WEBVTT - CELEBRITY CASTING SECRETS REVEALED ✨

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<v Speaker 1>Welcome back to TV Reload. My name's Benjamin Norris, and

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<v Speaker 1>on this podcast, I'll be going behind the scenes with

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<v Speaker 1>the biggest players in television today. On the podcast, I

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<v Speaker 1>have a television genius. It's Georgina Harrap, the current IT

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<v Speaker 1>girl in television casting. Georgina has just collaborated with ITV

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<v Speaker 1>Studios and Channel ten with placing the current batch of

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<v Speaker 1>celebrities in the jungle for I'm a Celebrity. We'll also

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<v Speaker 1>find out why her quirky humor and nack for casting

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<v Speaker 1>has everyone in the business clamoring for her services. Georgina

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<v Speaker 1>has kicked more goals in television than you've probably had

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<v Speaker 1>hot Dinners, working as a talent agent, formerly the head

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<v Speaker 1>of casting for Channel seven plus, previously shaping the careers

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<v Speaker 1>of people like Rob Mills, Sam Frost, and currently Ev Jones.

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<v Speaker 1>So what makes today's guest tick, Well, we're about to

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<v Speaker 1>find out. So we should probably get started with some

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<v Speaker 1>exclusive content as we find out how these shows get made.

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<v Speaker 2>The thing is, when you're casting, you have to be

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<v Speaker 2>across everything. Just wait until you see who've round up

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<v Speaker 2>this year? You know, I watch everything. I watch all

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<v Speaker 2>the dramas, I watch all the reality shows.

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<v Speaker 1>You're not going anywhere, girl, You've got great potential.

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<v Speaker 2>You watch them, you think that person's that person's got something.

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<v Speaker 1>Like another celebrities or not.

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<v Speaker 2>You need to get people from all age groups. You

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<v Speaker 2>think you've seen it all, think again. Once you get

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<v Speaker 2>a bunch of really diverse, interesting people. It's riveting. People

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<v Speaker 2>like to watch people.

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<v Speaker 1>Georgina, how are you?

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<v Speaker 2>I am very well, Thank you very much.

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<v Speaker 1>Ben, Well, that's good. I'm glad that you're here.

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<v Speaker 2>Does anyone ever say shit out when you ask that question?

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<v Speaker 1>I'm waiting for it. I'm waiting for it. I think

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<v Speaker 1>it's a good thing to say. I spoke to so

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<v Speaker 1>many people in the industry and just to let you know,

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<v Speaker 1>everyone is obsessed with you, obsessed. So I'd like to

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<v Speaker 1>share with the audience something which hopefully is not too

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<v Speaker 1>embarrassing for you either. But I begged you to do

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<v Speaker 1>this chat.

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<v Speaker 2>You did. You even offered roses, but I've just found

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<v Speaker 2>out was an emoji rose. So I'm a little disappointed

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<v Speaker 2>and I might hang up soon.

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<v Speaker 1>Please don't now. I need to ask you what makes

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<v Speaker 1>you get out of bed when it comes to casting.

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<v Speaker 2>Well, it's really it's the challenge very rarely in TV

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<v Speaker 2>is anything planned too far ahead. So usually when I

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<v Speaker 2>get a phone call, it's someone's been trying to cast

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<v Speaker 2>the show themselves and realize that it actually requires someone

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<v Speaker 2>with a skill set yeah, or that a lot of

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<v Speaker 2>people are quite organized, and go, we're about we're doing

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<v Speaker 2>a show. We've just got the green light from the network,

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<v Speaker 2>and here's the brief. And that's fine because you know

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<v Speaker 2>that it's never the same. It's rarely going to be

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<v Speaker 2>like we've got this show where we just need twelve

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<v Speaker 2>celebrities to sit still in a room for twelve hours

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<v Speaker 2>a day. It's always something a little unusual, and I

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<v Speaker 2>like unusual.

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<v Speaker 1>I prefer to deal with crazy people who genuinely are

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<v Speaker 1>okay with being crazy, then to deal with people who

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<v Speaker 1>are pretending to be something that they're not.

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<v Speaker 2>Oh yeah, And you can see through that in a second,

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<v Speaker 2>you know, particularly when you're casting your show and you

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<v Speaker 2>get on the and sometimes you're talking to the manager.

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<v Speaker 2>You might be talking directly to the talent and they're

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<v Speaker 2>trying to sell themselves, and you know, straight away someone

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<v Speaker 2>says they're crazy. They're not. And I've done casting on

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<v Speaker 2>like Big Brother shows, just regular people coming in, you know,

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<v Speaker 2>doing that with a line outside some entertainment center and

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<v Speaker 2>they're coming in, You're asking to do things. You say,

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<v Speaker 2>you know, what's the most interesting thing about you? And

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<v Speaker 2>they say, I've got a tattoo of Elmo and you're like, well,

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<v Speaker 2>that's not exactly going to set someone's world on fire

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<v Speaker 2>when they're watching on TV. We asked for a three

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<v Speaker 2>minute video telling us a bit about themselves. I'm a

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<v Speaker 2>primary school teacher, teach grade three.

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<v Speaker 1>As a part time.

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<v Speaker 3>Jackreu and Peakanto as well.

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<v Speaker 2>I'm a computer technician during the day, but once I

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<v Speaker 2>get that special phone call, I become the dragon. It's

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<v Speaker 2>the quiet ones. It's the ones that often don't say

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<v Speaker 2>much when you're casting a show that's not celebrity base

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<v Speaker 2>that you think, oh this, why is that person standing

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<v Speaker 2>in the corner and there's something about them rather than

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<v Speaker 2>the person trying to jump up in front of you

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<v Speaker 2>and get your attention. Yeah, so, yeah, you're right. It's

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<v Speaker 2>the crazy is good, but it's not always great TV.

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<v Speaker 1>What's the biggest lie that you've caught out someone when

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<v Speaker 1>doing casting where we don't want to say their names,

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<v Speaker 1>but feel free to say them if you want to.

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<v Speaker 1>Will end up in the Daily Mail.

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<v Speaker 2>Oh well, they pretend that they're not scared of heights,

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<v Speaker 2>or that they don't mind eating pigs testicles, and then

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<v Speaker 2>you find out that they're actually terrified of heights. But

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<v Speaker 2>they're doing it because they want the gig, which each

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<v Speaker 2>actually works out really well for the producers of the

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<v Speaker 2>show rather than them. They're the ones that suffer. Yeah, right,

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<v Speaker 2>So as far as lies, I don't think people really,

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<v Speaker 2>you know, most people you're talking to a lot of managers,

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<v Speaker 2>you hope they're not lying because if they do lie,

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<v Speaker 2>they always get caught out.

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<v Speaker 1>You've also you've just been assisting casting with I'm a

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<v Speaker 1>Celebrity and Alex Meverdiker said that you did a fantastic job.

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<v Speaker 1>But what was that experience like for you?

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<v Speaker 2>Look, I love doing that show. It's one of those

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<v Speaker 2>shows I haven't done it before. I've sort of ticked

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<v Speaker 2>off a lot of those shows, like Dancing with the Stars,

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<v Speaker 2>you know, like you love doing those big as they

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<v Speaker 2>call them, the shiny floor shows for those ones. But

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<v Speaker 2>I'm a celeb was fun because I've watched the show.

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<v Speaker 2>I know what works and doesn't work, and the great

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<v Speaker 2>thing about it is working with that's a real team

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<v Speaker 2>of people that also know the show really well. I

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<v Speaker 2>mean Alex and Reema and Beth and all you know,

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<v Speaker 2>ben On, all those guys from ITV know that show

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<v Speaker 2>inside out. They know from a casting point of view

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<v Speaker 2>what they need and what they want. And Channel ten

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<v Speaker 2>the same Stephen Tate, it's his baby, it's the protective

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<v Speaker 2>of it, and they know that just a couple of

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<v Speaker 2>crap cast members can let the whole thing down. It's

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<v Speaker 2>one of those TV shows where a lot of people

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<v Speaker 2>sort of turn their eyes up it and go, oh,

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<v Speaker 2>it's I don't watch that show. It's crap, and what

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<v Speaker 2>is that show again? And you think, what a lot

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<v Speaker 2>of crap. You know it and you watch it, but

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<v Speaker 2>you pretend you don't. People often do that, you know

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<v Speaker 2>with reality shows. I like to pretend they don't watch them,

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<v Speaker 2>but they've of course seem to know every character and

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<v Speaker 2>what they do. But for that show, for me, it

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<v Speaker 2>was great because it was incredibly collaborative. So you can't

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<v Speaker 2>come in as a casting producer and start to sort

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<v Speaker 2>of put your hands and hips and tell them this person,

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<v Speaker 2>this person, this person. All you can do is fight

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<v Speaker 2>for the people that you really think are going to

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<v Speaker 2>work on it, and give them a good reason as

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<v Speaker 2>to why, and good producers will listen. And that's when

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<v Speaker 2>it really works. When you're casting a show with really

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<v Speaker 2>good EPs and good producers, they'll listen and they'll, you know,

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<v Speaker 2>take your advice. And the thing is, when you're casting,

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<v Speaker 2>you have to you have to be across everything. You know.

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<v Speaker 2>I watch everything. I watch all the dramas, I watch

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<v Speaker 2>all the reality shows, so I know, and I watch

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<v Speaker 2>you know, I watch ABC, SBS. You know, because a

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<v Speaker 2>lot of people say, oh, you know, working commercial TV,

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<v Speaker 2>you need to know the commercial people. But quite often

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<v Speaker 2>it's the people that are working on other networks that

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<v Speaker 2>you suddenly you watch them. You think that person's that

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<v Speaker 2>person's got something or that'd be interesting in the mix.

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<v Speaker 2>You know. I'm always sort of looking at and that's

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<v Speaker 2>it's really nice and you can just throw them, throw

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<v Speaker 2>them in the mix, and they go, oh god, that's

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<v Speaker 2>a great idea. I hadn't thought about them, wouldn't they

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<v Speaker 2>work well with blah blah blah. So for working on

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<v Speaker 2>that show and watching it, go to wear is great

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<v Speaker 2>fun because watching it at the moment, everyone is pretty

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<v Speaker 2>much behaving how I thought they would. There's always surprises.

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<v Speaker 2>But it is a strange thing sitting back and watching

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<v Speaker 2>the edit because I'm nothing to do with the edit

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<v Speaker 2>and a lot of the people sitting in the jungle

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<v Speaker 2>don't even know that I'm the person that made the

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<v Speaker 2>phone call to the manager. It is one of those

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<v Speaker 2>things where I've done a lot of shows like that

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<v Speaker 2>where the show's been to wear and it's gone and

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<v Speaker 2>I run into someone at some sort of industry event

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<v Speaker 2>and I've walked on said hi, and Georgina, I actually sorry,

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<v Speaker 2>but the one who made you take your pants off

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<v Speaker 2>from the Full Monty. I never thought I'd actually be

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<v Speaker 2>asked to take my top off and get my boobs

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<v Speaker 2>out on national television. And then they go oh, and

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<v Speaker 2>then they go, oh, no thanks. I love doing that show.

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<v Speaker 2>And so it's actually, really it's a nice It's always

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<v Speaker 2>you know, I don't really walk up to people and

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<v Speaker 2>I know they had a terrible experience. You know, I

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<v Speaker 2>don't go to zigzag through the room to seek out

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<v Speaker 2>those people. But yeah, I'm a celeb is I think

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<v Speaker 2>it's a great show. You know, it makes you laugh.

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<v Speaker 2>And I was sitting at home watching it the other

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<v Speaker 2>night and I cried and I texted the guys on

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<v Speaker 2>the show and I said, all right, you cracked me.

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<v Speaker 2>You know, you made me cry. And it really was

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<v Speaker 2>one of those moments where I didn't expect. I was like, damn.

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<v Speaker 2>I thought it was hard enough, you know, to sort

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<v Speaker 2>of go, this is just TV, you know, but but

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<v Speaker 2>you know, it's once you get once you get a

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<v Speaker 2>bunch of really diverse, interesting people, you know, confined in

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<v Speaker 2>the space. It's riveting. People like to watch people, and

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<v Speaker 2>there was every chance to that she pulled Terri. She

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<v Speaker 2>might not even remember any of us, which was quite heartbreaking,

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<v Speaker 2>you know, one of the toughest times.

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<v Speaker 1>And how old was she? Twenty seven? It's so fascinating.

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<v Speaker 1>And you know, the interesting thing is the ratings are

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<v Speaker 1>so high for this season, like it's the highest I

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<v Speaker 1>think that they've had. And I think that has a

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<v Speaker 1>lot to do with casting. But why do you think

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<v Speaker 1>that this mix now that they're in there have connected

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<v Speaker 1>with audiences, Because you can get a fantastic show that

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<v Speaker 1>you go, oh, this is great. I've cast this really

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<v Speaker 1>well and it's working for us, but then the audiences

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<v Speaker 1>don't love it, you know what I mean, why do

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<v Speaker 1>you think that this cast has resonated with its audience

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<v Speaker 1>so much.

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<v Speaker 2>Ah. Look, it's always hard to figure out what they do.

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<v Speaker 2>I mean, if you knew the formula, then every show

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<v Speaker 2>you cast you just sort of make the phone calls

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<v Speaker 2>and tick them off and sit back with your feet up.

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<v Speaker 2>I mean it's often hard to predict it, you know

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<v Speaker 2>in your heart, like you know that there's certain people

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<v Speaker 2>that are going to be warm and friendly, and other

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<v Speaker 2>people are going to be a bit prickly and other

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<v Speaker 2>people sometimes not so much with this show, but other

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<v Speaker 2>shows have done that. You know, you've got to tick

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<v Speaker 2>off the AFL player and the rugby player so you

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<v Speaker 2>get the Sydney audiences and the Melbourne audiences.

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<v Speaker 1>Yeah.

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<v Speaker 2>Sometimes it's a formula that you use because you need

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<v Speaker 2>to get people from all age groups that can sit

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<v Speaker 2>down with their family. There's very few shows that people

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<v Speaker 2>sit down with their family and watch anymore, a show

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<v Speaker 2>where you know that your sixteen year old daughter like

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<v Speaker 2>mine will sit down and go, I know two of

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<v Speaker 2>the people on the show, but who are those other

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<v Speaker 2>people that they get to discover them? Or their parents

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<v Speaker 2>at home go oh, we grew up with Tony Perron,

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<v Speaker 2>you know, she used to be the person we watched

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<v Speaker 2>on TV. So a lot of it is that sort

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<v Speaker 2>of sharing experience when you've got generations watching your show

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<v Speaker 2>like that, and that's important. You can't just put a

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<v Speaker 2>show like I'm a cleb full of people of one

0:10:38.200 --> 0:10:42.440
<v Speaker 2>age group from one place. It just it's not interesting. Yeah,

0:10:42.440 --> 0:10:43.319
<v Speaker 2>it just doesn't work.

0:10:43.400 --> 0:10:45.600
<v Speaker 1>So when you're running things past the cast and you're

0:10:45.600 --> 0:10:47.040
<v Speaker 1>trying to get them on the show, because there's going

0:10:47.080 --> 0:10:48.440
<v Speaker 1>to be people out there that don't want to do

0:10:48.480 --> 0:10:51.239
<v Speaker 1>these shows, you go, oh, come and do I'm a celebrity.

0:10:51.960 --> 0:10:56.400
<v Speaker 1>Was it being in Australia a selling point over Africa?

0:10:56.520 --> 0:10:57.920
<v Speaker 1>Or were people like, yes, I want to do the

0:10:57.920 --> 0:11:00.079
<v Speaker 1>show and they were disappointed that they didn't get to

0:11:00.120 --> 0:11:02.439
<v Speaker 1>go to Africa, Like was it a change this year

0:11:02.559 --> 0:11:04.480
<v Speaker 1>being that it was being filmed at home?

0:11:05.040 --> 0:11:07.079
<v Speaker 2>You know what. I think that people were a bit

0:11:07.120 --> 0:11:10.520
<v Speaker 2>relieved because no one wanted to. I think even if

0:11:10.559 --> 0:11:12.160
<v Speaker 2>there was the opportunity to get on a plane to

0:11:12.160 --> 0:11:15.319
<v Speaker 2>go to Africa, I think that people would have been frightened,

0:11:15.440 --> 0:11:18.439
<v Speaker 2>you know, and I think it people would have felt unsafe.

0:11:19.000 --> 0:11:21.920
<v Speaker 2>So I just think that it made sense. It wasn't

0:11:21.920 --> 0:11:23.560
<v Speaker 2>one of those phone calls where I was making to

0:11:23.600 --> 0:11:25.960
<v Speaker 2>either the managers or talent where they were like, oh, well,

0:11:26.000 --> 0:11:28.640
<v Speaker 2>I'm not doing it because it's not in Africa. And

0:11:28.679 --> 0:11:31.040
<v Speaker 2>I think that for a lot of people, it's an extra,

0:11:32.200 --> 0:11:34.319
<v Speaker 2>you know, added thing they need to think about when

0:11:34.320 --> 0:11:37.199
<v Speaker 2>they're going to Africa because they're so far away from

0:11:37.200 --> 0:11:40.319
<v Speaker 2>their family. You know, even though in the in the

0:11:40.360 --> 0:11:43.040
<v Speaker 2>Australian jungle as they call it, it's they're still not

0:11:43.160 --> 0:11:45.240
<v Speaker 2>seeing their family, but they know they're not far away.

0:11:45.679 --> 0:11:48.520
<v Speaker 2>It felt like it was probably easier to get some

0:11:48.600 --> 0:11:50.640
<v Speaker 2>people because of that, because they didn't feel though too

0:11:50.679 --> 0:11:51.640
<v Speaker 2>far away from their family.

0:11:51.840 --> 0:11:53.760
<v Speaker 1>When you put out a call to say some of

0:11:53.800 --> 0:11:56.200
<v Speaker 1>these celebrities, you're like, I saw them on SBS or

0:11:56.200 --> 0:11:59.080
<v Speaker 1>however you've come across them and you call them and

0:11:59.120 --> 0:12:02.400
<v Speaker 1>they go, oh, I don't know. Do you scratch them

0:12:02.440 --> 0:12:04.160
<v Speaker 1>off the list? And they never get another shot? Like

0:12:04.160 --> 0:12:05.280
<v Speaker 1>what happens to those people?

0:12:05.360 --> 0:12:09.440
<v Speaker 2>If there's some people that are deluded, we love the

0:12:09.520 --> 0:12:13.720
<v Speaker 2>deluted where they think they're going to get another crack

0:12:13.760 --> 0:12:17.400
<v Speaker 2>at it, and what they need to understand and what

0:12:17.440 --> 0:12:20.760
<v Speaker 2>their manager needs to understand, is that they're hot right now,

0:12:21.440 --> 0:12:23.880
<v Speaker 2>or they've just come off a show and the audiences

0:12:23.920 --> 0:12:28.840
<v Speaker 2>are interested, so they're not going to be as valuable

0:12:29.080 --> 0:12:31.400
<v Speaker 2>in a year's time or even for the next series,

0:12:31.400 --> 0:12:32.760
<v Speaker 2>which could be at the end of the year.

0:12:33.360 --> 0:12:36.280
<v Speaker 1>So what sort of personality archetype is the best suited

0:12:36.280 --> 0:12:38.319
<v Speaker 1>to reality television in your mind?

0:12:38.600 --> 0:12:42.480
<v Speaker 2>A big dickhead. I don't think there is any one type.

0:12:42.480 --> 0:12:44.800
<v Speaker 2>You can't just say, oh that, you know, it just

0:12:44.840 --> 0:12:48.600
<v Speaker 2>doesn't work like that, you know. That's the magic of it.

0:12:48.600 --> 0:12:50.760
<v Speaker 2>It's you know, you can't just say they need to be,

0:12:51.200 --> 0:12:53.480
<v Speaker 2>you know, a sports person that can walk and talk

0:12:53.520 --> 0:12:55.200
<v Speaker 2>on camera and read an aud a cube it also

0:12:55.280 --> 0:12:58.000
<v Speaker 2>be funny. It's like it depends on the show and

0:12:58.040 --> 0:13:01.880
<v Speaker 2>what you're putting them in, you know. It's like, sometimes

0:13:01.880 --> 0:13:04.679
<v Speaker 2>you want people to be vulnerable. Sometimes you want them

0:13:04.760 --> 0:13:09.280
<v Speaker 2>to be larger than life. You want that character. It's

0:13:09.280 --> 0:13:11.120
<v Speaker 2>a bit like Brant Jenu at the moment on I'm

0:13:11.160 --> 0:13:14.800
<v Speaker 2>a Celeb, he's just on. He's so used to being

0:13:14.840 --> 0:13:18.640
<v Speaker 2>on TV and on that he's just he's not sitting

0:13:18.679 --> 0:13:21.360
<v Speaker 2>there quietly watching people in the corner.

0:13:22.040 --> 0:13:24.720
<v Speaker 1>What do you think the audience wants most, because like

0:13:24.800 --> 0:13:29.280
<v Speaker 1>when you watch reality television, there's different things that connect.

0:13:29.360 --> 0:13:31.320
<v Speaker 1>But there's a word I can think of that. I

0:13:31.320 --> 0:13:37.000
<v Speaker 1>think audiences want most and that's the currency between being

0:13:37.160 --> 0:13:39.280
<v Speaker 1>on screen and the audience falling in love with you.

0:13:39.440 --> 0:13:40.200
<v Speaker 1>What do you think that is?

0:13:40.840 --> 0:13:44.640
<v Speaker 2>You know, I think people like seeing people fail. I

0:13:44.679 --> 0:13:49.120
<v Speaker 2>think people like seeing people being triumphant. You know. That's

0:13:49.120 --> 0:13:51.320
<v Speaker 2>why I think Dancing with the Stars is always a show.

0:13:51.360 --> 0:13:53.960
<v Speaker 2>When I talk to people about doing that show, it's like,

0:13:54.000 --> 0:13:56.640
<v Speaker 2>no one ever comes out of that show badly because

0:13:56.840 --> 0:13:59.280
<v Speaker 2>you know, they're having a crack and it's really hard,

0:13:59.320 --> 0:14:01.160
<v Speaker 2>they're having to learn and something. They're being a living

0:14:01.200 --> 0:14:02.760
<v Speaker 2>amount of time to do it, and most people seeing

0:14:02.800 --> 0:14:05.560
<v Speaker 2>on the couch going god, I couldn't do that. So

0:14:05.679 --> 0:14:09.520
<v Speaker 2>they like seeing people succeed and they like I think

0:14:09.520 --> 0:14:12.559
<v Speaker 2>people like connecting and people like crying. You know, people

0:14:12.600 --> 0:14:14.480
<v Speaker 2>like sitting at home going oh god, like I did

0:14:14.480 --> 0:14:17.200
<v Speaker 2>the other day I was caught out myself. People go like,

0:14:17.520 --> 0:14:22.480
<v Speaker 2>I really, that was a really raw moment and you know,

0:14:22.520 --> 0:14:25.040
<v Speaker 2>a really beautiful moment of TV. People like that and

0:14:25.040 --> 0:14:27.480
<v Speaker 2>people talk about that afterwards, did you see that thing?

0:14:27.960 --> 0:14:30.400
<v Speaker 2>But they also love seeing someone, you know, slap someone

0:14:30.480 --> 0:14:33.000
<v Speaker 2>or throat drinking someone's face on Housewives or something. So

0:14:34.120 --> 0:14:36.480
<v Speaker 2>who knows we're all people, and we all you know,

0:14:36.600 --> 0:14:38.800
<v Speaker 2>we all love a bitch, we love a bit of

0:14:38.800 --> 0:14:40.920
<v Speaker 2>a cat fight. We're love a little bit of a

0:14:40.960 --> 0:14:41.480
<v Speaker 2>punch up.

0:14:41.760 --> 0:14:43.800
<v Speaker 3>And when you get home, get your husband to review

0:14:43.840 --> 0:14:48.520
<v Speaker 3>your medication because medication dosterone level needs to come down

0:14:48.960 --> 0:14:50.600
<v Speaker 3>and everything else needs to come up.

0:14:52.600 --> 0:14:54.720
<v Speaker 2>Good luck with your deck of cards for.

0:14:54.720 --> 0:14:56.720
<v Speaker 3>Your life, because that's all you've got is a deck

0:14:56.760 --> 0:14:59.480
<v Speaker 3>of cards that are back to Topple in the Lind.

0:15:01.520 --> 0:15:03.920
<v Speaker 1>I think what's amazing is you can be a good

0:15:03.960 --> 0:15:06.480
<v Speaker 1>person and you can be a bad person. But as

0:15:06.480 --> 0:15:11.000
<v Speaker 1>long as you're authentic, I think audiences will relate because

0:15:11.040 --> 0:15:13.680
<v Speaker 1>they're like, oh, that's a real person, and that's I

0:15:13.680 --> 0:15:14.720
<v Speaker 1>think that's the currency.

0:15:14.800 --> 0:15:15.040
<v Speaker 2>For me.

0:15:15.200 --> 0:15:17.960
<v Speaker 1>I'm like, Okay, as soon as I connected believing that

0:15:17.960 --> 0:15:21.160
<v Speaker 1>that person is going through something and it's a human moment,

0:15:22.160 --> 0:15:24.400
<v Speaker 1>I'm like, that's the cash. That's the ding ding ding

0:15:24.440 --> 0:15:25.000
<v Speaker 1>moment for me.

0:15:25.240 --> 0:15:27.520
<v Speaker 2>Yeah. But then you've got someone like Frez Durrani, who

0:15:27.520 --> 0:15:31.400
<v Speaker 2>I love. When he did sas you know, did he

0:15:31.480 --> 0:15:34.400
<v Speaker 2>come out of that well, I don't know. I mean

0:15:34.440 --> 0:15:37.640
<v Speaker 2>I thought he was brilliant television. I loved watch him

0:15:37.720 --> 0:15:39.240
<v Speaker 2>on that because I was thinking, yeah, I'd tell him

0:15:39.240 --> 0:15:41.280
<v Speaker 2>to get stuff too. Someone's told me to do four

0:15:41.360 --> 0:15:44.440
<v Speaker 2>hundred push ups and tell me to jump in the mud,

0:15:44.880 --> 0:15:47.760
<v Speaker 2>So you kind of and I think that was him

0:15:47.840 --> 0:15:50.920
<v Speaker 2>being himself. But did the audience like that or did

0:15:50.920 --> 0:15:52.640
<v Speaker 2>they like the way he was edited? Probably not?

0:15:53.800 --> 0:15:57.600
<v Speaker 1>Number ten Merrick is fit up unleashing on number eleven

0:15:57.640 --> 0:16:00.920
<v Speaker 1>for us who has proven himself to be incapable of

0:16:01.040 --> 0:16:02.280
<v Speaker 1>keeping his mouth.

0:16:02.040 --> 0:16:03.560
<v Speaker 2>Shut three in a row.

0:16:03.600 --> 0:16:05.200
<v Speaker 1>But we're all done with.

0:16:07.960 --> 0:16:09.600
<v Speaker 2>What are you done with? We're done with?

0:16:09.680 --> 0:16:13.040
<v Speaker 1>You? Govin off to the yes, mate, don't say anything,

0:16:13.880 --> 0:16:16.680
<v Speaker 1>don't say shit to us, get through the course.

0:16:16.720 --> 0:16:18.000
<v Speaker 2>What are you screaming about?

0:16:18.040 --> 0:16:21.400
<v Speaker 1>Mate? I think it was good television. It was interesting

0:16:21.400 --> 0:16:23.920
<v Speaker 1>for me. What I think is also interesting is the

0:16:23.960 --> 0:16:26.800
<v Speaker 1>media loves to grab onto something and then villainize someone.

0:16:27.080 --> 0:16:29.800
<v Speaker 1>And I think that Sas was so popular and they

0:16:29.800 --> 0:16:33.760
<v Speaker 1>were getting so many clicks in the industry about Sas.

0:16:33.960 --> 0:16:37.400
<v Speaker 1>They were like, just keep talking about how awful this

0:16:37.440 --> 0:16:38.400
<v Speaker 1>man is on this show.

0:16:38.560 --> 0:16:39.360
<v Speaker 2>I did feel for him.

0:16:39.440 --> 0:16:41.600
<v Speaker 1>What do you say to him? Though? After the experience?

0:16:41.600 --> 0:16:43.120
<v Speaker 1>Did he say? Oh God, I wish I wouldn't have

0:16:43.160 --> 0:16:44.520
<v Speaker 1>done that. I mean, what do you say when someone

0:16:44.520 --> 0:16:47.160
<v Speaker 1>comes out of reality? Television and they don't get the

0:16:47.200 --> 0:16:48.080
<v Speaker 1>experience they wanted.

0:16:48.200 --> 0:16:50.520
<v Speaker 2>Well, I didn't cast that show, so I didn't cast

0:16:50.560 --> 0:16:52.360
<v Speaker 2>him on it. But I had cast him on the

0:16:52.400 --> 0:16:55.600
<v Speaker 2>Real Dirty Dancing, which was fun. It was where they

0:16:55.640 --> 0:16:58.200
<v Speaker 2>all went to the lake resort where they did the

0:16:58.240 --> 0:17:02.480
<v Speaker 2>film Dirty Dancing, and was a really fun TV show

0:17:02.480 --> 0:17:05.320
<v Speaker 2>where they got to where you really saw who he was.

0:17:05.400 --> 0:17:07.520
<v Speaker 2>You know, he's a show off, he's got a good

0:17:07.520 --> 0:17:10.159
<v Speaker 2>sense of humor, he loves to give you everyone a cuddle,

0:17:10.200 --> 0:17:12.320
<v Speaker 2>and he was a lovely guy. And then suddenly he

0:17:12.359 --> 0:17:16.879
<v Speaker 2>does this other show and he's portrayed as someone that,

0:17:17.040 --> 0:17:18.720
<v Speaker 2>like you said, you know, the media wanted to jump

0:17:18.760 --> 0:17:20.720
<v Speaker 2>onto something, which is fine. You know that's what they're

0:17:20.760 --> 0:17:22.840
<v Speaker 2>going to do because it's there has to be something

0:17:22.840 --> 0:17:26.560
<v Speaker 2>to talk about. But look, I haven't really I haven't

0:17:26.600 --> 0:17:32.560
<v Speaker 2>actually had anyone call me afterwards and have a crack, said,

0:17:32.560 --> 0:17:36.200
<v Speaker 2>I wish I hadn't have done it, even the real

0:17:36.240 --> 0:17:38.920
<v Speaker 2>full Monty shows, which I loved casting that. I love

0:17:39.000 --> 0:17:42.680
<v Speaker 2>those shows. They I mean you're asking people to take

0:17:42.720 --> 0:17:45.399
<v Speaker 2>their gear off. You know. I always think that after

0:17:45.400 --> 0:17:49.240
<v Speaker 2>doing those shows, every casting job should be easy. So

0:17:49.320 --> 0:17:51.400
<v Speaker 2>it's like, yeah, yeah, sure, I've got people of table

0:17:51.440 --> 0:17:54.479
<v Speaker 2>pants and you know, girls to flash their boobs. But

0:17:54.680 --> 0:17:56.960
<v Speaker 2>it was a messaging. It was one of those shows

0:17:56.960 --> 0:18:00.359
<v Speaker 2>where literally people did the show. People walked on the

0:18:00.400 --> 0:18:02.040
<v Speaker 2>street after the show had been to where and said,

0:18:02.040 --> 0:18:04.520
<v Speaker 2>you know what, I watched that show went and got checked.

0:18:05.000 --> 0:18:08.800
<v Speaker 2>You know, I had prostate cancer. I got onto it early. Thanks.

0:18:08.960 --> 0:18:11.800
<v Speaker 2>I'm not, you know, And I haven't cast the shows

0:18:11.840 --> 0:18:15.679
<v Speaker 2>where you're putting regular people on TV, like the Bachelorettes

0:18:15.760 --> 0:18:18.119
<v Speaker 2>and those sort of shows where you literally thrown people

0:18:18.119 --> 0:18:21.400
<v Speaker 2>in who don't really understand TV. And I'm sure there's

0:18:21.400 --> 0:18:23.480
<v Speaker 2>plenty of those people, you know, if married at first

0:18:23.520 --> 0:18:25.240
<v Speaker 2>sight all those sort of shows, who probably walk out

0:18:25.280 --> 0:18:29.040
<v Speaker 2>and think, God almighty, what just happened? But I think

0:18:29.080 --> 0:18:32.119
<v Speaker 2>the shows that I'm casting a celebrity based and they

0:18:32.200 --> 0:18:34.960
<v Speaker 2>know what they're getting themselves into. And so no, I

0:18:35.400 --> 0:18:38.560
<v Speaker 2>you know, I haven't had any horses heads left on

0:18:38.600 --> 0:18:39.840
<v Speaker 2>the end of my bed yet.

0:18:40.000 --> 0:18:41.919
<v Speaker 1>You know, what sort of framing do you do for

0:18:42.000 --> 0:18:45.480
<v Speaker 1>your people to say do the show or don't do

0:18:45.520 --> 0:18:47.520
<v Speaker 1>this show, or do this show? But it could be this,

0:18:47.760 --> 0:18:49.160
<v Speaker 1>like what kind of framing are you doing?

0:18:50.280 --> 0:18:52.719
<v Speaker 2>Look, you have to I always say that because I

0:18:52.760 --> 0:18:56.360
<v Speaker 2>do manage a few people, and I always say to them,

0:18:56.400 --> 0:18:59.720
<v Speaker 2>it's this is like a business relationship, so take my advice.

0:19:00.240 --> 0:19:02.639
<v Speaker 2>But in the end, it's you. It's your head on

0:19:02.680 --> 0:19:05.480
<v Speaker 2>the on the screen, or it's you know, it's your reputation.

0:19:06.320 --> 0:19:08.560
<v Speaker 2>But I'd like to think that I've been on both

0:19:08.600 --> 0:19:11.560
<v Speaker 2>sides and done enough more of many hats in this

0:19:11.640 --> 0:19:14.960
<v Speaker 2>industry to know, you know what's going to work and

0:19:15.000 --> 0:19:16.560
<v Speaker 2>what isn't going to work, and what's going to be

0:19:16.600 --> 0:19:19.600
<v Speaker 2>of benefit, and sometimes their heart like sometimes they might

0:19:19.600 --> 0:19:22.439
<v Speaker 2>be a show where you know someone's a crap dancer

0:19:22.840 --> 0:19:24.560
<v Speaker 2>and you know they're going to be a crap dancer,

0:19:24.960 --> 0:19:27.680
<v Speaker 2>and you know that they're not going to like win

0:19:27.760 --> 0:19:32.600
<v Speaker 2>the show, but it's going to be a good experience

0:19:32.640 --> 0:19:35.480
<v Speaker 2>for them. More people are going to know who they are.

0:19:35.720 --> 0:19:37.679
<v Speaker 2>So is it such a bad thing for you to

0:19:37.680 --> 0:19:39.159
<v Speaker 2>do if the worst thing that's going to happen is

0:19:39.160 --> 0:19:41.040
<v Speaker 2>that you're not going to be seen as the world's

0:19:41.040 --> 0:19:44.160
<v Speaker 2>best answer, Is that going to really ruin your reputation?

0:19:44.280 --> 0:19:47.560
<v Speaker 2>I don't think so. So it's more like just explaining

0:19:47.600 --> 0:19:50.680
<v Speaker 2>to people what they're getting themselves into, and then also

0:19:50.720 --> 0:19:53.720
<v Speaker 2>going is the money good enough? You know it's like,

0:19:54.200 --> 0:19:56.159
<v Speaker 2>sometimes it gets down to that, you know, it's a

0:19:56.200 --> 0:19:59.080
<v Speaker 2>money conversation. It's like, well, I'm I kind of I'm

0:19:59.080 --> 0:20:01.480
<v Speaker 2>thinking I might do it, but you know, it doesn't

0:20:01.480 --> 0:20:04.120
<v Speaker 2>feel like it's paying enough. So if it gets down

0:20:04.160 --> 0:20:06.159
<v Speaker 2>to that, then it's just a conversation of well, we

0:20:06.200 --> 0:20:07.680
<v Speaker 2>can go and ask for more money.

0:20:07.640 --> 0:20:10.439
<v Speaker 1>Or no, it's more money, this is my price, and

0:20:10.480 --> 0:20:11.400
<v Speaker 1>this is how it happens.

0:20:11.720 --> 0:20:18.080
<v Speaker 2>I'm also into always taking to talent the offer because

0:20:18.119 --> 0:20:21.040
<v Speaker 2>I know from being on the other end of casting

0:20:21.119 --> 0:20:22.919
<v Speaker 2>that I can talk to managers and I know that

0:20:22.960 --> 0:20:25.640
<v Speaker 2>they're not telling the talent that they're even offer the job.

0:20:25.960 --> 0:20:27.880
<v Speaker 2>And it's happened to me where you know, I've run

0:20:27.920 --> 0:20:30.560
<v Speaker 2>into people at events and things, so be careful managers,

0:20:30.960 --> 0:20:34.040
<v Speaker 2>because I'm everywhere. But you know, I've run into people,

0:20:34.359 --> 0:20:37.359
<v Speaker 2>you know, offering to people that said men's leather truths

0:20:37.840 --> 0:20:39.600
<v Speaker 2>and I've said, it's such a shame that you didn't

0:20:39.680 --> 0:20:41.560
<v Speaker 2>do you know, blah blah, and they go, we didn't

0:20:41.600 --> 0:20:43.400
<v Speaker 2>even know we're offered it. I love that show.

0:20:43.720 --> 0:20:46.080
<v Speaker 1>Is it easier or harder to cast shows once the

0:20:46.119 --> 0:20:48.600
<v Speaker 1>show is then popular? So we're going to use a

0:20:48.600 --> 0:20:51.800
<v Speaker 1>really good example of sas when says was being cast,

0:20:52.240 --> 0:20:53.720
<v Speaker 1>you know, no one really knew what it was going

0:20:53.760 --> 0:20:55.760
<v Speaker 1>to be. There was no expectations, and it was a

0:20:55.800 --> 0:20:57.880
<v Speaker 1>little bit harder to cast because there wasn't as many

0:20:57.880 --> 0:21:00.639
<v Speaker 1>people wanting to do it. The show got it's really

0:21:01.200 --> 0:21:03.639
<v Speaker 1>really strong cult following, and there's more people now wanting

0:21:03.640 --> 0:21:07.480
<v Speaker 1>to do it. What's an easier series to cast? A

0:21:07.600 --> 0:21:11.359
<v Speaker 1>good cast too, a show that's extremely popular or a

0:21:11.400 --> 0:21:13.840
<v Speaker 1>show that less people know about and you can take

0:21:13.880 --> 0:21:14.280
<v Speaker 1>your time.

0:21:14.840 --> 0:21:16.920
<v Speaker 2>Oh no, you always want the show that everyone knows

0:21:16.960 --> 0:21:20.479
<v Speaker 2>what it is, because it's really hard to sell a

0:21:20.560 --> 0:21:24.159
<v Speaker 2>concept of a show that doesn't exist, because people are wary,

0:21:24.320 --> 0:21:26.680
<v Speaker 2>as they should be, because it could be a big stinker.

0:21:27.520 --> 0:21:30.320
<v Speaker 2>It's much easier to cast a show. Look, I was luckier.

0:21:30.440 --> 0:21:33.960
<v Speaker 2>I came in to do the full Monty shows after

0:21:34.000 --> 0:21:35.560
<v Speaker 2>the first one had been to Wear and I didn't

0:21:35.600 --> 0:21:37.560
<v Speaker 2>cast the first one. I came and did all the

0:21:37.560 --> 0:21:40.439
<v Speaker 2>ones after that, so and it had raided really well

0:21:40.520 --> 0:21:43.240
<v Speaker 2>and it had a good reaction. It was a much

0:21:43.320 --> 0:21:45.880
<v Speaker 2>easier show. Even though while asking people to take their

0:21:46.320 --> 0:21:48.280
<v Speaker 2>pants and tops off, you know, people had seen it

0:21:48.320 --> 0:21:50.280
<v Speaker 2>go to where the managers were aware of it. There

0:21:50.280 --> 0:21:51.959
<v Speaker 2>were some people that still had no idea. There were

0:21:51.960 --> 0:21:54.480
<v Speaker 2>some brilliant people that said, so you didn't tell me

0:21:54.480 --> 0:21:56.000
<v Speaker 2>that they're going to have to take their clothes off?

0:21:56.200 --> 0:21:58.240
<v Speaker 2>And I said, what do you think the full Monty means?

0:21:58.680 --> 0:22:01.240
<v Speaker 2>Which bitter you not understand? Here? And look, it all

0:22:01.280 --> 0:22:04.120
<v Speaker 2>always helps when you're ringing from a network. If you're

0:22:04.160 --> 0:22:08.919
<v Speaker 2>just ringing sort of a random randomly ringing people, if

0:22:08.960 --> 0:22:11.200
<v Speaker 2>they know it's coming from the network, they'll ring your back.

0:22:11.840 --> 0:22:15.520
<v Speaker 2>I always find that it's better to not give people

0:22:15.600 --> 0:22:19.760
<v Speaker 2>to too many details when you're doing the first call

0:22:20.200 --> 0:22:22.919
<v Speaker 2>because quite often, look, they might say no, but you

0:22:22.960 --> 0:22:25.200
<v Speaker 2>want to get them on the phone to explain what

0:22:25.240 --> 0:22:28.719
<v Speaker 2>the show is, because that's the other thing with casting.

0:22:28.760 --> 0:22:31.520
<v Speaker 2>It's important to pick the phone up and make phone calls.

0:22:31.560 --> 0:22:35.560
<v Speaker 2>Don't send email emails. People sit there and see an email.

0:22:35.560 --> 0:22:37.800
<v Speaker 2>It's really easy just to say no, thanks and see

0:22:37.800 --> 0:22:40.400
<v Speaker 2>you later. But getting on the phone and be able

0:22:40.480 --> 0:22:43.800
<v Speaker 2>to sell the show and sell what their role is

0:22:43.800 --> 0:22:47.359
<v Speaker 2>is really important. So it's just lazy casting, you know.

0:22:47.440 --> 0:22:50.320
<v Speaker 2>And some people just sort of say, oh, I've contacted

0:22:50.320 --> 0:22:51.800
<v Speaker 2>them and they said no, And all I've done is

0:22:51.800 --> 0:22:54.200
<v Speaker 2>sent five emails off to someone and got to know that,

0:22:54.600 --> 0:22:56.920
<v Speaker 2>and it's amazing the a matter. People will say no

0:22:57.080 --> 0:22:58.919
<v Speaker 2>when you on the phone to them, and by the

0:22:59.000 --> 0:23:01.919
<v Speaker 2>end of the call, you've got them. Yeah, which is

0:23:01.920 --> 0:23:04.960
<v Speaker 2>what it is. You're selling them an idea and you're

0:23:04.960 --> 0:23:07.439
<v Speaker 2>casting them, and it's why have you chosen them? And

0:23:07.480 --> 0:23:08.640
<v Speaker 2>why do you want them to be on the show?

0:23:08.840 --> 0:23:10.480
<v Speaker 1>You know this is? Is it true? I don't know

0:23:10.520 --> 0:23:12.479
<v Speaker 1>if you heard this one. This might be an open legend.

0:23:12.960 --> 0:23:15.400
<v Speaker 1>What about these myths that are out there about some shows.

0:23:15.520 --> 0:23:17.679
<v Speaker 1>I heard that to get onto sas you have to

0:23:17.760 --> 0:23:20.760
<v Speaker 1>run with a bag of bricks for ten kilometers and

0:23:20.800 --> 0:23:23.679
<v Speaker 1>there's all these celebs running along with these bricks. Are

0:23:23.720 --> 0:23:27.600
<v Speaker 1>there any trials beforehand that these celebrities have to go

0:23:27.680 --> 0:23:28.879
<v Speaker 1>through to get these jobs?

0:23:29.280 --> 0:23:33.119
<v Speaker 2>Most shows there's a medical involved, which makes sense because

0:23:33.160 --> 0:23:34.760
<v Speaker 2>you know, you have to know if someone's allergic to

0:23:34.800 --> 0:23:37.440
<v Speaker 2>something or you know, you don't want them to drop

0:23:37.480 --> 0:23:38.879
<v Speaker 2>out of a heart attack doing something.

0:23:40.160 --> 0:23:41.800
<v Speaker 1>No, I don't know why I'm laughing.

0:23:41.600 --> 0:23:45.199
<v Speaker 2>But yeah, or do you? But you know? But what

0:23:45.200 --> 0:23:46.680
<v Speaker 2>are you going to do with bachelor? Get into a

0:23:46.720 --> 0:23:49.280
<v Speaker 2>start pashing in a room? See how good without pashing

0:23:49.400 --> 0:23:53.840
<v Speaker 2>or flirting when they're drunk? I don't know, it's not

0:23:53.920 --> 0:23:57.080
<v Speaker 2>something I've asked anyone to do. It's more like, this

0:23:57.119 --> 0:23:59.920
<v Speaker 2>is what we require you to do. He's the show's

0:24:00.080 --> 0:24:03.120
<v Speaker 2>the times, here's the dates, here's the money, here's the contract.

0:24:05.680 --> 0:24:07.679
<v Speaker 2>Now you've given me a really good idea. It's like

0:24:07.800 --> 0:24:09.520
<v Speaker 2>what you could do to people that you really don't like.

0:24:09.600 --> 0:24:10.880
<v Speaker 2>You don't want them on the show, but you can

0:24:10.920 --> 0:24:11.920
<v Speaker 2>just humiliate them.

0:24:11.840 --> 0:24:14.320
<v Speaker 1>Can Yeah, just tell them to go go home, set

0:24:14.400 --> 0:24:17.600
<v Speaker 1>up a little video camera and film yourself pouring some

0:24:18.160 --> 0:24:21.960
<v Speaker 1>fire ants on yourself. Yeah, send it back to me.

0:24:22.640 --> 0:24:25.600
<v Speaker 1>And then they do it, and you go, it's a no.

0:24:26.359 --> 0:24:30.520
<v Speaker 1>It was great and highly entertaining. Yeah, And then flashing

0:24:30.560 --> 0:24:33.000
<v Speaker 1>to Georgina's sitting there at nighttime, drinking a glass I've

0:24:33.000 --> 0:24:34.080
<v Speaker 1>red with all of her friends.

0:24:34.160 --> 0:24:35.560
<v Speaker 2>You're roaring with laughter.

0:24:35.800 --> 0:24:38.280
<v Speaker 1>One of those footy players that's been in a footy scandal,

0:24:38.359 --> 0:24:40.800
<v Speaker 1>just sitting back with your girlfriends, laughing as they've poured

0:24:40.840 --> 0:24:43.960
<v Speaker 1>fire ants on themselves. I'm going to help.

0:24:44.480 --> 0:24:46.440
<v Speaker 2>What is it with the footy guys and their scandals?

0:24:46.720 --> 0:24:49.159
<v Speaker 2>Whenever I'm casting a show, there's always like, you know,

0:24:49.240 --> 0:24:52.800
<v Speaker 2>we go through all the football plays and seriously, at

0:24:52.840 --> 0:24:55.080
<v Speaker 2>one show I was working on I got the production

0:24:55.160 --> 0:24:57.800
<v Speaker 2>assistant who thought I was joking, but I was deadly serious.

0:24:57.800 --> 0:24:59.720
<v Speaker 2>I was quite annoyed when she thought I was joking.

0:24:59.760 --> 0:25:01.080
<v Speaker 2>I did have the list. At the end of the

0:25:01.280 --> 0:25:04.080
<v Speaker 2>two weeks, I said to her, can you please just

0:25:04.119 --> 0:25:07.239
<v Speaker 2>write a list of all these people that I know,

0:25:07.400 --> 0:25:09.399
<v Speaker 2>like a rattle off a bunch of mainly in their

0:25:09.400 --> 0:25:12.480
<v Speaker 2>old players, and just tell me what they've done that

0:25:12.640 --> 0:25:15.000
<v Speaker 2>might be a little bit too grubby so that we

0:25:15.040 --> 0:25:18.320
<v Speaker 2>couldn't possibly put them on the show. And seriously, it's

0:25:18.320 --> 0:25:20.480
<v Speaker 2>like I could sit here now and just rattle off

0:25:20.600 --> 0:25:24.919
<v Speaker 2>ten at the top of my head. Where you go, no, no, no,

0:25:25.000 --> 0:25:28.360
<v Speaker 2>I think they did they not? It's unbelievable.

0:25:28.600 --> 0:25:30.600
<v Speaker 1>Do you move away as soon as you hear something

0:25:30.640 --> 0:25:33.280
<v Speaker 1>like even if it's not true. Let's just say you're

0:25:33.320 --> 0:25:38.760
<v Speaker 1>casting Fred McInerney. Who's you know, North Melbourne footy players,

0:25:39.480 --> 0:25:42.880
<v Speaker 1>champion of champions Is he real? No? He's not real.

0:25:43.080 --> 0:25:45.560
<v Speaker 1>You ask a gay man about a football player's real name.

0:25:45.800 --> 0:25:46.520
<v Speaker 1>You're joking.

0:25:46.880 --> 0:25:48.879
<v Speaker 2>I was thinking, I think, who's he? Do I need

0:25:48.920 --> 0:25:49.920
<v Speaker 2>to get him? He sounds great.

0:25:50.119 --> 0:25:53.000
<v Speaker 1>So you find out that there's just a rumor that

0:25:53.320 --> 0:25:56.080
<v Speaker 1>Frank McInerney. I think that was his name, he has

0:25:56.520 --> 0:26:00.159
<v Speaker 1>been rumored to have, you know, done something salacious in

0:26:00.200 --> 0:26:01.879
<v Speaker 1>his in his private life.

0:26:02.240 --> 0:26:06.160
<v Speaker 2>No. Look, if it can't rule people out because of rumors,

0:26:06.200 --> 0:26:08.960
<v Speaker 2>it pretty much has to be they've been convicted of

0:26:09.080 --> 0:26:15.080
<v Speaker 2>something or they've done something you know, pretty unsavory. That's it's,

0:26:15.320 --> 0:26:17.760
<v Speaker 2>you know, because I mean this rumors about everyone. Everyone's

0:26:17.760 --> 0:26:18.320
<v Speaker 2>got a rumor.

0:26:19.640 --> 0:26:22.240
<v Speaker 1>So you know, there was a rumor that went around

0:26:22.440 --> 0:26:24.919
<v Speaker 1>last year that someone who was on a reality TV

0:26:25.000 --> 0:26:28.160
<v Speaker 1>show had a checkered past the surface while the show

0:26:28.280 --> 0:26:30.520
<v Speaker 1>was on, and then there was a question about did

0:26:30.560 --> 0:26:34.359
<v Speaker 1>this person do it? And should they edit that person

0:26:34.400 --> 0:26:37.399
<v Speaker 1>out of the show or give them less screen time?

0:26:38.040 --> 0:26:41.600
<v Speaker 1>But yet the conviction wasn't really they didn't know whether

0:26:41.600 --> 0:26:43.439
<v Speaker 1>it was true. What do you think they should do

0:26:43.480 --> 0:26:45.800
<v Speaker 1>in that regard? Do you reckon that they edit that

0:26:45.840 --> 0:26:46.400
<v Speaker 1>person out?

0:26:46.560 --> 0:26:48.920
<v Speaker 2>Well, I just think that's a mistake. In casting, you've

0:26:48.920 --> 0:26:50.720
<v Speaker 2>really got to You've got to do your research. You've

0:26:50.720 --> 0:26:54.240
<v Speaker 2>got to know who you're putting on camera. That's you know,

0:26:54.320 --> 0:26:56.440
<v Speaker 2>part of my job too. You know, when people are

0:26:56.640 --> 0:26:59.760
<v Speaker 2>asking me to cast and I'm giving them names. If

0:26:59.800 --> 0:27:01.600
<v Speaker 2>I'm giving them a name of a couple of people

0:27:01.720 --> 0:27:06.080
<v Speaker 2>who who've got criminal charges that I didn't know about

0:27:06.119 --> 0:27:10.280
<v Speaker 2>because I haven't bothered asking questions or researching them. Then

0:27:10.400 --> 0:27:14.240
<v Speaker 2>it reflects badly on me. That's the other thing. When

0:27:14.280 --> 0:27:16.720
<v Speaker 2>you've been doing it long enough, you know all the rumors,

0:27:17.080 --> 0:27:20.359
<v Speaker 2>you know all the stories, and usually it's a question

0:27:20.400 --> 0:27:22.159
<v Speaker 2>to ask the manager. You're read the manager and you

0:27:22.200 --> 0:27:27.120
<v Speaker 2>go listen, I've heard that they're being convicted for blasting

0:27:27.200 --> 0:27:30.480
<v Speaker 2>a policewoman or whatever some hideous thing. Is this true

0:27:30.600 --> 0:27:32.560
<v Speaker 2>or is they going to court? Or is it you know,

0:27:32.760 --> 0:27:36.040
<v Speaker 2>is this some mad ex girlfriend or you know, whatever

0:27:36.080 --> 0:27:38.680
<v Speaker 2>it is. They need to they need to be honest

0:27:38.720 --> 0:27:40.480
<v Speaker 2>with you. You know, the managers need to tee what's

0:27:40.480 --> 0:27:43.480
<v Speaker 2>going on. And managers also have a reputation, so they

0:27:43.560 --> 0:27:45.040
<v Speaker 2>don't want to They know they're going to screw up.

0:27:45.040 --> 0:27:47.480
<v Speaker 2>They lie to you about something like that. It's that

0:27:47.600 --> 0:27:49.440
<v Speaker 2>the person's going to be pulled off the show and

0:27:49.440 --> 0:27:51.399
<v Speaker 2>they're not going to get paid, so they tend to

0:27:51.400 --> 0:27:52.480
<v Speaker 2>be pretty upfront with that.

0:27:52.760 --> 0:27:55.160
<v Speaker 1>Yeah, that's a good result. Sorry, you lied to us,

0:27:55.480 --> 0:27:57.719
<v Speaker 1>You had this big, dark secret. It was a nightmare

0:27:57.760 --> 0:28:00.879
<v Speaker 1>for us. You're not getting your cash, tough titties.

0:28:00.720 --> 0:28:03.280
<v Speaker 2>And you know what, it's a small town. We all

0:28:03.320 --> 0:28:06.679
<v Speaker 2>know everyone's secrets. Let's face it, there's very few. You know,

0:28:06.680 --> 0:28:09.400
<v Speaker 2>everyone loves everyone loves goss. People know something about so

0:28:09.400 --> 0:28:11.760
<v Speaker 2>synergym As soon as this is a little sniff of

0:28:11.800 --> 0:28:14.520
<v Speaker 2>it out there, people go, have you heard? Have you heard?

0:28:14.560 --> 0:28:16.160
<v Speaker 2>You know, I'm always getting the phone cause have you heard?

0:28:16.200 --> 0:28:18.359
<v Speaker 2>You heard? And you're like, by the time it's got

0:28:18.400 --> 0:28:20.159
<v Speaker 2>to you think, really has this? You know, you end

0:28:20.240 --> 0:28:22.960
<v Speaker 2>up ringing the person yourself and they go what so

0:28:23.280 --> 0:28:24.639
<v Speaker 2>you know, yeah, I love it that.

0:28:24.920 --> 0:28:28.120
<v Speaker 1>It's so funny. I love the way that it passes around. Now.

0:28:28.359 --> 0:28:32.000
<v Speaker 1>Diversity is such a big buzzword, and diversity is something

0:28:32.040 --> 0:28:34.040
<v Speaker 1>we you know, like all the heads of the networks

0:28:34.040 --> 0:28:36.239
<v Speaker 1>are saying, of course we're trying to be diverse. But then,

0:28:36.280 --> 0:28:39.280
<v Speaker 1>if you think about it, what point does diversity and

0:28:39.400 --> 0:28:43.440
<v Speaker 1>casting a person of color or an LGBTI person, When

0:28:43.480 --> 0:28:45.760
<v Speaker 1>does that land on your table as a casting person?

0:28:46.200 --> 0:28:48.440
<v Speaker 1>Are you halfway through the casting process?

0:28:48.800 --> 0:28:51.160
<v Speaker 2>I like to think that when I'm casting something, I'm

0:28:51.200 --> 0:28:55.480
<v Speaker 2>always thinking broadly, and by saying broadly, I'm thinking of

0:28:56.040 --> 0:28:58.160
<v Speaker 2>I'm not actually thinking, oh, I need a cast of

0:28:58.200 --> 0:29:01.480
<v Speaker 2>white middle class men. You know, I don't think like

0:29:01.560 --> 0:29:04.520
<v Speaker 2>that it's more like, I know that this person's great

0:29:04.560 --> 0:29:06.760
<v Speaker 2>and fun and blah blah blah. So I then present

0:29:06.880 --> 0:29:11.320
<v Speaker 2>those people to whoever I'm working with, and then I

0:29:11.480 --> 0:29:13.520
<v Speaker 2>like to think that I'm always putting a bunch of

0:29:13.520 --> 0:29:15.920
<v Speaker 2>diverse people in there, because I think that's an important

0:29:15.960 --> 0:29:18.040
<v Speaker 2>role of the casting person, because if you're not doing it,

0:29:18.160 --> 0:29:21.360
<v Speaker 2>it doesn't start with the casting person, then it's almost

0:29:21.400 --> 0:29:24.320
<v Speaker 2>a bit too late because you're then relying on someone

0:29:24.560 --> 0:29:28.320
<v Speaker 2>at the network mainly to say where's the diversity? Now?

0:29:28.400 --> 0:29:30.840
<v Speaker 2>If that person's not asking that question, this thing can

0:29:30.920 --> 0:29:32.800
<v Speaker 2>just go on and suddenly it's on air, and then

0:29:32.960 --> 0:29:35.680
<v Speaker 2>you've been the show's being criticized and the network's been criticized.

0:29:36.160 --> 0:29:40.680
<v Speaker 2>But in saying that, some networks are more immediately asking

0:29:40.720 --> 0:29:43.760
<v Speaker 2>where's the diversity in the cast? Straight away? Which is nice,

0:29:43.880 --> 0:29:46.600
<v Speaker 2>it's great, and that hasn't always been how it's been.

0:29:46.880 --> 0:29:48.840
<v Speaker 2>I mean, let's look at a Strain TV. It just

0:29:48.880 --> 0:29:51.880
<v Speaker 2>hasn't been like that. I remember, you know, when I

0:29:51.920 --> 0:29:54.240
<v Speaker 2>was doing the Real Dirty Dancing and I was watching

0:29:54.280 --> 0:29:58.280
<v Speaker 2>the hilarious Lebanese family on goggle Box, and that again

0:29:58.320 --> 0:30:00.560
<v Speaker 2>when Fras came up and they went for it's the lad.

0:30:00.720 --> 0:30:02.880
<v Speaker 2>We love him, you know, And at that moment I

0:30:02.920 --> 0:30:05.080
<v Speaker 2>thought I hadn't even thought about him like that. I

0:30:05.200 --> 0:30:07.800
<v Speaker 2>just thought he was a spunk with a good torsie.

0:30:08.440 --> 0:30:10.600
<v Speaker 1>Can you tell me who the best person you've ever

0:30:10.640 --> 0:30:13.880
<v Speaker 1>cast in your entire life that you've literally basically cut

0:30:13.880 --> 0:30:15.440
<v Speaker 1>out a picture of them and framed them on the

0:30:15.480 --> 0:30:17.160
<v Speaker 1>wall because he's so proud of them being cast on

0:30:17.200 --> 0:30:20.360
<v Speaker 1>a show. And this is no disrespect to everyone that

0:30:20.360 --> 0:30:22.560
<v Speaker 1>you've ever cast, But is there someone that sticks out

0:30:22.560 --> 0:30:25.640
<v Speaker 1>in your mind that you go that just worked.

0:30:26.080 --> 0:30:31.440
<v Speaker 2>I did enjoy Patty Newton immediately saying yes to the

0:30:31.440 --> 0:30:34.920
<v Speaker 2>full Monty. I think she called her breasts Patty and

0:30:34.960 --> 0:30:39.360
<v Speaker 2>Bert she and it was just it was just the

0:30:39.400 --> 0:30:42.320
<v Speaker 2>brilliance of someone that you've known since you were a

0:30:42.480 --> 0:30:46.280
<v Speaker 2>kid suddenly going I'm up for that. And also, you

0:30:46.320 --> 0:30:49.400
<v Speaker 2>know she's not young, and she was like she was

0:30:49.560 --> 0:30:53.280
<v Speaker 2>fitter and faster and vibe than most of the other cast.

0:30:53.760 --> 0:30:56.200
<v Speaker 1>The question I always ask everyone on this show is

0:30:56.920 --> 0:31:01.080
<v Speaker 1>really important. What is your favorite story? So your go

0:31:01.120 --> 0:31:03.840
<v Speaker 1>to story, Say, when you're sitting around the dinner table

0:31:03.920 --> 0:31:06.880
<v Speaker 1>for dinner conversation and someone goes, oh, that's right, you're

0:31:06.920 --> 0:31:09.520
<v Speaker 1>the casting person, you do that, what's your go to

0:31:09.760 --> 0:31:12.160
<v Speaker 1>story sitting around the dinner table.

0:31:12.160 --> 0:31:14.520
<v Speaker 2>Like all the fun stories were when I was working

0:31:14.600 --> 0:31:17.440
<v Speaker 2>on Channel V. You know, Courtney loved. That was a

0:31:17.440 --> 0:31:20.600
<v Speaker 2>great one where we'd been told that unless she has

0:31:20.640 --> 0:31:22.960
<v Speaker 2>a monitor and she can see herself, she won't do

0:31:23.000 --> 0:31:26.760
<v Speaker 2>the interview. Now, this was someone who the last time

0:31:26.800 --> 0:31:28.400
<v Speaker 2>that she was at the big day out that we

0:31:28.400 --> 0:31:31.240
<v Speaker 2>were filming at, had got up on stage. I mean,

0:31:31.880 --> 0:31:34.480
<v Speaker 2>I mean almost dead. You know. She was that battling

0:31:34.480 --> 0:31:37.200
<v Speaker 2>into drugs and she was playing with the top off,

0:31:37.960 --> 0:31:40.920
<v Speaker 2>you know, I mean she had There were not many

0:31:40.920 --> 0:31:43.840
<v Speaker 2>standards there about how she was looking. Fast forward like

0:31:43.920 --> 0:31:47.640
<v Speaker 2>three years and she's demanding a monitor, you know. So

0:31:47.840 --> 0:31:49.960
<v Speaker 2>I've been tipped off that this is you know, this

0:31:50.040 --> 0:31:51.680
<v Speaker 2>is what she needed. So we just got this monitor

0:31:51.720 --> 0:31:55.200
<v Speaker 2>and plugged it in and we actually lit We lit

0:31:55.200 --> 0:31:57.480
<v Speaker 2>it so the monitor looked really good. We just tweaked

0:31:57.480 --> 0:31:59.960
<v Speaker 2>all the buttons on the monitor so that actually didn't

0:32:01.000 --> 0:32:02.600
<v Speaker 2>we were shooting was we didn't have time and had

0:32:02.640 --> 0:32:05.480
<v Speaker 2>one life, so we just did this. I remember sitting

0:32:05.520 --> 0:32:08.280
<v Speaker 2>in the chair and the cameraman sort of tweaking it

0:32:08.320 --> 0:32:09.920
<v Speaker 2>to make it look good in the monitor. And pretending

0:32:09.960 --> 0:32:12.280
<v Speaker 2>I was caught in them. Anyway, she sat down and

0:32:12.280 --> 0:32:15.400
<v Speaker 2>she goes, well, you guys now had to meet me.

0:32:15.480 --> 0:32:18.560
<v Speaker 2>Look fucking good. I'll do this interview and she blew

0:32:18.600 --> 0:32:20.120
<v Speaker 2>off everyone else's the rest of the day.

0:32:20.400 --> 0:32:24.120
<v Speaker 1>And that's how you do it. I just want to

0:32:24.120 --> 0:32:26.080
<v Speaker 1>say thank you so much for being able to join us.

0:32:26.240 --> 0:32:29.000
<v Speaker 1>You are hilarious, you have so many fun stories. I'm

0:32:29.040 --> 0:32:31.480
<v Speaker 1>sure that everyone's gonna love this. Thank you for joining

0:32:31.480 --> 0:32:31.760
<v Speaker 1>me today.

0:32:31.800 --> 0:32:34.400
<v Speaker 2>All Right, I'mus Levs butt. Come on, I gotta thanks

0:32:34.440 --> 0:32:35.600
<v Speaker 2>lovely Bye,