Worthington 810 00:37:23,440 --> 00:37:24,160 Speaker 5: do his own tapping? 811 00:37:25,360 --> 00:37:29,400 Speaker 8: I don't think so. But Adam Garcia, who's one of 812 00:37:29,480 --> 00:37:33,959 Speaker 8: the main actor in that, he does and Sophie leads 813 00:37:33,960 --> 00:37:38,799 Speaker 8: in it as well, and Adam Garcie is quite good. Yeah, 814 00:37:39,000 --> 00:37:41,280 Speaker 8: but I think he got a little bit of lessons. 815 00:37:41,320 --> 00:37:44,640 Speaker 8: Sam Worthington died, but yeah, not really. 816 00:37:44,680 --> 00:37:48,239 Speaker 3: They went cut. We'll just do a close up with 817 00:37:48,320 --> 00:37:54,480 Speaker 3: somebody in that movie. Sam Wethern did sodle tap dancing. 818 00:37:54,520 --> 00:37:56,839 Speaker 3: I'm sorry, I'm better go to court and challenge him 819 00:37:56,880 --> 00:38:00,200 Speaker 3: on that one. Kerry, thank you very much. What's you 820 00:38:00,320 --> 00:38:01,640 Speaker 3: call Carl a brighter? 821 00:38:01,760 --> 00:38:04,680 Speaker 6: No, you're listening to The Christian o'conl Show podcast. 822 00:38:05,040 --> 00:38:07,799 Speaker 3: The number one thing actually that most of you are saying, 823 00:38:07,920 --> 00:38:12,239 Speaker 3: literally like every other email text message, is actually not 824 00:38:12,400 --> 00:38:15,120 Speaker 3: just an idea, you have an attachment. You're sending me 825 00:38:15,200 --> 00:38:17,560 Speaker 3: a photo of you're one. It's a dog. This is 826 00:38:17,600 --> 00:38:21,040 Speaker 3: a city that loves its dogs. Everyone loves dogs. We 827 00:38:21,120 --> 00:38:23,440 Speaker 3: all know this fact. Dogs a bit than the humans. 828 00:38:23,800 --> 00:38:25,839 Speaker 3: That wall that we've got to give away to you guys, 829 00:38:25,920 --> 00:38:28,200 Speaker 3: that's up there on Lygon Street blank at the moment. 830 00:38:28,320 --> 00:38:30,839 Speaker 3: Next week should be the Wall of Dogs. I think 831 00:38:30,840 --> 00:38:33,400 Speaker 3: people will come from afar to see the Wall of Dogs. 832 00:38:33,760 --> 00:38:36,640 Speaker 3: If you'd like your dog up there, called us now 833 00:38:36,840 --> 00:38:39,200 Speaker 3: and pitch it, because I'll tell you what. Loads of 834 00:38:39,200 --> 00:38:40,799 Speaker 3: people are going to go, Oh, you gotta mind dog. 835 00:38:40,840 --> 00:38:43,399 Speaker 3: It's so cute. We'll cheer everybody up. Will your dog 836 00:38:43,560 --> 00:38:46,960 Speaker 3: make it to Melbourne's soon to be Wall of Dogs? 837 00:38:47,600 --> 00:38:49,719 Speaker 6: The Christian O'Connell show podcast. 838 00:38:50,520 --> 00:38:53,080 Speaker 3: So we're giving you a wall in Melbourne, not just 839 00:38:53,160 --> 00:38:55,160 Speaker 3: a wall, it's a mural. It will take one hundred 840 00:38:55,200 --> 00:38:58,440 Speaker 3: hours to paint. And we decided that from all your suggestions, 841 00:38:58,480 --> 00:39:01,120 Speaker 3: the biggest thing that kept coming up is dogs. We 842 00:39:01,239 --> 00:39:03,480 Speaker 3: are all dog owners on the show. Actually we love 843 00:39:03,560 --> 00:39:06,239 Speaker 3: our dogs. People are very proud of their dogs, and 844 00:39:06,280 --> 00:39:08,480 Speaker 3: they give you so much happiness. Who wouldn't want to 845 00:39:08,480 --> 00:39:10,040 Speaker 3: see a wall of dogs? 846 00:39:11,480 --> 00:39:12,839 Speaker 5: Dog commemorated on the wall? 847 00:39:13,040 --> 00:39:15,120 Speaker 3: So would you love your dog? Who? If? Actually? Who 848 00:39:15,120 --> 00:39:17,240 Speaker 3: wouldn't want their dog up on the wall of dogs? 849 00:39:17,520 --> 00:39:20,200 Speaker 3: We reckon We can get between twenty and twenty four 850 00:39:20,360 --> 00:39:21,439 Speaker 3: dogs crammed up. 851 00:39:21,360 --> 00:39:22,920 Speaker 5: There, so it will be like the opening titles of 852 00:39:22,960 --> 00:39:24,200 Speaker 5: The Brady Bunch, where they each. 853 00:39:25,560 --> 00:39:28,560 Speaker 3: Yes, that's exactly what do we do about our dogs? 854 00:39:28,680 --> 00:39:30,840 Speaker 5: I really would love It's really bad to. 855 00:39:30,880 --> 00:39:34,080 Speaker 3: Take out a set number? Does it with our dogs? Oh? 856 00:39:34,239 --> 00:39:34,279 Speaker 11: No? 857 00:39:35,400 --> 00:39:37,040 Speaker 3: All right? So you don't want your dog up there? 858 00:39:37,120 --> 00:39:39,560 Speaker 5: Oh no, I do absolutely massive. 859 00:39:39,600 --> 00:39:46,160 Speaker 3: You'll take street to me straight? Is marimba dogs? This 860 00:39:46,600 --> 00:39:47,000 Speaker 3: on street? 861 00:39:47,000 --> 00:39:48,560 Speaker 5: The idea for most of the dogs will be will 862 00:39:48,680 --> 00:39:52,840 Speaker 5: enlarge your dog's place for your dog drinking? It actually be. 863 00:39:52,960 --> 00:39:58,840 Speaker 3: The head will be actual size to scale. You'd love Luna. 864 00:39:59,000 --> 00:40:00,399 Speaker 5: I would love her to be out there. 865 00:40:00,520 --> 00:40:02,839 Speaker 3: Yeah, because the kids a text me sound can we've 866 00:40:02,840 --> 00:40:04,600 Speaker 3: got to put we've got two dogs. We don't have 867 00:40:05,120 --> 00:40:09,040 Speaker 3: three of our You'll have to choose one, the proper dog, 868 00:40:09,200 --> 00:40:12,600 Speaker 3: the shepherd dog at home. The toy poodle. Ain't making 869 00:40:12,600 --> 00:40:15,040 Speaker 3: it on the Wall of Dogs. We can't put ours 870 00:40:15,040 --> 00:40:15,520 Speaker 3: on there, can we? 871 00:40:15,840 --> 00:40:18,400 Speaker 5: Let's have to record in case any dogs don't make 872 00:40:18,400 --> 00:40:19,680 Speaker 5: the photo shoot on the right. 873 00:40:19,680 --> 00:40:22,279 Speaker 3: So tell us why should your dog be on the 874 00:40:22,360 --> 00:40:23,000 Speaker 3: Wall of dogs? 875 00:40:23,560 --> 00:40:23,799 Speaker 7: Dog? 876 00:40:24,640 --> 00:40:27,080 Speaker 3: The most famous wall soon to be in Melbourne, the 877 00:40:27,160 --> 00:40:31,920 Speaker 3: Wall of Dogs? What about because some dogs, Let's just 878 00:40:32,000 --> 00:40:35,680 Speaker 3: be honest, some dogs are a little bit rugly. Do 879 00:40:35,840 --> 00:40:38,400 Speaker 3: we say five percent down bottom left? A company? Or 880 00:40:38,480 --> 00:40:39,879 Speaker 3: like your dog is a pig dog? 881 00:40:40,000 --> 00:40:41,520 Speaker 5: No, No, she's got a beautiful face. 882 00:40:43,560 --> 00:40:46,480 Speaker 3: It looks like it's been an accident run over. 883 00:40:46,520 --> 00:40:48,840 Speaker 5: I will say. The body I can't, no matter how 884 00:40:48,920 --> 00:40:50,360 Speaker 5: much I try and slim it down. It looks like 885 00:40:50,440 --> 00:40:52,280 Speaker 5: toothpicks shoved in the ham the body. 886 00:40:52,640 --> 00:40:55,000 Speaker 3: But the face is beautiful. It actually, you're right, it's 887 00:40:55,000 --> 00:40:56,920 Speaker 3: a beautiful face of a dog on the body of 888 00:40:56,960 --> 00:40:57,239 Speaker 3: a pig. 889 00:40:57,360 --> 00:40:59,160 Speaker 5: Yes, but we're just I'm imagined. 890 00:40:59,360 --> 00:41:02,000 Speaker 3: Just the face on the water It real tight though, Jack, 891 00:41:02,120 --> 00:41:05,640 Speaker 3: real real close in there, all right, pitch your dog, Jody, 892 00:41:05,760 --> 00:41:06,520 Speaker 3: good morning. 893 00:41:07,560 --> 00:41:09,040 Speaker 9: Good morning gang. How are you? 894 00:41:09,360 --> 00:41:11,319 Speaker 3: We're good? All right? The water dogs? Why does your 895 00:41:11,400 --> 00:41:12,120 Speaker 3: dog have to go on? 896 00:41:13,400 --> 00:41:17,400 Speaker 15: It just creates so much happiness everywhere she goes. Literally, 897 00:41:17,560 --> 00:41:20,000 Speaker 15: I take her to the park and people just burst 898 00:41:20,120 --> 00:41:21,120 Speaker 15: out laughing at her. 899 00:41:21,520 --> 00:41:23,000 Speaker 13: She has the biggest. 900 00:41:26,600 --> 00:41:28,359 Speaker 3: She just has the biggest. 901 00:41:28,200 --> 00:41:33,600 Speaker 15: Underbite that just sits out of blood, like two fangs 902 00:41:33,719 --> 00:41:37,040 Speaker 15: sticking up. So she's a reverse vampire and she just 903 00:41:37,200 --> 00:41:38,600 Speaker 15: creates happiness in laughter. 904 00:41:39,280 --> 00:41:40,719 Speaker 3: Setting this to me. What kind of breed? 905 00:41:42,160 --> 00:41:45,160 Speaker 15: She's a British bulldog cross French bulldog, So she's in 906 00:41:45,280 --> 00:41:46,320 Speaker 15: conflict with herself. 907 00:41:48,200 --> 00:41:50,319 Speaker 3: Do you know what bulldogs do? Look funny? Don't they? 908 00:41:50,600 --> 00:41:53,200 Speaker 3: They are funny? You need it, you need a funny 909 00:41:53,239 --> 00:41:54,120 Speaker 3: looking one up there. 910 00:41:54,239 --> 00:41:56,480 Speaker 5: So Jodie, being honest, do you think it goes in 911 00:41:56,719 --> 00:42:00,919 Speaker 5: what Christians calling the ugly section down from there left? 912 00:42:01,440 --> 00:42:03,839 Speaker 9: Yeah, yeah, it's in the pugly section. 913 00:42:05,800 --> 00:42:09,240 Speaker 3: Shot the punks down there, punks bull dogs and Luna 914 00:42:09,320 --> 00:42:11,279 Speaker 3: Jacks dog down the bottle of the top pop left 915 00:42:11,880 --> 00:42:12,600 Speaker 3: they do. 916 00:42:12,760 --> 00:42:13,640 Speaker 10: They just laugh at it. 917 00:42:13,760 --> 00:42:18,120 Speaker 3: People just like I'll just be walking, Jody, We're coming 918 00:42:18,160 --> 00:42:20,120 Speaker 3: out to it. Send us a picture, Okay. 919 00:42:20,680 --> 00:42:21,480 Speaker 15: All right, I'll send you. 920 00:42:21,520 --> 00:42:23,560 Speaker 3: All right, stay down again. The team will give you 921 00:42:23,560 --> 00:42:25,440 Speaker 3: the email in a minute. Let's go to Ollie. 922 00:42:25,520 --> 00:42:27,600 Speaker 11: Hello, Ollie, good Christian? 923 00:42:27,640 --> 00:42:28,000 Speaker 7: How I am? 924 00:42:28,320 --> 00:42:30,480 Speaker 3: I'm good Ollie? Your dogs picture to us? 925 00:42:31,880 --> 00:42:37,319 Speaker 7: I have one beautiful King Charles Cavalier is a celebrity. Well, 926 00:42:38,000 --> 00:42:41,040 Speaker 7: I take it as Bunny's the only disadvantage that would 927 00:42:41,040 --> 00:42:43,640 Speaker 7: normally take me about thirty minutes to go through the 928 00:42:43,680 --> 00:42:46,239 Speaker 7: bunnies to get my gear, it takes me an hour 929 00:42:46,239 --> 00:42:49,200 Speaker 7: and a half. Everyone wants to Buddy Padder and I 930 00:42:49,360 --> 00:42:52,560 Speaker 7: want to find out a name, and oh, it's unbelievable. 931 00:42:52,640 --> 00:42:55,040 Speaker 7: It just takes so long to go through bunnies with. 932 00:42:55,160 --> 00:42:58,279 Speaker 3: Us very cute dogs. They are regal looking. You need 933 00:42:58,360 --> 00:42:59,960 Speaker 3: that up on the wall. Can you send us a folk? 934 00:43:00,040 --> 00:43:05,359 Speaker 3: So all right, let's go to the other the way 935 00:43:05,400 --> 00:43:08,080 Speaker 3: for she's a celebrity when I go to Bunnings. You 936 00:43:08,160 --> 00:43:15,040 Speaker 3: have to get those two phrases together, Amanda. Yes, yes, your. 937 00:43:15,000 --> 00:43:19,280 Speaker 9: Dog, Yes, my dog is Chubbs. Unfortunately he was supposed 938 00:43:19,320 --> 00:43:22,080 Speaker 9: to be a celebrity and never got that chance. He 939 00:43:22,200 --> 00:43:26,040 Speaker 9: was supposed to be a show dog, and we are 940 00:43:26,120 --> 00:43:28,120 Speaker 9: not show dog type people. We just had him as 941 00:43:28,120 --> 00:43:30,320 Speaker 9: a pet for out two boys, and so he missed 942 00:43:30,360 --> 00:43:30,880 Speaker 9: his chance. 943 00:43:31,000 --> 00:43:31,399 Speaker 4: The same. 944 00:43:31,480 --> 00:43:35,160 Speaker 9: I feel like this all is the perfect opportunity again. 945 00:43:35,080 --> 00:43:37,359 Speaker 3: Dog movie, this isn't it? Adam Sander pays the voice 946 00:43:37,400 --> 00:43:39,839 Speaker 3: of your dog who had dreams to be more than 947 00:43:39,960 --> 00:43:41,640 Speaker 3: just a dog, a pet, I know. 948 00:43:42,080 --> 00:43:42,600 Speaker 7: Just a pet. 949 00:43:43,080 --> 00:43:44,680 Speaker 5: So did you get him from a breeder who does 950 00:43:44,760 --> 00:43:46,879 Speaker 5: show dogs? And they were like, no way, is this one. 951 00:43:46,840 --> 00:43:51,360 Speaker 9: Making So they do show dogs, and basically, you know 952 00:43:51,400 --> 00:43:54,040 Speaker 9: how you order a pet before they're born, they know so, 953 00:43:54,280 --> 00:43:55,279 Speaker 9: or just as they're born. 954 00:43:55,320 --> 00:43:56,320 Speaker 11: And then I've never done that. 955 00:43:56,360 --> 00:43:58,360 Speaker 3: I'm always going to pick pick them out from the litter. 956 00:43:58,480 --> 00:43:59,919 Speaker 3: You'll order it before they're born. 957 00:44:00,360 --> 00:44:03,440 Speaker 9: Well, you know with nice purebred dogs, you do you 958 00:44:03,760 --> 00:44:06,480 Speaker 9: order them as their puppies or just as they're born. Anyway, 959 00:44:07,360 --> 00:44:10,440 Speaker 9: we ordered him, and then as he developed, the breeder said, oh, 960 00:44:10,640 --> 00:44:13,600 Speaker 9: he's really developing into a beautiful animal. We'd love to 961 00:44:13,640 --> 00:44:16,160 Speaker 9: show him. We said, no, we want him as our pets, 962 00:44:16,320 --> 00:44:18,480 Speaker 9: and so we took him away from his chance to 963 00:44:18,560 --> 00:44:19,040 Speaker 9: be famous. 964 00:44:20,080 --> 00:44:22,480 Speaker 3: It looks like a stressful life being a show dog. 965 00:44:23,000 --> 00:44:25,640 Speaker 3: All that grooming and stuff like that. They don't have. 966 00:44:25,680 --> 00:44:28,320 Speaker 3: They got lot the hair in pigtails that I'm not 967 00:44:28,400 --> 00:44:29,880 Speaker 3: sure the dog likes it, to be honest. 968 00:44:30,560 --> 00:44:31,960 Speaker 9: No, and he is a beautiful dog. 969 00:44:32,080 --> 00:44:34,279 Speaker 3: He deserves his moment, all right, top right hand corner, 970 00:44:34,360 --> 00:44:37,759 Speaker 3: top right hand corner. They stud we need to start 971 00:44:37,880 --> 00:44:38,160 Speaker 3: up there. 972 00:44:38,280 --> 00:44:43,479 Speaker 5: What's your dog's name, Amanda Jobs jobs name. 973 00:44:44,160 --> 00:44:46,240 Speaker 3: I love that, all right, send us a bitch of Amanda. 974 00:44:46,600 --> 00:44:49,640 Speaker 6: Okay, Christian Connell Show Podcast. 975 00:44:50,120 --> 00:44:52,040 Speaker 3: All right, the show is at breaking point right now. 976 00:44:52,120 --> 00:44:53,960 Speaker 3: It feels like the dogs and you are outside the 977 00:44:54,040 --> 00:44:59,120 Speaker 3: station trying to ram the gates. Okay. Yes, we are 978 00:44:59,239 --> 00:45:02,000 Speaker 3: going to put twenty four of your dogs on a 979 00:45:02,120 --> 00:45:04,640 Speaker 3: wall next week, not just their photos. They're going to 980 00:45:04,680 --> 00:45:07,200 Speaker 3: be immortalized. They're going to be painted. It's a mural, 981 00:45:07,360 --> 00:45:10,360 Speaker 3: our wall of dogs, of your dogs. So what you 982 00:45:10,440 --> 00:45:12,680 Speaker 3: need to do today is just email me a photo. 983 00:45:12,800 --> 00:45:15,520 Speaker 3: My inbox is blown up right now with it's the 984 00:45:15,600 --> 00:45:18,160 Speaker 3: happiest inbox i've ever seen, is shaking with joy of 985 00:45:18,280 --> 00:45:22,080 Speaker 3: actually beautiful, happy looking dogs. So just email me your 986 00:45:22,080 --> 00:45:24,719 Speaker 3: photo of your dog, what the name is? Anything else 987 00:45:24,760 --> 00:45:27,120 Speaker 3: in a line or two. I don't need their biography. Okay, 988 00:45:27,160 --> 00:45:29,920 Speaker 3: there's a lot of origin stories what they've done. I 989 00:45:30,000 --> 00:45:32,320 Speaker 3: will delete those as well because there are literally tons 990 00:45:32,360 --> 00:45:34,920 Speaker 3: coming in. So get your dog, get the photo, Send 991 00:45:34,960 --> 00:45:38,200 Speaker 3: me the best one. Christian at Christian O'Connell dot com 992 00:45:38,320 --> 00:45:41,359 Speaker 3: dot au. The Wall of Dogs needs you. But now 993 00:45:41,640 --> 00:45:42,480 Speaker 3: we need to move on. 994 00:45:43,000 --> 00:45:48,960 Speaker 1: Well, Christian Connell's Show Podcast right now, this business like 995 00:45:49,200 --> 00:45:50,440 Speaker 1: show business. 996 00:45:50,920 --> 00:45:57,200 Speaker 9: My mother cook a meal for Louis Armstrong, Bolder appear 997 00:45:57,480 --> 00:45:58,480 Speaker 9: walking boot my. 998 00:45:58,960 --> 00:46:02,399 Speaker 4: Brother in law dad was best friend or Sam Neil. 999 00:46:02,719 --> 00:46:05,200 Speaker 8: My dad had a car accident with Rick Springfield. 1000 00:46:05,360 --> 00:46:07,960 Speaker 6: Christian O'Connell's weakest claim to fame. 1001 00:46:09,640 --> 00:46:12,840 Speaker 3: Remember that one. Yeah, I can still smell the bs 1002 00:46:12,920 --> 00:46:16,040 Speaker 3: from here, all right, weakest claim to fame, No claim 1003 00:46:16,120 --> 00:46:19,279 Speaker 3: to fame. It's two week for this or nine four 1004 00:46:19,360 --> 00:46:21,960 Speaker 3: one four one oh four three Belinda? 1005 00:46:23,080 --> 00:46:24,400 Speaker 10: Yes, Christian, how are you? 1006 00:46:24,600 --> 00:46:26,920 Speaker 3: I'm good, Belinda? All right? So what is your weakest 1007 00:46:26,960 --> 00:46:27,640 Speaker 3: claim to fame? 1008 00:46:28,360 --> 00:46:31,160 Speaker 10: So my weakest claim to play fame is that my 1009 00:46:31,400 --> 00:46:35,560 Speaker 10: dad wrestled Andre the Giant at Festival Hall in the 1010 00:46:35,640 --> 00:46:36,920 Speaker 10: seventh This. 1011 00:46:37,840 --> 00:46:39,239 Speaker 3: Might be one of the best ones we've ever had. 1012 00:46:40,280 --> 00:46:42,279 Speaker 3: That is incredible. Was your dad a wrestler then? 1013 00:46:43,160 --> 00:46:44,960 Speaker 10: Yes, professional wrestler. 1014 00:46:45,280 --> 00:46:48,600 Speaker 3: Your dad was a pro wrestler. Yes, And this I'm 1015 00:46:48,640 --> 00:46:50,560 Speaker 3: guessing would have been in a heyday what I could 1016 00:46:50,560 --> 00:46:53,360 Speaker 3: before you know, became this big box office event. So 1017 00:46:53,520 --> 00:46:54,319 Speaker 3: did he have a name? 1018 00:46:55,200 --> 00:46:57,080 Speaker 10: Yes, mad Dog Spence. 1019 00:47:00,360 --> 00:47:02,960 Speaker 3: And the spence at the end makes it sound so 1020 00:47:03,080 --> 00:47:06,000 Speaker 3: much tougher. Mad Dog is tougher. You chuck a spence 1021 00:47:06,760 --> 00:47:09,839 Speaker 3: mad Dog Spence One. Did Vince McMahon signed him up? 1022 00:47:10,719 --> 00:47:13,160 Speaker 3: This is when did this happen? 1023 00:47:13,800 --> 00:47:18,160 Speaker 10: This was in the nineteen seventies, and he actually gave 1024 00:47:18,320 --> 00:47:23,880 Speaker 10: up wrestling in ninety six, so ninety ninety six, but 1025 00:47:24,000 --> 00:47:26,399 Speaker 10: he'd been wrestling for thirty thirty years. 1026 00:47:27,360 --> 00:47:30,200 Speaker 3: Was dad's body wrecked from it? Because it is so 1027 00:47:30,520 --> 00:47:32,640 Speaker 3: already damages they're like the Mickey Rock movie wrestler. 1028 00:47:33,480 --> 00:47:35,160 Speaker 10: Yeah, yeah, pretty damaged. 1029 00:47:35,680 --> 00:47:39,640 Speaker 3: Wow, yeah, Mad Dogs Spence and so were you there 1030 00:47:39,680 --> 00:47:41,399 Speaker 3: as a kid? Were you there as a kid during 1031 00:47:41,440 --> 00:47:41,759 Speaker 3: this fight? 1032 00:47:42,520 --> 00:47:42,719 Speaker 4: Yeah? 1033 00:47:43,840 --> 00:47:44,879 Speaker 8: How I was there? 1034 00:47:46,000 --> 00:47:48,880 Speaker 10: I would have been about three, three or. 1035 00:47:48,880 --> 00:47:50,920 Speaker 3: Four, So you don't really remember it or anything. 1036 00:47:51,920 --> 00:47:54,480 Speaker 10: I kind of remember it, but it's you know, like 1037 00:47:55,480 --> 00:47:58,680 Speaker 10: you don't really remember stuff that happens very clearly when 1038 00:47:58,719 --> 00:47:59,520 Speaker 10: you're a uish. 1039 00:47:59,520 --> 00:48:02,560 Speaker 3: Your dad and a leotard wrestling with a mega giant 1040 00:48:03,000 --> 00:48:09,480 Speaker 3: in a man head between his legs and stuff like that. Well, yeah, 1041 00:48:09,640 --> 00:48:10,280 Speaker 3: people watching. 1042 00:48:11,640 --> 00:48:16,080 Speaker 10: He wrestled other wrestlers from the US, So Dwayne Johnson's 1043 00:48:16,160 --> 00:48:17,440 Speaker 10: dad used to wrestle as well. 1044 00:48:19,719 --> 00:48:24,160 Speaker 3: You'd have won, it would just my dad wrestled Dwayne 1045 00:48:24,239 --> 00:48:33,080 Speaker 3: Johnson's dad, Rock Rock Senior. Oh my god, but Linda, 1046 00:48:33,160 --> 00:48:35,440 Speaker 3: this is an amazing story, an amazing. 1047 00:48:36,520 --> 00:48:36,840 Speaker 10: Thank you. 1048 00:48:37,280 --> 00:48:41,520 Speaker 3: Oh my god, that is incredible. Wow. So what did 1049 00:48:41,600 --> 00:48:44,360 Speaker 3: your dad do during the day. I know he's professional, 1050 00:48:44,480 --> 00:48:51,359 Speaker 3: but he was a bus driver. I generally I want 1051 00:48:51,400 --> 00:48:54,520 Speaker 3: to make your dad's movie, of course, was the best driver. 1052 00:48:54,960 --> 00:48:56,360 Speaker 3: He's working on moves, you know. 1053 00:48:58,360 --> 00:49:01,640 Speaker 10: Yeah, it's like from one extreme to the other. 1054 00:49:02,760 --> 00:49:04,560 Speaker 3: Yes, was he ever late for the bust one day, 1055 00:49:08,160 --> 00:49:12,920 Speaker 3: the big boots. What a great daddy must have been. 1056 00:49:13,800 --> 00:49:18,320 Speaker 10: Yeah, he was good fun. He told us the moved 1057 00:49:18,360 --> 00:49:20,960 Speaker 10: once and we had a wrestling ring in the backyard 1058 00:49:21,280 --> 00:49:25,800 Speaker 10: and one of the Aussie wrestlers was out there and 1059 00:49:25,880 --> 00:49:28,520 Speaker 10: he's gone kick me, kick me. Well, kicked him first, 1060 00:49:28,520 --> 00:49:29,040 Speaker 10: square in the. 1061 00:49:29,120 --> 00:49:33,120 Speaker 3: Nuts, square in the nuts. 1062 00:49:36,280 --> 00:49:39,000 Speaker 5: What a great childhood to have a wrestling ring in your. 1063 00:49:39,000 --> 00:49:42,680 Speaker 3: Back Sure you and your mates would have just got 1064 00:49:42,760 --> 00:49:47,759 Speaker 3: in there every day after school. Yeah, trampoline? Is it? 1065 00:49:48,200 --> 00:49:50,200 Speaker 3: The full size wrestling ring? 1066 00:49:51,880 --> 00:49:52,839 Speaker 10: Yeah, it was good fun. 1067 00:49:53,440 --> 00:49:55,680 Speaker 3: Oh well, thank you so much, and thank you very 1068 00:49:55,760 --> 00:49:57,880 Speaker 3: much you do mad Dog Spence for giving us a 1069 00:49:57,960 --> 00:50:00,880 Speaker 3: real blast today so much. Surey, that's blenda. I'm going 1070 00:50:00,920 --> 00:50:03,279 Speaker 3: to send you prize. Okay, we do it, a small 1071 00:50:03,280 --> 00:50:04,960 Speaker 3: little thing to say thank you very much. We got 1072 00:50:05,000 --> 00:50:07,680 Speaker 3: I got a pair of tickets via Cinema's Gold Class. 1073 00:50:07,680 --> 00:50:09,719 Speaker 3: We'll give you a double pass that. Thank you, Oh no, 1074 00:50:09,880 --> 00:50:12,279 Speaker 3: thank you. We remember this for a very long time. 1075 00:50:12,640 --> 00:50:15,560 Speaker 3: Take care, Belenda, and thank you you too, Thanks Bine. 1076 00:50:16,480 --> 00:50:19,880 Speaker 6: This is the Christian O'Connell Show podcast. 1077 00:50:20,320 --> 00:50:25,320 Speaker 3: I've just been scrolling through the hundreds of your emails. 1078 00:50:25,360 --> 00:50:28,520 Speaker 3: Are coming in with pictures of your dogs, Oh desperately 1079 00:50:28,560 --> 00:50:30,600 Speaker 3: trying to fight to be on our wall of dogs, 1080 00:50:30,680 --> 00:50:32,520 Speaker 3: the mural which is going to go on next week 1081 00:50:32,600 --> 00:50:35,440 Speaker 3: on Ligon Street. The email address you need is Christian 1082 00:50:35,480 --> 00:50:37,960 Speaker 3: at Christian O'Connell dot com dot A. You've just shown 1083 00:50:38,040 --> 00:50:43,239 Speaker 3: Jackie boy Boff, who's eighty seven kilo ball mastiff. What 1084 00:50:43,480 --> 00:50:45,279 Speaker 3: a great big noggin on him and. 1085 00:50:45,320 --> 00:50:46,960 Speaker 5: Frown though he weighs the same as me. 1086 00:50:47,200 --> 00:50:51,719 Speaker 3: That is, I didn't know dogs could got eighty seven kilos. 1087 00:50:52,320 --> 00:50:54,680 Speaker 3: How are you getting up on that table to the 1088 00:50:54,800 --> 00:50:56,120 Speaker 3: vetch have a look at him. They've got to get 1089 00:50:56,120 --> 00:50:57,360 Speaker 3: a hydraulic scissor lift. 1090 00:50:57,280 --> 00:50:58,279 Speaker 5: Or everybody lift together. 1091 00:50:59,600 --> 00:51:01,800 Speaker 3: All right, we're doing the weakest claim to fame? What 1092 00:51:01,920 --> 00:51:06,240 Speaker 3: is your weakest claim to fame? David? Good morning, Good morning, Christian. 1093 00:51:06,719 --> 00:51:09,239 Speaker 5: My weakest claim to fame is my dad did he's 1094 00:51:09,280 --> 00:51:11,720 Speaker 5: plumbing apprenticeship with John Farnham back in the sixties. 1095 00:51:12,120 --> 00:51:15,080 Speaker 3: Wow, way, that is a hell of a claim to fame. 1096 00:51:15,840 --> 00:51:19,000 Speaker 3: Whatever happened to fancy? You know that a great looking 1097 00:51:19,160 --> 00:51:20,440 Speaker 3: career ahead of him as a plumber. 1098 00:51:21,480 --> 00:51:21,680 Speaker 11: Yeah. 1099 00:51:21,680 --> 00:51:23,880 Speaker 7: I don't think he unblocked too many Donnies somehow. 1100 00:51:25,400 --> 00:51:29,160 Speaker 3: All right, David, thank you very much. You cool. I 1101 00:51:29,200 --> 00:51:31,280 Speaker 3: wonder if he's still got some of those basic skill gills. 1102 00:51:31,360 --> 00:51:33,960 Speaker 5: Yeah, you don't forget how to sprinkless system. 1103 00:51:34,080 --> 00:51:36,319 Speaker 2: When he used to tour, he never liked the shower hits, 1104 00:51:36,360 --> 00:51:39,600 Speaker 2: so he took his own shower. True story. He used 1105 00:51:39,600 --> 00:51:40,000 Speaker 2: to put it on. 1106 00:51:40,080 --> 00:51:41,640 Speaker 3: I love that, is that right? Pack? Yeah? 1107 00:51:41,680 --> 00:51:44,080 Speaker 2: Yeah, never liked the water pressure. It was never strong enough. 1108 00:51:44,200 --> 00:51:47,359 Speaker 3: I didn't know you could do that. Well, I don't 1109 00:51:47,360 --> 00:51:48,680 Speaker 3: know which what he got. And then we take it 1110 00:51:48,719 --> 00:51:51,240 Speaker 3: to a hotel. The water pressure is rarely enough. 1111 00:51:51,200 --> 00:51:51,360 Speaker 7: Is it? 1112 00:51:51,520 --> 00:51:53,279 Speaker 2: No, it's like a trickle. And he used to change 1113 00:51:53,280 --> 00:51:53,759 Speaker 2: it every time. 1114 00:51:53,760 --> 00:51:55,839 Speaker 5: I wanted to imagine John farl And like getting out 1115 00:51:55,880 --> 00:51:58,880 Speaker 5: of pic opening it up, unscrewing the one in the hotel, 1116 00:51:58,960 --> 00:52:00,400 Speaker 5: screwing on his you'd. 1117 00:52:00,239 --> 00:52:01,920 Speaker 3: Imagine for a rock and roll is it, you know, 1118 00:52:02,200 --> 00:52:03,680 Speaker 3: check it into your hotel, or he's not checking the 1119 00:52:03,719 --> 00:52:06,239 Speaker 3: TV out the window. It's a place in the shower head. 1120 00:52:06,760 --> 00:52:09,000 Speaker 3: That's great, perty Dan, Danny Boy. 1121 00:52:09,640 --> 00:52:10,400 Speaker 4: Get a team. 1122 00:52:10,600 --> 00:52:14,360 Speaker 16: My weakest claim to fame is helping Colin Hay, the 1123 00:52:14,440 --> 00:52:17,280 Speaker 16: lead singer of Men at Work, change his car tire. 1124 00:52:20,320 --> 00:52:24,200 Speaker 16: What you are, I'd said, I've just seen him in 1125 00:52:24,239 --> 00:52:26,920 Speaker 16: at a gig at the s B and I hung 1126 00:52:27,000 --> 00:52:30,799 Speaker 16: around at the FB after the gig, and then when 1127 00:52:30,840 --> 00:52:33,560 Speaker 16: I decided to head back to the car, it happened 1128 00:52:33,560 --> 00:52:35,360 Speaker 16: to be at the same time that Colin Hay was 1129 00:52:35,400 --> 00:52:38,560 Speaker 16: walking back to his car, and it just so happened. 1130 00:52:38,600 --> 00:52:40,880 Speaker 16: I was I was parked about three cars up from him, 1131 00:52:40,920 --> 00:52:42,680 Speaker 16: and when we got to his car, he was like, 1132 00:52:42,880 --> 00:52:45,759 Speaker 16: oh geez, I've got a flat tire. And I'm like, 1133 00:52:46,400 --> 00:52:48,279 Speaker 16: all right, do you do you do you need a 1134 00:52:48,360 --> 00:52:51,759 Speaker 16: jack And he's like, yeah, I do. And the whole 1135 00:52:52,080 --> 00:52:54,120 Speaker 16: the irony of all of this is at the time 1136 00:52:54,680 --> 00:52:57,759 Speaker 16: he had just released an album called Looking for Jack. 1137 00:52:59,560 --> 00:53:03,040 Speaker 3: Yeah, And so did he do anything or did you 1138 00:53:03,160 --> 00:53:05,160 Speaker 3: change the whole time Nana that. 1139 00:53:05,320 --> 00:53:08,279 Speaker 16: He helped out, he was he was pretty good about 1140 00:53:08,320 --> 00:53:09,360 Speaker 16: it and all the rest of it. 1141 00:53:09,520 --> 00:53:12,239 Speaker 3: But yeah, that's a great one, Dan, thank you very much. 1142 00:53:12,280 --> 00:53:12,960 Speaker 3: The story. 1143 00:53:14,360 --> 00:53:18,279 Speaker 1: You're listening to the Christian o'kyl's show podcast sprint. 1144 00:53:18,040 --> 00:53:21,880 Speaker 3: Finish some Jack today is I've beend it. 1145 00:53:24,719 --> 00:53:26,600 Speaker 5: He makes it up all the time. Anyway, it doesn't matter. 1146 00:53:26,760 --> 00:53:28,160 Speaker 5: It's World Antiquities Day. 1147 00:53:28,280 --> 00:53:30,840 Speaker 3: Oh you know, I love this. It's in my Canada, 1148 00:53:30,880 --> 00:53:35,200 Speaker 3: so I've just seen it a reminder World Antiquities Day. 1149 00:53:36,960 --> 00:53:38,960 Speaker 3: So why are we looking for? Why are we looking 1150 00:53:39,000 --> 00:53:40,000 Speaker 3: them for? Roman movies? 1151 00:53:40,160 --> 00:53:41,080 Speaker 5: That's pretty ancient. 1152 00:53:41,120 --> 00:53:43,080 Speaker 3: You're quite right, You're quite right. Why did I doubt that? 1153 00:53:43,440 --> 00:53:45,960 Speaker 3: Very ancient? Do you know what the Romans gave us? 1154 00:53:46,360 --> 00:53:48,920 Speaker 5: The Romans gave us cement. 1155 00:53:50,040 --> 00:53:56,000 Speaker 3: Fast food? Did they really? Yep? Advertising? Advertising and trademarks, 1156 00:53:56,040 --> 00:54:03,080 Speaker 3: plumbing and sanitation roads calendar. July is named after Julius 1157 00:54:03,120 --> 00:54:07,160 Speaker 3: Caesar and August after Augustus. Currency And remember the Monty 1158 00:54:07,200 --> 00:54:10,440 Speaker 3: Poyther movie where John clees in it goes all right? 1159 00:54:10,520 --> 00:54:16,040 Speaker 3: Apart from wine, currency, sanitation, democracy and Latin? What else 1160 00:54:16,120 --> 00:54:18,719 Speaker 3: have the Romans done for us? Someone will know? Which 1161 00:54:18,760 --> 00:54:21,439 Speaker 3: I think? Is it Monty Point and not Life of Brian? 1162 00:54:21,560 --> 00:54:22,000 Speaker 3: Someone I know? 1163 00:54:22,360 --> 00:54:25,839 Speaker 5: And they didn't mail delivery first ever postal service. 1164 00:54:25,560 --> 00:54:28,240 Speaker 3: Did they? Is that right. The folst e a persty 1165 00:54:28,400 --> 00:54:31,880 Speaker 3: was a Roman. Yeah? Really wow, so many facts today 1166 00:54:31,920 --> 00:54:35,799 Speaker 3: coming through. All right, so Roman movies, how good are 1167 00:54:35,840 --> 00:54:37,520 Speaker 3: you going to be marking these? Are you pretty good 1168 00:54:37,560 --> 00:54:40,160 Speaker 3: on Roman history? And yes, I know very well nothing 1169 00:54:40,200 --> 00:54:43,279 Speaker 3: will get by me, Kenny said, I know very well. 1170 00:54:45,640 --> 00:54:49,000 Speaker 3: We're in safe hands. Stephen Fry has joined the show 1171 00:54:49,120 --> 00:54:55,040 Speaker 3: right now, I know, well, all right, we going to 1172 00:54:55,080 --> 00:54:59,160 Speaker 3: go Roman movies on World Antiquity's day. Men who stare 1173 00:54:59,160 --> 00:55:03,200 Speaker 3: at Toga's silver, catch me if you vata can? 1174 00:55:03,800 --> 00:55:03,960 Speaker 11: You know? 1175 00:55:04,080 --> 00:55:06,080 Speaker 5: Can I go back to men? Hysteric Togers is even 1176 00:55:06,160 --> 00:55:08,520 Speaker 5: cleverer than I first thought, because he's an anagram of 1177 00:55:08,640 --> 00:55:13,200 Speaker 5: goats tigers. Wow. That isn't Stephen Fries stuff for. 1178 00:55:13,239 --> 00:55:17,080 Speaker 3: You, It is actual plus wow, thank you to me? 1179 00:55:17,239 --> 00:55:19,719 Speaker 3: What about oh what about catch me if you vata can? 1180 00:55:20,239 --> 00:55:21,040 Speaker 5: Who's vata can? 1181 00:55:21,280 --> 00:55:24,359 Speaker 3: Vata can? Sorry for the Home of the Catholic Church. 1182 00:55:27,000 --> 00:55:32,759 Speaker 3: Silver plus stick on Sophia the Specter again. Better call 1183 00:55:32,840 --> 00:55:36,319 Speaker 3: Gaul the gauls ancient name for the Romans. Better caol Gaul. 1184 00:55:36,360 --> 00:55:39,680 Speaker 3: I'm just remembering that now, Silver, just remembering him fed 1185 00:55:39,960 --> 00:55:44,440 Speaker 3: m to the lion King used to feed the soldiers 1186 00:55:44,440 --> 00:55:48,080 Speaker 3: and spartancles, sivil plus Dude, where's my car't paid? 1187 00:55:48,200 --> 00:55:49,640 Speaker 6: Dm gold? 1188 00:55:49,840 --> 00:55:52,200 Speaker 3: Thank you, Jackie Board. What have you got? Roman movies? 1189 00:55:52,920 --> 00:55:54,279 Speaker 5: Edward Caesar hands. 1190 00:55:54,160 --> 00:55:58,080 Speaker 3: Oh that's very good. Strong start gold coin, Roman gold Coin, 1191 00:55:59,080 --> 00:56:04,040 Speaker 3: sixteen Sandals that is also gold, Keep it up. Sophia's 1192 00:56:04,120 --> 00:56:05,440 Speaker 3: bankster workstare. 1193 00:56:05,120 --> 00:56:10,839 Speaker 5: Powers, Romans eating Gilbert's grapes. Nothing they did you they 1194 00:56:10,920 --> 00:56:11,600 Speaker 5: loved grapes. 1195 00:56:11,680 --> 00:56:13,279 Speaker 3: No, I'm sorry, No sanitation for you. 1196 00:56:14,120 --> 00:56:16,680 Speaker 5: And Meryl Street plays one of the famous Roman leaders 1197 00:56:16,800 --> 00:56:19,040 Speaker 5: in Julius and Julius. 1198 00:56:21,120 --> 00:56:21,600 Speaker 3: Problems. 1199 00:56:22,360 --> 00:56:24,520 Speaker 6: The Christian O'Connell show podcast. 1200 00:56:24,840 --> 00:56:29,319 Speaker 3: We're looking for your Roman movies up for grabs. Top Gun, 1201 00:56:29,480 --> 00:56:32,440 Speaker 3: Top Gun Maverick exclusive to cinemas May the twenty six. 1202 00:56:32,480 --> 00:56:35,399 Speaker 3: You can see it next week with US Double Bass 1203 00:56:35,440 --> 00:56:39,719 Speaker 3: to the premiere. All right, Roman Movies, you've got a 1204 00:56:39,760 --> 00:56:42,040 Speaker 3: couple of open tabs there with some Roman research. 1205 00:56:42,880 --> 00:56:46,719 Speaker 5: Augustus Emperor Augustus was the first person to officially start 1206 00:56:46,760 --> 00:56:48,520 Speaker 5: a postal service in ancient Rome. 1207 00:56:51,600 --> 00:56:52,920 Speaker 3: Listen, no need to do with anything. It's just a 1208 00:56:53,000 --> 00:56:56,200 Speaker 3: random fact. It is relevant in some way. So it's lovely, 1209 00:56:56,320 --> 00:56:59,759 Speaker 3: like a little child who's sent some extra homework. All right, 1210 00:57:00,080 --> 00:57:07,399 Speaker 3: wanted to ask yeah, Roman movies. Just emphasize it again. 1211 00:57:08,360 --> 00:57:15,120 Speaker 3: Troy story Silver, Beatle Zeus beatle Zeus. 1212 00:57:15,560 --> 00:57:17,800 Speaker 5: Zeus wasn't Roman bronze. 1213 00:57:22,480 --> 00:57:23,360 Speaker 3: We bought a Zeus. 1214 00:57:24,960 --> 00:57:25,400 Speaker 11: I like the. 1215 00:57:27,760 --> 00:57:34,560 Speaker 3: Bacchus to the Future. Gold, the miight key, the mighty 1216 00:57:34,720 --> 00:57:39,520 Speaker 3: aqueducts they invented them, yea gold, trying to have them out, 1217 00:57:39,560 --> 00:57:41,080 Speaker 3: looking at which Tabby is going to go to for 1218 00:57:41,160 --> 00:57:46,480 Speaker 3: that one? And crouching Tiger hidden Gladiator, just having a 1219 00:57:46,480 --> 00:57:51,360 Speaker 3: little pool bronze finding Nero gold. 1220 00:57:51,640 --> 00:57:54,200 Speaker 17: He was one of the emperors, that's right, he was, 1221 00:57:55,200 --> 00:58:03,120 Speaker 17: okay a I pope fiction Silver weekend at Caligulous Gold. 1222 00:58:03,320 --> 00:58:09,919 Speaker 3: That's really good. Charioting Miss Daisy, sound rude gold, caligular 1223 00:58:10,400 --> 00:58:14,680 Speaker 3: lah Land gold. Only dude, where's my chariots? 1224 00:58:15,480 --> 00:58:15,800 Speaker 5: Silver? 1225 00:58:16,080 --> 00:58:19,920 Speaker 3: Ten things I at two about brute. That's Latin for 1226 00:58:20,000 --> 00:58:21,960 Speaker 3: ten things I hate about you. That is really smart. 1227 00:58:22,120 --> 00:58:25,160 Speaker 3: Someone to do some research Gold plus. Come on, Silver, 1228 00:58:27,800 --> 00:58:31,360 Speaker 3: we should have got Rio tomorrow Hercules. I think I 1229 00:58:31,480 --> 00:58:36,680 Speaker 3: shrunk the robes. Come on, that's good, Big, I love 1230 00:58:36,720 --> 00:58:40,320 Speaker 3: this one. Big Mama's Colosseum. Silver, all right, who is 1231 00:58:40,400 --> 00:58:41,600 Speaker 3: winning the way to top gun? 1232 00:58:41,680 --> 00:58:44,640 Speaker 5: Maverick, you can gratchaations chariting miss Daisy. 1233 00:58:44,680 --> 00:58:48,360 Speaker 3: Oh my god, one of the more obvious ones. Loads one. 1234 00:58:48,480 --> 00:58:53,760 Speaker 3: Someone's gone to all the efforts lashing one charoting Miss Daisy. 1235 00:58:54,040 --> 00:58:56,840 Speaker 6: But Christian O'Connell Show podcast. 1236 00:58:56,800 --> 00:59:00,400 Speaker 3: Hope you could join us as Friday support Counts Council 1237 00:59:00,440 --> 00:59:03,800 Speaker 3: by taking by in Australia's Biggest Morning Tea. You can 1238 00:59:03,880 --> 00:59:08,000 Speaker 3: host it your way this May or June with Councer counselors. 1239 00:59:08,040 --> 00:59:09,560 Speaker 3: So this Friday, what we're going to be doing is 1240 00:59:09,680 --> 00:59:12,280 Speaker 3: this is why me, Chack and Patsy are baking. Is 1241 00:59:12,360 --> 00:59:16,240 Speaker 3: our baked day tomorrow? Yes, baking tomorrow and then you're 1242 00:59:16,240 --> 00:59:19,720 Speaker 3: able to taste them on Friday. All part of this 1243 00:59:20,160 --> 00:59:23,080 Speaker 3: Australia's Biggest Morning Tea for Cancer Council, which is a 1244 00:59:23,160 --> 00:59:25,080 Speaker 3: great cause and we're happy to be supporting it. I 1245 00:59:25,120 --> 00:59:26,560 Speaker 3: hope you get loads of you can do as well. 1246 00:59:26,800 --> 00:59:28,120 Speaker 3: So Jackie boy, what are you going to make? 1247 00:59:28,280 --> 00:59:30,880 Speaker 5: I have changed to the Yo yo biscuit, a simpler 1248 00:59:31,000 --> 00:59:34,160 Speaker 5: item on the bakery scale. But I've got a young baby. 1249 00:59:34,560 --> 00:59:36,760 Speaker 3: Always playing that card. But you got your haircut yesterday 1250 00:59:36,800 --> 00:59:39,360 Speaker 3: and couldn't get basic bread for your wife. But now 1251 00:59:39,400 --> 00:59:41,520 Speaker 3: he's playing the baby card. I wondered when he was 1252 00:59:41,560 --> 00:59:43,920 Speaker 3: going to use that one, and I'll say this, well played, 1253 00:59:43,960 --> 00:59:48,000 Speaker 3: thank you, fair enough, Patsy. Oh these oh you wait here, 1254 00:59:48,000 --> 00:59:50,720 Speaker 3: what Patsy's making? You'll be rushing to taste these on Friday. 1255 00:59:50,880 --> 00:59:53,400 Speaker 2: Oh well, I'll still probably be cooking them six hundred 1256 00:59:53,600 --> 00:59:56,440 Speaker 2: year old medieval ye oldie donuts. 1257 00:59:56,680 --> 00:59:59,840 Speaker 5: I'm solvoding and I'll be announcing to my won. 1258 01:00:00,120 --> 01:00:04,280 Speaker 3: But it is a quintessentially British cake named after royalty. 1259 01:00:04,720 --> 01:00:06,200 Speaker 3: All right, So the big thing we need from you 1260 01:00:06,280 --> 01:00:13,800 Speaker 3: guys today is this, pitch your pooch. Pitch your puppy, 1261 01:00:14,040 --> 01:00:19,120 Speaker 3: Palmer Radians and huskies to get their faces painted on 1262 01:00:19,400 --> 01:00:24,840 Speaker 3: our wall. Yeah, we are having our wall of dogs 1263 01:00:24,920 --> 01:00:28,320 Speaker 3: a mural on Ligol Street. We're twenty four of your 1264 01:00:28,440 --> 01:00:32,640 Speaker 3: dogs painted up there if you like your dog and 1265 01:00:32,800 --> 01:00:36,680 Speaker 3: judging from the hundreds of emails pouring in literally every second, 1266 01:00:36,720 --> 01:00:40,240 Speaker 3: one to my inbox of various amazing looking dogs, excuse 1267 01:00:40,400 --> 01:00:42,000 Speaker 3: this water is gonna be called the Dogs of Melbourne. 1268 01:00:42,120 --> 01:00:45,200 Speaker 3: It will be painted early next week up on Liger Street. 1269 01:00:45,240 --> 01:00:47,280 Speaker 3: There's room for twenty four dogs. 1270 01:00:47,560 --> 01:00:48,960 Speaker 5: Right, so you're going to pitch your pooch. 1271 01:00:49,160 --> 01:00:52,240 Speaker 3: Yeah, we want a photo what they called one line 1272 01:00:52,320 --> 01:00:54,480 Speaker 3: or two, no biog or anything else. I don't need 1273 01:00:54,520 --> 01:00:56,400 Speaker 3: to know anything else. I won't have time to read it. 1274 01:00:56,480 --> 01:00:59,440 Speaker 3: This literally it's hundreds to go through, all right, Send 1275 01:00:59,520 --> 01:01:01,160 Speaker 3: me you got to do, Send me the phones of 1276 01:01:01,240 --> 01:01:03,200 Speaker 3: the dog, tell me their name and the dog. We 1277 01:01:03,320 --> 01:01:06,680 Speaker 3: need to see them tomorrow. We're gonna have them, Susie. 1278 01:01:06,680 --> 01:01:08,400 Speaker 3: How are we gonna start selecting them? We have to 1279 01:01:08,440 --> 01:01:10,520 Speaker 3: put them. You see what my in works like when 1280 01:01:10,560 --> 01:01:13,320 Speaker 3: I say hundreds, it is hundreds already. It's not even 1281 01:01:13,400 --> 01:01:15,680 Speaker 3: nine o'clock. Are we just gonna start doing them head 1282 01:01:15,680 --> 01:01:17,040 Speaker 3: to head like they do a runty show? 1283 01:01:17,120 --> 01:01:19,720 Speaker 5: I think so. Yeah. We have to be sadly, very 1284 01:01:19,800 --> 01:01:21,520 Speaker 5: shallow and just look at two dogs and go that 1285 01:01:21,560 --> 01:01:24,080 Speaker 5: one's hot, that one's not hot or. 1286 01:01:24,120 --> 01:01:28,080 Speaker 3: Not with dogs, good grinder kind of doggy thing. Okay, 1287 01:01:28,200 --> 01:01:31,280 Speaker 3: that's tomorrow show. Guys, tune in to hear that. Email 1288 01:01:31,400 --> 01:01:34,640 Speaker 3: me your dog Christian at Christian O'Connell dot com dot au. 1289 01:01:34,840 --> 01:01:38,240 Speaker 6: Thank you guys, well Christian O'Connell's Show podcast