1 00:00:00,320 --> 00:00:14,920 Speaker 1: Yeah, Jos, you just did that sweet spot of the 2 00:00:15,000 --> 00:00:16,800 Speaker 1: tomato soup at the bottom of the cup. 3 00:00:17,320 --> 00:00:19,599 Speaker 2: It's the best part. Yes, we're rolling now. This is 4 00:00:19,600 --> 00:00:20,840 Speaker 2: that podcast is what happens. 5 00:00:21,000 --> 00:00:24,320 Speaker 3: Really, this is what happens. We are like elderly people. 6 00:00:24,520 --> 00:00:25,880 Speaker 3: I don't you know, I'm going to. 7 00:00:25,800 --> 00:00:28,640 Speaker 4: Stop using that ageous language. But we've made the room 8 00:00:28,760 --> 00:00:32,400 Speaker 4: smell like some kind of facility because we're drinking a 9 00:00:32,400 --> 00:00:34,200 Speaker 4: powdered soup and it's delicious. 10 00:00:34,880 --> 00:00:36,560 Speaker 2: The bottom part is the best part. 11 00:00:36,520 --> 00:00:38,080 Speaker 4: You know what. The tomato is the best one. It's 12 00:00:38,080 --> 00:00:40,159 Speaker 4: almost like and I don't have no shame in saying so. 13 00:00:40,440 --> 00:00:42,920 Speaker 4: Of all the ice cream flavors, vanilla is my favorite. 14 00:00:42,960 --> 00:00:44,840 Speaker 4: Don't read anything to my other parts of my life 15 00:00:44,840 --> 00:00:45,319 Speaker 4: about that. 16 00:00:45,479 --> 00:00:50,360 Speaker 5: So you like tomato and vanilla not together? No, that'd be. 17 00:00:52,440 --> 00:00:55,320 Speaker 4: Let's talk about Let's talk about Spencer Tunic. 18 00:00:55,520 --> 00:00:57,720 Speaker 5: Yes, so this we missed this. The show was so 19 00:00:57,840 --> 00:01:01,200 Speaker 5: packed today. We missed talking about Old Maine Spencer's Tunic. 20 00:01:01,480 --> 00:01:04,400 Speaker 4: This is the guy who photographs people on mass in 21 00:01:04,440 --> 00:01:07,840 Speaker 4: the nuds in public places. If you were going to 22 00:01:08,040 --> 00:01:10,160 Speaker 4: do this on the weekend, speaking of having like a 23 00:01:10,200 --> 00:01:13,480 Speaker 4: cup of soup or something, would you shred he wants 24 00:01:13,520 --> 00:01:18,760 Speaker 4: all types of body people, but you personally, would you shred. 25 00:01:19,080 --> 00:01:20,720 Speaker 2: If I was to do it? Yeah? 26 00:01:20,920 --> 00:01:23,000 Speaker 4: No, if you go to buy a picture, yes, of course, 27 00:01:23,000 --> 00:01:23,759 Speaker 4: if you want to do it. 28 00:01:23,800 --> 00:01:24,320 Speaker 2: Yeah yeah. 29 00:01:24,440 --> 00:01:27,560 Speaker 5: When I have before, I performed nude, and I did, 30 00:01:27,840 --> 00:01:31,199 Speaker 5: I was very mindful of what I ate for how long, 31 00:01:31,760 --> 00:01:34,039 Speaker 5: you know, just a week or so, just to drop 32 00:01:34,080 --> 00:01:35,880 Speaker 5: some of the fluid off my body, you know. 33 00:01:36,480 --> 00:01:38,039 Speaker 2: And I got a bit of a you know, got. 34 00:01:37,880 --> 00:01:40,320 Speaker 5: Out in the sun, put a bit of fake tan 35 00:01:40,760 --> 00:01:43,000 Speaker 5: and fake tan as well, not that that you know. 36 00:01:43,760 --> 00:01:45,600 Speaker 3: We said, got out in the sun in a g string. 37 00:01:46,040 --> 00:01:47,560 Speaker 5: I just think when I go for a paddle, I 38 00:01:47,600 --> 00:01:53,200 Speaker 5: just didn't wear my shirt. He men, you see he men. 39 00:01:53,680 --> 00:01:55,680 Speaker 3: Well, this is the latest one he's done. 40 00:01:55,720 --> 00:01:57,400 Speaker 4: I mean we've he's done projects at Bond the Beach, 41 00:01:57,400 --> 00:01:59,720 Speaker 4: at the Sydney Opera House. He's been doing this since 42 00:01:59,800 --> 00:02:03,280 Speaker 4: nine ninety two. And so he got thousands of men 43 00:02:03,320 --> 00:02:06,600 Speaker 4: and women to strip naked on Brisbane's Story Bridge to 44 00:02:06,680 --> 00:02:07,760 Speaker 4: take part in the art shoot. 45 00:02:07,800 --> 00:02:09,720 Speaker 3: He said. They've said the bridge will be closed for 46 00:02:09,720 --> 00:02:10,360 Speaker 3: this art event. 47 00:02:10,639 --> 00:02:16,560 Speaker 4: It'll feature thousands of live nude figures in celebration of diversity, equity, inclusion, 48 00:02:16,680 --> 00:02:22,480 Speaker 4: and Brisbane's vibrant LGBTQI, plus communities and allies. So they 49 00:02:22,520 --> 00:02:24,280 Speaker 4: all had to walk onto the bridge in the nude. 50 00:02:24,280 --> 00:02:26,920 Speaker 4: That's the thing you picture yourself being in the finished photo, 51 00:02:27,960 --> 00:02:29,919 Speaker 4: but you have to get there. You had to walk 52 00:02:29,960 --> 00:02:33,040 Speaker 4: in the nude to find your position. And speaking of position, 53 00:02:33,919 --> 00:02:35,840 Speaker 4: in one shot and I'm looking at this photo now, 54 00:02:36,200 --> 00:02:39,720 Speaker 4: everyone crouches over on all fours with your head tucked 55 00:02:39,720 --> 00:02:42,680 Speaker 4: into your chest, so you've got to crouch quite up. 56 00:02:42,720 --> 00:02:45,200 Speaker 4: You're not lying flat on flush on the ground. So 57 00:02:45,240 --> 00:02:46,840 Speaker 4: if you put your head up at the wrong time, 58 00:02:47,400 --> 00:02:51,840 Speaker 4: a time you're looking at someone's clacker, yep, straight up there. 59 00:02:52,240 --> 00:02:53,160 Speaker 3: Would you ever do it? 60 00:02:53,520 --> 00:02:54,160 Speaker 2: No? 61 00:02:54,160 --> 00:02:59,400 Speaker 4: No, no, you're only a nude on stage when you're 62 00:02:59,440 --> 00:03:00,720 Speaker 4: doing show, get paid for it. 63 00:03:02,200 --> 00:03:03,520 Speaker 2: I'd be this sort of guy. 64 00:03:03,880 --> 00:03:05,800 Speaker 4: Let me give reference to what I'm talking about. This 65 00:03:05,880 --> 00:03:08,560 Speaker 4: is when you were in the full Monty, Real full Monty, Yeah, 66 00:03:08,720 --> 00:03:11,760 Speaker 4: the real full Monty Yeah, as opposed to what, well, 67 00:03:12,000 --> 00:03:13,640 Speaker 4: there was a movie here before well we know you 68 00:03:13,680 --> 00:03:15,400 Speaker 4: weren't on that, and the real four. 69 00:03:15,320 --> 00:03:19,320 Speaker 5: Monty was an incarnation of that where we got roped 70 00:03:19,320 --> 00:03:22,760 Speaker 5: in by Todd McKenny and Shane Jacobson to bear off 71 00:03:23,000 --> 00:03:26,079 Speaker 5: for in the nude for prostate awareness. 72 00:03:25,720 --> 00:03:28,120 Speaker 3: And did you have to crouch and moon the audience. 73 00:03:27,720 --> 00:03:28,160 Speaker 2: In the world. 74 00:03:29,040 --> 00:03:31,200 Speaker 5: No, we just had to dance on the stage two 75 00:03:31,639 --> 00:03:33,600 Speaker 5: you could leave your hat on sung by Tom Jones. 76 00:03:34,400 --> 00:03:34,960 Speaker 2: That was good? 77 00:03:35,600 --> 00:03:35,920 Speaker 3: Was it? 78 00:03:36,320 --> 00:03:36,600 Speaker 2: It was? 79 00:03:36,640 --> 00:03:37,160 Speaker 3: It was great. 80 00:03:37,320 --> 00:03:39,440 Speaker 4: The show was great, a lot of great awareness about 81 00:03:39,440 --> 00:03:41,320 Speaker 4: men's health. If you had crouched over, you could have 82 00:03:41,320 --> 00:03:42,880 Speaker 4: had a medical exam at the same time, it. 83 00:03:42,800 --> 00:03:45,480 Speaker 2: Could have been killed. Two birds of one stone. 84 00:03:45,760 --> 00:03:48,400 Speaker 5: You at the time flew off out of Sydney as 85 00:03:48,400 --> 00:03:49,080 Speaker 5: it was happening. 86 00:03:49,160 --> 00:03:51,520 Speaker 4: I had to arrange a living room shoot in Hawaii 87 00:03:51,560 --> 00:03:54,160 Speaker 4: so I could not be here too great pains. 88 00:03:54,200 --> 00:03:56,120 Speaker 3: I personally funded that entire trip. 89 00:03:57,040 --> 00:03:58,480 Speaker 2: I wonder though that I would. 90 00:03:58,280 --> 00:03:59,880 Speaker 3: Have had to throw an acid in my own eyes, and. 91 00:04:00,600 --> 00:04:03,680 Speaker 5: We don't want that because you've got lovely eyes. Spencer 92 00:04:03,720 --> 00:04:05,440 Speaker 5: Tunic though, how did he get his start? He did 93 00:04:05,480 --> 00:04:08,800 Speaker 5: it in nineteen ninety two. How did he get it going? 94 00:04:09,200 --> 00:04:11,800 Speaker 5: But I often wonder it's like him and Christo, the 95 00:04:11,800 --> 00:04:14,320 Speaker 5: guy that wraps major monuments and stuff. 96 00:04:14,520 --> 00:04:17,040 Speaker 4: He remember did a whole like was it north Head 97 00:04:17,120 --> 00:04:20,640 Speaker 4: or south Head? Yeah, we whole cliff Face, Yes. 98 00:04:20,520 --> 00:04:25,040 Speaker 5: So he wraps itself. How do these conceptual artists start, particularly. 99 00:04:24,640 --> 00:04:27,440 Speaker 4: The NUDI one, particularly Spencer Tunic. Does he have to 100 00:04:27,480 --> 00:04:29,920 Speaker 4: go and see council. Imagine the t's and c's, the 101 00:04:30,040 --> 00:04:31,000 Speaker 4: terms and conditions. 102 00:04:31,200 --> 00:04:34,400 Speaker 5: Well, I would imagine like Banksy and any of those 103 00:04:34,480 --> 00:04:36,719 Speaker 5: other street artists. 104 00:04:36,560 --> 00:04:38,080 Speaker 3: They a lot of red tape. 105 00:04:38,120 --> 00:04:42,040 Speaker 5: Well, yeah, you can't ask permission because he's closed the bridge. 106 00:04:42,040 --> 00:04:44,279 Speaker 3: They'd all be run over if he didn't get permissions. 107 00:04:44,320 --> 00:04:46,520 Speaker 5: What I mean now that he's a big deal and 108 00:04:46,560 --> 00:04:50,760 Speaker 5: everyone knows about Spencer Tunic, But before, in the early days, 109 00:04:51,000 --> 00:04:53,960 Speaker 5: where would he get pictures of masses of people? 110 00:04:54,360 --> 00:04:55,840 Speaker 2: Where would he do that at? 111 00:04:56,080 --> 00:04:56,760 Speaker 3: Well, I don't know. 112 00:04:56,800 --> 00:04:58,920 Speaker 4: He would have been an underground artist and just saying 113 00:04:59,200 --> 00:05:01,880 Speaker 4: I'm doing this in it will project. And maybe right 114 00:05:01,920 --> 00:05:04,440 Speaker 4: at the beginning they just flash mobs. They flash their 115 00:05:04,440 --> 00:05:08,400 Speaker 4: mobs at each other without permission. Quick get one shot, 116 00:05:08,560 --> 00:05:10,200 Speaker 4: and the bigger and bigger he got, and they became 117 00:05:10,200 --> 00:05:12,200 Speaker 4: more and more famous. Maybe then you go to counsel 118 00:05:12,240 --> 00:05:15,520 Speaker 4: and say, here's the thing I want people to strip off. 119 00:05:16,600 --> 00:05:20,960 Speaker 4: Here's the paperwork, a lot of teas and seas, terms 120 00:05:20,960 --> 00:05:29,280 Speaker 4: and condition and other words. 121 00:05:34,040 --> 00:05:35,559 Speaker 2: This is on the cutting room floor. 122 00:05:35,839 --> 00:05:39,760 Speaker 4: Let's talk about sculptures. By the sea. This is it's 123 00:05:39,839 --> 00:05:43,480 Speaker 4: world class. Hundreds and hundreds of sculptors from all around 124 00:05:43,480 --> 00:05:47,480 Speaker 4: the world exhibit their sculptures on the coastal walk between 125 00:05:47,520 --> 00:05:49,240 Speaker 4: Bronti and Bondai Beach. 126 00:05:49,320 --> 00:05:50,360 Speaker 3: It is spectacular. 127 00:05:50,480 --> 00:05:52,520 Speaker 2: I want to see it, but I've never seen it. 128 00:05:52,520 --> 00:05:53,240 Speaker 3: You've never seen it. 129 00:05:53,279 --> 00:05:54,840 Speaker 5: I've never seen it. I always look at it on 130 00:05:54,880 --> 00:05:56,599 Speaker 5: the telly on the news. Yeah, I want to go 131 00:05:56,640 --> 00:05:59,320 Speaker 5: and see that this year, and then it comes around 132 00:05:59,640 --> 00:06:00,640 Speaker 5: and then my. 133 00:06:00,600 --> 00:06:01,680 Speaker 3: Friend won it last year. 134 00:06:01,960 --> 00:06:05,400 Speaker 4: What with Well, it's he does incredible work with boulders. 135 00:06:05,440 --> 00:06:07,640 Speaker 4: You know that thing we've got in our courtyard, that's 136 00:06:07,640 --> 00:06:08,520 Speaker 4: a collection of bowlders. 137 00:06:08,560 --> 00:06:09,520 Speaker 3: It looks like a young. 138 00:06:09,560 --> 00:06:12,920 Speaker 4: Yes, he made that years and years ago, your backyard 139 00:06:13,080 --> 00:06:17,360 Speaker 4: and he so it's a big beautiful boulder that he's 140 00:06:17,400 --> 00:06:21,840 Speaker 4: found and shaped and sculpted. But it looks it was 141 00:06:21,880 --> 00:06:23,320 Speaker 4: just the most beautiful thing to behold. 142 00:06:23,360 --> 00:06:24,360 Speaker 2: I like to confuse people. 143 00:06:24,360 --> 00:06:26,600 Speaker 5: I like to get like an old shopping bike and 144 00:06:26,640 --> 00:06:28,480 Speaker 5: then get an e bike and put it in this 145 00:06:28,920 --> 00:06:31,120 Speaker 5: like a shopping cart, and put an e bike in 146 00:06:31,120 --> 00:06:32,360 Speaker 5: the shopping cart and just leave. 147 00:06:32,240 --> 00:06:35,280 Speaker 4: It near Now, Brendan, I know you're not that's art. Now, 148 00:06:35,320 --> 00:06:37,880 Speaker 4: you're not that person I know, So you shouldn't be 149 00:06:37,880 --> 00:06:39,120 Speaker 4: that person. Is I could do that art? 150 00:06:39,160 --> 00:06:39,520 Speaker 2: Stupid? 151 00:06:39,520 --> 00:06:40,200 Speaker 3: You should not be there. 152 00:06:40,200 --> 00:06:41,359 Speaker 2: That's what I all are to say. 153 00:06:42,760 --> 00:06:46,200 Speaker 4: I also in my backyard, my uncle had made a 154 00:06:46,200 --> 00:06:48,840 Speaker 4: series of fiberglass zebras, and I've got one of those 155 00:06:48,880 --> 00:06:49,599 Speaker 4: in my back now. 156 00:06:49,640 --> 00:06:51,599 Speaker 5: A lot of people, though, have never met this uncle. 157 00:06:51,880 --> 00:06:54,400 Speaker 5: A lot of people are saying, not me, that you 158 00:06:54,720 --> 00:06:55,600 Speaker 5: actually nicked it. 159 00:06:55,720 --> 00:06:59,920 Speaker 4: Oh, come and this so called uncle uncle Alan made 160 00:07:00,160 --> 00:07:04,160 Speaker 4: out of fiberglass and Auntie Julie, his wife, painted it. 161 00:07:04,160 --> 00:07:06,000 Speaker 2: Seems to be a lot of details in this story. 162 00:07:06,040 --> 00:07:08,600 Speaker 3: Now, Alan and Julie, the name, it. 163 00:07:08,560 --> 00:07:10,080 Speaker 2: Seems overlly complicated. 164 00:07:10,400 --> 00:07:12,920 Speaker 3: They're very good artists. And I'm very proud to have 165 00:07:12,960 --> 00:07:13,679 Speaker 3: that in my backyard. 166 00:07:13,720 --> 00:07:16,400 Speaker 2: Have you ever got on it and written zebra? 167 00:07:16,720 --> 00:07:18,760 Speaker 3: No, it's on wheels. I can move it around. 168 00:07:18,840 --> 00:07:19,040 Speaker 2: Yeah. 169 00:07:19,600 --> 00:07:20,960 Speaker 3: And the number of people that come over and go, oh, 170 00:07:20,960 --> 00:07:24,360 Speaker 3: look there's a giraffe, they do. You would be stunned 171 00:07:24,360 --> 00:07:25,480 Speaker 3: at how many people say. 172 00:07:25,320 --> 00:07:26,720 Speaker 2: That you've never straddled it. 173 00:07:26,960 --> 00:07:29,120 Speaker 3: No, when they live in Canberra. 174 00:07:29,160 --> 00:07:30,640 Speaker 4: When they brought it up to my place, it was 175 00:07:30,680 --> 00:07:33,680 Speaker 4: on the back of a ute and dogs barked all 176 00:07:33,720 --> 00:07:34,040 Speaker 4: the way. 177 00:07:34,080 --> 00:07:42,240 Speaker 3: Apparently you would. The reason I'm talking about. 178 00:07:42,000 --> 00:07:43,680 Speaker 2: Spotts either, see why. 179 00:07:45,080 --> 00:07:47,640 Speaker 4: Is because people are outraged that there's been footage of 180 00:07:47,680 --> 00:07:50,000 Speaker 4: the Surf Life Saving Club having a sausage sizzle. 181 00:07:50,520 --> 00:07:52,800 Speaker 3: A sausage sizzle, as we know, is a sausage in 182 00:07:52,920 --> 00:07:54,400 Speaker 3: a hot dog roll. 183 00:07:54,760 --> 00:07:59,400 Speaker 4: Sometimes really well, this is a hot dog role quite 184 00:07:59,440 --> 00:08:04,640 Speaker 4: economical to mate. Well this with onions. It costs six dollars. Yeah, 185 00:08:04,680 --> 00:08:07,280 Speaker 4: that's I'm not a big I'm not a big consumer 186 00:08:07,760 --> 00:08:08,920 Speaker 4: of sausage sizzles. 187 00:08:09,320 --> 00:08:10,520 Speaker 3: How much would it normally. 188 00:08:10,280 --> 00:08:12,080 Speaker 2: Originally start off at about two bucks? 189 00:08:12,960 --> 00:08:15,520 Speaker 5: Now they're probably teetering when you go to Bunning's at 190 00:08:15,560 --> 00:08:17,640 Speaker 5: about three dollars fifty, I would say. 191 00:08:17,800 --> 00:08:19,680 Speaker 3: And I haven't bought one school face or something. 192 00:08:19,560 --> 00:08:21,880 Speaker 5: High school fae to be cheaper than that school fate 193 00:08:21,920 --> 00:08:23,480 Speaker 5: would be about the two dollars fifty miles. 194 00:08:23,480 --> 00:08:24,760 Speaker 3: So people are right through outrage. 195 00:08:25,000 --> 00:08:26,640 Speaker 2: There is a sliding scale of pay. 196 00:08:26,800 --> 00:08:30,160 Speaker 5: But you're in Tamarama Glamorama, so people there have got 197 00:08:30,160 --> 00:08:32,439 Speaker 5: a lot of coins raising money for the clubbies. 198 00:08:32,520 --> 00:08:34,720 Speaker 4: That's true, But I think it's an assumption that people 199 00:08:34,760 --> 00:08:36,520 Speaker 4: around there have a lot of a lot of backpackers, 200 00:08:36,559 --> 00:08:38,000 Speaker 4: a lot of travelers, a lot of people who are 201 00:08:38,000 --> 00:08:39,560 Speaker 4: sharing flats with one hundred other people. 202 00:08:39,960 --> 00:08:41,240 Speaker 3: It's not all big richies. 203 00:08:41,559 --> 00:08:45,280 Speaker 5: Yeah, six bucks is steep, it's heading towards ten. It's 204 00:08:45,400 --> 00:08:47,880 Speaker 5: like the ten dollar beer. I remember someone saying once 205 00:08:47,920 --> 00:08:51,600 Speaker 5: a beer. Once you accept buying a beer for ten dollars, 206 00:08:52,200 --> 00:08:53,800 Speaker 5: then you'll pay anything. 207 00:08:54,200 --> 00:08:56,360 Speaker 4: But you're a glass half is it empty or full? 208 00:08:56,360 --> 00:08:58,520 Speaker 4: When you see six dollars equals ten dollars the minutes 209 00:08:58,559 --> 00:08:58,960 Speaker 4: over five? 210 00:08:59,000 --> 00:08:59,960 Speaker 3: Are you rounding it up? 211 00:09:00,080 --> 00:09:00,280 Speaker 1: Yeah? 212 00:09:00,320 --> 00:09:05,280 Speaker 2: Yeah, unlike raise. You know raise. It's a great account thing. 213 00:09:05,360 --> 00:09:06,480 Speaker 2: So you get a raise account. 214 00:09:06,520 --> 00:09:08,960 Speaker 5: So if you go and buy a coffee, say for 215 00:09:09,040 --> 00:09:11,760 Speaker 5: four dollars fifty, it'll round it up to five bucks 216 00:09:12,080 --> 00:09:14,000 Speaker 5: to that nearest denomination, and. 217 00:09:13,960 --> 00:09:15,360 Speaker 3: You're paying more money. 218 00:09:15,400 --> 00:09:15,600 Speaker 2: No one. 219 00:09:15,640 --> 00:09:18,360 Speaker 5: It goes into account, a special account, and then you've 220 00:09:18,360 --> 00:09:19,480 Speaker 5: got money for a rainy day. 221 00:09:20,280 --> 00:09:20,720 Speaker 2: Good idea. 222 00:09:20,760 --> 00:09:22,480 Speaker 5: This is the stuff that we should be come out with. 223 00:09:22,800 --> 00:09:23,880 Speaker 5: These are the ideas. 224 00:09:24,280 --> 00:09:27,200 Speaker 4: What do you think any politicians would be photographed eating 225 00:09:27,280 --> 00:09:28,000 Speaker 4: those sausages? 226 00:09:28,240 --> 00:09:28,480 Speaker 2: Well? 227 00:09:28,640 --> 00:09:29,679 Speaker 3: Yeah, actually thought about. 228 00:09:29,480 --> 00:09:31,520 Speaker 4: When King Charles was here and they made him turn 229 00:09:31,559 --> 00:09:34,000 Speaker 4: the sausages a para matter. I'm surprised people didn't confuse 230 00:09:34,040 --> 00:09:35,320 Speaker 4: him with his fingers and start chomping on. 231 00:09:35,400 --> 00:09:37,960 Speaker 5: I think someone was taking the piss. They said, Charles 232 00:09:38,000 --> 00:09:40,280 Speaker 5: going cook these sausages over there? 233 00:09:40,559 --> 00:09:44,040 Speaker 3: Sure you know, next minute's turning his own fingers. 234 00:09:43,600 --> 00:09:49,720 Speaker 4: On the grill, Miller's lick at them. Remember when was 235 00:09:49,720 --> 00:09:52,680 Speaker 4: it Bill shortened? Was at a public function. If there's 236 00:09:52,800 --> 00:09:54,720 Speaker 4: a whole lot of politicians, particularly run up to election, 237 00:09:54,760 --> 00:09:57,680 Speaker 4: of photographed eating things, and no one wants to eat 238 00:09:57,720 --> 00:09:58,679 Speaker 4: the sausage. 239 00:09:58,280 --> 00:10:03,520 Speaker 5: You don't look like you're k nobbing it off, So. 240 00:10:02,080 --> 00:10:04,040 Speaker 3: Just at least can we talk in euphemism somehow? 241 00:10:04,160 --> 00:10:08,520 Speaker 2: Well it is, it's the podcast. But Bill, he tried to. 242 00:10:08,800 --> 00:10:12,800 Speaker 4: Tried to avoid and he bid it sideways and just 243 00:10:12,840 --> 00:10:14,440 Speaker 4: looked very unusual. 244 00:10:14,600 --> 00:10:16,160 Speaker 2: He was being Bob Dylan. 245 00:10:18,880 --> 00:10:23,319 Speaker 5: David Cameron, who you know that ruined his election campaign. 246 00:10:23,960 --> 00:10:26,559 Speaker 2: If he wasn't for that sausage and he's running. 247 00:10:26,280 --> 00:10:29,360 Speaker 4: Style, it looked like he's been chased by a monster. 248 00:10:29,760 --> 00:10:31,199 Speaker 4: Who's filmed out jogging. 249 00:10:30,920 --> 00:10:33,880 Speaker 2: The week before he came in for an interview. 250 00:10:33,720 --> 00:10:38,760 Speaker 3: And you mentioned I offended. Got really he jogs hill first? 251 00:10:38,920 --> 00:10:43,840 Speaker 5: Yeah, I was worried about his arches. I said, Bill, 252 00:10:44,160 --> 00:10:46,800 Speaker 5: your feet, you know you need some art support there. 253 00:10:47,000 --> 00:10:49,080 Speaker 5: You're gonna have, You're gonna have bone spurs. 254 00:10:49,200 --> 00:10:50,280 Speaker 2: You have shin splints. 255 00:10:50,520 --> 00:10:54,520 Speaker 4: David Cameron, the English Prime Minister, was photographed eating a 256 00:10:54,720 --> 00:10:56,520 Speaker 4: similar sausage with a knife and fork. 257 00:10:57,040 --> 00:10:58,480 Speaker 3: Come on, they're too scared. 258 00:10:58,640 --> 00:11:01,640 Speaker 5: You just got Gladys Borrow jick in our New South 259 00:11:01,640 --> 00:11:04,880 Speaker 5: Wales flattering. She just bobbed it straight in there. She's like, 260 00:11:05,480 --> 00:11:09,160 Speaker 5: I don't know who. You don't know what about when 261 00:11:09,160 --> 00:11:11,559 Speaker 5: you eat a banana? You've told me this and this 262 00:11:11,600 --> 00:11:15,520 Speaker 5: isn't for any not looking weird reasons. 263 00:11:15,960 --> 00:11:18,240 Speaker 4: You don't like the idea of holding a banana skin 264 00:11:18,240 --> 00:11:19,960 Speaker 4: because you think somehow that looks weak. 265 00:11:20,400 --> 00:11:22,360 Speaker 3: So you unpeel the. 266 00:11:22,360 --> 00:11:27,960 Speaker 4: Whole banana and walk around with a nude banana. Why 267 00:11:28,000 --> 00:11:30,640 Speaker 4: would you do that? It's got its own carry case 268 00:11:30,720 --> 00:11:31,320 Speaker 4: called the skin. 269 00:11:31,400 --> 00:11:35,560 Speaker 5: Yeah, but then you look like some monkey, like almost 270 00:11:35,600 --> 00:11:36,760 Speaker 5: like a comedic character. 271 00:11:36,800 --> 00:11:38,720 Speaker 2: You're walking around with bits of peel on your hand. 272 00:11:39,000 --> 00:11:42,000 Speaker 4: And don't you think you look weirder walking around with 273 00:11:42,040 --> 00:11:44,120 Speaker 4: your fingers all the other things out because you don't 274 00:11:44,120 --> 00:11:46,280 Speaker 4: want to get stinky banana hand, but you're holding a 275 00:11:46,360 --> 00:11:47,000 Speaker 4: nude banana. 276 00:11:47,040 --> 00:11:48,400 Speaker 5: All I do is I hold the banana, but I 277 00:11:48,440 --> 00:11:51,520 Speaker 5: eat like Brad Pitt in Ocean's eleven. Do you remember 278 00:11:51,600 --> 00:11:54,800 Speaker 5: Ocean's eleven. Brad Pitt just ate or always eight on 279 00:11:54,840 --> 00:11:57,120 Speaker 5: the go, and he ate very discreetly. 280 00:11:57,280 --> 00:11:59,400 Speaker 3: On the screen. The banana and bits, I. 281 00:11:59,440 --> 00:12:01,079 Speaker 5: Break it in beer and I'll be talking to you. 282 00:12:01,240 --> 00:12:03,080 Speaker 5: I could be eating a banana. You won't ever noticed. 283 00:12:03,320 --> 00:12:03,760 Speaker 2: I'm a bit. 284 00:12:03,920 --> 00:12:06,319 Speaker 5: Did you watch Matt Preston when he was on Master Chef. 285 00:12:06,679 --> 00:12:09,200 Speaker 5: He used to eat like an ameba. You never saw 286 00:12:09,240 --> 00:12:11,280 Speaker 5: food on his face, You never saw anything. You never 287 00:12:11,440 --> 00:12:12,040 Speaker 5: saw him chew. 288 00:12:12,360 --> 00:12:15,160 Speaker 3: He just dore series of Moses and that those noodles 289 00:12:15,160 --> 00:12:15,800 Speaker 3: are delicious. 290 00:12:15,800 --> 00:12:18,480 Speaker 2: That's how I eat in my life. I ate very discreetly. 291 00:12:18,720 --> 00:12:20,559 Speaker 4: So if you were if you were coming up to 292 00:12:20,600 --> 00:12:23,520 Speaker 4: an election, you had to eat a sausage sizzle, what 293 00:12:23,559 --> 00:12:24,040 Speaker 4: would you do? 294 00:12:24,280 --> 00:12:26,080 Speaker 5: I'd knob it straight off so I get off the 295 00:12:26,080 --> 00:12:31,439 Speaker 5: attention work for Linda Lovelace. Yeah, he'd be. 296 00:12:31,360 --> 00:12:35,439 Speaker 3: Doing all the rude poses. Let's end. 297 00:12:37,200 --> 00:12:47,439 Speaker 6: You're ready, everybody, Here is some more. You're ready, everybody, 298 00:12:47,600 --> 00:12:54,240 Speaker 6: there is some more. 299 00:12:53,920 --> 00:12:54,920 Speaker 2: On the cutting room floor. 300 00:12:54,920 --> 00:12:57,520 Speaker 5: We didn't get round to talking about the Japanese village 301 00:12:57,559 --> 00:12:59,880 Speaker 5: that's struggling with low population. Have come up with an 302 00:13:00,200 --> 00:13:02,320 Speaker 5: ingenious way as the Japanese do. 303 00:13:02,679 --> 00:13:04,319 Speaker 4: Yeah, we'll tell you where it is first before we 304 00:13:04,360 --> 00:13:06,800 Speaker 4: get to the ingenious way that they're solving this problem. 305 00:13:06,880 --> 00:13:10,120 Speaker 4: This is in the hamlet of Ichinono. It has less 306 00:13:10,120 --> 00:13:14,320 Speaker 4: than sixty residents and only one child. What happens is 307 00:13:14,360 --> 00:13:17,120 Speaker 4: that once the kids get old enough, they encourage their 308 00:13:17,200 --> 00:13:20,960 Speaker 4: children to attend college, usually an hour away in Kyoto. 309 00:13:21,559 --> 00:13:24,280 Speaker 4: So there's less than sixty residents as I said here, 310 00:13:24,640 --> 00:13:27,480 Speaker 4: and many of them are elderly. What they have done 311 00:13:27,520 --> 00:13:29,680 Speaker 4: to create a feeling of community and a feeling of 312 00:13:29,679 --> 00:13:34,120 Speaker 4: a bustling society is they have these life size stuffed 313 00:13:34,160 --> 00:13:39,040 Speaker 4: mannequins that sit on their porches, that sit in parks. 314 00:13:39,880 --> 00:13:40,760 Speaker 3: They're all over the place. 315 00:13:40,760 --> 00:13:46,280 Speaker 4: As someone said, we've probably outnumbered by puppets. So give 316 00:13:46,400 --> 00:13:49,240 Speaker 4: some pictures here that I'm looking at. What do you reckon? 317 00:13:49,280 --> 00:13:52,199 Speaker 3: They're like stuffed toys but big. 318 00:13:52,360 --> 00:13:52,560 Speaker 5: Yeah. 319 00:13:52,600 --> 00:13:55,959 Speaker 2: I was hoping that they would be sort of human esque. 320 00:13:56,000 --> 00:13:58,360 Speaker 3: But oh no, they're not, like yeah, were you you what? 321 00:13:58,640 --> 00:14:02,920 Speaker 5: No, Well, like mini mouse sitting on a chair and 322 00:14:03,600 --> 00:14:07,200 Speaker 5: bedraggled mini mouse. It looks like one of those big 323 00:14:07,480 --> 00:14:09,640 Speaker 5: dolls that the garbas put on the front of the trucks, 324 00:14:09,640 --> 00:14:11,680 Speaker 5: you know. In the garbase they find a doll in 325 00:14:11,720 --> 00:14:12,960 Speaker 5: the bin and then they put it on the front 326 00:14:12,960 --> 00:14:13,440 Speaker 5: of the truck. 327 00:14:13,520 --> 00:14:15,000 Speaker 2: It always looks a bit worse for wear. 328 00:14:15,160 --> 00:14:18,000 Speaker 4: It's very big, but as that's next to a sort 329 00:14:18,000 --> 00:14:21,640 Speaker 4: of a child size one, and then there's two adults 330 00:14:21,680 --> 00:14:22,880 Speaker 4: and a child in this other one. 331 00:14:23,120 --> 00:14:26,200 Speaker 5: About that funny looking stuff, you know that woman there 332 00:14:26,240 --> 00:14:27,320 Speaker 5: with their bloody. 333 00:14:27,120 --> 00:14:29,640 Speaker 3: Reel, that's a person. That's a person. 334 00:14:29,560 --> 00:14:31,480 Speaker 2: Looks like she's been on the front of a garbage truck. 335 00:14:31,520 --> 00:14:32,920 Speaker 3: You know, it's interesting. 336 00:14:33,400 --> 00:14:36,760 Speaker 4: The Prime Minister has said that he's vowing to help 337 00:14:36,760 --> 00:14:40,120 Speaker 4: build up these rural areas because this is a big 338 00:14:40,120 --> 00:14:41,880 Speaker 4: problem for Japan, and this is a big problem for 339 00:14:41,960 --> 00:14:46,320 Speaker 4: countries that don't have immigration. Japan doesn't allow many immigrants, 340 00:14:46,400 --> 00:14:50,560 Speaker 4: and they are the second oldest population in the world, 341 00:14:50,680 --> 00:14:53,400 Speaker 4: so that's what's happening here. They're going to run out 342 00:14:53,440 --> 00:14:56,800 Speaker 4: of young people, so they're going to be populated by 343 00:14:56,880 --> 00:14:58,120 Speaker 4: these enormous life size. 344 00:14:58,240 --> 00:15:06,040 Speaker 5: Doesn't Japanese have more population and per square inch of kilometers. 345 00:15:03,800 --> 00:15:03,880 Speaker 6: And. 346 00:15:05,680 --> 00:15:06,880 Speaker 3: I've got a very big population. 347 00:15:07,120 --> 00:15:10,800 Speaker 4: In these rural areas, there's nobody, there's nobody, and often 348 00:15:10,840 --> 00:15:13,760 Speaker 4: in the often immigrants will move to rural areas and 349 00:15:13,840 --> 00:15:17,440 Speaker 4: keep them going. So there's not. That's just not happening here. 350 00:15:17,840 --> 00:15:21,240 Speaker 4: So it's actually quite sad. So they're replicating a sense 351 00:15:21,280 --> 00:15:24,680 Speaker 4: of community. For example, if that happened where you live, 352 00:15:24,720 --> 00:15:26,280 Speaker 4: you'd have to get all these people to sit around 353 00:15:26,320 --> 00:15:27,240 Speaker 4: and drink with you. 354 00:15:27,360 --> 00:15:30,960 Speaker 5: Yeah, well, I've got all that now. All these dumb 355 00:15:30,960 --> 00:15:34,800 Speaker 5: puppets drinking around me, that's. 356 00:15:34,680 --> 00:15:36,520 Speaker 3: What they call you. You shouldn't put your hand up 357 00:15:36,560 --> 00:15:37,840 Speaker 3: their bums. That's the muppets. 358 00:15:37,880 --> 00:15:39,720 Speaker 5: I'll have to get like a little for you. There'd 359 00:15:39,720 --> 00:15:43,320 Speaker 5: be a little troll doll just sitting there some blanc. 360 00:15:43,440 --> 00:15:45,640 Speaker 3: I'd have to replicate book Club with a whole lot 361 00:15:45,680 --> 00:15:46,120 Speaker 3: of puppets. 362 00:15:46,160 --> 00:15:47,960 Speaker 2: There you go, the Booze and Bitch and book. 363 00:15:47,760 --> 00:15:49,640 Speaker 3: Cla now with added puppets. 364 00:15:49,640 --> 00:15:51,520 Speaker 5: And now you can choose all the books you want 365 00:15:51,520 --> 00:15:53,640 Speaker 5: to read, all your fairy porn that the girls. 366 00:15:53,320 --> 00:15:54,040 Speaker 2: Don't want to read. 367 00:15:55,200 --> 00:15:56,440 Speaker 3: I'd be king of the worlds. 368 00:15:56,560 --> 00:15:58,440 Speaker 2: They want to read smarty books, but you just want 369 00:15:58,440 --> 00:15:59,120 Speaker 2: to read the juice. 370 00:15:59,200 --> 00:16:02,360 Speaker 4: I haven't introduced them to my very smart yet. Okay, 371 00:16:02,520 --> 00:16:04,240 Speaker 4: that's my mission for next year, the. 372 00:16:04,240 --> 00:16:05,360 Speaker 2: Booze and Bitch and book Club. 373 00:16:05,440 --> 00:16:09,760 Speaker 5: Yeah, but until that time, you just stick to yourself reading. 374 00:16:09,800 --> 00:16:13,480 Speaker 2: Yourself reading myself reading the books yourself. 375 00:16:13,640 --> 00:16:13,880 Speaker 4: I will. 376 00:16:13,960 --> 00:16:15,400 Speaker 3: I've finished a series of four of them. 377 00:16:15,440 --> 00:16:18,720 Speaker 4: I'm giving myself a breather, Yeah right, you know, just 378 00:16:18,760 --> 00:16:20,840 Speaker 4: a breather before I go back. 379 00:16:20,840 --> 00:16:21,440 Speaker 2: How saucy? 380 00:16:21,480 --> 00:16:24,880 Speaker 4: Are the scenes very very you know what they're saying 381 00:16:24,880 --> 00:16:28,680 Speaker 4: though people laugh at this, but they these books have 382 00:16:28,840 --> 00:16:30,480 Speaker 4: brought women back to reading. 383 00:16:30,960 --> 00:16:31,360 Speaker 2: That's good. 384 00:16:31,480 --> 00:16:32,080 Speaker 3: It is good. 385 00:16:32,240 --> 00:16:36,360 Speaker 2: Yeah, it's like Penthas Forum. The Letters to pendhas four. 386 00:16:36,400 --> 00:16:37,680 Speaker 3: You're in it for the articles. 387 00:16:38,440 --> 00:16:41,040 Speaker 2: It got me reading. I never thought it had happened 388 00:16:41,080 --> 00:16:41,280 Speaker 2: to me. 389 00:16:42,280 --> 00:16:44,000 Speaker 3: I remember you had some staple burn. 390 00:16:46,520 --> 00:16:48,840 Speaker 2: It's very painful to get staple burn. There, I tell you. 391 00:16:50,080 --> 00:16:50,960 Speaker 7: It's the cutting room. 392 00:16:51,960 --> 00:16:59,680 Speaker 2: Yeah, yeah, yeah, Sosia Amanda's cutting them for the women 393 00:17:00,080 --> 00:17:02,960 Speaker 2: in the way they've been starting me. It's derry, he's 394 00:17:03,000 --> 00:17:03,600 Speaker 2: our podcast. 395 00:17:03,800 --> 00:17:04,760 Speaker 3: Is that how you're starting it? 396 00:17:05,160 --> 00:17:05,360 Speaker 2: Yeah? 397 00:17:05,520 --> 00:17:07,200 Speaker 3: Singing the theme from Old Sidney Town? 398 00:17:07,480 --> 00:17:07,680 Speaker 7: Yeah? 399 00:17:07,880 --> 00:17:08,880 Speaker 3: Do you remember that day? 400 00:17:09,200 --> 00:17:09,400 Speaker 7: Yeah? 401 00:17:10,320 --> 00:17:12,639 Speaker 4: Remember that We were going to Old Sydney Town with 402 00:17:12,840 --> 00:17:17,400 Speaker 4: my father, my mother and my brother and we saw 403 00:17:17,520 --> 00:17:21,440 Speaker 4: some poor nighter graduates being whipped and Dad said, have 404 00:17:21,560 --> 00:17:21,720 Speaker 4: it go. 405 00:17:21,920 --> 00:17:25,600 Speaker 3: Yeah, Margan, my brother and I were just so embarrassed. 406 00:17:26,000 --> 00:17:28,720 Speaker 4: And Harley as a KEI we finds it extraordinary that 407 00:17:28,760 --> 00:17:31,119 Speaker 4: we would have a theme park where people get whipped. 408 00:17:31,720 --> 00:17:33,040 Speaker 3: Yeah, it does seem amazing. 409 00:17:33,160 --> 00:17:37,240 Speaker 2: That's Saturday night and it is odd though, is it? 410 00:17:37,280 --> 00:17:38,760 Speaker 2: It is an old Sydney town. 411 00:17:38,960 --> 00:17:39,560 Speaker 3: It's kurvy. 412 00:17:39,640 --> 00:17:41,840 Speaker 2: Why don't you kind of bit the dust there? 413 00:17:41,920 --> 00:17:44,119 Speaker 5: When I was a kid, we used to have Founder's 414 00:17:44,200 --> 00:17:46,119 Speaker 5: Day quite regularly at school. 415 00:17:46,400 --> 00:17:46,960 Speaker 2: Did you have that? 416 00:17:47,160 --> 00:17:49,200 Speaker 4: Well, I don't know what we called it, but we're 417 00:17:49,280 --> 00:17:52,320 Speaker 4: just wear those mop caps like a shower cap and 418 00:17:52,520 --> 00:17:55,160 Speaker 4: try and dress with aprons on and repulicate that stuff. 419 00:17:55,480 --> 00:17:57,280 Speaker 3: No indigenous history, we know absolutely. 420 00:17:57,960 --> 00:18:01,119 Speaker 5: And there was like guys dressed as the Red Coats, 421 00:18:01,480 --> 00:18:03,920 Speaker 5: and there was guys dressed as convicts, and that was 422 00:18:04,000 --> 00:18:04,560 Speaker 5: pretty much it. 423 00:18:04,640 --> 00:18:07,680 Speaker 2: And you made damper and the teachers would flirt with 424 00:18:07,760 --> 00:18:08,080 Speaker 2: each other. 425 00:18:08,160 --> 00:18:09,800 Speaker 3: Does anyone actually like damper? 426 00:18:10,080 --> 00:18:11,520 Speaker 2: I love damper joking. 427 00:18:11,680 --> 00:18:14,960 Speaker 3: It's just it's just kind of plain bread, isn't it. 428 00:18:15,080 --> 00:18:16,200 Speaker 2: Yeah, No, it's great. 429 00:18:16,280 --> 00:18:20,320 Speaker 5: You're on the carbs. My granddad used to take us 430 00:18:20,320 --> 00:18:21,800 Speaker 5: out to the bush and we make damper. 431 00:18:22,040 --> 00:18:23,920 Speaker 3: Didn't you also put ferrets down your pants? 432 00:18:24,440 --> 00:18:28,400 Speaker 2: Down pants? We'd go, No, we go ferreting, We get 433 00:18:28,440 --> 00:18:28,879 Speaker 2: the ferret. 434 00:18:29,560 --> 00:18:31,760 Speaker 5: He'd borrow a ferret from a mate, and you put 435 00:18:31,800 --> 00:18:34,440 Speaker 5: it down the rabbit hole, and then the ferry would 436 00:18:34,600 --> 00:18:36,840 Speaker 5: scoot through the rabbit hole, and at the other end 437 00:18:36,880 --> 00:18:38,600 Speaker 5: of the rabbit hole you had a net. The rabbit 438 00:18:38,840 --> 00:18:42,320 Speaker 5: pop out, and then he'd get his pen knife bunk 439 00:18:42,560 --> 00:18:45,600 Speaker 5: stunted on the head, and then he wring its neck, 440 00:18:45,920 --> 00:18:46,280 Speaker 5: and then he. 441 00:18:46,400 --> 00:18:48,159 Speaker 3: Slipped through, and you had good memories of. 442 00:18:50,280 --> 00:18:53,560 Speaker 2: Boys, let's go and eat. I can't eat rabbits to 443 00:18:53,600 --> 00:18:54,119 Speaker 2: this day. 444 00:18:55,040 --> 00:18:56,680 Speaker 3: But damper sure not because of that. 445 00:18:56,800 --> 00:18:57,159 Speaker 6: It was just. 446 00:19:00,119 --> 00:19:02,280 Speaker 4: On to the story I want to talk about today. Actually, 447 00:19:02,320 --> 00:19:05,640 Speaker 4: here's a snippet of it in a sports show in America. 448 00:19:05,840 --> 00:19:09,520 Speaker 2: Why the right play Torres that's in the corner. Does 449 00:19:09,600 --> 00:19:11,960 Speaker 2: he have room fights with the fan. 450 00:19:13,240 --> 00:19:16,399 Speaker 7: And they're going to say that it's it out and 451 00:19:16,560 --> 00:19:19,879 Speaker 7: fan interference, And yeah, that says that ball in his 452 00:19:20,040 --> 00:19:23,800 Speaker 7: globe and his fan literally tries to take his glove off, 453 00:19:24,600 --> 00:19:25,680 Speaker 7: price the ball. 454 00:19:25,560 --> 00:19:27,760 Speaker 2: Out of there a for effort. 455 00:19:28,080 --> 00:19:30,440 Speaker 3: Well, he won't be watching the game much longer, so 456 00:19:30,520 --> 00:19:33,800 Speaker 3: he's caught the balls. Explain what's happened? This is Game four? 457 00:19:33,960 --> 00:19:36,720 Speaker 4: You know the Americans have World Series in baseball? Is 458 00:19:36,800 --> 00:19:39,600 Speaker 4: that their regular season or is World Series that anyone 459 00:19:39,640 --> 00:19:41,879 Speaker 4: in the world can go and someone from Peru can 460 00:19:41,920 --> 00:19:44,320 Speaker 4: turn up. Their World Series is just in the series. 461 00:19:44,440 --> 00:19:46,480 Speaker 4: It's like our inn r rel NAFL season. 462 00:19:46,480 --> 00:19:48,400 Speaker 2: Which speaks volumes about America. 463 00:19:48,560 --> 00:19:50,640 Speaker 3: Okay, so the World Series two. 464 00:19:51,320 --> 00:19:55,879 Speaker 4: So we had a Yankee team, the Yankees fans versus 465 00:19:55,960 --> 00:19:59,200 Speaker 4: the Dodgers. This is the name of these players, The 466 00:19:59,280 --> 00:20:01,560 Speaker 4: Dodgers star Mookie Bets. 467 00:20:01,520 --> 00:20:04,040 Speaker 5: Monkey Bets, because the Dodgers are they are the La 468 00:20:04,240 --> 00:20:07,400 Speaker 5: Dodgers now that they used to be the Brooklyn Dodgers 469 00:20:07,800 --> 00:20:09,720 Speaker 5: really and then they moved over to La. 470 00:20:10,200 --> 00:20:12,640 Speaker 3: Okay, Well, the Dodgers star. 471 00:20:12,680 --> 00:20:16,560 Speaker 4: Many Bets was taking a catch right on the end 472 00:20:16,640 --> 00:20:20,720 Speaker 4: of the edge of the field and in New York. 473 00:20:20,800 --> 00:20:25,600 Speaker 4: So he's reaching up to catch a hit from Glaber Torres. 474 00:20:26,440 --> 00:20:28,359 Speaker 4: G l e y b e r is his first 475 00:20:28,440 --> 00:20:30,679 Speaker 4: name at the bottom of the first you're keeping up 476 00:20:30,680 --> 00:20:32,359 Speaker 4: with me, Brendan, these are words. I have no idea 477 00:20:32,400 --> 00:20:35,480 Speaker 4: what I'm saying. So this the LA star grabs the 478 00:20:35,600 --> 00:20:42,120 Speaker 4: ball and then a fan, Austin Capobianco grab He grabs 479 00:20:42,200 --> 00:20:44,920 Speaker 4: the mit and the ball because he wants to souvenir 480 00:20:45,000 --> 00:20:50,360 Speaker 4: the ball. He grabs the MIT and very aggressively twists 481 00:20:50,560 --> 00:20:52,280 Speaker 4: the player's arm around. 482 00:20:52,200 --> 00:20:53,160 Speaker 3: To take the ball. 483 00:20:53,560 --> 00:20:53,800 Speaker 2: Wow. 484 00:20:54,280 --> 00:20:57,600 Speaker 3: And also I presume to stop play and he's reaching 485 00:20:57,680 --> 00:21:00,000 Speaker 3: over the bleacher. Is that what it's called reaching out 486 00:21:00,040 --> 00:21:00,480 Speaker 3: of the wall? 487 00:21:01,280 --> 00:21:04,760 Speaker 4: A second fan, another one in his Yankees outfit, grabbed 488 00:21:04,800 --> 00:21:08,920 Speaker 4: the ungloved right wrist of Bets and eventually tried to 489 00:21:08,920 --> 00:21:12,480 Speaker 4: get the ball to pop free. So these two fans 490 00:21:13,080 --> 00:21:18,480 Speaker 4: disturbed play but also aggressively ripped the ball out of 491 00:21:18,560 --> 00:21:20,159 Speaker 4: his hands. I mean, it's one thing to wait till 492 00:21:20,160 --> 00:21:22,520 Speaker 4: the balls in the stadium in this where he's you know, 493 00:21:22,600 --> 00:21:24,960 Speaker 4: in the stadium where you are, and then fight over it. 494 00:21:25,080 --> 00:21:26,760 Speaker 3: You don't fight the player for the ball. 495 00:21:27,320 --> 00:21:27,560 Speaker 6: Yeah. 496 00:21:27,760 --> 00:21:30,840 Speaker 8: I remember when I was a kid, my uncle, uncle Dave, 497 00:21:30,960 --> 00:21:34,720 Speaker 8: took me to a Collingwood and Carlton football game down 498 00:21:34,760 --> 00:21:38,920 Speaker 8: at the MCG and the ball the big Alex Jesselinka. 499 00:21:38,960 --> 00:21:41,160 Speaker 2: Oh yeah, yeah, yeah, booted the ball and it came 500 00:21:41,280 --> 00:21:43,200 Speaker 2: through and it just came straight for me. 501 00:21:43,800 --> 00:21:46,920 Speaker 5: And I used I played AFL back then. I was dreadful, 502 00:21:46,920 --> 00:21:48,760 Speaker 5: the worst player in the history of the world. And 503 00:21:48,840 --> 00:21:50,440 Speaker 5: it came straight from me and I just marked it 504 00:21:50,520 --> 00:21:51,280 Speaker 5: right on my cheese. 505 00:21:51,800 --> 00:21:54,680 Speaker 3: You caught it and it didn't bounce out, and it 506 00:21:54,840 --> 00:21:55,040 Speaker 3: was like. 507 00:21:55,119 --> 00:21:57,119 Speaker 5: Boom, straight there and everyone was clapping me on the 508 00:21:57,200 --> 00:21:59,680 Speaker 5: back and they go, good on your Dave, your boy, 509 00:21:59,760 --> 00:22:03,320 Speaker 5: there's a he's a great AFL player, one in the making. 510 00:22:03,640 --> 00:22:05,960 Speaker 5: Little did they know that I was the worst AFL 511 00:22:06,040 --> 00:22:09,000 Speaker 5: player and I was from Sydney and my uncle Dave's 512 00:22:09,119 --> 00:22:10,400 Speaker 5: just kept that all on the down life. 513 00:22:10,400 --> 00:22:13,080 Speaker 3: You've never told me that story. Did you feel through? 514 00:22:13,200 --> 00:22:13,240 Speaker 1: What? 515 00:22:13,520 --> 00:22:14,520 Speaker 3: Was there a camera on you? 516 00:22:15,040 --> 00:22:15,080 Speaker 1: No? 517 00:22:15,359 --> 00:22:17,440 Speaker 2: No, there might have been, but it was ninety it 518 00:22:17,520 --> 00:22:19,120 Speaker 2: was ninety's, seventy nine or something. 519 00:22:19,240 --> 00:22:21,760 Speaker 3: Got on a VHS. No, No, it was Could you 520 00:22:21,760 --> 00:22:22,480 Speaker 3: hear your ribs cracked? 521 00:22:23,240 --> 00:22:25,200 Speaker 2: It was landed? Was such force. 522 00:22:25,320 --> 00:22:27,320 Speaker 5: But at the same time, you know when you get 523 00:22:27,359 --> 00:22:30,200 Speaker 5: a safe catch, you know that you ever had that. 524 00:22:30,800 --> 00:22:33,560 Speaker 5: It's like when you're playing pool and you can almost 525 00:22:33,640 --> 00:22:36,560 Speaker 5: see and I think I feel it. Yeah, what sports 526 00:22:36,640 --> 00:22:39,760 Speaker 5: people go through that I don't have. I think I've 527 00:22:39,800 --> 00:22:44,399 Speaker 5: got this. My eighty HD riddled brain just cannot focus 528 00:22:44,480 --> 00:22:46,920 Speaker 5: on one thing long enough. You felt it, You knew 529 00:22:47,000 --> 00:22:49,320 Speaker 5: there was a moment, and I wasn't anxious or anything. 530 00:22:49,359 --> 00:22:52,280 Speaker 5: I just saw it coming and everything was almost it 531 00:22:52,400 --> 00:22:55,119 Speaker 5: was coming to me so slowly I could just and 532 00:22:55,240 --> 00:22:55,920 Speaker 5: I just scooped it. 533 00:22:56,000 --> 00:22:59,600 Speaker 2: But I still feel the visceral thump in my chest. 534 00:23:00,040 --> 00:23:02,359 Speaker 4: But I sometimes, you know, if you go into a 535 00:23:02,440 --> 00:23:05,560 Speaker 4: meat raffle or something, or a charity raffle, you know 536 00:23:05,840 --> 00:23:07,639 Speaker 4: when you're going to win. Do you ever feel that 537 00:23:08,359 --> 00:23:11,119 Speaker 4: it's that same thing? You just the world seems to 538 00:23:11,200 --> 00:23:13,600 Speaker 4: slow down. You go, they're going to call out my number, 539 00:23:13,600 --> 00:23:16,440 Speaker 4: they're going to call out my name, And that works 540 00:23:16,480 --> 00:23:18,240 Speaker 4: for you sometimes it does. 541 00:23:19,480 --> 00:23:22,080 Speaker 5: I didn't know this about you. You're buying tickets and 542 00:23:22,119 --> 00:23:23,520 Speaker 5: meat raffles. This is a regular thing. 543 00:23:23,640 --> 00:23:25,360 Speaker 4: No, no, no, But if you're at a charity thing 544 00:23:25,520 --> 00:23:27,560 Speaker 4: or you've got to if you're going to win it, 545 00:23:28,000 --> 00:23:30,080 Speaker 4: you kind of know, Yeah, you feel it. 546 00:23:30,400 --> 00:23:32,440 Speaker 5: Yeah, I guess it's like in the dating world as well. 547 00:23:32,960 --> 00:23:35,359 Speaker 5: You know, you knew that you're on your chest crack, 548 00:23:35,720 --> 00:23:38,040 Speaker 5: you're onto a good thing, do you know what I mean? 549 00:23:38,800 --> 00:23:41,040 Speaker 5: In the dating world, you never had that. 550 00:23:42,560 --> 00:23:44,520 Speaker 3: I was used to find, Oh, I really like them, 551 00:23:44,600 --> 00:23:46,160 Speaker 3: and then they talk a bit more and go, oh 552 00:23:46,280 --> 00:23:48,879 Speaker 3: yeah I am. You know, the thrill of it's happening, 553 00:23:48,960 --> 00:23:51,560 Speaker 3: might be happening, might be happening, and then yeah, it's that. 554 00:23:51,680 --> 00:23:53,520 Speaker 5: Remember that story you were telling me about, you know, 555 00:23:54,000 --> 00:23:57,120 Speaker 5: when you were on ratiow and you had a flirty 556 00:23:57,240 --> 00:23:58,360 Speaker 5: sort of time with that guy. 557 00:23:58,800 --> 00:24:02,560 Speaker 2: Guy there was a and he was like an older comedian. 558 00:24:03,000 --> 00:24:06,760 Speaker 3: Oh yeah, yeah, yeah, yes, And I had a big 559 00:24:06,840 --> 00:24:08,879 Speaker 3: fluting moment with him and I was wearing my dung grease. 560 00:24:09,200 --> 00:24:11,280 Speaker 2: So there's no access, no access, and no action. 561 00:24:11,400 --> 00:24:13,680 Speaker 4: Because we went out for coffee or something and he 562 00:24:13,720 --> 00:24:16,000 Speaker 4: said he kept seeing going past the bins and there's 563 00:24:16,040 --> 00:24:18,040 Speaker 4: a sign, do the right thing, do the right thing. 564 00:24:19,040 --> 00:24:20,400 Speaker 5: So he put me in a p and that's why 565 00:24:20,480 --> 00:24:23,639 Speaker 5: you ended up had on the street with the recycling 566 00:24:24,840 --> 00:24:25,720 Speaker 5: ahead of your times. 567 00:24:25,760 --> 00:24:28,240 Speaker 3: She was, how did we end up there? From this 568 00:24:28,440 --> 00:24:43,640 Speaker 3: story you can tell enjoys. 569 00:24:37,080 --> 00:24:43,080 Speaker 2: Cotton read everybody here. 570 00:24:45,800 --> 00:24:46,200 Speaker 1: Cotton. 571 00:24:49,440 --> 00:24:52,600 Speaker 2: Are you ready for it's our podcast the cutting room Floor. 572 00:24:53,760 --> 00:24:54,920 Speaker 3: Let's talk about ghosts. 573 00:24:55,000 --> 00:24:57,760 Speaker 4: I know your reference for ghosts is the Ghost of 574 00:24:57,800 --> 00:24:59,800 Speaker 4: Missus Muir, a show from the nineteen. 575 00:24:59,560 --> 00:25:01,440 Speaker 2: Sixty Hello, ma'am, how are you so? 576 00:25:01,520 --> 00:25:02,760 Speaker 3: What was the premise of that? Again? 577 00:25:02,880 --> 00:25:04,680 Speaker 2: He was an old sea captain who lived in his 578 00:25:04,760 --> 00:25:05,320 Speaker 2: old sea. 579 00:25:05,200 --> 00:25:08,399 Speaker 5: Captain house as a ghost, as a ghost, and no 580 00:25:08,520 --> 00:25:12,680 Speaker 5: one would buy the house because he was habiting the host. 581 00:25:12,840 --> 00:25:16,080 Speaker 3: He would he would appear wearing an our gold jumper 582 00:25:16,119 --> 00:25:17,080 Speaker 3: and smoking, and. 583 00:25:17,080 --> 00:25:19,520 Speaker 2: He'd scare off all the people. And then along came 584 00:25:19,680 --> 00:25:20,920 Speaker 2: a young widow. 585 00:25:20,880 --> 00:25:24,240 Speaker 5: Attractive woman with some kids, and she was quite attractive, 586 00:25:24,280 --> 00:25:26,320 Speaker 5: and he was beguiled by her and she. 587 00:25:26,480 --> 00:25:27,399 Speaker 3: Kind of got him. 588 00:25:27,440 --> 00:25:29,560 Speaker 5: Yep, and he she said, I'm not leaving here, I'm 589 00:25:29,560 --> 00:25:32,040 Speaker 5: not putting up with you, and he'd and they had 590 00:25:32,119 --> 00:25:33,359 Speaker 5: this relationship. 591 00:25:33,800 --> 00:25:35,159 Speaker 3: He was more platonic than that. 592 00:25:35,440 --> 00:25:37,639 Speaker 2: I was very platonic. It's just like a normal marriage. 593 00:25:37,960 --> 00:25:39,040 Speaker 2: But he would, but we offer you. 594 00:25:39,080 --> 00:25:42,040 Speaker 4: And I used to speculate as to whether he'd watch 595 00:25:42,080 --> 00:25:45,800 Speaker 4: her in the shower that was never covered in the sitcom, when. 596 00:25:45,400 --> 00:25:48,359 Speaker 2: She were sleeping. Would he yeah, so mom, if I 597 00:25:48,560 --> 00:25:49,640 Speaker 2: was alive, I would. 598 00:25:49,600 --> 00:25:50,359 Speaker 3: Is that what he'd saying? 599 00:25:53,320 --> 00:25:53,600 Speaker 2: He would? 600 00:25:53,760 --> 00:25:56,520 Speaker 3: He would look at her age as she was. 601 00:25:57,040 --> 00:25:58,920 Speaker 2: He was very hunky. Who was the actor? 602 00:25:59,000 --> 00:26:00,359 Speaker 3: He's a hunky old guy was. 603 00:26:00,640 --> 00:26:03,399 Speaker 2: He was hunky old guy, be asleep and he just 604 00:26:03,520 --> 00:26:04,000 Speaker 2: looked at her. 605 00:26:04,680 --> 00:26:08,960 Speaker 3: What if she brought someone home? Well, that's haunting goes back. 606 00:26:09,040 --> 00:26:12,159 Speaker 2: Is covered in one of the episodes. A guy like the. 607 00:26:12,160 --> 00:26:13,920 Speaker 3: Brady Bunch when they were trying to sell the house 608 00:26:13,960 --> 00:26:16,400 Speaker 3: and the kids all dressed up and who, I can't 609 00:26:16,480 --> 00:26:17,760 Speaker 3: buy this, it's haunted. 610 00:26:19,400 --> 00:26:20,680 Speaker 2: Was it like that? The coast. 611 00:26:20,960 --> 00:26:22,760 Speaker 3: No, that was a person who's going to buy the house, 612 00:26:23,040 --> 00:26:24,560 Speaker 3: because the little Brady kids they came. 613 00:26:24,880 --> 00:26:27,880 Speaker 5: Yeah, but the ghost and missus Miir forgotten the ghost 614 00:26:27,920 --> 00:26:31,280 Speaker 5: and he did he he just make windows open or 615 00:26:31,520 --> 00:26:35,159 Speaker 5: a sudden rain cloud and she goes and then ghost 616 00:26:35,359 --> 00:26:38,119 Speaker 5: there was a guy, a smooth guy doing his smooth moves, 617 00:26:38,200 --> 00:26:40,440 Speaker 5: and he got scared and because you know, all of 618 00:26:40,440 --> 00:26:43,280 Speaker 5: a sudden, a big rain cloud and maybe he made 619 00:26:43,320 --> 00:26:45,040 Speaker 5: his dick fall off or something. 620 00:26:46,440 --> 00:26:49,760 Speaker 2: That's what I do. That's what I do. If it 621 00:26:49,880 --> 00:26:52,639 Speaker 2: was would I would I say, oh, man, who's been 622 00:26:52,720 --> 00:26:54,040 Speaker 2: on the toilet for some time? Haven't you? 623 00:26:54,760 --> 00:26:56,560 Speaker 4: Let me get back to why I'm talking about this. 624 00:26:59,040 --> 00:27:03,240 Speaker 4: This paranormal investigators believe that ghosts, like humans, have a 625 00:27:03,280 --> 00:27:05,600 Speaker 4: limited time span, and a number of the big famous 626 00:27:05,640 --> 00:27:08,359 Speaker 4: ones are dying out when all the data. 627 00:27:08,200 --> 00:27:08,840 Speaker 3: Who is considered. 628 00:27:08,880 --> 00:27:11,560 Speaker 4: They say, this is after starting decades of paranormal analysis. 629 00:27:12,040 --> 00:27:13,480 Speaker 4: They say, it's quite a shock to think many of 630 00:27:13,520 --> 00:27:17,320 Speaker 4: our once famous ghosts could be literally dying twice I guess. 631 00:27:17,760 --> 00:27:18,640 Speaker 3: The study included one. 632 00:27:18,640 --> 00:27:21,080 Speaker 4: Hundred well known haunted spots with reportings of sightings and 633 00:27:21,119 --> 00:27:25,160 Speaker 4: spirits spanning back hundreds of years. So the Project Half 634 00:27:25,240 --> 00:27:28,200 Speaker 4: Life suggests that sentient ghosts seem to have a limited 635 00:27:28,240 --> 00:27:31,360 Speaker 4: life span like humans. In simple terms, the second law 636 00:27:31,440 --> 00:27:35,119 Speaker 4: of thermodynamics tells us that energy tends to disperse and 637 00:27:35,200 --> 00:27:38,080 Speaker 4: degrade over time. So I would argue, they say, and 638 00:27:38,160 --> 00:27:41,199 Speaker 4: that our findings show ghosts conform to the second law 639 00:27:41,240 --> 00:27:45,200 Speaker 4: of thermodynamics and appear to run out of energy. Ghosts, 640 00:27:45,720 --> 00:27:49,600 Speaker 4: they say, are interacting less than they were one hundred 641 00:27:49,640 --> 00:27:52,080 Speaker 4: years ago. You're going to enjoy this particular story, Brendan. 642 00:27:52,680 --> 00:27:55,920 Speaker 4: One ghost in particular, who they think is yet to 643 00:27:56,040 --> 00:27:58,600 Speaker 4: die at second Death, but is likely to happen very soon, 644 00:27:59,119 --> 00:28:03,320 Speaker 4: is the ghost of Instant Churchill, the wartime PM is 645 00:28:03,400 --> 00:28:06,879 Speaker 4: haunting the women's toilet on the Queen Mary. 646 00:28:07,040 --> 00:28:11,560 Speaker 3: According to a ghoul hunter. This singer and. 647 00:28:11,640 --> 00:28:16,760 Speaker 4: Ghost expert Brocard, claims she saw the cigar loving statesman 648 00:28:17,160 --> 00:28:20,560 Speaker 4: stalking the hallways looking around the women's labs on the 649 00:28:20,640 --> 00:28:22,679 Speaker 4: ship when it was docked in California. 650 00:28:22,720 --> 00:28:26,880 Speaker 2: Why would he go there? Come off? 651 00:28:27,040 --> 00:28:30,159 Speaker 4: But you can't smoke in other places on ships. The 652 00:28:30,240 --> 00:28:31,920 Speaker 4: toilets is the only place she can do it. But 653 00:28:32,040 --> 00:28:36,320 Speaker 4: maybe he could have chosen the men's So he's still 654 00:28:36,400 --> 00:28:39,640 Speaker 4: being seen occasionally, Sure, but not as often as he was. 655 00:28:40,120 --> 00:28:41,480 Speaker 4: So these ghosts are dying out. 656 00:28:41,720 --> 00:28:42,719 Speaker 2: Do you believe in ghosts? 657 00:28:42,920 --> 00:28:42,960 Speaker 5: No? 658 00:28:43,640 --> 00:28:45,120 Speaker 6: Do you No? 659 00:28:45,640 --> 00:28:48,560 Speaker 4: I don't believe that we know everything. I believe there's 660 00:28:48,560 --> 00:28:50,880 Speaker 4: some paranormal stuff, but I don't think there goes. Why 661 00:28:50,960 --> 00:28:55,200 Speaker 4: do ghost only appear at night? Why isn't missus Koops 662 00:28:55,240 --> 00:28:56,480 Speaker 4: who died two years ago? 663 00:28:57,320 --> 00:28:57,800 Speaker 2: I agree? 664 00:28:58,000 --> 00:29:00,880 Speaker 4: Why do they choose to reveal themsel sometimes are not 665 00:29:01,000 --> 00:29:03,680 Speaker 4: others and some places are not others. Why don't they 666 00:29:05,000 --> 00:29:07,160 Speaker 4: appear while we're on the radio here and go do 667 00:29:07,240 --> 00:29:07,840 Speaker 4: a time call? 668 00:29:08,040 --> 00:29:08,760 Speaker 3: Why don't they do that? 669 00:29:09,560 --> 00:29:10,840 Speaker 2: The ghost of eighties DJ? 670 00:29:11,080 --> 00:29:16,560 Speaker 5: Yeah, I've never had a paranormal experience, although the closest 671 00:29:16,640 --> 00:29:19,800 Speaker 5: I've ever had I worked at a resort down at 672 00:29:19,880 --> 00:29:20,520 Speaker 5: Charlotte's Pass. 673 00:29:20,520 --> 00:29:21,760 Speaker 2: It's called the Chalet Hotel. 674 00:29:22,000 --> 00:29:24,440 Speaker 3: Don't tell me that Winston Churchill was outside the lady's 675 00:29:24,480 --> 00:29:25,240 Speaker 3: toilet there too. 676 00:29:25,400 --> 00:29:29,400 Speaker 5: Having a quiet smoke, and there's a At the start 677 00:29:29,440 --> 00:29:31,920 Speaker 5: of the season. I was down there with the new manager, 678 00:29:31,960 --> 00:29:34,200 Speaker 5: so it's just him and I. This whole hotel it's 679 00:29:34,240 --> 00:29:36,479 Speaker 5: like a it's like the Shining Yeah, it's very much 680 00:29:36,600 --> 00:29:40,400 Speaker 5: overlook hotel, so it's already got that spectral vibe going 681 00:29:40,480 --> 00:29:43,880 Speaker 5: about it. And so Greg and I, this is the manager, 682 00:29:44,040 --> 00:29:45,840 Speaker 5: we're just sort of, you know, having a few drinks 683 00:29:45,880 --> 00:29:49,400 Speaker 5: in the bar. And I told him I'd been there 684 00:29:49,480 --> 00:29:52,960 Speaker 5: the season before and the Chalet Hotel famously had a 685 00:29:53,160 --> 00:29:58,400 Speaker 5: ghost apparently called Muldoon who'd hung himself in the hotel 686 00:29:59,760 --> 00:30:01,800 Speaker 5: and a lot of people the year before. 687 00:30:01,840 --> 00:30:03,800 Speaker 2: I said, oh, you know, have you seen Muldoon yet? 688 00:30:03,840 --> 00:30:05,000 Speaker 3: You ever said had you seen him? 689 00:30:05,040 --> 00:30:05,080 Speaker 6: No? 690 00:30:05,160 --> 00:30:06,600 Speaker 5: I hadn't, But like I used to smoke a lot 691 00:30:06,640 --> 00:30:08,080 Speaker 5: of weed back then as well, so there was a 692 00:30:08,120 --> 00:30:09,800 Speaker 5: lot of times and even when there was a lot 693 00:30:09,800 --> 00:30:11,479 Speaker 5: of people in the hotel, it was kind of creepy. 694 00:30:12,000 --> 00:30:15,240 Speaker 5: And so I was telling Greg about this, and the 695 00:30:15,400 --> 00:30:18,560 Speaker 5: challenge was the season before it was to walk along 696 00:30:18,640 --> 00:30:21,440 Speaker 5: the top corridor of the hotel, which was very very 697 00:30:21,520 --> 00:30:25,840 Speaker 5: long corridor and dark and creepy at night, by yourself 698 00:30:26,200 --> 00:30:30,720 Speaker 5: and walked from the stairway to the end and back 699 00:30:30,800 --> 00:30:34,000 Speaker 5: without running. And that was the challenge, and no one 700 00:30:34,040 --> 00:30:35,960 Speaker 5: would witness you doing it was just a thing that 701 00:30:36,000 --> 00:30:38,120 Speaker 5: you would do yourself. So I told Greg about this 702 00:30:38,240 --> 00:30:41,240 Speaker 5: and he said we should do it. And I said, ah, 703 00:30:41,440 --> 00:30:43,560 Speaker 5: you reckon, okay, sure, you know, And it's only him 704 00:30:43,560 --> 00:30:45,480 Speaker 5: and I in the hotel, and I'm always curious about 705 00:30:45,520 --> 00:30:45,840 Speaker 5: this stuff. 706 00:30:45,960 --> 00:30:48,520 Speaker 2: And he said, you go first, and I said, of course, naturally, 707 00:30:48,560 --> 00:30:49,200 Speaker 2: I'll go first. 708 00:30:49,640 --> 00:30:52,920 Speaker 5: So I went up the stairs and the very ornate staircase, 709 00:30:53,000 --> 00:30:56,200 Speaker 5: and there's those little light sconces on the stairs, so 710 00:30:56,280 --> 00:30:59,680 Speaker 5: there's just soft lighting. So I walked to the top 711 00:30:59,720 --> 00:31:01,960 Speaker 5: of theirs and I'm going on the corridor, and I 712 00:31:02,000 --> 00:31:05,080 Speaker 5: can still hear the music from the bar downstairs. And 713 00:31:06,040 --> 00:31:09,760 Speaker 5: as I'm walking along, halfway along rung the corridor, the 714 00:31:09,920 --> 00:31:12,120 Speaker 5: music suddenly dims to a point where I can't really 715 00:31:12,160 --> 00:31:13,480 Speaker 5: hear it, like and he was the wishing of my 716 00:31:13,640 --> 00:31:16,960 Speaker 5: pulse in my ear. And then as I met comming 717 00:31:17,040 --> 00:31:19,640 Speaker 5: to the end, I swear I could see a shape. 718 00:31:20,240 --> 00:31:22,400 Speaker 5: I just I'm not too sure. It's just and you know, 719 00:31:22,440 --> 00:31:26,000 Speaker 5: when you're straining your eyes. I'm thinking, and I look 720 00:31:26,080 --> 00:31:29,360 Speaker 5: down and the walls gone lights they're not on anymore, 721 00:31:29,840 --> 00:31:32,920 Speaker 5: and I'm going, hang on, why the light's gone off? 722 00:31:34,200 --> 00:31:35,880 Speaker 2: And then I'm looking at the shape and I thought, okay, 723 00:31:36,040 --> 00:31:37,920 Speaker 2: I've gone far enough. There was still another. 724 00:31:38,320 --> 00:31:40,920 Speaker 5: I reckon twenty thirty feet till I got to the 725 00:31:41,080 --> 00:31:42,520 Speaker 5: end of the corridor, but it was so dark I 726 00:31:42,560 --> 00:31:43,400 Speaker 5: couldn't see it just this. 727 00:31:43,800 --> 00:31:44,680 Speaker 2: So I've turned around and. 728 00:31:44,680 --> 00:31:47,320 Speaker 5: Started walking back, walking cause to run, and then all 729 00:31:47,360 --> 00:31:48,800 Speaker 5: of a sudden, I'm going, bug of this and I'm 730 00:31:48,880 --> 00:31:52,320 Speaker 5: now I'm running and I've gone screaming down the staircase. 731 00:31:52,760 --> 00:31:56,560 Speaker 2: And then something's jumped out. It's lady the guy Greg. 732 00:31:56,880 --> 00:31:59,360 Speaker 5: He was waiting at the middle landing to scare the 733 00:31:59,440 --> 00:32:01,480 Speaker 5: hell out of me, but he didn't expect me coming 734 00:32:01,640 --> 00:32:02,280 Speaker 5: down the stairs. 735 00:32:02,360 --> 00:32:04,280 Speaker 3: So quickly is he switching the lights on and off? 736 00:32:04,640 --> 00:32:05,160 Speaker 2: This is the thing. 737 00:32:05,240 --> 00:32:07,600 Speaker 5: We both ran into each other, little bit fell down 738 00:32:07,640 --> 00:32:11,160 Speaker 5: the stairs, this big ornate staircase, and we're laughing so 739 00:32:11,360 --> 00:32:12,960 Speaker 5: much about it. And I said, yeah, good on you, 740 00:32:13,040 --> 00:32:15,240 Speaker 5: your dickhead, and he said, oh man, you scared the 741 00:32:15,280 --> 00:32:16,480 Speaker 5: shit out of me and we're just doing that. And 742 00:32:16,520 --> 00:32:19,440 Speaker 5: I said, good work turning the lights off, and he went, 743 00:32:19,600 --> 00:32:20,280 Speaker 5: I didn't turn. 744 00:32:20,160 --> 00:32:20,720 Speaker 2: The lights off. 745 00:32:20,840 --> 00:32:22,440 Speaker 3: And whose shape was it? What is it him? 746 00:32:22,880 --> 00:32:24,480 Speaker 2: No, that was at the end of the corridor. He 747 00:32:24,640 --> 00:32:27,320 Speaker 2: was waiting at the land. I don't know what it was. 748 00:32:27,400 --> 00:32:29,720 Speaker 2: But here's the thing. He's the thing the light. 749 00:32:30,280 --> 00:32:31,840 Speaker 5: I turned around, so you switched the lights off and 750 00:32:31,920 --> 00:32:34,120 Speaker 5: I looked at the staircase and the lights were back on. 751 00:32:34,480 --> 00:32:36,440 Speaker 2: But then I think were the lights on all the time? 752 00:32:36,480 --> 00:32:39,320 Speaker 2: And it just it was the power of suggestion. It 753 00:32:39,480 --> 00:32:40,200 Speaker 2: was really. 754 00:32:41,560 --> 00:32:44,800 Speaker 3: Oh so that doesn't answer whether there was something there 755 00:32:44,920 --> 00:32:45,080 Speaker 3: or not. 756 00:32:45,360 --> 00:32:46,880 Speaker 2: I think a lot of it as I get older. 757 00:32:47,200 --> 00:32:50,320 Speaker 5: At that time, if you'd asked me, I was nineteen 758 00:32:50,560 --> 00:32:52,920 Speaker 5: back then, if you asked me, I'd say, yeah, I 759 00:32:53,080 --> 00:32:53,800 Speaker 5: believe in ghosts. 760 00:32:54,360 --> 00:32:57,720 Speaker 2: I think it's more a pound of suggestion in your mind. 761 00:32:57,880 --> 00:33:00,200 Speaker 3: Maybe you're smoking this dope now I'm off the aid 762 00:33:00,280 --> 00:33:00,760 Speaker 3: now of course. 763 00:33:03,080 --> 00:33:05,800 Speaker 2: Okay, kids, that's it for today. Come back tomorrow for more. 764 00:33:05,960 --> 00:33:07,560 Speaker 2: Jonesy Anda Madters couldn't loo