1 00:00:00,360 --> 00:00:02,920 Speaker 1: Jonesy and Amanda's We. 2 00:00:02,920 --> 00:00:05,400 Speaker 2: Know about the hottest one hundred, but what about the 3 00:00:05,400 --> 00:00:09,120 Speaker 2: coldest one? Ozzie or Australian Kitchen on Twitter have come 4 00:00:09,200 --> 00:00:12,240 Speaker 2: up with a list of the coldest one hundred songs, 5 00:00:12,520 --> 00:00:15,680 Speaker 2: and number one on the list was was, of course 6 00:00:15,920 --> 00:00:18,640 Speaker 2: Barry Morgan from his World of Organs and Dance Monkey. 7 00:00:19,320 --> 00:00:26,160 Speaker 1: So they don't I never seen anybody. 8 00:00:25,760 --> 00:00:27,479 Speaker 3: Do the thing you see. 9 00:00:27,640 --> 00:00:30,640 Speaker 4: The thing is he's a comedian, that's a comedic act. 10 00:00:30,800 --> 00:00:34,800 Speaker 4: So I prefer the ones on the list that are incidental. 11 00:00:34,920 --> 00:00:38,800 Speaker 2: So he's been comedic. We came in at number fourteen. 12 00:00:38,880 --> 00:00:42,239 Speaker 2: This is Jonesy, Amanda Feet, Scott Morrison. 13 00:00:42,520 --> 00:00:47,199 Speaker 3: Up up Amanda, the girl in the red, white and 14 00:00:47,240 --> 00:00:52,400 Speaker 3: blue Up up the Jones. The team of the Sharks 15 00:00:52,400 --> 00:00:57,760 Speaker 3: fits you, Jones and Amanda Forever go out and broadcast 16 00:00:57,760 --> 00:01:03,480 Speaker 3: without fear. Now the time good radio, because Judy and Amanda. 17 00:01:04,200 --> 00:01:06,600 Speaker 4: How to put that into context? We were interviewing Scott 18 00:01:06,640 --> 00:01:12,320 Speaker 4: Morrison and his team. His meta advisers said to our 19 00:01:12,360 --> 00:01:16,399 Speaker 4: producer beforehand, just be aware Scott Morrison has written a 20 00:01:16,400 --> 00:01:18,319 Speaker 4: song for Jones and like to sing. 21 00:01:18,600 --> 00:01:22,120 Speaker 1: His tater Lily wrote the song, so she got the credit. 22 00:01:22,880 --> 00:01:23,520 Speaker 4: He wrote it. 23 00:01:23,640 --> 00:01:25,399 Speaker 1: I think that was it was a combination. 24 00:01:25,520 --> 00:01:27,959 Speaker 4: Yeah, yeah, and so that's how that came about. We 25 00:01:28,000 --> 00:01:30,040 Speaker 4: didn't write that and give that to the Prime minister. 26 00:01:30,400 --> 00:01:31,920 Speaker 4: He sang that song on our show. 27 00:01:32,240 --> 00:01:34,520 Speaker 2: There's some there's some great ones and there Alan Jones 28 00:01:34,560 --> 00:01:38,680 Speaker 2: at one hundred with Andre Yeah singing I am Australian. 29 00:01:39,120 --> 00:01:43,720 Speaker 3: I came from the dream time, from the dusty red soil. 30 00:01:43,640 --> 00:01:45,240 Speaker 4: Flame, Willy Allen, I. 31 00:01:45,200 --> 00:01:47,000 Speaker 1: Am the ancient part. 32 00:01:48,560 --> 00:01:49,320 Speaker 4: Of the flame. 33 00:01:50,600 --> 00:01:54,200 Speaker 1: I stood upon the rocky shore and I watched the 34 00:01:54,240 --> 00:01:55,320 Speaker 1: tall ship's cover. 35 00:01:55,680 --> 00:02:01,200 Speaker 4: How old is he years? I'd mean the first Australian. 36 00:02:01,080 --> 00:02:06,880 Speaker 1: Alan is Aborigine. We're here. He didn't know that. 37 00:02:07,040 --> 00:02:10,920 Speaker 2: But also what I liked about the whole Coldest one hundred. 38 00:02:11,040 --> 00:02:17,080 Speaker 2: There's a lot of songs about areas, like John Farnham 39 00:02:17,400 --> 00:02:19,040 Speaker 2: and his ad for Rundell Moore. 40 00:02:22,200 --> 00:02:23,760 Speaker 1: This is my favorite. 41 00:02:24,560 --> 00:02:25,400 Speaker 4: It is Sassin. 42 00:02:25,760 --> 00:02:27,960 Speaker 1: He put so much energy into it. 43 00:02:28,240 --> 00:02:30,639 Speaker 2: But I'm figuring it was probably about nineteen eighty to 44 00:02:30,760 --> 00:02:33,120 Speaker 2: remember John went into a bit of financial trouble. 45 00:02:33,240 --> 00:02:34,600 Speaker 4: Was this before Whispering Jack? 46 00:02:34,760 --> 00:02:36,880 Speaker 1: Oh yeah, yeah, yeah. Whispering Jack got him out of Jack. 47 00:02:37,200 --> 00:02:38,440 Speaker 1: Whispering Jack got him to. 48 00:02:38,480 --> 00:02:41,840 Speaker 4: Now, so this was when he was famous, was he 49 00:02:41,960 --> 00:02:42,760 Speaker 4: Johnny Farnham? 50 00:02:42,800 --> 00:02:46,760 Speaker 2: Now he just gone up being Johnny Farnham and he 51 00:02:47,240 --> 00:02:50,160 Speaker 2: was going back to being a plumber. Yeah, so Clem 52 00:02:50,160 --> 00:02:52,120 Speaker 2: Wheatley would have said, mate, I've got a gig for you. 53 00:02:52,400 --> 00:02:54,240 Speaker 1: Rundell Moore, put on your fancy duds. 54 00:02:54,360 --> 00:02:56,360 Speaker 4: I mean he said, I'll put on a driver bone 55 00:02:56,360 --> 00:02:57,160 Speaker 4: and I'm there. 56 00:02:57,280 --> 00:02:59,840 Speaker 1: There's some other good ones, Ron Garbet, the Song of. 57 00:02:59,800 --> 00:03:05,880 Speaker 5: War, the Books and Lessons and Giant the Holiday from 58 00:03:06,080 --> 00:03:09,080 Speaker 5: and come let me do the sea side to the 59 00:03:09,120 --> 00:03:15,000 Speaker 5: city of Fallen gold to first to the lookouts and 60 00:03:15,360 --> 00:03:18,120 Speaker 5: rab a week you'll see the. 61 00:03:17,919 --> 00:03:19,320 Speaker 3: Golden city. 62 00:03:20,680 --> 00:03:21,080 Speaker 5: And then. 63 00:03:24,520 --> 00:03:25,320 Speaker 1: Who everything you can do? 64 00:03:26,080 --> 00:03:29,639 Speaker 4: And then day what are you doing during the night? 65 00:03:30,639 --> 00:03:31,640 Speaker 1: That's a long time. 66 00:03:31,680 --> 00:03:35,200 Speaker 4: I'm like, look doing it the lookout with him? The 67 00:03:35,320 --> 00:03:36,880 Speaker 4: next they've gone to for a rhyme? 68 00:03:37,040 --> 00:03:39,880 Speaker 2: What about normany Roe coming at number forty seven? Rock 69 00:03:39,920 --> 00:03:40,960 Speaker 2: Hampton's happening? 70 00:03:41,560 --> 00:03:46,040 Speaker 1: Rock can the sammoning and song brings his eye on 71 00:03:46,160 --> 00:03:51,880 Speaker 1: the last? Why just fine? You know I've been to Rockampton. 72 00:03:52,000 --> 00:03:54,720 Speaker 4: Is it happening? But who who are the ads for 73 00:03:54,720 --> 00:03:55,920 Speaker 4: for the people in Rockhampton? 74 00:03:56,360 --> 00:03:58,240 Speaker 1: Yeah, I don't know. I think it's that that's no 75 00:03:58,320 --> 00:04:00,960 Speaker 1: one does it anymore. No one writes songs about males anymore. 76 00:04:01,040 --> 00:04:04,120 Speaker 4: No caring for Court would have loved it. Picking Duck 77 00:04:04,360 --> 00:04:06,200 Speaker 4: wrote a song for Carlo Court. 78 00:04:06,840 --> 00:04:09,760 Speaker 1: My favorite on the Countdown, coming at number forty four, 79 00:04:10,200 --> 00:04:15,680 Speaker 1: Claude the Cry myself from Sheelle's neighborhood. 80 00:04:15,800 --> 00:04:19,960 Speaker 4: That's It's that the same guy that did That's a 81 00:04:20,000 --> 00:04:22,640 Speaker 4: different different sounds exactly the same. 82 00:04:22,760 --> 00:04:24,920 Speaker 2: I'm proposing right here and now, Claude the Crow should 83 00:04:24,960 --> 00:04:25,680 Speaker 2: be on the living Room. 84 00:04:26,600 --> 00:04:27,920 Speaker 1: I just think it'd be great. I think it's time 85 00:04:27,920 --> 00:04:29,839 Speaker 1: to have a puppet back on TV. I think it's 86 00:04:30,080 --> 00:04:30,599 Speaker 1: the time. 87 00:04:30,520 --> 00:04:34,599 Speaker 4: Is right the living room. But I feel like his 88 00:04:34,760 --> 00:04:37,800 Speaker 4: act is your act exactly perfect. I box it. I 89 00:04:37,839 --> 00:04:39,920 Speaker 4: feel like I worked with Claude the Crow every day. 90 00:04:40,000 --> 00:04:42,040 Speaker 1: It's just workshop, and so do the intro for the 91 00:04:42,080 --> 00:04:42,640 Speaker 1: living room. 92 00:04:42,680 --> 00:04:44,560 Speaker 4: Hello, and welcome to the living room. 93 00:04:44,760 --> 00:04:45,320 Speaker 1: Now I do. 94 00:04:45,440 --> 00:04:47,200 Speaker 4: This is what you're like on the radio every day. 95 00:04:47,240 --> 00:04:50,360 Speaker 1: Hey Miguel, what are your whippers upper and bass? Why 96 00:04:50,360 --> 00:04:52,359 Speaker 1: are you knock us up some shelves? Chris? Why are 97 00:04:52,360 --> 00:04:55,240 Speaker 1: you gonna have a one to be bum there? You can't. 98 00:04:55,320 --> 00:04:58,680 Speaker 4: That's how you talk to Chris too. I could get 99 00:04:58,680 --> 00:05:00,919 Speaker 4: the puppet out of what else have we got on 100 00:05:00,960 --> 00:05:01,919 Speaker 4: the coldest one hundred? 101 00:05:02,000 --> 00:05:05,400 Speaker 2: Okay, trying this is gold. I'm not going to say 102 00:05:05,400 --> 00:05:09,599 Speaker 2: who it is to guess what this is. No, actually 103 00:05:09,600 --> 00:05:11,680 Speaker 2: I will say who it is. It's Pepper and the 104 00:05:11,720 --> 00:05:15,280 Speaker 2: Summer Bay Rollers. Pipper and the Summer Bay Rollers from 105 00:05:15,320 --> 00:05:19,839 Speaker 2: home and away living in Summer Bay. 106 00:05:22,040 --> 00:05:28,480 Speaker 1: Number fifty four. It's gone to be high, can't Piper? 107 00:05:36,839 --> 00:05:41,240 Speaker 4: It's too high. I can't take my mosquitoes. 108 00:05:41,279 --> 00:05:42,680 Speaker 1: What about ash Kendy on Young? 109 00:05:43,200 --> 00:05:44,080 Speaker 4: How old was she? 110 00:05:44,080 --> 00:05:49,839 Speaker 1: She was nine years of age. She's joined doctor Love. 111 00:05:54,480 --> 00:05:59,440 Speaker 4: For the reason it's an appropriate song for a night now. 112 00:06:00,360 --> 00:06:06,000 Speaker 1: I think it's incredibly inappropriate. But were the times? What 113 00:06:06,080 --> 00:06:12,520 Speaker 1: about coming in at number ten? Iters manners? Rap what iters? Manners? Rap? 114 00:06:12,960 --> 00:06:15,560 Speaker 6: Your knife and fork are waving in the air, Put 115 00:06:15,560 --> 00:06:17,760 Speaker 6: them next to your plate. It shows that you care 116 00:06:18,640 --> 00:06:22,520 Speaker 6: what you're standing on the footpath. Get out of the 117 00:06:22,560 --> 00:06:24,080 Speaker 6: way and hang up your iPhone. 118 00:06:24,120 --> 00:06:25,279 Speaker 1: I don't care what you're saying. 119 00:06:26,200 --> 00:06:26,800 Speaker 4: Clean it up. 120 00:06:27,120 --> 00:06:31,440 Speaker 6: Yeah, turn down the music. 121 00:06:31,520 --> 00:06:32,719 Speaker 1: We don't need to hear it too. 122 00:06:32,800 --> 00:06:38,520 Speaker 6: And the most important thing simply saying thank you. Manners 123 00:06:38,560 --> 00:06:40,599 Speaker 6: are simple, and best of all, they're three. Is a 124 00:06:40,640 --> 00:06:43,400 Speaker 6: gentle act of kindness between you and me. It's time 125 00:06:43,440 --> 00:06:44,120 Speaker 6: to get classy. 126 00:06:44,240 --> 00:06:45,200 Speaker 1: So let's take stop. 127 00:06:45,320 --> 00:06:47,560 Speaker 4: That's the word from me from the block. 128 00:06:48,839 --> 00:06:53,880 Speaker 1: I want to say do what? Oh hell, macaroni in 129 00:06:53,920 --> 00:06:57,880 Speaker 1: the potty. There you go, Jonesy and Amanda's sa