WEBVTT - FULL: Barker's Eggs

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<v Speaker 1>Quest.

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<v Speaker 2>Yeah, welcome friends to the Christian O'Connell show podcast.

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<v Speaker 3>I right to bross the band never did get a response.

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<v Speaker 4>Yeah, I'm ready, So.

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<v Speaker 5>Come on, old timers, you put the left leg in

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<v Speaker 5>and lift David up.

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<v Speaker 6>The Christian O'Connell Show Gold one O four point.

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<v Speaker 5>Hey, good morning, Monday morning, five minutes past six.

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<v Speaker 3>It's the Christian O'Connell's show.

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<v Speaker 5>Good morning, Jackie boy, Hi Christian. I'm a lot better today.

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<v Speaker 5>Patsy though sadly not with us. Patsy and I cannot

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<v Speaker 5>be in the same radio show together now it's one in,

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<v Speaker 5>one out. Patsy's not very well now. She was also

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<v Speaker 5>fighting on the undercard yesterday in Saddi Araba for the

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<v Speaker 5>Tyson Fury in Ghana fight. You see she knocked out

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<v Speaker 5>Logan Pole in the first round. Amazing. So she's partying

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<v Speaker 5>in Saudi Rock in the canspar hopefully back on the

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<v Speaker 5>show tomorrow or Wednesday.

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<v Speaker 3>I come in this morning. Do you have a wake up?

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<v Speaker 5>Sometimes where from a dream and then you were oh god,

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<v Speaker 5>that was actually just a dream.

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<v Speaker 3>That's not my life.

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<v Speaker 5>Some celebrities appeared to me in my dream, offering me

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<v Speaker 5>a job. Jack offering me a job for a brief way.

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<v Speaker 5>I thought I had a way out of this place, but.

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<v Speaker 3>Now for an eternity, an eternity in my dream, right,

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<v Speaker 3>you know, I love the podcast SmartLess. Yes, Will Arnette

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<v Speaker 3>called me. Okay, they were kicking off Sean.

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<v Speaker 4>I love Sean on that podcast.

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<v Speaker 5>Well they I don't hate. I was the messenger of

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<v Speaker 5>what appeared to me in this dream. I swear to

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<v Speaker 5>god this was a dream.

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<v Speaker 7>Right.

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<v Speaker 5>I'm driving from the studio right, and I see it's

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<v Speaker 5>Will on it. I don't have him in my phone, right,

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<v Speaker 5>but in the dream, this is my life. I don't

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<v Speaker 5>know what's happened between now and how I get Will

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<v Speaker 5>on it's phone number. Anyway, Willette's called him, right, and

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<v Speaker 5>he's saying hey, you know, and it was his voice.

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<v Speaker 5>He was in the dream, and I could hear Jason

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<v Speaker 5>Bateman in the background, who does this podcast with him, right,

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<v Speaker 5>called Smartness, and he was laughing as well. And they

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<v Speaker 5>were offering me a job. They were kicking off Sean,

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<v Speaker 5>and they wanted me to come and do the show.

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<v Speaker 5>And then obviously the dream ended. It just ended like that.

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<v Speaker 4>First of all, how did you react, well, did you

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<v Speaker 4>take the job? Straight away, or did you think about

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<v Speaker 4>the commitments you have here?

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<v Speaker 5>The dream just ended, Jackiet, It just sort of went

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<v Speaker 5>through and it was over. And then I woke up

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<v Speaker 5>and I was just like, God, damn it, that isn't reality.

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<v Speaker 5>What a cruel dream. Who's had a celebrity job offer

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<v Speaker 5>in their dreams? And then just like, why would my

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<v Speaker 5>dreams do that to me?

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<v Speaker 4>I had a dream once that I was dating Amy

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<v Speaker 4>Shark and the dream was just.

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<v Speaker 3>In case you've got to new she is.

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<v Speaker 4>We were in the back of an uber together talking

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<v Speaker 4>about our relationship.

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<v Speaker 5>When you're dating her, I was dating her in the dream.

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<v Speaker 5>What's happened to your wife and kids?

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<v Speaker 4>It's just one of those alternate dream realities where she

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<v Speaker 4>didn't ever exist.

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<v Speaker 7>That isn't to me on smartness, how did Christian get

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<v Speaker 7>on that?

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<v Speaker 4>And I woke up. I've told since told Biancher about

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<v Speaker 4>the dream, and she has never liked Amy Shark since then.

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<v Speaker 1>No.

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<v Speaker 5>See, I think if you turn a woman that you've

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<v Speaker 5>been seeing someone in a dream in their minds, it's

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<v Speaker 5>the same as reality. I once had a dream about Madonna. Okay,

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<v Speaker 5>my wife now even when she sees Madonna's TV she

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<v Speaker 5>goes see your friend.

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<v Speaker 7>I'm not had dreams and nonsense.

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<v Speaker 3>That was it.

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<v Speaker 7>I've never thought about it in that way before. I

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<v Speaker 7>just had a dream.

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<v Speaker 4>I gotta say, you press play on a lot of man.

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<v Speaker 4>Now you know why?

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<v Speaker 5>Now you know why, Caitlin, who have you had a

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<v Speaker 5>celebrity in your dream?

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<v Speaker 1>Yes?

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<v Speaker 8>But I wasn't dating them. It was Sandra Bullock, who

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<v Speaker 8>we all know. I absolutely love.

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<v Speaker 5>An a door I like you say that we all know. Yeah,

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<v Speaker 5>I mean a lot, a lot goes on in my life.

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<v Speaker 5>There does the stuff I do know. I haven't got

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<v Speaker 5>that permanently action to my life. I don't see you

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<v Speaker 5>and go Sandra Bullock.

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<v Speaker 8>Well she is. So just know from now on that

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<v Speaker 8>I love her more than anything. And I've had two

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<v Speaker 8>dreams in my lifetime.

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<v Speaker 5>Where these radio are these radio friendly? These dreams because

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<v Speaker 5>you weren't even dating.

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<v Speaker 8>No, no, no, we weren't dating or anything. I just

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<v Speaker 8>want to be her friend and in the dreams.

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<v Speaker 3>So what are you like a stalker?

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<v Speaker 1>No?

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<v Speaker 8>I just work with her because I work in media. Obviously,

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<v Speaker 8>I'm used to being around.

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<v Speaker 3>That watch outside of here with you guys. This is

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<v Speaker 3>a big show, steady ho, it's this media gold Rock

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<v Speaker 3>four point three?

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<v Speaker 4>Is this mediam and what was your role?

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<v Speaker 8>And so I was just working with her. I have

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<v Speaker 8>no idea how I was there, but it was natural

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<v Speaker 8>in the dream, and we got along so well.

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<v Speaker 3>It was organic, It.

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<v Speaker 8>Was organic, and yeah, we got along so well that

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<v Speaker 8>we became friends. And then I woke up from that

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<v Speaker 8>and realized that in fact I.

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<v Speaker 3>Was Were you depressed?

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<v Speaker 4>It was so there was that first few minutes, I'm

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<v Speaker 4>waking out. Yeah, yeah, you're really bunding.

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<v Speaker 8>You've got to like pull yourself out of the dream.

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<v Speaker 8>Just be like, okay, reality, Where am I? What's happening?

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<v Speaker 3>No?

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<v Speaker 8>That wasn't real good.

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<v Speaker 3>I don't work with Sandra Bullet all right?

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<v Speaker 4>Against Christian will do well.

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<v Speaker 3>You don't know is he going to be here?

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<v Speaker 2>Is he joined SmartLess The Christian O'Connell show podcast.

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<v Speaker 5>That's a celebrity or celebrities appeared in a dream? Nine

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<v Speaker 5>four one four one o four three two were dreams, right,

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<v Speaker 5>They're a magical, mystical thing. We got to sleep, right,

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<v Speaker 5>and then stories are made that we create or someone

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<v Speaker 5>else does whatever it goes on in her head whilst

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<v Speaker 5>we're sleep. We're also kept alive and our body is

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<v Speaker 5>being breathed as well, whereas sweet, you.

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<v Speaker 7>Know nothing about it.

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<v Speaker 5>I was just telling jack El years ago Chanta guys

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<v Speaker 5>are literally A professor of dreams at Cambridge University in

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<v Speaker 5>one of the world's foremost experts about what happens with dreaming,

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<v Speaker 5>and he said, we only know about five percent of

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<v Speaker 5>what goes on. The rest of it is basically people

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<v Speaker 5>like me speculating. This is what we think happens when

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<v Speaker 5>we go to sleep, and what dreams are about. Saturday night,

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<v Speaker 5>we were out to dinner with this couple and they've

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<v Speaker 5>lived in Australia for about fifteen years. They're Swiss and

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<v Speaker 5>Chandler wife. And I said, so are you now They've

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<v Speaker 5>got citls and shouldn't have got passport. So I said,

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<v Speaker 5>so you now, do you identify as or straining? She goes, well,

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<v Speaker 5>I do now the last couple of years. She goes,

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<v Speaker 5>for all my life and even thought about this, She says,

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<v Speaker 5>for all my life I dreamt and obviously in the

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<v Speaker 5>dream Swiss, now get this. I can't sit thinking about

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<v Speaker 5>it since Saturday night. Her dreams she dreams in English

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<v Speaker 5>for us, that's just how you dream right. Her brain

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<v Speaker 5>has rewired in the last couple of years. In the

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<v Speaker 5>last couple she dreams now in a different language.

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<v Speaker 4>Yes, I wonder though when she has dreams about going

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<v Speaker 4>I often still have dreams where I'm back in high

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<v Speaker 4>school and it's not weird to be in high school again.

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<v Speaker 4>If she goes back to Swiss or does she go back?

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<v Speaker 3>There is English to ask her.

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<v Speaker 5>Yeah, I didn't know that what someone's brain would rewire.

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<v Speaker 5>They're now dream an entirely different language like your brain.

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<v Speaker 3>Your dream's update.

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<v Speaker 5>All right, So celebrities appearing in dreams nine four one

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<v Speaker 5>four one oh four three.

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<v Speaker 7>Brad, good morning.

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<v Speaker 9>Good morning, Christian.

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<v Speaker 10>How are you.

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<v Speaker 5>I'm good, Brad. I hope you had a lovely weekend.

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<v Speaker 5>So who appeared? Which famous person?

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<v Speaker 9>Uh? Soberlanka the tennis player who won the Australian Open

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<v Speaker 9>this year.

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<v Speaker 3>That is a very specific dream. And are you professional

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<v Speaker 3>tennis player?

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<v Speaker 4>Do you train them not playets themselves like tents?

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<v Speaker 9>So I was watching a tennis she won the Tomer

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<v Speaker 9>and of course she was great, and then I had

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<v Speaker 9>a dream that I somehow want a chance to play

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<v Speaker 9>against the in like a big excission match in a

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<v Speaker 9>in a stadium full of people, and she was so

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<v Speaker 9>mad that I was so embarrassingly bad to play against,

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<v Speaker 9>and I was hopeless and should just give me death

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<v Speaker 9>theirs the entire match, and I felt so awful.

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<v Speaker 5>It's a kind of cruel dream, isn't it, because it

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<v Speaker 5>builds your hopes up, and you know, it's even the

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<v Speaker 5>way that you'd even like. It's not like you're in

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<v Speaker 5>a grand Slam. It's a measured kind of dream, isn't it.

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<v Speaker 5>You're in a it's a competition, in an exhibition sort

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<v Speaker 5>of match.

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<v Speaker 9>Yeah, and she was pissed up, they see it was

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<v Speaker 9>forced to do it and play against the complete complete.

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<v Speaker 4>Le See, this is what's so cool about dreams. Somewhere

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<v Speaker 4>in our body, we're creating the dream. Why can't we

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<v Speaker 4>just make it you win?

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<v Speaker 5>I'm surely the dream is something that's above realistic expectations,

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<v Speaker 5>a chance to dream.

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<v Speaker 3>Brad, I'm sorry to here that happened to you in

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<v Speaker 3>the dream.

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<v Speaker 6>Christian Connall Show podcast.

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<v Speaker 5>Good morning to Now, Christian. I once had a dream

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<v Speaker 5>slash nightmare. When I if you've ever had a nightmare

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<v Speaker 5>involving a celebrity, I even more want to hear that. Okay,

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<v Speaker 5>why do we create such torment? For ourselves while we're asleep.

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<v Speaker 5>They're supposed to be dreams. Christian I once had a

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<v Speaker 5>dream slash nightmare where my favorite actress was driving a train,

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<v Speaker 5>not only train, Thomas the tank engine, and.

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<v Speaker 7>It was she was driving it straight for me. Why

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<v Speaker 7>wouldn't she be doing that, Jill, that's so cruel?

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<v Speaker 5>All right, let's talk about big performances and well done

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<v Speaker 5>to everyone who courageously came forward a couple of weeks

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<v Speaker 5>ago when we said, if we were going to put

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<v Speaker 5>on our own high school musical but for grown ups

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<v Speaker 5>who never got a speaking role back in the day,

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<v Speaker 5>would you be up for this? And on Thursday night

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<v Speaker 5>it happened. There were eighteen eighteen of you on stage

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<v Speaker 5>to our very own bar version of Grease sat here

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<v Speaker 5>in the eighties at a tape called Grouse the musical

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<v Speaker 5>Jackie Boy.

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<v Speaker 3>How well did everyone do?

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<v Speaker 4>Incredible for it's a memory that they're going to have

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<v Speaker 4>for the rest of their lives. Everybody was just so giddy, enthusiastic.

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<v Speaker 4>There was a lot of nerves beforehand, but they came

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<v Speaker 4>at it with the perfect attitude, and because it was

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<v Speaker 4>all their friends and family in the crowd, everybody was

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<v Speaker 4>really warm, and there was no awkwardness, even where people

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<v Speaker 4>were missing their lines on stage.

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<v Speaker 5>I had to sing yeah, you know color whiskerl We

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<v Speaker 5>didn't even have a script or a venue, and it's

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<v Speaker 5>come out of nowhere and then suddenly they're singing, and

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<v Speaker 5>I think, actually, a way, even though you know family

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<v Speaker 5>and friends are on your side, there's actually really nerve

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<v Speaker 5>reckon to get up in front of family and friends.

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<v Speaker 5>In fact, they're all strangers are sometimes easier.

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<v Speaker 4>Yeah, and they did an amazing job. And then at

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<v Speaker 4>the end of it was as if they won the

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<v Speaker 4>Grand Final. They were hugging and kissing and it was.

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<v Speaker 5>Like got great email here from someone who actually was

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<v Speaker 5>in the audience as well. Thank you to everyone who

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<v Speaker 5>came along and supported them and got around them. So

0:09:31.640 --> 0:09:34.040
<v Speaker 5>this is from Liz Christian. I was at this show

0:09:34.120 --> 0:09:36.080
<v Speaker 5>Thursday night. I was actually very grateful to go as

0:09:36.120 --> 0:09:39.680
<v Speaker 5>an audience member. The whole production was fantastic, funny, really

0:09:39.720 --> 0:09:42.760
<v Speaker 5>really amusing. Although the people sitting next to or obviously

0:09:42.760 --> 0:09:44.599
<v Speaker 5>didn't think so they left at the in.

0:09:45.080 --> 0:09:47.120
<v Speaker 7>They left on the intermission, never come back.

0:09:47.160 --> 0:09:48.160
<v Speaker 3>You know what you're seeing.

0:09:49.120 --> 0:09:51.360
<v Speaker 4>Had a good time, been Patty in her family.

0:09:51.080 --> 0:09:54.040
<v Speaker 3>Actually I did. When I read this, I thought you

0:09:54.120 --> 0:09:55.160
<v Speaker 3>sat next to Newman's.

0:09:57.440 --> 0:09:59.160
<v Speaker 5>We can't say any more on that because there's a

0:09:59.360 --> 0:10:01.280
<v Speaker 5>huge truth that none of us can ever speak of.

0:10:01.640 --> 0:10:05.240
<v Speaker 5>Any who can't say anymore because her mum monitors the

0:10:05.280 --> 0:10:10.199
<v Speaker 5>show when Patsy's non hello Mama. Newman had a good

0:10:10.200 --> 0:10:13.200
<v Speaker 5>time chatting with Jack and would like to thank Hoy

0:10:13.360 --> 0:10:16.360
<v Speaker 5>for taking the time to have a after show photo

0:10:16.400 --> 0:10:16.719
<v Speaker 5>with us.

0:10:16.920 --> 0:10:17.240
<v Speaker 3>Listen.

0:10:17.280 --> 0:10:20.760
<v Speaker 5>Liz Rest assured that man loves a photo, loves a

0:10:20.760 --> 0:10:21.360
<v Speaker 5>photo anyone.

0:10:21.440 --> 0:10:23.000
<v Speaker 3>Liz, thank you very much for being part of it.

0:10:23.240 --> 0:10:24.440
<v Speaker 3>You can see the video right.

0:10:24.520 --> 0:10:26.240
<v Speaker 5>Have everything that happened, Have a look no you confront

0:10:26.320 --> 0:10:29.680
<v Speaker 5>on Instagram and on Facebook. Go to the Christian O'Connell show.

0:10:29.920 --> 0:10:32.880
<v Speaker 5>Here's what happened Thursday night when eighteen of you stepped

0:10:32.960 --> 0:10:35.560
<v Speaker 5>up and said, you know what, I'm finally ready for

0:10:35.720 --> 0:10:37.400
<v Speaker 5>speaking and singing part.

0:10:37.440 --> 0:10:38.360
<v Speaker 3>Give me the stage.

0:10:38.440 --> 0:10:42.880
<v Speaker 11>After no auditions and only one rehearsal, the curtain went

0:10:43.040 --> 0:10:46.520
<v Speaker 11>up on grass on Musical.

0:10:46.320 --> 0:10:49.400
<v Speaker 4>On the counter, three say go graphs.

0:10:49.320 --> 0:10:50.560
<v Speaker 3>One too great.

0:10:54.400 --> 0:10:57.160
<v Speaker 11>Our cast hit the stage, but would they hit the

0:10:57.200 --> 0:10:57.800
<v Speaker 11>right notes?

0:11:08.240 --> 0:11:10.480
<v Speaker 7>There was some show stopping moments.

0:11:10.800 --> 0:11:12.160
<v Speaker 4>Sorry.

0:11:13.520 --> 0:11:19.640
<v Speaker 6>Halfway down page thirteen, are we missing what yeah, all right,

0:11:19.720 --> 0:11:20.839
<v Speaker 6>who wants to be in the show.

0:11:21.760 --> 0:11:25.240
<v Speaker 4>I'm sorry, I was apding to my mind.

0:11:25.240 --> 0:11:26.400
<v Speaker 7>They hit note.

0:11:29.080 --> 0:11:34.960
<v Speaker 12>After note the school dropout, go golders, span has set

0:11:35.080 --> 0:11:35.400
<v Speaker 12>for you?

0:11:36.160 --> 0:11:38.320
<v Speaker 7>After note mate.

0:11:38.240 --> 0:11:41.160
<v Speaker 13>Can't you see that sea gulls?

0:11:41.520 --> 0:11:54.520
<v Speaker 11>Nick to my goom sack too after note.

0:11:51.960 --> 0:11:55.320
<v Speaker 4>They didn't guys, we were entering the final scene of

0:11:55.360 --> 0:11:56.079
<v Speaker 4>the nine.

0:11:57.320 --> 0:12:03.880
<v Speaker 5>I know correct response, Well done.

0:12:04.920 --> 0:12:09.400
<v Speaker 7>It was a triumphon come on, come.

0:12:16.320 --> 0:12:18.600
<v Speaker 1>Inspired, the passion back up again. I want to keep going.

0:12:18.640 --> 0:12:21.439
<v Speaker 1>I want to keep singing and keep performing.

0:12:21.760 --> 0:12:24.960
<v Speaker 11>Just feel like a part of me from my childhood

0:12:24.960 --> 0:12:25.800
<v Speaker 11>that I've never got to do.

0:12:26.280 --> 0:12:27.000
<v Speaker 4>I've done it now.

0:12:27.080 --> 0:12:29.400
<v Speaker 8>It's just amazing, so I can tick that off the

0:12:29.400 --> 0:12:29.960
<v Speaker 8>bucket list.

0:12:30.080 --> 0:12:32.560
<v Speaker 14>We've come together. We've known each other all of four

0:12:32.679 --> 0:12:36.560
<v Speaker 14>or five days from our dress rehearsal, and everyone was

0:12:36.640 --> 0:12:41.760
<v Speaker 14>just so enthusiastic, so supportive, so caring, amazing.

0:12:41.880 --> 0:12:43.480
<v Speaker 15>I'm just rapped to have been able to do it,

0:12:43.520 --> 0:12:45.720
<v Speaker 15>because you know, you got to live, laugh right and

0:12:45.760 --> 0:12:47.960
<v Speaker 15>have fun. Can you please plan to Greece too, because

0:12:48.000 --> 0:12:48.959
<v Speaker 15>we've got to do this again.

0:12:49.280 --> 0:12:50.480
<v Speaker 7>This can't be a one off.

0:12:50.559 --> 0:12:51.480
<v Speaker 3>It's too much fun.

0:12:51.559 --> 0:12:53.319
<v Speaker 5>How lovely is that? Just hearing what it all meant?

0:12:53.320 --> 0:12:55.439
<v Speaker 5>To them, go and watch the video or chie you

0:12:55.520 --> 0:12:57.920
<v Speaker 5>up this morning. Head to Facebook and you can also

0:12:57.960 --> 0:13:01.920
<v Speaker 5>find us on Instagram. The Christian O'Connell's leave your messages underneath.

0:13:01.960 --> 0:13:04.120
<v Speaker 5>I know all the Castle Kroby looking at that as well.

0:13:04.160 --> 0:13:04.440
<v Speaker 7>Thank you.

0:13:04.480 --> 0:13:07.320
<v Speaker 6>It's Christian connell's show podcast.

0:13:07.840 --> 0:13:12.200
<v Speaker 5>What is your most hated, despised, treaded household chaw? Christian,

0:13:12.200 --> 0:13:14.440
<v Speaker 5>I would have to say the most despised household shaw

0:13:14.559 --> 0:13:16.319
<v Speaker 5>for me would be.

0:13:16.320 --> 0:13:21.680
<v Speaker 7>Cleaning my Venetian blinds. Oh, Crystal, the nightmare of it? Oh,

0:13:21.720 --> 0:13:22.720
<v Speaker 7>when will it ends?

0:13:22.760 --> 0:13:23.720
<v Speaker 3>The struggle is real?

0:13:24.480 --> 0:13:29.240
<v Speaker 5>Oh the Venetians, Derek, they need cleaning again, Venetian lines.

0:13:31.080 --> 0:13:34.959
<v Speaker 5>If it's a totem bowl of first world problems, hey,

0:13:35.600 --> 0:13:38.280
<v Speaker 5>Venetian blinds and the cleaning of that's going to be

0:13:38.360 --> 0:13:40.480
<v Speaker 5>near the first world problems.

0:13:40.400 --> 0:13:41.600
<v Speaker 3>Thank you, Crystal.

0:13:41.679 --> 0:13:42.880
<v Speaker 7>Christian. Is the dusting.

0:13:43.440 --> 0:13:46.400
<v Speaker 5>I don't think I've ever dusted in my life. This

0:13:46.559 --> 0:13:48.520
<v Speaker 5>The dusting stays clean for a couple of days and

0:13:48.520 --> 0:13:50.120
<v Speaker 5>then he's dusting again.

0:13:50.320 --> 0:13:54.480
<v Speaker 4>Who is dustings? Never use it?

0:13:54.600 --> 0:13:56.440
<v Speaker 3>No, I've never dusted.

0:13:56.760 --> 0:13:59.920
<v Speaker 5>For me, I would say it's actually putting the closes

0:14:00.120 --> 0:14:03.480
<v Speaker 5>out on the line, the pegs and then the dreaded,

0:14:04.080 --> 0:14:07.120
<v Speaker 5>and obviously because there's you know, the teenagers, what they

0:14:07.200 --> 0:14:08.000
<v Speaker 5>do with their clothes.

0:14:08.000 --> 0:14:10.480
<v Speaker 3>There's so much washing to do. It's relentless every day.

0:14:10.360 --> 0:14:12.880
<v Speaker 5>Is they don't put their clothes away right when I

0:14:12.960 --> 0:14:15.120
<v Speaker 5>go in there and go there's bedrooms, a tip, there's

0:14:15.120 --> 0:14:18.200
<v Speaker 5>closed this over the floor. They go fine, and then

0:14:18.240 --> 0:14:21.200
<v Speaker 5>they bring down and dump all those clothes out and went.

0:14:21.280 --> 0:14:25.920
<v Speaker 7>These are dirty, these are wrong. I just took these back.

0:14:25.800 --> 0:14:28.760
<v Speaker 5>Up as like sisyphus pushing the clothes the laundry basket

0:14:28.800 --> 0:14:29.480
<v Speaker 5>back up the hill.

0:14:29.720 --> 0:14:30.720
<v Speaker 7>I just took these up.

0:14:30.680 --> 0:14:31.240
<v Speaker 3>The other day.

0:14:31.840 --> 0:14:33.520
<v Speaker 5>This is so you don't have to fold it. You're

0:14:33.560 --> 0:14:35.320
<v Speaker 5>delaying it for a couple of days by getting me

0:14:35.400 --> 0:14:37.720
<v Speaker 5>to wash it again. So it's the it's the pulling

0:14:37.760 --> 0:14:39.440
<v Speaker 5>them out on the line and then getting off the

0:14:39.480 --> 0:14:42.160
<v Speaker 5>line and working out which is my wife's, which are

0:14:42.160 --> 0:14:45.280
<v Speaker 5>my daughters it's and that to me is my most

0:14:45.320 --> 0:14:47.840
<v Speaker 5>I dread it. I am in my relationship with my

0:14:47.920 --> 0:14:50.160
<v Speaker 5>wife and I I'm always the guy that makes the bed.

0:14:50.240 --> 0:14:52.480
<v Speaker 5>I don't mind doing that, but putting the clothes out

0:14:52.560 --> 0:14:53.400
<v Speaker 5>is my idea of Hell.

0:14:53.560 --> 0:14:56.040
<v Speaker 4>No, I hate the bed. That's my job in our

0:14:56.080 --> 0:14:58.880
<v Speaker 4>house as well. I hate getting the sheet on the corners,

0:14:58.880 --> 0:15:01.440
<v Speaker 4>but especially hat changing over the Douner cover.

0:15:01.640 --> 0:15:03.640
<v Speaker 5>Now is it the Douna cover. Yeah, you've got the

0:15:03.680 --> 0:15:05.280
<v Speaker 5>technique now because I've done that one. You know, I

0:15:05.280 --> 0:15:07.000
<v Speaker 5>think everyone has up just being this one where you

0:15:07.040 --> 0:15:07.720
<v Speaker 5>do it inside and.

0:15:08.080 --> 0:15:10.280
<v Speaker 4>Go inside out, you go in the corners, you become

0:15:10.320 --> 0:15:10.960
<v Speaker 4>a ghost, and.

0:15:10.920 --> 0:15:12.640
<v Speaker 5>Then you shake it down, yes, and then all you

0:15:12.720 --> 0:15:16.040
<v Speaker 5>got to do, and that's the really hardbit is buttoning

0:15:16.120 --> 0:15:16.920
<v Speaker 5>it back up again.

0:15:17.000 --> 0:15:18.680
<v Speaker 3>That's the worst bit. But you I think you've got

0:15:18.680 --> 0:15:19.600
<v Speaker 3>the ones where it's a zippy.

0:15:19.640 --> 0:15:21.400
<v Speaker 4>Even with the zipper. I hate it. It's my most

0:15:21.400 --> 0:15:24.680
<v Speaker 4>hated chore, only second to picking up the dog pools

0:15:24.720 --> 0:15:25.360
<v Speaker 4>in the backyard.

0:15:25.520 --> 0:15:28.320
<v Speaker 3>Oh god, that's just a humiliating task, isn't it? Just

0:15:28.560 --> 0:15:29.320
<v Speaker 3>the dog looks it.

0:15:29.440 --> 0:15:31.680
<v Speaker 5>My dog looks at me right, and I'm sure that

0:15:31.720 --> 0:15:34.360
<v Speaker 5>they're getting messages like so am I in charge of him?

0:15:34.360 --> 0:15:37.000
<v Speaker 5>I just crap and he picks up my boo. It's

0:15:37.120 --> 0:15:39.320
<v Speaker 5>it's a horrible humiliating task picking.

0:15:39.120 --> 0:15:39.720
<v Speaker 7>Up their poos.

0:15:39.800 --> 0:15:42.640
<v Speaker 4>I love being a dog owner, but I do think

0:15:42.680 --> 0:15:45.720
<v Speaker 4>sometimes when our dog's time has come, will we get

0:15:45.720 --> 0:15:47.760
<v Speaker 4>another dog? Because I hate picking up the poos.

0:15:47.800 --> 0:15:49.400
<v Speaker 7>Now that I'm.

0:15:49.280 --> 0:15:53.040
<v Speaker 5>Afraid is what I would call the bewitching our strong talk.

0:15:53.560 --> 0:15:57.520
<v Speaker 5>You were just telling me beautifully, how Gordon, your twenty

0:15:57.600 --> 0:16:00.120
<v Speaker 5>two month old boy loves his pet dog Lunar. He

0:16:00.200 --> 0:16:02.360
<v Speaker 5>adores loosen The next minute, this is what it is

0:16:02.400 --> 0:16:03.840
<v Speaker 5>to be a dad, because you can go from that

0:16:03.960 --> 0:16:05.280
<v Speaker 5>is lovely, that needs to end.

0:16:05.400 --> 0:16:05.720
<v Speaker 4>Enjoy it?

0:16:05.800 --> 0:16:09.080
<v Speaker 3>Why you can some You're already measuring up from dog coffin.

0:16:09.720 --> 0:16:10.400
<v Speaker 3>So what you want?

0:16:10.720 --> 0:16:13.160
<v Speaker 4>Have plenty of years left? But I just don't. I

0:16:13.280 --> 0:16:14.760
<v Speaker 4>just hate the boos in the backyard.

0:16:15.000 --> 0:16:17.840
<v Speaker 3>I just I'm telling you now, if anything was that

0:16:17.880 --> 0:16:19.800
<v Speaker 3>would Lunar your hundred getting a new one?

0:16:19.880 --> 0:16:22.360
<v Speaker 4>Yeah you could, I reckon, I go wing without that

0:16:22.440 --> 0:16:24.000
<v Speaker 4>presence in the house and want to replace it.

0:16:24.120 --> 0:16:24.680
<v Speaker 3>Absolutely not.

0:16:24.720 --> 0:16:26.360
<v Speaker 4>But the new one is learning to poo only at

0:16:26.400 --> 0:16:26.720
<v Speaker 4>the park.

0:16:28.600 --> 0:16:32.080
<v Speaker 2>This is the Christian o'connells show podcast.

0:16:32.400 --> 0:16:35.880
<v Speaker 3>What is your most hated despised household? Sure? Putting the

0:16:36.000 --> 0:16:37.840
<v Speaker 3>washing out, bringing it back in for me, check your

0:16:37.880 --> 0:16:38.320
<v Speaker 3>boy for you.

0:16:39.160 --> 0:16:41.240
<v Speaker 4>Dog poo's in the backyard, cleaning them up. And I

0:16:41.280 --> 0:16:42.880
<v Speaker 4>don't like changing the bed sheets.

0:16:43.920 --> 0:16:46.880
<v Speaker 5>Why why haven't you got a I invested in research

0:16:46.920 --> 0:16:50.960
<v Speaker 5>into a very long handled pooper Scooper, obviously, don't take

0:16:51.000 --> 0:16:53.560
<v Speaker 5>that out on her. I took it out like Wallace

0:16:53.600 --> 0:16:55.560
<v Speaker 5>and Gromma on a dog walm down there down the

0:16:55.600 --> 0:16:59.480
<v Speaker 5>oval with metallic arms, edward poopy hands, scooping all up

0:16:59.520 --> 0:17:00.720
<v Speaker 5>like some a snob.

0:17:00.960 --> 0:17:02.920
<v Speaker 3>I won't bend down and picked this muck up.

0:17:03.120 --> 0:17:05.679
<v Speaker 4>But in the backyard it's a brooming shovel.

0:17:06.320 --> 0:17:06.880
<v Speaker 3>It's not a broom.

0:17:06.920 --> 0:17:09.560
<v Speaker 5>It's a special kind of so I've got two attachments.

0:17:09.760 --> 0:17:12.520
<v Speaker 5>So they got like a fork, one a compress a button,

0:17:12.600 --> 0:17:14.800
<v Speaker 5>or it's like a shovel and you enter this pan.

0:17:15.080 --> 0:17:16.960
<v Speaker 3>It's so much better. You don't have to bend down.

0:17:17.080 --> 0:17:18.800
<v Speaker 4>Mel who works on the show, came in and said

0:17:18.800 --> 0:17:21.000
<v Speaker 4>that she uses an old pair of kitchen tongs to

0:17:21.000 --> 0:17:24.000
<v Speaker 4>pick up the pools in the backyard. No, that's disgusting.

0:17:24.119 --> 0:17:26.240
<v Speaker 5>No, no, this is because your drop bits as well,

0:17:26.320 --> 0:17:28.480
<v Speaker 5>something like grabbing a hand at the fair or the circus.

0:17:28.720 --> 0:17:29.160
<v Speaker 7>That gad.

0:17:29.320 --> 0:17:31.360
<v Speaker 4>And then when someone goes to grab some tongs doing

0:17:31.400 --> 0:17:34.840
<v Speaker 4>a barbecue, like.

0:17:33.640 --> 0:17:36.960
<v Speaker 5>Oh god, oh someone already had a snag on this,

0:17:37.520 --> 0:17:42.479
<v Speaker 5>whiff you one. Why hasn't someone invented some kind of

0:17:42.560 --> 0:17:43.639
<v Speaker 5>spray that we can.

0:17:43.520 --> 0:17:47.119
<v Speaker 3>Spray on it that it sort of dissolves, it dissolves it.

0:17:47.200 --> 0:17:48.800
<v Speaker 3>Surely someone must be able to do that.

0:17:48.880 --> 0:17:54.560
<v Speaker 5>Now, Christian, almost despised householdier will be cleaning the cobwebs.

0:17:55.200 --> 0:17:59.040
<v Speaker 5>I don't like destroying the spider homes, Christian. I hate

0:17:59.119 --> 0:18:01.159
<v Speaker 5>washing the ditch dish, particularly the pants.

0:18:01.520 --> 0:18:03.520
<v Speaker 3>See, I don't mind doing that. I find it quite

0:18:03.560 --> 0:18:05.480
<v Speaker 3>sort of mindfulness.

0:18:05.800 --> 0:18:07.680
<v Speaker 4>You get into the dishes you can luck in. Yeah,

0:18:07.680 --> 0:18:08.200
<v Speaker 4>I agree with.

0:18:08.160 --> 0:18:09.960
<v Speaker 3>That, Christian.

0:18:10.040 --> 0:18:12.520
<v Speaker 5>My partner is an agent of chaos. She knows I

0:18:12.600 --> 0:18:14.560
<v Speaker 5>hate doing the washing, and whenever she puts a pair

0:18:14.600 --> 0:18:17.800
<v Speaker 5>of leggings into the dirty washing basket, she also takes

0:18:17.800 --> 0:18:19.560
<v Speaker 5>her socks off and leaves them stash.

0:18:20.119 --> 0:18:20.960
<v Speaker 3>My wife does this.

0:18:21.520 --> 0:18:23.800
<v Speaker 5>It drives me nuts, right because all there's one leg

0:18:23.920 --> 0:18:26.560
<v Speaker 5>just folded in the other, and I meant to pull

0:18:26.560 --> 0:18:29.480
<v Speaker 5>her apart, so to speak, with her clothes and are untangled.

0:18:29.520 --> 0:18:31.359
<v Speaker 3>All I just chuck it in like that and then

0:18:31.400 --> 0:18:32.440
<v Speaker 3>all hang it out on the line.

0:18:32.760 --> 0:18:35.680
<v Speaker 7>My wife still goes, you're a child, You're a child.

0:18:35.920 --> 0:18:36.600
<v Speaker 7>You couldn't do this.

0:18:36.680 --> 0:18:39.040
<v Speaker 5>If if that's how you treat the clothes, then that's

0:18:39.040 --> 0:18:40.040
<v Speaker 5>how I will treat the clothes.

0:18:40.160 --> 0:18:42.159
<v Speaker 4>Baggy takes off her jumper and t shirt at the

0:18:42.160 --> 0:18:44.440
<v Speaker 4>same time, the T shirt lives inside the jumper through

0:18:44.480 --> 0:18:44.800
<v Speaker 4>the wash.

0:18:44.840 --> 0:18:49.520
<v Speaker 3>You're right, agents of chaos. These people are agents of chaos. Christian.

0:18:49.560 --> 0:18:52.080
<v Speaker 5>Give a few more years when Gordon's a bit older,

0:18:52.840 --> 0:18:56.040
<v Speaker 5>Jack can hamble the landmine collection to young Gordon.

0:18:56.440 --> 0:18:57.600
<v Speaker 3>All this is yours.

0:18:58.359 --> 0:18:59.760
<v Speaker 4>It's a game for you, son.

0:19:00.480 --> 0:19:01.560
<v Speaker 3>All right, let's see some cools.

0:19:01.560 --> 0:19:05.639
<v Speaker 7>Good morning, Harry, Good morning guys. We're good Harry.

0:19:05.680 --> 0:19:08.920
<v Speaker 3>Welcome to the show. So at home. What's your most

0:19:08.920 --> 0:19:09.680
<v Speaker 3>despised chore?

0:19:10.640 --> 0:19:14.160
<v Speaker 16>I cannot stand pairing the bloody socks, mate.

0:19:14.960 --> 0:19:17.200
<v Speaker 7>Yeah, we've got a whole part now of the old ones.

0:19:17.800 --> 0:19:21.359
<v Speaker 4>I've got a good back for you, actually, please du Yeah.

0:19:21.400 --> 0:19:23.440
<v Speaker 4>In my sock draw, I've got a divider.

0:19:23.600 --> 0:19:25.120
<v Speaker 3>Oh I don't want to go in that sock draw.

0:19:25.920 --> 0:19:28.639
<v Speaker 3>Oh yeah, but it's a crusty old divider. I not

0:19:28.680 --> 0:19:29.200
<v Speaker 3>put my hand.

0:19:29.600 --> 0:19:32.600
<v Speaker 4>It's a normal IQ divider. On the left hand side,

0:19:32.640 --> 0:19:35.320
<v Speaker 4>I've got pared socks. On the right hand side is

0:19:35.359 --> 0:19:37.400
<v Speaker 4>like a waiting bay for the friends to come along.

0:19:37.440 --> 0:19:39.639
<v Speaker 4>So all the singles go in there and then when

0:19:39.720 --> 0:19:42.159
<v Speaker 4>their match comes along, they'll go across over to the

0:19:42.200 --> 0:19:42.840
<v Speaker 4>left hand side.

0:19:42.920 --> 0:19:43.320
<v Speaker 3>Geus.

0:19:44.200 --> 0:19:46.920
<v Speaker 16>My hack to you guys is just buy forty pairs

0:19:46.960 --> 0:19:48.160
<v Speaker 16>of the same bloody suck.

0:19:48.840 --> 0:19:51.480
<v Speaker 3>Yeah, but they untangle. Where did they go at night?

0:19:51.800 --> 0:19:55.160
<v Speaker 3>Do they trying to skate all these lone socks?

0:19:57.040 --> 0:19:59.680
<v Speaker 16>I'm just over a guys, just over a guy.

0:19:59.800 --> 0:20:05.720
<v Speaker 5>So that's it, Harry, I thinks, all right, Harry, have

0:20:05.760 --> 0:20:08.760
<v Speaker 5>a nice day, thanks for going the show mate mate.

0:20:08.920 --> 0:20:10.119
<v Speaker 3>Thank you, Richard.

0:20:11.400 --> 0:20:11.959
<v Speaker 16>Good morning.

0:20:12.200 --> 0:20:14.680
<v Speaker 3>I'll tell you what I would rather pick up.

0:20:14.640 --> 0:20:16.800
<v Speaker 17>The barker's eggs. And I've got to say the nard

0:20:16.840 --> 0:20:19.359
<v Speaker 17>doesn't pick up any more of my wife's huge teabags

0:20:19.440 --> 0:20:20.680
<v Speaker 17>decorating the kitchen sink.

0:20:20.880 --> 0:20:21.720
<v Speaker 3>Yeah, wife does?

0:20:22.000 --> 0:20:22.919
<v Speaker 7>What is that about?

0:20:23.680 --> 0:20:25.920
<v Speaker 4>First of all, did you call dog poo's barker's eggs?

0:20:26.040 --> 0:20:26.240
<v Speaker 7>Yeah?

0:20:27.040 --> 0:20:27.440
<v Speaker 17>Correct?

0:20:27.480 --> 0:20:27.959
<v Speaker 3>I like that.

0:20:28.040 --> 0:20:30.480
<v Speaker 5>Yeah, I never heard of that before. Farther away to

0:20:30.640 --> 0:20:32.560
<v Speaker 5>use a future points down, I learned a bit more

0:20:32.600 --> 0:20:35.240
<v Speaker 5>about Australian life here barker's eggs.

0:20:35.440 --> 0:20:36.600
<v Speaker 3>I like it. It works.

0:20:38.840 --> 0:20:41.240
<v Speaker 5>But yeah, my wife does that. And the bin is

0:20:41.359 --> 0:20:43.320
<v Speaker 5>a mere amount of inches away. Just open up a

0:20:43.359 --> 0:20:44.160
<v Speaker 5>door and drop it in.

0:20:47.800 --> 0:20:52.720
<v Speaker 3>Yep. Okay, thank you, Richard. Let's go to Matt. Morning.

0:20:52.760 --> 0:20:53.000
<v Speaker 4>Guys.

0:20:53.000 --> 0:20:54.879
<v Speaker 3>How are you going. Have you had a good weekend?

0:20:54.960 --> 0:20:55.120
<v Speaker 5>Matt?

0:20:55.760 --> 0:20:55.960
<v Speaker 7>Yeah?

0:20:56.280 --> 0:21:02.000
<v Speaker 17>Thanks? My thing is I absolutely lo washing up the cutlery.

0:21:02.280 --> 0:21:03.560
<v Speaker 3>It drives me bonkers.

0:21:03.880 --> 0:21:05.800
<v Speaker 5>What do you mean big cutlery? Sure there's a standard

0:21:05.880 --> 0:21:06.960
<v Speaker 5>sized knife fork spoon.

0:21:07.680 --> 0:21:09.520
<v Speaker 17>Yeah, yeah, we're talking knife fork spoon.

0:21:09.640 --> 0:21:09.840
<v Speaker 13>Yeah.

0:21:10.280 --> 0:21:13.600
<v Speaker 17>I literally I live on my own, so I use

0:21:13.680 --> 0:21:16.040
<v Speaker 17>up all my cutlery out of my drawer before I

0:21:16.240 --> 0:21:18.399
<v Speaker 17>wash it up because it just dives me.

0:21:20.160 --> 0:21:21.320
<v Speaker 3>That is not a system.

0:21:21.320 --> 0:21:24.439
<v Speaker 4>Come on, buddy, and it's not actually quite don't like

0:21:24.520 --> 0:21:27.200
<v Speaker 4>doing the knives and fox the easiest bit.

0:21:28.640 --> 0:21:32.320
<v Speaker 7>How much food do you get.

0:21:29.760 --> 0:21:32.280
<v Speaker 1>On the scrub and then.

0:21:32.359 --> 0:21:34.680
<v Speaker 3>Scrubb What are you doing welding the food to.

0:21:34.680 --> 0:21:38.880
<v Speaker 9>It depends what you eat though, But.

0:21:39.000 --> 0:21:43.480
<v Speaker 5>You know, well, I never look at your diet if

0:21:43.520 --> 0:21:45.639
<v Speaker 5>you haven't a scrub it for hours and soaked the

0:21:45.720 --> 0:21:46.440
<v Speaker 5>knife and fork.

0:21:46.520 --> 0:21:48.520
<v Speaker 4>Maybe if you're eating peanut butter for every meal, which

0:21:48.560 --> 0:21:50.000
<v Speaker 4>I will say is the hardest one to get off

0:21:50.000 --> 0:21:50.399
<v Speaker 4>the spoon.

0:21:50.960 --> 0:21:52.880
<v Speaker 5>You say he's eating peanut butter for dinner just because

0:21:52.880 --> 0:21:54.760
<v Speaker 5>he's eating alone. That is not the life of.

0:21:55.080 --> 0:21:56.840
<v Speaker 7>Yeah, that could be possible.

0:21:58.480 --> 0:22:03.400
<v Speaker 4>I actually brought myself a little bench top dishwasher recently

0:22:03.560 --> 0:22:05.360
<v Speaker 4>to sort of cut that out.

0:22:05.480 --> 0:22:07.200
<v Speaker 17>So, yeah, what is it?

0:22:08.200 --> 0:22:09.760
<v Speaker 16>What's that the dishwasher?

0:22:09.800 --> 0:22:11.199
<v Speaker 4>I've never heard of it? Happy is it?

0:22:11.320 --> 0:22:11.520
<v Speaker 13>Yeah?

0:22:11.880 --> 0:22:14.240
<v Speaker 3>You can get a little one that just sits next

0:22:14.240 --> 0:22:17.440
<v Speaker 3>to you, sink, what a little tinky one in your cup,

0:22:17.480 --> 0:22:19.000
<v Speaker 3>and then a knife and it's done.

0:22:19.560 --> 0:22:22.160
<v Speaker 17>It's supposed to take eight settings, but yeah, I think

0:22:22.200 --> 0:22:23.760
<v Speaker 17>they're exaggerating.

0:22:23.800 --> 0:22:25.800
<v Speaker 16>You can get plates and captain there, but not that

0:22:25.920 --> 0:22:26.400
<v Speaker 16>A lot.

0:22:26.480 --> 0:22:31.240
<v Speaker 5>Is the pinnacle of laces. Seriously, one plate, one knife.

0:22:32.280 --> 0:22:33.919
<v Speaker 5>I need technology to deal with this.

0:22:36.960 --> 0:22:38.960
<v Speaker 3>Matt, Thank you? How much you call mat medus laugh?

0:22:39.000 --> 0:22:41.159
<v Speaker 3>Thank you, have a good day. Thank you, Carl B.

0:22:41.640 --> 0:22:44.480
<v Speaker 2>You're listening to the question, you know Carl's Show podcast.

0:22:44.800 --> 0:22:46.440
<v Speaker 5>I'm sure like a lot of you, yes, say when

0:22:46.480 --> 0:22:49.320
<v Speaker 5>you heard the news about poor Matthew Perry, it was

0:22:49.400 --> 0:22:53.159
<v Speaker 5>heartbreaking because so many of us loved and still loved friends.

0:22:53.280 --> 0:22:54.840
<v Speaker 5>It will always be remembered as one of the greast

0:22:54.880 --> 0:22:58.680
<v Speaker 5>sitcoms ever. And I recently discovered about five years ago

0:22:58.680 --> 0:23:02.000
<v Speaker 5>when we moved here, my daughters started to watch it

0:23:02.040 --> 0:23:05.440
<v Speaker 5>again from scratch, and you watch it again, it's still

0:23:05.760 --> 0:23:09.320
<v Speaker 5>so funny, relentlessly funny. Over two hundred and seventy odd

0:23:09.359 --> 0:23:11.320
<v Speaker 5>episodes they did in the end, and every single one

0:23:11.320 --> 0:23:13.200
<v Speaker 5>of them you have these big belly laughs and the

0:23:13.240 --> 0:23:16.360
<v Speaker 5>whole six of them were so good together. You watch

0:23:16.400 --> 0:23:18.639
<v Speaker 5>it again now and you realize they had lowly paid

0:23:18.720 --> 0:23:21.800
<v Speaker 5>jobs and yet in probably large apartments. None of it

0:23:21.800 --> 0:23:23.320
<v Speaker 5>actually made sense when you watch it again and going,

0:23:23.320 --> 0:23:25.840
<v Speaker 5>hang on a minute, they are at menial jobs. They're

0:23:25.840 --> 0:23:27.960
<v Speaker 5>living in these amazing penthouse.

0:23:27.520 --> 0:23:30.240
<v Speaker 3>Apartments in New York. We'll skip the reality. It's got

0:23:30.240 --> 0:23:33.920
<v Speaker 3>a sick on. But all six and all six.

0:23:33.680 --> 0:23:36.720
<v Speaker 5>Of the cast members were incredible. However, for me, Matthew

0:23:36.720 --> 0:23:39.840
<v Speaker 5>Perry as Chandler being I always thought was the pure

0:23:40.000 --> 0:23:42.400
<v Speaker 5>kind of comedy king of that show. He would take

0:23:42.440 --> 0:23:44.840
<v Speaker 5>even a line that wasn't the best line and would

0:23:44.880 --> 0:23:48.680
<v Speaker 5>just knock it out the park. He had this unbelievable timing,

0:23:48.880 --> 0:23:52.200
<v Speaker 5>and he was a great physical comic whenever I sort

0:23:52.200 --> 0:23:54.159
<v Speaker 5>of imagined him now and in those scenes, it's the

0:23:54.160 --> 0:23:55.000
<v Speaker 5>physicality he.

0:23:55.040 --> 0:23:55.399
<v Speaker 3>Had as well.

0:23:55.400 --> 0:23:59.320
<v Speaker 5>Obviously Joey was very physical and kinetic in his comedy

0:23:59.359 --> 0:24:01.720
<v Speaker 5>as well. But to me, Matthew Perry I thought was

0:24:02.160 --> 0:24:04.119
<v Speaker 5>the purest, funniest one in that and it was a

0:24:04.160 --> 0:24:06.600
<v Speaker 5>real gift of a comic actor as well.

0:24:06.600 --> 0:24:08.239
<v Speaker 3>It's heartbreaking what happened to him.

0:24:08.280 --> 0:24:09.760
<v Speaker 5>And if you've read his book, you know He's a

0:24:09.800 --> 0:24:11.720
<v Speaker 5>deeply troubled soul, and I hope now that you find

0:24:11.800 --> 0:24:14.000
<v Speaker 5>some kind of peace. But today I want us to

0:24:14.040 --> 0:24:16.040
<v Speaker 5>remember just what a gift he was to the world.

0:24:16.080 --> 0:24:18.399
<v Speaker 5>A very very talented actor as well. He also was

0:24:18.440 --> 0:24:20.280
<v Speaker 5>great if any if you loved The West Swing like me,

0:24:20.280 --> 0:24:22.920
<v Speaker 5>he was great in The West Wing and Studio sixty

0:24:23.320 --> 0:24:27.240
<v Speaker 5>on Sunset Strip, which we started to watch again last night. Anyway, today,

0:24:27.359 --> 0:24:30.040
<v Speaker 5>Charla being one of the greatest sitcom characters ever of

0:24:30.040 --> 0:24:33.560
<v Speaker 5>all time, thanks to Matthew Perry. If you're allowed to

0:24:33.600 --> 0:24:36.600
<v Speaker 5>have three sitcom characters to come round, right for a

0:24:36.640 --> 0:24:41.240
<v Speaker 5>fantasy sitcom dinner, who's coming round? But more importantly, why

0:24:41.320 --> 0:24:44.080
<v Speaker 5>is it that three? So for me, I'm going to

0:24:44.119 --> 0:24:45.919
<v Speaker 5>have Chanda around, all right, So you're going to get

0:24:46.000 --> 0:24:49.680
<v Speaker 5>laughs of plenty. Charla Bing's coming, George Costanz was coming.

0:24:49.680 --> 0:24:52.040
<v Speaker 5>It's either going to be George or Larry David. But

0:24:52.119 --> 0:24:56.119
<v Speaker 5>George is Larry David. So George Costanza because again, I

0:24:56.160 --> 0:24:58.600
<v Speaker 5>would just find him mesmerizing. I would just want to

0:24:58.640 --> 0:25:00.680
<v Speaker 5>sit and ask him stuff about what he's done during

0:25:00.720 --> 0:25:02.280
<v Speaker 5>the day, and that would be the highlight for me.

0:25:02.320 --> 0:25:05.439
<v Speaker 5>So I've got Chandler Bing I've got George Costanza, and

0:25:05.480 --> 0:25:07.600
<v Speaker 5>then it was either going to be Ron Swanson from

0:25:07.640 --> 0:25:10.520
<v Speaker 5>Parks and Rex right, Nick Offerman, who what just the

0:25:10.560 --> 0:25:12.639
<v Speaker 5>thing's amazing. But I'm actually going to go with the

0:25:12.920 --> 0:25:17.240
<v Speaker 5>great actor Ed O'Neill, who was brilliant two sitcoms, Married

0:25:17.240 --> 0:25:20.600
<v Speaker 5>Wood Children and also Modern Family. Are gonna have him

0:25:20.600 --> 0:25:23.880
<v Speaker 5>as Jay Pritchett because he's raised kids and they'd left home,

0:25:23.920 --> 0:25:26.200
<v Speaker 5>and he's a couple of years ahead of me. I'd wanted,

0:25:26.200 --> 0:25:28.720
<v Speaker 5>but once everyone else has gone, have an like a

0:25:28.960 --> 0:25:30.120
<v Speaker 5>last glass of wine and.

0:25:30.040 --> 0:25:31.119
<v Speaker 7>Just swap notes together.

0:25:31.440 --> 0:25:32.119
<v Speaker 3>So that's why I'd go.

0:25:32.160 --> 0:25:35.480
<v Speaker 5>I go Jay Pritchep Chandler Bing and George Costanza. That's

0:25:35.520 --> 0:25:38.639
<v Speaker 5>my fantasy sitcom dinner Jack, who's come around to yours?

0:25:39.000 --> 0:25:41.960
<v Speaker 4>I've put Jerry in there, yep, Jerry Seinfelder. It seemed

0:25:41.960 --> 0:25:43.879
<v Speaker 4>crazy to have a dinner and have the ability to

0:25:43.880 --> 0:25:45.640
<v Speaker 4>bring him over and not have him there.

0:25:45.680 --> 0:25:48.560
<v Speaker 3>I'd be so wide, I'd be too fawning and like,

0:25:48.640 --> 0:25:51.480
<v Speaker 3>he go, can we just what's the deal with you

0:25:51.560 --> 0:25:52.400
<v Speaker 3>and the fan boy?

0:25:52.920 --> 0:25:55.960
<v Speaker 4>Why? Yeah? My number one reason would not having him

0:25:55.960 --> 0:25:58.960
<v Speaker 4>there would be because he would he would just take

0:25:59.000 --> 0:26:01.400
<v Speaker 4>over the whole dinner. Everybody defer to him.

0:26:01.800 --> 0:26:04.640
<v Speaker 5>But I'd almost want to be a flat and all

0:26:04.640 --> 0:26:08.119
<v Speaker 5>that just to see you Like, party invites Jerry round

0:26:08.160 --> 0:26:11.600
<v Speaker 5>and he's got another story, You have another thing, you know,

0:26:11.680 --> 0:26:12.720
<v Speaker 5>another funny bit.

0:26:13.080 --> 0:26:15.040
<v Speaker 4>No, it'd be my job as host to make sure

0:26:15.040 --> 0:26:16.920
<v Speaker 4>that I'm sharing it around the table and making sure

0:26:17.000 --> 0:26:19.440
<v Speaker 4>everybody gets a story. My next is from the Australian

0:26:19.480 --> 0:26:23.080
<v Speaker 4>sitcom Lana and Woodley. I'd have Collen Lane, Colon Lane,

0:26:23.560 --> 0:26:26.200
<v Speaker 4>my favorite comedic people.

0:26:25.920 --> 0:26:27.520
<v Speaker 3>Of all time, funny dude as well.

0:26:28.080 --> 0:26:30.480
<v Speaker 4>Hard to choose between Lana and Woodley, but I just

0:26:30.520 --> 0:26:32.800
<v Speaker 4>feel like Leno would probably when you wanted to have

0:26:32.840 --> 0:26:35.399
<v Speaker 4>a serious chat, he'd offer a little bit more. He

0:26:35.400 --> 0:26:36.800
<v Speaker 4>doesn't have to be laughs all the time.

0:26:37.080 --> 0:26:39.639
<v Speaker 3>Is that when Jerry goes to toilet or a quickly

0:26:39.760 --> 0:26:42.560
<v Speaker 3>just to talk about you know the world right now, Jerry's.

0:26:43.560 --> 0:26:44.560
<v Speaker 7>What's a deal?

0:26:46.000 --> 0:26:50.280
<v Speaker 4>Season? And then my third one. We watched a lot

0:26:50.320 --> 0:26:52.640
<v Speaker 4>of Home Improvement when I was a kid. Oh wow,

0:26:52.880 --> 0:26:55.520
<v Speaker 4>I'm going to go with al Borland, who was him

0:26:55.760 --> 0:26:59.400
<v Speaker 4>offsideres in Tool Time. I feel like we could talk

0:26:59.440 --> 0:27:02.080
<v Speaker 4>about being a sidekick on a show. And he just

0:27:02.080 --> 0:27:04.080
<v Speaker 4>seems like a generally rated.

0:27:03.840 --> 0:27:06.040
<v Speaker 5>Sitcom It was shued back in the day and made

0:27:06.080 --> 0:27:07.959
<v Speaker 5>Tim Allen a megastar.

0:27:08.320 --> 0:27:09.960
<v Speaker 3>I used to love watching that when I was younger

0:27:10.000 --> 0:27:10.760
<v Speaker 3>could show and.

0:27:10.800 --> 0:27:13.000
<v Speaker 4>Then I would if I could have also had put Wilson,

0:27:13.000 --> 0:27:15.560
<v Speaker 4>who is his neighbor, over the back fence. If anyone

0:27:15.640 --> 0:27:18.240
<v Speaker 4>wants to step outside of time, they can talk to Wilson.

0:27:18.960 --> 0:27:21.640
<v Speaker 5>All right, So it's a fantasy sitcom dinner where you're

0:27:21.640 --> 0:27:23.840
<v Speaker 5>allowed three sitcom characters to.

0:27:23.840 --> 0:27:25.920
<v Speaker 3>Come around for dinner. Who are you having a why look?

0:27:26.000 --> 0:27:28.000
<v Speaker 6>Christian Connell Show podcast.

0:27:28.400 --> 0:27:30.840
<v Speaker 5>A friend of mine is a British comedian, a brilliant

0:27:30.880 --> 0:27:33.000
<v Speaker 5>stand up called Greg Davison. He also had a couple

0:27:33.000 --> 0:27:36.360
<v Speaker 5>of seasons of a great sitcom called Man Down. When

0:27:36.400 --> 0:27:39.640
<v Speaker 5>he was developing this sitcom, right, I went to see

0:27:39.680 --> 0:27:41.439
<v Speaker 5>him and he had pinned up on the wall. It

0:27:41.560 --> 0:27:43.760
<v Speaker 5>was the you can find this online. It's the character

0:27:43.800 --> 0:27:48.520
<v Speaker 5>definitions before they started writing any of Friends. Right, you

0:27:48.600 --> 0:27:50.560
<v Speaker 5>go back now, And because it was so good, they

0:27:50.600 --> 0:27:52.800
<v Speaker 5>knew who these characters were before they started writing the

0:27:52.840 --> 0:27:55.600
<v Speaker 5>jokes for them. The Chander one, he says, before obviously

0:27:55.600 --> 0:27:58.880
<v Speaker 5>the show became one of the biggest sitcoms. Chander droll,

0:27:59.200 --> 0:28:03.600
<v Speaker 5>very droll, observer of everyone's life and his own works

0:28:03.600 --> 0:28:06.439
<v Speaker 5>in front of a computer doing something tedious in a

0:28:06.480 --> 0:28:10.760
<v Speaker 5>claustrophobic cubicle in a non district office building, survives by

0:28:10.840 --> 0:28:13.920
<v Speaker 5>way of his sense of humor and snacks. It's great

0:28:13.920 --> 0:28:18.879
<v Speaker 5>reading this again, Ross emotional romantic Monica's brother suddenly divorced,

0:28:19.320 --> 0:28:24.960
<v Speaker 5>facing single hood with phenomenal reluctance. All right, So we're

0:28:24.960 --> 0:28:27.399
<v Speaker 5>talking about if there was after the sad passing of

0:28:27.640 --> 0:28:30.280
<v Speaker 5>Matthew Perry over the weekend. Right gave the world and

0:28:30.320 --> 0:28:33.320
<v Speaker 5>he's still going to enjoy his genius In Friends, he

0:28:33.359 --> 0:28:34.960
<v Speaker 5>gave us child a being. So if there was a

0:28:35.000 --> 0:28:38.280
<v Speaker 5>fantasy sitcom dinner and you can have three sitcom characters

0:28:38.320 --> 0:28:40.160
<v Speaker 5>to come around for dinner, who's coming around to yours?

0:28:40.800 --> 0:28:42.080
<v Speaker 3>Paul Christian?

0:28:42.200 --> 0:28:44.120
<v Speaker 5>I'd have Penny from the See if you can pick

0:28:44.160 --> 0:28:48.000
<v Speaker 5>up a theme of Paul's thing, Penny from Female, Penny

0:28:48.120 --> 0:28:54.479
<v Speaker 5>from Big Bang, Kelly, female from Marriedwood Children, Rachel from Friends.

0:28:54.520 --> 0:28:55.760
<v Speaker 3>Because they're so intelligent.

0:28:55.800 --> 0:28:59.840
<v Speaker 5>Okay, it's not fantasy creepflest, Paul. Okay, I'm trying to do.

0:28:59.840 --> 0:29:03.440
<v Speaker 4>Something and you're throwing in they're all because they're all intelligent.

0:29:03.480 --> 0:29:04.920
<v Speaker 4>In the end, it's not fooling anybody.

0:29:05.000 --> 0:29:08.880
<v Speaker 5>No, Christian, I'd have Marshall Erickson from How I Met

0:29:08.920 --> 0:29:09.360
<v Speaker 5>Your Mother.

0:29:09.600 --> 0:29:10.840
<v Speaker 3>Never seen an episode of that.

0:29:11.360 --> 0:29:12.680
<v Speaker 4>That's a great is it? Yeah?

0:29:12.760 --> 0:29:17.600
<v Speaker 5>Yeah, yeah, mister G the Great Mister G from Summer Heights,

0:29:17.680 --> 0:29:22.440
<v Speaker 5>High is Hel and Cam the Great Cam from Modern Family.

0:29:22.480 --> 0:29:23.680
<v Speaker 7>That's a very very good one.

0:29:24.080 --> 0:29:27.760
<v Speaker 5>Pete some more than So fantasy sitcom dinner, which three

0:29:27.800 --> 0:29:30.480
<v Speaker 5>sitcom characters come around? Christian, I'd also go, like you,

0:29:30.560 --> 0:29:33.480
<v Speaker 5>Chandler Bing Then I'd have Narles Crane for the wine.

0:29:34.040 --> 0:29:36.680
<v Speaker 5>It's a love Frasier the court Master episodes so good,

0:29:36.720 --> 0:29:39.640
<v Speaker 5>and Sheldon Cooper from Big Bang Theory.

0:29:40.120 --> 0:29:42.040
<v Speaker 3>That's a good one. Christian.

0:29:42.080 --> 0:29:45.960
<v Speaker 5>I go for Chandler Bing, Stewie for the sarcasm, and

0:29:46.080 --> 0:29:48.720
<v Speaker 5>iron Man for the stories. I don't know iron Man

0:29:48.800 --> 0:29:54.320
<v Speaker 5>the movie being a sitcom, Christian, I go Ol Bundy

0:29:54.320 --> 0:29:57.720
<v Speaker 5>for a sarcasm, Jeff Bingham from Rules of Engagement for

0:29:57.800 --> 0:30:01.520
<v Speaker 5>his humor, and Norm from Cheers. Christian, I'd have Niles

0:30:01.560 --> 0:30:05.120
<v Speaker 5>and Martin Crane and the Great Captain Holt if you

0:30:05.200 --> 0:30:06.560
<v Speaker 5>loved Brooklyn nine.

0:30:06.480 --> 0:30:07.720
<v Speaker 7>Nine Captain Hot's brilliant than that?

0:30:08.000 --> 0:30:10.160
<v Speaker 3>All right? So who's coming around? Three sitcom characters?

0:30:10.600 --> 0:30:10.760
<v Speaker 12>Well?

0:30:10.880 --> 0:30:13.560
<v Speaker 6>Christian Connell's show podcast.

0:30:13.760 --> 0:30:16.400
<v Speaker 5>Jackie Boy, you're making a you're swapping somebody in the

0:30:16.440 --> 0:30:20.880
<v Speaker 5>trade and our fantasy sitcom dinner. So three sitcom characters

0:30:20.880 --> 0:30:22.320
<v Speaker 5>to come around for dinner. Who's coming round?

0:30:22.400 --> 0:30:24.200
<v Speaker 4>Yep? I had Jerry Seinfeld in there.

0:30:24.320 --> 0:30:26.520
<v Speaker 3>You're bumping out the foot. Well's funniest man.

0:30:26.600 --> 0:30:29.600
<v Speaker 4>I just I think he'll He's too heavy, he's too busy.

0:30:29.600 --> 0:30:31.640
<v Speaker 3>It's like a rich pudding that is too sweet.

0:30:31.720 --> 0:30:33.560
<v Speaker 4>Ye, he's got too much gravity. You'll suck all the

0:30:33.560 --> 0:30:36.200
<v Speaker 4>conversation his way. Yeah, I'm going to sub out Jerry

0:30:36.200 --> 0:30:40.360
<v Speaker 4>Seinfeld put in Ray Burrown. Oh wow, Harry Ray. I

0:30:40.400 --> 0:30:42.640
<v Speaker 4>think the conversation following evenly.

0:30:42.760 --> 0:30:47.000
<v Speaker 5>Yeah, all right, So Christian for my fantasy sitcom dinner,

0:30:47.360 --> 0:30:51.160
<v Speaker 5>Larry David Mimi from The Jew Carey Show. Great sitcom

0:30:51.240 --> 0:30:55.320
<v Speaker 5>that was, and Becker that the Chaos unfold. Christian, I

0:30:55.320 --> 0:30:57.400
<v Speaker 5>would have you almost had him, but I'd have Ron

0:30:57.480 --> 0:31:02.160
<v Speaker 5>Swanson from Parks and Rex phil Dumphy from Modern Family

0:31:02.240 --> 0:31:07.520
<v Speaker 5>so I could learn philosophy, and David Rose some Shit's creek, Carli.

0:31:07.640 --> 0:31:08.120
<v Speaker 7>That's great.

0:31:08.720 --> 0:31:11.160
<v Speaker 5>Yeah, well for all the big jumpers, and Christian, i'd

0:31:11.160 --> 0:31:14.480
<v Speaker 5>have our Bundy married with children, Jay Carts right, did

0:31:14.480 --> 0:31:17.480
<v Speaker 5>you get the in between us here? Yes, great show, funny, funny,

0:31:17.480 --> 0:31:18.960
<v Speaker 5>funny show, very funny.

0:31:19.280 --> 0:31:22.280
<v Speaker 3>And Steve Rkle from Family Matters.

0:31:22.280 --> 0:31:24.280
<v Speaker 7>That's from Joel. Those are all very good.

0:31:24.680 --> 0:31:26.920
<v Speaker 3>Zoch, Good morning, Good morning.

0:31:26.960 --> 0:31:27.640
<v Speaker 16>How are you Christians?

0:31:27.680 --> 0:31:29.520
<v Speaker 3>I'm good, Zoch had a good weekend.

0:31:30.040 --> 0:31:30.880
<v Speaker 10>Pretty good weekend.

0:31:30.920 --> 0:31:32.560
<v Speaker 17>Yeah, thanks all right, Zock.

0:31:32.680 --> 0:31:35.120
<v Speaker 5>So, who's coming round to yours tonight for dinner? Which

0:31:35.160 --> 0:31:36.960
<v Speaker 5>three sitcom characters?

0:31:37.320 --> 0:31:37.640
<v Speaker 16>I don't know.

0:31:37.800 --> 0:31:40.000
<v Speaker 17>It's it's a tough one, but but I really like

0:31:40.080 --> 0:31:43.280
<v Speaker 17>Murray Hewitt from A Flight of the Concords of Rays

0:31:43.360 --> 0:31:44.480
<v Speaker 17>Darby's character.

0:31:44.920 --> 0:31:47.800
<v Speaker 3>Reference well done, Yeah, forgot what great show that was.

0:31:48.400 --> 0:31:50.920
<v Speaker 17>That's pretty good. And then i'd have to put David

0:31:51.120 --> 0:31:56.880
<v Speaker 17>Brandt like Ricky Gervais's version, ye, and Alan Alan Partridge

0:31:56.960 --> 0:32:02.240
<v Speaker 17>is Steve Coogan. I reckon it'd be pretty pretty interesting, awkward.

0:32:03.440 --> 0:32:05.640
<v Speaker 3>You're right, we've got the right balance.

0:32:07.040 --> 0:32:09.480
<v Speaker 5>Just a little bit un Yeah, I'd worry that. That's

0:32:09.560 --> 0:32:11.960
<v Speaker 5>quite stress for you trying to make all three of them. Okay,

0:32:12.000 --> 0:32:14.480
<v Speaker 5>it's a lot of desperate people. They're actually desperate men

0:32:14.760 --> 0:32:15.800
<v Speaker 5>on the edge.

0:32:17.440 --> 0:32:19.760
<v Speaker 17>We could have Alan Partridge hosting the show, you know

0:32:19.760 --> 0:32:21.800
<v Speaker 17>what I mean? A good sort of directing, then it

0:32:21.840 --> 0:32:22.880
<v Speaker 17>would be pretty awkward.

0:32:23.640 --> 0:32:25.040
<v Speaker 3>ZOK, thank you very much. You can might have a

0:32:25.080 --> 0:32:25.480
<v Speaker 3>good day.

0:32:26.920 --> 0:32:29.760
<v Speaker 2>You're listening to the Christian o'carls show podcast.

0:32:30.240 --> 0:32:32.640
<v Speaker 5>So I saw her the weekend that Paul Kelly's how

0:32:32.680 --> 0:32:36.000
<v Speaker 5>to Make Gravy, which is a really underrated Christmas song.

0:32:36.000 --> 0:32:39.520
<v Speaker 5>It's a very different kind of Christmas song. And because

0:32:39.560 --> 0:32:42.440
<v Speaker 5>obviously the protagonist Joe, he's he's in prison and Paul

0:32:42.480 --> 0:32:44.040
<v Speaker 5>Kelly and I'm gonna listen to an interview where he

0:32:44.080 --> 0:32:46.120
<v Speaker 5>was talking about when he wrote the song, how he

0:32:46.160 --> 0:32:48.600
<v Speaker 5>was trying to find an original way to write Christmas.

0:32:48.320 --> 0:32:50.200
<v Speaker 3>Song because they're all roughly about the same thing.

0:32:50.640 --> 0:32:53.120
<v Speaker 5>He wanted someone who was writing the song and they

0:32:53.160 --> 0:32:55.200
<v Speaker 5>couldn't make it home for Christmas, and he was thinking,

0:32:55.280 --> 0:32:57.560
<v Speaker 5>is he stranded? And then he saw there were quite

0:32:57.560 --> 0:32:59.160
<v Speaker 5>a few songs about stranded not going to make it

0:32:59.160 --> 0:33:01.920
<v Speaker 5>back for Christmas. He thought, wait, no, he's in prison.

0:33:01.960 --> 0:33:05.240
<v Speaker 5>He writes this letter home on twenty first of December,

0:33:05.560 --> 0:33:07.440
<v Speaker 5>and in the letter he's saying and in that it's

0:33:07.480 --> 0:33:09.400
<v Speaker 5>a beautiful song, but he's got this recipe for how

0:33:09.400 --> 0:33:11.040
<v Speaker 5>to make his gravy because he won't be.

0:33:11.040 --> 0:33:12.120
<v Speaker 7>Coming Home for Christmas.

0:33:12.240 --> 0:33:14.320
<v Speaker 5>It's actually a song that actually I just realize got

0:33:14.320 --> 0:33:16.320
<v Speaker 5>no chorus in it, and I guess because it was

0:33:16.360 --> 0:33:18.840
<v Speaker 5>set in a prison. Paul Kelly wouldn't have thought this

0:33:18.920 --> 0:33:22.200
<v Speaker 5>had become a big Christmas bang of an anthem about guy.

0:33:22.080 --> 0:33:23.920
<v Speaker 3>In prison, so he didn't actually put a chorus in.

0:33:23.960 --> 0:33:25.360
<v Speaker 3>I'm guessing who's.

0:33:25.080 --> 0:33:26.800
<v Speaker 7>Gonna make the gravy.

0:33:28.280 --> 0:33:31.320
<v Speaker 3>And a better worng place of same?

0:33:34.760 --> 0:33:39.040
<v Speaker 18>Just that flower song, a little red wine, don't forget.

0:33:38.720 --> 0:33:41.440
<v Speaker 14>A dollar like a lot of sauce for the sweetness,

0:33:41.480 --> 0:33:45.320
<v Speaker 14>and that actually tank and give him a love Bangers.

0:33:45.440 --> 0:33:46.640
<v Speaker 4>And the Bank of Dollar.

0:33:47.520 --> 0:33:50.120
<v Speaker 3>Such a great song. I love this song. It's always

0:33:50.120 --> 0:33:51.560
<v Speaker 3>playing my last week of the year in.

0:33:51.560 --> 0:33:54.400
<v Speaker 7>The UK on radio and the Garter Reader.

0:33:54.640 --> 0:33:56.320
<v Speaker 5>I just thought of another Naked hour. We could do

0:33:57.080 --> 0:33:59.000
<v Speaker 5>songs with cooking ingredients in them.

0:34:01.280 --> 0:34:03.080
<v Speaker 3>This role. We just have to play this for an hour.

0:34:03.280 --> 0:34:05.640
<v Speaker 3>A dollar some tang and.

0:34:05.680 --> 0:34:07.480
<v Speaker 4>Milkshake brings all the boys to the yard.

0:34:07.800 --> 0:34:12.560
<v Speaker 3>Paul Kelly and Calise that seriously, do I think?

0:34:12.560 --> 0:34:12.680
<v Speaker 7>Though?

0:34:12.800 --> 0:34:15.240
<v Speaker 5>There are the songs that mentioned ingredients in the title

0:34:15.320 --> 0:34:18.080
<v Speaker 5>cooking ingredients Anyway, How to Make Gravy is gonna be

0:34:18.719 --> 0:34:19.640
<v Speaker 5>a movie set here?

0:34:19.680 --> 0:34:21.080
<v Speaker 3>In Australia and I'm seeking.

0:34:21.080 --> 0:34:22.920
<v Speaker 5>There are loads of other great songs when you think

0:34:22.920 --> 0:34:25.319
<v Speaker 5>about it, that have actually got stories in that could

0:34:25.360 --> 0:34:29.200
<v Speaker 5>make a movie. I think this song Escape, the Pinacolada

0:34:29.280 --> 0:34:31.839
<v Speaker 5>song right by Rupert Holmes. This is a rom com

0:34:31.920 --> 0:34:33.200
<v Speaker 5>with Adam Sandler.

0:34:33.000 --> 0:34:33.520
<v Speaker 7>If you like.

0:34:33.680 --> 0:34:41.240
<v Speaker 5>It's a crazy story, okay. A couple bored in their relationship.

0:34:41.320 --> 0:34:43.360
<v Speaker 5>He takes an advert looking to have an affair.

0:34:43.840 --> 0:34:44.320
<v Speaker 3>Wait for it.

0:34:44.440 --> 0:34:48.279
<v Speaker 5>His wife applies, they meet up and they rekindle their relationship.

0:34:48.600 --> 0:34:51.240
<v Speaker 5>It's a sitcom, Adam Sander, Jennifer Aniston.

0:34:52.000 --> 0:34:52.600
<v Speaker 3>I'd watch it.

0:34:52.880 --> 0:34:53.600
<v Speaker 7>I'd watch it.

0:34:56.560 --> 0:34:58.760
<v Speaker 3>I also think Billy Joels piano man.

0:35:00.360 --> 0:35:05.879
<v Speaker 4>The other piano Man sing us as tonight, let.

0:35:05.840 --> 0:35:09.080
<v Speaker 3>Me give you the pitch. Timothy Shamalay is the piano man.

0:35:09.320 --> 0:35:13.920
<v Speaker 3>Thank you. Timothy Shamalay is the piano man. Okay.

0:35:14.640 --> 0:35:17.120
<v Speaker 5>The song really is about him speculating about all the

0:35:17.200 --> 0:35:20.520
<v Speaker 5>people who are at at the bar, right they are

0:35:20.640 --> 0:35:22.440
<v Speaker 5>jack Well, you know what you would call dramatists.

0:35:22.440 --> 0:35:23.719
<v Speaker 3>I guess we're called vignettes.

0:35:24.239 --> 0:35:26.800
<v Speaker 5>So the movie basic, it's the school Sacy one, so buckling,

0:35:26.840 --> 0:35:29.440
<v Speaker 5>It's four flipping hours. A friend of mine went to

0:35:29.480 --> 0:35:32.400
<v Speaker 5>see Killers of the Flower Moonless. They fell asleep in

0:35:32.480 --> 0:35:34.080
<v Speaker 5>the middle of it for at least at an hour.

0:35:34.480 --> 0:35:35.840
<v Speaker 7>It's three and a half hours.

0:35:36.160 --> 0:35:38.680
<v Speaker 4>The thing is, I really want to see it looks amazing.

0:35:38.760 --> 0:35:43.040
<v Speaker 7>But today going where you have to get park? That's

0:35:43.120 --> 0:35:43.560
<v Speaker 7>my day.

0:35:43.800 --> 0:35:44.520
<v Speaker 3>What do you do today?

0:35:44.560 --> 0:35:47.560
<v Speaker 5>I went to see a film anyway, So Mark scool

0:35:47.560 --> 0:35:50.399
<v Speaker 5>Sacy movie Timothy Shamalay is the piano man.

0:35:50.760 --> 0:35:52.520
<v Speaker 3>Over the sprawling epic movie.

0:35:52.719 --> 0:35:56.280
<v Speaker 5>It's we find out the backstory of every single person

0:35:56.360 --> 0:35:56.880
<v Speaker 5>who happens.

0:35:57.520 --> 0:35:58.640
<v Speaker 7>It's actually not that bad.

0:35:59.080 --> 0:36:00.440
<v Speaker 3>Originally I did have to.

0:36:00.440 --> 0:36:02.000
<v Speaker 5>Be honest, I've changed it in the last five minutes

0:36:02.000 --> 0:36:05.120
<v Speaker 5>because Jack Jack just went to me. I'm obsessed with

0:36:05.320 --> 0:36:08.760
<v Speaker 5>retired assassin movies. Okay, in my mind, I'm a retired

0:36:08.880 --> 0:36:11.200
<v Speaker 5>sassin hiding out here in Australia on the radio. Anyway,

0:36:11.239 --> 0:36:13.680
<v Speaker 5>piano Man was going to be someone who would be

0:36:13.719 --> 0:36:16.120
<v Speaker 5>an assassin during the day and then in the evening

0:36:16.320 --> 0:36:17.759
<v Speaker 5>to try and sort of cleanse his soul.

0:36:17.960 --> 0:36:20.560
<v Speaker 3>Would be a both good movie.

0:36:21.040 --> 0:36:22.440
<v Speaker 18>A piano man, you.

0:36:22.480 --> 0:36:24.520
<v Speaker 5>Know, and suddenly people are like putting some tip money

0:36:24.560 --> 0:36:26.319
<v Speaker 5>in there and he nods to them and then they

0:36:26.680 --> 0:36:28.200
<v Speaker 5>just as they're walking out, they do it. They look back,

0:36:28.200 --> 0:36:30.839
<v Speaker 5>and they say, why's he got blood dried under his nails?

0:36:31.000 --> 0:36:33.040
<v Speaker 5>Because you and I the viewer, we know that guy's

0:36:33.080 --> 0:36:35.120
<v Speaker 5>been murdering someone during the day, but he's got this

0:36:35.239 --> 0:36:38.160
<v Speaker 5>beautiful way playing the piano, So you can be one of.

0:36:38.160 --> 0:36:38.960
<v Speaker 4>The many vignettes.

0:36:40.400 --> 0:36:42.840
<v Speaker 5>That's right, I retired assassin John Wick happens to be

0:36:42.840 --> 0:36:45.120
<v Speaker 5>having a drink in that bar, Jackie Boy, what song

0:36:45.160 --> 0:36:46.319
<v Speaker 5>do you think make a great movie?

0:36:46.560 --> 0:36:49.560
<v Speaker 4>Stand by Eminem lends itself to a great horror film.

0:36:49.960 --> 0:36:50.960
<v Speaker 7>Remember when we met?

0:36:53.280 --> 0:36:57.440
<v Speaker 3>This could be like a seven color spooky thriller. Who's

0:36:57.480 --> 0:36:57.640
<v Speaker 3>in it?

0:36:58.440 --> 0:37:02.680
<v Speaker 4>Javier bordem is stand oh hundreds because he's the best

0:37:02.719 --> 0:37:03.120
<v Speaker 4>bad guy.

0:37:03.920 --> 0:37:06.400
<v Speaker 5>He's terrifying in the Bond movie that he was in

0:37:06.840 --> 0:37:08.799
<v Speaker 5>Mommy's been a van Artie Buy.

0:37:09.760 --> 0:37:10.640
<v Speaker 3>He'd be heavier.

0:37:10.680 --> 0:37:13.000
<v Speaker 4>Bard ends in it, and maybe Eminem can play himself.

0:37:13.160 --> 0:37:13.279
<v Speaker 7>Right.

0:37:13.320 --> 0:37:18.440
<v Speaker 2>Okay, this is the Christian O'Connell show podcast.

0:37:18.960 --> 0:37:20.800
<v Speaker 5>I will not give up on my dream to have

0:37:21.040 --> 0:37:25.640
<v Speaker 5>this week's Naked Out a solid hour of songs cooking ingredients.

0:37:25.680 --> 0:37:27.880
<v Speaker 5>In the title, he says, I've how to make gravy

0:37:27.920 --> 0:37:30.479
<v Speaker 5>Paul Kelly's pulling Christmas song to Me turn into a movie.

0:37:30.920 --> 0:37:34.080
<v Speaker 5>American pie, brown sugar, Pour some sugar on me, No

0:37:34.160 --> 0:37:35.640
<v Speaker 5>sugar wants red red wine, candy.

0:37:35.760 --> 0:37:39.320
<v Speaker 3>Robbie Williams, Let's do it? Build it for this Thursday,

0:37:39.719 --> 0:37:43.680
<v Speaker 3>whole hour of songs with ingredients cooking ingredients.

0:37:43.400 --> 0:37:46.240
<v Speaker 5>In the title, starting with Paul Kelly's how to Make Gravy.

0:37:46.320 --> 0:37:48.399
<v Speaker 5>So this great song is going to become a movie.

0:37:48.600 --> 0:37:54.360
<v Speaker 7>Who's gonna make the gravy? Scratching ahead which Australian access

0:37:54.360 --> 0:37:54.719
<v Speaker 7>will be in it.

0:37:54.800 --> 0:37:56.120
<v Speaker 3>Don't worry, Hugo weavings in it.

0:37:57.480 --> 0:38:00.520
<v Speaker 5>It's actually illegal not to make a movie this country.

0:38:00.560 --> 0:38:01.399
<v Speaker 3>And how some roll?

0:38:01.880 --> 0:38:05.759
<v Speaker 5>Is he the guy in prison? Or is he the granddad?

0:38:08.320 --> 0:38:09.880
<v Speaker 5>He's Joe, He's inside, isn't he.

0:38:12.080 --> 0:38:12.360
<v Speaker 7>All right?

0:38:12.400 --> 0:38:15.000
<v Speaker 5>So we talked this morning. Other songs that you think

0:38:15.080 --> 0:38:19.440
<v Speaker 5>would make great movies. I also think this will make

0:38:19.480 --> 0:38:21.560
<v Speaker 5>a great one as well. You know some movies that

0:38:21.600 --> 0:38:24.319
<v Speaker 5>are just relentlessly miserable. I will still go and see

0:38:24.360 --> 0:38:27.239
<v Speaker 5>those ones. This one, I think semi sonic Closing Time

0:38:27.360 --> 0:38:29.680
<v Speaker 5>make a great one. It's set at sort of closing

0:38:29.760 --> 0:38:30.520
<v Speaker 5>time in a bar.

0:38:35.280 --> 0:38:36.120
<v Speaker 3>It's black and white.

0:38:36.920 --> 0:38:38.520
<v Speaker 4>I mean, it's not that sad I've seen.

0:38:39.440 --> 0:38:43.000
<v Speaker 5>It's Timbones directing it. Helen Bondicarter is the land Lady.

0:38:43.920 --> 0:38:47.400
<v Speaker 5>Come on, guys, all right, So what songs are with

0:38:47.560 --> 0:38:48.160
<v Speaker 5>a great movie?

0:38:48.360 --> 0:38:48.640
<v Speaker 7>Joel?

0:38:48.760 --> 0:38:53.719
<v Speaker 3>Good morning morning. So what's the song that will make

0:38:53.760 --> 0:38:54.399
<v Speaker 3>a great movie?

0:38:55.000 --> 0:38:57.279
<v Speaker 16>So I would like to think we could make some

0:38:57.480 --> 0:39:02.040
<v Speaker 16>form of medieval you know, audic error style movie based

0:39:02.080 --> 0:39:05.000
<v Speaker 16>around the song Stairway to Heaven, Ah.

0:39:11.160 --> 0:39:15.000
<v Speaker 5>Heaven, inspired by sort of Viking and Norse mythology.

0:39:15.280 --> 0:39:17.520
<v Speaker 3>That's that. But how do you see it in a movie?

0:39:17.719 --> 0:39:19.400
<v Speaker 3>Is it about mystic Stairway to Heaven?

0:39:20.080 --> 0:39:21.920
<v Speaker 16>Well, it would follow it before, It would follow the

0:39:21.960 --> 0:39:24.160
<v Speaker 16>feme of the song pretty much from starter, and it

0:39:24.200 --> 0:39:27.480
<v Speaker 16>would be a journey of some kind. It would have

0:39:27.560 --> 0:39:29.040
<v Speaker 16>to go for about three an half hours long to.

0:39:30.640 --> 0:39:32.160
<v Speaker 3>I mean, he goes, I can't cut it down. I

0:39:32.160 --> 0:39:33.319
<v Speaker 3>can't cut it down ten hours.

0:39:33.360 --> 0:39:33.760
<v Speaker 10>I wouldn't.

0:39:33.960 --> 0:39:36.279
<v Speaker 16>I wouldn't have Scores Hazy directed. I'd have Jack Black

0:39:36.360 --> 0:39:41.399
<v Speaker 16>directed because he's did the Mega Mega Mega bandone does

0:39:42.600 --> 0:39:44.680
<v Speaker 16>you would have you would have two main main characters

0:39:44.760 --> 0:39:47.160
<v Speaker 16>play two main male characters played by Jack Black and

0:39:47.280 --> 0:39:50.040
<v Speaker 16>Dave Roll because they rolled a super super historian as

0:39:50.080 --> 0:39:53.120
<v Speaker 16>far as musicians go, and your main female part would

0:39:53.160 --> 0:39:55.600
<v Speaker 16>be played by Ian Wilson from Heart because Heart did

0:39:55.640 --> 0:39:57.960
<v Speaker 16>a fantastic rendition, and Stair to Heaven.

0:39:59.040 --> 0:40:02.320
<v Speaker 5>You trying when he's when Robert plant is listening to it,

0:40:02.440 --> 0:40:04.799
<v Speaker 5>sat there, it's a it's an amazing addition.

0:40:05.080 --> 0:40:06.759
<v Speaker 16>And you could course There to Heaven. But the whole

0:40:06.800 --> 0:40:09.239
<v Speaker 16>movie would be enfused with lezepbum songs just all the

0:40:09.280 --> 0:40:11.799
<v Speaker 16>way through because pretty much they're all nautic thing. They're

0:40:11.840 --> 0:40:15.600
<v Speaker 16>all from that sort of basic, basic genre, and it would.

0:40:17.400 --> 0:40:19.080
<v Speaker 5>Get the feeling that you've been working on this for

0:40:19.120 --> 0:40:22.120
<v Speaker 5>a while. Oh yeah, yeah, this is the sort of

0:40:22.200 --> 0:40:25.160
<v Speaker 5>thing that old rockers talk about one am when everyone

0:40:25.200 --> 0:40:27.279
<v Speaker 5>else has gone to bed and have one last one.

0:40:27.320 --> 0:40:27.920
<v Speaker 7>But what if?

0:40:28.600 --> 0:40:32.200
<v Speaker 3>What if Chap David wait, wait, wait, don't go yet,

0:40:32.200 --> 0:40:32.880
<v Speaker 3>I know you is there.

0:40:32.920 --> 0:40:36.160
<v Speaker 5>Tell them to wait, Joe. It's a great idea. Let's

0:40:36.200 --> 0:40:39.240
<v Speaker 5>good at Dino now, Hello Dino, good morning?

0:40:39.320 --> 0:40:41.400
<v Speaker 3>Hell are we I'm good Dino? Have you a great weekend?

0:40:41.520 --> 0:40:43.120
<v Speaker 3>So what song would make a good movie?

0:40:44.080 --> 0:40:48.320
<v Speaker 10>Copper Hit Road get In? I would love to do

0:40:49.920 --> 0:40:52.120
<v Speaker 10>That's all one. Every time I hear it, I think

0:40:52.200 --> 0:40:55.040
<v Speaker 10>of a movie. Sham Elliot would play the old would

0:40:55.040 --> 0:40:55.920
<v Speaker 10>play the grandfather.

0:40:56.120 --> 0:40:58.640
<v Speaker 5>Yeah, a grizzled sort of veteran who's seen too much

0:40:58.719 --> 0:41:00.960
<v Speaker 5>in those too much, and she's.

0:41:00.760 --> 0:41:05.200
<v Speaker 10>A widower and the son the son of same eli.

0:41:05.200 --> 0:41:08.279
<v Speaker 10>It would be Chris Pratt. His mother would be faith

0:41:08.400 --> 0:41:14.520
<v Speaker 10>Hill because she's gorgeous. Roll reckonld you're throwing a Robert

0:41:14.560 --> 0:41:15.960
<v Speaker 10>de Vel there as the right.

0:41:17.719 --> 0:41:18.200
<v Speaker 4>Throw him in?

0:41:20.840 --> 0:41:21.279
<v Speaker 16>Who else?

0:41:21.719 --> 0:41:22.120
<v Speaker 3>Anyone?

0:41:25.000 --> 0:41:28.040
<v Speaker 10>Just flashbacks to the war and thinking about make whiskey.

0:41:28.160 --> 0:41:30.640
<v Speaker 10>You know how it goes into like old southern tails

0:41:30.680 --> 0:41:32.759
<v Speaker 10>there and that ways out?

0:41:33.920 --> 0:41:34.240
<v Speaker 7>Gotcha?

0:41:34.719 --> 0:41:38.080
<v Speaker 3>I love it your visionary, Dino. It's a great keep

0:41:38.120 --> 0:41:38.600
<v Speaker 3>it you.

0:41:38.640 --> 0:41:42.320
<v Speaker 10>Say your favor. You'd cast Hugh Jackman's Faithiel husband.

0:41:46.480 --> 0:41:46.800
<v Speaker 7>There you go.

0:41:46.960 --> 0:41:48.839
<v Speaker 3>He sorted it all out, Dino. I'm done.

0:41:48.880 --> 0:41:51.880
<v Speaker 5>I mean it's like Shark Tank for movies, isn't it.

0:41:53.800 --> 0:41:56.799
<v Speaker 5>H Let's get how we got here? Irene coome oning,

0:41:57.440 --> 0:41:58.239
<v Speaker 5>come morning, question?

0:41:58.360 --> 0:41:58.719
<v Speaker 17>How are you?

0:41:58.920 --> 0:42:01.040
<v Speaker 5>I'm good, Irena? You have a lovely weekend. Now what

0:42:01.280 --> 0:42:02.760
<v Speaker 5>song do you think will make a great movie?

0:42:03.360 --> 0:42:07.200
<v Speaker 10>Living on a Prayer with Tommy and Gina? Someone's living

0:42:07.239 --> 0:42:07.440
<v Speaker 10>on the.

0:42:07.480 --> 0:42:09.000
<v Speaker 18>Dark as the wait drew.

0:42:10.760 --> 0:42:12.960
<v Speaker 3>So serious. Movie is about him trying to find a

0:42:13.040 --> 0:42:14.280
<v Speaker 3>better life for him and Gina.

0:42:15.000 --> 0:42:17.000
<v Speaker 6>Oh no, rom com because I mean, you know so

0:42:17.200 --> 0:42:19.400
<v Speaker 6>they make it good in the end?

0:42:19.440 --> 0:42:20.000
<v Speaker 17>Are they so?

0:42:21.160 --> 0:42:21.359
<v Speaker 4>Yeah?

0:42:21.360 --> 0:42:22.800
<v Speaker 5>I never think of this song. I think this a

0:42:22.920 --> 0:42:25.719
<v Speaker 5>romantic comedy. It's such a big and laughs in it?

0:42:25.840 --> 0:42:27.840
<v Speaker 5>Is it in that Miserable job down at the doors?

0:42:27.960 --> 0:42:33.880
<v Speaker 4>Matthew McCone, Tan Hudson living on a prayer? Who do

0:42:33.920 --> 0:42:35.080
<v Speaker 4>you see in the film, Ireen?

0:42:36.120 --> 0:42:40.279
<v Speaker 16>I think Hugh and Hugh Jackman and the Sandra Bullock shot.

0:42:40.320 --> 0:42:43.239
<v Speaker 7>Chapman's enough for these? Isn't he go? We me? Ain't

0:42:43.239 --> 0:42:44.240
<v Speaker 7>you looking? Guys?

0:42:44.400 --> 0:42:44.759
<v Speaker 13>Come on?

0:42:45.719 --> 0:42:46.839
<v Speaker 3>I mean thanks you mate.

0:42:47.239 --> 0:42:47.880
<v Speaker 7>Carl Bryner.

0:42:47.960 --> 0:42:50.920
<v Speaker 2>Now you're listening to the Christian O Carl's Show podcast.

0:42:51.440 --> 0:42:53.960
<v Speaker 5>We will return tomorrow to songs that you think can

0:42:54.000 --> 0:42:56.960
<v Speaker 5>make a great movie. After Paul Kelly's sprinting how to

0:42:57.000 --> 0:43:00.120
<v Speaker 5>make Gravy is becoming a movie Christian, I think think

0:43:00.360 --> 0:43:04.720
<v Speaker 5>Jack's right eminem Stan would make a great thriller. However,

0:43:04.800 --> 0:43:08.000
<v Speaker 5>can I replace Javier Bardem who Jack cast in a

0:43:08.080 --> 0:43:10.360
<v Speaker 5>lead role with Sillian Murphy?

0:43:10.520 --> 0:43:11.800
<v Speaker 4>Oh that's a better stand.

0:43:11.719 --> 0:43:14.239
<v Speaker 3>More creepy, Isney, more chilling. Yeah, that's a very good one.

0:43:14.400 --> 0:43:14.719
<v Speaker 7>All right.

0:43:14.800 --> 0:43:17.120
<v Speaker 3>So we've got brand new mishard lyrics right now.

0:43:17.840 --> 0:43:18.960
<v Speaker 13>It's just a love.

0:43:19.040 --> 0:43:23.680
<v Speaker 11>Miss heard Manday Christian O'Connell's miss heard lyrics.

0:43:24.120 --> 0:43:26.280
<v Speaker 5>Every Monday on the show, we go through your misheard

0:43:26.360 --> 0:43:28.680
<v Speaker 5>lyrics as we're playing the back. If we agree with

0:43:28.800 --> 0:43:32.520
<v Speaker 5>what you think you're miss hearing, you'll hear. And for

0:43:32.600 --> 0:43:35.320
<v Speaker 5>the ones we do not hear it, and for the

0:43:35.360 --> 0:43:39.719
<v Speaker 5>great ones. Hall of Favor, recent Hall of Famers to

0:43:40.000 --> 0:43:43.919
<v Speaker 5>Nate cultures or cheat wine, cheat wine, and a free

0:43:44.160 --> 0:43:45.799
<v Speaker 5>Dave Grolle.

0:43:49.040 --> 0:43:51.359
<v Speaker 3>And there was Ben for Amber.

0:43:51.120 --> 0:43:54.239
<v Speaker 5>Girl by the lakramas, I die for your sweet Hamburger

0:43:54.800 --> 0:44:00.360
<v Speaker 5>dam bridging the street. All right, let's get the brath on.

0:44:00.719 --> 0:44:03.560
<v Speaker 5>We got Nathan here, Annie. Then it's walking on broken glass,

0:44:03.640 --> 0:44:13.320
<v Speaker 5>walking on, walking on broken glasses the original line, or

0:44:13.480 --> 0:44:20.680
<v Speaker 5>is it Pokemon walking on broken glass? Now it just

0:44:20.800 --> 0:44:23.440
<v Speaker 5>sounds like some sort of lazy cash in for a movie.

0:44:23.800 --> 0:44:26.480
<v Speaker 5>He's a different song, isn't it about flipping Pokemon?

0:44:32.160 --> 0:44:32.719
<v Speaker 4>Very good?

0:44:32.840 --> 0:44:38.920
<v Speaker 5>Nathaniel Connor's got mf unbelievable. The things you say your

0:44:39.000 --> 0:44:47.400
<v Speaker 5>purple prose just gave you away? Or is it the

0:44:47.480 --> 0:44:50.520
<v Speaker 5>things you say your private parts just give you away?

0:44:55.760 --> 0:44:57.040
<v Speaker 7>It's there.

0:44:58.920 --> 0:45:04.040
<v Speaker 3>Darryl's got this coldplay clocks tides that I tried to

0:45:04.200 --> 0:45:04.920
<v Speaker 3>swim against.

0:45:05.280 --> 0:45:10.640
<v Speaker 5>Taz that rat swimmer against or is it very different interpretation?

0:45:10.840 --> 0:45:14.239
<v Speaker 3>Tarzan, I try to swim against tars that.

0:45:14.560 --> 0:45:20.200
<v Speaker 5>Rat the image chrismin I'm trying to get away from

0:45:20.239 --> 0:45:21.240
<v Speaker 5>big strong Tarzan.

0:45:21.440 --> 0:45:28.360
<v Speaker 7>Stop at you, Burnie brute tars that rat too strong,

0:45:28.520 --> 0:45:31.080
<v Speaker 7>Christopher Hall of Favor.

0:45:31.800 --> 0:45:34.320
<v Speaker 3>Sorry, that's starting, but I love that one. Tarzan. I

0:45:34.440 --> 0:45:35.799
<v Speaker 3>tried to swim against.

0:45:35.600 --> 0:45:38.440
<v Speaker 1>Tarz that rat swimmer against.

0:45:39.080 --> 0:45:42.080
<v Speaker 5>And I'm guessing got little kids because this is a

0:45:42.719 --> 0:45:46.160
<v Speaker 5>song from the Little Mermaid soundtrack, part of your world

0:45:46.440 --> 0:45:49.000
<v Speaker 5>from The Little Mermaid, we all know this line.

0:45:49.200 --> 0:45:51.280
<v Speaker 3>Bright young women sick of swimming?

0:45:51.840 --> 0:45:54.920
<v Speaker 4>Bring your women sick of swimming?

0:45:55.719 --> 0:45:57.640
<v Speaker 3>Or is it pregnant women sick of swimming?

0:45:57.680 --> 0:45:59.200
<v Speaker 7>You're not pregnant. You're in it. It's not going on

0:45:59.200 --> 0:45:59.839
<v Speaker 7>in your life right.

0:45:59.800 --> 0:46:03.320
<v Speaker 6>Now, Break your women sick of swimming?

0:46:03.680 --> 0:46:10.000
<v Speaker 5>Yes, Christian, I always listened to the mishard lyrics in

0:46:10.080 --> 0:46:14.800
<v Speaker 5>the car. I've gone from stink pink a marshmallow dreaming.

0:46:16.080 --> 0:46:16.960
<v Speaker 5>Will you follow me?

0:46:17.160 --> 0:46:18.440
<v Speaker 7>Will your father be?

0:46:19.480 --> 0:46:19.520
<v Speaker 19>Or?

0:46:19.880 --> 0:46:21.160
<v Speaker 3>Is it will you fartle me?

0:46:21.760 --> 0:46:23.040
<v Speaker 7>Will your father be?

0:46:23.920 --> 0:46:24.200
<v Speaker 4>Yes?

0:46:26.239 --> 0:46:28.520
<v Speaker 7>It's just the messengers. I just played the clips. It's

0:46:28.640 --> 0:46:32.480
<v Speaker 7>will you fartle me? Will your father be? Yeah?

0:46:34.280 --> 0:46:36.319
<v Speaker 3>Thank God, the honest chat. I'm right on the fence

0:46:36.400 --> 0:46:39.720
<v Speaker 3>whether to play this one out. It involves is very clear.

0:46:40.160 --> 0:46:43.920
<v Speaker 3>It's very clear. It's so clear. However, the word we're

0:46:43.960 --> 0:46:47.239
<v Speaker 3>talking about is the male reproductive.

0:46:46.760 --> 0:46:48.600
<v Speaker 4>Organ play the original least?

0:46:48.600 --> 0:46:48.880
<v Speaker 7>All right?

0:46:48.960 --> 0:46:49.959
<v Speaker 3>Yeah, yeah, good idea?

0:46:49.960 --> 0:46:50.320
<v Speaker 7>What am I?

0:46:50.480 --> 0:46:50.719
<v Speaker 3>Okay?

0:46:50.840 --> 0:46:53.160
<v Speaker 5>So the original one just comes from listening Liam about

0:46:53.200 --> 0:46:58.160
<v Speaker 5>my business by young boy. I watched my grandpa saved pennies.

0:46:58.760 --> 0:47:00.800
<v Speaker 18>Oh watch my grandpa's penist.

0:47:02.440 --> 0:47:07.200
<v Speaker 3>Do you get it? You don't even need to once more.

0:47:07.600 --> 0:47:09.680
<v Speaker 18>I watch my grandpa's say penist.

0:47:09.960 --> 0:47:12.959
<v Speaker 4>Okay, surely, even when he's in the recording booth.

0:47:13.960 --> 0:47:17.040
<v Speaker 5>Hey, hey, just watch the nunciation. Maybe do another because

0:47:17.040 --> 0:47:19.319
<v Speaker 5>it sounds like you're talking about grandpa's.

0:47:18.760 --> 0:47:21.640
<v Speaker 18>Old I watch my grandpa's say penist.

0:47:22.360 --> 0:47:26.000
<v Speaker 3>However's hall of favor. Let's move on.

0:47:26.320 --> 0:47:28.480
<v Speaker 6>The Christian O'Connell show podcast.

0:47:29.280 --> 0:47:30.440
<v Speaker 4>Grousy is no word.

0:47:30.680 --> 0:47:32.600
<v Speaker 6>Greasy is not what you heard.

0:47:32.880 --> 0:47:41.960
<v Speaker 13>It's a barony, folly reasons. Stre's not a failure. The

0:47:42.200 --> 0:47:44.800
<v Speaker 13>casting even notish.

0:47:46.280 --> 0:47:47.040
<v Speaker 3>So it happens.

0:47:47.320 --> 0:47:49.960
<v Speaker 5>They came, they saw, they got on stage, they did

0:47:50.040 --> 0:47:51.120
<v Speaker 5>their lines, they sung.

0:47:51.760 --> 0:47:52.680
<v Speaker 3>It all worked very well.

0:47:52.719 --> 0:47:55.880
<v Speaker 5>Well well done to everyone involved and in Grousy musical

0:47:56.040 --> 0:47:56.839
<v Speaker 5>a couple of weeks ago.

0:47:56.960 --> 0:47:58.800
<v Speaker 3>This was nothing. It was just simply an idea.

0:47:59.200 --> 0:48:01.640
<v Speaker 5>What if we could for you a do over if

0:48:01.680 --> 0:48:04.399
<v Speaker 5>you never had a speaking part in your high school play,

0:48:04.800 --> 0:48:07.160
<v Speaker 5>not only just because you have lives, but also songs

0:48:07.200 --> 0:48:10.640
<v Speaker 5>as well. Five songs so out of nowhere happened Thursday Night,

0:48:10.760 --> 0:48:13.279
<v Speaker 5>Grousey Musical. You can watch what happened. It will cheer

0:48:13.320 --> 0:48:16.120
<v Speaker 5>you up today. Check out the short video. You'll find

0:48:16.120 --> 0:48:18.759
<v Speaker 5>it on Instagram and on Facebook. Just look for the

0:48:18.880 --> 0:48:21.800
<v Speaker 5>Christian O'Connell's show. So I wonder if you could just

0:48:21.880 --> 0:48:24.279
<v Speaker 5>give us a moment where Jack and I because these

0:48:24.360 --> 0:48:27.000
<v Speaker 5>ideas do come out of nowhere and they generally cannot

0:48:27.040 --> 0:48:30.440
<v Speaker 5>happen without a lot of people giving up their time

0:48:30.960 --> 0:48:33.680
<v Speaker 5>for free to make this come together. So we are

0:48:33.840 --> 0:48:35.360
<v Speaker 5>just going to just indulge us a moment where we

0:48:35.440 --> 0:48:38.120
<v Speaker 5>thank some people who really do deserve the thanks, starting

0:48:38.160 --> 0:48:42.520
<v Speaker 5>with the lighting operator for Grouse the musical, Connor Banister.

0:48:42.840 --> 0:48:45.880
<v Speaker 4>All the drinks were provided by Nocktails.

0:48:45.880 --> 0:48:48.600
<v Speaker 3>Sandy Downey on the Glockenspiel. Shout out to the.

0:48:48.680 --> 0:48:51.960
<v Speaker 4>Glock Catering Project Melbourne did Everybody's dinner.

0:48:52.239 --> 0:48:53.719
<v Speaker 5>Box orts who we've done a lot of stuff with

0:48:53.920 --> 0:48:56.359
<v Speaker 5>before for the theater facades.

0:48:56.920 --> 0:49:00.719
<v Speaker 4>The great Sue Bryan's made an incredible seagull costume. It

0:49:00.880 --> 0:49:01.920
<v Speaker 4>was the biggest last.

0:49:01.960 --> 0:49:05.719
<v Speaker 5>Summon out of an oscar production. She must say they

0:49:05.800 --> 0:49:07.040
<v Speaker 5>must have spent days on that.

0:49:07.320 --> 0:49:09.759
<v Speaker 4>It looks brilliant. Worth watching the video just to see

0:49:09.760 --> 0:49:10.200
<v Speaker 4>the seagull.

0:49:10.280 --> 0:49:12.760
<v Speaker 7>I think you're missing out the person that was inside

0:49:12.800 --> 0:49:13.600
<v Speaker 7>the seagull.

0:49:13.280 --> 0:49:17.320
<v Speaker 4>Out for her husband, Brad. Yeah, Brad, you had a

0:49:18.560 --> 0:49:20.640
<v Speaker 4>he took the edge off before playing the seagull.

0:49:20.800 --> 0:49:22.279
<v Speaker 3>Are you saying that he hadn't been at the no

0:49:22.480 --> 0:49:23.200
<v Speaker 3>Cocktails park?

0:49:23.760 --> 0:49:24.320
<v Speaker 7>We move on.

0:49:24.800 --> 0:49:29.200
<v Speaker 3>Thank you to everyone ban Fate and all the team

0:49:29.320 --> 0:49:33.320
<v Speaker 3>who provided the amazing costumes. They are the costumery. Go

0:49:33.400 --> 0:49:34.120
<v Speaker 3>and check them out.

0:49:34.239 --> 0:49:35.839
<v Speaker 4>Of course, we can have done it without the theater

0:49:35.880 --> 0:49:38.200
<v Speaker 4>at De Lacel College in Malven.

0:49:38.520 --> 0:49:41.359
<v Speaker 5>Thank you very much for lending us your space. Thank

0:49:41.400 --> 0:49:44.560
<v Speaker 5>you very much too, Omni Graphics for all the programming

0:49:44.719 --> 0:49:45.880
<v Speaker 5>and signage, and.

0:49:45.960 --> 0:49:48.920
<v Speaker 4>The whole place was elevated by the props and the

0:49:49.040 --> 0:49:52.120
<v Speaker 4>set and the car looked brilliant as well. So thanks

0:49:52.160 --> 0:49:54.000
<v Speaker 4>to Mark and Andre from your show.

0:49:54.200 --> 0:49:56.399
<v Speaker 3>Yeah, thank you very much, Mark and Andre. I think

0:49:56.480 --> 0:49:57.760
<v Speaker 3>it made a difference.

0:49:57.840 --> 0:50:00.640
<v Speaker 5>To everyone in the audience and all the AS members

0:50:00.680 --> 0:50:02.880
<v Speaker 5>that although on air you know and we meant it,

0:50:03.239 --> 0:50:05.400
<v Speaker 5>this really isn't you know about a West End performance.

0:50:05.440 --> 0:50:07.160
<v Speaker 5>It came out of nowhere and it's been put together

0:50:07.280 --> 0:50:10.080
<v Speaker 5>and assembled together in a matter of weeks. And some

0:50:10.280 --> 0:50:12.879
<v Speaker 5>CARDS members forgot their lines and fluffs. It doesn't really matter.

0:50:12.880 --> 0:50:14.920
<v Speaker 5>It's about getting to do what you couldn't do and

0:50:15.120 --> 0:50:18.480
<v Speaker 5>just enjoying it. But the props make the show.

0:50:18.360 --> 0:50:22.040
<v Speaker 4>Yes, and the set looking so professional made them feel

0:50:22.160 --> 0:50:23.240
<v Speaker 4>like there are proper stars.

0:50:23.480 --> 0:50:26.840
<v Speaker 3>Even if some of the performances weren't as professional as

0:50:26.880 --> 0:50:28.440
<v Speaker 3>the sets. That's not our business.

0:50:28.840 --> 0:50:31.600
<v Speaker 5>It doesn't matter. But Mark and Andre going above and beyond,

0:50:31.640 --> 0:50:35.800
<v Speaker 5>thank you very much. And then Fiona Harris and Mike McLeish,

0:50:35.880 --> 0:50:38.600
<v Speaker 5>they were the producers directors. They wrote this in a

0:50:38.680 --> 0:50:41.360
<v Speaker 5>couple of weeks and blessed them. They'd also suffered a

0:50:41.520 --> 0:50:44.759
<v Speaker 5>real heartbreaking tragedy in the last couple of weeks and

0:50:44.840 --> 0:50:46.520
<v Speaker 5>I thought that they wouldn't be able to involved in

0:50:46.600 --> 0:50:47.600
<v Speaker 5>this anymore, but they didn't.

0:50:47.600 --> 0:50:50.359
<v Speaker 3>They still committed. They showed up last Monday for many,

0:50:50.400 --> 0:50:52.160
<v Speaker 3>many hours, which we didn't know they were going.

0:50:52.160 --> 0:50:54.640
<v Speaker 5>To do, to take everyone through it. I'm sure speaking

0:50:54.719 --> 0:50:57.680
<v Speaker 5>everyone who did the show on Thursday, it would not

0:50:57.800 --> 0:51:01.080
<v Speaker 5>have been the same without Fiona and Mike and Finn,

0:51:01.760 --> 0:51:03.319
<v Speaker 5>their daughters are running the show.

0:51:03.440 --> 0:51:05.440
<v Speaker 7>Basically we kind of handed it.

0:51:05.520 --> 0:51:08.040
<v Speaker 5>Over to them the actual prose, but the script and

0:51:08.120 --> 0:51:11.360
<v Speaker 5>the songs were outstanding and that's thanks to Fiona Harris

0:51:11.400 --> 0:51:12.200
<v Speaker 5>and Mike McLeish.

0:51:12.520 --> 0:51:14.560
<v Speaker 3>Watch the video. It really is the thing of joy

0:51:14.640 --> 0:51:15.919
<v Speaker 3>today or give you a little kick today.

0:51:16.000 --> 0:51:17.960
<v Speaker 7>You'll find it on Instagram, on Facebook.

0:51:17.680 --> 0:51:18.279
<v Speaker 3>And here it is.

0:51:18.360 --> 0:51:22.880
<v Speaker 5>Then, here's what happened when eighteen adults finally got that

0:51:23.000 --> 0:51:25.840
<v Speaker 5>inner child on stage Grouse the Musical.

0:51:26.080 --> 0:51:30.520
<v Speaker 11>After no auditions and only one rehearsal, the curtain went

0:51:30.640 --> 0:51:34.080
<v Speaker 11>up on Grouse for Musical.

0:51:33.960 --> 0:51:37.600
<v Speaker 4>On the counter three say go graphs one two.

0:51:37.840 --> 0:51:44.640
<v Speaker 11>Great our cast hit the stage, but would they hit

0:51:44.719 --> 0:51:58.680
<v Speaker 11>the right notes? There were some show stopping moments sorry

0:51:58.960 --> 0:51:59.520
<v Speaker 11>last night as.

0:51:59.400 --> 0:52:03.480
<v Speaker 6>Well halfway down page thirteen.

0:52:05.080 --> 0:52:05.880
<v Speaker 4>That were we missing one?

0:52:06.320 --> 0:52:06.520
<v Speaker 7>Yeah?

0:52:06.880 --> 0:52:08.439
<v Speaker 6>All right, who wants to be in the show?

0:52:09.360 --> 0:52:11.279
<v Speaker 4>I'm sorry, I was adding to my mind.

0:52:12.880 --> 0:52:18.000
<v Speaker 7>They hit note after note the.

0:52:18.040 --> 0:52:25.120
<v Speaker 12>School dropout, No goldus Spanish set for you after note mate?

0:52:25.880 --> 0:52:30.120
<v Speaker 7>Can't you see that sea gulls? Nick to my goom

0:52:31.000 --> 0:52:40.400
<v Speaker 7>sack too after note, and they didn't.

0:52:40.600 --> 0:52:43.640
<v Speaker 4>Guys, we're entering the final scene of the nine.

0:52:44.960 --> 0:52:46.440
<v Speaker 3>I correct response.

0:52:46.520 --> 0:52:56.000
<v Speaker 7>Well done. It was a triumphon come on.

0:52:56.400 --> 0:53:05.719
<v Speaker 1>Come on, inspired the passion back up again. I want

0:53:05.760 --> 0:53:09.040
<v Speaker 1>to keep going. I want to keep singing and keep performing.

0:53:09.400 --> 0:53:12.000
<v Speaker 7>Just feel like a part of the move from my

0:53:12.120 --> 0:53:13.400
<v Speaker 7>childhood that I've never got to do.

0:53:13.920 --> 0:53:14.640
<v Speaker 4>I've done it now.

0:53:14.719 --> 0:53:17.000
<v Speaker 7>It's just amazing, so I can tick that off the

0:53:17.040 --> 0:53:17.560
<v Speaker 7>bucket list.

0:53:17.719 --> 0:53:20.160
<v Speaker 14>We've come together. We've known each other all of four

0:53:20.320 --> 0:53:24.160
<v Speaker 14>or five days from our dress rehearsal, and everyone was

0:53:24.280 --> 0:53:29.359
<v Speaker 14>just so enthusiastic, so supportive, so caring, amazing.

0:53:29.520 --> 0:53:31.040
<v Speaker 15>I'm just rapped to have been able to do it,

0:53:31.160 --> 0:53:33.320
<v Speaker 15>because you know, you got to live life right and

0:53:33.400 --> 0:53:35.640
<v Speaker 15>have fun. Can you please plan a Greece too, because

0:53:35.640 --> 0:53:36.040
<v Speaker 15>we've got to.

0:53:36.040 --> 0:53:36.560
<v Speaker 3>Do this again.

0:53:36.920 --> 0:53:38.040
<v Speaker 7>This can't be a one off.

0:53:38.239 --> 0:53:39.080
<v Speaker 3>It's too much fun.

0:53:39.640 --> 0:53:39.799
<v Speaker 7>Well.

0:53:39.920 --> 0:53:42.600
<v Speaker 6>Christian Connell's show podcast.

0:53:42.680 --> 0:53:44.759
<v Speaker 5>Christian, I thought of another song. Make a great movie

0:53:45.000 --> 0:53:49.520
<v Speaker 5>Hotel California, Alexa. Shit, that's a great idea. I see

0:53:49.800 --> 0:53:52.200
<v Speaker 5>Raimi now I'm playing this song. I see Rami Malick

0:53:52.239 --> 0:53:54.440
<v Speaker 5>as a creepy motel owner.

0:53:55.000 --> 0:53:57.520
<v Speaker 19>Where you can check him but never check out and

0:53:57.640 --> 0:53:59.640
<v Speaker 19>he's got the Freddie Mercury teeth on him.

0:54:03.520 --> 0:54:06.800
<v Speaker 3>I'd watch that movie, all right, Jackie boy? How is

0:54:07.000 --> 0:54:07.640
<v Speaker 3>baby Gordon?

0:54:07.680 --> 0:54:10.680
<v Speaker 5>So this would be his second Christmas, so now it'd

0:54:10.719 --> 0:54:12.680
<v Speaker 5>be a different kind of Christmas where he'll know a

0:54:12.719 --> 0:54:14.200
<v Speaker 5>bit more about what's going on in present.

0:54:14.280 --> 0:54:17.160
<v Speaker 4>I'm looking forward to Christmas also his first Halloween tomorrow,

0:54:17.400 --> 0:54:20.680
<v Speaker 4>where he will be dressing up as a bumblebee. His

0:54:20.840 --> 0:54:22.040
<v Speaker 4>outfit looks so cute.

0:54:22.080 --> 0:54:27.479
<v Speaker 5>Oh god, Halloween bumblebee, the terror that will strike in today?

0:54:27.520 --> 0:54:28.279
<v Speaker 7>But how cute.

0:54:28.440 --> 0:54:31.440
<v Speaker 4>So he's got wings, He's got a bee outfit with

0:54:31.480 --> 0:54:33.520
<v Speaker 4>wings on the back. It's hard to put his little

0:54:33.520 --> 0:54:35.640
<v Speaker 4>antennas on at the moment. Oh yeah, but they add

0:54:35.760 --> 0:54:37.360
<v Speaker 4>so much to the outfit. He just doesn't like the

0:54:37.400 --> 0:54:38.640
<v Speaker 4>idea of having a headband on.

0:54:38.840 --> 0:54:41.480
<v Speaker 3>Yeah, I bet? Oh my god, how cute. So has

0:54:41.480 --> 0:54:42.960
<v Speaker 3>it been made? Have you bought a decent one?

0:54:43.080 --> 0:54:43.120
<v Speaker 18>No?

0:54:43.560 --> 0:54:45.359
<v Speaker 4>Bianca got it from somewhere. I'm not sure where.

0:54:45.480 --> 0:54:47.719
<v Speaker 3>Oh that's so cute. And what's he doing at the moment?

0:54:47.760 --> 0:54:49.880
<v Speaker 3>What phase is he at right now? So what is

0:54:49.920 --> 0:54:50.839
<v Speaker 3>he twenty two months?

0:54:50.960 --> 0:54:53.920
<v Speaker 4>He's twenty months right? He a few weeks back he

0:54:54.120 --> 0:54:56.920
<v Speaker 4>started a new hobby, which was putting stuff in the toilet.

0:54:57.400 --> 0:54:59.719
<v Speaker 4>So every time I went to p i'd find a

0:55:00.200 --> 0:55:04.640
<v Speaker 4>brush or lip arm, his shoe, matchbox cars sitting in

0:55:04.680 --> 0:55:05.480
<v Speaker 4>the bottom of the toilet.

0:55:05.520 --> 0:55:07.560
<v Speaker 5>But I mean it's like a Disneyland Ryan to a

0:55:07.640 --> 0:55:10.280
<v Speaker 5>young kid. I mean, I used to love flushing stuff

0:55:10.280 --> 0:55:11.319
<v Speaker 5>down the loo when I was a kid.

0:55:11.360 --> 0:55:13.319
<v Speaker 4>Well, that's that's the new element that he's added over

0:55:13.360 --> 0:55:13.760
<v Speaker 4>the weekend.

0:55:13.920 --> 0:55:14.600
<v Speaker 3>Was he getting rid of it?

0:55:14.680 --> 0:55:14.799
<v Speaker 7>Now?

0:55:14.880 --> 0:55:15.600
<v Speaker 4>Now he can flush?

0:55:15.800 --> 0:55:16.239
<v Speaker 7>What do you mean?

0:55:16.320 --> 0:55:18.120
<v Speaker 3>So what he's learned how to do the next bit?

0:55:18.239 --> 0:55:20.440
<v Speaker 4>He can put the lid down, clumb on top of

0:55:20.480 --> 0:55:21.080
<v Speaker 4>it and flush.

0:55:21.160 --> 0:55:23.719
<v Speaker 5>So now he must be so proud. That's how smart

0:55:23.760 --> 0:55:26.080
<v Speaker 5>our boys genius is. This is the next Einstein.

0:55:26.320 --> 0:55:29.000
<v Speaker 4>The problem is we don't know what's getting flushed because

0:55:29.040 --> 0:55:30.920
<v Speaker 4>we just hear it from the other room. A flush.

0:55:31.000 --> 0:55:32.680
<v Speaker 4>We go, oh no, what's he got rid of?

0:55:32.800 --> 0:55:32.920
<v Speaker 5>Now?

0:55:33.040 --> 0:55:35.959
<v Speaker 3>This is a game starting tomorrow morning on the show.

0:55:36.320 --> 0:55:36.920
<v Speaker 3>I want you to.

0:55:36.960 --> 0:55:40.120
<v Speaker 5>Record today Gordy flushing what everyone's down the loo? Listens,

0:55:40.160 --> 0:55:40.800
<v Speaker 5>We've got a guess what?

0:55:40.880 --> 0:55:44.279
<v Speaker 4>God flush, what's gone down there? Bankers saw the golf ball,

0:55:44.520 --> 0:55:46.319
<v Speaker 4>so she went in there. So he put a golf

0:55:46.400 --> 0:55:49.520
<v Speaker 4>ball in. She went to get a glove to take

0:55:49.560 --> 0:55:51.080
<v Speaker 4>it out, and by the time she came back, the

0:55:51.120 --> 0:55:52.480
<v Speaker 4>golf ball had been flushed.

0:55:53.160 --> 0:55:56.239
<v Speaker 6>The Christian O'Connell show podcast on the.

0:55:56.280 --> 0:55:59.560
<v Speaker 3>Time Wasted Today. Then you can win, you can win.

0:56:01.120 --> 0:56:04.400
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0:56:13.239 --> 0:56:14.719
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0:56:28.400 --> 0:56:30.880
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0:56:34.960 --> 0:56:36.520
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0:56:36.600 --> 0:56:39.040
<v Speaker 5>and what's his name? Is in a lot of comedies,

0:56:39.160 --> 0:56:41.600
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0:56:41.640 --> 0:56:42.680
<v Speaker 5>is an underrated comedy.

0:56:42.840 --> 0:56:46.200
<v Speaker 4>And then Big Mumma's House one two and three.

0:56:46.520 --> 0:56:48.440
<v Speaker 5>Yes, please, Yeah, I mean it's up there with a

0:56:48.480 --> 0:56:51.000
<v Speaker 5>Godfather in terms of great trilogies, isn't it Big Muma's

0:56:51.000 --> 0:56:51.520
<v Speaker 5>House one.

0:56:52.480 --> 0:56:53.280
<v Speaker 4>Better than the original?

0:56:53.360 --> 0:56:53.560
<v Speaker 18>Yeah?

0:56:53.600 --> 0:56:56.480
<v Speaker 7>And I hope one day they go back prequel us please?

0:56:57.239 --> 0:56:57.600
<v Speaker 7>All right?

0:56:57.719 --> 0:57:00.360
<v Speaker 5>So today with the news that how to Make Gravy

0:57:00.440 --> 0:57:02.719
<v Speaker 5>pull get his Christmas song, How to make Gravy is

0:57:02.800 --> 0:57:05.000
<v Speaker 5>becoming a movie, we're asking to put a song in

0:57:05.080 --> 0:57:05.439
<v Speaker 5>a movie.

0:57:05.520 --> 0:57:08.360
<v Speaker 7>That's the time waste today, song in a movie.

0:57:08.719 --> 0:57:12.680
<v Speaker 5>Welcome to the Jungle Book, Silver, Men in Black, Betty

0:57:13.880 --> 0:57:18.840
<v Speaker 5>Silver plus, Saving Private Dancer, Gold, I Touched my elf.

0:57:20.840 --> 0:57:22.680
<v Speaker 3>Gold plus, hang on, I manu, it was this guy

0:57:22.760 --> 0:57:27.240
<v Speaker 3>with a gun. That's right, it's Rambo number five.

0:57:27.400 --> 0:57:29.240
<v Speaker 4>Oh that's very good. Gold plus.

0:57:29.320 --> 0:57:33.720
<v Speaker 3>There we go, Thank you Rambo number five. Jacky boy,

0:57:33.760 --> 0:57:35.320
<v Speaker 3>what have you got? Put song in a movie?

0:57:35.840 --> 0:57:41.080
<v Speaker 19>Gump up the jam Yes, very good, Silver, Throw Stacy's

0:57:41.120 --> 0:57:45.120
<v Speaker 19>Mama from the train, Oh, very good. That's gold, Hot

0:57:45.200 --> 0:57:49.640
<v Speaker 19>Tub Thumping time Machine very good, Chumber one perstyle gold.

0:57:50.200 --> 0:57:52.840
<v Speaker 4>And Kings of Leon shreks on Fire.

0:57:52.800 --> 0:57:54.800
<v Speaker 5>Very good gold as well. Okay, put a song in

0:57:54.880 --> 0:57:56.959
<v Speaker 5>a movie Text of men. You could be winning stam

0:57:57.040 --> 0:58:00.360
<v Speaker 5>three three year oh four seven five, three, one four three.

0:58:00.320 --> 0:58:03.080
<v Speaker 6>Book, Christian O'Connell show podcast.

0:58:05.000 --> 0:58:08.520
<v Speaker 5>Time Waste Today Best in Show gets a stand free

0:58:08.720 --> 0:58:12.760
<v Speaker 5>three year brilliant subscription service, Today's Time Waste. So then

0:58:12.840 --> 0:58:14.680
<v Speaker 5>Paul Kelly's How to Make Gravy, It's going to come

0:58:14.720 --> 0:58:18.040
<v Speaker 5>a movie. We're looking for you to combine mixed together

0:58:18.280 --> 0:58:20.560
<v Speaker 5>a song and a movie. Jack, you're ready to mark.

0:58:20.520 --> 0:58:20.920
<v Speaker 4>Let's do it.

0:58:21.320 --> 0:58:24.040
<v Speaker 5>We go in straight Away with Missus Harris Last Tango

0:58:24.160 --> 0:58:28.560
<v Speaker 5>in Paris, Silver, Steamy, Hey, jud where's my card?

0:58:28.640 --> 0:58:30.480
<v Speaker 4>That's wow gold plush.

0:58:30.560 --> 0:58:33.560
<v Speaker 5>I almost skipped over that too quickly. It's so perfectly composed.

0:58:33.880 --> 0:58:35.080
<v Speaker 5>Hay Jude, where's my car?

0:58:35.280 --> 0:58:35.959
<v Speaker 7>Well, don't cam?

0:58:36.840 --> 0:58:38.520
<v Speaker 3>How can we be lovers? In Ten Days?

0:58:39.160 --> 0:58:39.440
<v Speaker 4>Silver?

0:58:39.840 --> 0:58:44.640
<v Speaker 5>Snow White and the Seven Nation Army Gold, James, well done, Backstreet,

0:58:44.720 --> 0:58:50.320
<v Speaker 5>Back to the Future, bron Yeah Bran like your forty

0:58:50.400 --> 0:58:55.320
<v Speaker 5>year old virgin Gold Plus, that's what the musical version

0:58:55.400 --> 0:58:59.040
<v Speaker 5>of the of the film should be called. Joe very clever.

0:59:00.280 --> 0:59:03.960
<v Speaker 5>If you don't stop me now Si Last of the

0:59:07.880 --> 0:59:11.560
<v Speaker 5>Yeah Gold, Yeah, Nathan very very good.

0:59:12.080 --> 0:59:15.680
<v Speaker 3>Keanu Reeves sings Getting Wiki with It, Getting Wiki with It?

0:59:15.840 --> 0:59:18.360
<v Speaker 4>These are so good Gold plus, justin well done.

0:59:19.920 --> 0:59:22.120
<v Speaker 5>Lee's Got Honey, I shrunk, the new kids on the Block,

0:59:23.080 --> 0:59:28.680
<v Speaker 5>Bronze Forest, Jump Gold, Kevin and three men and a

0:59:28.720 --> 0:59:30.640
<v Speaker 5>little lady Mama Laide Gold.

0:59:30.720 --> 0:59:33.720
<v Speaker 3>That's very good, Simon, all right, Tod to pick the gold?

0:59:34.160 --> 0:59:34.760
<v Speaker 3>Who's winning?

0:59:34.920 --> 0:59:36.560
<v Speaker 4>Let's give it to Joe for like a forty year

0:59:36.560 --> 0:59:37.040
<v Speaker 4>old virgin?

0:59:37.080 --> 0:59:42.200
<v Speaker 6>Why Joe Christian Connell's show podcast on tomorrow's show.

0:59:42.240 --> 0:59:48.240
<v Speaker 5>Let's talk about tomorrow's show today. We're talking about Killers

0:59:48.280 --> 0:59:50.280
<v Speaker 5>of the Flower Moon. How Jack and I really want

0:59:50.320 --> 0:59:52.040
<v Speaker 5>to go and see it. I've actually read the book.

0:59:53.080 --> 0:59:54.800
<v Speaker 5>I think the movie is actually longer than the time

0:59:54.840 --> 0:59:57.880
<v Speaker 5>it took me to read the book. A friend of

0:59:57.920 --> 0:59:59.960
<v Speaker 5>mine went to see Killers of the Flower Mooon yesterday.

1:00:00.240 --> 1:00:02.080
<v Speaker 5>She fell asleep for an hour. Right, it's three and

1:00:02.080 --> 1:00:04.280
<v Speaker 5>a half hours. Fell asleep in the middle, she reckoned,

1:00:04.280 --> 1:00:05.320
<v Speaker 5>it was it's hard to know where you are. And

1:00:05.360 --> 1:00:07.680
<v Speaker 5>because it's such a long time, fell asleep for at

1:00:07.800 --> 1:00:10.439
<v Speaker 5>least an hour, and so for the times she woke

1:00:10.680 --> 1:00:12.880
<v Speaker 5>up and then got back into it, it hadn't moved

1:00:12.920 --> 1:00:13.480
<v Speaker 5>on that much.

1:00:13.560 --> 1:00:15.680
<v Speaker 3>She said to her husband John, have I missed much?

1:00:15.720 --> 1:00:17.920
<v Speaker 3>She was like, not really, he saw that. Let's stall that.

1:00:19.120 --> 1:00:20.360
<v Speaker 3>So what did you fall asleep?

1:00:20.440 --> 1:00:24.120
<v Speaker 5>During I also read yesterday that the movie company that

1:00:24.200 --> 1:00:26.040
<v Speaker 5>made it, I think it's an Apple TV production. In

1:00:26.080 --> 1:00:29.720
<v Speaker 5>the movie, they have complained to cinemas all the world

1:00:29.720 --> 1:00:33.000
<v Speaker 5>because cinemas are putting on an old school intermission because

1:00:33.040 --> 1:00:35.240
<v Speaker 5>people need to go a toilet break, they need to

1:00:35.280 --> 1:00:38.280
<v Speaker 5>go and get more nutrition and our hydration, because it's

1:00:38.320 --> 1:00:41.000
<v Speaker 5>like an endurance event. That they're really upset because Martin

1:00:41.000 --> 1:00:43.080
<v Speaker 5>Score says, He's like, this is my my heart, this

1:00:43.160 --> 1:00:45.560
<v Speaker 5>is my vision. You can't put a manky old gim

1:00:45.720 --> 1:00:47.439
<v Speaker 5>Years ago, there was always an intimation in movies.

1:00:47.480 --> 1:00:48.040
<v Speaker 7>You're in the eighties.

1:00:48.120 --> 1:00:50.040
<v Speaker 4>I was going to ask you said more common in

1:00:50.160 --> 1:00:52.360
<v Speaker 4>the UK because when I was a kid and we

1:00:52.480 --> 1:00:54.960
<v Speaker 4>went to Europe, we went and visited my grandparents.

1:00:55.040 --> 1:00:55.640
<v Speaker 3>How did you do?

1:00:55.760 --> 1:00:58.840
<v Speaker 5>That's slur about my own question that moving images new

1:00:58.880 --> 1:00:59.960
<v Speaker 5>to us and intimidates us.

1:01:00.240 --> 1:01:03.960
<v Speaker 4>In the Netherlands, in Rotterdam, we had an intermission during Shrek.

1:01:04.040 --> 1:01:06.080
<v Speaker 5>Were used to when I was a kid in the

1:01:06.160 --> 1:01:08.480
<v Speaker 5>eighties and now they would stop the movie halfway through

1:01:08.800 --> 1:01:10.800
<v Speaker 5>and a lady would come out with ice creams. Yes,

1:01:10.920 --> 1:01:13.080
<v Speaker 5>if you queue up and buy, sit back down, and

1:01:13.120 --> 1:01:14.040
<v Speaker 5>then they begin the movie.

1:01:14.160 --> 1:01:16.920
<v Speaker 4>I think in the Northern Hemisphere. Maybe it's more popular

1:01:16.960 --> 1:01:17.800
<v Speaker 4>to happen intermission.

1:01:17.880 --> 1:01:19.720
<v Speaker 5>You need it during Killers of the Flamming So tomorrow

1:01:19.800 --> 1:01:23.200
<v Speaker 5>the show What did you fall asleep During? Also, we

1:01:23.280 --> 1:01:25.240
<v Speaker 5>had a great story last week about a woman who

1:01:25.480 --> 1:01:30.160
<v Speaker 5>was towing her horse in the float to a horse competition.

1:01:30.200 --> 1:01:31.800
<v Speaker 5>I don't want they call it, Jim Carnes, is it

1:01:31.920 --> 1:01:32.439
<v Speaker 5>whatever they.

1:01:32.760 --> 1:01:36.280
<v Speaker 3>Horses compete at a show? Horse show, horse garala?

1:01:36.440 --> 1:01:36.560
<v Speaker 8>Is it?

1:01:37.040 --> 1:01:39.040
<v Speaker 3>Anyway? Look, you horse people know what we're talking about.

1:01:39.080 --> 1:01:39.480
<v Speaker 7>It anyway.

1:01:39.520 --> 1:01:41.760
<v Speaker 5>The point is she's for the garla and there's no horse.

1:01:41.800 --> 1:01:43.800
<v Speaker 5>She's forgotten the horse. The horse got left behind. If

1:01:43.840 --> 1:01:45.120
<v Speaker 5>you can drive them two hours, she had to go

1:01:45.200 --> 1:01:47.880
<v Speaker 5>back and get it. So what got left behind? If

1:01:47.880 --> 1:01:50.120
<v Speaker 5>you've got anything for those what did you fall asleep during?

1:01:50.360 --> 1:01:52.440
<v Speaker 5>And what got left behind? What did you leave behind?

1:01:52.560 --> 1:01:55.560
<v Speaker 5>Email me Christian at Christian O'Connell dot com dot UK.

1:01:55.640 --> 1:01:57.040
<v Speaker 5>We're back tomorrow. Thanks for joining us.

1:01:57.920 --> 1:02:01.360
<v Speaker 6>This is the Christian oinal Show Podcast