1 00:00:00,080 --> 00:00:02,200 Speaker 1: With super and Over. An incredible lineup for super and 2 00:00:02,200 --> 00:00:04,200 Speaker 1: Over in town and the people who love going to 3 00:00:04,200 --> 00:00:06,400 Speaker 1: Supernova getting autographs and photos and all the rest of 4 00:00:06,440 --> 00:00:09,040 Speaker 1: it are very excited having been there last year. It 5 00:00:09,119 --> 00:00:09,880 Speaker 1: is a great fest. 6 00:00:10,000 --> 00:00:12,240 Speaker 2: Yes, Comic connor Gaming. It's on at the Perth Convention 7 00:00:12,320 --> 00:00:15,760 Speaker 2: and Exhibition Center this weekend. Tickets are available through Supernova 8 00:00:15,840 --> 00:00:19,560 Speaker 2: dot com DoD au. One of this year's very very 9 00:00:19,600 --> 00:00:23,960 Speaker 2: special guests is William George Zane. You know him as 10 00:00:24,079 --> 00:00:24,920 Speaker 2: Billy Zane. 11 00:00:25,120 --> 00:00:25,760 Speaker 3: He's with us. 12 00:00:25,800 --> 00:00:27,640 Speaker 1: Good morning, Billy, look. 13 00:00:27,640 --> 00:00:33,760 Speaker 3: The perfect morning. Yes, good, good morning to talk. 14 00:00:34,040 --> 00:00:36,040 Speaker 2: This is your first time to Perth. 15 00:00:37,479 --> 00:00:40,479 Speaker 3: It is actually considering all the times overcome to Australia. 16 00:00:40,560 --> 00:00:46,640 Speaker 3: I'm sure that it's under this particular context. Absolutely, it's beautiful. 17 00:00:47,680 --> 00:00:50,519 Speaker 3: We stop walking the we're biased. 18 00:00:50,560 --> 00:00:54,000 Speaker 1: But when you get the chance to take some of 19 00:00:54,000 --> 00:00:56,959 Speaker 1: those wonderful photos we've seen over the year's night down 20 00:00:57,000 --> 00:00:57,920 Speaker 1: by the Swan River. 21 00:00:59,560 --> 00:01:03,480 Speaker 3: I have already. If you can check out at Billy Zane, 22 00:01:03,520 --> 00:01:06,200 Speaker 3: I guess on Instagram you'll see quite a few at 23 00:01:06,200 --> 00:01:09,600 Speaker 3: all times of day, lovely sunsets you have here. 24 00:01:10,040 --> 00:01:12,640 Speaker 2: We do. Indeed, you say you know you've been to 25 00:01:12,640 --> 00:01:15,400 Speaker 2: Australia many times, of course, was the first time when 26 00:01:15,400 --> 00:01:18,880 Speaker 2: you came to make one of the most one of 27 00:01:18,880 --> 00:01:23,119 Speaker 2: my favorite Australian films, Dead Come. You were terrifying, by 28 00:01:23,160 --> 00:01:25,119 Speaker 2: the way, Was that was that one of the first 29 00:01:25,120 --> 00:01:27,720 Speaker 2: times I don't apologize it's I made it so good? 30 00:01:28,080 --> 00:01:30,479 Speaker 2: Is that one of the first times you came to Australia. 31 00:01:31,319 --> 00:01:34,000 Speaker 3: It was the first time. Yeah, and I have Philip 32 00:01:34,040 --> 00:01:37,440 Speaker 3: Noys to thank for that. Yeah, George Miller and the 33 00:01:37,480 --> 00:01:41,400 Speaker 3: gang at Kennedy Miller was it was an absolute treat, 34 00:01:41,560 --> 00:01:45,480 Speaker 3: such an interesting time in the trajectory for Australian cinema, 35 00:01:45,840 --> 00:01:50,520 Speaker 3: and I was just really thrilled and tough to be 36 00:01:50,600 --> 00:01:52,680 Speaker 3: part of that particular project. 37 00:01:53,000 --> 00:01:54,800 Speaker 1: A bunch of filmmakers that you had there. You're in 38 00:01:54,840 --> 00:01:59,240 Speaker 1: good hands. The character you played in Titanic, Billy, do 39 00:01:59,320 --> 00:02:02,120 Speaker 1: you get if people can't take these roles very seriously? 40 00:02:02,400 --> 00:02:04,000 Speaker 1: Have you had people yell at you in the street, 41 00:02:04,240 --> 00:02:06,800 Speaker 1: especially in the day because Tartanic so many people across 42 00:02:06,840 --> 00:02:09,720 Speaker 1: the planet sort and you played that guy you're in 43 00:02:09,720 --> 00:02:10,960 Speaker 1: the yeah, no. 44 00:02:11,120 --> 00:02:15,320 Speaker 3: Too true, too true? No, it was yeah, universally loathed 45 00:02:15,360 --> 00:02:18,840 Speaker 3: for about a few minutes there, but it was interesting 46 00:02:18,880 --> 00:02:22,360 Speaker 3: how that transitioned from you know, team Jack to team 47 00:02:22,480 --> 00:02:25,040 Speaker 3: cal as the young Yakumail audience, so I think grew 48 00:02:25,080 --> 00:02:29,960 Speaker 3: a little older and perhaps reassessed their priorities over time. 49 00:02:32,080 --> 00:02:33,840 Speaker 3: Very interesting, love it well. 50 00:02:33,680 --> 00:02:37,040 Speaker 2: Super and overcomic con Such passionate fans are going to 51 00:02:37,080 --> 00:02:40,040 Speaker 2: be at the event this weekend. Which what do you 52 00:02:40,080 --> 00:02:44,120 Speaker 2: think is the number one question people do ask you? 53 00:02:44,120 --> 00:02:47,680 Speaker 3: You know, it's it's fascinating And I've been asked this 54 00:02:47,800 --> 00:02:49,840 Speaker 3: question a few times and i can only answer with 55 00:02:49,960 --> 00:02:53,040 Speaker 3: it's not so much the questions as the stories. I 56 00:02:53,160 --> 00:02:55,800 Speaker 3: just love. I love what they share about them and 57 00:02:55,840 --> 00:03:00,600 Speaker 3: the milestones of their lives that these legacy films have 58 00:03:00,800 --> 00:03:03,720 Speaker 3: meant to them. Now. The Phantom obviously is a very 59 00:03:03,760 --> 00:03:06,400 Speaker 3: popular title here. It's where I was introduced to the character. 60 00:03:07,080 --> 00:03:09,960 Speaker 3: We held a couple of specialty screenings with our friends 61 00:03:09,960 --> 00:03:13,920 Speaker 3: at Taylor Made Memorabilia in the middle of in between 62 00:03:13,960 --> 00:03:17,080 Speaker 3: these two wonderful Supernova weekends in Sydney and Perth, we 63 00:03:17,160 --> 00:03:21,000 Speaker 3: held screenings in Sydney and in Melbourne of The Phantom 64 00:03:21,000 --> 00:03:23,919 Speaker 3: and a Q and A and at the tables. People 65 00:03:23,960 --> 00:03:26,760 Speaker 3: love The Phantom in particular. It's just a part of 66 00:03:26,800 --> 00:03:32,600 Speaker 3: the national character in Fabric, and I love the connection 67 00:03:32,960 --> 00:03:37,960 Speaker 3: that you have to that title. And again, it's the stories. 68 00:03:38,000 --> 00:03:40,080 Speaker 3: This is the movie my father and I bonded on. 69 00:03:40,120 --> 00:03:42,840 Speaker 3: This is the movie I introduced my son to moral 70 00:03:42,880 --> 00:03:49,120 Speaker 3: compass and about the white hat heroics and disarming not killing, 71 00:03:49,160 --> 00:03:51,320 Speaker 3: as opposed to a lot of the first person shooter 72 00:03:51,440 --> 00:03:55,080 Speaker 3: games that occupy probably most of their time. So it's 73 00:03:55,120 --> 00:04:00,200 Speaker 3: a very significant film and title. But again fundamentally, but 74 00:04:00,280 --> 00:04:03,360 Speaker 3: regardless of the title, it's it's really the stories I 75 00:04:03,440 --> 00:04:06,320 Speaker 3: proposed to my wife during Titanicy. I saw my father 76 00:04:06,400 --> 00:04:09,720 Speaker 3: cry for the first time during that. You know, that's 77 00:04:09,760 --> 00:04:11,240 Speaker 3: really it. It's not so much the question. 78 00:04:11,440 --> 00:04:14,000 Speaker 1: Yeah, they're the points. But we lost sadly earlier this year, 79 00:04:14,080 --> 00:04:16,200 Speaker 1: great filmmaker and David Lynch, and you worked with David 80 00:04:16,200 --> 00:04:19,280 Speaker 1: on Twin Peaks. But it was such a great loss, 81 00:04:19,360 --> 00:04:20,880 Speaker 1: but must have been any incredible experience. 82 00:04:22,680 --> 00:04:25,760 Speaker 3: It was rest his soul. He was. He was a phenomenal, 83 00:04:26,320 --> 00:04:30,520 Speaker 3: one of a kind man and filmmaker, and I really 84 00:04:30,520 --> 00:04:36,200 Speaker 3: am grateful to him to breaking the the shattering the 85 00:04:36,240 --> 00:04:39,799 Speaker 3: box that Hollywood likes to put you in. After dead Calm, 86 00:04:39,880 --> 00:04:41,919 Speaker 3: I was certainly the you know the guy you go 87 00:04:42,040 --> 00:04:45,080 Speaker 3: to for Crazy at Sea and leave it to David 88 00:04:45,200 --> 00:04:49,280 Speaker 3: to cast against type and say, you know, my whole 89 00:04:49,279 --> 00:04:52,880 Speaker 3: cast is insane. Well you you be the We'll cast 90 00:04:52,920 --> 00:04:56,440 Speaker 3: the Nutter to be the Gary Cooper straight guy. And 91 00:04:57,200 --> 00:05:00,719 Speaker 3: so I was very grateful paint with a few different colors. 92 00:05:00,800 --> 00:05:03,800 Speaker 2: Absolutely coming up in September, We're going to see you 93 00:05:03,920 --> 00:05:08,160 Speaker 2: in Walston with Brando. I tell you what, talk about 94 00:05:08,320 --> 00:05:13,800 Speaker 2: nailing the transformation. If you put two pitches together, it's 95 00:05:13,839 --> 00:05:19,040 Speaker 2: hard to tell which is which. It's incredible because of 96 00:05:19,080 --> 00:05:21,040 Speaker 2: course you play Malon Brando. 97 00:05:21,560 --> 00:05:25,320 Speaker 3: Indeed, and thank you. It's a passion project of mine. 98 00:05:25,360 --> 00:05:27,200 Speaker 3: We've been working on it for about six years. I've 99 00:05:27,240 --> 00:05:31,320 Speaker 3: produced it along with Dean Bloxam and Bill Fishman, the 100 00:05:31,320 --> 00:05:33,960 Speaker 3: writer director, who I've known for many years. And it's 101 00:05:34,000 --> 00:05:38,640 Speaker 3: a really interesting take on Brando that it's not really 102 00:05:38,880 --> 00:05:41,960 Speaker 3: a cradle to grave biopic. It focuses on a five 103 00:05:42,040 --> 00:05:45,000 Speaker 3: year period in his life, his happy time in Tahiti, 104 00:05:45,440 --> 00:05:49,240 Speaker 3: and it really focuses on the man. We get to 105 00:05:49,279 --> 00:05:51,920 Speaker 3: find out about him through his passion, not so much 106 00:05:51,960 --> 00:05:56,520 Speaker 3: that you know, the high points are seemingly assumed milestones 107 00:05:56,520 --> 00:05:59,880 Speaker 3: of someone's life. Yeah, and his passion for humanity for 108 00:06:00,720 --> 00:06:03,919 Speaker 3: walking the Walk for civil rights indigenous rights. This film 109 00:06:03,960 --> 00:06:06,800 Speaker 3: focuses upon the little known fact that he was quite 110 00:06:06,800 --> 00:06:14,240 Speaker 3: possibly the godfather of the environmental god love you got 111 00:06:14,279 --> 00:06:18,520 Speaker 3: that didn't get no mean, didn't slip further yet. 112 00:06:19,720 --> 00:06:22,480 Speaker 2: People talk about Brando as being such a recluse in 113 00:06:22,480 --> 00:06:24,919 Speaker 2: his lady years and so on. But this period is 114 00:06:24,960 --> 00:06:28,360 Speaker 2: an interesting period that it's very little is known about, 115 00:06:29,320 --> 00:06:30,680 Speaker 2: so it's going to be really interesting. 116 00:06:31,480 --> 00:06:34,640 Speaker 3: It's about his unique friendship with an architect he hired 117 00:06:34,680 --> 00:06:38,880 Speaker 3: to spearhead sustainable design back in nineteen sixty nine. No 118 00:06:38,920 --> 00:06:41,279 Speaker 3: one was thinking about this stuff. He was that kind 119 00:06:41,279 --> 00:06:44,560 Speaker 3: of visionary, yeah, you know, and it's a really it's 120 00:06:44,640 --> 00:06:47,880 Speaker 3: quite funny too, and the great John Heater from Napoleon 121 00:06:47,960 --> 00:06:51,039 Speaker 3: Dynamite plays the architect, so it's a quite charming, almost 122 00:06:51,120 --> 00:06:54,440 Speaker 3: buddy film. Of course, he hemorrhages all of his money 123 00:06:54,920 --> 00:06:57,520 Speaker 3: doing the research and development, has to go do films 124 00:06:57,560 --> 00:06:59,800 Speaker 3: like The Godfather and Least Tango to pay for it. 125 00:07:00,080 --> 00:07:03,560 Speaker 3: We recreate the uh sacred offerings. 126 00:07:03,600 --> 00:07:06,320 Speaker 2: Well, you know, you know that was tough for us 127 00:07:06,440 --> 00:07:08,360 Speaker 2: having to you know, have having to put up with 128 00:07:08,440 --> 00:07:10,360 Speaker 2: Brando making the Godfather. 129 00:07:14,880 --> 00:07:15,840 Speaker 3: Get back Thank you. 130 00:07:17,920 --> 00:07:21,280 Speaker 1: Often wanted to ask you, I hear these beautiful voice 131 00:07:21,320 --> 00:07:23,720 Speaker 1: of actors, I think of the likes of James Earl Jones, 132 00:07:23,760 --> 00:07:25,360 Speaker 1: and you have a not that you have one of 133 00:07:25,360 --> 00:07:28,320 Speaker 1: those voices that just sticks to me. You vocally trained 134 00:07:28,320 --> 00:07:30,080 Speaker 1: as a youngster. Was it the way you were raised 135 00:07:30,080 --> 00:07:32,320 Speaker 1: and the way your parents spoke, because it is something 136 00:07:32,360 --> 00:07:34,280 Speaker 1: exceptional that's added to your aunt. 137 00:07:34,960 --> 00:07:39,600 Speaker 3: Look who's talking. You've velvet's vel velvety tone, like yeah, 138 00:07:39,640 --> 00:07:41,800 Speaker 3: I feel like a late night radio first time calor 139 00:07:42,040 --> 00:07:46,880 Speaker 3: a long time listener plays for all right. Thank you, 140 00:07:47,880 --> 00:07:50,480 Speaker 3: great compliment coming from you, you know, thanks man. So 141 00:07:51,920 --> 00:07:54,080 Speaker 3: I grew up in Chicago, in the city my parents 142 00:07:54,120 --> 00:07:58,000 Speaker 3: Bill and thalllya Zan were on stage and and exposed 143 00:07:58,000 --> 00:08:00,720 Speaker 3: me to quite a bit of I guess classic cinema 144 00:08:00,800 --> 00:08:03,000 Speaker 3: and great theater. We go to London every year to 145 00:08:03,040 --> 00:08:07,480 Speaker 3: see wonderful performances. So voice was certainly an important factor. 146 00:08:07,520 --> 00:08:11,840 Speaker 3: The Chicago accent, as we know, probably oh notoriously from 147 00:08:12,040 --> 00:08:14,520 Speaker 3: you know dan Aykroyd really leaning into it in the 148 00:08:14,520 --> 00:08:17,120 Speaker 3: Blues Brothers where he talks about it Dadge Dodge this 149 00:08:17,280 --> 00:08:19,600 Speaker 3: Dadge debt, Oh my dad real flat. You know. The 150 00:08:19,640 --> 00:08:25,040 Speaker 3: Bears like it wasn't as prevalent in let's say, our circles, 151 00:08:25,080 --> 00:08:33,200 Speaker 3: but I consciously worked against any residual effects, so there's 152 00:08:33,280 --> 00:08:36,480 Speaker 3: probably conscious But yeah, thanks to the folks for exposing 153 00:08:36,480 --> 00:08:38,480 Speaker 3: me to old movies. Yeah. 154 00:08:38,640 --> 00:08:41,240 Speaker 2: Absolutely well, Billy zid it's been an absolute trait for 155 00:08:41,360 --> 00:08:44,080 Speaker 2: us to have you join us this morning. Thank you 156 00:08:44,120 --> 00:08:48,959 Speaker 2: for fitting us into your very busy schedule. Yeah, there's 157 00:08:49,000 --> 00:08:51,320 Speaker 2: going to be some huge it's going. 158 00:08:51,240 --> 00:08:54,079 Speaker 3: To be fun that wait to meet too and hear 159 00:08:54,160 --> 00:08:57,719 Speaker 3: your stories, you know. Just yeah, thank you so much 160 00:08:57,720 --> 00:08:58,160 Speaker 3: for having me. 161 00:08:58,960 --> 00:09:01,920 Speaker 2: Thank you so much, Billy Zaye, all the best, have 162 00:09:01,960 --> 00:09:09,160 Speaker 2: a great weekend. Bye. Unreal, well unreal. Yes, tickets are 163 00:09:09,640 --> 00:09:11,960 Speaker 2: now you really want to go. Tickets are available through 164 00:09:11,960 --> 00:09:13,760 Speaker 2: Supernova dot com John. 165 00:09:13,640 --> 00:09:16,959 Speaker 1: Au and do yourself a favor. Google Billy Zane Art 166 00:09:17,040 --> 00:09:19,680 Speaker 1: because he is freakish talent. Yeah, I think we both 167 00:09:19,679 --> 00:09:22,120 Speaker 1: want to buy one for each other for Christmas. You 168 00:09:22,280 --> 00:09:22,720 Speaker 1: want to talent