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Speaker 1: I've got a bottle of the cold Stream Hills Pino noir.

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Speaker 1: Deer farm woods has probably gont a rank snack yet

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Speaker 1: to be revealed. And today we're bringing together the matrix,

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Speaker 1: sexual climax, whoa, and time travel.

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Speaker 2: As we discuss deja vu.

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Speaker 1: I've got a bottle of the cold Stream Hills pino

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Speaker 1: and no Deer farm Woody has a pack of some

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Speaker 1: kind of rank snack. And today we're bringing together the matrix,

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Speaker 1: sexual climax and time travel as we discuss deja vu.

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Speaker 3: Whoa, Oh yeah, you're with me.

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Speaker 2: You're with me?

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Speaker 3: No, it wasn't deja though.

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Speaker 4: You suck wine in the US and they very rich

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Speaker 4: people like to drink of wine.

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Speaker 3: What do you guys want?

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Speaker 5: Sour cream and onion ships with some beef jerkeys and

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Speaker 5: Kin of Butterkin does a street appointment. That's it.

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Speaker 3: I like to drink mine more.

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Speaker 1: Welcome to White and Sans, Episode three, Episode three, the

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Speaker 1: trilogy getting through it well, hopefully we'll do more than

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Speaker 1: just three episodes, but yeah, currently it's it is a trilogy.

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Speaker 1: Now we are discussing deja vu this afternoon, gentlemen.

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Speaker 3: Pretty hectic topic early deja It's very scientific. I feel

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Speaker 3: filling me. Joel didn't turn your mic on there big

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Speaker 3: for I didn't think you're going to chat in this

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Speaker 3: podcast question.

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Speaker 5: What do I feel about deja vu?

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Speaker 3: It's quite scientifically. Are we going down the scientific route

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Speaker 3: of like what it is a little bit?

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Speaker 1: Yeah, yeah, well I'll tell you what it is, because

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Speaker 1: that's actually debated. The scientific community is actually not fully

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Speaker 1: decided on what DejaVu is.

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Speaker 3: It's a bit is the most bizarre experience, extraordinary phenomenon

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Speaker 3: to have to go through. But I just get shocked

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Speaker 3: because it's so.

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Speaker 2: Quick and it's potent. Is like it's potent.

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Speaker 3: It's like that though, and you just go whoa, and

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Speaker 3: then it's over, and then you know your question like

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Speaker 3: did it actually happen? Did it not actually happen? What?

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Speaker 3: What the hell just happened?

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Speaker 2: Yeah? That's because deja vi gets misused a lot.

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Speaker 3: I find you frankly fed up with it because people

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Speaker 3: go they'll go, like, you know, I'll go to a

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Speaker 3: game of footy on the weekend and my team gets

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Speaker 3: pumped again and someone goes like deja vu, and it's like, well, actually.

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Speaker 1: Talking about it being used colloquially, we're talking about the

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Speaker 1: actual phenomena where you would swear until you are black

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Speaker 1: and blue in the face that the thing that you're

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Speaker 1: experiencing you have experienced before. Yeah, yes, no, yeah, yeah,

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Speaker 1: there's another The other extension of that is deja.

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Speaker 3: Vecu, which he goes Australia, which is already the world.

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Speaker 3: We've got a Ukrainian listener.

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Speaker 1: I've actually got four Swedish listeners as well. Yeah, you

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Speaker 1: can both fucked that at the same time. Hello to Hans.

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Speaker 2: Yeah, so now we've got for Swedish listeners.

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Speaker 5: Funds is not a sweetish sorry, Han Kruber, and.

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Speaker 2: Just say it with.

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Speaker 5: All this fans listening to us.

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Speaker 2: Now you have a snack.

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Speaker 3: Yeah, I do very excited about this snack. So I

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Speaker 3: just thought, because you know, we drink red wine, so

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Speaker 3: you've got to match it beautifully with a snack. So

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Speaker 3: I've brought some organic halver with pieces of pistachio mixed

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Speaker 3: in there.

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Speaker 5: I sipped my wine as I which snack for the

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Speaker 5: first time, nearly spat it out, which.

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Speaker 3: I'm very excited.

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Speaker 2: What this halva?

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Speaker 3: However, A good question, Joe hov is it's effectively a

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Speaker 3: sweet sesame treat.

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Speaker 5: It's even nobody's snack.

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Speaker 3: Is he does it kosher to be say, sesame treat.

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Speaker 3: I've paid for that, so everyone have a piece.

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Speaker 2: I've paid for.

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Speaker 5: That, and he's actually just broken it with it like anoga.

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Speaker 3: Yeah, it's a bit like nuga, very very similar to

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Speaker 3: this is a sesame seed sweet sesame seed treat with

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Speaker 3: some pistachios.

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Speaker 5: Yeah, I'm gonna go from the other side that hasn't

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Speaker 5: been held by your.

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Speaker 1: It looks like a patter, but it tastes like a

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Speaker 1: sesame snap.

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Speaker 2: It's really good and.

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Speaker 3: Good boys, however, got around it.

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Speaker 2: So deja vu French four.

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Speaker 3: Huh.

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Speaker 2: Deja vu is French for.

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Speaker 5: Did this just happen?

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Speaker 1: Oh, not a bad guess? Actually no, two words. It's

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Speaker 1: two words in French, two words in English.

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Speaker 3: We can we can do this together. We can do

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Speaker 3: this together. Happened before happened.

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Speaker 2: This is going to be I thought you would know.

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Speaker 5: View backwards view a deja did this happen to you?

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Speaker 3: This happened to you, This has previously happened to you.

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Speaker 1: Normally a tool of translation is not that it rhymes

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Speaker 1: happened to you. No, DejaVu is French for already seen

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Speaker 1: and it's the moment that you feel like you've been

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Speaker 1: in the same moment before. And as I was saying before,

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Speaker 1: what is unique about it? It's one of those experiences, rare,

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Speaker 1: rare experiences in your life, which makes you examine that

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Speaker 1: you're living. It makes you look at your own experience

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Speaker 1: because you're experiencing something you already have.

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Speaker 2: So you have that moment.

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Speaker 1: There's this and I've ripped this from another podcast, but

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Speaker 1: there's this amazing David Foster Wallace.

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Speaker 2: Quote or a little bit. Well, yes, well he's a philosopher.

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Speaker 5: Yah, sure, I did a quick google li him before

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Speaker 5: I came in.

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Speaker 1: So he's got this bit where there's this big there's

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Speaker 1: an old fish and a young fish in a fish tank, right,

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Speaker 1: and the old fish swims up to the young fish

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Speaker 1: and says, how's the water, and the young fish says,

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Speaker 1: what's water?

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Speaker 3: Of course there it is, of course because he had djav.

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Speaker 2: No, not because he dejav.

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Speaker 5: Fish only have memories that are three seconds.

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Speaker 3: No, not because fish on the what did the small fish?

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Speaker 2: Fish said? Fish said, what's water?

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Speaker 3: Doesn't even know whatter is.

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Speaker 2: He doesn't know what water is exactly because he's in

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Speaker 2: the water.

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Speaker 3: Okay, So, but does the old guy know that there's

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Speaker 3: water there?

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Speaker 2: Yes, because he's like, how's the water? He asks, how

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Speaker 2: is the water?

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Speaker 3: And then the young guy goes, what's water?

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Speaker 1: So deja vous is an experience which makes you look

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Speaker 1: at the water that we're swimming in loose No, but.

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Speaker 2: Do you know what I mean?

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Speaker 1: Like, deja vu is an experience that reminds you of

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Speaker 1: what your experience is like previously. Otherwise we kind of

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Speaker 1: just blindly go through life, you know, we're not consciously

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Speaker 1: aware of time. Deja vu makes you look at time.

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Speaker 1: It makes you look at your experience.

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Speaker 5: Right, but it feels like deja vu feels like it's

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Speaker 5: something a bit shit, you know what I mean. You're

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Speaker 5: rattled by Yeah, you feel I'm just like, why do

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Speaker 5: I get deja vu in the supermarket while I'm picking

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Speaker 5: out a can of beans?

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Speaker 2: Like why not?

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Speaker 5: It doesn't hit it like having, you know, amazing making

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Speaker 5: love to the world's most beautiful woman.

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Speaker 3: So you want deja vu while you're having sex with

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Speaker 3: your wife and you want that?

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Speaker 5: Why?

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Speaker 2: Yeah?

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Speaker 1: Yeah, Like because I should I shouldn't mind this from job,

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Speaker 1: because deja vu can be really frustrating like that, because

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Speaker 1: It always happens in these moments where you're like, what.

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Speaker 2: The hell, I've never been here before.

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Speaker 1: Yeah, but immediately you have to tell the people around

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Speaker 1: you that you've got dajav Like.

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Speaker 2: You always grab the person next You're like, I've got Java,

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Speaker 2: I've got and they're like, oh my god, fuck off.

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Speaker 2: Who cares? Like, yes, you've been here before. We get it.

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Speaker 2: We've all had it.

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Speaker 3: It's a medium, it's time travel y.

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Speaker 5: My brain that can do it.

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Speaker 3: Yeah, So this isn't This world isn't really exactly I've

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Speaker 3: seen the future. The water. Yeah, you there now the water.

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Speaker 1: Because it's such an epic moment that makes you that

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Speaker 1: is what is so fine?

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Speaker 3: Fish The little fish figured out for the first time

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Speaker 3: that he's in water. So what you're trying to say

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Speaker 3: is this world isn't real.

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Speaker 5: No explaining it, and that's not getting it. Feels like, yeah,

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Speaker 5: that's true.

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Speaker 2: There are other moments one of the other. This is

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Speaker 2: a good question for you, guys.

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Speaker 1: What are the other moments in your life where you

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Speaker 1: have something like deja vu hit you and you feel

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Speaker 1: as if you need to tell everyone around you that

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Speaker 1: you're going through it.

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Speaker 3: Hmmm, Yeah, you're a bad one, you're a bad one.

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Speaker 1: I'm talking about like physical toilet. What about like a

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Speaker 1: brain freeze.

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Speaker 5: You don't have a brain feeze.

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Speaker 2: You're like, I have a brain freeze. Oh my god,

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Speaker 2: brain freeze. Brain freeze, brain freeze. And you're like, yell

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Speaker 2: itt as you're going through one.

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Speaker 3: I'm hosed, Like if you're like I am, you always

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Speaker 3: don't when.

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Speaker 2: When you're really drunk.

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Speaker 1: Yeah, you're examples, you know, when you really need to

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Speaker 1: go to the PEP. Another one I think I was

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Speaker 1: thinking of is uh, when you've got something on the tip.

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Speaker 2: Of your tongue.

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Speaker 3: Oh yeah, Oh my.

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Speaker 2: God, he's just on the dip of my tongue. You

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Speaker 2: can't get that out of your head.

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Speaker 5: And you need almost people in front of you to

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Speaker 5: help you get the word, and they don't know what

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Speaker 5: the hell you're on about.

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Speaker 1: Yes, exactly, you know what it is, yes, And they're helping.

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Speaker 1: They're helping you try and trace your way through it.

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Speaker 3: When you find a great discount online deals right now,

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Speaker 3: two slabs for ten bugs. You know I always want

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Speaker 3: to tell people.

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Speaker 1: Yeah, yeah, yeah, it's not even physiological exponent physiological things

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Speaker 1: that you're experiencing that you need to yell from the

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Speaker 1: rooftop when you drive down your old street that you

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Speaker 1: grew up in and you're like, oh my god, the

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Speaker 1: nostalgia I'm feeling right now.

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Speaker 2: He's immense.

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Speaker 1: And you have the smell, Yes, when you smell a

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Speaker 1: memory and you're like, oh my god, that reminds me

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Speaker 1: of this.

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Speaker 2: Time when I was little. Yes, another one for you.

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Speaker 2: I brought this up on the intro sexual climaxing.

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Speaker 5: Geez, you want to skipped ahead a bit there? What

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Speaker 5: do you who?

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Speaker 1: Do you let people tend to yell that out before

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Speaker 1: they're about to or while they are?

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Speaker 3: Oh yeah, very true, unless it's really early and you're like,

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Speaker 3: that's very embarrassing.

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Speaker 5: Many of us.

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Speaker 3: I'm going to bottle uptle it up.

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Speaker 5: I had another one actually watching a movie that is

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Speaker 5: one of your all time faves and it's coming up

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Speaker 5: to the scene that you know, word for word, here

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Speaker 5: it comes. This is one of my favorite bits. This

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Speaker 5: is one of my favorite bits.

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Speaker 2: This is my.

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Speaker 5: Yeah, my wife hates me.

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Speaker 2: How do you think dejav works?

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Speaker 5: Oh?

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Speaker 3: I reckon for me, it's proof of reincarnation one hundred

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Speaker 3: and I'm staunching hell.

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Speaker 5: You think my answer was bad?

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Speaker 1: Who do.

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Speaker 2: What do you think you were in a formal life.

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Speaker 3: I don't know. You don't remember. It's impossible to remember.

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Speaker 2: But if you had, but if you, if you could guess,

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Speaker 2: what would you.

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Speaker 3: I have a theory that I was a king's gester.

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Speaker 1: Oh no, I've heard this. Yeah, so you were still

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Speaker 1: a human in your past lives.

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Speaker 3: Yeah, well one of humans, but reincarnation, given that it exists.

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Speaker 3: I've been a whole bunch of things. I only have

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Speaker 3: small memories of being the king's gesture. But that's not

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Speaker 3: to say that I've only just been a king's gester.

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Speaker 3: I've been a whole bunch of things. And deja.

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Speaker 2: You only remember that you remember being a king's.

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Speaker 3: Gest just had fleeting moments where it feels very real

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Speaker 3: in a dream state, or you know, when you have

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Speaker 3: quite what's it called when you dream and you think

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Speaker 3: it's real, you think you're in real.

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Speaker 2: Life lucid dreaming.

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Speaker 3: I feel like I've had lucid dreams where it's.

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Speaker 2: Very You've genuinely felt like you were a king's jester.

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Speaker 3: Yes, and I was about to be murdered. It was

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Speaker 3: going to put me on.

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Speaker 2: I was dating this absolute babe.

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Speaker 3: No, no, no, I was the absolute dunce of life. I

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Speaker 3: was the worst, and I was going to be put

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Speaker 3: to death.

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Speaker 2: Which are you in like a British court?

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Speaker 3: You in no details. I couldn't even tell.

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Speaker 2: You that you know you were about to be murdered.

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Speaker 3: Well yeah, so here's the thing. So I was going

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Speaker 3: to be sentenced to death. And then I tripped over

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Speaker 3: or something as I was walking up to the block

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Speaker 3: to get my head chopped off, and tripped over on

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Speaker 3: the way to get your head yeah, and the king

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Speaker 3: just pissed himself laughing. It was like, that's the funniest

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Speaker 3: thing I've ever seen. Is more on fell over on

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Speaker 3: his way to get beheaded, and then was like, stop,

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Speaker 3: don't chop his head off. You can just stay in

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Speaker 3: your dungeon. And when I feel like I laugh, I'll

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Speaker 3: do shit to you.

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Speaker 2: And then laughing at you, then you get tortured.

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Speaker 3: No no, no, not torture, not tortured. But I might

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Speaker 3: throw it Tomarte up my face and be like classic,

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Speaker 3: back to your dungeon. And then that was that was

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Speaker 3: my previous life. Now how I'm I'm so sorry.

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Speaker 5: I just picture you in this green with your pointy

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Speaker 5: shoes and the loud fit on a stage back and

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Speaker 5: old medieval times. What's the with kings? I mean, make

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Speaker 5: up your mind, don't pick five wives off.

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Speaker 3: No, I'm not doing drugs. I'm not doing jokes. That'd

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Speaker 3: be much better if I was doing drugs.

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Speaker 2: I was, but I was all like with kings.

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Speaker 5: I seriously pictured you on a stage going like doing

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Speaker 5: a stand up routine, and ites is out.

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Speaker 3: No, no jougs, it's just like doing things. Laugh at me,

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Speaker 3: not laugh with me, always laugh at me. Anyway, How

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Speaker 3: does this link to deja vu? Yeah? Is that deja

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Speaker 3: vu is a moment where you, like so you can't

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Speaker 3: remember your former lives. Even though I've had a few

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Speaker 3: moments where I have remember being a jester, you can't.

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Speaker 3: Your memory gets wiped. Yeah, But deja vu is a

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Speaker 3: little moment where something trips in your brain. Yeah, or

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Speaker 3: you get like a little for one of a better word,

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Speaker 3: malfunction and you remember an exact thought. That's something exact

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Speaker 3: thought that you had in a previous life. If you

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Speaker 3: try to think about any dajav you've ever had, I know,

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Speaker 3: Jole you said before, so when you have beans, but

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Speaker 3: when you do when you're shopping for beans, you have

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Speaker 3: deja vu. You can't figure out when you have daja va?

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Speaker 3: You can't figure out what was the bit? How have

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Speaker 3: I experienced this before? You can never figure that out.

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Speaker 1: No, that's exactly right. Well that's why it's a yeah, yeah,

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Speaker 1: that's a glitch.

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Speaker 5: Fifteen have been you know, picking beans out of the

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Speaker 5: ground exactly, could have been one.

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Speaker 1: I'm like beans exactly, beans out of the ground.

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Speaker 2: Now I'm taking them off the shelf. Yeah. Look, it's

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Speaker 2: a good try, Woods, but.

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Speaker 3: Shame because disputed it is.

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Speaker 2: How many?

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Speaker 3: Is there a bit of a following online?

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Speaker 2: That's okay? So there's two ways that deja va could exist.

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Speaker 1: One school of thoughts says the memory doesn't exist, which

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Speaker 1: is just like a glitch.

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Speaker 2: You feel like you remember something.

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Speaker 1: Or it's from a formal life, but that's not actually

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Speaker 1: the case at all people, and that there's really terrifying cases.

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Speaker 1: Actually the people that work in what they call memory

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Speaker 1: clinics where people walk around get this with a constant

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Speaker 1: in a constant state of deja vo.

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Speaker 2: Oh god'd be really different.

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Speaker 1: So like they watch, it's like people without zimis as well,

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Speaker 1: really similar setup. You feel like it's it's genuinely confusing

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Speaker 1: all the time, debilitating so that people like watch TV,

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Speaker 1: like live TV, and they feel like they've.

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Speaker 2: Seen it all before. Oh, they're really distressed.

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Speaker 1: Ask you, such is almost it's almost proof that the

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Speaker 1: memory does not exist.

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Speaker 2: You can ask me a signify question. I'm not a scientist.

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Speaker 2: Can you pass me some of that slab of that.

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Speaker 3: Duck liver before you say?

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Speaker 5: The way you were talking about like people that were

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Speaker 5: stuck in a trance of sort of deja vu constantly

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Speaker 5: made me sort of think, like you think of people

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Speaker 5: that deal with like really bad psychological trauma, and sometimes

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00:15:45,680 --> 00:15:48,320
Speaker 5: they have to see psychologists, they see experts and they

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Speaker 5: unlock memories that they've obviously buried deep deep down, something

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Speaker 5: horrible that's happened in their life. It could be an

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Speaker 5: accident when they were kid, It could be all sorts

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Speaker 5: of horrible things we would definitely not go into. Yeah,

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Speaker 5: but do you think maybe there's some small part of

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Speaker 5: deja vu that maybe it is just a little memory

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Speaker 5: that's been unlocked in your brain, that something has lifted

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Speaker 5: it and you've gone Actually, great question, great question, much

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Speaker 5: better than Woods's reincarnation one, wasn't it?

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Speaker 2: Well, Yeah, I mean I was back to the headhunted jester.

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Speaker 3: I think this is disputed some sciences.

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Speaker 2: He's a gesture of the run.

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Speaker 3: So it actually is that Joe's actually hit something here.

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Speaker 3: It could be unearthing a memory that you otherwise wanted

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Speaker 3: to suppress.

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Speaker 1: The two explanations for how deja vu works. Number one,

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Speaker 1: as I just said, the memory doesn't exist, and you

355
00:16:48,360 --> 00:16:51,440
Speaker 1: have an issue, like a genuine fusion in your brain,

356
00:16:51,760 --> 00:16:54,680
Speaker 1: something glitches, it doesn't. Your brain looks to go and

357
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Speaker 1: grab something that it thinks should be there, it's not there.

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Speaker 1: Option number two, the memory actually exists, Joel.

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Speaker 3: Hell, yes, now, and the way it's to bury it

360
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Speaker 3: you wanted to bear it. So No.

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Speaker 1: The way that this works is, you know before we

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Speaker 1: were talking about when something's on the tip of your

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Speaker 1: tongue and you announce that to people deja vu.

364
00:17:17,119 --> 00:17:18,639
Speaker 2: The explanation for this daja.

365
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Speaker 1: Vu is that it's like your brain telling you this

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Speaker 1: memory is on the tip of my tongue. So you

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Speaker 1: can't actually remember the moment, but you get there, You

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Speaker 1: get to the point of remembering it, and it's like

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Speaker 1: I cannot find the memory.

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Speaker 3: So it's from a formal life. Well, well, no, it

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Speaker 3: could be.

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Speaker 2: It might be.

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Speaker 1: So what happens is it's your brain trying to tell you,

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Speaker 1: like in that moment, that's what you experience. That spasm

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Speaker 1: in your head is this moment where your brain is going,

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Speaker 1: You've relived something really similar to this. So all the

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00:17:52,800 --> 00:17:56,760
Speaker 1: scenarios are right right. So everything that you're experiencing right now,

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00:17:56,800 --> 00:17:59,680
Speaker 1: like you were in this spot and they were there

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00:17:59,800 --> 00:18:02,880
Speaker 1: and that was happening, and it's like your brain goes

380
00:18:02,920 --> 00:18:06,160
Speaker 1: to find the memory, but it just can't quite get it.

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Speaker 2: So you have this feeling of like, I feel like

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Speaker 2: I've been here before.

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00:18:09,880 --> 00:18:12,040
Speaker 1: You can't recall the memory. It's like the memory is

384
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Speaker 1: on the tip of your tongue. So it's your brain

385
00:18:14,520 --> 00:18:18,639
Speaker 1: telling you that it's like. And this then goes to

386
00:18:19,600 --> 00:18:21,399
Speaker 1: something a bit deeper than this, and you are we

387
00:18:21,400 --> 00:18:22,880
Speaker 1: going to get any very scientific here, and I don't

388
00:18:22,880 --> 00:18:25,400
Speaker 1: want to get too scientific here, but it goes back

389
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Speaker 1: to how memories are actually made. So there used to

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Speaker 1: be a theory that for a long time, scientists just

391
00:18:31,280 --> 00:18:34,480
Speaker 1: assumed that you memories were stored. If you guys seen

392
00:18:34,480 --> 00:18:37,160
Speaker 1: that movie inside Out that picks our movie with little balls,

393
00:18:38,080 --> 00:18:40,199
Speaker 1: so that was actually the memories of balls that are

394
00:18:40,240 --> 00:18:43,200
Speaker 1: like stored in this trench and you know, poor memories. Yes,

395
00:18:43,240 --> 00:18:44,800
Speaker 1: that's right, and they put it on this thing and

396
00:18:44,840 --> 00:18:46,919
Speaker 1: you're able to access it if you can find it.

397
00:18:47,760 --> 00:18:49,240
Speaker 1: And that's all run by this part of your brain

398
00:18:49,280 --> 00:18:51,960
Speaker 1: called the hippo campus. So there are two hippocampi, which

399
00:18:52,880 --> 00:18:56,400
Speaker 1: side note in ancient Greek is the word for a

400
00:18:56,520 --> 00:19:00,840
Speaker 1: sea horse, because apparently your hippocampi look like deli could seahorse,

401
00:19:01,560 --> 00:19:05,600
Speaker 1: and you hip a campire like the librarians of your memory.

402
00:19:06,200 --> 00:19:09,320
Speaker 1: The way that they think that memory works now is

403
00:19:09,359 --> 00:19:12,720
Speaker 1: that you actually construct a memory. So that's where the

404
00:19:12,760 --> 00:19:15,240
Speaker 1: hip a campire come in. The librarians. So you know,

405
00:19:15,280 --> 00:19:16,960
Speaker 1: when you go to the library and you're like, hey,

406
00:19:17,000 --> 00:19:20,440
Speaker 1: I want to research this. Yeah, like, what's something you

407
00:19:20,520 --> 00:19:22,360
Speaker 1: used to read you researched at the library?

408
00:19:23,080 --> 00:19:25,240
Speaker 3: Me, never researched anything.

409
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Speaker 5: Right, wrong, person who asked, don't come to me.

410
00:19:29,960 --> 00:19:31,840
Speaker 3: What do you mean like a like a like a book, Well,

411
00:19:31,920 --> 00:19:34,800
Speaker 3: you know, like a book, yeah, borrow a book.

412
00:19:34,840 --> 00:19:38,200
Speaker 2: Yeah you've never done that. Okay, So okay, so okay.

413
00:19:38,200 --> 00:19:40,160
Speaker 1: So when I was at Uni, if I was doing

414
00:19:40,280 --> 00:19:41,840
Speaker 1: like I did a major in history, so when I

415
00:19:41,920 --> 00:19:44,240
Speaker 1: used to the library, I'd be like, I need to

416
00:19:44,280 --> 00:19:47,200
Speaker 1: go on research. You do it on a computer these days,

417
00:19:47,280 --> 00:19:49,240
Speaker 1: but back in the day, you'd go to the librarian

418
00:19:49,760 --> 00:19:51,520
Speaker 1: or you'd go to an index and you'd be like, hey,

419
00:19:51,560 --> 00:19:54,800
Speaker 1: I need everything on uh Nazis.

420
00:19:54,800 --> 00:19:55,919
Speaker 5: Ship we're back at Nazis.

421
00:19:56,280 --> 00:20:00,879
Speaker 2: But I did, actually, I actually special I did.

422
00:20:01,000 --> 00:20:02,720
Speaker 1: I did a history mayor and one of them part

423
00:20:02,760 --> 00:20:08,440
Speaker 1: of it was Nazis. Fascinating tread treadlight approach the bench,

424
00:20:10,760 --> 00:20:12,199
Speaker 1: so you rock up and you go, hey, look, I

425
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Speaker 1: want to do research on Nazis.

426
00:20:13,320 --> 00:20:15,679
Speaker 2: Then you rely on the librarian to then go to

427
00:20:15,720 --> 00:20:17,520
Speaker 2: the catalog and be like, these are all the books

428
00:20:17,520 --> 00:20:18,400
Speaker 2: we've got on Nazis?

429
00:20:18,800 --> 00:20:21,360
Speaker 1: Sure right, So then you would then go Then they're

430
00:20:21,359 --> 00:20:23,680
Speaker 1: dispersed all throughout them all throughout the library because some

431
00:20:23,680 --> 00:20:25,439
Speaker 1: of them in the history section, some of there in

432
00:20:25,480 --> 00:20:27,960
Speaker 1: the fashion section. If you're looking for what we talked

433
00:20:27,960 --> 00:20:29,879
Speaker 1: about in the last podcast, Hugo Boss made the suits,

434
00:20:29,920 --> 00:20:31,320
Speaker 1: so you know that might be over there. So the

435
00:20:31,400 --> 00:20:33,280
Speaker 1: hip a campigre and your brain work the same way.

436
00:20:33,720 --> 00:20:36,200
Speaker 1: So your brain sends your message to your librarians. You

437
00:20:36,240 --> 00:20:37,560
Speaker 1: hip a campire and you go, hey, look, I've got

438
00:20:37,560 --> 00:20:39,040
Speaker 1: to get this memory, right.

439
00:20:39,440 --> 00:20:41,600
Speaker 2: But it's not like it says an inside out where

440
00:20:41,600 --> 00:20:43,159
Speaker 2: you've got these balls that just sit there that you

441
00:20:43,160 --> 00:20:43,840
Speaker 2: can just recall.

442
00:20:44,600 --> 00:20:47,840
Speaker 1: You need to construct the memory from all the different

443
00:20:47,920 --> 00:20:51,560
Speaker 1: things that were laid down as part of that initial memory.

444
00:20:51,920 --> 00:20:55,160
Speaker 1: You can recall the whole memory with the right key.

445
00:20:55,960 --> 00:20:59,840
Speaker 1: The strongest key is smell. So if you smell some

446
00:21:00,080 --> 00:21:01,359
Speaker 1: thing that you remember, you know when you smell a

447
00:21:01,400 --> 00:21:03,960
Speaker 1: memory and you're just like, oh my god, I'm back

448
00:21:04,200 --> 00:21:04,760
Speaker 1: in America.

449
00:21:04,840 --> 00:21:08,359
Speaker 5: Recently, they've done this Field of Dreams re enactment for

450
00:21:08,840 --> 00:21:12,520
Speaker 5: Major League Baseball. They've built the field that they used

451
00:21:12,560 --> 00:21:15,000
Speaker 5: for the Kevin Costner movie. And my wife and I

452
00:21:15,080 --> 00:21:17,320
Speaker 5: were like, oh God, that's amazing. Let's watch Field of

453
00:21:17,400 --> 00:21:19,800
Speaker 5: Dreams tonight. Yeah, we did, and the father and started

454
00:21:19,920 --> 00:21:22,560
Speaker 5: having this moment in the film and all these little things.

455
00:21:22,600 --> 00:21:24,440
Speaker 5: And I played baseball growing up and played it for

456
00:21:24,480 --> 00:21:26,240
Speaker 5: a long long time, and I have this great memory

457
00:21:26,280 --> 00:21:28,760
Speaker 5: sort of throwback to time playing sport as a kid

458
00:21:29,119 --> 00:21:31,680
Speaker 5: through the words of the film talking about the smell.

459
00:21:31,800 --> 00:21:34,640
Speaker 5: So my brain then went, hey, remember what your first

460
00:21:34,720 --> 00:21:37,720
Speaker 5: glove smell like? And all of a sudden, I'm ten,

461
00:21:37,920 --> 00:21:40,439
Speaker 5: I'm on the diamond that I was standing on the field,

462
00:21:40,600 --> 00:21:43,159
Speaker 5: the team, the coach, the exact moment when I was

463
00:21:43,160 --> 00:21:45,880
Speaker 5: put into a game transported you, and it started with

464
00:21:46,320 --> 00:21:47,280
Speaker 5: him talking about smells.

465
00:21:47,280 --> 00:21:50,600
Speaker 1: I think the best thing about smell is that, unlike

466
00:21:50,640 --> 00:21:55,560
Speaker 1: a lot of other memory keys, so obviously sites sounds

467
00:21:55,560 --> 00:21:57,199
Speaker 1: that can happen as well. If we spoke about this

468
00:21:57,200 --> 00:22:00,000
Speaker 1: in the last pocket, if a song shuffles on, yeah,

469
00:22:00,119 --> 00:22:03,240
Speaker 1: the shuffle of the song, I think, I'm like, smell

470
00:22:03,320 --> 00:22:05,760
Speaker 1: it really can catch you off guard because you don't

471
00:22:05,800 --> 00:22:09,760
Speaker 1: actively go about your life, like you know, smelling things.

472
00:22:09,880 --> 00:22:12,439
Speaker 1: It almost accidentally smell something, yeah, and then you and

473
00:22:12,480 --> 00:22:15,040
Speaker 1: then that you know it was before you get transported

474
00:22:15,040 --> 00:22:15,520
Speaker 1: to the memory.

475
00:22:15,600 --> 00:22:19,560
Speaker 3: If I go past an oval with fresh mud, same thing, sport, Yeah,

476
00:22:19,640 --> 00:22:22,240
Speaker 3: get that smell of web mud. I think about junior football,

477
00:22:22,600 --> 00:22:23,680
Speaker 3: yeah straight away.

478
00:22:24,520 --> 00:22:26,399
Speaker 2: You don't even think about it. You don't have a choice.

479
00:22:26,560 --> 00:22:29,920
Speaker 1: Yeah, it's just like a time machine, just like yeah, yeah,

480
00:22:30,000 --> 00:22:30,360
Speaker 1: right now.

481
00:22:30,400 --> 00:22:30,879
Speaker 3: It's crazy.

482
00:22:30,880 --> 00:22:33,160
Speaker 5: You don't think about that often enough. Really, Like that's

483
00:22:33,200 --> 00:22:36,000
Speaker 5: the visual memories of like of film and like you said,

484
00:22:36,080 --> 00:22:39,040
Speaker 5: song do that, but we don't really think about it. Smell. Smell,

485
00:22:39,240 --> 00:22:39,760
Speaker 5: Smell is.

486
00:22:39,680 --> 00:22:42,840
Speaker 2: Your number one memory recall function.

487
00:22:43,200 --> 00:22:47,119
Speaker 1: So we've explained dejava We've got memory doesn't exist, option

488
00:22:47,560 --> 00:22:51,680
Speaker 1: glitch memory does exist, but you can't reconstruct the memory.

489
00:22:51,960 --> 00:22:54,240
Speaker 1: So your brain fuses and you have this moment you're like,

490
00:22:54,280 --> 00:22:55,760
Speaker 1: oh my god, I feel like I have been here,

491
00:22:55,800 --> 00:22:58,040
Speaker 1: but I don't know if I have or not been.

492
00:22:58,119 --> 00:23:01,280
Speaker 2: And that's because you can't actually call the memory.

493
00:23:01,440 --> 00:23:02,800
Speaker 3: That's because of an issue with your brain.

494
00:23:03,520 --> 00:23:05,199
Speaker 2: That's because you can't reconstruct the memory.

495
00:23:05,320 --> 00:23:08,000
Speaker 1: And that might that might be because that might be

496
00:23:08,000 --> 00:23:11,399
Speaker 1: because you've got some sort of like you know, degenerative condition,

497
00:23:11,680 --> 00:23:13,240
Speaker 1: but at the same time, it might just be that's

498
00:23:13,280 --> 00:23:16,320
Speaker 1: just what happens to everybody. Funnily enough, deja VU's for

499
00:23:16,400 --> 00:23:20,000
Speaker 1: a lot of people with temporal lobe epilepsy and indicator

500
00:23:20,040 --> 00:23:21,479
Speaker 1: of the fact that they're about to get a seizure.

501
00:23:22,240 --> 00:23:26,600
Speaker 2: Oh it often shrips them into a seizure. So I

502
00:23:26,680 --> 00:23:28,040
Speaker 2: heard this on this on this podcast.

503
00:23:28,119 --> 00:23:29,800
Speaker 1: By the way, I actually got to reference this podcast

504
00:23:29,800 --> 00:23:31,520
Speaker 1: because it was one of the most interesting podcasts I've

505
00:23:31,520 --> 00:23:31,960
Speaker 1: ever heard.

506
00:23:32,240 --> 00:23:34,280
Speaker 2: It was called Deeply Human.

507
00:23:35,040 --> 00:23:37,320
Speaker 1: It was a BBC podcast, and this one was specifically

508
00:23:37,359 --> 00:23:38,119
Speaker 1: about deja vu.

509
00:23:38,440 --> 00:23:39,080
Speaker 5: Wow, And she.

510
00:23:39,200 --> 00:23:41,480
Speaker 2: Spelt it out in ways that I'm never going to

511
00:23:41,520 --> 00:23:42,560
Speaker 2: be able to and.

512
00:23:42,400 --> 00:23:48,160
Speaker 3: We've lost everyone just moved on to particularly human. These

513
00:23:48,200 --> 00:23:49,400
Speaker 3: guys are going nowhere.

514
00:23:50,320 --> 00:23:52,520
Speaker 1: But she speaks to this girl who gets deja vu

515
00:23:52,720 --> 00:23:56,080
Speaker 1: and who has epilepsy, and her deja vu, she realized

516
00:23:56,119 --> 00:23:59,399
Speaker 1: after a while, was so she would have deja va

517
00:23:59,480 --> 00:24:01,080
Speaker 1: and she would out of the djava or in the

518
00:24:01,119 --> 00:24:03,400
Speaker 1: middle of the dejava, she would feel like the universe.

519
00:24:03,600 --> 00:24:05,840
Speaker 1: She could make total sense of the universe. So these

520
00:24:05,840 --> 00:24:10,440
Speaker 1: people have these in outrageous experiences with DejaVu with temporal

521
00:24:10,520 --> 00:24:15,840
Speaker 1: lower epilepsy, which hysterically and historically, a lot of people

522
00:24:15,840 --> 00:24:18,440
Speaker 1: who got deja vu and these fits of epilepsy were

523
00:24:18,480 --> 00:24:22,040
Speaker 1: either condemned as like which is well on the one hand,

524
00:24:22,040 --> 00:24:26,840
Speaker 1: which is or on the other hand, like clairvoyance visionaries,

525
00:24:27,119 --> 00:24:30,240
Speaker 1: people that contacted God, because they'd come out of these

526
00:24:30,280 --> 00:24:33,000
Speaker 1: fits and they'd be like, oh my God, I've just

527
00:24:33,080 --> 00:24:36,880
Speaker 1: seen God. I've seen all of this happen before. This

528
00:24:36,920 --> 00:24:38,640
Speaker 1: is something that's happened to me in the future.

529
00:24:38,680 --> 00:24:42,040
Speaker 3: Would some people follow them one hundred percent because I

530
00:24:42,040 --> 00:24:43,240
Speaker 3: can see the future.

531
00:24:47,080 --> 00:24:49,360
Speaker 2: We need to kill that jester.

532
00:24:50,640 --> 00:24:53,840
Speaker 3: People say they can tell the future, and like Nostradamis

533
00:24:54,040 --> 00:24:57,000
Speaker 3: was maybe having temporal lobe.

534
00:24:57,600 --> 00:24:59,280
Speaker 2: I don't know if he had fits or not. I

535
00:24:59,280 --> 00:24:59,639
Speaker 2: don't know.

536
00:24:59,680 --> 00:25:02,199
Speaker 3: Because he claimed to read the future, so.

537
00:25:02,240 --> 00:25:03,320
Speaker 2: He was a prophet. He was prophetic.

538
00:25:03,480 --> 00:25:06,360
Speaker 5: That was that was his bag. I just realized. Merlin

539
00:25:06,520 --> 00:25:08,920
Speaker 5: in Sword and the Stone he said he could see

540
00:25:08,960 --> 00:25:09,800
Speaker 5: into the future.

541
00:25:09,560 --> 00:25:11,879
Speaker 1: Like a wizard, wizards, those sorts of things, so that

542
00:25:12,000 --> 00:25:15,280
Speaker 1: these sorts of people are like you know in the past,

543
00:25:15,480 --> 00:25:18,520
Speaker 1: were sort of herald, that is, having supernatural abilities because.

544
00:25:18,320 --> 00:25:19,560
Speaker 2: They would actually feel that way.

545
00:25:19,600 --> 00:25:22,040
Speaker 1: And if anyone's listening to has temporal low epsy, please

546
00:25:22,240 --> 00:25:24,480
Speaker 1: temporal lobe epilepsy, please get in touch.

547
00:25:24,760 --> 00:25:26,240
Speaker 2: I didn't say that twice.

548
00:25:28,600 --> 00:25:39,640
Speaker 3: Myself. Again, temper that's very hard to epilepsy, temporal low epilepsy.

549
00:25:39,400 --> 00:25:42,000
Speaker 1: So they have these issues where they were whit and

550
00:25:42,000 --> 00:25:42,840
Speaker 1: I was thinking about it.

551
00:25:42,880 --> 00:25:45,040
Speaker 2: If I had temporal lob epilepsy.

552
00:25:46,040 --> 00:25:48,159
Speaker 1: And I came out of that back in the day,

553
00:25:48,240 --> 00:25:50,680
Speaker 1: you know, as you said, people are looking at you like, hey,

554
00:25:52,200 --> 00:25:54,639
Speaker 1: you're a witch. I would be waking up out of

555
00:25:54,640 --> 00:25:58,600
Speaker 1: that looking at the people around me and going I

556
00:25:58,600 --> 00:25:59,280
Speaker 1: wouldn't believe it.

557
00:25:59,320 --> 00:26:04,760
Speaker 2: Guys, I just spoke to God. He said, I'm the

558
00:26:04,760 --> 00:26:05,480
Speaker 2: next Jesus.

559
00:26:05,880 --> 00:26:07,760
Speaker 3: Oh, so true. So they don't kill you.

560
00:26:07,880 --> 00:26:10,639
Speaker 1: Yeah, yeah, yeah, yeah, I'd go down the other path.

561
00:26:11,359 --> 00:26:12,000
Speaker 2: Do you know what I mean?

562
00:26:12,880 --> 00:26:15,240
Speaker 1: Because because something you're going to cry to this massive fit.

563
00:26:15,320 --> 00:26:16,639
Speaker 1: You know, I just saw the pass in the future.

564
00:26:16,640 --> 00:26:18,840
Speaker 2: They're going to be like, you're the devil. Get the

565
00:26:18,840 --> 00:26:21,119
Speaker 2: wood ready, let's burn him.

566
00:26:21,240 --> 00:26:22,440
Speaker 5: I was just chatting to Jesus.

567
00:26:22,480 --> 00:26:25,359
Speaker 1: He says, yeah, I just feel like, guys, yeah, amazingly,

568
00:26:26,480 --> 00:26:27,280
Speaker 1: I am an angel.

569
00:26:28,320 --> 00:26:30,440
Speaker 3: Can I just go just kidding, I'd be like, oh,

570
00:26:30,520 --> 00:26:37,480
Speaker 3: gotcha with the minutes forty five minutes, forty five minutes.

571
00:26:37,520 --> 00:26:38,000
Speaker 2: I don't know how.

572
00:26:38,000 --> 00:26:42,320
Speaker 3: It's a long gag, but no, sorry, if we're talking

573
00:26:42,359 --> 00:26:44,080
Speaker 3: specifically about if you don' want to stop those people

574
00:26:44,080 --> 00:26:45,480
Speaker 3: from killing you, yeah, because that's what.

575
00:26:45,600 --> 00:26:47,919
Speaker 1: You have to think, because that's because okay, cards on

576
00:26:47,920 --> 00:26:50,240
Speaker 1: the table. I think it's fucking garbage that anybody is

577
00:26:50,280 --> 00:26:53,479
Speaker 1: a prophet or a fit with I think that's garbage.

578
00:26:53,520 --> 00:26:55,359
Speaker 2: I think it's garbage or a wizard for that matter.

579
00:26:56,400 --> 00:26:58,960
Speaker 1: But I do tip of the cap to those people

580
00:26:59,040 --> 00:27:02,040
Speaker 1: historically who would have been hunted for having fits, and

581
00:27:02,200 --> 00:27:04,119
Speaker 1: tip of the cap to them for capitalizing on that

582
00:27:04,160 --> 00:27:04,840
Speaker 1: and being like, you know.

583
00:27:04,840 --> 00:27:08,440
Speaker 2: What, guys, it's all garbage. But well in your head.

584
00:27:08,480 --> 00:27:10,159
Speaker 2: You know it's garbage, but you just put them on

585
00:27:10,200 --> 00:27:10,680
Speaker 2: the back foot.

586
00:27:10,760 --> 00:27:11,520
Speaker 3: I just played the part.

587
00:27:11,680 --> 00:27:14,480
Speaker 1: Yeah, wow, guys, I just spoke to God. You guys

588
00:27:14,520 --> 00:27:17,360
Speaker 1: just witnessed that weird thing. First of all, everyone has

589
00:27:17,359 --> 00:27:19,600
Speaker 1: to give me a dollar every day for the for

590
00:27:19,640 --> 00:27:21,400
Speaker 1: the next five years, otherwise you'll go to help.

591
00:27:21,480 --> 00:27:24,439
Speaker 5: Yeah. Director, we also need to build like an ocean

592
00:27:24,560 --> 00:27:28,159
Speaker 5: side manner with some gold decking, the gold decking the

593
00:27:28,200 --> 00:27:31,880
Speaker 5: golf flex. Isn't it like, build me an ocean side

594
00:27:31,920 --> 00:27:34,560
Speaker 5: manner with gold beach front deck.

595
00:27:35,080 --> 00:27:37,240
Speaker 3: Cold, wouldn't it It would get hot.

596
00:27:38,240 --> 00:27:43,240
Speaker 2: Yeah, you wouldn't be able to stand on it.

597
00:27:43,440 --> 00:27:45,600
Speaker 5: That's my heart over there yet. No, not that one,

598
00:27:45,680 --> 00:27:46,880
Speaker 5: the one with the gold deck.

599
00:27:47,480 --> 00:27:51,360
Speaker 2: That's my god. God, it's bright out there.

600
00:27:51,480 --> 00:27:55,000
Speaker 5: Forty five men died installing it fell backwards a couple

601
00:27:55,040 --> 00:27:55,480
Speaker 5: of times.

602
00:27:55,720 --> 00:27:57,560
Speaker 2: You'll only be able to stand out there at nighttime.

603
00:27:57,640 --> 00:28:00,880
Speaker 2: The gold deck. It would be cool.

604
00:28:01,280 --> 00:28:04,080
Speaker 3: Yeah, it cold, the perfect temperature where it's too hot

605
00:28:04,119 --> 00:28:05,520
Speaker 3: during the day and then you wait to like maybe

606
00:28:05,520 --> 00:28:08,920
Speaker 3: seven seven thirty. Nicely, Oh, lie down on my gold deck.

607
00:28:09,359 --> 00:28:10,960
Speaker 3: We've got twenty minutes before it gets too cold.

608
00:28:11,720 --> 00:28:18,760
Speaker 5: Like careful right my gold deck. Maybe make me. That's sphere.

609
00:28:18,760 --> 00:28:20,680
Speaker 2: What are they called a sphere?

610
00:28:21,200 --> 00:28:24,440
Speaker 5: Sphere of what priest? God?

611
00:28:24,640 --> 00:28:26,000
Speaker 2: Sphere Pharaoh.

612
00:28:26,680 --> 00:28:27,360
Speaker 5: That's Egyptian.

613
00:28:29,560 --> 00:28:31,760
Speaker 2: That's a fair it's fair.

614
00:28:32,240 --> 00:28:36,720
Speaker 5: That look like name golden. It's a fair hook or something.

615
00:28:36,560 --> 00:28:37,280
Speaker 2: A golden hook.

616
00:28:37,440 --> 00:28:41,680
Speaker 5: I learned it. I'm going to be a see see

617
00:28:41,080 --> 00:28:43,440
Speaker 5: she No, so I think was the one from the

618
00:28:43,560 --> 00:28:46,720
Speaker 5: I learned that from those those Asterix books, Asterix and Oblix.

619
00:28:46,800 --> 00:28:48,560
Speaker 2: But sidere is a is like a thing that you

620
00:28:48,640 --> 00:28:49,959
Speaker 2: used to hoe the fields with.

621
00:28:50,080 --> 00:28:52,760
Speaker 5: Yeah. And then those those old long, white haired guys,

622
00:28:53,480 --> 00:28:57,600
Speaker 5: I would carry them around, give people mortgage advice, give people,

623
00:28:59,680 --> 00:29:02,360
Speaker 5: save me people mortgage.

624
00:29:03,720 --> 00:29:07,080
Speaker 2: Try over there, that's fair.

625
00:29:09,560 --> 00:29:12,240
Speaker 5: They walk around, they give people mortgage by the ones

626
00:29:12,400 --> 00:29:17,720
Speaker 5: that installed the spares golden deck. But they were the

627
00:29:17,760 --> 00:29:19,320
Speaker 5: smart ones back then that could.

628
00:29:19,120 --> 00:29:28,840
Speaker 6: Obviously talking about Joel's saying it isn't amazing. Back then, yes,

629
00:29:28,920 --> 00:29:32,720
Speaker 6: there would have been so few people smart enough.

630
00:29:32,720 --> 00:29:37,040
Speaker 3: To pull a con. Yeah. Back in the day you

631
00:29:37,200 --> 00:29:40,120
Speaker 3: had certain people that say that I've got mystical powers. Yeah,

632
00:29:40,200 --> 00:29:41,760
Speaker 3: I can read the future, i can talk to God.

633
00:29:42,080 --> 00:29:44,320
Speaker 3: And people just went like, okay, I'll worship you. But

634
00:29:44,360 --> 00:29:46,840
Speaker 3: it was just a con. So why did more people

635
00:29:46,880 --> 00:29:50,120
Speaker 3: not just go like, oh, I am also talking to God,

636
00:29:50,200 --> 00:29:50,760
Speaker 3: do you know what I mean?

637
00:29:50,840 --> 00:29:55,040
Speaker 2: Yes, he did. Though that was the point.

638
00:29:55,200 --> 00:29:57,840
Speaker 1: There was like this whole issue like that was one

639
00:29:57,840 --> 00:30:01,360
Speaker 1: of Jesus' you know things when he came down from

640
00:30:01,800 --> 00:30:03,120
Speaker 1: wherever he came down from.

641
00:30:03,440 --> 00:30:08,480
Speaker 2: I know Moses came down from from Moses because he

642
00:30:08,640 --> 00:30:13,280
Speaker 2: was as fair. If anyone was as fair, it was Moses.

643
00:30:13,800 --> 00:30:18,880
Speaker 1: So Moses, Moses comes down from Mount Sinai at Mount

644
00:30:18,920 --> 00:30:21,600
Speaker 1: cyanide I might have that wrong anyway, he comes down

645
00:30:21,640 --> 00:30:24,680
Speaker 1: and he says, one of the things, you shan't you

646
00:30:24,720 --> 00:30:28,720
Speaker 1: shan't worship any false idols or false prophets.

647
00:30:28,760 --> 00:30:32,920
Speaker 2: That's one of his things. Because before God, that was

648
00:30:32,960 --> 00:30:33,680
Speaker 2: what happened.

649
00:30:33,680 --> 00:30:37,560
Speaker 3: People put the hand out were everywhere, false idols, false

650
00:30:37,600 --> 00:30:38,400
Speaker 3: prophets exactly.

651
00:30:38,440 --> 00:30:40,120
Speaker 2: People would wake up and go, I know how to

652
00:30:40,120 --> 00:30:42,040
Speaker 2: make a quick buck. They were across it. They'd be like,

653
00:30:42,040 --> 00:30:43,840
Speaker 2: if I just wake up and yell from.

654
00:30:43,720 --> 00:30:47,440
Speaker 1: A gold deck loud enough, guys, I just spoke to God,

655
00:30:47,680 --> 00:30:50,320
Speaker 1: and I'd do it with enough gumption, then people.

656
00:30:50,040 --> 00:30:51,480
Speaker 2: Are going to believe me, and people are going to

657
00:30:51,520 --> 00:30:51,920
Speaker 2: follow me.

658
00:30:52,400 --> 00:30:56,040
Speaker 1: And that's the thought that that was a thing. Hence

659
00:30:56,080 --> 00:30:58,400
Speaker 1: paganism but that's why, that's why the big Christian thing

660
00:30:58,720 --> 00:31:01,400
Speaker 1: paganism was you believe in multiple gods, different gods.

661
00:31:01,560 --> 00:31:04,719
Speaker 2: Yeah, yeah, it was pre Christianity. But we're gonna move on.

662
00:31:05,080 --> 00:31:07,200
Speaker 2: So final, so final.

663
00:31:06,880 --> 00:31:13,360
Speaker 1: Thing here from from from me anyway, seeing time talking

664
00:31:13,400 --> 00:31:16,320
Speaker 1: about a glitch in the matrix, passing the snack, the

665
00:31:16,360 --> 00:31:19,760
Speaker 1: little fish, the little fish and the big fish.

666
00:31:20,040 --> 00:31:22,360
Speaker 2: How's the water? What's water?

667
00:31:23,240 --> 00:31:23,520
Speaker 3: Yeah?

668
00:31:24,560 --> 00:31:27,760
Speaker 2: Takes me to the thing I'm bringing this week, which

669
00:31:27,800 --> 00:31:35,280
Speaker 2: is the glitch. Jav what did you just say?

670
00:31:35,600 --> 00:31:35,880
Speaker 5: Nothing?

671
00:31:35,920 --> 00:31:38,200
Speaker 3: Just say a little young What did you see?

672
00:31:38,320 --> 00:31:39,080
Speaker 1: What happened?

673
00:31:39,440 --> 00:31:41,000
Speaker 2: A black cat went past us?

674
00:31:41,760 --> 00:31:43,800
Speaker 5: And then another that looked just like it? How much

675
00:31:43,880 --> 00:31:44,080
Speaker 5: like it?

676
00:31:44,120 --> 00:31:44,240
Speaker 1: Was it?

677
00:31:44,320 --> 00:31:46,400
Speaker 2: The same cat? Might have been I'm not sure.

678
00:31:47,800 --> 00:31:48,760
Speaker 5: Who is that?

679
00:31:48,840 --> 00:31:51,720
Speaker 3: Kanu reeves, noticing the cat didn't sound like it didn't

680
00:31:51,760 --> 00:31:52,480
Speaker 3: sound like him.

681
00:31:52,320 --> 00:31:53,160
Speaker 5: There didn't.

682
00:31:54,480 --> 00:31:55,400
Speaker 2: I might have been.

683
00:31:55,440 --> 00:31:59,880
Speaker 5: I'm not sure. That sounds more like away never sounded dumber.

684
00:31:59,880 --> 00:32:01,560
Speaker 5: And Matrix film, by the way, is like that was

685
00:32:01,600 --> 00:32:03,840
Speaker 5: it the same girl movie?

686
00:32:04,080 --> 00:32:07,360
Speaker 1: Keep in mind, though, that Neo was, as my Jewish

687
00:32:07,360 --> 00:32:09,560
Speaker 1: friends would say, a bit nebbish, like a bit.

688
00:32:09,480 --> 00:32:11,400
Speaker 3: Pathetic for a while.

689
00:32:11,440 --> 00:32:13,600
Speaker 2: For a while there he was the dead weight. I

690
00:32:13,640 --> 00:32:16,240
Speaker 2: hadn't figured out, so he was annoying. They're like, oh god,

691
00:32:16,240 --> 00:32:18,360
Speaker 2: I've got to drag the one around here.

692
00:32:18,440 --> 00:32:19,480
Speaker 5: I know kung fu.

693
00:32:20,320 --> 00:32:21,360
Speaker 2: Yeah, exactly.

694
00:32:22,760 --> 00:32:25,280
Speaker 3: Handed to him by Morpheus. Couldn't be a building jump. Yeah,

695
00:32:25,280 --> 00:32:25,920
Speaker 3: he sucked.

696
00:32:25,960 --> 00:32:26,520
Speaker 2: He sucked.

697
00:32:26,680 --> 00:32:28,600
Speaker 1: He was dead weight. And that's exactly what that scene is.

698
00:32:28,640 --> 00:32:30,640
Speaker 1: You know, he's just figuring out the matrix. I saw

699
00:32:30,680 --> 00:32:33,400
Speaker 1: a black cat shocking death for the little comes out

700
00:32:33,400 --> 00:32:35,640
Speaker 1: of Mouse. Mouse cops it.

701
00:32:35,800 --> 00:32:38,680
Speaker 5: He had the two biggest machine guns of the entire trilogy.

702
00:32:38,840 --> 00:32:41,560
Speaker 2: If anyone watching, one agent watched that scene again.

703
00:32:42,200 --> 00:32:43,720
Speaker 3: He said. He shoots in the air. He doesn't even

704
00:32:43,720 --> 00:32:44,360
Speaker 3: shoot forward.

705
00:32:44,520 --> 00:32:46,720
Speaker 1: He sprays both guns off at a forty five degree

706
00:32:46,760 --> 00:32:49,400
Speaker 1: angle and just cops bullets.

707
00:32:50,360 --> 00:32:52,920
Speaker 5: He's like, oh, they're coming for me. Opens this war

708
00:32:53,080 --> 00:32:54,120
Speaker 5: chest of machine.

709
00:32:53,800 --> 00:32:56,600
Speaker 2: Guns, looks like the biggest gun you've ever seen, puls.

710
00:32:56,360 --> 00:32:58,760
Speaker 5: Them out dead within point five of a second.

711
00:32:58,520 --> 00:33:01,000
Speaker 2: Doesn't it does? I don't think landed a shot.

712
00:33:01,240 --> 00:33:01,280
Speaker 5: No.

713
00:33:01,560 --> 00:33:04,680
Speaker 3: I he shoots up, He shuts up, Hide somewhere, hid

714
00:33:04,720 --> 00:33:07,320
Speaker 3: behind the door. You know coming he is, Hide behind

715
00:33:07,320 --> 00:33:07,680
Speaker 3: the door.

716
00:33:09,160 --> 00:33:12,320
Speaker 2: I'm glad I wasn't in the matrix with you. The agents,

717
00:33:12,520 --> 00:33:16,480
Speaker 2: the agents are coming morph behind the door.

718
00:33:17,760 --> 00:33:22,000
Speaker 5: It's all good. I'm behind the door. They count find me.

719
00:33:22,360 --> 00:33:25,000
Speaker 2: Tell me I have found myself a big sturdy oak number.

720
00:33:25,760 --> 00:33:28,520
Speaker 3: Sorry, but like ten minutes later they hide in the walls.

721
00:33:30,120 --> 00:33:31,920
Speaker 2: They do no sorry. Hiding.

722
00:33:33,440 --> 00:33:36,479
Speaker 1: Hiding in a wall is a sophisticated form of hiding.

723
00:33:36,720 --> 00:33:39,000
Speaker 1: Hiding in a door is something that a five year

724
00:33:39,000 --> 00:33:40,360
Speaker 1: old does when you play hide and seek.

725
00:33:40,360 --> 00:33:42,160
Speaker 5: Whit there with his keyboard. You like that door? I

726
00:33:42,200 --> 00:33:43,080
Speaker 5: designed it myself.

727
00:33:44,000 --> 00:33:44,800
Speaker 2: It would be fretting.

728
00:33:44,880 --> 00:33:47,280
Speaker 1: They'd be fretting on the nevins, like dam we didn't

729
00:33:47,280 --> 00:33:49,840
Speaker 1: have looad how to hide sequence from?

730
00:33:50,560 --> 00:33:52,840
Speaker 3: What did we get this guy out of the real world?

731
00:33:53,600 --> 00:33:56,200
Speaker 2: We have such a real strict.

732
00:33:56,200 --> 00:33:58,760
Speaker 5: Nomination process on her to take out of the matrix.

733
00:33:58,800 --> 00:34:00,000
Speaker 2: And someone said the door.

734
00:34:00,640 --> 00:34:01,840
Speaker 3: I might have been born in Zion.

735
00:34:04,600 --> 00:34:05,480
Speaker 2: Your mum wanted you on.

736
00:34:05,440 --> 00:34:08,719
Speaker 1: A ship alternally that otherwise you just stumbled into the

737
00:34:08,800 --> 00:34:11,040
Speaker 1: room where Morpheus does the scene with the red and

738
00:34:11,040 --> 00:34:19,080
Speaker 1: blue pill and just dumped a blue pill. Us.

739
00:34:19,239 --> 00:34:21,359
Speaker 5: Oh, good God with us?

740
00:34:24,160 --> 00:34:27,600
Speaker 1: So anyway, So the glitch in the matrix thing brings

741
00:34:27,640 --> 00:34:30,120
Speaker 1: me back to the fish in the bowl, because the glitch,

742
00:34:30,280 --> 00:34:31,320
Speaker 1: that's what I love about the matrix.

743
00:34:31,360 --> 00:34:33,880
Speaker 2: Anyone that's a big matrix fan is.

744
00:34:34,560 --> 00:34:39,160
Speaker 1: That it's such a great analysis of how our.

745
00:34:39,000 --> 00:34:40,040
Speaker 5: Experience actually works.

746
00:34:40,080 --> 00:34:44,799
Speaker 1: These machines build this reality where they have to think

747
00:34:44,840 --> 00:34:46,880
Speaker 1: of everything all the way down to the wire. The

748
00:34:46,920 --> 00:34:49,839
Speaker 1: fascinating thing about that, and the more I thought about this,

749
00:34:50,000 --> 00:34:55,920
Speaker 1: is we don't have a sensory organ which is dedicated

750
00:34:55,960 --> 00:35:02,120
Speaker 1: to detecting time. We move through time, experience time. We

751
00:35:02,200 --> 00:35:05,920
Speaker 1: can't pinpoint time like a sense We just move through it.

752
00:35:06,200 --> 00:35:08,239
Speaker 1: Unlike Doctor Manhattan we have.

753
00:35:08,719 --> 00:35:09,920
Speaker 2: We move through time.

754
00:35:10,400 --> 00:35:13,239
Speaker 1: And I think that that's what's amazing about deja vu

755
00:35:13,360 --> 00:35:14,560
Speaker 1: is it makes you look at time.

756
00:35:14,600 --> 00:35:17,440
Speaker 2: It makes you realize, oh, that's right.

757
00:35:17,680 --> 00:35:20,920
Speaker 1: I'm in this experience where I can where time moves

758
00:35:21,239 --> 00:35:21,600
Speaker 1: through me.

759
00:35:21,640 --> 00:35:23,360
Speaker 2: And you have to actually look at it. So I

760
00:35:23,360 --> 00:35:24,200
Speaker 2: find that really interesting.

761
00:35:24,239 --> 00:35:25,920
Speaker 1: And that's why a lot of people feel as if

762
00:35:25,920 --> 00:35:27,440
Speaker 1: when they have deja vu, that they can tell you

763
00:35:27,520 --> 00:35:27,879
Speaker 1: what's going.

764
00:35:27,840 --> 00:35:30,719
Speaker 2: To happen next. I know it's going to happen next.

765
00:35:31,239 --> 00:35:31,680
Speaker 2: You don't.

766
00:35:31,760 --> 00:35:34,720
Speaker 1: But it makes you feel that way because something's changed

767
00:35:34,760 --> 00:35:37,080
Speaker 1: in the fabric of what's going on around you, and

768
00:35:37,120 --> 00:35:38,800
Speaker 1: that's what you know. Bring back to the fish in

769
00:35:38,840 --> 00:35:42,080
Speaker 1: the bowl. That's what's cool about deja vous because you're

770
00:35:42,120 --> 00:35:47,680
Speaker 1: looking at the time that you're swimming in like that

771
00:35:47,719 --> 00:35:49,080
Speaker 1: the young fish is swimming in the water.

772
00:35:50,239 --> 00:35:58,439
Speaker 5: That fish was the young fish older talking to himself. Oh, fish,

773
00:35:58,480 --> 00:35:59,359
Speaker 5: appreciate every day.

774
00:35:59,480 --> 00:36:00,479
Speaker 2: It's right, he is fair.

775
00:36:00,960 --> 00:36:03,279
Speaker 5: It was just fair in Roman times. It was a

776
00:36:03,360 --> 00:36:03,960
Speaker 5: Roman fish.

777
00:36:04,120 --> 00:36:07,960
Speaker 3: That bowl was on a gold deck, on a waterside manner.

778
00:36:08,400 --> 00:36:09,920
Speaker 5: Don't you think that old fish is talking to the

779
00:36:09,920 --> 00:36:15,880
Speaker 5: young fish like who am I?

780
00:36:16,239 --> 00:36:18,840
Speaker 3: All that's proven in forty minutes is that we still

781
00:36:18,960 --> 00:36:25,040
Speaker 3: don't understands. I know we're trying.

782
00:36:25,320 --> 00:36:26,879
Speaker 2: Do you want it? Do you want it again?

783
00:36:27,480 --> 00:36:27,560
Speaker 5: No?

784
00:36:27,680 --> 00:36:30,080
Speaker 3: I think like you you can't give it to us.

785
00:36:31,680 --> 00:36:34,560
Speaker 3: I'll explain it to you. There are two fish in

786
00:36:34,560 --> 00:36:37,120
Speaker 3: a bowl. There's a big fish in the little fish. Yes, okay,

787
00:36:37,160 --> 00:36:39,759
Speaker 3: the big fish tests of the little fish. How's the water?

788
00:36:40,000 --> 00:36:41,279
Speaker 3: Little fish doesn't know what water is.

789
00:36:41,280 --> 00:36:41,400
Speaker 1: Now.

790
00:36:41,440 --> 00:36:44,240
Speaker 3: The reason we've brought that up within DejaVu is because

791
00:36:44,280 --> 00:36:47,239
Speaker 3: in deja vu, when you experience dajava, it's the first

792
00:36:47,239 --> 00:36:50,239
Speaker 3: time that you feel like you are experiencing your own

793
00:36:50,280 --> 00:36:53,960
Speaker 3: reality within time. Yes, and if you don't experience, if

794
00:36:53,960 --> 00:36:56,120
Speaker 3: you're not doing deja vu, time just goes through it.

795
00:36:56,160 --> 00:36:58,960
Speaker 3: Don't experienced time, yes, but within dejava it's like, oh,

796
00:36:59,000 --> 00:37:01,480
Speaker 3: this has happened before, and oh my god, I am time.

797
00:37:01,400 --> 00:37:04,680
Speaker 2: Right, Yes, I mean yes, and that yes is why.

798
00:37:04,960 --> 00:37:10,000
Speaker 3: Yes, the big fish talking to the little fish is

799
00:37:10,600 --> 00:37:13,319
Speaker 3: a deja vu moment for the little fish when they

800
00:37:13,320 --> 00:37:14,279
Speaker 3: realize that they're in water.

801
00:37:15,040 --> 00:37:15,719
Speaker 2: Yeah, pretty good.

802
00:37:16,600 --> 00:37:19,080
Speaker 5: So when he's older, he'll have the same moment with

803
00:37:19,160 --> 00:37:20,000
Speaker 5: a younger fish.

804
00:37:20,800 --> 00:37:25,960
Speaker 3: Maybe, but totally irrelevant, but maybe.

805
00:37:27,520 --> 00:37:31,160
Speaker 1: I know the point is that the little fish doesn't

806
00:37:31,200 --> 00:37:32,399
Speaker 1: realize he's swimming in.

807
00:37:32,400 --> 00:37:36,239
Speaker 3: Water, and we don't realize that we're swimming in water.

808
00:37:36,360 --> 00:37:37,920
Speaker 2: We don't realize where where we have.

809
00:37:38,560 --> 00:37:41,640
Speaker 3: And we're like, wow, that is such a like bold

810
00:37:42,280 --> 00:37:46,000
Speaker 3: or full on experience of time because it's like, well,

811
00:37:46,000 --> 00:37:48,000
Speaker 3: where am I in the pastor a mind the future?

812
00:37:48,000 --> 00:37:50,560
Speaker 3: Remind the right now because it's like, because that confusion

813
00:37:50,560 --> 00:37:52,399
Speaker 3: you talked about, you're so confused, you don't know where

814
00:37:52,400 --> 00:37:52,719
Speaker 3: you are.

815
00:37:52,800 --> 00:37:55,640
Speaker 1: You're looking at your own experience, so you're like, wow,

816
00:37:55,719 --> 00:37:58,439
Speaker 1: you have this kind of like uprooting moment where you're like, oh, yeah,

817
00:37:58,440 --> 00:38:01,600
Speaker 1: that's right, I experience things. It makes you realize that

818
00:38:01,680 --> 00:38:06,040
Speaker 1: you experience things. We get so used to the way

819
00:38:06,080 --> 00:38:08,600
Speaker 1: that reality is, which is you're just constantly bombarded with

820
00:38:08,640 --> 00:38:12,480
Speaker 1: stuff that you forget that you're experiencing all this stuff.

821
00:38:12,560 --> 00:38:15,000
Speaker 1: Dejov makes you go like, oh my god, I've experienced

822
00:38:15,000 --> 00:38:15,359
Speaker 1: this before.

823
00:38:15,520 --> 00:38:18,080
Speaker 2: That's right, I experienced things funny.

824
00:38:18,080 --> 00:38:19,279
Speaker 3: How could we snap out of it though?

825
00:38:19,280 --> 00:38:19,480
Speaker 2: As well?

826
00:38:19,560 --> 00:38:21,120
Speaker 3: I'm me just go back to swimming around. Well, the

827
00:38:21,120 --> 00:38:23,520
Speaker 3: fishers goes like cool and then keeps swimming. That's humans.

828
00:38:23,560 --> 00:38:25,680
Speaker 3: We just go like, well, jeez, and that's like what's

829
00:38:25,680 --> 00:38:26,120
Speaker 3: for lunch?

830
00:38:26,320 --> 00:38:27,560
Speaker 2: Yeah, and then you go on to the next thing.

831
00:38:27,600 --> 00:38:29,680
Speaker 3: We just move on going on to the next did.

832
00:38:29,600 --> 00:38:32,080
Speaker 5: That which is a perfect segue.

833
00:38:32,360 --> 00:38:38,439
Speaker 2: Yes, I brought He's the king. He does it well.

834
00:38:40,200 --> 00:38:44,120
Speaker 5: Fun facts about Denzel Washington, who starred in the film

835
00:38:45,120 --> 00:38:49,520
Speaker 5: Deja Vu. Nice Kilma with Val Kilm. It would have

836
00:38:49,520 --> 00:38:51,319
Speaker 5: been better go with Val Kilma. Fact he has a

837
00:38:51,320 --> 00:38:53,560
Speaker 5: documentary out by the way, goes he really vowel?

838
00:38:53,760 --> 00:38:55,000
Speaker 2: Yeah?

839
00:38:55,080 --> 00:38:56,200
Speaker 5: Yeah, it looks amazing.

840
00:38:55,880 --> 00:38:58,080
Speaker 2: About him filming himself too much, and.

841
00:38:57,880 --> 00:39:00,320
Speaker 5: How he films and videos of him all of his

842
00:39:00,400 --> 00:39:00,879
Speaker 5: film and.

843
00:39:00,920 --> 00:39:03,480
Speaker 2: He was obsessed with filming himself when he was hot

844
00:39:03,560 --> 00:39:06,920
Speaker 2: vow I think hot vowel fat voul. I think he

845
00:39:07,000 --> 00:39:12,720
Speaker 2: was just home mo. Yeah, yeah, obsessed with filming.

846
00:39:12,760 --> 00:39:16,799
Speaker 5: Do you want to have five interesting facts? Absolutely notoriously

847
00:39:16,880 --> 00:39:18,040
Speaker 5: difficult to work with.

848
00:39:18,360 --> 00:39:19,479
Speaker 2: He was a genuine weird.

849
00:39:19,600 --> 00:39:22,760
Speaker 5: He was a method actor, and like that goes two ways,

850
00:39:22,800 --> 00:39:25,440
Speaker 5: Like Russell Crow's a method actor. I think people pretty

851
00:39:25,480 --> 00:39:27,440
Speaker 5: much respect him, respect the process.

852
00:39:27,520 --> 00:39:28,920
Speaker 2: Is Russell Crowe a method actor?

853
00:39:29,040 --> 00:39:34,040
Speaker 5: I think so. Jared Leto would do it, and I

854
00:39:34,080 --> 00:39:36,840
Speaker 5: think everyone just pretty much thinks he's a knob.

855
00:39:37,080 --> 00:39:40,200
Speaker 3: Jared Leto would send used condoms and dead rats to

856
00:39:40,200 --> 00:39:45,360
Speaker 3: Margot Robbie during Suicide Squad. She was like, what the fuck, Jared,

857
00:39:45,880 --> 00:39:47,880
Speaker 3: what don't send me use condoms?

858
00:39:48,400 --> 00:39:52,879
Speaker 1: Jared Leto would send Margot Robbie used condoms and dead rats.

859
00:39:52,880 --> 00:39:54,920
Speaker 3: During film like love letters like written in blood.

860
00:39:55,160 --> 00:39:56,320
Speaker 2: As the joke, the joker.

861
00:39:56,440 --> 00:39:58,200
Speaker 5: Yeah, he should not have cast him as the joker

862
00:39:58,320 --> 00:40:00,200
Speaker 5: pretty well because it was it was as a woman

863
00:40:00,400 --> 00:40:00,640
Speaker 5: in the.

864
00:40:00,680 --> 00:40:03,080
Speaker 2: Care of your method acting. Though. I liked, mate, what

865
00:40:03,200 --> 00:40:06,160
Speaker 2: the fuck? Yeah, it's just super weird.

866
00:40:06,200 --> 00:40:09,000
Speaker 1: That's just like, yeah, what point do we give these

867
00:40:09,040 --> 00:40:11,319
Speaker 1: Like at what point does the method acting cut?

868
00:40:11,400 --> 00:40:14,720
Speaker 2: Blanche Card? Yeah, you know, how long does that last?

869
00:40:14,760 --> 00:40:18,000
Speaker 5: For? Matthew McConaughey did that film Dallas Buyers Club and

870
00:40:18,040 --> 00:40:19,960
Speaker 5: basically asked what it was like to work with Jared

871
00:40:20,000 --> 00:40:22,040
Speaker 5: leading is, I don't know, I've never met him. Yeah,

872
00:40:22,080 --> 00:40:24,400
Speaker 5: because he was just the character the whole time. Real.

873
00:40:24,680 --> 00:40:26,839
Speaker 3: I thought that Jim Carrey, Jim and Andy. You've seen that,

874
00:40:26,920 --> 00:40:32,000
Speaker 3: Jim care Andy Kaufman. Yeah, And as Martin Freeman recently said,

875
00:40:32,000 --> 00:40:33,680
Speaker 3: he was like, that is the most pretentious piece of

876
00:40:33,719 --> 00:40:35,880
Speaker 3: shit I've ever seen, really in my life. Like, what

877
00:40:35,920 --> 00:40:38,759
Speaker 3: an asshole you have to everyone so mainly and make

878
00:40:38,800 --> 00:40:40,799
Speaker 3: that make the process so difficult to try.

879
00:40:40,960 --> 00:40:43,040
Speaker 1: He had that, Oh my god, when he was the

880
00:40:43,520 --> 00:40:46,000
Speaker 1: old Andy's alter ego, that was terrifying.

881
00:40:46,000 --> 00:40:47,920
Speaker 5: I don't tell you what it worked.

882
00:40:48,200 --> 00:40:49,640
Speaker 3: It's a great performance that.

883
00:40:50,440 --> 00:40:53,239
Speaker 5: He wanted Golden Globe. Yeah, playing Andy Kaufman in that

884
00:40:53,280 --> 00:40:54,680
Speaker 5: movie Man on the Strawary movie.

885
00:40:54,760 --> 00:40:57,120
Speaker 3: Daniel d Lewison, the one obviously famous for method. Apparently

886
00:40:57,160 --> 00:41:00,600
Speaker 3: he in My Left Foot where he's in a wheelchair.

887
00:41:00,880 --> 00:41:02,640
Speaker 3: He refused to get out of his wheelchair and then

888
00:41:02,680 --> 00:41:04,600
Speaker 3: on one day there was he had to get on

889
00:41:04,640 --> 00:41:06,520
Speaker 3: set and they couldn't. They were with all these wires

890
00:41:07,120 --> 00:41:09,120
Speaker 3: and they were like, Daniel was like, can you move

891
00:41:09,120 --> 00:41:11,480
Speaker 3: the wires? He's in his wheelchair and the director was

892
00:41:11,520 --> 00:41:13,560
Speaker 3: just like make he's get the fun out of your

893
00:41:13,640 --> 00:41:17,439
Speaker 3: chair and walk over the wires please, And Daniel, because

894
00:41:17,440 --> 00:41:19,200
Speaker 3: he was so angry about being told toe out of

895
00:41:19,239 --> 00:41:25,600
Speaker 3: his chair, shut his pants. You can look that up.

896
00:41:25,920 --> 00:41:29,359
Speaker 3: What he just shut his pants? What are you gonna

897
00:41:29,360 --> 00:41:31,200
Speaker 3: do about that?

898
00:41:34,239 --> 00:41:39,680
Speaker 2: It was the ultimate flex. He obviously didn't say, what

899
00:41:39,719 --> 00:41:44,600
Speaker 2: are you going to do after? Shut himself? Yeah?

900
00:41:45,160 --> 00:41:50,000
Speaker 5: What are you gonna do? A filming his face?

901
00:41:50,520 --> 00:41:53,120
Speaker 3: So in Lincoln apparently, yeah, so he refused to use

902
00:41:53,120 --> 00:41:56,120
Speaker 3: any technology that wasn't available in Lincoln's time.

903
00:41:56,719 --> 00:42:03,040
Speaker 5: Spielbergs his phone rings. Spielberg gotta take this, it's l

904
00:42:03,080 --> 00:42:06,840
Speaker 5: A and he goes, what is this strange? De minds

905
00:42:06,840 --> 00:42:10,000
Speaker 5: you've got there? Step he did.

906
00:42:10,080 --> 00:42:12,719
Speaker 1: And if he's playing Lincoln and he's doing dealing with

907
00:42:12,719 --> 00:42:16,520
Speaker 1: the technology, didn't that mean he's probably not using a

908
00:42:16,600 --> 00:42:17,400
Speaker 1: toilet either.

909
00:42:18,480 --> 00:42:20,440
Speaker 2: He's backed his on set.

910
00:42:22,200 --> 00:42:26,440
Speaker 1: Daniel, what do you know about that?

911
00:42:27,480 --> 00:42:27,880
Speaker 2: Nothing?

912
00:42:28,400 --> 00:42:29,240
Speaker 5: Oh?

913
00:42:29,360 --> 00:42:31,239
Speaker 3: He's in love letters to Nicole Kimman as well.

914
00:42:31,480 --> 00:42:33,640
Speaker 2: Daniel, my favorite Daniel j Lewis.

915
00:42:34,160 --> 00:42:36,440
Speaker 3: Yeah, when we're were acting in this, in the performance

916
00:42:36,440 --> 00:42:42,240
Speaker 3: where they were lovers, Daniel would slip letters underneath it okay, okay,

917
00:42:42,480 --> 00:42:45,839
Speaker 3: trailer and he'd watch her scenes. So if he wasn't,

918
00:42:45,840 --> 00:42:47,640
Speaker 3: he wasn't due on set, Like it's like, Daniel, we're

919
00:42:47,640 --> 00:42:49,520
Speaker 3: not we don't need you. Yeah, And he would sit

920
00:42:49,600 --> 00:42:53,600
Speaker 3: on set and watch Nicole scenes as as her lover. Yeah,

921
00:42:53,760 --> 00:42:56,200
Speaker 3: like trust her lover. It's a blurry area.

922
00:42:56,400 --> 00:42:56,600
Speaker 5: Yeah.

923
00:42:56,680 --> 00:42:59,960
Speaker 1: My favorite Daniel Lewis method acting bit was the last

924
00:43:00,000 --> 00:43:02,480
Speaker 1: the Mohicans bit where they just left him alone with

925
00:43:02,520 --> 00:43:05,600
Speaker 1: a whole bunch of Native American Indians for like six

926
00:43:05,680 --> 00:43:08,480
Speaker 1: months in the middle of the forest in North America.

927
00:43:08,520 --> 00:43:10,480
Speaker 2: He was like, just dropped me off, I don't want

928
00:43:10,520 --> 00:43:11,160
Speaker 2: to see you guys.

929
00:43:11,520 --> 00:43:14,560
Speaker 1: And they came back and he grown his hair like

930
00:43:14,600 --> 00:43:16,279
Speaker 1: pass his shoulders and he could run.

931
00:43:16,360 --> 00:43:17,880
Speaker 2: If you watch the movie, it's the opening.

932
00:43:18,080 --> 00:43:21,120
Speaker 1: The opening scene is him chasing a deer at full

933
00:43:21,160 --> 00:43:24,680
Speaker 1: tilt with a musket like a not like a musket

934
00:43:24,680 --> 00:43:27,640
Speaker 1: from like the seventeen eighteen hundreds, And when they got there,

935
00:43:27,719 --> 00:43:30,360
Speaker 1: he could run at full tilt at the same time,

936
00:43:30,640 --> 00:43:35,120
Speaker 1: load and shoot like a vintage musket and kill a

937
00:43:35,160 --> 00:43:35,799
Speaker 1: deer at like.

938
00:43:35,880 --> 00:43:37,000
Speaker 2: One hundreds away.

939
00:43:38,040 --> 00:43:40,280
Speaker 5: An oscar for that, but then, yeah, all of a sudden.

940
00:43:40,320 --> 00:43:43,520
Speaker 1: His recent last method role was that Phantom Thread film,

941
00:43:43,560 --> 00:43:46,680
Speaker 1: and he finished that and was like, sewing's the life

942
00:43:46,680 --> 00:43:49,440
Speaker 1: for me, guys. Yeah, it's quid acting to become a seamstress.

943
00:43:49,560 --> 00:43:53,799
Speaker 3: Yeah, crazy, yeah, true story, wild, phenomenal.

944
00:43:54,840 --> 00:43:57,920
Speaker 2: Denzel Washington facts hit me. I'm ready dejeva.

945
00:43:57,960 --> 00:44:00,600
Speaker 5: I'm not ready for dejav Denzel facts because I found

946
00:44:00,600 --> 00:44:01,799
Speaker 5: out what that thing was.

947
00:44:02,000 --> 00:44:02,720
Speaker 3: Oh my god.

948
00:44:02,760 --> 00:44:06,759
Speaker 5: It wasn't a spare, wasn't a There was your one,

949
00:44:06,800 --> 00:44:07,839
Speaker 5: your example of it I was calling.

950
00:44:08,360 --> 00:44:10,719
Speaker 3: I was saying, Pharaoh, so.

951
00:44:11,920 --> 00:44:14,400
Speaker 5: Get a fix. Was the character and asterisk and oblix

952
00:44:14,400 --> 00:44:16,720
Speaker 5: which I read as a kid. It was a druid,

953
00:44:17,200 --> 00:44:18,680
Speaker 5: a druid, a druid.

954
00:44:19,200 --> 00:44:19,840
Speaker 3: He had a.

955
00:44:19,719 --> 00:44:27,200
Speaker 5: Golden so far and a golden sickle, a sickle sickle

956
00:44:28,120 --> 00:44:30,759
Speaker 5: searching for and he would make a magic potion which

957
00:44:30,760 --> 00:44:33,359
Speaker 5: would help them fight the room.

958
00:44:32,640 --> 00:44:34,920
Speaker 3: The sickle sickle.

959
00:44:35,239 --> 00:44:38,239
Speaker 5: What I was trying to say, like a druid back

960
00:44:38,280 --> 00:44:41,080
Speaker 5: in the day would have gotten you like that that

961
00:44:41,480 --> 00:44:45,680
Speaker 5: riverside property with the golden Yeah, the druids out at all.

962
00:44:46,360 --> 00:44:49,440
Speaker 1: What you're thinking about is hammer and sickle, which is

963
00:44:49,440 --> 00:44:52,080
Speaker 1: the communist emblem.

964
00:44:52,160 --> 00:44:54,120
Speaker 3: Oh yeah, I wasn't thinking about that, but that's to

965
00:44:54,120 --> 00:44:54,680
Speaker 3: come to mind.

966
00:44:58,440 --> 00:45:00,319
Speaker 5: Yeah, look, I'm gonna be honest. I did this just

967
00:45:00,320 --> 00:45:03,040
Speaker 5: before we started recording the podcast, and when the first

968
00:45:03,120 --> 00:45:05,120
Speaker 5: article that pops up when you googled saying give me

969
00:45:05,200 --> 00:45:08,680
Speaker 5: some really good Denzela and.

970
00:45:08,640 --> 00:45:10,640
Speaker 1: We've just hit you between the eyes with like six

971
00:45:10,840 --> 00:45:12,080
Speaker 1: amazing Daniel.

972
00:45:11,800 --> 00:45:16,920
Speaker 5: Da Lewis facts to win the podcast. We go along

973
00:45:16,960 --> 00:45:20,920
Speaker 5: and just could take us on a chat about Denzel

974
00:45:21,000 --> 00:45:23,239
Speaker 5: that is almost as interesting as my left foot.

975
00:45:23,800 --> 00:45:24,200
Speaker 1: Uh.

976
00:45:25,200 --> 00:45:31,480
Speaker 5: In fact number one, he's named after his father. Oh,

977
00:45:31,840 --> 00:45:39,400
Speaker 5: he was named after the doctor who delivered him. Very good.

978
00:45:39,400 --> 00:45:41,280
Speaker 2: Actually, you haven't brought your thing in this yell.

979
00:45:41,320 --> 00:45:44,040
Speaker 3: No, you know how you're turning about segways before my

980
00:45:44,160 --> 00:45:47,719
Speaker 3: bid was my belief in reincarnation. Oh nice, which you

981
00:45:47,760 --> 00:45:50,279
Speaker 3: didn't realize bringing.

982
00:45:51,680 --> 00:45:58,880
Speaker 5: Talking about is a gester doing gags.

983
00:46:00,080 --> 00:46:01,040
Speaker 3: Actually previous life.

984
00:46:01,120 --> 00:46:03,960
Speaker 5: You're on a stage, the King's about to behead you.

985
00:46:03,960 --> 00:46:06,200
Speaker 3: No, I just fall over. I would fall over, and

986
00:46:07,280 --> 00:46:10,359
Speaker 3: you've done that now. The King loved that gear. If

987
00:46:10,360 --> 00:46:12,120
Speaker 3: I chopped a finger off, he would be like, that

988
00:46:12,239 --> 00:46:15,880
Speaker 3: is the best gy you He would would I would have.

989
00:46:15,920 --> 00:46:19,040
Speaker 5: Killed him again.

990
00:46:19,800 --> 00:46:22,000
Speaker 3: Jesus Christ, he's doing the fall over the game again.

991
00:46:22,960 --> 00:46:23,359
Speaker 1: That man.

992
00:46:24,280 --> 00:46:24,839
Speaker 3: Check you out.

993
00:46:24,960 --> 00:46:26,120
Speaker 2: I'll see you guys next time.