WEBVTT - BRENDA BRESSED - RUPAULS DRAG RACE - STAN AUSTRALIA

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload the podcast last week. They're right. Hey guys,

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<v Speaker 1>welcome back to TV Reload. I want to thank you

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<v Speaker 1>for clicking and downloading on today's episode with Brenda Brest,

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<v Speaker 1>who was the fourth eliminated queen from Rupaul'sdrag Raced down

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<v Speaker 1>Under season four. This week, I had no idea who

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<v Speaker 1>was going to be going home. I thought everyone in

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<v Speaker 1>this episode was great, and Brenda had been doing really

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<v Speaker 1>well in the competition so far, winning the snatch game

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<v Speaker 1>and having.

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<v Speaker 2>Natural banter with the other girls.

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<v Speaker 1>But I guess this is a sign of how good

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<v Speaker 1>the talent is at this point of the competition.

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<v Speaker 2>Brenda will share what it.

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<v Speaker 1>Takes to read and what her mantra is with getting

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<v Speaker 1>that right. We will unpack the ability to do confessionals

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<v Speaker 1>and match that with what you're bringing to the workroom.

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<v Speaker 1>I ask about the makeover challenge and what on God's

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<v Speaker 1>Earth had she given her librarian. You will get everything

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<v Speaker 1>from who might go home next, considering Max was in

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<v Speaker 1>the lip sync, how long they had with their makeover partner,

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<v Speaker 1>and what they think of not being called a rue girl.

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<v Speaker 1>There is so much to talk about with so many

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<v Speaker 1>inside revelations. So guys sit back and relax as we

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<v Speaker 1>unpacked the wonderful world of RuPaul's drag Race down Under

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<v Speaker 1>season four. Well, I just think it's hilarious because you've

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<v Speaker 1>been in Barrick and Reservoir. It's like you're rimming Melbourne

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<v Speaker 1>because you're on the outside of it.

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<v Speaker 3>Look for me, Reservoir compared to Berck Reservoir is a lot.

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<v Speaker 3>I feel like I'm in the inner city right now.

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<v Speaker 3>I feel like I'm on Collins Street. It's so close

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<v Speaker 3>to everything. I tell some people like, yeah, live near

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<v Speaker 3>the city now, and I say reservoir and they're like, babe,

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<v Speaker 3>what I'm like, Okay, for me, it's close.

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<v Speaker 2>I didn't want much.

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<v Speaker 1>I supported Melbourne Queens being that I'm from Melbourne until

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<v Speaker 1>this season and I was like, finally we get a

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<v Speaker 1>lot more Melbourne Queens. I think this might be the

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<v Speaker 1>season that has the most. I don't know if I'm

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<v Speaker 1>right by saying that, but I have been you right

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<v Speaker 1>from the start because you're Melbourne based, and I didn't

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<v Speaker 1>think that was going to be something that would happen

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<v Speaker 1>to me.

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<v Speaker 3>Ah, you've got the home, like where the hometown heroes.

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<v Speaker 3>You know, you've got to root for us.

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<v Speaker 1>Do you think that there's other queens in Melbourne that

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<v Speaker 1>deserve to be on the show, Like if you've got

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<v Speaker 1>friends that are are current in the scene, Because for me,

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<v Speaker 1>I'm forty five, so I'm like, where's Paris drag Queen,

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<v Speaker 1>Where's Millie Minogue?

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<v Speaker 2>Where's all of these queens that I can righth?

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<v Speaker 3>Look, I've spoken to a lot of them and because

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<v Speaker 3>they've asked me about being on Drag Race and things,

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<v Speaker 3>and I've said, like, why would you do it? And

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<v Speaker 3>I think a lot of them don't want to do it.

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<v Speaker 3>It's hard, it's really hard. But also I can't speak

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<v Speaker 3>for them, but I think what I am putting it

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<v Speaker 3>down to is they don't want what might happen on

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<v Speaker 3>the show to ruin any kind of reputation that they

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<v Speaker 3>already have, you know.

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<v Speaker 2>Because ruined their careers. What do you mean?

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<v Speaker 3>They're drag queens that's already the lowest of the lower

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<v Speaker 3>How much worse can you get the friend of their careers?

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<v Speaker 1>Like Paris drag Queen, Come on, like, you know this

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<v Speaker 1>could be a responseng for you think do it?

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<v Speaker 3>I really don't think she would.

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<v Speaker 1>Okay, all right, well you've helped me out with that,

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<v Speaker 1>but like, yeah.

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<v Speaker 3>I think well because I like Missy. I asked me,

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<v Speaker 3>I was like, did you audition? And she said no,

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<v Speaker 3>I'll never auditioned for the show, And now she doesn't

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<v Speaker 3>do drag anymore.

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<v Speaker 1>Sir, do you think they lie about it? Do you

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<v Speaker 1>think that they've auditioned before and now they lie about it?

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<v Speaker 3>If I spent all my time thinking about whether people

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<v Speaker 3>are lying to me, I'd never fucking rest.

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<v Speaker 1>You know, thinking about the character journeys on this show,

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<v Speaker 1>can you manufacture that because in this particular episode, we

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<v Speaker 1>hear a lot about people saying Michelle talking about some

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<v Speaker 1>of these drag performers taking us on a journey this season,

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<v Speaker 1>and I was thinking about it. That does help with

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<v Speaker 1>reality TV shows. Could you try and stage something like

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<v Speaker 1>start at this particular point, go to here, drop it

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<v Speaker 1>down to there. Can you try and manufacture some of

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<v Speaker 1>that to make sure that these judges talk about your

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<v Speaker 1>journey and the viewers feel like they've gone on a

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<v Speaker 1>journey with.

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<v Speaker 2>You, or do you just have to let it go?

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<v Speaker 3>That's a really interesting question. Talking from my experience, I

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<v Speaker 3>just went into the show with the intention to just

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<v Speaker 3>have fun. You know, I really did not know how

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<v Speaker 3>well or how good or bout it I was going

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<v Speaker 3>to do. And I think if you start off really

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<v Speaker 3>really strong, like say lazy Susan, that sort of set

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<v Speaker 3>her apart from the start, and then she sort of

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<v Speaker 3>moved to the middle of the pack a little bit

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<v Speaker 3>towards like where we are in the competition now. So

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<v Speaker 3>I guess there could be something to say about bringing

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<v Speaker 3>people on a journey to see how you come out

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<v Speaker 3>the other side. But I really think you got to

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<v Speaker 3>just go or it from the start because you don't

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<v Speaker 3>know what's going to happen. It's such an underpredictable environment

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<v Speaker 3>and an unpredictable show. You never know what's going to

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<v Speaker 3>happen next. And I thought there's any chance, Like the

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<v Speaker 3>first thing that I said to myself when I got

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<v Speaker 3>there was like, there's any chance that I could be

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<v Speaker 3>the first one to go home, And so if that's

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<v Speaker 3>the case, I have to make my mark from the

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<v Speaker 3>very first episode, and so any opportunity that I had

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<v Speaker 3>on camera, any opportunity that sat down in confessional, I

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<v Speaker 3>was I just was on you know, I was like,

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<v Speaker 3>I need to have a moment I need to be

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<v Speaker 3>bringing something to the competition so that I stick around.

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<v Speaker 3>Because I'm not sure if some of the other queens

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<v Speaker 3>realized or other people watching the show, but any time

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<v Speaker 3>that the camera is on, that is the challenge. You know,

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<v Speaker 3>the challenge itself on drag Race is not just the

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<v Speaker 3>main challenge that it's been set. The challenge is to

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<v Speaker 3>make yourself lackable and make yourself interesting to watch on

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<v Speaker 3>a TV show that so that people keep you around.

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<v Speaker 3>You know, in confessional, if you're not giving anything to

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<v Speaker 3>the camera, where when the cameras are panting to you

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<v Speaker 3>in the workroom, and you're not doing something to make

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<v Speaker 3>yourself interesting to look at or interesting to watch, you're

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<v Speaker 3>not gonna You're not going to do well. So that

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<v Speaker 3>was what I went into it with.

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<v Speaker 1>Were you happy to watch the way in which it

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<v Speaker 1>was all put together? Because you've just mentioned something that

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<v Speaker 1>I think is quite fascinating, and that is that you're

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<v Speaker 1>actually mirroring these confessionals with how you are day to day,

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<v Speaker 1>and so that must be really kind of a little bipolar,

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<v Speaker 1>you know what I mean, like because I mean, these

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<v Speaker 1>two but easily drift quite far apart. And then retrospectively

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<v Speaker 1>looking back at it, what did you think? Did you go, Oh,

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<v Speaker 1>I've nailed that.

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<v Speaker 3>Look, it's it's a really I'm loving watching the show

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<v Speaker 3>back and I think it's really great. And I think

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<v Speaker 3>as much as some people want to blame editing and

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<v Speaker 3>things like that, yes, to an extent, editing is there.

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<v Speaker 3>But you can't make someone or have you can't make

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<v Speaker 3>someone look a certain way without them doing something to

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<v Speaker 3>make that possible.

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<v Speaker 2>You know.

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<v Speaker 3>Sometimes the confessionals were really interesting because sometimes we were

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<v Speaker 3>talking about things that had happened three or four days ago,

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<v Speaker 3>and you're just going based off what you can remember.

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<v Speaker 3>And there were so many times when the producers would

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<v Speaker 3>ask me a question and I'd say, I'm sorry, connection

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<v Speaker 3>remind me what happened, because every day kind of blurred

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<v Speaker 3>into each other when we're there. It's such an unnatural environment.

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<v Speaker 3>I really just wanted to I just wanted to enjoy

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<v Speaker 3>my time, and I really did, and I just wanted

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<v Speaker 3>to bring something that was enjoyable to watch and make

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<v Speaker 3>people smile, make people laugh.

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<v Speaker 2>I loved you.

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<v Speaker 1>I thought you put your breast foot forward or whatever

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<v Speaker 1>you want to say. I thought you were fantastic right

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<v Speaker 1>from the start. I think you resonated. I think you

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<v Speaker 1>clicked with audiences, and you've made it to the middle

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<v Speaker 1>of the competition, which is still very good.

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<v Speaker 3>Yeah, exactly. And like after I'd won snatch game, I

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<v Speaker 3>was just like, you know what, I've done what I

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<v Speaker 3>came to do. I've proven myself and I'll leave the

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<v Speaker 3>people wanting more. You know, as much as you know

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<v Speaker 3>it was the judge's decision to send me home. I

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<v Speaker 3>think I manifested that I was ready to go. I

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<v Speaker 3>was tired, you know. I was like, I'm done. I've

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<v Speaker 3>done what I came to do. I'm pretty tired. We've

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<v Speaker 3>been here for two weeks and I need a drink.

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<v Speaker 3>Because those vodka cranberries that they were giving us in

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<v Speaker 3>untapped were I think they were measuring the vodka with

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<v Speaker 3>one of those eye droppers. You know. It was wasn't

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<v Speaker 3>doing it for me. So I was like, that's it.

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<v Speaker 3>I've done. You can send me home. I'll throw the

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<v Speaker 3>towel and with Max and I'm going to go to

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<v Speaker 3>the bar at the airports.

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<v Speaker 1>Aboutage, which I thought was really interesting as well, because

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<v Speaker 1>there was a part in this episode where you mentioned

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<v Speaker 1>that do you think that sabotage works in this competition

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<v Speaker 1>because the reason why I'm asking that is that I

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<v Speaker 1>wonder whether or not we've ever had a winner before

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<v Speaker 1>whose gameplay has been sabotage.

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<v Speaker 3>Oh as much as I wanted it to look like

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<v Speaker 3>I was sabotaging Nikita last episode, I was just I

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<v Speaker 3>really had no idea what I was doing. I just

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<v Speaker 3>got these three fabrics, and I said, I don't know

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<v Speaker 3>what to do with any of these. And I could

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<v Speaker 3>have just blindly closed my eyes and just handed them

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<v Speaker 3>to Nikita and Demandy say pick whatever you want. I

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<v Speaker 3>don't care. I just don't want either of them. But

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<v Speaker 3>I think sabotage. Look, you don't have to sabotage people,

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<v Speaker 3>and you're confident in your abilities. And I was, I'm

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<v Speaker 3>playing up to the camera, you know, that's what you

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<v Speaker 3>do on a TV show. And I'm not a malevolent person,

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<v Speaker 3>and I don't feel the need to tear others down

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<v Speaker 3>to bring myself up. A lot of other people feel that.

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<v Speaker 3>A lot of queens I've noticed on the scene feel

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<v Speaker 3>the need to tear others down to boost themselves higher.

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<v Speaker 3>But when you're talented, you don't need to do that.

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<v Speaker 2>This is the thing.

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<v Speaker 1>That's so funny about you saying that can reading people

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<v Speaker 1>ruin relationships? Because I mean, this episode starts with the

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<v Speaker 1>reading challenge, and I'm always so nervous about this. I've

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<v Speaker 1>already discussed it in this series of podcasts that I've

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<v Speaker 1>done on these debriefs, and I would be so scared

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<v Speaker 1>because I'd be worried whether or not you're reading in

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<v Speaker 1>a reading challenge could ruin your relationship in the show,

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<v Speaker 1>which therefore could end your time on the show.

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<v Speaker 2>You know what I mean.

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<v Speaker 3>But reading is such a writer passage with drag, and

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<v Speaker 3>I think any seasoned drag performer knows that reading is fundamental.

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<v Speaker 3>But it is really part of the culture of drag,

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<v Speaker 3>and so you get used to that quite quickly. So

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<v Speaker 3>anytime you work with any other queens, I always we're

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<v Speaker 3>always throwing shade, always reading each other. You know, it

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<v Speaker 3>comes with the territory. So I think, no matter how

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<v Speaker 3>sort of cutthroat they are, it's all part of the fun,

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<v Speaker 3>you know, it's all part of the fun.

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<v Speaker 1>There's one drag queen in Melbourne that's been around forever,

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<v Speaker 1>probably one of the queen of means of drag queens.

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<v Speaker 1>I've not mentioned this person, But whenever I'm in their company,

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<v Speaker 1>they will say really outrageous things that hurts my feelings,

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<v Speaker 1>and I'll walk away and say to like Dina Curry

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<v Speaker 1>or who's Frock Hudson, I will say that person really

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<v Speaker 1>offended me. And Dean will be like, no, no, no, they're

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<v Speaker 1>just dragging you. And I'm like, no, no, it was

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<v Speaker 1>truly offensive and I felt like it came from a

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<v Speaker 1>bad place. And He's like, you know what, you might

0:10:24.800 --> 0:10:26.959
<v Speaker 1>be right. And so that's where dragging, I think, can

0:10:27.000 --> 0:10:27.920
<v Speaker 1>be really dangerous.

0:10:28.080 --> 0:10:30.280
<v Speaker 3>But there is a fine line. There's a fine line

0:10:30.280 --> 0:10:34.160
<v Speaker 3>between you know, reading someone and just being offensive, and

0:10:34.200 --> 0:10:38.840
<v Speaker 3>I think that's what divides and sets apart talented performers

0:10:39.280 --> 0:10:43.320
<v Speaker 3>and people who are just trying to be outrageous. Yeah,

0:10:43.600 --> 0:10:46.120
<v Speaker 3>some people will say things for the shock of the

0:10:46.120 --> 0:10:49.480
<v Speaker 3>shock value of what they've said, whereas I think what

0:10:49.559 --> 0:10:52.280
<v Speaker 3>I really respect is when a read is really cut

0:10:52.320 --> 0:10:55.360
<v Speaker 3>through it but it's clever, because that's what that's what

0:10:55.480 --> 0:10:57.559
<v Speaker 3>says to me is that if it's clever, if you've

0:10:57.679 --> 0:10:59.600
<v Speaker 3>delivered in a clever way of you've said, like a

0:10:59.679 --> 0:11:03.280
<v Speaker 3>really clever what's the word a really clever? I know

0:11:03.320 --> 0:11:06.160
<v Speaker 3>what you mean, yeah, yeah, yeah, that's what that's what

0:11:06.200 --> 0:11:06.760
<v Speaker 3>I respect.

0:11:07.160 --> 0:11:08.720
<v Speaker 1>Yeah, I think it's just a hard thing to do.

0:11:09.040 --> 0:11:12.160
<v Speaker 1>The challenge this week was to do this makeover, and

0:11:12.200 --> 0:11:15.080
<v Speaker 1>you got these librarians, and some of those librarianes look

0:11:15.160 --> 0:11:18.360
<v Speaker 1>like they would be easier to meld or mold in

0:11:18.360 --> 0:11:20.320
<v Speaker 1>a way, and some of them looked less likely to

0:11:20.360 --> 0:11:22.960
<v Speaker 1>be able to do it. Did you think that how

0:11:23.000 --> 0:11:26.960
<v Speaker 1>well everyone did this challenge had to do with how

0:11:27.000 --> 0:11:28.640
<v Speaker 1>easy it was to work with those people?

0:11:28.960 --> 0:11:29.160
<v Speaker 2>Yes?

0:11:29.200 --> 0:11:34.840
<v Speaker 3>And no. I mean I remember Freyer being particularly quiet

0:11:35.360 --> 0:11:38.160
<v Speaker 3>the first day when we were when we were paired

0:11:38.240 --> 0:11:42.320
<v Speaker 3>up with our partners for the design challenge, and I

0:11:42.360 --> 0:11:45.240
<v Speaker 3>could see that she was getting into her head about

0:11:45.600 --> 0:11:47.800
<v Speaker 3>what she was going to do with her partner because

0:11:47.800 --> 0:11:50.920
<v Speaker 3>they're quite different. And then when it came to the

0:11:50.960 --> 0:11:53.160
<v Speaker 3>runway and the next day, it was sort of just

0:11:53.200 --> 0:11:56.599
<v Speaker 3>like a switch had flicked and she was all of

0:11:56.640 --> 0:11:58.840
<v Speaker 3>a sudden fine with it. So it was really interesting.

0:11:59.080 --> 0:12:02.600
<v Speaker 3>But I got along so well with Hannah. We had

0:12:02.920 --> 0:12:05.280
<v Speaker 3>just the best time, and I think that's what made

0:12:05.320 --> 0:12:07.280
<v Speaker 3>the whole challenge just enjoyable for me, even though I

0:12:07.320 --> 0:12:09.560
<v Speaker 3>didn't do well. That's why I still have no bad

0:12:09.960 --> 0:12:12.400
<v Speaker 3>memories or feelings towards the episode because I just had

0:12:12.440 --> 0:12:15.240
<v Speaker 3>so much fun and it's really just about you know,

0:12:15.280 --> 0:12:18.280
<v Speaker 3>you've got to take every opportunity that you're given. And

0:12:18.559 --> 0:12:20.840
<v Speaker 3>one thing about drag that I love is improv you know,

0:12:21.040 --> 0:12:24.640
<v Speaker 3>you thrown into a situation where you've got to deal

0:12:24.720 --> 0:12:27.600
<v Speaker 3>with things on the fly. And if you can make

0:12:27.640 --> 0:12:29.880
<v Speaker 3>the best of any situation that you're put into and

0:12:30.080 --> 0:12:32.559
<v Speaker 3>make the best of it is with anything Like if

0:12:32.559 --> 0:12:35.839
<v Speaker 3>I'm given a category to dress up for, you've got

0:12:35.840 --> 0:12:38.000
<v Speaker 3>to I love just making do with what I've got,

0:12:38.080 --> 0:12:41.240
<v Speaker 3>you know, I love that aspect of drag. If you

0:12:41.320 --> 0:12:44.120
<v Speaker 3>go into things with the right attitude, then there's nowhere

0:12:44.160 --> 0:12:44.760
<v Speaker 3>that you can fail.

0:12:44.920 --> 0:12:46.280
<v Speaker 2>I think that's the best way to look at it.

0:12:46.360 --> 0:12:47.679
<v Speaker 2>I think that's a really good mantra.

0:12:48.000 --> 0:12:50.360
<v Speaker 1>You know, there's a really funny moment I can't wait

0:12:50.400 --> 0:12:53.520
<v Speaker 1>for you to watch it where you see Hannah has

0:12:53.559 --> 0:12:56.959
<v Speaker 1>this verbal diarrhea on stage when talking. Well, the critiques

0:12:56.960 --> 0:13:00.240
<v Speaker 1>are happening so hilarious. I was like, did you get that?

0:13:00.280 --> 0:13:02.000
<v Speaker 1>I wanted to ask you that. Did you put something

0:13:02.040 --> 0:13:02.920
<v Speaker 1>in her coffee? Like?

0:13:03.360 --> 0:13:04.920
<v Speaker 2>Nattering like that all the time.

0:13:05.360 --> 0:13:09.120
<v Speaker 3>Oh, she loves a chat. She absolutely loves a chat,

0:13:09.160 --> 0:13:11.280
<v Speaker 3>and we've stayed in contact ever since we got back.

0:13:11.320 --> 0:13:13.640
<v Speaker 3>And let me tell you, she's just just chatty online

0:13:13.720 --> 0:13:16.840
<v Speaker 3>as she is in person. She is absolutely beautiful, But yeah,

0:13:16.880 --> 0:13:17.760
<v Speaker 3>she loves a chat.

0:13:18.760 --> 0:13:19.480
<v Speaker 2>He put a respont.

0:13:19.800 --> 0:13:23.920
<v Speaker 3>It was so funny seeing the judge's reactions to like

0:13:24.040 --> 0:13:27.720
<v Speaker 3>how much she just blurted everything out. But it's the

0:13:27.760 --> 0:13:29.920
<v Speaker 3>same thing. I was like, I'm not going to see

0:13:29.920 --> 0:13:32.400
<v Speaker 3>this as a bad thing. I'm not gonna I wasn't

0:13:32.400 --> 0:13:35.000
<v Speaker 3>gonna use. I wasn't gonna get that in my head.

0:13:35.080 --> 0:13:36.480
<v Speaker 3>I was like, oh my god, like we need I

0:13:36.480 --> 0:13:39.240
<v Speaker 3>need to rain her in. I'm like, no, she's having

0:13:39.240 --> 0:13:40.960
<v Speaker 3>the best time of her life. And I was like,

0:13:41.080 --> 0:13:43.680
<v Speaker 3>let's run with that, because when you just let people

0:13:43.840 --> 0:13:46.200
<v Speaker 3>be themselves and have fun, then everyone else around you

0:13:46.200 --> 0:13:46.800
<v Speaker 3>will have fun.

0:13:47.160 --> 0:13:49.400
<v Speaker 1>Well, everyone was so good in this challenge, Like I

0:13:49.440 --> 0:13:51.679
<v Speaker 1>feel like there was a bit of a read of

0:13:51.679 --> 0:13:53.440
<v Speaker 1>some of the queens that have gone home up to

0:13:53.520 --> 0:13:56.640
<v Speaker 1>this point, but it really did feel like for this episode,

0:13:56.840 --> 0:14:00.360
<v Speaker 1>like Gloves her Off, there's no one who is. I

0:14:00.400 --> 0:14:02.800
<v Speaker 1>felt like it's almost like an even playing field to

0:14:02.840 --> 0:14:05.920
<v Speaker 1>a certain pess with everyone and you're matching up with

0:14:06.160 --> 0:14:09.120
<v Speaker 1>your character and your story I thought was I didn't

0:14:09.120 --> 0:14:11.000
<v Speaker 1>notice anything wrong with it. I thought that you matched

0:14:11.040 --> 0:14:14.080
<v Speaker 1>yourself quite well. So it just goes to show you

0:14:14.120 --> 0:14:16.160
<v Speaker 1>sort of what level of the competition we're at and

0:14:16.200 --> 0:14:18.520
<v Speaker 1>what sort of queens we've got left. Do you think

0:14:18.559 --> 0:14:21.480
<v Speaker 1>Max being in that final dance, you know, with the

0:14:21.600 --> 0:14:24.320
<v Speaker 1>lip sync with you, is that indicative of the fact

0:14:24.320 --> 0:14:25.440
<v Speaker 1>that Max could go home soon.

0:14:25.560 --> 0:14:27.920
<v Speaker 3>Look, it's the kind of challenge where you don't know

0:14:28.160 --> 0:14:31.440
<v Speaker 3>which way it's going to go. After watching the show

0:14:31.760 --> 0:14:34.120
<v Speaker 3>for so many years, it's the one challenge that really

0:14:34.160 --> 0:14:37.600
<v Speaker 3>you have no idea what they're going to say. Sometimes

0:14:37.640 --> 0:14:40.680
<v Speaker 3>they'll say the judges will say, oh, we didn't ask

0:14:40.800 --> 0:14:44.320
<v Speaker 3>for twins, we asked for family resemblance. Sometimes they'll say, oh,

0:14:44.640 --> 0:14:48.760
<v Speaker 3>you look identical. We love that. Sometimes it'll be they'll

0:14:48.800 --> 0:14:52.200
<v Speaker 3>look nothing alike, but the judges will say, oh, I

0:14:52.200 --> 0:14:55.160
<v Speaker 3>can see the family resemblance and you look at ego what.

0:14:55.600 --> 0:14:58.680
<v Speaker 3>So it's a very interesting challenge. And I remember while

0:14:58.720 --> 0:15:00.560
<v Speaker 3>we were getting out of critiques, Max and I were

0:15:00.560 --> 0:15:03.360
<v Speaker 3>standing at the back of the stage and we had

0:15:03.400 --> 0:15:06.440
<v Speaker 3>gone through almost everyone, and everyone was getting really good critiques.

0:15:06.480 --> 0:15:08.680
<v Speaker 3>Just they were picking at the tinest little things of everyone.

0:15:08.920 --> 0:15:10.760
<v Speaker 3>And I remember Max and I looked at each other

0:15:10.800 --> 0:15:12.920
<v Speaker 3>and we were like, are we in the bottom? What

0:15:12.920 --> 0:15:13.680
<v Speaker 3>what's happening?

0:15:13.760 --> 0:15:13.840
<v Speaker 1>Like?

0:15:13.920 --> 0:15:16.760
<v Speaker 3>Are we in the bottom? So yeah, it was it

0:15:16.800 --> 0:15:18.880
<v Speaker 3>probably was fair that Max and I were in the bottom,

0:15:19.040 --> 0:15:22.040
<v Speaker 3>even though that even though we did really well, everyone

0:15:22.040 --> 0:15:23.480
<v Speaker 3>did really well. It was just a hard one to

0:15:23.480 --> 0:15:24.960
<v Speaker 3>pick this time. It's a hard one to pick.

0:15:25.480 --> 0:15:28.280
<v Speaker 1>You know. Spanky Jackson's one of my favorite drag queens

0:15:28.320 --> 0:15:30.960
<v Speaker 1>of all time from around the world, and Spanky was

0:15:30.960 --> 0:15:33.080
<v Speaker 1>in this episode with you, which was great, but we

0:15:33.120 --> 0:15:35.560
<v Speaker 1>didn't see a lot from Spanky. I was just curious,

0:15:35.760 --> 0:15:38.200
<v Speaker 1>did you hear what her critiques were when you were

0:15:38.240 --> 0:15:39.760
<v Speaker 1>walking along the runway?

0:15:40.000 --> 0:15:42.640
<v Speaker 3>Oh? Like her little little bits.

0:15:42.440 --> 0:15:44.600
<v Speaker 1>And pieces, Like I've spoken to drag queens they say

0:15:44.640 --> 0:15:47.000
<v Speaker 1>they can hear the comments, like you cannot, And we

0:15:47.040 --> 0:15:49.600
<v Speaker 1>don't see really anything that Spanky says. So I was

0:15:49.640 --> 0:15:51.640
<v Speaker 1>just curious, like was she too crass? Like was it

0:15:51.680 --> 0:15:53.760
<v Speaker 1>two outrageous? Did she was she even talking?

0:15:53.920 --> 0:15:54.000
<v Speaker 3>Like?

0:15:54.280 --> 0:15:55.080
<v Speaker 2>Was there room for that?

0:15:55.160 --> 0:15:57.600
<v Speaker 1>I just was surprised at a bit of a lacklust

0:15:57.600 --> 0:15:59.280
<v Speaker 1>of Spanky Jackson in this episode.

0:15:59.400 --> 0:16:05.200
<v Speaker 3>I actually honestly can't remember the BRender breast. I really

0:16:05.320 --> 0:16:10.640
<v Speaker 3>cut it was so long ago, but Spanky was like,

0:16:10.680 --> 0:16:14.120
<v Speaker 3>she was so much fun. I'm a Spanky Jackson Stan

0:16:14.240 --> 0:16:16.640
<v Speaker 3>I absolutely love her. So I was just excited that

0:16:16.680 --> 0:16:18.000
<v Speaker 3>she was there because I hadn't met her yet and

0:16:18.000 --> 0:16:19.760
<v Speaker 3>so I was just thrilled that she was there. I

0:16:19.840 --> 0:16:21.520
<v Speaker 3>just think the only thing that I can remember the

0:16:21.600 --> 0:16:23.440
<v Speaker 3>judge just saying when we were going down from Brenda

0:16:23.560 --> 0:16:26.160
<v Speaker 3>was just where's the bus? Is the bus still running it?

0:16:26.200 --> 0:16:29.360
<v Speaker 3>Where's the bus? That's like, can remember.

0:16:29.640 --> 0:16:31.120
<v Speaker 1>Well, it was a good gag. I mean, I thought

0:16:31.120 --> 0:16:33.600
<v Speaker 1>it was funny with the whole bubble. I have to

0:16:33.600 --> 0:16:35.360
<v Speaker 1>wrap up because I only get twenty minutes with you

0:16:35.400 --> 0:16:37.520
<v Speaker 1>and I'm overtime, but I just wanted to say how

0:16:37.560 --> 0:16:40.200
<v Speaker 1>amazing I think you are and how great I.

0:16:40.160 --> 0:16:41.200
<v Speaker 2>Think you did on this show.

0:16:41.400 --> 0:16:43.440
<v Speaker 1>And I finished the podcast with asking her behind the

0:16:43.440 --> 0:16:46.120
<v Speaker 1>scene secret and I'm asking everyone how much money they

0:16:46.160 --> 0:16:49.040
<v Speaker 1>spent on their drag? Pretty much everyone said ten thousand dollars?

0:16:49.120 --> 0:16:50.920
<v Speaker 1>Is that the going rate? Is that how much money

0:16:51.000 --> 0:16:53.600
<v Speaker 1>people spend or did you spend on average?

0:16:53.680 --> 0:16:55.800
<v Speaker 3>Yeah, that's pretty much what I spent as well. Yeah,

0:16:55.960 --> 0:16:59.440
<v Speaker 3>it's it's yeah, I think that because we sort of

0:16:59.520 --> 0:17:05.480
<v Speaker 3>needed nine nine at nine costumes for the categories and

0:17:06.040 --> 0:17:09.400
<v Speaker 3>roughly they're all about one to one point five each. Yeah,

0:17:09.480 --> 0:17:12.080
<v Speaker 3>that kind of it's not cheap. It's not cheap, but

0:17:12.119 --> 0:17:14.040
<v Speaker 3>it's that one thing where it's like you get that

0:17:14.119 --> 0:17:17.159
<v Speaker 3>call once and this is the one time that you

0:17:17.240 --> 0:17:18.200
<v Speaker 3>spend money to.

0:17:18.200 --> 0:17:18.720
<v Speaker 2>Drop the car.

0:17:18.880 --> 0:17:20.760
<v Speaker 3>Yeah, you drop the platinum A mix on it, and

0:17:20.800 --> 0:17:24.159
<v Speaker 3>you see that. My husband will pay that check when

0:17:24.200 --> 0:17:24.600
<v Speaker 3>I'm away.

0:17:25.000 --> 0:17:28.160
<v Speaker 2>K amazing, Brenda. I'm in your audience.

0:17:28.200 --> 0:17:29.760
<v Speaker 1>I can't wait to see what you do with this

0:17:29.800 --> 0:17:32.800
<v Speaker 1>whole drag experience and now being a rude girl. Thank

0:17:32.840 --> 0:17:35.400
<v Speaker 1>you for representing Melbourne. I'm very proud of what you've

0:17:35.400 --> 0:17:38.440
<v Speaker 1>been able to achieve and good luck with the whole thing.

0:17:38.680 --> 0:17:40.400
<v Speaker 3>Thank you. I've just got to correct you on one thing.

0:17:40.440 --> 0:17:43.640
<v Speaker 3>We're not Route Girls. We're Mitch's Bitches, thank you very much.

0:17:45.760 --> 0:17:46.320
<v Speaker 2>Right you know what?

0:17:46.520 --> 0:17:48.480
<v Speaker 1>Oh my god, I said that in the podcast last

0:17:48.520 --> 0:17:50.280
<v Speaker 1>week and someone critiques me on that and I didn't

0:17:50.320 --> 0:17:50.840
<v Speaker 1>put it together.

0:17:50.880 --> 0:17:52.439
<v Speaker 2>But that's right. Rue's not there, so.

0:17:52.560 --> 0:17:54.720
<v Speaker 3>It's not their babe. So we're not Route Girls. We're

0:17:54.720 --> 0:17:57.159
<v Speaker 3>the very first past of Mitch's Bitches.

0:17:58.119 --> 0:18:01.040
<v Speaker 1>Which is doing a great job. Sess with Michelle and

0:18:01.080 --> 0:18:03.159
<v Speaker 1>It's so weird to say this, but I am not

0:18:03.280 --> 0:18:05.960
<v Speaker 1>noticing RuPaul not being there, which is so weird to me,

0:18:06.160 --> 0:18:06.600
<v Speaker 1>so weird.

0:18:06.600 --> 0:18:08.480
<v Speaker 3>I only just think it was the fresh take that

0:18:08.560 --> 0:18:10.640
<v Speaker 3>down underneaded and it was perfect.

0:18:10.960 --> 0:18:12.360
<v Speaker 2>Yeah, and some great casting.

0:18:12.520 --> 0:18:15.720
<v Speaker 1>Anyway, look after yourself, enjoy chatting to the media, I'm sure.

0:18:15.760 --> 0:18:17.440
<v Speaker 3>Thank you. Hey, your babe,