WEBVTT - FULL SHOW: Comedy Clubs BANNING Botox?

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<v Speaker 1>A good pickup with Britt Hockley and Laura ben Rady.

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<v Speaker 2>Your work, our windows done, my world, reason the dust

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<v Speaker 2>only good, babs all down.

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<v Speaker 3>I don't much, but yeah I'm not.

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<v Speaker 2>I'll big get and what I want.

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<v Speaker 3>It don't matter where.

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<v Speaker 1>This is the pick up, Hi, guys, it's the pick

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<v Speaker 1>up with Britt Hartley and Laura ben Hey.

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<v Speaker 3>Thrilling news I read today.

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<v Speaker 4>Apparently there's a bit of a push in the political

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<v Speaker 4>world for a four.

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<v Speaker 3>Day work week.

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<v Speaker 1>When you say the political agree exactly agreed to this agree,

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<v Speaker 1>I mean I think a four day work week is

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<v Speaker 1>great in theory. Votamen, except I do like during the show.

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<v Speaker 1>So does that mean that we get a Friday off?

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<v Speaker 1>Or would we still do it because.

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<v Speaker 2>Out of the pure joy of our own hearts?

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<v Speaker 3>Yes, I would do this show for free, is how

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<v Speaker 3>much I love it.

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<v Speaker 2>Tell that to the bosses, but hear.

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<v Speaker 4>But if the bosses forced me into a four day

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<v Speaker 4>work week, I wouldn't be mad about it. I do

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<v Speaker 4>think we work too much, not you and I as

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<v Speaker 4>a like the hustle and the constant grind and the

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<v Speaker 4>feeling like we've got to be doing too much. I

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<v Speaker 4>think we need to kick back, take our shoes off,

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<v Speaker 4>relax a little bit.

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<v Speaker 1>I think it's great for the people and terrible if

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<v Speaker 1>you are someone who like runs a business or are

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<v Speaker 1>a boss yourself, because having a four day work week,

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<v Speaker 1>you will never be able to convince me that people

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<v Speaker 1>will still be able to be as productive in four

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<v Speaker 1>days as what they are in five.

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<v Speaker 3>It's actually been proven.

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<v Speaker 4>There are other countries that have brought it in and

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<v Speaker 4>productivity has been proven to have increased because people are

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<v Speaker 4>wanting to work harder when they come back, because they

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<v Speaker 4>have more job satisfaction, they feel more relaxed. They're getting

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<v Speaker 4>the same amount of work done, if not more, in

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<v Speaker 4>four days.

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<v Speaker 3>Don't quote me.

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<v Speaker 2>I think it was Japan. But doesn't it just.

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<v Speaker 1>Mean that people are just taking the piss for most

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<v Speaker 1>of the time of their five days of the week.

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<v Speaker 1>Then like people are only working at like sixty percent capacity.

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<v Speaker 4>No, I just explained it to you, Laura, there's an

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<v Speaker 4>increase in productivity and.

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<v Speaker 2>How much they're fuck you.

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<v Speaker 1>I came across an Instagram post on the weekend that

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<v Speaker 1>really kind of stopped me in my tracks and I

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<v Speaker 1>read this and it as a mum and as someone

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<v Speaker 1>who has been in the trenches with little kids. For

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<v Speaker 1>the last couple of years, I've sought of in there, well,

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<v Speaker 1>I feel like I'm dragging myself out, but definitely having

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<v Speaker 1>two kids under the age of two. There was a

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<v Speaker 1>period there where I would talk about and relate to

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<v Speaker 1>this idea of feeling like I lost my identity a

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<v Speaker 1>little bit, feeling like I lost my sense of self. However,

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<v Speaker 1>I never really felt as though describing it as a

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<v Speaker 1>loss of identity really made sense for me, because I

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<v Speaker 1>still knew who I was, but there was something that

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<v Speaker 1>fundamentally was different now that I was a mum.

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<v Speaker 4>Yeah, and I think it's the thing that you hear

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<v Speaker 4>the most from new parents in the first couple of years.

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<v Speaker 4>They all say the same thing. I don't know who

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<v Speaker 4>I am anymore. I don't know what I want anymore,

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<v Speaker 4>I don't know my identity. Like you hear that said

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<v Speaker 4>so often.

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<v Speaker 1>I mean, obviously it sounds like it's such a negative,

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<v Speaker 1>but it is something that's so many mums experience. But

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<v Speaker 1>there was a different way of approaching this conversation and

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<v Speaker 1>this Instagram post. It's from a psychologist named the Psyched Mummy,

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<v Speaker 1>and I resonated it with it so deeply, because it

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<v Speaker 1>wasn't about losing your identity, it was about losing your auto.

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<v Speaker 1>And it went like this, A mum came to see

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<v Speaker 1>me for therapy, and something she said stuck with me

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<v Speaker 1>for years, and I wonder if you might feel the same.

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<v Speaker 1>She shared all the ways her life had changed since

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<v Speaker 1>becoming a mother. I nodded with deep understanding, knowing just

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<v Speaker 1>how many parents felt similarly, including myself. And then she said,

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<v Speaker 1>I don't feel like I lost my identity. I lost

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<v Speaker 1>my autonomy. And that's been the hardest part for me.

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<v Speaker 1>She was no longer in control of her life. Her

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<v Speaker 1>decisions were dictated by others. Even her time was not

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<v Speaker 1>her own. So it's not that she didn't know who

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<v Speaker 1>she was anymore, it's that she couldn't access that person.

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<v Speaker 1>All of the things that made her feel the most

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<v Speaker 1>about herself were out of her reach. She valued independence,

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<v Speaker 1>she valued spontaneity, she valued being in the driver's seat

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<v Speaker 1>of her own life. But she felt like that that

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<v Speaker 1>was squished somewhere in the back seat.

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<v Speaker 3>Now it sounds like a poem from Robert Frost, The

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<v Speaker 3>Path Less Taken.

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<v Speaker 1>That was deep, It really is, and I read it

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<v Speaker 1>and I was like, Wow, Okay, maybe it isn't identity,

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<v Speaker 1>maybe is autonomy. And I say this as someone who,

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<v Speaker 1>like I never expected to love being a mum as

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<v Speaker 1>much as I do, Like I deeply love being a mum,

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<v Speaker 1>and I love my children so much. But there definitely

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<v Speaker 1>are times where.

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<v Speaker 3>You wish you had my life.

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<v Speaker 1>Yeah, having a friend who's able to go and do

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<v Speaker 1>whatever they want to whenever they want to. It's the

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<v Speaker 1>small things, you know, They're not being able to go

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<v Speaker 1>to the gym or or go and just see your

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<v Speaker 1>friends or have time to yourself, especially when you're in

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<v Speaker 1>the trenches of little kids. I know what changes at

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<v Speaker 1>different ages and everything's the stage, but I don't think

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<v Speaker 1>I realized how much I have experienced this to different

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<v Speaker 1>levels at different times throughout my motherhood journey until I

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<v Speaker 1>read it so plainly, And it also kind of gave

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<v Speaker 1>me the language to be able to talk about it,

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<v Speaker 1>because I think there's been times where I'm I'm not

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<v Speaker 1>frustrated about not knowing who I am, but I definitely

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<v Speaker 1>have times where I feel frustrated that I don't have

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<v Speaker 1>time for me at all.

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<v Speaker 3>It's interesting because as the person in the friendship group

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<v Speaker 3>that doesn't have kids. I've always said to you.

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<v Speaker 4>Laura, That's always been what I've been hyper aware of

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<v Speaker 4>when I have been on the fence or justscussing whether

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<v Speaker 4>I'm going to go forth and have kids. The number

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<v Speaker 4>one thing I always used to say is I'm aware

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<v Speaker 4>enough to know that I'm very selfish with my time.

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<v Speaker 2>Now it's like the inherent sacrifice you have to make.

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<v Speaker 4>I don't know if I was ready to make the

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<v Speaker 4>sacrifice of my time and not be autonomous.

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<v Speaker 3>So I've always been aware of that, and I haven't

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<v Speaker 3>gone into that stage of children yet.

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<v Speaker 4>But that's been my worry. So my worry was never

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<v Speaker 4>losing my identity. My worry was I'm thirty seven years

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<v Speaker 4>old and I've only ever had to worry about and

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<v Speaker 4>look after myself my entire life. How do I go

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<v Speaker 4>from not doing what I want when I want? How

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<v Speaker 4>do I go from I had a nap on the

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<v Speaker 4>lounge yesterday. It was brilliant, And every time I do it,

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<v Speaker 4>I wake up and I'm.

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<v Speaker 2>Like, couldn't do that.

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<v Speaker 3>I wouldn't have done that. Could every time I do anything.

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<v Speaker 4>In my life, I'm like, wouldn't be doing that if

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<v Speaker 4>I had a kid. But do you think Matt feels

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<v Speaker 4>the same, Like, I don't think it's necessarily just the women. Obviously,

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<v Speaker 4>the women bear the load a lot more in the

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<v Speaker 4>mental load, the physical load, what they're doing.

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<v Speaker 3>But I imagine it's a bit of a change for the

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<v Speaker 3>men to.

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<v Speaker 1>I think it depends on your relationship. I think it

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<v Speaker 1>definitely depends on how much of the load is falling

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<v Speaker 1>on you the mum. We know that it's not an

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<v Speaker 1>equal disparity in most relationships or equal parity in most relationships.

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<v Speaker 1>But I feel very lucky because Matt and I share

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<v Speaker 1>the parenting load very, very equally, and at different stages

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<v Speaker 1>I've done more and at the moment he's doing more.

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<v Speaker 1>So I would dare say that he probably feels the

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<v Speaker 1>same in a lot of ways, Like I think that

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<v Speaker 1>he makes a lot of sacrifices as well as every

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<v Speaker 1>parent does when you have children. But there really is

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<v Speaker 1>this kind of sense of mourning, the ability to do

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<v Speaker 1>whatever it is that you want to, to be spontaneous,

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<v Speaker 1>to sometimes feel like you're fun because you kind of

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<v Speaker 1>give those bits of yourself up a little bit to

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<v Speaker 1>be a responsible parent. In the same time, I don't

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<v Speaker 1>know it's a there's like a sacrifice that's made for

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<v Speaker 1>a wonderful gain, and the gain is so worth it

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<v Speaker 1>in so many ways. But it doesn't mean that at

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<v Speaker 1>some points you don't have these moments where you're like, Okay,

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<v Speaker 1>I don't remember my.

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<v Speaker 2>Old self as my old self was.

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<v Speaker 3>So now that you put it into words from Robert Frost.

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<v Speaker 2>I don't know.

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<v Speaker 3>You feel better about it.

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<v Speaker 1>I feel better about it. But it doesn't mean that

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<v Speaker 1>it changes anything, you know. I think sometimes there's like

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<v Speaker 1>value and validation in being able to understand what an

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<v Speaker 1>experience is, even if it means that you can't change

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<v Speaker 1>it right now. And I think we're still at a

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<v Speaker 1>stage where our kids are really really little, and we

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<v Speaker 1>are still kind of in that.

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<v Speaker 2>Throes of parenting, and maybe it never fully changes. I

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<v Speaker 2>don't know.

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<v Speaker 1>I don't know what it's like to pairent a ten

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<v Speaker 1>year old or a fifteen year old.

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<v Speaker 2>I don't know when it is that you wake up

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<v Speaker 2>and you go hold on.

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<v Speaker 1>I can go to the gym whenever I want to now,

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<v Speaker 1>I don't know when that time is, but certainly not

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<v Speaker 1>at my stage of life.

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<v Speaker 3>Tell everyone again what that instagram was. If you want

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<v Speaker 3>to go look at the psych.

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<v Speaker 1>It's at Sight Mummy. I highly recommend it. It's got some

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<v Speaker 1>good nuggets of gold in there as well.

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<v Speaker 4>I actually can't believe what I'm about to say is

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<v Speaker 4>going to come out of my mouth.

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<v Speaker 3>But there is a comedy club in the UK. It

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<v Speaker 3>is called Top Secret Comedy Club.

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<v Speaker 2>So secret.

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<v Speaker 3>Well, it's going to have no patron soon. It's going

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<v Speaker 3>to be so secret.

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<v Speaker 4>Has no one that the owner has brought in a

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<v Speaker 4>new band, like a new checklist when you enter, so

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<v Speaker 4>you know when you enter sometimes you got to get

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<v Speaker 4>a photo taken or you get their ID.

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<v Speaker 2>Check no songs and address code yea.

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<v Speaker 4>He has banned anyone from coming if they have botox.

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<v Speaker 2>How are you gonna police this?

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<v Speaker 3>No, he actually is going to police it.

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<v Speaker 4>Basically, he has just said our talent, like our comedians

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<v Speaker 4>are so sick of performing to reactionless faces because people

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<v Speaker 4>have botox and their faces aren't moving. So he's saying

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<v Speaker 4>that comedians are putting complaints saying that they just can't

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<v Speaker 4>it's so challenging to connect with their audience and delivered

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<v Speaker 4>jokes when they only laugh from like the cheeks down

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<v Speaker 4>like when their faces are moving, and when they only

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<v Speaker 4>hearing the laughter and not seeing it on their faces.

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<v Speaker 4>So he has said to protect his high end talent

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<v Speaker 4>like Dave Chappelle and Amy Schumer, who apparently go to

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<v Speaker 4>the club, he has said that you will now have

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<v Speaker 4>to be checked on entry, but he will be doing

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<v Speaker 4>reaction tests when you enter. Surely this is like a

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<v Speaker 4>lawsuit for you'll never getting I won't even get into

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<v Speaker 4>the lineup.

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<v Speaker 3>But mind you, I have migro botox.

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<v Speaker 2>I could you don't have to defend yourself.

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<v Speaker 4>No, but I could bring a medical certificate I reckon

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<v Speaker 4>and still get in because otherwise, okay.

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<v Speaker 2>Well I'd be up shit creek.

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<v Speaker 1>Wouldn't I I don't have a medical reason.

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<v Speaker 2>Okay, I did read this. We've got here.

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<v Speaker 1>I've had numerous complaints from performers who find it increasingly

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<v Speaker 1>challenging to gauge the audience's engagement and bounce off their reaction.

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<v Speaker 2>I'm sorry, but I would go as far.

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<v Speaker 1>As to say that if the audience isn't having a reaction,

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<v Speaker 1>it's probably because the talent isn't that funny. Because you

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<v Speaker 1>can still laugh with botox.

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<v Speaker 2>I mean you can still.

0:09:30.840 --> 0:09:34.400
<v Speaker 4>Have no because no one's trying to do a laugh

0:09:34.400 --> 0:09:35.400
<v Speaker 4>without moving my forehead.

0:09:35.640 --> 0:09:37.960
<v Speaker 1>No one's getting that much botox that you can't move

0:09:38.000 --> 0:09:38.400
<v Speaker 1>your face.

0:09:38.960 --> 0:09:39.959
<v Speaker 3>That's a lie people do.

0:09:40.240 --> 0:09:42.319
<v Speaker 1>But you can move your lip, you can still laugh,

0:09:42.440 --> 0:09:44.520
<v Speaker 1>you can still have a reaction. I feel like it's

0:09:44.520 --> 0:09:47.800
<v Speaker 1>almost trying to blame a bad performance on the audience.

0:09:47.880 --> 0:09:50.320
<v Speaker 1>It feels like the ultimate gas lighting of your own audience.

0:09:50.360 --> 0:09:53.160
<v Speaker 4>Well, he said, comedy thrives on connection, and facial expression

0:09:53.160 --> 0:09:56.079
<v Speaker 4>plays a huge part. We want people to laugh, cry,

0:09:56.160 --> 0:10:00.000
<v Speaker 4>frown sneer, but frozen faces from botox impact the entire

0:10:00.080 --> 0:10:01.240
<v Speaker 4>higher atmosphere.

0:10:01.320 --> 0:10:02.160
<v Speaker 2>This is discrimination.

0:10:02.600 --> 0:10:03.520
<v Speaker 3>It is discrimination.

0:10:03.640 --> 0:10:05.520
<v Speaker 4>And I bet you, I'm sorry, I bet you half

0:10:05.559 --> 0:10:07.760
<v Speaker 4>of your performers have botox. If they're allowed to have

0:10:07.800 --> 0:10:10.920
<v Speaker 4>botox to deliver the jokes, the listeners are allowed to

0:10:10.920 --> 0:10:11.360
<v Speaker 4>receive the.

0:10:11.320 --> 0:10:12.040
<v Speaker 3>Jokes with botox.

0:10:12.120 --> 0:10:16.080
<v Speaker 1>What's the very famous comedian who just did the Golden Globes.

0:10:16.120 --> 0:10:20.319
<v Speaker 1>She's amazing, nikky glass, gleaser, glazer, whatever. I'm clearly super

0:10:20.320 --> 0:10:23.200
<v Speaker 1>invested in her work, but she is very funny. Cannot

0:10:23.200 --> 0:10:26.480
<v Speaker 1>move her face, she has so much botox, looks amazing,

0:10:26.720 --> 0:10:30.320
<v Speaker 1>that's no shade, but like can still deliver very funny jokes,

0:10:30.320 --> 0:10:32.199
<v Speaker 1>and it kind of like comes off because it's part

0:10:32.240 --> 0:10:33.120
<v Speaker 1>of her stick.

0:10:33.520 --> 0:10:35.840
<v Speaker 4>Yeah, but also if you're doing an expression test, what

0:10:35.880 --> 0:10:36.720
<v Speaker 4>if it's just useful.

0:10:36.720 --> 0:10:37.520
<v Speaker 3>What if there's a twenty.

0:10:37.360 --> 0:10:38.800
<v Speaker 4>Year old that wants to come in that hasn't gone

0:10:38.840 --> 0:10:40.840
<v Speaker 4>a wrinkle yet and their for it doesn't move though.

0:10:40.760 --> 0:10:42.559
<v Speaker 2>The forest stormy movie. Your eyebrows.

0:10:42.760 --> 0:10:43.600
<v Speaker 3>No, I can do it.

0:10:45.360 --> 0:10:48.440
<v Speaker 2>That's a frown. A frown?

0:10:48.480 --> 0:10:49.079
<v Speaker 3>Are you do it?

0:10:49.520 --> 0:10:49.760
<v Speaker 2>God?

0:10:50.120 --> 0:10:51.160
<v Speaker 3>Yeah, you're frozen too.

0:10:51.280 --> 0:10:53.880
<v Speaker 2>When I haven't had botox in months. Oh that's a lot,

0:10:54.160 --> 0:10:56.160
<v Speaker 2>It is true. How much of a frown I'm it's

0:10:56.200 --> 0:10:57.599
<v Speaker 2>not moving, You're constipated.

0:11:01.960 --> 0:11:04.800
<v Speaker 1>This one is for anybody out there who is single.

0:11:04.880 --> 0:11:06.520
<v Speaker 1>This is going to be a little hot tip for you.

0:11:06.960 --> 0:11:09.080
<v Speaker 1>Something that I wish i'd known back in the time

0:11:09.120 --> 0:11:11.280
<v Speaker 1>when I was out there flirting and trying to date.

0:11:11.400 --> 0:11:12.640
<v Speaker 3>Well, not all heroes were capes.

0:11:13.320 --> 0:11:14.040
<v Speaker 2>I'm just here to.

0:11:13.960 --> 0:11:14.960
<v Speaker 3>Save the day everyone.

0:11:15.440 --> 0:11:18.280
<v Speaker 1>I would say that I am a particularly bad flirt,

0:11:18.360 --> 0:11:21.040
<v Speaker 1>Like the idea of flirting makes me feel uncomfortable.

0:11:21.120 --> 0:11:23.160
<v Speaker 3>I don't often agree with you, but I will hear here.

0:11:23.400 --> 0:11:23.839
<v Speaker 2>Thank you?

0:11:24.240 --> 0:11:27.640
<v Speaker 1>What about me makes you think that I can't flirt everything? Oh,

0:11:28.679 --> 0:11:30.079
<v Speaker 1>to be fair, we were just talking about this. It

0:11:30.559 --> 0:11:33.880
<v Speaker 1>is shocking to me. Genuinely shocking that I managed to

0:11:33.920 --> 0:11:36.840
<v Speaker 1>win The Bachelor, because like, when it comes to wooing

0:11:36.840 --> 0:11:39.520
<v Speaker 1>a guy or flirting, I don't think that I have

0:11:39.760 --> 0:11:41.560
<v Speaker 1>a sexual bone in my body.

0:11:41.600 --> 0:11:44.400
<v Speaker 2>Like literally, it's non existent. That's more than.

0:11:44.360 --> 0:11:47.080
<v Speaker 3>Manipulation that you used to get not Yeah.

0:11:46.800 --> 0:11:49.240
<v Speaker 2>That's what my husband still says after eight years together.

0:11:49.520 --> 0:11:50.600
<v Speaker 3>I'm joking. I don't know.

0:11:50.960 --> 0:11:52.520
<v Speaker 4>I don't want it to come across the wrong way

0:11:52.520 --> 0:11:53.960
<v Speaker 4>like I'm bullying you.

0:11:53.400 --> 0:11:54.800
<v Speaker 2>You are, but that's okay.

0:11:54.960 --> 0:11:57.680
<v Speaker 3>No, you don't scream flirty. You just don't. I don't

0:11:57.679 --> 0:11:58.319
<v Speaker 3>know what it is.

0:11:58.640 --> 0:12:01.760
<v Speaker 1>Okay, but while you get by being super good looking.

0:12:01.840 --> 0:12:02.640
<v Speaker 2>That's not even true.

0:12:02.640 --> 0:12:04.800
<v Speaker 1>But you can keep on and complimenting me, It's fine. Look,

0:12:04.880 --> 0:12:06.880
<v Speaker 1>the reason I want to talk about this is because

0:12:06.880 --> 0:12:09.600
<v Speaker 1>I think there is a very fine line between being

0:12:09.640 --> 0:12:12.400
<v Speaker 1>a good flirt and being a creep. Like that line

0:12:12.440 --> 0:12:14.400
<v Speaker 1>is thin, and you don't know what side you sit

0:12:14.440 --> 0:12:16.280
<v Speaker 1>on until you hear that someone's talking about you behind

0:12:16.280 --> 0:12:16.600
<v Speaker 1>your back.

0:12:16.679 --> 0:12:16.920
<v Speaker 2>Yeah.

0:12:17.160 --> 0:12:19.760
<v Speaker 1>Right, And a lot of it comes down to eye contact. Now,

0:12:19.800 --> 0:12:22.120
<v Speaker 1>we all know the eye contact is very important, but

0:12:22.200 --> 0:12:24.120
<v Speaker 1>how much is too much? How do you know what

0:12:24.200 --> 0:12:26.440
<v Speaker 1>is the right amount of eye contact to hold with

0:12:26.480 --> 0:12:28.320
<v Speaker 1>someone who you think could be, like, you know, a

0:12:28.360 --> 0:12:31.360
<v Speaker 1>hot and potential partner. So there's a relationship expert who's

0:12:31.360 --> 0:12:33.800
<v Speaker 1>come out. Her name is Luanne Ward, and she has

0:12:33.800 --> 0:12:36.160
<v Speaker 1>said that there is an eye contact rule. It is

0:12:36.200 --> 0:12:39.480
<v Speaker 1>called the at twenty eye contact rule. The amount of

0:12:39.480 --> 0:12:43.400
<v Speaker 1>eye contact, like as in like maintaining physical eye contact

0:12:43.400 --> 0:12:46.640
<v Speaker 1>with someone that you should hold is only twenty percent.

0:12:47.040 --> 0:12:50.240
<v Speaker 1>What you should be doing is going around the golden triangle.

0:12:50.440 --> 0:12:52.920
<v Speaker 1>So you should be like moving your eye contact from

0:12:52.960 --> 0:12:54.920
<v Speaker 1>the eyes to the mouth, to.

0:12:54.920 --> 0:12:57.720
<v Speaker 2>The nose, to the eyes to the mouth.

0:12:57.480 --> 0:13:00.280
<v Speaker 1>To how low down is that triangleg and that way

0:13:00.360 --> 0:13:01.480
<v Speaker 1>you know you've reached creep state.

0:13:01.559 --> 0:13:03.360
<v Speaker 2>That's the creepstate. No, but like it's the.

0:13:03.240 --> 0:13:07.720
<v Speaker 1>Moving of the eyes around that creates a sense of confusion,

0:13:08.000 --> 0:13:12.280
<v Speaker 1>not confusion I was gonna say of like suspense producer

0:13:12.320 --> 0:13:12.720
<v Speaker 1>Grace is.

0:13:12.679 --> 0:13:15.400
<v Speaker 2>Looking at me like I've lost the blow the room in.

0:13:15.559 --> 0:13:18.320
<v Speaker 1>No, but it's meant to like help you create a

0:13:18.360 --> 0:13:21.080
<v Speaker 1>sense of like lust rather than coming across as too

0:13:21.160 --> 0:13:22.440
<v Speaker 1>intense or two for long.

0:13:22.640 --> 0:13:24.199
<v Speaker 3>Well, okay, hear me out.

0:13:24.440 --> 0:13:27.800
<v Speaker 4>I am basically a relationship expert without the actual qualification.

0:13:28.280 --> 0:13:30.640
<v Speaker 4>What I will say is I don't think you should

0:13:30.720 --> 0:13:33.160
<v Speaker 4>be looking all over the face because when you look

0:13:33.160 --> 0:13:35.520
<v Speaker 4>at the forehead it makes people feel awkward, like they've

0:13:35.520 --> 0:13:36.440
<v Speaker 4>got something on their face.

0:13:36.480 --> 0:13:39.240
<v Speaker 2>That is, like I said, eyes nose mouth, eyes nose mouth.

0:13:39.400 --> 0:13:42.000
<v Speaker 4>Yeah, you literally said all over the face. Oh, but

0:13:42.559 --> 0:13:44.960
<v Speaker 4>I think when you look above the eyes, it's weird.

0:13:45.040 --> 0:13:47.320
<v Speaker 3>It makes them uncomfortable, like they've gotten something on their face.

0:13:47.520 --> 0:13:49.200
<v Speaker 2>What if I look at above your eyes?

0:13:49.280 --> 0:13:50.520
<v Speaker 3>I do, now I feel like I got saying on

0:13:50.600 --> 0:13:50.880
<v Speaker 3>my head.

0:13:51.040 --> 0:13:54.480
<v Speaker 4>Yeah what What I think the best thing to do

0:13:54.640 --> 0:13:57.319
<v Speaker 4>is is just a really subtle glance down to live

0:13:57.400 --> 0:13:58.240
<v Speaker 4>like that.

0:13:58.240 --> 0:13:59.240
<v Speaker 2>That was hot, Admit it.

0:13:59.280 --> 0:14:01.240
<v Speaker 3>I just did to you. Did you? Everyone in the

0:14:01.280 --> 0:14:02.280
<v Speaker 3>car field they felt that.

0:14:02.280 --> 0:14:04.360
<v Speaker 1>They felt it. They felt the tone shift in your voice.

0:14:04.440 --> 0:14:05.480
<v Speaker 1>You always make things weird.

0:14:05.559 --> 0:14:08.839
<v Speaker 3>It's like the subtle smiles and then the look away.

0:14:08.880 --> 0:14:10.880
<v Speaker 4>So like when you see someone produce a gray stuff,

0:14:10.920 --> 0:14:12.079
<v Speaker 4>raising your eyebrows at me and.

0:14:12.000 --> 0:14:14.200
<v Speaker 2>Like blow your kisses across the room. But that was

0:14:14.240 --> 0:14:14.960
<v Speaker 2>sort of hot too.

0:14:15.400 --> 0:14:17.320
<v Speaker 4>I think it's the like, for example, you might not

0:14:17.320 --> 0:14:19.320
<v Speaker 4>be in conversation with someone, but this is like my

0:14:19.520 --> 0:14:22.720
<v Speaker 4>main tip for flirting, look across the room at them

0:14:22.880 --> 0:14:24.960
<v Speaker 4>where it's out of your way, Like you might even

0:14:25.000 --> 0:14:27.240
<v Speaker 4>have to look over your shoulder at them, catch their

0:14:27.280 --> 0:14:30.400
<v Speaker 4>eye for a minute, little smirk, look away, ten minutes later,

0:14:30.720 --> 0:14:31.400
<v Speaker 4>little look back.

0:14:31.480 --> 0:14:31.800
<v Speaker 2>That's it.

0:14:31.920 --> 0:14:34.480
<v Speaker 4>That's enough, two second eye contact. That is enough for

0:14:34.520 --> 0:14:36.600
<v Speaker 4>them to be like hold the line.

0:14:36.640 --> 0:14:37.720
<v Speaker 2>But that's the question, right.

0:14:37.800 --> 0:14:40.440
<v Speaker 1>That's always to me is how long does the eye

0:14:40.480 --> 0:14:43.040
<v Speaker 1>contact need to be held from across the room, because

0:14:43.040 --> 0:14:45.720
<v Speaker 1>that's when it can err into Okay, that's too long.

0:14:45.760 --> 0:14:47.000
<v Speaker 1>That person's just staring at me.

0:14:47.480 --> 0:14:48.200
<v Speaker 3>You not a minute.

0:14:48.200 --> 0:14:50.560
<v Speaker 4>It's just not like a minute steering competition across the room,

0:14:50.560 --> 0:14:51.680
<v Speaker 4>like who can blink first?

0:14:51.880 --> 0:14:52.200
<v Speaker 2>You know what.

0:14:52.280 --> 0:14:55.200
<v Speaker 1>I also think though, fifty percent, yeah, sure, it might

0:14:55.200 --> 0:14:57.760
<v Speaker 1>be technique of like how you're looking at someone's eyes whatever.

0:14:58.040 --> 0:14:59.960
<v Speaker 1>The other fifty percent is whether or not you're attracted

0:15:00.040 --> 0:15:02.360
<v Speaker 1>to the person, because if they're hot ass and they're

0:15:02.400 --> 0:15:04.360
<v Speaker 1>staring at you from across the room, it doesn't matter.

0:15:04.400 --> 0:15:06.280
<v Speaker 1>If they're standing there staring you for ten minutes, you'll

0:15:06.320 --> 0:15:08.840
<v Speaker 1>be like, so, I got it, not creepy. But if

0:15:08.840 --> 0:15:10.920
<v Speaker 1>there was someone who you're not attracted to at all,

0:15:11.120 --> 0:15:13.320
<v Speaker 1>then that's when I think it ers into creepy territory,

0:15:13.320 --> 0:15:15.400
<v Speaker 1>which is totally unfair, but it does show that we're

0:15:15.560 --> 0:15:16.560
<v Speaker 1>very superficial beings.

0:15:17.040 --> 0:15:19.320
<v Speaker 4>Absolutely, I wouldn't add anything to that. I think that

0:15:19.360 --> 0:15:20.800
<v Speaker 4>was a perfect wrap off of how to flirt.

0:15:20.960 --> 0:15:23.960
<v Speaker 1>Thank you, well done, Bruce Luen everybody. If you want

0:15:24.000 --> 0:15:25.760
<v Speaker 1>any more great tips like that, you can go to

0:15:25.760 --> 0:15:26.760
<v Speaker 1>Britney's Instagram page.

0:15:26.760 --> 0:15:27.920
<v Speaker 2>Brittany Underscore Hockeley.

0:15:28.080 --> 0:15:30.640
<v Speaker 3>Sorry, Golden Triangle. I'm pretty sure that means something else

0:15:30.680 --> 0:15:31.440
<v Speaker 3>in another country.

0:15:32.680 --> 0:15:33.800
<v Speaker 2>It does, It really does.