1 00:00:00,320 --> 00:00:03,279 Speaker 1: Sean mccalf's Eve of Destruction premieres tonight at eight o'clock 2 00:00:03,320 --> 00:00:05,240 Speaker 1: on ABC TV and ABC. 3 00:00:05,040 --> 00:00:07,760 Speaker 2: I View, and Sean is with us. Now, good morning, 4 00:00:08,000 --> 00:00:08,520 Speaker 2: We're welcome. 5 00:00:08,600 --> 00:00:10,600 Speaker 3: Please, So clearly, how are you have very nice of 6 00:00:10,600 --> 00:00:14,239 Speaker 3: you to have me on during Logi's week. I appreciate it. 7 00:00:14,400 --> 00:00:17,120 Speaker 1: You should be very nice of you to join us 8 00:00:17,120 --> 00:00:19,560 Speaker 1: to talk about this show, which I said has been 9 00:00:19,600 --> 00:00:23,320 Speaker 1: twenty five years in the making. Tell us about how 10 00:00:23,640 --> 00:00:25,520 Speaker 1: Eve of Destruction works. 11 00:00:25,880 --> 00:00:28,360 Speaker 3: Well, many years ago, this is back where I did 12 00:00:28,360 --> 00:00:30,320 Speaker 3: a show for the ABC, the first time I did 13 00:00:30,320 --> 00:00:33,199 Speaker 3: a show for the ABC called The Macaloff Program. So 14 00:00:33,240 --> 00:00:37,279 Speaker 3: this is nineteen ninety eight, yeah, right, And we had 15 00:00:37,320 --> 00:00:39,560 Speaker 3: a guest on and it was Tim Rodgers, Tim Rodgers 16 00:00:39,600 --> 00:00:44,320 Speaker 3: from a Wonderful and we had a little skit. It 17 00:00:44,400 --> 00:00:46,640 Speaker 3: was a good guest and he liked He actually asked 18 00:00:46,680 --> 00:00:49,199 Speaker 3: to be on the show. He liked the show, and 19 00:00:49,560 --> 00:00:53,680 Speaker 3: he contacted us and you know, a gushing fan letter, 20 00:00:54,400 --> 00:00:56,680 Speaker 3: asked to be on the show. So we said yes, 21 00:00:56,720 --> 00:00:58,680 Speaker 3: of course, were you actually having somebody who had some 22 00:00:58,720 --> 00:01:01,880 Speaker 3: importance on? So he came on and as a joke, 23 00:01:01,960 --> 00:01:04,600 Speaker 3: we asked him that perennial question of well, you know, 24 00:01:04,640 --> 00:01:07,399 Speaker 3: if you if you could rescue anything from your house. 25 00:01:07,480 --> 00:01:09,800 Speaker 3: One eyes him and it's on fire, what would it 26 00:01:09,800 --> 00:01:13,040 Speaker 3: be And he said, oh, well my guitar. And I said, oh, well, 27 00:01:13,040 --> 00:01:14,400 Speaker 3: tell we've got a bit of a surprise for you. 28 00:01:14,520 --> 00:01:17,840 Speaker 3: We cut to a house actually on fire and tell him, 29 00:01:17,880 --> 00:01:19,960 Speaker 3: tell him that it's his house. And then he says, okay, 30 00:01:19,959 --> 00:01:22,959 Speaker 3: you got thirty seconds, so he has to run away. Basically, 31 00:01:23,040 --> 00:01:26,760 Speaker 3: so that was the That was the joke. And so 32 00:01:27,200 --> 00:01:29,959 Speaker 3: what was a two second, three second joke on a 33 00:01:30,080 --> 00:01:32,240 Speaker 3: show twenty five years ago? We managed to pad out 34 00:01:32,240 --> 00:01:35,720 Speaker 3: now to a complete half an hour. Oh nice. Yeah, 35 00:01:35,760 --> 00:01:39,600 Speaker 3: so we don't We don't burn down everyone's house. It's 36 00:01:39,640 --> 00:01:42,880 Speaker 3: just a hypothetical situation. That's a variety of things. In fact, 37 00:01:42,920 --> 00:01:45,440 Speaker 3: we were going to call a show burning down the house, 38 00:01:45,520 --> 00:01:51,520 Speaker 3: but Australia spends most of its time bursting into flames. Yeah, 39 00:01:51,680 --> 00:01:53,720 Speaker 3: we thought that might be a bit tasteless, so we've 40 00:01:53,720 --> 00:01:54,800 Speaker 3: made it more general. 41 00:01:55,000 --> 00:01:58,360 Speaker 2: The even destruction. Yeah, yeah, the fire is volunteer. I 42 00:01:58,400 --> 00:02:01,080 Speaker 2: wouldn't enjoy that. You asked what to things they would save? 43 00:02:02,240 --> 00:02:04,520 Speaker 3: Yeah, yeah we we we say loved ones, loved ones 44 00:02:04,560 --> 00:02:09,840 Speaker 3: are safe, and yeah, pets and everything photos photos are 45 00:02:09,880 --> 00:02:11,200 Speaker 3: up in the cloud, so you don't have to worry 46 00:02:11,200 --> 00:02:14,799 Speaker 3: about it. Just what just two items that are really 47 00:02:14,840 --> 00:02:16,959 Speaker 3: important to you, and people are treating it seriously, which 48 00:02:17,000 --> 00:02:19,200 Speaker 3: is quite nice. You know, they actually are being awful, 49 00:02:19,240 --> 00:02:22,440 Speaker 3: except for our guest tonight is Stephen Curry is one 50 00:02:22,440 --> 00:02:23,359 Speaker 3: of our two guests. 51 00:02:23,160 --> 00:02:23,400 Speaker 2: And he. 52 00:02:25,400 --> 00:02:28,040 Speaker 3: Brought along two items. In fact, he got us to 53 00:02:28,080 --> 00:02:29,919 Speaker 3: pick them up in a truck. They were so big 54 00:02:30,360 --> 00:02:33,240 Speaker 3: there's no way there's no way he could possibly rescue them. 55 00:02:33,240 --> 00:02:35,760 Speaker 3: We had to transport them from the massive and Rages 56 00:02:35,760 --> 00:02:39,400 Speaker 3: where he lives down to the city. But he's the 57 00:02:39,440 --> 00:02:41,640 Speaker 3: only one who's been stupid about. Everybody else has been 58 00:02:41,720 --> 00:02:42,240 Speaker 3: quite good. 59 00:02:42,919 --> 00:02:45,840 Speaker 2: A pizza ro's bigger. 60 00:02:46,360 --> 00:02:51,079 Speaker 3: It's bigger than a pizza bigger ways. It probably ways 61 00:02:51,120 --> 00:02:56,880 Speaker 3: about I reckon half a ton one of the items. Yeah, 62 00:02:56,960 --> 00:02:59,200 Speaker 3: and the other item is that is equally stupid. 63 00:02:59,760 --> 00:03:02,560 Speaker 2: Quite very Stephen, did cross my mind? 64 00:03:02,880 --> 00:03:04,840 Speaker 1: Be careful what you wish for when you invited them 65 00:03:04,880 --> 00:03:08,480 Speaker 1: to bring their two items in. What two items would 66 00:03:08,480 --> 00:03:11,400 Speaker 1: you save if your house was about to be destroyed? 67 00:03:12,040 --> 00:03:14,240 Speaker 3: Well, mercifully, I don't have to address that on the 68 00:03:14,240 --> 00:03:16,720 Speaker 3: show because I'm sitting in the viewers chair. But I 69 00:03:16,760 --> 00:03:18,200 Speaker 3: have thought about it. I have thought about that. I 70 00:03:18,240 --> 00:03:20,120 Speaker 3: think I'd be paralyzed with the decision. I mean, I've 71 00:03:20,120 --> 00:03:23,560 Speaker 3: got a lot of a lot of lovely books, some 72 00:03:23,600 --> 00:03:26,359 Speaker 3: of which are autographed. They're usually comedy books, you know, 73 00:03:26,440 --> 00:03:29,679 Speaker 3: books on comedy, so you know Steve Martin's autograph is 74 00:03:29,720 --> 00:03:32,440 Speaker 3: on one of them, and John Clees and Michael Pale 75 00:03:32,440 --> 00:03:36,760 Speaker 3: and all of Manty Python Fellows and everything. So but 76 00:03:36,760 --> 00:03:38,640 Speaker 3: but if I had to pick two, I think i'd 77 00:03:38,640 --> 00:03:42,400 Speaker 3: be I'd be paralyzed. I'd be going, well, I let 78 00:03:42,440 --> 00:03:46,000 Speaker 3: it all burn. I can't choose tot. I just save myself. 79 00:03:46,080 --> 00:03:47,440 Speaker 3: I just saved myself. It's too hard. 80 00:03:47,680 --> 00:03:50,160 Speaker 4: Yeah, and Sean coming up with with a really different 81 00:03:50,200 --> 00:03:52,240 Speaker 4: idea like this, and I think we can hear where 82 00:03:52,240 --> 00:03:55,560 Speaker 4: it came from the original the original seed was planted 83 00:03:55,600 --> 00:03:57,480 Speaker 4: all those years ago. But it keeps it interesting for 84 00:03:57,520 --> 00:03:59,080 Speaker 4: yourself as well as it it's not so much a 85 00:03:59,160 --> 00:03:59,960 Speaker 4: straightforward format. 86 00:04:00,920 --> 00:04:03,320 Speaker 3: It is and it's I had a good fortune of 87 00:04:03,360 --> 00:04:05,520 Speaker 3: having a long running show on the ABC called mad 88 00:04:05,560 --> 00:04:08,520 Speaker 3: as Hell, and that was a satirical news show and 89 00:04:09,080 --> 00:04:13,200 Speaker 3: I got to interview fake people. But I noticed it 90 00:04:13,240 --> 00:04:15,280 Speaker 3: towards the end of the end of the ten years, 91 00:04:15,280 --> 00:04:17,640 Speaker 3: I was just sort of sitting there enjoying the person 92 00:04:17,720 --> 00:04:19,880 Speaker 3: opposite me on the desk, and I'd just been laughing 93 00:04:20,520 --> 00:04:22,480 Speaker 3: and enjoying it. I thought, oh, actually that if I 94 00:04:22,520 --> 00:04:23,920 Speaker 3: could make a show out of that where I really 95 00:04:23,960 --> 00:04:26,680 Speaker 3: don't have to do any prep. You know, they can 96 00:04:26,760 --> 00:04:28,800 Speaker 3: suggest what they want to bring along and I'm going 97 00:04:28,800 --> 00:04:31,839 Speaker 3: to sit there and enjoy them. If I could pretend 98 00:04:31,839 --> 00:04:35,280 Speaker 3: that that's an actual show and fool people into funding 99 00:04:35,320 --> 00:04:37,960 Speaker 3: as and putting it on air, That's not a bad 100 00:04:38,240 --> 00:04:39,120 Speaker 3: way to spend the year. 101 00:04:39,760 --> 00:04:42,200 Speaker 1: But that's what makes a good interview when you feel 102 00:04:42,240 --> 00:04:44,720 Speaker 1: like you're, you know, watching two people have a good 103 00:04:44,880 --> 00:04:46,640 Speaker 1: chat per se. 104 00:04:46,680 --> 00:04:49,000 Speaker 3: Yeah, yeah, yeah, you know, you know what this is like. 105 00:04:49,240 --> 00:04:52,479 Speaker 3: You would do this every day that you're every second 106 00:04:52,520 --> 00:04:55,000 Speaker 3: you're in the studio because someone comes in, you're going 107 00:04:55,080 --> 00:04:57,159 Speaker 3: to read them. So you go, okay, well they like 108 00:04:57,279 --> 00:04:59,040 Speaker 3: to do this. I could feel I want to say that, 109 00:04:59,320 --> 00:05:01,520 Speaker 3: so you're dance partner for them. You just kind of 110 00:05:01,600 --> 00:05:04,160 Speaker 3: move and help show them off in a good light. 111 00:05:04,240 --> 00:05:07,719 Speaker 3: And I'm enjoying that. I'm enjoying that process of for 112 00:05:07,800 --> 00:05:10,200 Speaker 3: the first time of my career, actually being generous to 113 00:05:10,240 --> 00:05:11,920 Speaker 3: somebody else on stage. 114 00:05:12,640 --> 00:05:14,880 Speaker 1: I'm stuck on the what I'm thinking about what I 115 00:05:14,880 --> 00:05:16,760 Speaker 1: would say if it was me, And I'm thinking I'd 116 00:05:16,760 --> 00:05:19,839 Speaker 1: probably save my GHD hair straight now, which would be 117 00:05:19,960 --> 00:05:23,320 Speaker 1: ironic because it's probably the thing that started the funk. 118 00:05:24,960 --> 00:05:27,320 Speaker 2: Leaving it on at four o'clock in the morning. Sean, 119 00:05:27,640 --> 00:05:28,880 Speaker 2: But anyway, that sensible. 120 00:05:28,920 --> 00:05:30,760 Speaker 3: You know, you'd take it out of the house. You 121 00:05:30,760 --> 00:05:33,040 Speaker 3: would stop the house being destroyed. That'ssible. 122 00:05:33,760 --> 00:05:35,679 Speaker 2: How would we all? But is she sprayed that giant 123 00:05:36,120 --> 00:05:39,320 Speaker 2: can of hairspray around. That's an accelerate. That was the eighties. 124 00:05:39,320 --> 00:05:41,000 Speaker 2: And I apologized. 125 00:05:42,040 --> 00:05:44,400 Speaker 4: And all of us who are nearby, Hey, Sean, we're 126 00:05:44,400 --> 00:05:46,880 Speaker 4: getting exposed more, especially through Instagram. I'm finding more to 127 00:05:47,279 --> 00:05:50,680 Speaker 4: classic interviewers parties and David Frost's and even the talk 128 00:05:50,680 --> 00:05:52,480 Speaker 4: show guys like Carson and that because we've seeing their 129 00:05:52,520 --> 00:05:55,520 Speaker 4: old interviews online. Are there any that you can not 130 00:05:55,720 --> 00:05:57,040 Speaker 4: avoid if you see it and you go, I just 131 00:05:57,080 --> 00:05:59,520 Speaker 4: want to hear the how good they were the interview? 132 00:06:00,279 --> 00:06:03,400 Speaker 3: Like in preparation for the for the series, I did 133 00:06:03,440 --> 00:06:05,400 Speaker 3: watch a lot of the odd stuff Dick Cavotts and 134 00:06:06,440 --> 00:06:08,919 Speaker 3: par Concern and you know all those all the greats, 135 00:06:08,920 --> 00:06:11,520 Speaker 3: and you are right. They're every all the best bits everywhere. 136 00:06:11,960 --> 00:06:15,200 Speaker 3: And really the thing that I learned I was thinking, 137 00:06:15,720 --> 00:06:18,200 Speaker 3: I believe it or not. I was actually thinking, do 138 00:06:17,600 --> 00:06:21,200 Speaker 3: I unbutton my jacket as I sit down or do 139 00:06:21,279 --> 00:06:23,279 Speaker 3: I leave it done up? And I was watching them 140 00:06:23,320 --> 00:06:26,160 Speaker 3: and I realized that Parkinson's got the best style. He 141 00:06:26,400 --> 00:06:28,320 Speaker 3: has it done up when they come in, and then 142 00:06:28,360 --> 00:06:30,640 Speaker 3: when he's when he's just when he's bums just about 143 00:06:30,640 --> 00:06:33,560 Speaker 3: to hit the seat, that's when it does. Okay, well, 144 00:06:33,560 --> 00:06:35,960 Speaker 3: that's good. Dick Cavott seems to have it done up 145 00:06:35,960 --> 00:06:38,960 Speaker 3: for the entirety of the interview. That's interesting. Maybe he's 146 00:06:38,960 --> 00:06:43,080 Speaker 3: a he's a bit thinner, Carson, Carson, I think has 147 00:06:43,120 --> 00:06:45,560 Speaker 3: it done up. So I've been unable to decide what 148 00:06:45,640 --> 00:06:48,000 Speaker 3: to do. It's been it's been the bug bear, the 149 00:06:48,120 --> 00:06:50,039 Speaker 3: major concern I have with this series. 150 00:06:52,600 --> 00:06:55,360 Speaker 1: I think my favorite interview ever was a Dick Caviot 151 00:06:55,440 --> 00:06:58,640 Speaker 1: interview with Janis Joplin where he talks to her about 152 00:06:59,000 --> 00:07:01,880 Speaker 1: going home for a school reunion and she said, yeah, 153 00:07:01,880 --> 00:07:03,600 Speaker 1: they ran me out of school, they ran me out 154 00:07:03,640 --> 00:07:06,880 Speaker 1: of town, and I'm going home, wild woman. 155 00:07:07,800 --> 00:07:11,040 Speaker 3: Dick was awesome, Pig was great. I mean, I remember 156 00:07:11,240 --> 00:07:14,320 Speaker 3: he interviewed Norman Mailer. Okay, he is a pretty tough 157 00:07:14,360 --> 00:07:16,960 Speaker 3: guy apparently, and I watched the interview and it's a 158 00:07:16,960 --> 00:07:20,040 Speaker 3: great interview. They're all very prickly with each other. Later on, 159 00:07:20,160 --> 00:07:22,360 Speaker 3: later on I realized Dick havevit says, oh yeah, Norman 160 00:07:22,400 --> 00:07:25,880 Speaker 3: Maaylor actually punched me in the faith immediately before I 161 00:07:25,960 --> 00:07:30,120 Speaker 3: had to go on stage. So can you Wow, I 162 00:07:30,120 --> 00:07:32,240 Speaker 3: haven't had that difficulty. It's just a fun That's the 163 00:07:32,240 --> 00:07:33,720 Speaker 3: only thing that's foxing me. You know what. 164 00:07:33,800 --> 00:07:35,840 Speaker 2: I couldn't imagine Stephen Curry punching anyone. 165 00:07:37,600 --> 00:07:40,880 Speaker 1: And as we say, you've hooked me through. I can't 166 00:07:40,880 --> 00:07:42,880 Speaker 1: wait to see what it is that Stephen Curry's had 167 00:07:42,920 --> 00:07:47,280 Speaker 1: to have delivered to the studio so even destruction. 168 00:07:48,280 --> 00:07:51,280 Speaker 3: It is on tonight at eight o'clock. Yeah, and his choices, 169 00:07:51,280 --> 00:07:52,400 Speaker 3: both of them are stupid. 170 00:07:54,320 --> 00:07:54,640 Speaker 1: Sean. 171 00:07:54,720 --> 00:07:57,160 Speaker 2: Can't wait to see it. Thanks for joining us this morning. 172 00:07:58,080 --> 00:07:58,600 Speaker 3: Thanks