WEBVTT - Does Doja Cat Need To Apologise? 🐈

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<v Speaker 1>The Flex and Rooms Daily podcast, brought to you by Jasies.

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<v Speaker 2>It is us flextor Froom's podcast edition. Today's episode is

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<v Speaker 2>super fun. We didn't even scratch the surface of it all.

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<v Speaker 2>But it's all about creative ownership in the digital landscape.

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<v Speaker 2>When you put something out into the universe, what ownership

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<v Speaker 2>do you have of it by the time it reaches

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<v Speaker 2>mass appeal.

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<v Speaker 3>Because if you are really happy, you want something to

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<v Speaker 3>go viral. But the more viral you go, the more hmm,

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<v Speaker 3>how do you say iterations?

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<v Speaker 1>Yeah?

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<v Speaker 2>There, the more viral your idea goes, probably the less

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<v Speaker 2>associated it is with you, until you become so prolic

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<v Speaker 2>everyone's like, oh my god, I know that's a warhole.

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<v Speaker 2>But I'm sure there are people who know of warholes

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<v Speaker 2>paintings and don't know they are a warhole.

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<v Speaker 3>Totally me when I was fifteen. Yeah, no, I've read

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<v Speaker 3>about the Mayl Monroe and sold for fifty five.

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<v Speaker 1>Million back in the day.

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<v Speaker 3>No recently, Oh okay, well you know in the modern times, yeah,

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<v Speaker 3>post millennia.

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<v Speaker 2>Anyway, I would love to know what people think about this,

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<v Speaker 2>but honestly, by the time you hear this, I'll be

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<v Speaker 2>over this topic anyway. So don't worry about letting me know,

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<v Speaker 2>but put in your group chats. It's a very important

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<v Speaker 2>topic and I think it will make any creative person

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<v Speaker 2>be a bit more mindful with how protective they feel

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<v Speaker 2>of the things they put on the internet. And if this,

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<v Speaker 2>if that's the case, what measures can be taken to

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<v Speaker 2>protect it from being taken? Wow, Americans love trademarking, But

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<v Speaker 2>Kardashian shed constantly trademarking constantly, Kylie, yeah, all the time,

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<v Speaker 2>any little idea trademarked.

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<v Speaker 3>Got more to say about that, But well, do you

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<v Speaker 3>really I just want to say, remember how that cheek

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<v Speaker 3>sued sued McDonald's for the hot coffee?

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<v Speaker 1>No, what's ages ago?

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<v Speaker 3>It was this whole thing where like this American woman

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<v Speaker 3>sued McDonald's for she spilt coffee on herself and the

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<v Speaker 3>coffee was too hot, and there was this whole thing about,

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<v Speaker 3>Oh my god, Americans are crazy. They always see people

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<v Speaker 3>what it turns out she had horrific injuries in her

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<v Speaker 3>lap from the coffee actually spilling with her, like injuries

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<v Speaker 3>to her labor. So therefore, don't always read that Americans

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<v Speaker 3>loves to too, do.

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<v Speaker 1>You think will be true? Yeah? True? All right? Whatever.

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<v Speaker 2>Australians don't sue enough. We just some people get some

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<v Speaker 2>numbers on the board.

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<v Speaker 1>And firms f see we both like to share memes.

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<v Speaker 1>We do. Would you agree?

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<v Speaker 2>Different brand of me? I think I've found myself in

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<v Speaker 2>the reaction expression mean territory more so than like the relatable,

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<v Speaker 2>like I can't believe it's Friday.

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<v Speaker 3>I hope that you're not referring to me. No, not

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<v Speaker 3>to say that you are not me, but you are

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<v Speaker 3>a meme creator, not just curator. And that's a whole

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<v Speaker 3>different ballpark. I'm not there. I've been thinking a lot

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<v Speaker 3>about it lately because I haven't felt the urge to

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<v Speaker 3>create memes. Probably my last meme spree that I had

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<v Speaker 3>was during the election and after the election. Toto Anthony

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<v Speaker 3>Abaneze adjacent Toto is giving forth much life, which is

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<v Speaker 3>Anthony Albanese's a young child dog, total young child dog,

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<v Speaker 3>not a puppy.

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<v Speaker 1>No, it's probably.

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<v Speaker 3>About four yearsl and it's a boy, but I call

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<v Speaker 3>her she Okay, I digress. Wait, maybe it just a girl. Anyway,

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<v Speaker 3>it's not for me to decide. I don't know how

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<v Speaker 3>she feels about that. But it's been a little while

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<v Speaker 3>in between memes. I have absolutely no desire to make them.

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<v Speaker 3>It's a little bit like something we were talking about

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<v Speaker 3>previously about hobbies and when you don't do your hobbies,

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<v Speaker 3>are you still the person?

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<v Speaker 1>He's still hobbyists.

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<v Speaker 3>Yeah, I'm not sure if I'm a meme creator any longer.

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<v Speaker 1>How often does one need to make a meme to

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<v Speaker 1>be a meme creator?

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<v Speaker 3>Yeah, I was totally averaging usually like once a week.

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<v Speaker 1>Yeah, you are it.

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<v Speaker 3>I think when I wasn't doing CADI, I had more

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<v Speaker 3>brain space. This show actually takes up more brain space

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<v Speaker 3>than I was aware would. Yeah, yeah, which is good.

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<v Speaker 3>I guess if it pays the bills. It's not free

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<v Speaker 3>work anyway. I was also thinking about the millennial pause.

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<v Speaker 3>We spoke about this a little while ago. It's been

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<v Speaker 3>making the rounds, particularly in youth media, as we all

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<v Speaker 3>come to the conclusion that maybe we are as young

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<v Speaker 3>as we thought we were.

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<v Speaker 1>You say, wee, but I'm feeling twenty two? So am I? Yeah,

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<v Speaker 1>so am I? But I'm sitting on behalf of others.

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<v Speaker 3>Oh yeah, of course you did earlier in a meeting,

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<v Speaker 3>say though we're almost thirty, which I don't know if

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<v Speaker 3>I might have.

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<v Speaker 2>Said that I don't know if I meant it.

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<v Speaker 1>Stop it anyway.

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<v Speaker 3>Yeah, when I read about the millennial pause and the

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<v Speaker 3>fact that like a lot of millennials do a little

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<v Speaker 3>pause before they start speaking, they're aging out of the Internet. Yes,

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<v Speaker 3>I was wondering if these meme formats that we create

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<v Speaker 3>and then we championed are now becoming a bit redundant.

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<v Speaker 3>For example, I do think there's a shelf life to

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<v Speaker 3>particular styles of memes. I still see people doing the

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<v Speaker 3>one where it's the guy and the girlfriend.

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<v Speaker 1>A steel girl and they're looking back.

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<v Speaker 2>It's been co opted by the corporates though, Like I

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<v Speaker 2>see that ad do people know the one so you've

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<v Speaker 2>got the girl in the foreground and the guy looking

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<v Speaker 2>back at her from the background while he's with another

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<v Speaker 2>while he's with another girl, and it'll be like takeaway

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<v Speaker 2>is the main girl, and then the couple with the

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<v Speaker 2>guy will be like the food that's already in your fridge.

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<v Speaker 1>Yeah, yeah, yeah.

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<v Speaker 3>And I remember when we remember when we were in

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<v Speaker 3>internet like it's over. I remember when I first started out,

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<v Speaker 3>when I was like in two thousand and twelve, there

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<v Speaker 3>was that meme with the big block riding up the

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<v Speaker 3>top and down the bottom and it would be like

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<v Speaker 3>a picture to be like I used to drink alcohol.

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<v Speaker 1>I still do, but I used to as well. Stuff

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<v Speaker 1>like that.

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<v Speaker 3>Anyway, I'm thinking about TikTok and the proliferation of video

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<v Speaker 3>and average people making videos and Irish people, you know, everybody,

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<v Speaker 3>you know, people that are fifty years old getting to

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<v Speaker 3>people us. It's different though. Men creators used to be

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<v Speaker 3>a particular brain. Now everybody is a meme creator and

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<v Speaker 3>for the grady good. But I think now humor is

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<v Speaker 3>going to move completely. It's quite abstract at the moment.

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<v Speaker 3>I'd say for me, the funniest thing that I'm saying

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<v Speaker 3>that's a new generation thing is the use of sounds

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<v Speaker 3>being funny. Yes, and it's like random sounds, like like

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<v Speaker 3>something crashing into a water or like ragman, And it's

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<v Speaker 3>the funniest thing ever. So I'm just wondering how that's

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<v Speaker 3>going to translate to static memes, Like what's the use

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<v Speaker 3>of static memes anymore? If almost all of our social

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<v Speaker 3>media is moving image base.

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<v Speaker 2>Yeah, I still think there's a place for just static,

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<v Speaker 2>plain old pickies reactions, because do you know what I

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<v Speaker 2>find is happening, Like you said, we are in a

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<v Speaker 2>very abstract place with memes, where they're really hyper specific,

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<v Speaker 2>hyper specific, or very niche and say, if you don't

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<v Speaker 2>get it exactly how it's meant to be got, you

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<v Speaker 2>can't even enjoy it. And I think that's going to

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<v Speaker 2>run its course a little bit, and then we're going

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<v Speaker 2>to go to a place where we just let the

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<v Speaker 2>pictures do the talking. So very similar to what you

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<v Speaker 2>would experience on Twitter. So someone tweets with words and

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<v Speaker 2>then a lot of the responses are just images. Yeah, yeah,

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<v Speaker 2>they say what they need to say. If you get it,

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<v Speaker 2>you get it, you know you don't. It's like gif

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<v Speaker 2>reacts in messages. Yeah, it's pretty rudimentary.

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<v Speaker 1>We didn't do that enough.

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<v Speaker 3>Really, I've started using my memoji, which is the stupid thing. Yes,

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<v Speaker 3>and I love it. I'm gonna try and make it

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<v Speaker 3>a thing. I do want to know that our meme

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<v Speaker 3>literacy has become so great that I think even the

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<v Speaker 3>word meme is going to become obsolete.

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<v Speaker 1>Oh yeah, so what.

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<v Speaker 2>Is the Really, it's just accurate anthropological observation about the world.

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<v Speaker 1>Meme is also a bit like.

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<v Speaker 3>Memo, accurate observational.

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<v Speaker 1>What's the last word anthropological accurate anthroological, anthrop observation, logical observation,

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<v Speaker 1>the AO Sharon Io. I like that. We'll see how

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<v Speaker 1>it goes. We will flex and meme.

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<v Speaker 2>Queen Dojah Cat one of our faves. I don't know

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<v Speaker 2>how you feel about her.

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<v Speaker 1>I really like Doja Cat.

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<v Speaker 2>Yeah, I'm a big fan. Well, she's found herself in

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<v Speaker 2>a bit of controversy first when she shaved her head

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<v Speaker 2>and people thought she was having a mental breakdown and

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<v Speaker 2>feigning like sympathy for her, being like, you know, my

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<v Speaker 2>heart goes out to dojo and she's like, babes, I'm

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<v Speaker 2>rich and I'm allowed to play with my look, don't

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<v Speaker 2>worry about me. Recently, though, she launched a new website

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<v Speaker 2>and a clothing brand, and the name of this new

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<v Speaker 2>website and clothing brand is It's giving. Oh okay. Now,

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<v Speaker 2>the issue with this because on surface value, no issue.

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<v Speaker 2>We all know the phrase. We know where it came from.

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<v Speaker 1>Or do we? So?

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<v Speaker 2>The phrase it's giving came from a creator called Rolling Ray.

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<v Speaker 2>And now, if you find yourself on black Twitter or

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<v Speaker 2>that part of the internet, Rolling Ray isn't a nobody,

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<v Speaker 2>a very prolific meme creator, somebody who is constantly coming

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<v Speaker 2>up with catchphrases and cool statements that the rest of

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<v Speaker 2>the Internet is taking. It's not the first time it's happened.

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<v Speaker 2>It's giving definitely came from Rolling Ray years ago, right definitely,

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<v Speaker 2>And then you could say that like broadly came from

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<v Speaker 2>the drag community and whatever. But the phrase, the first

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<v Speaker 2>meme that It's Giving came from was a viral video.

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<v Speaker 1>Of Rolling Ray doing like what was he doing?

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<v Speaker 2>Kind of like complimenting someone. Oh, it's giving what it

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<v Speaker 2>needed to give honey, like that type of thing. So, like,

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<v Speaker 2>we know where it came from, and if you don't

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<v Speaker 2>like it, you can easily trace it back. The meme

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<v Speaker 2>has origines, orangines, the meme origins. So of course, the

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<v Speaker 2>thing about its giving is that Dojer went and trademarked

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<v Speaker 2>the phrase last year. Which the thing about trademark is

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<v Speaker 2>it's first come, first served. If it's a phrase that

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<v Speaker 2>nobody has trademarked before, and you go on trademarket, it's

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<v Speaker 2>yours to keep. If for some reason you want a

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<v Speaker 2>trademark a phrase that has already been trademarked, you cannot.

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<v Speaker 2>You can contest it and say it is mine. I

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<v Speaker 2>used it first it's more well known from me using it, sure,

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<v Speaker 2>but it's expensive to trademark, and it's expensive to contest

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<v Speaker 2>an existing trademark. You can trademark things in different categories,

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<v Speaker 2>like I can trademark, for example, my conversation card game reflex.

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<v Speaker 2>I can trademarket in conversation card games, but it got

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<v Speaker 2>contested because there's a reflex paper brand my card game

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<v Speaker 2>saying the paper bit too close, so I had to

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<v Speaker 2>do reflex. A conversation card game was the full trademark,

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<v Speaker 2>which means that if somebody makes a conversation card just

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<v Speaker 2>calls it reflex, they're not infringing on my trademark. It's

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<v Speaker 2>messy stuff. So in this instance, everyone's like, okay, this

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<v Speaker 2>number one, she's stolen the phrase, stolen whatever, She's used

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<v Speaker 2>the phrase, but she's trademarkd So it's now officially not

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<v Speaker 2>legal for someone else to use its giving in the

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<v Speaker 2>context of clothing without Dojacat being able to sue them.

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<v Speaker 2>And unfortunately the clothes aren't that good.

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<v Speaker 1>Damn yeah, I know they're not good. Let me show

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<v Speaker 1>you so you can see you get it up.

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<v Speaker 3>We're going to take this conversation over to the podcast

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<v Speaker 3>to talk about doja cat are infringing on copyright rules

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<v Speaker 3>and the origins of memes and whether or not they

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<v Speaker 3>are owned by a particular person.

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<v Speaker 1>There's so much to discuss, too much.

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<v Speaker 2>So if you want to see what the doja cat

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<v Speaker 2>It's giving a power collection looks like it was launched

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<v Speaker 2>with this really cool campaign idea that I want to steal.

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<v Speaker 2>Basically looks like a bunch of old school paparazzi shots

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<v Speaker 2>of her and her friends shopping wearing the merch wears

0:10:49.559 --> 0:10:51.280
<v Speaker 2>it really well, he'll give you a little sneak a peak.

0:10:52.400 --> 0:10:55.240
<v Speaker 2>It just keeps swiping left. So I would describe the

0:10:55.280 --> 0:11:00.760
<v Speaker 2>collection as baby teas g strings with really juvenile tunish

0:11:01.760 --> 0:11:03.520
<v Speaker 2>artwork but a good way.

0:11:03.600 --> 0:11:05.080
<v Speaker 1>The pictures look like she's at Bunnings.

0:11:05.400 --> 0:11:08.679
<v Speaker 2>Yeah, it looks very Bunnings plant store, trade store. The

0:11:08.679 --> 0:11:12.280
<v Speaker 2>clothing just looks like really bad merch. Okay, the reasons

0:11:12.320 --> 0:11:15.800
<v Speaker 2>why it's bad. The T shirt is the wrong shape.

0:11:16.080 --> 0:11:17.000
<v Speaker 2>What shape is it?

0:11:17.000 --> 0:11:19.800
<v Speaker 3>It's a boxy T shirt though neckline is good because

0:11:19.840 --> 0:11:21.959
<v Speaker 3>it's nice and high, but it's cut out kind of

0:11:22.000 --> 0:11:24.479
<v Speaker 3>like a semi circle. Semi circle, the front of semicircle,

0:11:24.520 --> 0:11:27.960
<v Speaker 3>the backs of semicircle, whereas I prefer a more straight

0:11:28.000 --> 0:11:32.160
<v Speaker 3>cut teeth. Yeah, my personal preference the tank top that

0:11:32.160 --> 0:11:35.199
<v Speaker 3>that the guy's wearing. It has an applique it's giving

0:11:35.240 --> 0:11:37.120
<v Speaker 3>that looks as if it's kind of coming off the shirt.

0:11:37.160 --> 0:11:41.200
<v Speaker 2>What fond is that comic sansy ish ish. It's more

0:11:41.240 --> 0:11:42.480
<v Speaker 2>it's a rounded bubble font.

0:11:42.520 --> 0:11:44.720
<v Speaker 3>It's a round a bubblefont that you'd say like Bluey's

0:11:44.800 --> 0:11:45.960
<v Speaker 3>conlcate bluise. Yeah.

0:11:46.200 --> 0:11:50.200
<v Speaker 1>Yeah, interesting. It's just if the if.

0:11:50.040 --> 0:11:54.280
<v Speaker 2>The collection was so good, like every single piece in

0:11:54.280 --> 0:11:55.680
<v Speaker 2>the line, you're like, oh my good, I have to

0:11:55.720 --> 0:11:59.760
<v Speaker 2>have it. I'd be willing to figure the copyright of fringement.

0:11:59.880 --> 0:12:02.319
<v Speaker 2>The sucks are pretty cute, yeah, but not good enough

0:12:02.400 --> 0:12:06.360
<v Speaker 2>to be like stealing someone's catchphrase trade barking it so

0:12:06.360 --> 0:12:08.760
<v Speaker 2>they can't use it freely. Because if Rolling Ray wanted

0:12:08.800 --> 0:12:10.920
<v Speaker 2>to make merch with its giving, well he's infringing on

0:12:11.000 --> 0:12:12.520
<v Speaker 2>Doza's trademark.

0:12:12.679 --> 0:12:13.760
<v Speaker 1>Yeah, that's really tricky.

0:12:14.080 --> 0:12:18.120
<v Speaker 3>Copyriting and where memes and sayings come from is it's

0:12:18.160 --> 0:12:20.079
<v Speaker 3>not I wouldn't call it a slippery slope because that's

0:12:20.120 --> 0:12:22.800
<v Speaker 3>not my it's not my decision to choose where things

0:12:22.840 --> 0:12:25.040
<v Speaker 3>come from. Because everything that I say is derivative of

0:12:25.520 --> 0:12:28.920
<v Speaker 3>certain things of course, particularly like you say black Twitter.

0:12:28.960 --> 0:12:30.840
<v Speaker 3>I don't think people are aware that black twitter is

0:12:30.840 --> 0:12:31.360
<v Speaker 3>even a thing.

0:12:31.880 --> 0:12:36.640
<v Speaker 1>Dojah would be hmm, dojah is black Twitter. She's on it,

0:12:36.640 --> 0:12:38.880
<v Speaker 1>she's in it. Does that mean doesn't mean she's allowed

0:12:38.880 --> 0:12:39.240
<v Speaker 1>to though?

0:12:39.760 --> 0:12:42.400
<v Speaker 2>I feel like you know, when you copy something and

0:12:42.840 --> 0:12:45.960
<v Speaker 2>it's like derivative, right, Like it's on your Pinterest. It's

0:12:46.000 --> 0:12:47.920
<v Speaker 2>the amalgamation of a bunch of stuff that you picked

0:12:48.120 --> 0:12:51.440
<v Speaker 2>and plucked from anywhere. It's hard to know what you've copied.

0:12:51.440 --> 0:12:54.200
<v Speaker 2>You're like, like, I got it from somewhere. I don't

0:12:54.200 --> 0:12:58.640
<v Speaker 2>know the reference. But if tomorrow I made merch and

0:12:58.880 --> 0:13:01.360
<v Speaker 2>it was Shrek mert peop would be like, oh, that's

0:13:01.400 --> 0:13:03.360
<v Speaker 2>your jacking through me style there, Like it's a bit

0:13:03.440 --> 0:13:06.679
<v Speaker 2>it's a bit close to home, right, So like, even then,

0:13:06.720 --> 0:13:09.280
<v Speaker 2>I don't own the copy mark for Shrek at all,

0:13:09.360 --> 0:13:11.800
<v Speaker 2>the copy mark the copyright of the trademark for Shrek.

0:13:12.280 --> 0:13:15.000
<v Speaker 2>But still in a social and a cultural way, it's

0:13:15.080 --> 0:13:17.240
<v Speaker 2>very clearly your brand. If I went out of my

0:13:17.280 --> 0:13:20.520
<v Speaker 2>way to now say I am the number one Australian

0:13:20.600 --> 0:13:23.439
<v Speaker 2>Shrek influencer, you'd be like, Okay, babe.

0:13:23.200 --> 0:13:25.800
<v Speaker 3>Which, to be honest, I didn't even choose it chose me.

0:13:25.840 --> 0:13:28.280
<v Speaker 1>It chose you because like Twilight chose me.

0:13:28.720 --> 0:13:32.520
<v Speaker 2>Yeah you have flex World. Yeah what's that? Well, Flexworld

0:13:32.600 --> 0:13:33.960
<v Speaker 2>is my holding company.

0:13:33.920 --> 0:13:37.080
<v Speaker 3>Right, and you didn't think Froom's World. Oh I didn't

0:13:37.720 --> 0:13:40.319
<v Speaker 3>see you have no idea? Yeah I know, Well I

0:13:40.360 --> 0:13:42.920
<v Speaker 3>got mine from Wayne's World. So I'm not going to

0:13:42.960 --> 0:13:45.960
<v Speaker 3>be pointing any fingers, especially when you're doing something like

0:13:46.000 --> 0:13:48.520
<v Speaker 3>the Internet without the whole reason. Well, a big reason

0:13:48.520 --> 0:13:50.840
<v Speaker 3>of why, for example, I'm popular would be because I

0:13:50.880 --> 0:13:54.320
<v Speaker 3>reference certain things that have already happened, people resonate more

0:13:54.360 --> 0:13:55.920
<v Speaker 3>with them and then putting a spin on it, and

0:13:56.200 --> 0:13:57.920
<v Speaker 3>it goes back to a whole argument.

0:13:57.600 --> 0:13:59.360
<v Speaker 1>Of like where does art come from?

0:13:59.480 --> 0:13:59.680
<v Speaker 2>Where?

0:13:59.720 --> 0:14:02.600
<v Speaker 1>Yes, things have to always be in reference to other things.

0:14:03.120 --> 0:14:05.560
<v Speaker 2>So in this instance, that's why people are torn because

0:14:05.559 --> 0:14:11.160
<v Speaker 2>they're kind of like, yes, you started this phrase by technicality,

0:14:12.000 --> 0:14:17.520
<v Speaker 2>but it got popularized by the Internet broadly taken mishmashed.

0:14:18.040 --> 0:14:20.280
<v Speaker 2>You could ask ten people where they heard the phrase from.

0:14:20.240 --> 0:14:21.800
<v Speaker 2>They'd be like, Oh, I heard it from rooms first,

0:14:21.880 --> 0:14:24.120
<v Speaker 2>or I heard it from this person first, or like,

0:14:24.280 --> 0:14:26.640
<v Speaker 2>oh no, it's definitely from this podcast. It's where I

0:14:26.680 --> 0:14:28.600
<v Speaker 2>heard it, and so now you have all these different

0:14:28.640 --> 0:14:32.360
<v Speaker 2>people taking micro ownership of this thing that has a

0:14:32.480 --> 0:14:35.600
<v Speaker 2>very clear source. But then on the other perspective, it's

0:14:35.680 --> 0:14:38.160
<v Speaker 2>like it's two words that have existed and will exist.

0:14:37.840 --> 0:14:39.480
<v Speaker 1>Before you, after you and around you.

0:14:40.040 --> 0:14:43.240
<v Speaker 2>If you weren't gonna trademarket and you weren't gonna release it,

0:14:43.480 --> 0:14:46.280
<v Speaker 2>then is it just sitting there in the hopes that

0:14:46.320 --> 0:14:47.720
<v Speaker 2>you might do something with it?

0:14:47.960 --> 0:14:48.400
<v Speaker 1>Totally?

0:14:48.680 --> 0:14:51.000
<v Speaker 3>And I honestly think people that kick up stink and

0:14:51.040 --> 0:14:53.560
<v Speaker 3>say oh, like when something is popular that they did

0:14:53.600 --> 0:14:56.480
<v Speaker 3>first and it gets popular by someone else, it can

0:14:56.520 --> 0:14:58.520
<v Speaker 3>be very tempting to say, oh, that was mine, But

0:14:58.560 --> 0:15:00.960
<v Speaker 3>it just comes from a scarcity mindset, exactly just being

0:15:01.000 --> 0:15:03.840
<v Speaker 3>pissed that you didn't do it exactly. Unfortunate as that is.

0:15:04.280 --> 0:15:07.560
<v Speaker 3>It's a red herring and it's a sign that you

0:15:07.640 --> 0:15:09.800
<v Speaker 3>got to just if you have a good idea, just

0:15:09.840 --> 0:15:10.560
<v Speaker 3>fucking crank it.

0:15:10.720 --> 0:15:11.240
<v Speaker 1>Yeah.

0:15:11.320 --> 0:15:13.640
<v Speaker 2>It reminds you of when I made my conversation card

0:15:13.640 --> 0:15:16.280
<v Speaker 2>games reflex and then when other people started making them,

0:15:16.440 --> 0:15:18.520
<v Speaker 2>people would come to my dams like they're copying him,

0:15:18.600 --> 0:15:22.080
<v Speaker 2>Like it's not a unique idea. The card like asking

0:15:22.200 --> 0:15:26.920
<v Speaker 2>questions exists putting on paper exist and it's a card game.

0:15:26.960 --> 0:15:29.080
<v Speaker 2>Like if I'm gonna start beefing over this, I got

0:15:29.080 --> 0:15:31.400
<v Speaker 2>a beef over everything now, Like it's just not that deep.

0:15:31.760 --> 0:15:35.360
<v Speaker 2>We have different audiences, we have different approaches to this,

0:15:35.440 --> 0:15:38.400
<v Speaker 2>like one product, we can both live with it. And also,

0:15:38.400 --> 0:15:40.760
<v Speaker 2>you're right, it's the abundant mentality of being Like for

0:15:40.880 --> 0:15:43.320
<v Speaker 2>you to know, for you to even have the think,

0:15:43.400 --> 0:15:45.280
<v Speaker 2>the thought that it's been copied is enough for me,

0:15:45.920 --> 0:15:49.080
<v Speaker 2>Like you already know, you know my product. It's fine,

0:15:49.560 --> 0:15:52.880
<v Speaker 2>But I think it's heaps s tricky because it's not

0:15:52.920 --> 0:15:54.720
<v Speaker 2>even tricky. But I think, like you said, it's a

0:15:54.720 --> 0:15:59.000
<v Speaker 2>greater conversation around like when we start applying micro ownership

0:15:59.040 --> 0:16:01.200
<v Speaker 2>to every idea that was the sum of another idea,

0:16:01.240 --> 0:16:03.480
<v Speaker 2>that was something of another idea, where do we start

0:16:03.480 --> 0:16:08.120
<v Speaker 2>and stop? And if you do the thing you do

0:16:08.200 --> 0:16:11.400
<v Speaker 2>so well, people will know it came from you.

0:16:12.080 --> 0:16:16.320
<v Speaker 1>Yeah, facts, so you shouldn't need it. Assert dominance. Yeah, tricky,

0:16:18.360 --> 0:16:20.200
<v Speaker 1>very but hurt areas, but it's juicy.

0:16:20.240 --> 0:16:21.800
<v Speaker 2>I want to see how it evolves though, because I

0:16:21.800 --> 0:16:25.760
<v Speaker 2>think even if she be like I'm so sorry, it's done,

0:16:26.040 --> 0:16:28.080
<v Speaker 2>like this has been made. Yeah, this is not an

0:16:28.120 --> 0:16:31.560
<v Speaker 2>apology kind of situation. You would have to start explaining

0:16:31.560 --> 0:16:33.760
<v Speaker 2>the intricacies of trademarking to every single wason. It's like,

0:16:33.760 --> 0:16:34.920
<v Speaker 2>I don't understand what the issue is.

0:16:35.040 --> 0:16:35.320
<v Speaker 3>I don't.

0:16:35.560 --> 0:16:37.040
<v Speaker 1>They don't have the time. I don't have the time.

0:16:37.200 --> 0:16:40.800
<v Speaker 3>Anyway, They're wanna go down, go down, go down. Let

0:16:40.800 --> 0:16:43.640
<v Speaker 3>me see you go to the office and get it copyrighted.

0:16:43.680 --> 0:16:45.200
<v Speaker 3>Doja please?

0:16:45.480 --> 0:16:48.680
<v Speaker 1>And she did it. Congrats. This is flex and frooms.

0:16:50.000 --> 0:16:52.240
<v Speaker 2>Now. It is not an uncommon narrative for people to

0:16:52.280 --> 0:16:55.600
<v Speaker 2>be beeping with their landlords and their real estate agents.

0:16:55.680 --> 0:16:58.200
<v Speaker 2>I for one, you know, that's my current experience. But

0:16:58.280 --> 0:17:01.280
<v Speaker 2>I was reading this really terrified an article that was

0:17:01.320 --> 0:17:04.600
<v Speaker 2>talking about a huge number of New South Wales tenants

0:17:04.600 --> 0:17:08.000
<v Speaker 2>are being evicted because landlords are deeming their houses to

0:17:08.000 --> 0:17:09.000
<v Speaker 2>be uninhabitable.

0:17:09.320 --> 0:17:12.240
<v Speaker 1>But here's the kicker. What is happening, or.

0:17:12.240 --> 0:17:14.760
<v Speaker 2>The trend that people are observing, is that tenants are

0:17:14.760 --> 0:17:17.159
<v Speaker 2>going to their landlord and saying, hey, there's heaps of

0:17:17.160 --> 0:17:20.040
<v Speaker 2>water damage, there's heaps of mold here. I can't live

0:17:20.080 --> 0:17:23.680
<v Speaker 2>in these conditions. It's not safe for me. Landlord's going okay, great,

0:17:23.760 --> 0:17:29.000
<v Speaker 2>you're evicted. Because if a place is uninhabitable, you do

0:17:29.119 --> 0:17:32.719
<v Speaker 2>not have to give notice before you kick somebody out

0:17:32.760 --> 0:17:34.879
<v Speaker 2>because it's the health hazard. So I think it's like

0:17:34.920 --> 0:17:37.119
<v Speaker 2>this almost like a why not where like if you

0:17:37.160 --> 0:17:38.720
<v Speaker 2>don't want to live here, fine, you're evicted.

0:17:38.760 --> 0:17:40.120
<v Speaker 1>We'll find somebody else who will.

0:17:40.400 --> 0:17:42.200
<v Speaker 2>So it's getting to that point where people are having

0:17:42.240 --> 0:17:46.080
<v Speaker 2>to deal with the consequence of living in a place

0:17:46.119 --> 0:17:49.600
<v Speaker 2>that's not safe for purpose, or experiencing a no ground

0:17:49.600 --> 0:17:52.240
<v Speaker 2>to viction and not having a leg to stand on

0:17:52.359 --> 0:17:56.520
<v Speaker 2>for that. So I don't know what the warning here is,

0:17:56.560 --> 0:17:59.120
<v Speaker 2>whether this is a cautionary tale or just you know,

0:17:59.320 --> 0:18:01.960
<v Speaker 2>to be mindful what the reality is. But they say

0:18:02.000 --> 0:18:05.359
<v Speaker 2>it's a rising number and big enough they can they

0:18:05.400 --> 0:18:09.400
<v Speaker 2>can see the trend like it's a loophole that allegedly

0:18:09.560 --> 0:18:11.600
<v Speaker 2>some landlords are relying.

0:18:11.200 --> 0:18:15.440
<v Speaker 1>On the government step in. I don't know. That's hectic.

0:18:15.720 --> 0:18:16.359
<v Speaker 1>I don't know.

0:18:16.520 --> 0:18:18.280
<v Speaker 3>I could definitely like I could have been kicked out

0:18:18.320 --> 0:18:21.440
<v Speaker 3>by night. I always complain about the mold. My shower

0:18:21.600 --> 0:18:23.680
<v Speaker 3>is literally half of its brown.

0:18:23.480 --> 0:18:26.520
<v Speaker 1>Now in the mold. When I leave, am I gonna get?

0:18:26.840 --> 0:18:29.520
<v Speaker 1>Am I gonna get? Like? Is it my fault? It's

0:18:30.000 --> 0:18:30.679
<v Speaker 1>it's hard to know.

0:18:30.840 --> 0:18:33.760
<v Speaker 2>Also, because tenants do have a responsibility to make sure

0:18:33.760 --> 0:18:36.520
<v Speaker 2>that the house remains in conditions that are appropriate to

0:18:36.600 --> 0:18:40.119
<v Speaker 2>live in. I often think that this is where the

0:18:40.160 --> 0:18:42.920
<v Speaker 2>real estate comes in. Like it's your job to meet

0:18:43.240 --> 0:18:46.159
<v Speaker 2>the demands of both the tenant and the landlord, to

0:18:46.240 --> 0:18:49.720
<v Speaker 2>ensure that everybody's either equally as happy or equally is unhappy.

0:18:50.520 --> 0:18:55.160
<v Speaker 1>You know, prison, This is flex and frooms. I've gonna

0:18:55.160 --> 0:18:58.119
<v Speaker 1>write flex. I love this already. It's not often that

0:18:58.240 --> 0:19:02.639
<v Speaker 1>I get angry. Are you angry? I'd say I'm perplexed. Okay,

0:19:02.800 --> 0:19:03.800
<v Speaker 1>I'm a bit concerned.

0:19:04.359 --> 0:19:07.720
<v Speaker 3>I'm not happy with how things have progressed. Oh, it

0:19:07.760 --> 0:19:11.040
<v Speaker 3>involves public spaces and things that we are entitled to

0:19:11.200 --> 0:19:14.040
<v Speaker 3>in the public sphere. This one, as we know, I

0:19:14.080 --> 0:19:17.960
<v Speaker 3>have entitlements same that I'm happy to stand up and say, yeah,

0:19:17.960 --> 0:19:18.320
<v Speaker 3>that's me.

0:19:18.800 --> 0:19:21.240
<v Speaker 1>I think often in this modern day.

0:19:21.080 --> 0:19:24.000
<v Speaker 3>And world, we're afraid to say that we are entitled

0:19:24.000 --> 0:19:24.520
<v Speaker 3>to certain things.

0:19:24.640 --> 0:19:27.040
<v Speaker 1>That's one of thing I know. I am glad you

0:19:27.040 --> 0:19:28.399
<v Speaker 1>can admit it. It makes a lot of sense.

0:19:28.560 --> 0:19:31.800
<v Speaker 3>One thing that pisces me off is how unavailable water

0:19:32.000 --> 0:19:35.640
<v Speaker 3>is in public spaces. I'm an enormous drinker, Like I said,

0:19:35.680 --> 0:19:38.400
<v Speaker 3>I probably drink at least eight liters of water a day.

0:19:38.840 --> 0:19:41.680
<v Speaker 1>Because last week we said eight leaders, you may et glasses. Yes,

0:19:41.760 --> 0:19:42.600
<v Speaker 1>I mean eight leaders.

0:19:42.640 --> 0:19:46.840
<v Speaker 3>This time, the average person apparently needs eight glasses, which

0:19:46.880 --> 0:19:50.200
<v Speaker 3>isn't even true. I would drink eight liters eight liters.

0:19:50.520 --> 0:19:52.640
<v Speaker 3>I don't know where this came from, because I think

0:19:52.640 --> 0:19:53.960
<v Speaker 3>I've mentioned to you growing.

0:19:53.760 --> 0:19:54.920
<v Speaker 1>Up, you didn't drink water.

0:19:54.960 --> 0:19:58.160
<v Speaker 3>You want Pepsi max, Pepsi max at all times before school,

0:19:58.200 --> 0:20:03.040
<v Speaker 3>Pepsi max, milk, play lunch anyway. Yeah, I'm obsessed with water,

0:20:03.400 --> 0:20:05.320
<v Speaker 3>and if I don't have it, I can't concentrate, Like

0:20:05.400 --> 0:20:06.800
<v Speaker 3>right now, I really need to drink water.

0:20:06.800 --> 0:20:08.200
<v Speaker 1>You can probably hear it in my voice.

0:20:09.080 --> 0:20:11.119
<v Speaker 3>And something that I realize it's a struggle that I

0:20:11.160 --> 0:20:13.159
<v Speaker 3>go that I have every day when I leave the house.

0:20:13.680 --> 0:20:16.960
<v Speaker 3>See your first tear round now here because flex is

0:20:16.960 --> 0:20:19.320
<v Speaker 3>about to have a nice little drink. Something that I

0:20:19.359 --> 0:20:20.960
<v Speaker 3>have to grapple with every day when I leave the

0:20:21.000 --> 0:20:23.760
<v Speaker 3>house is do I bring a water bottle or do

0:20:23.840 --> 0:20:26.040
<v Speaker 3>I go no water bottle? The water bottle is great,

0:20:26.119 --> 0:20:28.360
<v Speaker 3>but it's a hindrance when I'm going for big walks

0:20:28.880 --> 0:20:31.159
<v Speaker 3>but they're not having a water bottle. Am I going

0:20:31.200 --> 0:20:32.480
<v Speaker 3>to be parched down? At the beach.

0:20:33.560 --> 0:20:36.400
<v Speaker 2>Big Water said, leave the bottle at home. Pay four

0:20:36.400 --> 0:20:37.119
<v Speaker 2>bucks a bottle.

0:20:37.840 --> 0:20:39.800
<v Speaker 1>Yes, and it's a full thing.

0:20:39.800 --> 0:20:42.000
<v Speaker 3>It's kind of I wouldn't say it's a conspiracy theory,

0:20:42.600 --> 0:20:46.560
<v Speaker 3>but supposedly this doesn't surprise me. Sales of bottled water

0:20:46.640 --> 0:20:49.800
<v Speaker 3>now exceeds sales of soft drinks, which is such a

0:20:49.840 --> 0:20:52.200
<v Speaker 3>fast I don't understand. Maybe this is the final frontier

0:20:52.200 --> 0:20:53.879
<v Speaker 3>and climate emergency.

0:20:53.920 --> 0:20:56.080
<v Speaker 2>A bottle of water every time I leave the house,

0:20:56.320 --> 0:20:59.719
<v Speaker 2>only because for the last two consecutive apartments I've lived in,

0:21:00.400 --> 0:21:02.520
<v Speaker 2>there's something wrong with the water. And I thought it

0:21:02.560 --> 0:21:03.960
<v Speaker 2>was just me because I didn't used to be that

0:21:04.000 --> 0:21:05.160
<v Speaker 2>person at water preferences.

0:21:05.160 --> 0:21:05.879
<v Speaker 1>I couldn't taste it.

0:21:06.560 --> 0:21:09.120
<v Speaker 2>I did, however, taste it in primary school, in high school.

0:21:09.800 --> 0:21:12.320
<v Speaker 2>Know in high school, sorry, my best friend was a

0:21:12.359 --> 0:21:15.960
<v Speaker 2>water boiler drinker, so every night her mum would boil

0:21:16.080 --> 0:21:17.840
<v Speaker 2>water and then that is the water they would put

0:21:17.880 --> 0:21:19.680
<v Speaker 2>in their water bottles, and I could taste it.

0:21:19.720 --> 0:21:21.399
<v Speaker 1>I was like the BPA or something something like.

0:21:21.440 --> 0:21:24.560
<v Speaker 2>It was there, but generally could not taste the difference

0:21:25.000 --> 0:21:27.840
<v Speaker 2>until I start getting on that consecutive Mount Franklin and

0:21:28.280 --> 0:21:30.879
<v Speaker 2>now I'm like very pad I can smell the chlorine

0:21:31.160 --> 0:21:34.159
<v Speaker 2>in the taps. I can feel like the gristle. I

0:21:34.200 --> 0:21:35.720
<v Speaker 2>don't know what is in it, but I'm like, it's

0:21:35.760 --> 0:21:38.359
<v Speaker 2>not going down well. And I'm not just being paranoid

0:21:38.359 --> 0:21:40.840
<v Speaker 2>because then I'll like, when my best friend is over,

0:21:40.880 --> 0:21:42.080
<v Speaker 2>I'll get her to drink the water.

0:21:42.119 --> 0:21:44.480
<v Speaker 1>She's like, yeah, it's not right. She's not just splcating you.

0:21:44.840 --> 0:21:47.480
<v Speaker 2>Well, no, because she's a huge tap water drinker and

0:21:47.520 --> 0:21:49.240
<v Speaker 2>we live in the same area, Like we live a

0:21:49.280 --> 0:21:50.960
<v Speaker 2>street away from each other now, so it's like we

0:21:51.040 --> 0:21:51.920
<v Speaker 2>got the same pipes.

0:21:52.280 --> 0:21:54.480
<v Speaker 3>All I'm calling for is someone who has no preference

0:21:54.520 --> 0:21:56.520
<v Speaker 3>to regular water from any kind of tap.

0:21:56.520 --> 0:21:58.040
<v Speaker 1>I'm just thirsty all the time, so I'll take what

0:21:58.040 --> 0:21:58.560
<v Speaker 1>i can get.

0:21:58.760 --> 0:22:02.200
<v Speaker 3>More water taps in shopping centers, please, like a bubbler.

0:22:02.760 --> 0:22:05.440
<v Speaker 3>No likes something that you can refill bottles with, because

0:22:05.440 --> 0:22:09.320
<v Speaker 3>I think the is quite cute. Frank Greens, you got

0:22:09.359 --> 0:22:11.600
<v Speaker 3>the colleener Strata bottles that I want.

0:22:11.640 --> 0:22:12.360
<v Speaker 1>If you body yet.

0:22:12.520 --> 0:22:15.520
<v Speaker 2>NA for me is a tossing up between buying this

0:22:15.800 --> 0:22:17.880
<v Speaker 2>probably like a hundred maybe like close to two hundred

0:22:17.920 --> 0:22:22.399
<v Speaker 2>dollars fully dimonted out water bottle, and I'm saying she

0:22:22.440 --> 0:22:24.840
<v Speaker 2>should buy it because what's going to happen is that

0:22:25.240 --> 0:22:26.880
<v Speaker 2>by the time you decide that you want to buy

0:22:26.920 --> 0:22:28.280
<v Speaker 2>that bottle, there would be no bottle to buy.

0:22:28.560 --> 0:22:28.879
<v Speaker 3>Hmmm.

0:22:29.480 --> 0:22:31.080
<v Speaker 1>They you got guilt, regret, and shame.

0:22:31.359 --> 0:22:35.000
<v Speaker 2>What I'm imagining is like an office water cooler in

0:22:35.160 --> 0:22:36.840
<v Speaker 2>stainless steel and a public place.

0:22:37.520 --> 0:22:39.240
<v Speaker 1>Yes, amazing. Why doesn't that.

0:22:39.200 --> 0:22:42.240
<v Speaker 2>Exist one every few Why because Big Water said, we've

0:22:42.240 --> 0:22:46.080
<v Speaker 2>got Mount Franklin desani Evian here, I'm going to charge

0:22:46.080 --> 0:22:46.919
<v Speaker 2>a premium for it.

0:22:47.560 --> 0:22:49.040
<v Speaker 1>What do you think the markup is on water?

0:22:49.240 --> 0:22:51.880
<v Speaker 3>They should have a carbon footprint thing that they've got

0:22:51.880 --> 0:22:54.119
<v Speaker 3>to do, because it sickens me.

0:22:54.359 --> 0:22:55.760
<v Speaker 1>I'm holding water right here.

0:22:56.440 --> 0:23:00.000
<v Speaker 2>And they said this bottle is made from a hundred

0:23:00.040 --> 0:23:02.359
<v Speaker 2>scent recycled plastic, which means this isn't even the first

0:23:02.359 --> 0:23:04.840
<v Speaker 2>iteration of this bottle. How much money has this bottle

0:23:04.840 --> 0:23:07.440
<v Speaker 2>made on itself? I don't trust it the first time.

0:23:07.480 --> 0:23:09.680
<v Speaker 2>Maybe it costs twenty cents to make, then you recycle

0:23:09.760 --> 0:23:11.880
<v Speaker 2>the same bottle made it again, probably cost you five

0:23:11.960 --> 0:23:14.040
<v Speaker 2>cents to make. How much they're paying for this water?

0:23:14.200 --> 0:23:14.600
<v Speaker 1>For all?

0:23:15.680 --> 0:23:17.960
<v Speaker 3>I see you're trying to rationalize while you drinking so

0:23:18.040 --> 0:23:18.680
<v Speaker 3>much bottle water.

0:23:18.720 --> 0:23:21.000
<v Speaker 1>But I'll let you do that, Oh, not rationalizing.

0:23:21.280 --> 0:23:23.639
<v Speaker 2>I went from being like the water tastes funny, that

0:23:23.680 --> 0:23:25.640
<v Speaker 2>I'm not going to drink water too, Like the water

0:23:25.720 --> 0:23:28.200
<v Speaker 2>tastes funny, but I need to hydrate, so I'm picking

0:23:28.200 --> 0:23:29.000
<v Speaker 2>myself over the planet.

0:23:29.080 --> 0:23:31.600
<v Speaker 1>Yeah, yeah, that's time. Yeah, good on you for admitting it.

0:23:31.640 --> 0:23:35.320
<v Speaker 1>Of course it's freaks me out. But alas you're listening

0:23:35.440 --> 0:23:39.480
<v Speaker 1>to flex and frooms on Kita social media, what do

0:23:39.520 --> 0:23:41.520
<v Speaker 1>you know about it? Can't live with it, can't live

0:23:41.520 --> 0:23:41.960
<v Speaker 1>without it?

0:23:42.119 --> 0:23:46.080
<v Speaker 2>Every day chat chit chat. The algorithms are changing, People

0:23:46.119 --> 0:23:48.760
<v Speaker 2>are depressed. It's not good for your mental health. Screen

0:23:48.800 --> 0:23:51.320
<v Speaker 2>time is up, and it's like, I'm getting it. We

0:23:51.400 --> 0:23:55.440
<v Speaker 2>all seem like we're in this phase where we can

0:23:55.520 --> 0:23:58.760
<v Speaker 2>observe the issues quite clearly, like we understand what is

0:23:58.800 --> 0:24:01.399
<v Speaker 2>wrong with it, But what I'm trying to figure out

0:24:01.480 --> 0:24:03.919
<v Speaker 2>is like what will make it right? How are we

0:24:03.920 --> 0:24:07.840
<v Speaker 2>going to fix this thing that we have intertwined our

0:24:07.920 --> 0:24:11.320
<v Speaker 2>lives with so tightly? And I get you know, there's

0:24:11.520 --> 0:24:14.560
<v Speaker 2>the alternative like just log off. Okay, that's one option,

0:24:15.080 --> 0:24:16.760
<v Speaker 2>But how do we make social media good?

0:24:17.160 --> 0:24:18.959
<v Speaker 1>How do we make it healthy? How do we make

0:24:19.000 --> 0:24:19.600
<v Speaker 1>it productive?

0:24:19.640 --> 0:24:22.119
<v Speaker 2>How do we make it entertaining, and not in spite

0:24:22.160 --> 0:24:26.199
<v Speaker 2>of people, because for every funny meme I hear or

0:24:26.240 --> 0:24:30.120
<v Speaker 2>see that makes me laugh, somebody's getting doxed, getting bullied,

0:24:30.680 --> 0:24:32.840
<v Speaker 2>getting like just having the worst time ever.

0:24:32.880 --> 0:24:35.720
<v Speaker 1>What is the plan? What does a social media utopia

0:24:35.760 --> 0:24:36.399
<v Speaker 1>look like for you?

0:24:36.480 --> 0:24:36.800
<v Speaker 2>For me?

0:24:37.040 --> 0:24:39.760
<v Speaker 1>For me, I don't think social media or utopia exists.

0:24:39.840 --> 0:24:42.880
<v Speaker 3>Hm. I think it just the way that it's inherently made.

0:24:42.880 --> 0:24:45.240
<v Speaker 3>I don't know if it can be good. I think

0:24:45.240 --> 0:24:46.840
<v Speaker 3>the one thing can be good is, for example, the

0:24:46.920 --> 0:24:49.760
<v Speaker 3>be Real example, which is like keeping in contact with

0:24:49.840 --> 0:24:53.440
<v Speaker 3>friends and family when the gamified elements are taken out

0:24:53.440 --> 0:24:56.120
<v Speaker 3>of it and the algorithmic things are taken.

0:24:55.920 --> 0:24:56.320
<v Speaker 1>Out of it.

0:24:56.440 --> 0:24:59.040
<v Speaker 3>If there was no commerce involved, then yet it could

0:24:59.119 --> 0:25:02.360
<v Speaker 3>be cool. Like I know, early Internet days on forums

0:25:02.359 --> 0:25:05.000
<v Speaker 3>and stuff like, there's a lot of knowledge gathering and

0:25:05.359 --> 0:25:08.280
<v Speaker 3>knowledge sharing, which is kind of I think the initial

0:25:08.320 --> 0:25:11.919
<v Speaker 3>point of social media, but the minute that it's public,

0:25:12.000 --> 0:25:13.600
<v Speaker 3>it's kind of like what we speak about. Why you're

0:25:13.640 --> 0:25:15.760
<v Speaker 3>a bit skeptical of be Real, I believe is because

0:25:16.560 --> 0:25:19.360
<v Speaker 3>you think it's inherently a performance, even though it's kind

0:25:19.359 --> 0:25:21.120
<v Speaker 3>of touted as you know, be Real.

0:25:21.400 --> 0:25:22.639
<v Speaker 1>And I love a performance.

0:25:23.000 --> 0:25:25.359
<v Speaker 2>Let's just be honest with ourselves, like who doesn't like

0:25:25.480 --> 0:25:29.480
<v Speaker 2>little like pin e validation like something for you here.

0:25:30.280 --> 0:25:32.760
<v Speaker 2>I mean, that's the fun bit, is it? Not like

0:25:32.800 --> 0:25:35.000
<v Speaker 2>we still want it, It's just we want to feel

0:25:35.000 --> 0:25:37.280
<v Speaker 2>better about wanting it, so we say, I just want

0:25:37.280 --> 0:25:39.320
<v Speaker 2>to be authentic, like I don't want stanges looking at me.

0:25:39.359 --> 0:25:42.000
<v Speaker 2>I just want friends tell me I'm hot. I will say, though,

0:25:42.119 --> 0:25:44.600
<v Speaker 2>I like the point you made about how in the

0:25:44.680 --> 0:25:47.879
<v Speaker 2>early inception of the Internet it was more forum based

0:25:47.920 --> 0:25:50.680
<v Speaker 2>and made for like a knowledge exchange, which I think

0:25:50.760 --> 0:25:53.480
<v Speaker 2>is a big thing that's missing because like, yes, there

0:25:53.520 --> 0:25:56.159
<v Speaker 2>is a knowledge exchange, but for a very shallow reason

0:25:56.160 --> 0:26:00.720
<v Speaker 2>of like we know that educational content gets more and

0:26:00.800 --> 0:26:04.040
<v Speaker 2>a longer watch time. Therefore I'll make it so my

0:26:04.119 --> 0:26:05.720
<v Speaker 2>content get shown in the algorithm.

0:26:06.080 --> 0:26:06.280
<v Speaker 1>Right.

0:26:06.520 --> 0:26:08.600
<v Speaker 2>But I would love for there to be a time

0:26:09.119 --> 0:26:13.600
<v Speaker 2>where everybody was feeding into the Internet information, like we

0:26:13.680 --> 0:26:18.679
<v Speaker 2>are building this encyclopedic database of stuff. You know what

0:26:19.000 --> 0:26:20.880
<v Speaker 2>that reminds you of when we were having COVID, right,

0:26:21.160 --> 0:26:23.720
<v Speaker 2>and you know, like when Sydney was in lockdown and

0:26:23.760 --> 0:26:26.760
<v Speaker 2>Melbourne wasn't, or vice versa. I was thinking, I hope

0:26:26.800 --> 0:26:30.080
<v Speaker 2>when historians write about what COVID was like in twenty twenty.

0:26:30.520 --> 0:26:34.959
<v Speaker 2>They capture it as it was, not like the overarching vibe,

0:26:35.560 --> 0:26:38.480
<v Speaker 2>but as it was for each individual, all little phases

0:26:38.480 --> 0:26:41.880
<v Speaker 2>of the banana bread phase and the walking dates phase,

0:26:42.119 --> 0:26:45.959
<v Speaker 2>and the deactivating social media phase, and all of these

0:26:45.960 --> 0:26:49.040
<v Speaker 2>little micro moments that made it feel really real. That's

0:26:49.080 --> 0:26:51.440
<v Speaker 2>what I want the Internet to be, like. I want

0:26:51.440 --> 0:26:54.439
<v Speaker 2>to see life chronologically from the jump.

0:26:54.520 --> 0:26:56.720
<v Speaker 3>Well, we're not going to know until probably we die.

0:26:56.800 --> 0:26:59.280
<v Speaker 3>I think about this often, for example, with grandparents or

0:26:59.320 --> 0:27:01.240
<v Speaker 3>people that are all than you that have passed away.

0:27:01.280 --> 0:27:05.359
<v Speaker 3>Sometimes they get this thing, yeah, older than us, older

0:27:05.359 --> 0:27:06.080
<v Speaker 3>than us.

0:27:06.359 --> 0:27:09.880
<v Speaker 2>Grandparents, people older than you, you could be ages style,

0:27:09.920 --> 0:27:10.480
<v Speaker 2>you know, slowly.

0:27:11.119 --> 0:27:13.400
<v Speaker 3>I think about this often when I want to connect

0:27:13.480 --> 0:27:16.320
<v Speaker 3>with people that I know that have passed away, but

0:27:16.400 --> 0:27:19.000
<v Speaker 3>they're too old. They died in like two thousand and seven,

0:27:19.080 --> 0:27:20.320
<v Speaker 3>So you try and google their name.

0:27:20.560 --> 0:27:21.600
<v Speaker 1>You might get a little ping.

0:27:21.480 --> 0:27:24.680
<v Speaker 3>With ancestry dot com, but you just wish you could.

0:27:25.200 --> 0:27:27.439
<v Speaker 3>You can't imagine they get further and further away as

0:27:27.440 --> 0:27:30.040
<v Speaker 3>they die. I wonder if having a social media presence

0:27:30.080 --> 0:27:30.840
<v Speaker 3>actually like.

0:27:32.359 --> 0:27:33.040
<v Speaker 1>Remedies that.

0:27:33.080 --> 0:27:35.440
<v Speaker 3>I'm not sure if it would though, if we were

0:27:35.480 --> 0:27:38.320
<v Speaker 3>to die tomorrow it's not going to happen. Fingers crossed.

0:27:39.600 --> 0:27:44.000
<v Speaker 1>Would people be able to get an actually accurate no way? Yeah,

0:27:44.040 --> 0:27:44.480
<v Speaker 1>no way.

0:27:44.760 --> 0:27:47.320
<v Speaker 2>So perhaps what we don't need is more social media,

0:27:47.359 --> 0:27:52.240
<v Speaker 2>but like civic social duty, like every day every single

0:27:52.280 --> 0:27:56.760
<v Speaker 2>person has to document something about where they are, what

0:27:56.800 --> 0:27:59.879
<v Speaker 2>they're doing. We need this culture to move forward, Like,

0:28:00.880 --> 0:28:04.560
<v Speaker 2>how are we telling the stories of the future. It's us,

0:28:05.040 --> 0:28:09.159
<v Speaker 2>it's us and frooms. I feel like I give the

0:28:09.280 --> 0:28:13.120
<v Speaker 2>vibe that I'm constantly beefing. I do take the high

0:28:13.160 --> 0:28:14.080
<v Speaker 2>road a lot of the time.

0:28:14.200 --> 0:28:16.520
<v Speaker 1>I think you're willing that assumption into existence.

0:28:17.240 --> 0:28:20.360
<v Speaker 2>Yeah, okay, well then no, I feel like a lot

0:28:20.359 --> 0:28:23.960
<v Speaker 2>of for like interpersonal things like social stuff. I'll take

0:28:23.960 --> 0:28:25.800
<v Speaker 2>the high road when it comes to work in my

0:28:25.920 --> 0:28:29.640
<v Speaker 2>livelihood though, No, not taking the high road all about principle.

0:28:29.840 --> 0:28:32.240
<v Speaker 2>Things need to be right and in my favor. Did

0:28:32.240 --> 0:28:34.639
<v Speaker 2>not come to this earth, Like think about all the

0:28:34.680 --> 0:28:37.119
<v Speaker 2>babies who could not be born, and I get to

0:28:37.160 --> 0:28:41.560
<v Speaker 2>exist on this green earth green? I want greenish? Yeah

0:28:41.640 --> 0:28:43.200
<v Speaker 2>it's green and ghana, is it?

0:28:43.240 --> 0:28:43.480
<v Speaker 3>Really?

0:28:43.640 --> 0:28:44.440
<v Speaker 1>Yeah?

0:28:44.520 --> 0:28:48.320
<v Speaker 2>I digress on this green earth and I only get

0:28:48.360 --> 0:28:51.560
<v Speaker 2>one chance to be here. I'm not falling for these

0:28:51.640 --> 0:28:54.520
<v Speaker 2>mortal tricks of not having things my way.

0:28:55.160 --> 0:28:55.600
<v Speaker 1>True.

0:28:56.040 --> 0:28:59.560
<v Speaker 2>So in this new apartment I moved into, I thought

0:28:59.600 --> 0:29:02.520
<v Speaker 2>I'd be doing a favor by splurging, you know, stretching

0:29:02.520 --> 0:29:05.120
<v Speaker 2>the budget a little bit, going luxury because I'm here.

0:29:05.160 --> 0:29:07.960
<v Speaker 2>I mean, like, yeah, secure apartment. Here are the perks

0:29:08.280 --> 0:29:13.040
<v Speaker 2>we've got. You know, ducted air con, you know, different power.

0:29:13.120 --> 0:29:15.160
<v Speaker 2>You can control the AIRCN from any which room and

0:29:15.200 --> 0:29:17.840
<v Speaker 2>it's for that specific room in itself. Why in the

0:29:17.840 --> 0:29:20.440
<v Speaker 2>first week was there a mystery leak in the rumpest room,

0:29:20.960 --> 0:29:24.000
<v Speaker 2>not not the rumpers room, leak in the rumpers room

0:29:24.080 --> 0:29:24.720
<v Speaker 2>coming from the bar.

0:29:25.200 --> 0:29:27.960
<v Speaker 1>Okay, this is very well, that's a bar. There's a bar. Wow,

0:29:28.240 --> 0:29:30.800
<v Speaker 1>not stopped because who's drinking it? Not me? So that

0:29:30.880 --> 0:29:31.480
<v Speaker 1>was number one.

0:29:31.840 --> 0:29:34.880
<v Speaker 2>Then there was heaps of rain, and you know Sydney

0:29:34.880 --> 0:29:38.240
<v Speaker 2>in the rain, it's never great. So mystery leaks happening

0:29:38.280 --> 0:29:40.880
<v Speaker 2>to be expected. Upon signing the lease, I was told

0:29:40.880 --> 0:29:43.000
<v Speaker 2>that the carpets were going to get changed that week.

0:29:43.200 --> 0:29:45.840
<v Speaker 2>Three months later, they still one have been changed. Carpets remain,

0:29:46.000 --> 0:29:48.200
<v Speaker 2>carpets remain. They've been fixed. Now, thank goodness. I get

0:29:48.240 --> 0:29:51.640
<v Speaker 2>a call one fateful afternoon to say that the basement

0:29:51.960 --> 0:29:55.360
<v Speaker 2>in our apartment has been flooding, and I'm the only

0:29:55.400 --> 0:29:57.280
<v Speaker 2>apartment on top of the basement, so it must be me.

0:29:57.320 --> 0:29:59.960
<v Speaker 2>I'm thinking, mean, what did I do, strong shower?

0:30:00.400 --> 0:30:00.880
<v Speaker 1>It was me.

0:30:01.160 --> 0:30:04.240
<v Speaker 2>Turns out my dishwasher was installed. There was a snip

0:30:04.240 --> 0:30:05.960
<v Speaker 2>in the pipe and it could have been when they

0:30:05.960 --> 0:30:08.400
<v Speaker 2>were like unboxing it. So every time I run the dishwasher,

0:30:08.840 --> 0:30:11.239
<v Speaker 2>it was like going down into the pipes and then

0:30:11.280 --> 0:30:14.040
<v Speaker 2>like it collapsed or something. I said, Okay, by a technicality,

0:30:14.080 --> 0:30:15.640
<v Speaker 2>it was me, but it wasn't actually me. And know

0:30:15.680 --> 0:30:17.960
<v Speaker 2>I'm saying, up until this apartment though, I wasn't a

0:30:17.960 --> 0:30:18.880
<v Speaker 2>dishwasher user.

0:30:19.240 --> 0:30:20.600
<v Speaker 1>So get into the dishwasher.

0:30:20.680 --> 0:30:23.760
<v Speaker 2>I'm loving it. I finally understand what's going on. I've

0:30:23.800 --> 0:30:26.719
<v Speaker 2>got the cycle. This is efficient. Now I can't use

0:30:26.720 --> 0:30:30.600
<v Speaker 2>the dishwasher because the realtors like, you're gotta get a

0:30:30.640 --> 0:30:34.080
<v Speaker 2>technician out there. Tell me why I'm here, double text

0:30:34.080 --> 0:30:38.200
<v Speaker 2>and triple texting this technician for the last three weeks.

0:30:38.280 --> 0:30:40.880
<v Speaker 2>This man will not respond to me until one day

0:30:40.960 --> 0:30:42.360
<v Speaker 2>we happened to be on a call at the time.

0:30:43.240 --> 0:30:47.040
<v Speaker 2>He said, in the window of fifteen minutes, I'm coming now, Yeah.

0:30:46.960 --> 0:30:49.280
<v Speaker 1>They do that. What do you mean He's a man

0:30:49.360 --> 0:30:49.880
<v Speaker 1>on a mission.

0:30:50.200 --> 0:30:52.600
<v Speaker 3>It's like, I feel like you sometimes operate as if

0:30:52.960 --> 0:30:53.880
<v Speaker 3>time is your.

0:30:54.160 --> 0:30:56.400
<v Speaker 1>Well, but we both I'm like, it's a schedule.

0:30:56.400 --> 0:30:58.520
<v Speaker 2>It's like just say like you didn't even like he

0:30:58.560 --> 0:31:01.640
<v Speaker 2>hadn't responded to any message, Hey, like when do you

0:31:01.680 --> 0:31:02.560
<v Speaker 2>want to come? Hey?

0:31:02.640 --> 0:31:04.360
<v Speaker 1>Like what day can I block out for you? Hey?

0:31:04.480 --> 0:31:07.040
<v Speaker 2>Like, just wanted to know I'm coming now? Don't we

0:31:07.080 --> 0:31:09.800
<v Speaker 2>all have jobs? Who's just available?

0:31:10.120 --> 0:31:11.360
<v Speaker 1>He's a big follower of yours scene.

0:31:11.800 --> 0:31:14.360
<v Speaker 2>So I'm like, no, wasting your own time and wasting

0:31:14.520 --> 0:31:17.600
<v Speaker 2>my time because I wasn't available in this random fifteen

0:31:17.640 --> 0:31:20.880
<v Speaker 2>minute window of a twenty four hour day. So today

0:31:21.040 --> 0:31:23.800
<v Speaker 2>actually he calls and he's like, I'm on my way.

0:31:24.120 --> 0:31:28.320
<v Speaker 2>I'm like, again, I asked you three days ago what

0:31:28.440 --> 0:31:30.800
<v Speaker 2>time would be available this week so I could make

0:31:30.800 --> 0:31:33.560
<v Speaker 2>sure someone's there. Now you're saying you're coming. Are you

0:31:33.640 --> 0:31:36.600
<v Speaker 2>actually coming or it's just a vibe of yours? He's

0:31:36.640 --> 0:31:38.480
<v Speaker 2>like yeah, yeah, no, no, no, I'll be there this morning.

0:31:38.560 --> 0:31:40.920
<v Speaker 2>This is about like eight thirty nine, nine o'clock. I

0:31:40.920 --> 0:31:43.840
<v Speaker 2>was like, okay, great, send my assistant over, send her over.

0:31:45.080 --> 0:31:48.240
<v Speaker 2>Why at one o'clock She's like, yeah, he's not here yet.

0:31:48.600 --> 0:31:49.880
<v Speaker 1>She's dearly darling in the house.

0:31:49.960 --> 0:31:52.920
<v Speaker 2>He was just annoying. But then she's like, he's come in.

0:31:53.320 --> 0:31:55.480
<v Speaker 2>He'll say Joe Rogan tomb raider.

0:31:55.840 --> 0:31:56.200
<v Speaker 1>Oh.

0:31:56.560 --> 0:31:58.600
<v Speaker 2>I said, I don't know what that means, Like it's

0:31:58.640 --> 0:32:02.360
<v Speaker 2>two different vibes. Like what does that mean? She said

0:32:02.400 --> 0:32:04.480
<v Speaker 2>in a scary way, like he's dressed like tomb rader.

0:32:04.520 --> 0:32:06.520
<v Speaker 2>I was like, what describe it? She said, like he's

0:32:06.520 --> 0:32:09.320
<v Speaker 2>so jacked and it's so serious. I said, wow, my

0:32:09.400 --> 0:32:11.560
<v Speaker 2>King too bad. I'm fighting with him. She says his

0:32:11.640 --> 0:32:14.080
<v Speaker 2>setup isn't like a normal plumber. I said, okay, we'll

0:32:14.120 --> 0:32:18.360
<v Speaker 2>be safe. Well wishes, well wishes. She said, like the

0:32:18.400 --> 0:32:21.480
<v Speaker 2>toolpack is like this backpack that opens up and all

0:32:21.560 --> 0:32:23.520
<v Speaker 2>the tools are in there. This man needs to be

0:32:23.560 --> 0:32:26.280
<v Speaker 2>in a spy movie. I said, maybe he is. Yeah,

0:32:26.320 --> 0:32:29.600
<v Speaker 2>she said he's wearing this crazy leather gloves. Short king, though,

0:32:30.720 --> 0:32:32.720
<v Speaker 2>I said, oh, and there it is. She didn't die

0:32:32.720 --> 0:32:35.760
<v Speaker 2>because she's still texting me. But God, now I'm understanding

0:32:35.760 --> 0:32:38.880
<v Speaker 2>his positioning a bit better. He's not just some dishwasher technician.

0:32:39.400 --> 0:32:42.680
<v Speaker 2>He is probably the best and only person for that job.

0:32:42.840 --> 0:32:46.440
<v Speaker 2>The manufacturer is probably like rinsing him dry because everyone's

0:32:46.440 --> 0:32:49.720
<v Speaker 2>dishwashers are breaking. He's running an operation that runs on

0:32:49.800 --> 0:32:52.440
<v Speaker 2>his time because he can't pick and choose when the

0:32:52.440 --> 0:32:55.480
<v Speaker 2>crises are happening. He's a rogue operator. Yeah, doing the

0:32:55.480 --> 0:32:58.560
<v Speaker 2>lord's work. Literally, I think that's gonna be fixed now.

0:32:58.840 --> 0:33:01.120
<v Speaker 1>Do you know what? Also I reckon I has happened. Yes.

0:33:01.240 --> 0:33:05.560
<v Speaker 2>The overwhelming or the overarching theme that happens when things

0:33:05.560 --> 0:33:07.800
<v Speaker 2>get done in my house is when I'm not nice.

0:33:08.560 --> 0:33:09.600
<v Speaker 2>I send the emails like.

0:33:09.560 --> 0:33:11.920
<v Speaker 1>Hey, how you going? Just wanted to know, Hey, how

0:33:12.000 --> 0:33:13.040
<v Speaker 1>you going whatever? Whatever?

0:33:13.400 --> 0:33:16.760
<v Speaker 2>Once I get stern, no, please, no thank you, nothing

0:33:16.960 --> 0:33:22.320
<v Speaker 2>like no quote unquote gendered responses. Clickity clack get into

0:33:22.360 --> 0:33:25.080
<v Speaker 2>it anyway, So hopefully there's no more updates in that realm.

0:33:25.320 --> 0:33:27.520
<v Speaker 2>I'm currently waiting for a dining table. It's meant to

0:33:27.520 --> 0:33:30.600
<v Speaker 2>come yesterday, it's today. I don't know.

0:33:31.000 --> 0:33:34.600
<v Speaker 3>I wish you good luck, Hunt, Thank you. You've been

0:33:34.600 --> 0:33:37.440
<v Speaker 3>listening to The Flukes and Frooms Daily podcast. For more,

0:33:37.560 --> 0:33:41.040
<v Speaker 3>tune its cat on DAB or stream it on iHeartRadio.