1 00:00:01,120 --> 00:00:03,760 Speaker 1: Welcome to the podcast and on get to it. 2 00:00:04,960 --> 00:00:08,840 Speaker 2: Well, I mean, if you're a fresh podcast listener, you 3 00:00:08,880 --> 00:00:12,720 Speaker 2: would know. Well, no, you wouldn't know. You wouldn't know, 4 00:00:12,840 --> 00:00:14,840 Speaker 2: so you wouldn't you wouldn't know. I've been trying to 5 00:00:14,840 --> 00:00:16,480 Speaker 2: get ten you Arenda on the show for a long time. 6 00:00:16,560 --> 00:00:19,200 Speaker 2: I've been obsessed with I don't think you want to 7 00:00:19,920 --> 00:00:21,600 Speaker 2: ninety four record, don't ask. 8 00:00:21,800 --> 00:00:23,600 Speaker 3: I feel like this goes beyond you want to get 9 00:00:23,600 --> 00:00:25,279 Speaker 3: her on the show. I feel like you want like 10 00:00:25,400 --> 00:00:29,320 Speaker 3: a like a out of work relationship, not not romantic 11 00:00:29,400 --> 00:00:31,520 Speaker 3: that was aggressive, not romantically. 12 00:00:30,920 --> 00:00:33,479 Speaker 1: Inspired and knew you knew you'd cook that. 13 00:00:33,640 --> 00:00:34,639 Speaker 3: No, you want a friendship. 14 00:00:35,320 --> 00:00:37,839 Speaker 1: You want to mean to me, she means a lot 15 00:00:38,080 --> 00:00:38,280 Speaker 1: to me. 16 00:00:38,800 --> 00:00:40,239 Speaker 3: A dream for you would be to be sitting on 17 00:00:40,280 --> 00:00:42,680 Speaker 3: her balcony in a beautiful property, which I kind of 18 00:00:42,800 --> 00:00:44,919 Speaker 3: imagine she has a beautiful balcony and a beautiful property. 19 00:00:45,280 --> 00:00:48,880 Speaker 3: And I know where she lives. Wow, that's weird. But 20 00:00:49,080 --> 00:00:51,080 Speaker 3: we won't obviously don't say that. I won't say where 21 00:00:51,159 --> 00:00:51,920 Speaker 3: she lives or anything. 22 00:00:52,280 --> 00:00:56,000 Speaker 4: I know that she's just a public transport ride away from. 23 00:00:55,960 --> 00:00:59,560 Speaker 3: You will get out of town, get out of town. 24 00:01:00,120 --> 00:01:03,920 Speaker 2: In like one one one public transport right away, So 25 00:01:04,080 --> 00:01:06,840 Speaker 2: one trip, Like, I'm not changing trains because then it 26 00:01:06,880 --> 00:01:07,560 Speaker 2: could be anywhere. 27 00:01:08,680 --> 00:01:11,000 Speaker 1: It's one tram. It's one tram, isn't it. It's one tram, 28 00:01:11,080 --> 00:01:13,680 Speaker 1: tram or train? Is it a bus? Oh? 29 00:01:13,720 --> 00:01:15,240 Speaker 2: Come on, you can give me the you can give 30 00:01:15,319 --> 00:01:18,480 Speaker 2: one the form of locomotion. What she's one tram for 31 00:01:18,640 --> 00:01:21,360 Speaker 2: me and the only tram that's near me. 32 00:01:22,240 --> 00:01:24,160 Speaker 3: Okay, let's not break it down. Doesn't break it down 33 00:01:24,200 --> 00:01:25,240 Speaker 3: too much. Do you know? 34 00:01:25,319 --> 00:01:26,200 Speaker 1: Did she have tram? 35 00:01:26,200 --> 00:01:30,679 Speaker 2: It could be anywhere, can't No, you've said where you 36 00:01:30,680 --> 00:01:32,960 Speaker 2: have two places of the world in the north to 37 00:01:33,120 --> 00:01:33,920 Speaker 2: live in the North. 38 00:01:33,760 --> 00:01:36,280 Speaker 3: You've said where you live a fair bit on this podcast. 39 00:01:36,400 --> 00:01:37,480 Speaker 3: People are going to figure it out. 40 00:01:37,600 --> 00:01:38,920 Speaker 1: But you know, I got stopped in North Git the 41 00:01:38,959 --> 00:01:40,720 Speaker 1: other day. By the way, Did you get a little 42 00:01:40,920 --> 00:01:41,600 Speaker 1: chef's kiss? 43 00:01:42,760 --> 00:01:43,440 Speaker 4: No? 44 00:01:45,480 --> 00:01:46,720 Speaker 1: I actually I thought she. 45 00:01:46,760 --> 00:01:49,200 Speaker 2: Was going to abuse me at first, Yeah, and then 46 00:01:49,200 --> 00:01:52,840 Speaker 2: I got a bit RIDU stopped the car in the 47 00:01:52,840 --> 00:01:55,520 Speaker 2: middle of high you were driving and she stopped your car. No, 48 00:01:55,720 --> 00:01:58,680 Speaker 2: I was walking with Max and Sam and she stopped 49 00:01:58,680 --> 00:02:00,760 Speaker 2: the car and was like, and I thought she was 50 00:02:00,800 --> 00:02:02,800 Speaker 2: going to abuse me. And then I couldn't hear her, 51 00:02:02,880 --> 00:02:04,880 Speaker 2: so I thought she was abusing me, so I was like, 52 00:02:04,880 --> 00:02:08,000 Speaker 2: picked up the pace, hushering everyone away. 53 00:02:08,280 --> 00:02:10,400 Speaker 3: I've wronged this woman. Let's move family. 54 00:02:10,440 --> 00:02:11,760 Speaker 1: And it was really nice. She was like, Hey, I'm 55 00:02:11,800 --> 00:02:14,119 Speaker 1: really glad you came back on the radio this year. 56 00:02:14,120 --> 00:02:15,519 Speaker 1: I can't wait to have you back on. It was 57 00:02:15,560 --> 00:02:17,960 Speaker 1: really nice that it was really nice. Big shout out 58 00:02:18,000 --> 00:02:20,600 Speaker 1: to her. Now let's get down to this. 59 00:02:20,720 --> 00:02:23,519 Speaker 3: But but my point is, sorry, it's important making this point. 60 00:02:23,960 --> 00:02:26,640 Speaker 3: You don't just want to hear her voice and have this. 61 00:02:26,560 --> 00:02:27,400 Speaker 1: Like I think Tina. 62 00:02:27,600 --> 00:02:30,120 Speaker 2: I think Tina Arenda and I could be friends about 63 00:02:30,160 --> 00:02:31,000 Speaker 2: that exactly. 64 00:02:31,600 --> 00:02:33,120 Speaker 3: So I think and I think this is the this 65 00:02:33,160 --> 00:02:33,680 Speaker 3: is the. 66 00:02:34,040 --> 00:02:35,520 Speaker 2: But I think we just need to know, like not 67 00:02:35,680 --> 00:02:39,080 Speaker 2: like in a like I just think we it would 68 00:02:39,080 --> 00:02:42,040 Speaker 2: be a dream of mine to just hang out. 69 00:02:41,840 --> 00:02:43,760 Speaker 3: With her, Yeah, and not as a radio bit. And 70 00:02:43,800 --> 00:02:46,320 Speaker 3: I want to keep clarifying that because I totally like, yeah, 71 00:02:46,360 --> 00:02:48,120 Speaker 3: and this is this is the tension of this bit, 72 00:02:48,240 --> 00:02:52,919 Speaker 3: because we're currently recording this and the issue we're having 73 00:02:53,000 --> 00:02:54,320 Speaker 3: is when I do I want her to think this 74 00:02:54,360 --> 00:02:57,200 Speaker 3: is a radio bit, like this is a genuine olive 75 00:02:57,320 --> 00:03:01,960 Speaker 3: ranch towards friendship and Chardi's on a thirst afternoon night. 76 00:03:02,120 --> 00:03:03,320 Speaker 3: You wouldn't drink before the show? 77 00:03:03,639 --> 00:03:04,079 Speaker 1: Yeah? Night? 78 00:03:04,240 --> 00:03:08,280 Speaker 3: Or let's just say Saturday, Saturday early alf it doesn't 79 00:03:08,280 --> 00:03:09,760 Speaker 3: matter when you're drinking, but I would. 80 00:03:09,960 --> 00:03:10,440 Speaker 1: Yeah. 81 00:03:10,520 --> 00:03:13,440 Speaker 3: So so that the tone of this phone call is 82 00:03:13,520 --> 00:03:15,040 Speaker 3: just so important. 83 00:03:15,240 --> 00:03:17,280 Speaker 2: It is one hundred percent Woods it is. It's important. 84 00:03:17,280 --> 00:03:18,359 Speaker 2: It's important to get it right. 85 00:03:18,800 --> 00:03:21,400 Speaker 3: And I still think I know she was at the 86 00:03:21,480 --> 00:03:24,399 Speaker 3: esheane Aban final last night. I know she was there. 87 00:03:24,560 --> 00:03:26,000 Speaker 1: Do they do they pan the camera to her? 88 00:03:26,000 --> 00:03:26,240 Speaker 2: Do they? 89 00:03:26,240 --> 00:03:27,240 Speaker 1: Absolutely? 90 00:03:26,960 --> 00:03:27,200 Speaker 2: Really? 91 00:03:27,320 --> 00:03:28,720 Speaker 3: I'm a bank of the Mentalist. He's there? 92 00:03:28,880 --> 00:03:31,000 Speaker 1: Oh yeah, they actually went to the Mendalist twice. 93 00:03:31,000 --> 00:03:32,720 Speaker 2: Whilst I was watching it, I was like, come on, 94 00:03:33,000 --> 00:03:37,920 Speaker 2: Eric Bantners in the crowd, deverly finest there. 95 00:03:38,000 --> 00:03:38,560 Speaker 3: Deb was there. 96 00:03:38,600 --> 00:03:41,400 Speaker 1: She broke it up with Jackman? Yeah, but she was there? 97 00:03:41,720 --> 00:03:44,800 Speaker 3: Yeah, Why why wouldn't she be there? Single with a 98 00:03:44,840 --> 00:03:45,440 Speaker 3: friend's son? 99 00:03:45,800 --> 00:03:46,960 Speaker 1: Was jack with a friend son? 100 00:03:47,080 --> 00:03:47,280 Speaker 2: Well? 101 00:03:47,320 --> 00:03:48,360 Speaker 1: She likes him younger, doesn't you? 102 00:03:48,440 --> 00:03:51,000 Speaker 3: Jacquel wasn't there? Do you think Deb and Jackman speak 103 00:03:51,200 --> 00:03:51,760 Speaker 3: and they. 104 00:03:51,640 --> 00:03:54,840 Speaker 1: Go, he's a lovely guy here. 105 00:03:54,880 --> 00:03:56,760 Speaker 3: No, of course, I'm not saying this is a naice 106 00:03:56,800 --> 00:03:58,560 Speaker 3: thing to say. I'm just saying, like, do you think 107 00:03:58,640 --> 00:04:00,800 Speaker 3: him and dev go we probab we both shouldn't go 108 00:04:00,800 --> 00:04:02,240 Speaker 3: to the tennis. Just want to make sure that you're 109 00:04:02,280 --> 00:04:05,000 Speaker 3: not flying to to go to the Australian Open like that. 110 00:04:05,080 --> 00:04:07,760 Speaker 3: That would be a conversation that x's would have right 111 00:04:07,760 --> 00:04:09,320 Speaker 3: when you go to like parties or something. But for 112 00:04:09,360 --> 00:04:13,040 Speaker 3: them it's different because they're famous people people. If they 113 00:04:13,080 --> 00:04:14,480 Speaker 3: both wrote the Train Open, that would have been a 114 00:04:14,480 --> 00:04:17,400 Speaker 3: story like why is you Tennessee at that point? I 115 00:04:17,440 --> 00:04:19,080 Speaker 3: just wonder if there's a phone call there to go like. 116 00:04:19,200 --> 00:04:21,440 Speaker 1: Do they shot up the tennis? Yeah? 117 00:04:21,600 --> 00:04:26,400 Speaker 2: Well yeah, flip a coin, yeah, yeah, just be compromised. 118 00:04:26,440 --> 00:04:27,960 Speaker 1: Surely you'd be like, right, you're going to the tennis. 119 00:04:27,960 --> 00:04:28,640 Speaker 1: I get the Grand Prix. 120 00:04:28,920 --> 00:04:30,960 Speaker 3: I think it's very friendly. By the way, when you're 121 00:04:30,960 --> 00:04:33,320 Speaker 3: going to the World Cup, I don't get the Oh, 122 00:04:34,120 --> 00:04:36,159 Speaker 3: dare be sitting next to the mentalist? Simon Backer? 123 00:04:36,360 --> 00:04:36,880 Speaker 1: Was she really? 124 00:04:38,480 --> 00:04:41,960 Speaker 3: Yeah? Albow was there obviously, you know Elbow got boot 125 00:04:42,839 --> 00:04:46,640 Speaker 3: because the tax thing. That's awful. He's such a nice. 126 00:04:46,600 --> 00:04:48,960 Speaker 1: He's a lovely dude. Yeah, really lovely dude. 127 00:04:49,080 --> 00:04:51,960 Speaker 3: And so Banner's two sets down from deb Banner. 128 00:04:52,800 --> 00:04:55,440 Speaker 2: So who's in the who's in the row? Banner Banner's 129 00:04:55,480 --> 00:05:01,200 Speaker 2: wife mentalist, Simon Baker himself, the mentalist, the young son. 130 00:05:01,040 --> 00:05:06,080 Speaker 4: Deborah Le's Finesse's friend's young son, then Deborle Finesse, then 131 00:05:06,120 --> 00:05:06,839 Speaker 4: Simon Baker. 132 00:05:07,520 --> 00:05:08,000 Speaker 3: It's a row. 133 00:05:08,200 --> 00:05:09,680 Speaker 2: Do you think that the men Do you think that 134 00:05:09,720 --> 00:05:11,760 Speaker 2: the mentalist knew before he got in the stadium who 135 00:05:11,800 --> 00:05:13,400 Speaker 2: was going to be in the in the row with him? 136 00:05:13,400 --> 00:05:13,920 Speaker 3: Like? Good question? 137 00:05:13,920 --> 00:05:15,520 Speaker 1: Do you think he accesses his powers for those? 138 00:05:16,440 --> 00:05:18,560 Speaker 2: Really good question, because it, you know, sort of like 139 00:05:18,640 --> 00:05:20,960 Speaker 2: separate work from crime. 140 00:05:21,279 --> 00:05:23,680 Speaker 3: Tina, Yeah, sitting next to Tom Waterhouse. 141 00:05:24,200 --> 00:05:26,160 Speaker 1: There you go, I should sitting next to Tom Waterhouse, 142 00:05:26,200 --> 00:05:26,400 Speaker 1: was she? 143 00:05:26,480 --> 00:05:26,640 Speaker 3: Yeah? 144 00:05:26,720 --> 00:05:27,040 Speaker 1: Interesting? 145 00:05:27,120 --> 00:05:29,760 Speaker 3: Joel Edgin was there El McPherson next to El McPherson. 146 00:05:29,839 --> 00:05:33,720 Speaker 2: Yeah, yeah, so so there's another Roe there McPherson edgeton. 147 00:05:34,080 --> 00:05:37,000 Speaker 2: They really pulled the celebrities though, haven't they Arena? Yeahundred percent? 148 00:05:37,200 --> 00:05:38,880 Speaker 2: Then the camera, you know, it just makes it easy 149 00:05:38,880 --> 00:05:39,320 Speaker 2: for the camera. 150 00:05:39,360 --> 00:05:44,239 Speaker 1: Guy bomber girl, Yeah, yeah, I didn't see a photo. 151 00:05:44,080 --> 00:05:46,279 Speaker 2: Of Ada Damas and the crowd though she presented the 152 00:05:46,279 --> 00:05:51,200 Speaker 2: trophy and Armas presented the trophy to the winner of 153 00:05:51,240 --> 00:05:52,279 Speaker 2: the Australian Open. 154 00:05:52,440 --> 00:05:54,800 Speaker 3: Pre game. They've got a pre game where they bring 155 00:05:54,800 --> 00:05:55,440 Speaker 3: the trophy. 156 00:05:55,200 --> 00:05:56,600 Speaker 2: They've in the trophy, so they just put it on 157 00:05:56,640 --> 00:06:00,440 Speaker 2: who's the heaviest hitter here celebrity wise and Damas that 158 00:06:00,680 --> 00:06:05,960 Speaker 2: is sorry, no, but she's an amazing actress. 159 00:06:06,640 --> 00:06:07,640 Speaker 3: She was in Bond. 160 00:06:08,120 --> 00:06:13,919 Speaker 2: That is so fucking dumb. What that Amas walked the 161 00:06:14,000 --> 00:06:17,560 Speaker 2: Australian It is opened cup into the middle of the 162 00:06:17,560 --> 00:06:21,960 Speaker 2: Australian Open. You've got Rod there, You've got any number 163 00:06:22,080 --> 00:06:23,960 Speaker 2: of people who actually played tennis there. 164 00:06:24,640 --> 00:06:27,680 Speaker 3: Did the women the formal winners? That is, you did 165 00:06:27,680 --> 00:06:32,640 Speaker 3: it with exactly. But I assume I assume a Damas. 166 00:06:33,680 --> 00:06:39,040 Speaker 1: Just Collie can walk out and deliver the trophy. She like, she's. 167 00:06:38,920 --> 00:06:41,720 Speaker 3: Amazing, amazing. I once sat two rows in front of 168 00:06:41,800 --> 00:06:48,280 Speaker 3: her at a tennis manchion I said, hello, So I'm 169 00:06:48,320 --> 00:06:49,880 Speaker 3: not sure who brought it out with Ana Damas, though 170 00:06:50,600 --> 00:06:53,920 Speaker 3: I'm sure there was a Layton Hewitt, a philipposas away 171 00:06:54,320 --> 00:06:55,520 Speaker 3: just articularly. 172 00:06:55,320 --> 00:06:57,440 Speaker 2: It makes them, you know what, It makes them look desperate. 173 00:06:57,520 --> 00:07:01,120 Speaker 2: She it makes them go, jeez want it looks like 174 00:07:01,200 --> 00:07:02,960 Speaker 2: that They've had a chat about we wouldn't want the 175 00:07:03,080 --> 00:07:05,000 Speaker 2: celeb power around look like that. 176 00:07:05,480 --> 00:07:06,320 Speaker 1: Yeah, that's the chat. 177 00:07:06,560 --> 00:07:07,960 Speaker 3: They kept very big surprise, and. 178 00:07:07,920 --> 00:07:12,480 Speaker 4: She did it alongside Jim courier, Jim, let's get Jim 179 00:07:12,480 --> 00:07:12,960 Speaker 4: on the phone. 180 00:07:13,920 --> 00:07:15,240 Speaker 1: On the phone call I want to call. 181 00:07:15,880 --> 00:07:18,160 Speaker 3: I'm sorry, that's called Jim. It's quickly asked, like Jim, 182 00:07:18,200 --> 00:07:18,440 Speaker 3: what was that? 183 00:07:18,760 --> 00:07:20,840 Speaker 1: Like, he probably won't steal me. He probably won't. 184 00:07:20,680 --> 00:07:22,640 Speaker 3: Steal he'd be straight in the play, wouldn't he. Let's 185 00:07:22,640 --> 00:07:25,440 Speaker 3: just let's just try. Let's just try because he would 186 00:07:25,440 --> 00:07:26,720 Speaker 3: have been hanging out in the tunnel together. 187 00:07:28,520 --> 00:07:30,280 Speaker 2: Let me see, let me see when he was last online, 188 00:07:31,280 --> 00:07:33,920 Speaker 2: lets last time, like you know, and what's happened? 189 00:07:34,000 --> 00:07:34,600 Speaker 1: Comes off? 190 00:07:35,440 --> 00:07:40,760 Speaker 4: Oh, we'll just see where he is and find my friends. 191 00:07:41,960 --> 00:07:42,960 Speaker 1: I'll just say what was it? 192 00:07:42,960 --> 00:07:47,160 Speaker 2: And I like, no, it's just I think it's a 193 00:07:47,200 --> 00:07:49,520 Speaker 2: weird thing that I just call him. 194 00:07:50,280 --> 00:07:51,679 Speaker 3: Hey, hey Jim, I've. 195 00:07:51,480 --> 00:07:55,440 Speaker 1: Said what was ana? Like, Oh right, that's a bit weirder. 196 00:07:56,120 --> 00:07:56,760 Speaker 1: That's a bit weird. 197 00:07:58,280 --> 00:08:00,720 Speaker 3: Don't don't don't look it's strange odd. But we've done 198 00:08:00,760 --> 00:08:02,720 Speaker 3: it now and I want to know what animals like. 199 00:08:03,160 --> 00:08:07,600 Speaker 1: Just that anduse. Yeah, we've had chat. We chat when 200 00:08:07,600 --> 00:08:09,760 Speaker 1: he's we chat when he's here for the Australie Open. 201 00:08:10,520 --> 00:08:11,120 Speaker 3: So we're chat. 202 00:08:11,120 --> 00:08:13,400 Speaker 2: We've been chatting about trying to catch up. Absolutely so 203 00:08:13,400 --> 00:08:14,400 Speaker 2: it's not a random thing. 204 00:08:14,880 --> 00:08:15,560 Speaker 3: It's absolutely fine. 205 00:08:15,600 --> 00:08:17,200 Speaker 2: Like if I hadn't spoken to him in a year 206 00:08:17,200 --> 00:08:19,640 Speaker 2: and a little sick, does it really? 207 00:08:19,960 --> 00:08:20,240 Speaker 3: I think? 208 00:08:20,480 --> 00:08:20,920 Speaker 1: I know, I. 209 00:08:22,840 --> 00:08:25,640 Speaker 3: Seems sound and I'm like ha ha. 210 00:08:25,880 --> 00:08:30,560 Speaker 2: At the end it had now was was because then 211 00:08:30,600 --> 00:08:32,720 Speaker 2: I think that makes me acknowledge the fact that it 212 00:08:32,800 --> 00:08:33,360 Speaker 2: might be a bit of. 213 00:08:33,360 --> 00:08:35,200 Speaker 1: A sick message. Ha ha. 214 00:08:35,800 --> 00:08:38,200 Speaker 3: Say wood he was wondering, Oh no, no, no. 215 00:08:37,880 --> 00:08:39,680 Speaker 1: No, no no no no. 216 00:08:39,880 --> 00:08:45,480 Speaker 2: Yeah, that's perfect, thank you, amazing and now what he 217 00:08:45,520 --> 00:08:47,760 Speaker 2: wants to know ha ha makes what he looks sick? 218 00:08:48,880 --> 00:08:52,680 Speaker 3: Yeah, thanks if I suggested that, appreciate that. But yeah, 219 00:08:52,720 --> 00:08:56,360 Speaker 3: that's totally fun and I am to be to be fair. 220 00:08:56,400 --> 00:08:58,960 Speaker 1: I can't wait for the He would just be like 221 00:09:00,080 --> 00:09:02,199 Speaker 1: what no, no, no, that makes total sense. He'll right back 222 00:09:02,200 --> 00:09:05,280 Speaker 1: and be like, yeah, that sounds like Woody. He will will. 223 00:09:05,400 --> 00:09:07,320 Speaker 3: I used to eat his chicken when we did Ninjawelry together. 224 00:09:07,440 --> 00:09:09,720 Speaker 3: Lovely guy, A lovely guy. 225 00:09:09,760 --> 00:09:12,240 Speaker 1: I think he's online though. He's one of the nicest guys. 226 00:09:12,280 --> 00:09:14,440 Speaker 3: And he's so good. He's so good at what he does. 227 00:09:14,559 --> 00:09:18,079 Speaker 3: I did this amazing interview with Yannick Sinner when he 228 00:09:18,120 --> 00:09:21,960 Speaker 3: beat Djokovic. He's just his knowledge. Yeah, three years ago 229 00:09:22,120 --> 00:09:24,319 Speaker 3: you beat Djokovic here and it's just. 230 00:09:24,240 --> 00:09:25,880 Speaker 2: Like, yeah, it does a lot of homework, though we 231 00:09:25,880 --> 00:09:27,520 Speaker 2: should say there's a lot of homework, a lot of reading. 232 00:09:27,559 --> 00:09:29,160 Speaker 1: That's why it doesn't come natural. It works hard. 233 00:09:29,240 --> 00:09:29,760 Speaker 3: That's why he's the. 234 00:09:29,760 --> 00:09:32,840 Speaker 2: Best, and that's why he's the best arena. Sorry, shall 235 00:09:32,880 --> 00:09:34,079 Speaker 2: we just call it? 236 00:09:34,440 --> 00:09:34,680 Speaker 1: Well? 237 00:09:34,800 --> 00:09:37,000 Speaker 3: That is that will? That's such a big jump. The 238 00:09:37,040 --> 00:09:38,920 Speaker 3: reason I brought the Australian Open was I think that's 239 00:09:39,400 --> 00:09:41,600 Speaker 3: potentially in. You can say I was at the final 240 00:09:41,640 --> 00:09:45,360 Speaker 3: as well. You just need a reason to call. If 241 00:09:45,400 --> 00:09:47,480 Speaker 3: you just call and go, hey, you're on a podcast, 242 00:09:48,679 --> 00:09:50,679 Speaker 3: I think they could get real stinky, real quick. 243 00:09:50,720 --> 00:09:53,839 Speaker 1: What's wrong, I'm unders thinking about it. I think you 244 00:09:53,880 --> 00:09:56,719 Speaker 1: could get real stink. I don't think I need to 245 00:09:56,720 --> 00:09:58,320 Speaker 1: tell her that I'm on a podcast. 246 00:09:58,280 --> 00:10:00,719 Speaker 3: No, don't you? Is that is that a legal thing 247 00:10:00,760 --> 00:10:01,760 Speaker 3: you do afterwards? 248 00:10:02,080 --> 00:10:03,959 Speaker 1: Yeah? After we're going to tell it. We're go to 249 00:10:04,040 --> 00:10:06,000 Speaker 1: ruin it at the start, and Jesus. 250 00:10:06,360 --> 00:10:07,800 Speaker 3: I just think we need a reason outside of I 251 00:10:07,800 --> 00:10:08,600 Speaker 3: want to be friends with you. 252 00:10:09,240 --> 00:10:10,960 Speaker 1: I think we're still in the text message game. I 253 00:10:10,960 --> 00:10:12,240 Speaker 1: think that'd be that would be a good start. 254 00:10:12,240 --> 00:10:12,960 Speaker 3: If you want text her. 255 00:10:14,120 --> 00:10:17,400 Speaker 1: It's better than a cold call, it's not as impactful. 256 00:10:17,600 --> 00:10:19,160 Speaker 2: She's got a show, so the reason I want to 257 00:10:19,160 --> 00:10:20,440 Speaker 2: get her back on, And she's got a show. 258 00:10:20,559 --> 00:10:21,839 Speaker 1: She's playing in Melbourne Town Hall. 259 00:10:22,720 --> 00:10:24,800 Speaker 4: So you're just going to go, hey, Tina, saw that 260 00:10:24,840 --> 00:10:26,800 Speaker 4: you're touring and do you want to come on the show? 261 00:10:26,920 --> 00:10:27,600 Speaker 3: Get you on the show. 262 00:10:27,840 --> 00:10:30,200 Speaker 1: Yeah, it's just a great text, right. 263 00:10:30,280 --> 00:10:32,480 Speaker 3: That is just a clean, very business. 264 00:10:32,480 --> 00:10:35,200 Speaker 1: It's just a clean half volley. But then you know, 265 00:10:35,280 --> 00:10:39,000 Speaker 1: I can you work from business to Okay? Yeah, no, 266 00:10:39,320 --> 00:10:39,959 Speaker 1: I you know what I mean. 267 00:10:40,280 --> 00:10:42,360 Speaker 2: It's like, get sick with that coming. But yeah, I 268 00:10:42,360 --> 00:10:44,800 Speaker 2: didn't mean that to see. I didn't finish because I 269 00:10:44,800 --> 00:10:45,880 Speaker 2: know it started to sound sick. 270 00:10:45,920 --> 00:10:48,160 Speaker 4: Yeah, but with your charm, as the old person said 271 00:10:48,160 --> 00:10:50,199 Speaker 4: the other day, with your charm, you could get anything. 272 00:10:50,800 --> 00:10:51,000 Speaker 1: Right. 273 00:10:51,440 --> 00:10:54,440 Speaker 3: This is we're not we're definitely not talking about any romance. 274 00:10:54,480 --> 00:10:57,000 Speaker 1: All we're talking about is just after chart name with 275 00:10:57,040 --> 00:10:57,600 Speaker 1: Tina right now. 276 00:10:57,920 --> 00:10:59,760 Speaker 3: And I fully agree with you actually now that we're 277 00:10:59,760 --> 00:11:01,720 Speaker 3: talking about it, because once because right now you're not 278 00:11:01,720 --> 00:11:04,960 Speaker 3: you're nobody, You're nothing to her, right So. 279 00:11:05,000 --> 00:11:07,360 Speaker 2: I'm just going to send the text message and then 280 00:11:07,400 --> 00:11:08,439 Speaker 2: we'll find out tomorrow. 281 00:11:08,200 --> 00:11:13,079 Speaker 3: What she says bloody hell. And if you, mate, you'll 282 00:11:13,080 --> 00:11:14,360 Speaker 3: be in a bad mood or night though, you'll be 283 00:11:14,400 --> 00:11:19,880 Speaker 3: checking your phone every ten seconds. Everyone, what's what's the 284 00:11:19,880 --> 00:11:21,160 Speaker 3: feel outside? Text? 285 00:11:23,400 --> 00:11:26,960 Speaker 2: LJ saying yeah, I'm just going to throw meals under 286 00:11:26,960 --> 00:11:30,000 Speaker 2: the bus, so I'll go hey Tina, oh my, this is. 287 00:11:29,880 --> 00:11:31,760 Speaker 3: So hey on what what? What platform we on here? 288 00:11:31,800 --> 00:11:34,520 Speaker 3: Just to straight up my message? My message? Yeah, not 289 00:11:34,559 --> 00:11:35,240 Speaker 3: even know WhatsApp. 290 00:11:35,320 --> 00:11:36,920 Speaker 1: My name's Will Rob Mills. 291 00:11:36,920 --> 00:11:37,520 Speaker 3: Gave me a number. 292 00:11:37,520 --> 00:11:38,559 Speaker 1: I hope that's okay. 293 00:11:39,240 --> 00:11:41,360 Speaker 3: Oh my god. You just doing it? You just doing it. 294 00:11:41,440 --> 00:11:43,360 Speaker 3: This is so good drinking. Do you knows who you are? 295 00:11:44,600 --> 00:11:46,000 Speaker 3: She's like one of that No, no, she's like one 296 00:11:46,000 --> 00:11:47,760 Speaker 3: of our videos. She has commented on one of our videos. 297 00:11:47,800 --> 00:11:48,439 Speaker 3: She knows who you are. 298 00:11:50,040 --> 00:11:57,640 Speaker 2: Just go over a radio show on. 299 00:11:57,200 --> 00:12:00,679 Speaker 1: Should if you say what you just or that your 300 00:12:00,679 --> 00:12:01,520 Speaker 1: tours back on? 301 00:12:01,600 --> 00:12:04,720 Speaker 2: What you say hang on? We just saw that your 302 00:12:04,760 --> 00:12:08,760 Speaker 2: tours back on. Should I hyphen back on? Back hyphen on? 303 00:12:08,880 --> 00:12:11,520 Speaker 2: That sounds weird, not back on tours. We just saw 304 00:12:11,520 --> 00:12:18,640 Speaker 2: that your tours back on, and we would love to 305 00:12:18,800 --> 00:12:23,800 Speaker 2: have you in studio to promote it, to promote it. 306 00:12:25,080 --> 00:12:31,120 Speaker 2: If you're free, Cheers mate, mate, cheers, mate, bit aggressive cheers. Mates, 307 00:12:31,880 --> 00:12:33,440 Speaker 2: what yeah, because then I take it out of that 308 00:12:33,480 --> 00:12:34,640 Speaker 2: six side cheers. 309 00:12:38,000 --> 00:12:40,160 Speaker 1: Reading some weird books out analyst. Why are you giving 310 00:12:40,200 --> 00:12:41,319 Speaker 1: me that look? Why you give me that look? 311 00:12:41,760 --> 00:12:44,640 Speaker 3: No one says, cheers, mate, cheers analyst. 312 00:12:44,720 --> 00:12:46,640 Speaker 4: Do you want to go straight to the tour or 313 00:12:46,679 --> 00:12:48,880 Speaker 4: are you trying to establish like to bring your in 314 00:12:49,080 --> 00:12:50,880 Speaker 4: or are you trying to establish that more. 315 00:12:50,760 --> 00:12:53,400 Speaker 3: Like hey saw you to our love like big fan. 316 00:12:53,520 --> 00:12:54,360 Speaker 3: Hopefully we can. 317 00:12:54,720 --> 00:12:57,320 Speaker 2: No analytes In all seriousness, I'm keeping it business so 318 00:12:57,400 --> 00:12:59,959 Speaker 2: that she so that I can move to a per 319 00:13:00,080 --> 00:13:00,840 Speaker 2: small place later. 320 00:13:00,880 --> 00:13:02,280 Speaker 1: I think it might go a little bit too cute 321 00:13:02,320 --> 00:13:04,439 Speaker 1: early on to make a crimenal loser. 322 00:13:05,120 --> 00:13:07,240 Speaker 3: I don't know if mentioning Rob Mills and the text 323 00:13:07,400 --> 00:13:07,760 Speaker 3: is going. 324 00:13:07,720 --> 00:13:08,480 Speaker 2: To help. 325 00:13:09,960 --> 00:13:14,120 Speaker 1: Mates with it. Yeah, but remember remember what your secret 326 00:13:14,200 --> 00:13:17,160 Speaker 1: Samta got you or attempted to get you for Christmas? 327 00:13:18,280 --> 00:13:21,680 Speaker 1: And Millsy couldn't get me the video could he. Mills 328 00:13:21,800 --> 00:13:24,120 Speaker 1: has been in Twitch with Tina asking for a video 329 00:13:24,240 --> 00:13:25,240 Speaker 1: for his friend Will. 330 00:13:29,559 --> 00:13:31,439 Speaker 3: This could be a scary double down for her where 331 00:13:31,440 --> 00:13:33,719 Speaker 3: it's like this Will guy needs to piss off. 332 00:13:35,160 --> 00:13:41,600 Speaker 1: Ship guys. I think we're gonna put this down. Come on. 333 00:13:43,679 --> 00:13:46,600 Speaker 3: A number of Teddy Ta who wrote who is that music? 334 00:13:46,679 --> 00:13:47,640 Speaker 3: Musical King of Australia. 335 00:13:47,640 --> 00:13:49,000 Speaker 1: I know who was she sitting next to the tennis 336 00:13:49,040 --> 00:13:50,280 Speaker 1: Tom Waterhouse. 337 00:13:50,200 --> 00:13:51,360 Speaker 3: Got a number of Tom Waterhouse. 338 00:13:52,000 --> 00:13:52,720 Speaker 1: That's a lie. 339 00:13:53,360 --> 00:13:58,760 Speaker 3: How about DICKO Indigo Dixon, He would definitely have her number. 340 00:13:59,880 --> 00:14:01,920 Speaker 3: I could text Dico right now and say, hey, mate, 341 00:14:01,920 --> 00:14:04,199 Speaker 3: can you send me Tina Rain just to make sure 342 00:14:04,240 --> 00:14:05,160 Speaker 3: that's the truth. 343 00:14:05,120 --> 00:14:06,920 Speaker 1: And then we cover our tracks. All right, let's do 344 00:14:06,960 --> 00:14:07,480 Speaker 1: that tomorrow. 345 00:14:07,840 --> 00:14:11,520 Speaker 2: Yeah, okay, yeah, currently at high teen m my name's 346 00:14:11,520 --> 00:14:12,880 Speaker 2: Will and I've got a radio show. 347 00:14:13,040 --> 00:14:13,280 Speaker 1: Kiss. 348 00:14:13,320 --> 00:14:15,360 Speaker 2: We just saw that your tours back on and would 349 00:14:15,360 --> 00:14:17,080 Speaker 2: love to have you in the studio to promote that. 350 00:14:17,160 --> 00:14:19,440 Speaker 1: If you're free. Cheers, Will, that's where it's currently at. 351 00:14:19,440 --> 00:14:21,760 Speaker 3: We needed we just need to sit on that. Yeah, 352 00:14:21,960 --> 00:14:23,800 Speaker 3: we punch it up a little bit, but like that's 353 00:14:23,840 --> 00:14:24,440 Speaker 3: the general vibe. 354 00:14:24,720 --> 00:14:27,760 Speaker 1: Ers, Mate, I said, cheers, I haven't. I didn't throw 355 00:14:27,760 --> 00:14:28,280 Speaker 1: the mate in there? 356 00:14:28,280 --> 00:14:29,880 Speaker 3: You exit the end? XX? 357 00:14:30,200 --> 00:14:35,520 Speaker 1: No sorry no, so Hu, it's Tina arena mate. 358 00:14:35,480 --> 00:14:39,280 Speaker 3: Smiley face. Well we'll talk about tomorrow. 359 00:14:42,680 --> 00:14:47,360 Speaker 1: I'm nervous. Yeah, I've saved it in my drafts. 360 00:14:47,040 --> 00:14:48,480 Speaker 3: See, don't accidentally hit sends. 361 00:14:48,600 --> 00:14:50,520 Speaker 2: No, no, no Exactually I took it out of there 362 00:14:50,520 --> 00:14:51,200 Speaker 2: and don't prelimit them. 363 00:14:51,640 --> 00:14:54,840 Speaker 1: Yeah clever, See you guys tomorrow. 364 00:14:55,200 --> 00:14:55,320 Speaker 2: BA