1
00:00:00,040 --> 00:00:03,520
Speaker 1: Here's the podcast. Birthday Friend, It's my birthday today. Are

2
00:00:03,520 --> 00:00:05,200
Speaker 1: you feeling about your birthday today?

3
00:00:05,400 --> 00:00:08,520
Speaker 2: I feel good. I'm not a big birthday fan. I

4
00:00:08,640 --> 00:00:11,240
Speaker 2: much prefer making a fuss about somebody else than having

5
00:00:11,280 --> 00:00:12,160
Speaker 2: fuss made about me.

6
00:00:12,320 --> 00:00:13,960
Speaker 3: I like lavishing you with gifts, you know.

7
00:00:14,000 --> 00:00:16,120
Speaker 2: I know why you like to lavish the praise because

8
00:00:16,160 --> 00:00:17,640
Speaker 2: it's a slight ras is an edge to.

9
00:00:17,600 --> 00:00:18,200
Speaker 3: You at all.

10
00:00:19,120 --> 00:00:22,120
Speaker 1: You've got gifts on the half hour, and then one

11
00:00:22,320 --> 00:00:23,680
Speaker 1: every hour after that.

12
00:00:23,840 --> 00:00:25,760
Speaker 2: Yeah, and you said them in a threatening way. I'm

13
00:00:25,760 --> 00:00:28,600
Speaker 2: going to give you a gift every hour on the hour.

14
00:00:28,800 --> 00:00:29,760
Speaker 3: That's what happens.

15
00:00:29,760 --> 00:00:31,280
Speaker 2: Like I was a hostage of some kind.

16
00:00:31,360 --> 00:00:34,800
Speaker 3: You a hostage of being a great workmate.

17
00:00:35,800 --> 00:00:37,560
Speaker 2: And if I got one of the presents, if I

18
00:00:37,560 --> 00:00:41,320
Speaker 2: can preempt it was a candle that reveals a secret message.

19
00:00:41,680 --> 00:00:44,000
Speaker 2: And I thought it was going to say you're rock

20
00:00:44,040 --> 00:00:46,480
Speaker 2: and hot or something. When it burnt down it said

21
00:00:46,479 --> 00:00:47,320
Speaker 2: you're iffing hot.

22
00:00:47,680 --> 00:00:54,400
Speaker 1: Well you are askarat rude words, rude words, but good words.

23
00:00:54,400 --> 00:00:57,040
Speaker 2: The job at Hallmark doing rude but true words. We

24
00:00:57,120 --> 00:00:58,760
Speaker 2: got out of the Jones and Amanda Arms for the

25
00:00:58,760 --> 00:01:01,760
Speaker 2: pub test Bad reviews. Do you leave a bad review?

26
00:01:01,960 --> 00:01:05,160
Speaker 2: Do you read bad reviews. Do you believe bad reviews?

27
00:01:05,680 --> 00:01:09,240
Speaker 1: Two NRL players go to Las Vegas and nothing happens.

28
00:01:09,480 --> 00:01:12,319
Speaker 2: Well, that story didn't pan out because something did happen.

29
00:01:12,600 --> 00:01:15,160
Speaker 2: Security recalled. I thought they were attacking each other with weapons.

30
00:01:15,160 --> 00:01:18,039
Speaker 2: It was a giant inflatable baseball bat. It can happen.

31
00:01:18,200 --> 00:01:20,480
Speaker 2: Tribal John is beating for tales of sharing the bed.

32
00:01:20,680 --> 00:01:23,160
Speaker 1: Those inflatable baseball bats. When you bunk someone over the

33
00:01:23,200 --> 00:01:24,840
Speaker 1: head with it, there's always.

34
00:01:24,520 --> 00:01:25,959
Speaker 2: Trouble and gets my goolies.

35
00:01:26,280 --> 00:01:29,000
Speaker 1: Yeah and Tom, guys, now, don't forget about that. If

36
00:01:29,000 --> 00:01:41,039
Speaker 1: you've been paying attention, enjoy the podcast right now.

37
00:01:41,080 --> 00:01:42,200
Speaker 4: That a miracle of recording.

38
00:01:42,440 --> 00:01:44,559
Speaker 2: We have so many requests for them to do it again.

39
00:01:44,720 --> 00:01:46,360
Speaker 5: Mistress Amanda's MS killer.

40
00:01:47,040 --> 00:01:52,600
Speaker 6: Amanda doesn't work alone. Friend a groom making the tools

41
00:01:52,600 --> 00:01:53,120
Speaker 6: of the train.

42
00:01:53,200 --> 00:01:55,920
Speaker 1: I've heard them describe him as a drunken idiot.

43
00:01:56,480 --> 00:02:02,400
Speaker 2: I've been a legendary poet. Jonesy and then to the actress, congratulations, man,

44
00:02:02,440 --> 00:02:04,200
Speaker 2: you we're there. Any right now I need is your Monday.

45
00:02:04,280 --> 00:02:07,040
Speaker 2: Jose and Amanda, you're doing a great job. It could

46
00:02:07,040 --> 00:02:11,320
Speaker 2: be anyone but yourself. Giant good radio.

47
00:02:11,560 --> 00:02:14,679
Speaker 7: Sorry, bit of a tangle Tank Tank Twist said.

48
00:02:15,560 --> 00:02:18,160
Speaker 1: And Amanda, it's shoot timing.

49
00:02:18,840 --> 00:02:21,200
Speaker 2: We're on the air talking about it to you, missus.

50
00:02:22,880 --> 00:02:26,240
Speaker 3: Hang on, let me just prepare everything.

51
00:02:27,360 --> 00:02:32,359
Speaker 1: Singer Jonesy Birthday, Monsey Monsey.

52
00:02:32,680 --> 00:02:40,600
Speaker 8: It's your birthday. Happy Birthday, Monthee Monthy. It's your birthday.

53
00:02:40,880 --> 00:02:42,919
Speaker 8: I'll make you toast in the morning.

54
00:02:44,080 --> 00:02:45,799
Speaker 3: I'll give you a cup of tea.

55
00:02:47,120 --> 00:02:47,840
Speaker 2: I'll cover for.

56
00:02:48,040 --> 00:02:51,920
Speaker 8: You news Tam when you say it needs to a week.

57
00:02:53,400 --> 00:03:02,960
Speaker 8: Happy Birthday, months Monthy. It's your birthday. Happy birthday, Monsey Monsey.

58
00:03:03,320 --> 00:03:04,280
Speaker 2: It's your birthday.

59
00:03:04,440 --> 00:03:05,239
Speaker 3: I should have a show.

60
00:03:05,639 --> 00:03:10,400
Speaker 2: Fifteen years together. It takes much more than lok.

61
00:03:11,440 --> 00:03:15,840
Speaker 1: I love all of your dumb Joe, even when they're Julie.

62
00:03:17,600 --> 00:03:20,679
Speaker 2: I don't pull me off. Wow, that might be a

63
00:03:20,720 --> 00:03:24,360
Speaker 2: little bit old. Wow, you want to start to the show.

64
00:03:25,960 --> 00:03:29,440
Speaker 2: Thank you, Gizzy, Gizzy, thanks, thank you. And Thomas brought

65
00:03:29,440 --> 00:03:32,920
Speaker 2: me pack at the salt and vinegar chips my favorite time,

66
00:03:33,120 --> 00:03:33,799
Speaker 2: very much time.

67
00:03:33,840 --> 00:03:36,040
Speaker 1: And they're not chip chips. They're good chips, good chips.

68
00:03:36,040 --> 00:03:37,400
Speaker 1: I've got your gifts, have.

69
00:03:37,440 --> 00:03:40,160
Speaker 2: You I've got I've got a bag of gift or

70
00:03:40,200 --> 00:03:42,040
Speaker 2: should open them now? Do you want do you want to?

71
00:03:44,200 --> 00:03:46,680
Speaker 2: You choose? You choose. Read the card first. I'm going

72
00:03:46,760 --> 00:03:49,120
Speaker 2: to read the card like a grown up. Yeah, okay,

73
00:03:49,600 --> 00:03:50,720
Speaker 2: read the card. Read the card.

74
00:03:51,360 --> 00:03:51,960
Speaker 3: What do you want?

75
00:03:52,280 --> 00:03:52,680
Speaker 2: Do you want?

76
00:03:53,120 --> 00:03:56,280
Speaker 1: I've got good gifts in here.

77
00:03:55,720 --> 00:03:59,440
Speaker 3: The personal gifts I don't have young, no one's for you.

78
00:03:59,440 --> 00:04:01,080
Speaker 3: I'm going to give you a card and the gift.

79
00:04:02,280 --> 00:04:03,600
Speaker 3: The card's funny. Do you love the cat?

80
00:04:06,000 --> 00:04:07,720
Speaker 2: They ice blocks? They're ice blocks.

81
00:04:07,840 --> 00:04:09,040
Speaker 3: And one's in the nude.

82
00:04:09,600 --> 00:04:12,760
Speaker 2: Oh, I see one's and it says happy birth Your

83
00:04:12,760 --> 00:04:15,680
Speaker 2: birthday is a work of art. There you go. Oh

84
00:04:15,680 --> 00:04:16,800
Speaker 2: that's nice. Thank you.

85
00:04:17,000 --> 00:04:18,640
Speaker 3: And I've said nice things in the you.

86
00:04:18,680 --> 00:04:21,440
Speaker 2: Did you said happy birthday? I love seeing you every day.

87
00:04:21,560 --> 00:04:23,520
Speaker 2: That's love that I do. I love seeing your little face.

88
00:04:23,920 --> 00:04:25,960
Speaker 2: And I'll give you one gift. Okay, let me do it.

89
00:04:26,120 --> 00:04:26,680
Speaker 3: Do you want like?

90
00:04:26,839 --> 00:04:29,520
Speaker 2: Oh, come on, I'm going to give you.

91
00:04:29,760 --> 00:04:31,279
Speaker 3: I'll give you this gift here because this.

92
00:04:31,320 --> 00:04:34,120
Speaker 2: Is thank you. I know you like that thank you

93
00:04:34,480 --> 00:04:36,479
Speaker 2: as opposed to the other thing.

94
00:04:36,640 --> 00:04:38,599
Speaker 3: And I'll give you one gift on the hour.

95
00:04:38,839 --> 00:04:43,880
Speaker 2: Every hour someone's being held hostage. Oh, Brendan, thank you.

96
00:04:44,000 --> 00:04:46,520
Speaker 2: There you go, thank you. It's a bottle of Chloe perfume.

97
00:04:46,640 --> 00:04:48,240
Speaker 2: You like Chloe. I did very much.

98
00:04:48,440 --> 00:04:50,919
Speaker 3: I walked into Chemistry Warehouse yesterday. I said, give me

99
00:04:50,960 --> 00:04:51,520
Speaker 3: some Chloe.

100
00:04:51,600 --> 00:04:52,720
Speaker 2: Is it funny because you said, what do you want

101
00:04:52,720 --> 00:04:54,039
Speaker 2: for your birthday? I said, you know what, I really

102
00:04:54,080 --> 00:04:55,800
Speaker 2: needed some new Chloe perfume said, do they sell it

103
00:04:55,839 --> 00:04:56,799
Speaker 2: at chemist Warehouse?

104
00:04:57,120 --> 00:04:57,240
Speaker 9: Well?

105
00:04:57,279 --> 00:05:00,440
Speaker 3: I went to Priceline Pharmacy and that have it.

106
00:05:00,720 --> 00:05:02,960
Speaker 1: And then the lady of Priceline Pharmacy, I said, oh,

107
00:05:02,960 --> 00:05:05,520
Speaker 1: this is no good and she said yes, And I said,

108
00:05:05,520 --> 00:05:06,799
Speaker 1: what smells like Chloe?

109
00:05:06,920 --> 00:05:09,200
Speaker 3: And then she went through all these things.

110
00:05:09,160 --> 00:05:10,880
Speaker 2: And then I said, I don't know, you can't give

111
00:05:10,920 --> 00:05:11,279
Speaker 2: me something.

112
00:05:11,360 --> 00:05:13,400
Speaker 3: She said maybe she just got a chemist ware house. Yeah,

113
00:05:14,400 --> 00:05:15,000
Speaker 3: yell that out.

114
00:05:15,160 --> 00:05:15,919
Speaker 2: Okay, thank you.

115
00:05:16,080 --> 00:05:16,680
Speaker 3: I went in there.

116
00:05:16,800 --> 00:05:19,159
Speaker 2: Thank you. Okay, don't have to boast your shop. We

117
00:05:19,200 --> 00:05:21,840
Speaker 2: know how shopping works and I really appreciate it. Thank you.

118
00:05:21,920 --> 00:05:25,080
Speaker 3: Very special on metamusel as well. So I got two

119
00:05:25,080 --> 00:05:26,000
Speaker 3: for the price of one.

120
00:05:26,320 --> 00:05:27,120
Speaker 2: You got Pooh for the.

121
00:05:27,080 --> 00:05:27,960
Speaker 3: Price sounds good.

122
00:05:28,120 --> 00:05:29,400
Speaker 2: That's very nice. Thank you.

123
00:05:29,480 --> 00:05:32,120
Speaker 1: We're pulling out all stops today for your birthday.

124
00:05:32,480 --> 00:05:36,279
Speaker 2: You know what I'm thrilled about. In celebration of my birthday,

125
00:05:36,680 --> 00:05:40,320
Speaker 2: you get the presents. Everyone's a winner today. This is

126
00:05:40,360 --> 00:05:42,559
Speaker 2: going to be the best not I've already actually bought

127
00:05:42,600 --> 00:05:46,320
Speaker 2: tickets to this event. It's yacht Lee Crue. It's number

128
00:05:46,360 --> 00:05:49,560
Speaker 2: one yacht rock band. They're coming to Australia. They're performing

129
00:05:49,560 --> 00:05:52,400
Speaker 2: at the Metro Theater. Thanks to Total Touring, everyone who

130
00:05:52,400 --> 00:05:56,000
Speaker 2: makes it to air today gets tickets to Yochtley Crue.

131
00:05:58,440 --> 00:06:01,600
Speaker 1: Krista Krass what else that Krista Cross? Christa Cross, That's

132
00:06:01,600 --> 00:06:02,160
Speaker 1: what I call him.

133
00:06:02,200 --> 00:06:04,839
Speaker 2: Their names are Filly Ocean, Tommy Boy, b U o

134
00:06:05,080 --> 00:06:08,839
Speaker 2: y Bubba Boy, Sailor Hawkins, Stony Shaws.

135
00:06:08,960 --> 00:06:11,120
Speaker 3: Yeah, what else we got? Tom?

136
00:06:13,080 --> 00:06:15,320
Speaker 2: A full night of your rights? Yeah, this is good,

137
00:06:15,360 --> 00:06:17,680
Speaker 2: it's brilliant. Yochtly Crue. Everyone who makes it to it

138
00:06:17,720 --> 00:06:19,760
Speaker 2: today gets tickets to that. Well, we've got much to

139
00:06:20,040 --> 00:06:20,560
Speaker 2: go through.

140
00:06:20,600 --> 00:06:22,360
Speaker 1: And every song we play on the show is one

141
00:06:22,360 --> 00:06:24,080
Speaker 1: of your favorite songs in the whole wide world?

142
00:06:24,240 --> 00:06:26,000
Speaker 2: Is it?

143
00:06:26,040 --> 00:06:26,200
Speaker 10: Is it?

144
00:06:26,240 --> 00:06:26,560
Speaker 3: Supply?

145
00:06:26,839 --> 00:06:27,799
Speaker 2: Some conditions apply.

146
00:06:28,080 --> 00:06:31,480
Speaker 1: We've pulled out all stops, have we Yeah songs?

147
00:06:31,480 --> 00:06:33,159
Speaker 2: I don't have to hear that song that you sang

148
00:06:33,160 --> 00:06:33,719
Speaker 2: for me again?

149
00:06:33,920 --> 00:06:34,080
Speaker 11: Oh?

150
00:06:34,160 --> 00:06:36,520
Speaker 3: Come on, get it back on again, Tom?

151
00:06:36,839 --> 00:06:37,520
Speaker 2: What's Tom.

152
00:06:39,960 --> 00:06:42,560
Speaker 8: Muncie? It's your birthday?

153
00:06:43,920 --> 00:06:45,520
Speaker 3: Thank you pulled me off again.

154
00:06:45,680 --> 00:06:48,039
Speaker 2: Here's question one for the Magnificent seven. What type of

155
00:06:48,080 --> 00:06:50,720
Speaker 2: doctor specializes in teeth gem Nation?

156
00:06:51,040 --> 00:06:54,640
Speaker 1: Today is the twenty fifth of February a red letter

157
00:06:54,720 --> 00:06:59,240
Speaker 1: day because Art and Jennifer Keller back in nineteen sixty

158
00:06:59,279 --> 00:07:02,080
Speaker 1: one greeted a little babies.

159
00:07:01,920 --> 00:07:05,320
Speaker 2: Born in sixty two Art and Jennifer Keller, and his

160
00:07:05,400 --> 00:07:07,400
Speaker 2: name is Arthur. He's never been known as Art to

161
00:07:07,440 --> 00:07:08,240
Speaker 2: me because.

162
00:07:08,120 --> 00:07:12,920
Speaker 1: I call him out Arthur and Jennifer Keller in Carlingford

163
00:07:13,240 --> 00:07:14,480
Speaker 1: in nineteen sixty.

164
00:07:14,200 --> 00:07:19,680
Speaker 2: Two Beecroft, and I was actually born in Brisbane. Welcome defaate,

165
00:07:19,800 --> 00:07:21,720
Speaker 2: so this is your life because this is a disaster.

166
00:07:21,960 --> 00:07:25,280
Speaker 1: Welcome to bouncing baby girl called Amanda.

167
00:07:25,400 --> 00:07:25,720
Speaker 2: That's it.

168
00:07:25,800 --> 00:07:27,200
Speaker 3: What were you going to be if you were a boy?

169
00:07:27,240 --> 00:07:29,440
Speaker 2: But I don't want to be Richard Richie. I think

170
00:07:30,680 --> 00:07:31,880
Speaker 2: that's why they didn't go with it.

171
00:07:31,920 --> 00:07:34,160
Speaker 1: Even if I was a boy, Well, you could have

172
00:07:34,160 --> 00:07:38,920
Speaker 1: been Dick Jonesy and Dick would have been a good show.

173
00:07:41,720 --> 00:07:43,800
Speaker 3: Birthday friend. I think I'm drunk.

174
00:07:44,040 --> 00:07:48,440
Speaker 1: I'm drunk on a sudden VI the Chips Enthusiasm for

175
00:07:48,520 --> 00:07:49,280
Speaker 1: you friend.

176
00:07:49,720 --> 00:07:54,560
Speaker 2: Jonesy and Jonesy and Dick the sliding doors, Brendan, Let's

177
00:07:54,560 --> 00:07:55,120
Speaker 2: get into.

178
00:07:54,920 --> 00:07:57,080
Speaker 3: The magnificens seven questions?

179
00:07:57,120 --> 00:07:58,400
Speaker 2: Can you go all the way and.

180
00:07:58,320 --> 00:07:59,880
Speaker 3: That's all seventh questions correctly?

181
00:08:00,240 --> 00:08:02,840
Speaker 2: If you do that, Amanda will say, that's his birthday

182
00:08:02,840 --> 00:08:06,160
Speaker 2: over here. Connie's in Rabi, Hi, Connie.

183
00:08:06,240 --> 00:08:08,360
Speaker 4: Hi Land, good morning, Happy birthday.

184
00:08:08,040 --> 00:08:11,040
Speaker 2: You, Connie. Everyone's a winner. You're off to see your

185
00:08:11,120 --> 00:08:17,160
Speaker 2: only crew in may So. They love them, They're brilliant, questionable, wonderful.

186
00:08:17,440 --> 00:08:19,720
Speaker 2: What type of doctor specializes in teeth?

187
00:08:20,920 --> 00:08:21,440
Speaker 11: I dentist?

188
00:08:21,880 --> 00:08:25,600
Speaker 2: You know I can say dentist in Indonesian doctor GigE,

189
00:08:26,560 --> 00:08:28,440
Speaker 2: doctor of teeth, doctor GigE.

190
00:08:28,880 --> 00:08:30,360
Speaker 3: You speak Indonesian, Connie?

191
00:08:30,960 --> 00:08:32,320
Speaker 2: No, well now you do.

192
00:08:32,920 --> 00:08:37,880
Speaker 1: Ragdoll, Calico and Siamese. That's not Indonesian. They're pre breeds

193
00:08:37,920 --> 00:08:38,720
Speaker 1: of what animal?

194
00:08:38,960 --> 00:08:40,600
Speaker 3: Connie? Cat?

195
00:08:40,880 --> 00:08:43,959
Speaker 2: Yeah, let's play lyrical assassin for what.

196
00:08:45,000 --> 00:08:47,520
Speaker 3: Yeah, you have trouble with lyrical Let go again.

197
00:08:47,640 --> 00:08:49,800
Speaker 1: This is where I quote or we quote the lyrics

198
00:08:49,800 --> 00:08:52,440
Speaker 1: to a song in a conversational star Connie, and you

199
00:08:52,520 --> 00:08:54,440
Speaker 1: have to work out where those lyrics are from.

200
00:08:54,559 --> 00:08:55,760
Speaker 3: Are you up to the challenge?

201
00:08:56,280 --> 00:08:56,720
Speaker 2: Okay?

202
00:08:56,760 --> 00:08:57,440
Speaker 11: I am, let's go.

203
00:08:58,240 --> 00:08:59,160
Speaker 3: You know what I need, Connie.

204
00:08:59,200 --> 00:09:01,400
Speaker 1: A little bit of Monica in my life, A little

205
00:09:01,400 --> 00:09:04,400
Speaker 1: bit of Erica by my so A little bit of

206
00:09:04,400 --> 00:09:07,040
Speaker 1: readers all, I need a little bit of Tina.

207
00:09:07,320 --> 00:09:10,200
Speaker 3: It's what I see. And where's Connie fit into this?

208
00:09:12,480 --> 00:09:12,840
Speaker 12: Ah?

209
00:09:12,880 --> 00:09:14,600
Speaker 2: She doesn't do you know the song?

210
00:09:15,440 --> 00:09:15,800
Speaker 11: I do?

211
00:09:15,920 --> 00:09:17,959
Speaker 4: I do, but I can't put my finger on the

212
00:09:18,040 --> 00:09:18,959
Speaker 4: name of it.

213
00:09:19,200 --> 00:09:22,960
Speaker 2: So Connie, Kathy's and woman Kathy's also have to see

214
00:09:23,000 --> 00:09:28,280
Speaker 2: Yachtney Crue. Happy birthday, Amanda, thank you. Please come on

215
00:09:28,360 --> 00:09:31,320
Speaker 2: that night and celebrate your with me. Yeah.

216
00:09:31,400 --> 00:09:35,280
Speaker 12: I will definitely do my best to be there with you.

217
00:09:36,080 --> 00:09:36,400
Speaker 2: Kathy.

218
00:09:36,520 --> 00:09:37,760
Speaker 3: Just lyrical assassin here.

219
00:09:37,840 --> 00:09:39,920
Speaker 2: So I've got monicor in my life.

220
00:09:39,920 --> 00:09:41,960
Speaker 1: I got a little bit of Erica by my side,

221
00:09:42,360 --> 00:09:44,640
Speaker 1: a little bit of readers all, I need a little

222
00:09:44,679 --> 00:09:46,760
Speaker 1: bit of Tina's what I see. I don't know if

223
00:09:46,760 --> 00:09:48,040
Speaker 1: I'm going any time for you, Kathy.

224
00:09:48,559 --> 00:09:49,160
Speaker 2: What's the song?

225
00:09:50,559 --> 00:09:53,400
Speaker 12: Look, I'm singing along with you and I have got

226
00:09:53,559 --> 00:09:57,480
Speaker 12: I just cannot remember. I know the song and I

227
00:09:57,520 --> 00:09:59,800
Speaker 12: can see the guy singing it, but I cannot.

228
00:10:01,960 --> 00:10:04,600
Speaker 2: Don't be sorry. That's how it goes. That's question number

229
00:10:04,679 --> 00:10:07,840
Speaker 2: three podcast.

230
00:10:08,000 --> 00:10:11,240
Speaker 3: Hello, it's Jones, Amanda. If you just join us, it's Amanda's.

231
00:10:10,760 --> 00:10:16,400
Speaker 1: Birthday to day, thank you, and we are under the

232
00:10:16,440 --> 00:10:19,360
Speaker 1: Magnificent seven. Everyone's a winner today Amanda's birthday. But you

233
00:10:19,440 --> 00:10:20,240
Speaker 1: get the presents, you know.

234
00:10:20,320 --> 00:10:22,839
Speaker 2: I love my yacht rock. Well, a band called Yachtley Crewe,

235
00:10:23,040 --> 00:10:25,800
Speaker 2: the world's best yacht rock. They play one song after

236
00:10:25,840 --> 00:10:28,120
Speaker 2: the other. Just is pretty much what a concert.

237
00:10:28,120 --> 00:10:30,160
Speaker 1: I think that would be the only band that plays

238
00:10:30,360 --> 00:10:31,559
Speaker 1: the world's best yacht rock.

239
00:10:31,600 --> 00:10:34,240
Speaker 2: I don't know, but they are the best yacht rock

240
00:10:34,280 --> 00:10:36,720
Speaker 2: band in the world. They're coming to Sydney and you've

241
00:10:36,720 --> 00:10:37,280
Speaker 2: got tickets.

242
00:10:37,320 --> 00:10:38,040
Speaker 3: You've got tickets.

243
00:10:38,080 --> 00:10:44,080
Speaker 1: Tales in Waterloo, You've got tickets, Thank you very much.

244
00:10:44,400 --> 00:10:50,360
Speaker 2: We're up to lyrical Assassin time ago. Now listen to

245
00:10:50,400 --> 00:10:52,560
Speaker 2: these lyrics. A little bit of Monica in my life,

246
00:10:52,600 --> 00:10:54,559
Speaker 2: A little bit of Erica by my side, maybe a

247
00:10:54,600 --> 00:10:56,160
Speaker 2: little bit of Reader is all on it, A little

248
00:10:56,160 --> 00:11:01,959
Speaker 2: bit of Tina, That's what I see. What's the song file? Yeah,

249
00:11:02,120 --> 00:11:07,880
Speaker 2: a better life Erica of the time. He couldn't walk

250
00:11:07,960 --> 00:11:08,880
Speaker 2: the streets.

251
00:11:10,080 --> 00:11:11,600
Speaker 3: These days he lives on the streets.

252
00:11:11,640 --> 00:11:13,760
Speaker 2: What's almost hippie above the builder? Was there a cent?

253
00:11:14,040 --> 00:11:16,839
Speaker 2: Was there a a version of that?

254
00:11:17,040 --> 00:11:17,160
Speaker 12: Tom?

255
00:11:21,200 --> 00:11:23,240
Speaker 3: How many telegrams are sent yearly?

256
00:11:23,480 --> 00:11:23,760
Speaker 9: Dale?

257
00:11:24,800 --> 00:11:25,080
Speaker 8: This is.

258
00:11:27,559 --> 00:11:31,280
Speaker 1: How many telegrams Dale are sent yearly. It's multiple choice, Dale.

259
00:11:31,320 --> 00:11:33,680
Speaker 1: I'm just messing with you because it's about his birthday.

260
00:11:34,240 --> 00:11:40,040
Speaker 1: A five hundred thousand, b zero or ce seventeen million?

261
00:11:40,360 --> 00:11:42,280
Speaker 1: How many telegrams are sent yearly?

262
00:11:42,360 --> 00:11:47,080
Speaker 2: Out of those options zero, No, it's not zero.

263
00:11:47,280 --> 00:11:49,400
Speaker 3: Surprisingly, Ryan's in Harrington.

264
00:11:49,080 --> 00:11:52,119
Speaker 2: Park, Ryan's off to see Yochtley Crewe. Well done, Ryan.

265
00:11:53,520 --> 00:11:53,880
Speaker 13: Very much.

266
00:11:54,320 --> 00:11:56,679
Speaker 2: Now this is a multiple choice. How many telegrams are

267
00:11:56,679 --> 00:11:59,079
Speaker 2: sent yearly? Five hundred thousand or seventeen million.

268
00:12:01,679 --> 00:12:03,640
Speaker 11: I'm going to get seventeen million, baby.

269
00:12:03,880 --> 00:12:08,319
Speaker 2: Bizarrely, that's true. Telegrams are still used today. Surprisingly, I'm

270
00:12:08,360 --> 00:12:10,520
Speaker 2: seventeen million cent each year. One reason is that some

271
00:12:10,720 --> 00:12:13,360
Speaker 2: work contracts required delivery of a physical message rather than

272
00:12:13,400 --> 00:12:16,720
Speaker 2: a digital one. Telegrams are faster delivered than traditional mail.

273
00:12:16,800 --> 00:12:18,760
Speaker 3: The idea of a telegram did you get one in

274
00:12:18,800 --> 00:12:19,199
Speaker 3: your wedding?

275
00:12:19,960 --> 00:12:20,160
Speaker 2: Oh?

276
00:12:20,559 --> 00:12:22,840
Speaker 3: You know, bride on a wedding Night's like a snooker table.

277
00:12:22,880 --> 00:12:24,679
Speaker 3: If you can't, I can't say that.

278
00:12:24,800 --> 00:12:27,760
Speaker 2: How does that go? Missus Palmer and her daughters.

279
00:12:27,600 --> 00:12:29,680
Speaker 3: Or something, Palma and her five daughters.

280
00:12:30,040 --> 00:12:31,719
Speaker 2: If you're an MC, do you still do that?

281
00:12:32,120 --> 00:12:32,760
Speaker 3: It's great gear?

282
00:12:32,880 --> 00:12:33,880
Speaker 2: Do you still do it? Yeah?

283
00:12:33,880 --> 00:12:35,320
Speaker 3: It's quality. It always gets a laugh.

284
00:12:35,480 --> 00:12:36,120
Speaker 2: People like it.

285
00:12:36,400 --> 00:12:39,280
Speaker 3: People titter away true or false?

286
00:12:39,520 --> 00:12:42,560
Speaker 1: These same propera Neighbors once did a Halloween special called

287
00:12:42,880 --> 00:12:46,880
Speaker 1: Neighbors Versus Zombies, where zombies invaded Ramsey Street and killed

288
00:12:47,200 --> 00:12:48,080
Speaker 1: several residents.

289
00:12:48,320 --> 00:12:50,240
Speaker 3: Is this true or false? Ryan?

290
00:12:51,960 --> 00:12:52,120
Speaker 7: Uh?

291
00:12:53,160 --> 00:12:53,480
Speaker 11: False?

292
00:12:55,400 --> 00:12:55,679
Speaker 2: Wrong?

293
00:12:56,559 --> 00:12:57,360
Speaker 3: Who would have thought that?

294
00:12:57,480 --> 00:12:57,719
Speaker 6: I know?

295
00:12:58,440 --> 00:12:59,840
Speaker 3: We go to Kerry in President's car?

296
00:13:01,400 --> 00:13:01,520
Speaker 6: Hi?

297
00:13:01,720 --> 00:13:03,520
Speaker 2: How are you very well? You have to see Otley

298
00:13:03,600 --> 00:13:08,640
Speaker 2: Crewe Kerry, thank you very much? This is weird true?

299
00:13:08,800 --> 00:13:11,559
Speaker 2: So true or false? Neighbors the show once did a

300
00:13:11,600 --> 00:13:15,840
Speaker 2: Halloween special called Neighbors Versus Zombies where zombies invaded Ramsey

301
00:13:15,840 --> 00:13:17,240
Speaker 2: Street and killed several residents.

302
00:13:19,320 --> 00:13:21,160
Speaker 11: It's that's strange that it have to be true.

303
00:13:21,360 --> 00:13:26,240
Speaker 2: Yes, apparently in the show Paul Robinson created the zombies

304
00:13:26,280 --> 00:13:28,200
Speaker 2: in an attempt to bring back characters who had died

305
00:13:28,280 --> 00:13:32,880
Speaker 2: over the years. Wow, why did he get acts again?

306
00:13:33,040 --> 00:13:35,200
Speaker 3: Can he bring back the show again? Has been asked twice?

307
00:13:35,280 --> 00:13:38,800
Speaker 2: Now, what does the M stand for be called Neighbors versus?

308
00:13:39,080 --> 00:13:42,079
Speaker 2: You know the bean counters who asked them twice to

309
00:13:42,120 --> 00:13:42,439
Speaker 2: watch that?

310
00:13:42,720 --> 00:13:45,559
Speaker 3: What does the M stand for in ATM.

311
00:13:47,160 --> 00:13:47,600
Speaker 11: Machines?

312
00:13:47,840 --> 00:13:48,040
Speaker 3: Yes?

313
00:13:48,559 --> 00:13:51,760
Speaker 2: Question seven for you. Here we go Kerry, The Sharks, Panthers,

314
00:13:51,800 --> 00:13:55,959
Speaker 2: Worriors and Raiders are performing or playing where this weekend,

315
00:13:57,720 --> 00:13:58,640
Speaker 2: Los Angela.

316
00:13:58,760 --> 00:13:59,319
Speaker 6: I say.

317
00:14:00,960 --> 00:14:04,240
Speaker 3: Sorry, Kerry, Josh is in South Windsor Josh is lucky.

318
00:14:04,160 --> 00:14:10,079
Speaker 2: Enough to we go to see Yochtley Crewe, Sharks Panthers.

319
00:14:10,800 --> 00:14:14,360
Speaker 2: Thank you very much, Josh, Sharks Panthers, Rosenbraiders are playing

320
00:14:14,400 --> 00:14:19,200
Speaker 2: where this weekend Las Vegas, Vegas, Los Angeles.

321
00:14:19,440 --> 00:14:20,840
Speaker 3: And already there's a scandal.

322
00:14:21,040 --> 00:14:24,280
Speaker 2: Bravo boys, Bravo. We'll talk about that a bit later

323
00:14:24,360 --> 00:14:26,560
Speaker 2: on NRL players in Las Vegas?

324
00:14:26,640 --> 00:14:29,120
Speaker 3: Come on, what do you what do you expect?

325
00:14:29,240 --> 00:14:33,239
Speaker 2: Rooms weren't ready be better? It's like me, meaning the organization,

326
00:14:33,400 --> 00:14:34,680
Speaker 2: get them a room in a room.

327
00:14:34,720 --> 00:14:35,480
Speaker 3: Are you such a mum?

328
00:14:35,560 --> 00:14:37,160
Speaker 2: We're making such a big deal of them. They don't

329
00:14:37,160 --> 00:14:37,640
Speaker 2: have a room.

330
00:14:37,880 --> 00:14:40,840
Speaker 1: Yeah, but it's like Mick Jagger sending Mick Jagger to

331
00:14:41,320 --> 00:14:44,560
Speaker 1: a bunch of single supermodel women and getting him to

332
00:14:44,640 --> 00:14:45,120
Speaker 1: mind them.

333
00:14:46,000 --> 00:14:46,920
Speaker 3: There's going to be trouble.

334
00:14:47,080 --> 00:14:47,800
Speaker 2: You want that job.

335
00:14:48,280 --> 00:14:51,520
Speaker 1: Congratulations, Josh, you won the jam Packet's all coming away.

336
00:14:51,720 --> 00:14:53,640
Speaker 1: You got double pass to Rocks in at ic C

337
00:14:53,880 --> 00:14:57,040
Speaker 1: Sydney Theater, a family pass to the A League MacArthur

338
00:14:57,120 --> 00:15:00,480
Speaker 1: Bulls versus Sydney FC match and Jonesie Demandica you choose

339
00:15:00,480 --> 00:15:02,680
Speaker 1: for the color in and up standing the pencils, Joshua,

340
00:15:02,960 --> 00:15:05,880
Speaker 1: anything you'd like to add to this, Yeah, just.

341
00:15:05,920 --> 00:15:08,800
Speaker 11: Have a great birthday, Amanda, and I really love your

342
00:15:09,720 --> 00:15:10,320
Speaker 11: yeah song.

343
00:15:11,360 --> 00:15:17,880
Speaker 2: Oh my god, have birthday, Monsey.

344
00:15:18,240 --> 00:15:20,440
Speaker 3: It's your birthday and I'm wasted here.

345
00:15:20,640 --> 00:15:25,760
Speaker 1: Happy sounded, mon Monsey, it's your birth I can't believe

346
00:15:25,800 --> 00:15:26,720
Speaker 1: that was five years ago.

347
00:15:27,040 --> 00:15:30,240
Speaker 3: You toast in the morning, conditions applying, I'll give you,

348
00:15:31,320 --> 00:15:32,040
Speaker 3: you've already done that.

349
00:15:32,640 --> 00:15:36,120
Speaker 1: I'll cover for you news time when you say you

350
00:15:36,200 --> 00:15:38,520
Speaker 1: need to a weed inverted commace.

351
00:15:38,960 --> 00:15:41,200
Speaker 2: Happy birthday, mon That's enough.

352
00:15:44,640 --> 00:15:46,000
Speaker 3: It's gotta be back again tomorrow.

353
00:15:46,560 --> 00:15:49,320
Speaker 5: Jonesy and Amanda Podcast.

354
00:15:52,440 --> 00:15:55,680
Speaker 3: You don't have bad legs, You don't have bad Where

355
00:15:55,800 --> 00:15:56,560
Speaker 3: is he supposed to go?

356
00:15:56,760 --> 00:15:57,080
Speaker 7: Get that?

357
00:15:57,800 --> 00:15:57,960
Speaker 3: God?

358
00:15:58,000 --> 00:15:58,600
Speaker 12: So I don't know.

359
00:15:59,520 --> 00:16:02,200
Speaker 2: It's very day. I stick through the Germanic.

360
00:16:02,360 --> 00:16:04,440
Speaker 3: Before you do that. It's time for another present.

361
00:16:05,000 --> 00:16:07,360
Speaker 2: I've got a nice bottle of Chloe perfume.

362
00:16:07,560 --> 00:16:10,760
Speaker 1: Chloe perfume, and it's Manda's birthday today and you're going

363
00:16:10,840 --> 00:16:12,760
Speaker 1: to get a present on the hour.

364
00:16:13,080 --> 00:16:14,040
Speaker 3: Well, actually got two.

365
00:16:14,000 --> 00:16:16,120
Speaker 2: Presents in this hour, thank you.

366
00:16:16,480 --> 00:16:24,640
Speaker 3: Yeah, crack that along a bit. We're on air, okay, yeah,

367
00:16:28,800 --> 00:16:32,520
Speaker 3: oh love it, love it, show the class.

368
00:16:32,640 --> 00:16:35,160
Speaker 2: It's a big like the sort of thing that you

369
00:16:35,280 --> 00:16:36,440
Speaker 2: put your soy sauce in.

370
00:16:37,040 --> 00:16:37,760
Speaker 12: And what do I do?

371
00:16:37,880 --> 00:16:39,560
Speaker 3: It's a big one like it's like from Land of

372
00:16:39,600 --> 00:16:41,960
Speaker 3: the Giants, And do I do things with it?

373
00:16:42,160 --> 00:16:42,480
Speaker 2: I don't know.

374
00:16:43,400 --> 00:16:44,760
Speaker 3: It looks like something you'd like.

375
00:16:45,160 --> 00:16:45,920
Speaker 12: I do like it?

376
00:16:46,040 --> 00:16:48,960
Speaker 2: Well, you put stuffing that, you put whatever you want

377
00:16:49,000 --> 00:16:51,640
Speaker 2: to know? The lights in there, you know those ones? Yeah,

378
00:16:53,040 --> 00:16:57,320
Speaker 2: those shops from right. That's the Thank you so much, Brendan.

379
00:16:57,440 --> 00:16:59,960
Speaker 2: That's there you go, so two from two, two from two,

380
00:17:00,320 --> 00:17:01,120
Speaker 2: I'm very happy.

381
00:17:01,240 --> 00:17:01,520
Speaker 1: Thanks.

382
00:17:02,040 --> 00:17:05,560
Speaker 2: There are two more gifts. I'm very happy. Thank you.

383
00:17:05,880 --> 00:17:08,120
Speaker 3: I'll put this out of his say, don't get distracted.

384
00:17:07,720 --> 00:17:10,520
Speaker 2: All right, let's go back to the GERMANAK, a big

385
00:17:10,560 --> 00:17:13,639
Speaker 2: book of musical facts. We've been talking about yacht rock

386
00:17:13,720 --> 00:17:17,080
Speaker 2: this morning. In nineteen eighty, Christopher Cross on this day

387
00:17:17,160 --> 00:17:20,920
Speaker 2: released Right like the Wind. Making a record isn't cheap,

388
00:17:20,920 --> 00:17:23,520
Speaker 2: particularly when you're not a big star. So he got creative.

389
00:17:23,640 --> 00:17:25,199
Speaker 2: I won't know how he raised some money. Here's how

390
00:17:25,240 --> 00:17:25,600
Speaker 2: he did it.

391
00:17:26,280 --> 00:17:28,600
Speaker 14: The original demos I did. All the songs ended up

392
00:17:28,680 --> 00:17:32,720
Speaker 14: on the record. I financed my original songs by selling weed.

393
00:17:33,119 --> 00:17:36,040
Speaker 14: I had a very successful weed business, and I bought

394
00:17:36,440 --> 00:17:38,760
Speaker 14: a tape machine and some castles of stuff and invested

395
00:17:38,800 --> 00:17:39,720
Speaker 14: in the studio in Austin.

396
00:17:40,359 --> 00:17:43,480
Speaker 2: Ride Like the Wind, you'd be crazy, lizard. So Ride

397
00:17:43,560 --> 00:17:45,159
Speaker 2: Like the Wind is about a wild dash to the

398
00:17:45,240 --> 00:17:48,320
Speaker 2: Mexican border. That wasn't the only trip involved. He took

399
00:17:48,359 --> 00:17:50,520
Speaker 2: another different type of trip to write the lyrics.

400
00:17:51,000 --> 00:17:53,240
Speaker 14: We wrote from Houston down to Austin to record, and

401
00:17:53,320 --> 00:17:54,720
Speaker 14: I was sitting in the front seat of the van

402
00:17:54,880 --> 00:17:57,480
Speaker 14: and had taken acid and I wrote the words to

403
00:17:57,520 --> 00:17:59,960
Speaker 14: write Like the Wind driving from Houston Ostin.

404
00:18:01,560 --> 00:18:03,800
Speaker 2: That's nice, dear, that's good, and here it is.

405
00:18:04,320 --> 00:18:05,560
Speaker 3: Get it on GEM.

406
00:18:06,359 --> 00:18:09,240
Speaker 1: Today is Tuesday, the twenty fifth of February.

407
00:18:09,280 --> 00:18:10,200
Speaker 3: It's your birthday.

408
00:18:10,560 --> 00:18:14,240
Speaker 1: All stops have been full, pulled out, gifts coming away.

409
00:18:14,520 --> 00:18:17,040
Speaker 1: I've dedicated my time lapse to you today. Instead of

410
00:18:17,320 --> 00:18:20,240
Speaker 1: filming time lapse of Sydney Harbor, I've filmed time lapse

411
00:18:20,280 --> 00:18:23,200
Speaker 1: of you where at Starna's already posted.

412
00:18:23,280 --> 00:18:25,880
Speaker 2: You in the last just you been. Oh you could

413
00:18:25,920 --> 00:18:28,200
Speaker 2: have warned me, well, that's that takes the I thought

414
00:18:28,200 --> 00:18:29,760
Speaker 2: I would sit there with my double chin looking out

415
00:18:29,800 --> 00:18:33,600
Speaker 2: the windows sped up so you don't notice flips around

416
00:18:33,640 --> 00:18:35,440
Speaker 2: a bit. Well, everyone who makes it to her today

417
00:18:35,480 --> 00:18:39,040
Speaker 2: because it's my birthday, gets to to see yachtley Crue,

418
00:18:39,160 --> 00:18:42,200
Speaker 2: this fabulous cover band doing all the all the yacht

419
00:18:42,280 --> 00:18:45,320
Speaker 2: rock songs. Christopher Cross incidentally is coming out and he's

420
00:18:45,359 --> 00:18:47,560
Speaker 2: going to be supporting Toto. What a show that'll be

421
00:18:47,680 --> 00:18:49,359
Speaker 2: a lot of yacht rock. I love it.

422
00:18:49,600 --> 00:18:50,680
Speaker 3: It's sixteen to seven.

423
00:18:50,880 --> 00:18:55,000
Speaker 1: Bruce Lehreman, former Liberal staff for Bruce Lehrman, is once

424
00:18:55,040 --> 00:18:57,280
Speaker 1: again in the headlines for all the wrong reasons, and

425
00:18:57,440 --> 00:18:59,639
Speaker 1: this time it seems for allegedly stealing a.

426
00:18:59,720 --> 00:19:01,320
Speaker 2: Can't what's he done?

427
00:19:01,920 --> 00:19:04,399
Speaker 1: He reckons he didn't know the owner of a silver

428
00:19:04,600 --> 00:19:07,919
Speaker 1: Toyota Prado he is accused of stealing in Tasmania back

429
00:19:08,000 --> 00:19:10,920
Speaker 1: in November. Seems a Bruce was part of a community

430
00:19:11,040 --> 00:19:15,040
Speaker 1: working bee on a property owned by the complainant's neighbor

431
00:19:15,680 --> 00:19:18,360
Speaker 1: and borrow the car for half a day with permission,

432
00:19:18,960 --> 00:19:21,439
Speaker 1: supposedly returning it with a full tank of fuel.

433
00:19:23,040 --> 00:19:23,919
Speaker 2: The owner of the.

434
00:19:24,000 --> 00:19:26,520
Speaker 1: Car said, I don't know this guy, didn't know him

435
00:19:26,520 --> 00:19:28,159
Speaker 1: from a bar or soap, even when she saw the

436
00:19:28,200 --> 00:19:30,480
Speaker 1: footage of him filling up the Prato.

437
00:19:31,560 --> 00:19:34,119
Speaker 2: So she was the neighbor of where the working bee was.

438
00:19:34,440 --> 00:19:35,959
Speaker 2: So how did he get permission to use the car

439
00:19:36,000 --> 00:19:37,520
Speaker 2: if it had nothing to do with it. He's a neighbor.

440
00:19:37,680 --> 00:19:40,080
Speaker 3: Try, people have got no idea. And in Tasmania, in

441
00:19:40,160 --> 00:19:41,879
Speaker 3: that area, you just leave your keys in your car,

442
00:19:42,000 --> 00:19:43,679
Speaker 3: that's what they do, say.

443
00:19:43,880 --> 00:19:45,320
Speaker 2: To borrow the car and he can maybe to pick

444
00:19:45,359 --> 00:19:46,600
Speaker 2: the wrong car. Who knows.

445
00:19:46,680 --> 00:19:50,560
Speaker 1: That story is weird, that's what happens. It's not the

446
00:19:50,600 --> 00:19:53,320
Speaker 1: first time that the accused. He's been accused of filling

447
00:19:53,400 --> 00:19:55,080
Speaker 1: up an innocent party and just using it.

448
00:19:56,600 --> 00:19:56,760
Speaker 7: You know.

449
00:19:56,880 --> 00:19:59,360
Speaker 1: The most outrageous part of this story is they put

450
00:19:59,520 --> 00:20:01,960
Speaker 1: this product worth one hundred thousand dollars, is it not.

451
00:20:02,200 --> 00:20:04,639
Speaker 1: That's like a two thousand and nine thing. He'd be lucky,

452
00:20:04,800 --> 00:20:07,240
Speaker 1: she would be lucky to get nine nine thousand.

453
00:20:07,720 --> 00:20:09,840
Speaker 2: Of all the outrages of this man's life, that's the

454
00:20:09,880 --> 00:20:11,800
Speaker 2: one that's really stuck in your care.

455
00:20:12,520 --> 00:20:15,639
Speaker 3: The pride of the Bruce used. That could be a

456
00:20:15,680 --> 00:20:16,600
Speaker 3: great birthday gift.

457
00:20:16,880 --> 00:20:17,680
Speaker 5: Who for you?

458
00:20:19,240 --> 00:20:19,720
Speaker 2: You're right?

459
00:20:20,160 --> 00:20:20,679
Speaker 3: What do you mean?

460
00:20:20,960 --> 00:20:21,000
Speaker 14: No?

461
00:20:21,119 --> 00:20:21,320
Speaker 2: Thank you?

462
00:20:21,359 --> 00:20:23,520
Speaker 3: I would might have fall drive them my birthday, just

463
00:20:23,600 --> 00:20:24,520
Speaker 3: saying April.

464
00:20:24,320 --> 00:20:31,679
Speaker 1: Three, jam Nation, let's get on down to the junesy

465
00:20:31,720 --> 00:20:33,000
Speaker 1: De Man of Arms, street pubtest.

466
00:20:33,560 --> 00:20:34,320
Speaker 3: We're talking about this.

467
00:20:34,440 --> 00:20:37,280
Speaker 1: Earlier, a ramen shop placed a bounty on the heads

468
00:20:37,280 --> 00:20:40,600
Speaker 1: of two male customers who left them a bad review.

469
00:20:40,760 --> 00:20:43,760
Speaker 2: This was a restaurant in Kyoto in Japan, and the

470
00:20:43,840 --> 00:20:45,600
Speaker 2: owner has said, I saw your posts. You seem a

471
00:20:45,640 --> 00:20:48,639
Speaker 2: bit weird, but you should probably avoid eating out. Someday

472
00:20:48,720 --> 00:20:51,240
Speaker 2: someone like you will get screwed. I'll come for you directly.

473
00:20:51,359 --> 00:20:53,280
Speaker 2: And then he said to another one, the only thing

474
00:20:53,320 --> 00:20:54,960
Speaker 2: he can do is come back, eat again and write

475
00:20:54,960 --> 00:20:56,560
Speaker 2: a good review with a photo. I told him I

476
00:20:56,560 --> 00:21:00,359
Speaker 2: won't forgive him, not even for the safety of his family. Goodness.

477
00:21:00,359 --> 00:21:02,920
Speaker 2: If he does that, he'll be killed right away, you know,

478
00:21:03,240 --> 00:21:07,399
Speaker 2: priichy goodness. You know, often bad reviews. It's like when

479
00:21:07,440 --> 00:21:09,640
Speaker 2: you read things that are written about our radio show

480
00:21:09,880 --> 00:21:12,680
Speaker 2: and you think, well, that's written by radio insider. You know,

481
00:21:12,800 --> 00:21:15,400
Speaker 2: you can tell when real people write things and when

482
00:21:15,880 --> 00:21:16,880
Speaker 2: your competitors write.

483
00:21:17,119 --> 00:21:19,520
Speaker 3: It's like Adrea Blemmer saying we abandoned the West lately.

484
00:21:19,600 --> 00:21:22,240
Speaker 3: Have you seen that? This is from the mob that sacked.

485
00:21:21,960 --> 00:21:25,320
Speaker 2: My guy at the King of the West and me

486
00:21:25,480 --> 00:21:25,919
Speaker 2: pretty much?

487
00:21:26,160 --> 00:21:28,439
Speaker 3: Yeah, they did too, Aholes.

488
00:21:29,640 --> 00:21:32,920
Speaker 2: Well, how do you feel about bad reviews? Interestingly? I

489
00:21:32,960 --> 00:21:35,960
Speaker 2: don't bother reading them. I don't go to reviews for

490
00:21:36,080 --> 00:21:39,240
Speaker 2: restaurants or hotels or anything. But apparently only three percent

491
00:21:39,280 --> 00:21:42,800
Speaker 2: of consumers don't read reviews online. But I take everything

492
00:21:42,840 --> 00:21:45,040
Speaker 2: with a grain of salt. If someone said it wasn't great,

493
00:21:45,440 --> 00:21:47,040
Speaker 2: you think, well, maybe you just had a bad night.

494
00:21:47,160 --> 00:21:50,119
Speaker 2: Maybe you have a vested interest in this business not

495
00:21:50,240 --> 00:21:52,440
Speaker 2: doing well. I don't put a new stock in it,

496
00:21:52,640 --> 00:21:54,359
Speaker 2: so look at I do put a little bit of

497
00:21:54,359 --> 00:21:54,800
Speaker 2: stock in it.

498
00:21:54,840 --> 00:21:57,200
Speaker 1: I got to admit, sometimes, you know, if I'm getting

499
00:21:57,240 --> 00:22:00,080
Speaker 1: some aluminium cladding or something and I look online and

500
00:22:00,520 --> 00:22:02,600
Speaker 1: they say these guys are terrible, they should be on

501
00:22:02,680 --> 00:22:05,159
Speaker 1: a current affair, then I won't.

502
00:22:04,920 --> 00:22:07,000
Speaker 2: Go with it. What if do you never think it's

503
00:22:07,000 --> 00:22:08,160
Speaker 2: another aluminium company.

504
00:22:08,560 --> 00:22:11,280
Speaker 1: I do investigate to see where it's come from, admittedly,

505
00:22:12,080 --> 00:22:13,639
Speaker 1: but sometimes you just don't have time to do.

506
00:22:13,760 --> 00:22:16,399
Speaker 2: Sometimes you just don't know. How do you feel leaving

507
00:22:16,520 --> 00:22:19,600
Speaker 2: bad reviews or reading bad reviews? Just bad reviews?

508
00:22:19,960 --> 00:22:21,960
Speaker 1: They passed the pub tem and we haven't abandoned the

509
00:22:22,040 --> 00:22:27,400
Speaker 1: West West DNA Plase Sydney Absolutely, Jem jam Nation.

510
00:22:28,200 --> 00:22:34,280
Speaker 15: Amanda tips four announcers trying to get a career in radios.

511
00:22:34,720 --> 00:22:35,760
Speaker 3: Twenty fifth February.

512
00:22:35,800 --> 00:22:39,440
Speaker 1: It's Amanda's birthday today, so mutations are flooding.

513
00:22:39,119 --> 00:22:40,080
Speaker 6: In thank you.

514
00:22:40,200 --> 00:22:41,280
Speaker 3: I got a text for my brother.

515
00:22:41,640 --> 00:22:42,160
Speaker 16: What he say?

516
00:22:42,280 --> 00:22:45,200
Speaker 1: He writes, Hey, bunt, say happy birthday to Amanda from me,

517
00:22:45,320 --> 00:22:47,800
Speaker 1: your puffs.

518
00:22:47,840 --> 00:22:52,520
Speaker 2: He still got their job at Hollmer anywhere it comes, Matt.

519
00:22:52,640 --> 00:22:55,359
Speaker 3: I just read, Yeah, that's what he just said.

520
00:22:55,520 --> 00:22:59,600
Speaker 1: And time play the song Tom you giving me some

521
00:22:59,720 --> 00:23:01,720
Speaker 1: good a perfume.

522
00:23:02,160 --> 00:23:04,719
Speaker 2: You gave me a giant birthday.

523
00:23:05,160 --> 00:23:05,480
Speaker 11: What's that.

524
00:23:07,080 --> 00:23:08,480
Speaker 2: Sauceta of fish?

525
00:23:08,760 --> 00:23:08,960
Speaker 13: Yeah?

526
00:23:11,240 --> 00:23:13,760
Speaker 2: Another gift for me, you too in the morning.

527
00:23:16,960 --> 00:23:17,800
Speaker 3: God's sake, Thank you?

528
00:23:17,880 --> 00:23:20,960
Speaker 2: Did you wrap this yourself? I think you might have shame.

529
00:23:21,560 --> 00:23:23,239
Speaker 2: I'm saying how great I love it that you did.

530
00:23:23,280 --> 00:23:28,320
Speaker 3: It sounds a little patronizing. Tell you what, It's sturdy wrapping,

531
00:23:28,400 --> 00:23:30,800
Speaker 3: isn't it. It's very what's your favorite thing in the

532
00:23:30,840 --> 00:23:32,480
Speaker 3: whole white world? Next to nice.

533
00:23:32,640 --> 00:23:37,080
Speaker 2: Perfumes, hand creams, next to hand creams?

534
00:23:39,200 --> 00:23:39,560
Speaker 9: What is it?

535
00:23:39,640 --> 00:23:40,040
Speaker 2: You tell me?

536
00:23:40,520 --> 00:23:41,639
Speaker 3: Look at the thing?

537
00:23:42,000 --> 00:23:42,600
Speaker 2: Look at the thing.

538
00:23:42,760 --> 00:23:45,080
Speaker 3: I can't open it here from the radio.

539
00:23:46,320 --> 00:23:49,360
Speaker 2: Probably wrap it two hidden message candle.

540
00:23:49,440 --> 00:23:50,159
Speaker 3: It's a candle.

541
00:23:50,240 --> 00:23:53,800
Speaker 2: As you burn it, it really reveals the message. What

542
00:23:54,080 --> 00:23:57,720
Speaker 2: kind of a mess. Well, I don't know. Light it

543
00:23:57,760 --> 00:24:00,720
Speaker 2: in here. I want to know what the well, you

544
00:24:00,800 --> 00:24:01,439
Speaker 2: can't burn it all?

545
00:24:01,520 --> 00:24:01,680
Speaker 1: Now?

546
00:24:01,840 --> 00:24:02,920
Speaker 2: Do you know what the message is?

547
00:24:03,080 --> 00:24:03,119
Speaker 8: No?

548
00:24:03,400 --> 00:24:04,200
Speaker 7: I do know.

549
00:24:04,640 --> 00:24:06,639
Speaker 2: I don't want to tell you that is it from

550
00:24:06,680 --> 00:24:19,639
Speaker 2: your brother? Happy birthday? Your poor anyway sham Notion podcast.

551
00:24:19,800 --> 00:24:21,520
Speaker 3: Today is Amanda's birthday.

552
00:24:21,680 --> 00:24:23,120
Speaker 2: We've made Tom a bit nurse boy.

553
00:24:23,240 --> 00:24:25,520
Speaker 1: Tom is a bit nervous because I gave you a

554
00:24:25,600 --> 00:24:26,960
Speaker 1: hidden message candle.

555
00:24:26,680 --> 00:24:28,040
Speaker 2: And I've lit it because I want to know what

556
00:24:28,080 --> 00:24:30,240
Speaker 2: the hidden message is. How does it reveal itself? How

557
00:24:30,280 --> 00:24:32,560
Speaker 2: will I know? Is it a smoke signal? Is it

558
00:24:32,600 --> 00:24:34,040
Speaker 2: written on the bottom? What happens?

559
00:24:34,200 --> 00:24:35,080
Speaker 3: I don't know myself.

560
00:24:35,760 --> 00:24:37,680
Speaker 2: So we've lit the candle and Tom's not happy.

561
00:24:37,760 --> 00:24:40,440
Speaker 15: Yeah, I'm no expert, but I wouldn't light fires in

562
00:24:40,520 --> 00:24:42,399
Speaker 15: the studio. That's just me, though, I don't know. You

563
00:24:42,440 --> 00:24:43,040
Speaker 15: guys are in charge.

564
00:24:43,080 --> 00:24:43,600
Speaker 2: What would happen?

565
00:24:44,080 --> 00:24:44,399
Speaker 3: I don't know.

566
00:24:44,480 --> 00:24:46,480
Speaker 15: Maybe the secret message is the fire alarm going off?

567
00:24:46,560 --> 00:24:46,960
Speaker 17: I don't know.

568
00:24:47,160 --> 00:24:49,639
Speaker 2: And are there water cannons in here ready to blast?

569
00:24:49,880 --> 00:24:52,800
Speaker 15: Sprinkle a right above your head? Your head, one above

570
00:24:52,880 --> 00:24:55,080
Speaker 15: the ten thousand dollar console?

571
00:24:55,400 --> 00:24:55,800
Speaker 2: Anyway?

572
00:24:55,840 --> 00:24:56,159
Speaker 3: Whatever?

573
00:24:57,720 --> 00:25:00,600
Speaker 2: Surely be okay? If you had can was on a cake,

574
00:25:00,640 --> 00:25:01,840
Speaker 2: you could light them in here.

575
00:25:02,280 --> 00:25:04,199
Speaker 3: What happens now if we blow it out is going

576
00:25:04,240 --> 00:25:05,000
Speaker 3: to be more smoke.

577
00:25:05,480 --> 00:25:05,960
Speaker 2: What do we do?

578
00:25:06,720 --> 00:25:08,680
Speaker 3: You're in now, we're going to situation. All I do

579
00:25:08,800 --> 00:25:10,520
Speaker 3: is turn Jones's mic on. I don't know what I

580
00:25:10,600 --> 00:25:11,679
Speaker 3: told you not to light the can.

581
00:25:11,760 --> 00:25:13,200
Speaker 2: I told you not to turn his microphone on.

582
00:25:13,480 --> 00:25:15,320
Speaker 3: We've got to now we've got a situation.

583
00:25:15,359 --> 00:25:18,720
Speaker 2: All right, we will continue on until we drown. Well,

584
00:25:19,000 --> 00:25:21,720
Speaker 2: it'll be okay, it's your birthday, that's what that hidden

585
00:25:21,760 --> 00:25:22,920
Speaker 2: message is. Good out.

586
00:25:23,640 --> 00:25:25,240
Speaker 3: It's thirteen past seven.

587
00:25:25,480 --> 00:25:31,399
Speaker 15: When God, I wanted to get right now crazy, go

588
00:25:31,600 --> 00:25:34,080
Speaker 15: to your windows, stick your head.

589
00:25:33,960 --> 00:25:34,800
Speaker 17: On a yell.

590
00:25:38,800 --> 00:25:45,480
Speaker 2: Down to the thing's been revealed on my candle yet right, Okay,

591
00:25:45,560 --> 00:25:47,120
Speaker 2: I might have to get right to the bottom. That'd

592
00:25:47,160 --> 00:25:49,000
Speaker 2: be boring. Have you ever let a candle get right

593
00:25:49,040 --> 00:25:52,600
Speaker 2: to the bottom? Those medical experiments you did only on

594
00:25:52,640 --> 00:25:55,320
Speaker 2: the weekends? Leaving bad reviews?

595
00:25:55,400 --> 00:25:56,520
Speaker 3: Does it pass the pub test?

596
00:25:56,720 --> 00:25:59,200
Speaker 1: A Ramen shop placed a bounty on the heads of

597
00:25:59,320 --> 00:26:01,760
Speaker 1: two male customers who left them a bad review.

598
00:26:01,920 --> 00:26:05,240
Speaker 2: Yeah, he's threatened them. And what made me think? Do

599
00:26:05,400 --> 00:26:07,960
Speaker 2: you pay attention to bad reviews? Because often they're given

600
00:26:08,000 --> 00:26:10,480
Speaker 2: by people who have ulterior motives or people who just

601
00:26:10,560 --> 00:26:12,720
Speaker 2: had a bad night. And there's one bad night, a

602
00:26:12,800 --> 00:26:14,560
Speaker 2: bad restaurant, or a bad business.

603
00:26:14,680 --> 00:26:18,240
Speaker 3: Make it could be Johnny Rahman across the road, not happy.

604
00:26:18,080 --> 00:26:22,359
Speaker 2: With ram and competition, Yeah, could be all those things

605
00:26:22,600 --> 00:26:25,919
Speaker 2: could be so bad reviews leaving them, reading them? Does

606
00:26:25,960 --> 00:26:26,960
Speaker 2: it pass the pub test?

607
00:26:27,640 --> 00:26:30,600
Speaker 12: When people other than themselves up for reviews, you just

608
00:26:30,600 --> 00:26:32,159
Speaker 12: got to take what you get. Really, You've got to

609
00:26:32,600 --> 00:26:34,840
Speaker 12: accept the good with the bad. Yeah. I think if

610
00:26:34,840 --> 00:26:36,439
Speaker 12: you leave a bad review, you know.

611
00:26:36,480 --> 00:26:39,159
Speaker 13: If you had poor service, I think that passes the

612
00:26:39,240 --> 00:26:39,760
Speaker 13: pub test.

613
00:26:39,920 --> 00:26:40,120
Speaker 15: Yeah.

614
00:26:40,240 --> 00:26:43,120
Speaker 1: I'm for them because one of the things I use

615
00:26:43,280 --> 00:26:46,040
Speaker 1: is the star rating, and look at the overall stars.

616
00:26:46,119 --> 00:26:48,720
Speaker 11: When you've got like one hundred and fifty reviews, it

617
00:26:48,800 --> 00:26:50,800
Speaker 11: gives you a good idea of what people think.

618
00:26:50,880 --> 00:26:53,600
Speaker 4: I don't believe in reading a review. I believe in

619
00:26:53,840 --> 00:26:56,600
Speaker 4: that just because somebody else has said, oh, that restaurant

620
00:26:56,680 --> 00:26:59,439
Speaker 4: so fantastic, it's up to you to have that your

621
00:26:59,480 --> 00:27:00,280
Speaker 4: own excuse.

622
00:27:00,359 --> 00:27:03,360
Speaker 16: Reviews they had their time once, but not near Moore,

623
00:27:03,440 --> 00:27:07,159
Speaker 16: because all reviews come down to one person's opinion, and

624
00:27:07,240 --> 00:27:09,760
Speaker 16: if they're having a bad day, it just shows.

625
00:27:10,200 --> 00:27:13,320
Speaker 12: Yes, they do pass the pub cast. I had someone

626
00:27:13,520 --> 00:27:16,240
Speaker 12: cough over my food and then look at those of

627
00:27:16,359 --> 00:27:19,240
Speaker 12: us and go, sorry, we just ended up drinking our

628
00:27:19,320 --> 00:27:20,880
Speaker 12: drinks and then walking.

629
00:27:20,640 --> 00:27:23,560
Speaker 11: Out as we paid like about sixty bucks. The thing

630
00:27:23,720 --> 00:27:24,919
Speaker 11: isn't leave a review?

631
00:27:26,440 --> 00:27:27,000
Speaker 2: Would you do that?

632
00:27:27,040 --> 00:27:27,920
Speaker 3: I wouldn't worry about that.

633
00:27:28,000 --> 00:27:30,040
Speaker 2: If someone coughed up my food, I wouldn't leave them. No,

634
00:27:30,160 --> 00:27:32,119
Speaker 2: I wouldn't be happy, but I wouldn't give a bad review.

635
00:27:32,320 --> 00:27:34,199
Speaker 2: But people, it's easy to leave a bad review than

636
00:27:34,240 --> 00:27:36,480
Speaker 2: a good review, so I always weigh that up as well.

637
00:27:37,119 --> 00:27:39,320
Speaker 2: People will respond in anger rather than unless you've had

638
00:27:39,359 --> 00:27:41,399
Speaker 2: the best meal of your life, you're not going to say, oh,

639
00:27:41,440 --> 00:27:44,400
Speaker 2: that was great, But people will the anger. We've seen

640
00:27:44,400 --> 00:27:46,240
Speaker 2: it all through social media. That fuels people.

641
00:27:46,320 --> 00:27:47,800
Speaker 3: That's why we have so many bad reviews.

642
00:27:48,160 --> 00:27:50,280
Speaker 2: You and I, I mean, do you think this candle's

643
00:27:50,280 --> 00:27:52,440
Speaker 2: going to give me a bad review? Hidden message? You suck?

644
00:27:54,240 --> 00:27:54,960
Speaker 2: I wait to see.

645
00:27:55,119 --> 00:27:57,240
Speaker 3: We've got a situation here on your birthday. And I

646
00:27:57,280 --> 00:27:58,160
Speaker 3: don't want a situation.

647
00:27:58,240 --> 00:28:00,240
Speaker 2: I don't want to set the candles off. I don't

648
00:28:00,240 --> 00:28:01,720
Speaker 2: want to hit the water cannons off.

649
00:28:02,400 --> 00:28:03,800
Speaker 6: Basis gold one.

650
00:28:03,720 --> 00:28:05,640
Speaker 3: On one point seven. Hello, there it's Jones.

651
00:28:05,720 --> 00:28:07,760
Speaker 2: No matter. All the stops have been fooled out.

652
00:28:07,760 --> 00:28:09,359
Speaker 3: I've got Savage Garden playing for.

653
00:28:09,440 --> 00:28:12,439
Speaker 2: You right now. I'm looking at the hidden message. Can

654
00:28:12,560 --> 00:28:14,720
Speaker 2: Daniel and Nathan are back together again? Are they not?

655
00:28:15,480 --> 00:28:16,000
Speaker 2: For the moment?

656
00:28:16,119 --> 00:28:16,680
Speaker 3: For right now?

657
00:28:16,960 --> 00:28:19,639
Speaker 2: For your birthday? This candle you've given me, it's a

658
00:28:19,840 --> 00:28:23,080
Speaker 2: hidden message. Candle you've been getting a gift on the

659
00:28:23,240 --> 00:28:25,240
Speaker 2: out so far. Can I too what the message is?

660
00:28:25,640 --> 00:28:26,520
Speaker 3: It's a hidden message?

661
00:28:26,600 --> 00:28:30,480
Speaker 2: Can you're and I'm not making this up? It looks

662
00:28:30,560 --> 00:28:34,680
Speaker 2: like something U C K I N G hot? You're

663
00:28:34,800 --> 00:28:38,040
Speaker 2: king hot? Will it be rude?

664
00:28:38,080 --> 00:28:41,080
Speaker 1: I bought it from Cronella News Agency, the finest purveyor

665
00:28:41,160 --> 00:28:41,800
Speaker 1: of great things.

666
00:28:41,880 --> 00:28:42,760
Speaker 3: Go and see them today.

667
00:28:43,280 --> 00:28:45,880
Speaker 2: It looks like it could be rude. No, it's not rude.

668
00:28:45,920 --> 00:28:48,080
Speaker 3: As if they would sell rude things there they don't

669
00:28:48,080 --> 00:28:48,600
Speaker 3: even sell.

670
00:28:48,640 --> 00:28:50,160
Speaker 2: Right, it's rude.

671
00:28:50,360 --> 00:28:50,960
Speaker 3: It's not rude.

672
00:28:51,240 --> 00:28:53,240
Speaker 2: Right, Come around here, look at this, Come around there,

673
00:28:53,280 --> 00:28:55,160
Speaker 2: come aroun here, look at this. Come around here and

674
00:28:55,200 --> 00:28:56,720
Speaker 2: look at this, because it's coming a time. We have

675
00:28:56,920 --> 00:28:57,320
Speaker 2: no time.

676
00:28:58,320 --> 00:28:58,560
Speaker 9: Give me.

677
00:28:59,200 --> 00:29:01,560
Speaker 2: No, it's a you come around here and have a lord.

678
00:29:02,520 --> 00:29:09,480
Speaker 2: It's rude. Read out, No, I can't. It's rude, just

679
00:29:09,640 --> 00:29:13,200
Speaker 2: like Ribald did you know I did?

680
00:29:13,640 --> 00:29:13,920
Speaker 5: I did?

681
00:29:16,080 --> 00:29:21,680
Speaker 2: The sentiment's their happy birthday. Wow, thank you appreciate it.

682
00:29:21,960 --> 00:29:23,760
Speaker 2: Imagine imagine you're on.

683
00:29:23,800 --> 00:29:27,600
Speaker 3: A plane and someone passes away on that plane, which

684
00:29:27,640 --> 00:29:29,240
Speaker 3: is terrible, terrible.

685
00:29:29,320 --> 00:29:29,920
Speaker 2: It happened.

686
00:29:30,200 --> 00:29:31,840
Speaker 3: The news last night had this story.

687
00:29:32,200 --> 00:29:34,280
Speaker 7: It was supposed to be the trip of a lifetime,

688
00:29:34,400 --> 00:29:38,000
Speaker 7: but it very quickly became a holiday from hell. Mitchell

689
00:29:38,040 --> 00:29:40,760
Speaker 7: Ring and his wife Jennifer Colin were on a Cutter

690
00:29:40,960 --> 00:29:44,480
Speaker 7: Airlines flight from Melbourne to Doha when a passenger died.

691
00:29:44,960 --> 00:29:47,520
Speaker 7: Cabin crew put the woman's body in the seat next

692
00:29:47,520 --> 00:29:50,040
Speaker 7: to the couple for the remainder of the flight.

693
00:29:50,320 --> 00:29:52,000
Speaker 3: They just said to me, can you move over? And

694
00:29:52,160 --> 00:29:54,640
Speaker 3: I just just said yes, no problem, and then they

695
00:29:55,440 --> 00:29:57,040
Speaker 3: placed the lady in the share that I was in.

696
00:29:57,400 --> 00:30:00,360
Speaker 12: I was really shocked and I said, I are they

697
00:30:00,480 --> 00:30:02,520
Speaker 12: going to put her there?

698
00:30:03,040 --> 00:30:05,600
Speaker 7: A couple say things got worse when the plane landed.

699
00:30:06,120 --> 00:30:08,360
Speaker 3: Yeah, it got worse because the plane landed.

700
00:30:08,840 --> 00:30:10,320
Speaker 1: What's the last thing you want to do when the

701
00:30:10,360 --> 00:30:12,560
Speaker 1: plane lands is sit around wait for ages.

702
00:30:12,920 --> 00:30:15,160
Speaker 3: They had to wait while the cops and.

703
00:30:15,200 --> 00:30:17,560
Speaker 2: The ambulance people came on the plane because I think

704
00:30:17,600 --> 00:30:20,400
Speaker 2: what from reading between the lines, what happened is they

705
00:30:20,560 --> 00:30:23,480
Speaker 2: had four seats between two of them when this person

706
00:30:23,640 --> 00:30:26,160
Speaker 2: passed away, they said, can you move up and put

707
00:30:26,160 --> 00:30:27,920
Speaker 2: her in the aisle seat? So they were trapped with

708
00:30:28,000 --> 00:30:28,720
Speaker 2: her in the aisle seat.

709
00:30:29,080 --> 00:30:30,640
Speaker 3: I don't understand the four hours.

710
00:30:30,400 --> 00:30:31,960
Speaker 2: Of their flight. They imagine you had to go to

711
00:30:32,000 --> 00:30:32,520
Speaker 2: the loom.

712
00:30:32,400 --> 00:30:34,600
Speaker 1: And the poor lady that passed away and her family

713
00:30:34,640 --> 00:30:37,560
Speaker 1: condolence is there. But also just like whoa you know,

714
00:30:37,640 --> 00:30:40,080
Speaker 1: come on, guys, the people are on the plane. There

715
00:30:40,160 --> 00:30:42,280
Speaker 1: are other vacant seats, that's what they're saying.

716
00:30:42,520 --> 00:30:44,800
Speaker 2: If there were other vacant seats, they were going to

717
00:30:44,880 --> 00:30:49,160
Speaker 2: put this woman's body into business class. But they couldn't

718
00:30:49,240 --> 00:30:51,400
Speaker 2: because I think she was a bigger person. Why not

719
00:30:51,520 --> 00:30:52,800
Speaker 2: put those two people in.

720
00:30:52,840 --> 00:30:56,240
Speaker 3: A business class and put you know, there must be.

721
00:30:56,240 --> 00:30:59,200
Speaker 2: A protocol for this. If you're if you were in

722
00:30:59,280 --> 00:31:01,280
Speaker 2: the airline business, if you're a flight attendant, you must

723
00:31:01,320 --> 00:31:03,040
Speaker 2: have to deal with this all the time. Give us

724
00:31:03,040 --> 00:31:04,880
Speaker 2: a call and tell us what the protocol is, because

725
00:31:04,920 --> 00:31:09,880
Speaker 2: this obviously is traumatic, traumatizing for everybody. That's not how

726
00:31:09,920 --> 00:31:10,440
Speaker 2: you deal with it.

727
00:31:11,160 --> 00:31:13,320
Speaker 1: Thirteen ninety seven thirty six is our number. We'd love

728
00:31:13,360 --> 00:31:18,400
Speaker 1: to hear from you an insider. It's seven twenty five six.

729
00:31:18,480 --> 00:31:21,600
Speaker 2: Look at my candle. It is rude. It's good. It's

730
00:31:21,600 --> 00:31:23,280
Speaker 2: a good but a source on the show really it

731
00:31:23,320 --> 00:31:24,920
Speaker 2: out go on that'll get us some miles.

732
00:31:25,720 --> 00:31:29,920
Speaker 5: Wow Jonesy and Amanda podcast.

733
00:31:32,520 --> 00:31:32,760
Speaker 6: Jones.

734
00:31:33,480 --> 00:31:36,160
Speaker 2: I don't want to be defined by I die. Do

735
00:31:36,520 --> 00:31:42,600
Speaker 2: us a question? Happy birthday friend, Thank you you're on

736
00:31:42,680 --> 00:31:46,480
Speaker 2: the TV tonight in My Lifetime episode two. This is

737
00:31:46,560 --> 00:31:49,400
Speaker 2: a show that looks at the difference between parenting now

738
00:31:49,480 --> 00:31:51,720
Speaker 2: and when we grew up, and a lot of that

739
00:31:51,920 --> 00:31:54,760
Speaker 2: is technology. So we're looking at teens and tweens and

740
00:31:54,840 --> 00:31:58,080
Speaker 2: how to parent them in this changing world. And tonight's episode,

741
00:31:58,120 --> 00:31:59,880
Speaker 2: one of the things they look at is online game,

742
00:32:00,120 --> 00:32:04,480
Speaker 2: which is really interesting because that's the accessibility to technology

743
00:32:04,560 --> 00:32:06,960
Speaker 2: has changed a lot of that. A lot of young kids,

744
00:32:07,000 --> 00:32:10,080
Speaker 2: particularly young boys, are obsessed with online gaming, and they

745
00:32:10,160 --> 00:32:13,360
Speaker 2: have such a thing in the gaming industry as persuasive design.

746
00:32:13,800 --> 00:32:15,480
Speaker 2: They have it for adults as well, but often there

747
00:32:15,520 --> 00:32:18,080
Speaker 2: are games that are particularly targeted for children where you

748
00:32:18,200 --> 00:32:21,440
Speaker 2: get you almost win, but you don't, but you don't

749
00:32:21,520 --> 00:32:23,520
Speaker 2: quite win, but you win enough that you get the

750
00:32:23,600 --> 00:32:26,680
Speaker 2: endorphin hit, but without the final winning. It's what poker

751
00:32:26,760 --> 00:32:28,600
Speaker 2: machines are as well. You think I better have another

752
00:32:28,680 --> 00:32:31,280
Speaker 2: go and these are games that are aimed at children

753
00:32:31,520 --> 00:32:33,920
Speaker 2: and because of that you now have kids who are

754
00:32:34,040 --> 00:32:35,000
Speaker 2: actual addicts.

755
00:32:35,760 --> 00:32:38,560
Speaker 18: It's what percentage of people that game are addicted in

756
00:32:38,640 --> 00:32:41,560
Speaker 18: Australia the latest research we have at a Maquari University,

757
00:32:41,800 --> 00:32:44,160
Speaker 18: you're talking about one hundred to one hundred and twenty

758
00:32:44,240 --> 00:32:47,400
Speaker 18: thousand Australian kids that have bonafide gaming disorder.

759
00:32:47,720 --> 00:32:49,440
Speaker 3: So, like the MCG and.

760
00:32:49,480 --> 00:32:52,440
Speaker 1: A half correct, what does someone that has gaming addiction

761
00:32:52,680 --> 00:32:53,000
Speaker 1: look like?

762
00:32:53,120 --> 00:32:54,800
Speaker 2: What are what sorts of behaviors that they exhibit.

763
00:32:55,040 --> 00:32:57,400
Speaker 10: What we look for in kids is just some common

764
00:32:57,480 --> 00:33:02,240
Speaker 10: red flags if screens in games is impacting social development,

765
00:33:02,920 --> 00:33:06,960
Speaker 10: emotional development, education, behavior and health.

766
00:33:07,520 --> 00:33:09,320
Speaker 2: But they also look at the flip side of that,

767
00:33:09,880 --> 00:33:12,840
Speaker 2: whereas some kids are looking to build a career in

768
00:33:12,920 --> 00:33:15,400
Speaker 2: the gaming industry. So the show also takes to the

769
00:33:15,440 --> 00:33:18,239
Speaker 2: streets to say, would you encourage your child if they

770
00:33:18,280 --> 00:33:21,240
Speaker 2: showed potential as a gamer to make a living out of.

771
00:33:21,240 --> 00:33:24,960
Speaker 3: My youngest is that he's doing AI at university. It's

772
00:33:25,000 --> 00:33:26,440
Speaker 3: scary mapairing, yeah, but.

773
00:33:26,480 --> 00:33:29,440
Speaker 1: This is a good gamer AI for us as well

774
00:33:29,480 --> 00:33:31,880
Speaker 1: as Like back in the Luddite day, the people that

775
00:33:32,040 --> 00:33:36,480
Speaker 1: didn't like the weaving loom in industrial England. They are

776
00:33:36,520 --> 00:33:38,960
Speaker 1: against the weaving loom because it put a lot of

777
00:33:38,960 --> 00:33:40,720
Speaker 1: people out of work. AI is not meant to be

778
00:33:40,800 --> 00:33:43,320
Speaker 1: dictating the creative stuff. AI is not meant to be

779
00:33:43,400 --> 00:33:45,960
Speaker 1: doing the paintings in the poetry, not necessarily.

780
00:33:46,000 --> 00:33:48,320
Speaker 2: I think we're doing the writing. It's doing the writing.

781
00:33:49,040 --> 00:33:51,920
Speaker 2: Every half the documentaries you watch on television are written

782
00:33:52,000 --> 00:33:53,240
Speaker 2: and voiced by AI.

783
00:33:53,600 --> 00:33:55,520
Speaker 1: I don't think AI is a bad thing. It's like

784
00:33:55,560 --> 00:33:58,960
Speaker 1: a car, it's like a plow or the loom. I

785
00:33:59,040 --> 00:34:00,920
Speaker 1: think it's something that we can control.

786
00:34:01,120 --> 00:34:02,920
Speaker 2: Well, we have to work on our controls for it.

787
00:34:03,000 --> 00:34:06,400
Speaker 3: But maybe you get AI. Married at First Sight contestants, Well, this.

788
00:34:06,560 --> 00:34:08,480
Speaker 2: Is the so this show is on at eight thirty tonight,

789
00:34:08,560 --> 00:34:09,960
Speaker 2: but it looks at all the impacts of all that

790
00:34:10,080 --> 00:34:13,520
Speaker 2: stuff on teens and tweens, the new generation who are

791
00:34:13,560 --> 00:34:14,920
Speaker 2: finding their way through all of this.

792
00:34:15,120 --> 00:34:17,600
Speaker 1: A thirty tonight on the ABC with the Birthday Girl

793
00:34:17,880 --> 00:34:23,480
Speaker 1: Role of a lifetime, A great show podcast Married at

794
00:34:23,480 --> 00:34:27,400
Speaker 1: First Site Last night, I've been following Adrian and Athena.

795
00:34:28,080 --> 00:34:32,839
Speaker 3: Adrian looks like a life sized Peter Dinklage life size Well,

796
00:34:32,840 --> 00:34:36,640
Speaker 3: you know, like, what's the right way to say, Tom?

797
00:34:36,719 --> 00:34:38,560
Speaker 2: Look at Tom's horrified what you've just said.

798
00:34:38,560 --> 00:34:40,759
Speaker 3: Well, you know, I don't want to say full height,

799
00:34:41,040 --> 00:34:41,440
Speaker 3: full height.

800
00:34:41,600 --> 00:34:47,160
Speaker 2: All life size is life size a lifetie. He's a

801
00:34:47,239 --> 00:34:49,759
Speaker 2: small statue actor. You just let this go. No, I

802
00:34:49,800 --> 00:34:50,560
Speaker 2: can't let this guy.

803
00:34:50,800 --> 00:34:52,200
Speaker 3: He's a small statue actor.

804
00:34:52,440 --> 00:34:56,000
Speaker 1: Yes, so if he was a large statue actor, statue,

805
00:34:56,040 --> 00:34:56,400
Speaker 1: what about it.

806
00:34:56,480 --> 00:34:59,200
Speaker 2: It's got a face like Peterednklage. He looks a lot like.

807
00:34:59,200 --> 00:35:00,680
Speaker 3: Page if he was.

808
00:35:01,760 --> 00:35:07,640
Speaker 2: Anyway, continue at please talk your own way out of

809
00:35:07,680 --> 00:35:09,279
Speaker 2: this of.

810
00:35:09,320 --> 00:35:13,000
Speaker 1: Anything anyway, Adrian, he left the show because he wasn't

811
00:35:13,040 --> 00:35:14,000
Speaker 1: in the promo enough.

812
00:35:14,360 --> 00:35:15,440
Speaker 3: He was upset about it.

813
00:35:15,640 --> 00:35:17,600
Speaker 2: Did he really leave? Isn't how come he's back?

814
00:35:17,760 --> 00:35:19,520
Speaker 3: He's bad because he likes being on the TV.

815
00:35:19,680 --> 00:35:22,080
Speaker 2: Of course he does. Yeah, he's leaving because he was

816
00:35:22,160 --> 00:35:23,520
Speaker 2: in the promo. But then he thinks, I'm out of

817
00:35:23,560 --> 00:35:24,480
Speaker 2: a show. I better go back.

818
00:35:24,520 --> 00:35:26,640
Speaker 1: I think he's got a great future in TV. Because

819
00:35:26,680 --> 00:35:29,560
Speaker 1: I can't understand a word he says. He left the

820
00:35:29,600 --> 00:35:31,960
Speaker 1: show he went to meet So it was one of

821
00:35:32,000 --> 00:35:34,040
Speaker 1: those nights last night, boring night. I should have watched

822
00:35:34,040 --> 00:35:37,319
Speaker 1: The White Lotus instead, but boring night because they meet

823
00:35:37,360 --> 00:35:37,840
Speaker 1: the family.

824
00:35:38,320 --> 00:35:40,640
Speaker 3: Right, So he had his twin sisters. He's got a

825
00:35:40,680 --> 00:35:42,120
Speaker 3: twin brother and twin sister.

826
00:35:42,280 --> 00:35:45,359
Speaker 1: Really, and he brought a friend along by the name

827
00:35:45,440 --> 00:35:48,840
Speaker 1: of Jasmine to meet with Athena and her twin sister.

828
00:35:49,560 --> 00:35:53,600
Speaker 2: So he's a twin. He's got twin sisters, and Athena,

829
00:35:53,640 --> 00:35:56,439
Speaker 2: who he's been paired with, has a twin sister. Yep, yep.

830
00:35:56,719 --> 00:35:58,360
Speaker 2: If only they had something in common.

831
00:35:58,160 --> 00:35:59,040
Speaker 3: If only they did.

832
00:36:00,040 --> 00:36:05,279
Speaker 1: Adrian's always optimistic, and he feels that they can make

833
00:36:05,320 --> 00:36:06,080
Speaker 1: a future out of this.

834
00:36:06,719 --> 00:36:09,120
Speaker 3: I mean, I think you've got some work to do.

835
00:36:09,680 --> 00:36:13,040
Speaker 2: That's really, you know, both on a similar page to

836
00:36:13,080 --> 00:36:15,320
Speaker 2: where we stand right now, and moving forward.

837
00:36:15,360 --> 00:36:17,680
Speaker 3: I think some hope that you can get back to

838
00:36:18,280 --> 00:36:18,759
Speaker 3: how we were.

839
00:36:19,000 --> 00:36:22,319
Speaker 2: Oh my god, Not only can I not understand him

840
00:36:22,360 --> 00:36:24,800
Speaker 2: too excited? No, I won't. Not only could I not

841
00:36:24,880 --> 00:36:26,719
Speaker 2: really understand him a bit? So I did understand was

842
00:36:26,840 --> 00:36:28,920
Speaker 2: every cliche in the book? He should be a football

843
00:36:29,719 --> 00:36:30,200
Speaker 2: I think he is.

844
00:36:30,360 --> 00:36:32,600
Speaker 3: I think he's an errorle player. Might be having a

845
00:36:32,680 --> 00:36:36,680
Speaker 3: fight with one of his mates in Las Vegas. This friend, Jasmine,

846
00:36:36,680 --> 00:36:39,240
Speaker 3: by the way, has distanced herself from.

847
00:36:39,120 --> 00:36:42,600
Speaker 2: Adrian So friends since they've filmed it because.

848
00:36:42,360 --> 00:36:45,200
Speaker 1: She's getting a tsunami of hate online now, because that's

849
00:36:45,239 --> 00:36:47,480
Speaker 1: the problem with married at first sight that.

850
00:36:47,600 --> 00:36:49,839
Speaker 2: You don't know, you haven't seen the story play out,

851
00:36:49,960 --> 00:36:51,719
Speaker 2: so you go in and support him, and then she

852
00:36:51,800 --> 00:36:53,680
Speaker 2: sees how he's treated everyone on the way through.

853
00:36:53,719 --> 00:36:55,680
Speaker 3: And then the hens come home to us.

854
00:36:57,200 --> 00:37:01,640
Speaker 2: Apparently jams A next guess is well, he's a comic genius,

855
00:37:01,880 --> 00:37:04,759
Speaker 2: a TV regular behind some of our favorite shows. He's

856
00:37:04,760 --> 00:37:06,920
Speaker 2: also the host of Have Been Paying Attention But the

857
00:37:07,000 --> 00:37:10,480
Speaker 2: Cheap Seeds is part of Working Dog bringing some of

858
00:37:10,560 --> 00:37:13,719
Speaker 2: Australia's favorite films and productions. Which on about Tom Gleisner

859
00:37:14,040 --> 00:37:16,000
Speaker 2: and he never likes to sit still. He's written a

860
00:37:16,040 --> 00:37:18,920
Speaker 2: new musical called Bloom that had an incredible run in

861
00:37:18,960 --> 00:37:21,760
Speaker 2: Melbourne and now it's coming to Sydney. Tom High, Amanda,

862
00:37:22,160 --> 00:37:22,840
Speaker 2: lovely to see you.

863
00:37:23,160 --> 00:37:24,000
Speaker 3: It's great to see you.

864
00:37:24,120 --> 00:37:25,960
Speaker 2: Got to have you in the studio.

865
00:37:26,080 --> 00:37:26,839
Speaker 3: It's a big deal.

866
00:37:27,320 --> 00:37:30,200
Speaker 6: And on a birthday day too. While it is indeed,

867
00:37:30,680 --> 00:37:32,920
Speaker 6: I haven't got a gift, I've got a gift voucher.

868
00:37:33,080 --> 00:37:34,040
Speaker 6: Have you Does that count?

869
00:37:34,320 --> 00:37:36,480
Speaker 2: It's certainly if it's to b WS.

870
00:37:36,680 --> 00:37:40,560
Speaker 6: Yes, isn't a handwritten gift, Tom, It's yet to be purchased,

871
00:37:40,600 --> 00:37:42,799
Speaker 6: but it's an aspirational thing come on your way.

872
00:37:42,760 --> 00:37:45,840
Speaker 2: Well, thank you, I appreciate it talking about getting older.

873
00:37:46,719 --> 00:37:49,040
Speaker 2: Tell us about Bloom because I know that there's an

874
00:37:49,120 --> 00:37:51,239
Speaker 2: age element in this. Yes it is.

875
00:37:51,360 --> 00:37:53,839
Speaker 6: In fact, it's a musical set almost entirely in an

876
00:37:53,880 --> 00:37:56,719
Speaker 6: aged care home. And it will come as a little

877
00:37:56,800 --> 00:37:58,480
Speaker 6: surprise to you that I've spent a fever bit of

878
00:37:58,560 --> 00:38:02,440
Speaker 6: time in that world over recent years. Not quite as

879
00:38:02,480 --> 00:38:07,080
Speaker 6: a resident yet but parents, parents and parents in law,

880
00:38:07,120 --> 00:38:08,600
Speaker 6: so a lot of visits and over a lot of

881
00:38:08,680 --> 00:38:11,160
Speaker 6: time I've sort of come to get to know that

882
00:38:11,320 --> 00:38:17,080
Speaker 6: world and meet the fascinating people that inhabited, both both

883
00:38:17,160 --> 00:38:20,520
Speaker 6: residents and the cares and residents we tend to sort

884
00:38:20,520 --> 00:38:24,200
Speaker 6: of walk past them and we're guilty of looking at

885
00:38:24,200 --> 00:38:25,880
Speaker 6: people who maybe don't have that much to say, and

886
00:38:25,920 --> 00:38:29,239
Speaker 6: they're parked in front of an Andre DVD playing on

887
00:38:29,440 --> 00:38:33,919
Speaker 6: loop and you go, that's just not right. And yeah,

888
00:38:34,200 --> 00:38:36,919
Speaker 6: it was, as so as I say, it's a world

889
00:38:36,960 --> 00:38:39,520
Speaker 6: that I've been familiar with that I read this story

890
00:38:39,640 --> 00:38:42,920
Speaker 6: about a nursing home in the Netherlands that were offering

891
00:38:43,320 --> 00:38:46,359
Speaker 6: free accommodation to students if they were willing to come

892
00:38:46,400 --> 00:38:49,360
Speaker 6: in and work as careers, and I thought that's the

893
00:38:49,480 --> 00:38:51,560
Speaker 6: idea for something, and as it turned out, it's a

894
00:38:51,680 --> 00:38:52,640
Speaker 6: musical called Bloom.

895
00:38:53,000 --> 00:38:55,759
Speaker 2: I really was taken by this sentence on one of

896
00:38:56,200 --> 00:38:59,040
Speaker 2: the media press release for Bloom. Too often, when older

897
00:38:59,120 --> 00:39:02,320
Speaker 2: characters appear in st they're trivialized or treated as punchlines

898
00:39:02,320 --> 00:39:04,880
Speaker 2: to someone else's joke. This was something I was determined

899
00:39:04,920 --> 00:39:07,279
Speaker 2: to avoid in writing Bloom. Our residents are very every

900
00:39:07,320 --> 00:39:09,240
Speaker 2: bit as real, funny and Florida. As a younger staff,

901
00:39:09,280 --> 00:39:11,200
Speaker 2: you take care of them, and I think this is

902
00:39:11,239 --> 00:39:15,760
Speaker 2: the last ageism. We no longer tolerate sexism, racism, but agism.

903
00:39:15,800 --> 00:39:17,080
Speaker 2: People just feel they can go for it.

904
00:39:17,120 --> 00:39:19,880
Speaker 6: Absolutely, it is exactly, it's it's the last past. So

905
00:39:20,160 --> 00:39:23,400
Speaker 6: the actors that play the residents in Bloom are very

906
00:39:23,480 --> 00:39:26,360
Speaker 6: much as much part of the story as the younger performers,

907
00:39:26,560 --> 00:39:30,400
Speaker 6: and it's fantastic having genuinely older people. I was determined

908
00:39:30,440 --> 00:39:32,800
Speaker 6: that I didn't want someone who's fifty putting on a

909
00:39:32,840 --> 00:39:37,000
Speaker 6: gray wig and pretending to be ancient. So we've got

910
00:39:37,040 --> 00:39:38,759
Speaker 6: we've got performance saying John Waters for it.

911
00:39:38,880 --> 00:39:39,960
Speaker 2: I brilliant love him.

912
00:39:40,640 --> 00:39:43,920
Speaker 6: I think he's definitely north of seventy and so so

913
00:39:44,000 --> 00:39:47,480
Speaker 6: they're actually maybe not quite in they're in that band

914
00:39:47,520 --> 00:39:50,560
Speaker 6: where you could theoretically be going into care So yeah,

915
00:39:50,600 --> 00:39:54,040
Speaker 6: it's been really really exciting to see to bring younger

916
00:39:54,080 --> 00:39:57,759
Speaker 6: performers and older on stage. It looks a it's a

917
00:39:57,880 --> 00:40:01,839
Speaker 6: funny show, beautiful music lane is with ramps.

918
00:40:04,040 --> 00:40:06,200
Speaker 1: But it's a great idea that that could work in

919
00:40:06,239 --> 00:40:08,520
Speaker 1: the like in real life everyone's talking about the high

920
00:40:08,680 --> 00:40:12,360
Speaker 1: housing affordability. You get young people to move into an

921
00:40:12,400 --> 00:40:14,680
Speaker 1: old folks home and like, you know, just keep them company.

922
00:40:14,760 --> 00:40:17,440
Speaker 2: And you know you don't have to wash bums or anything.

923
00:40:17,480 --> 00:40:19,719
Speaker 6: You're just like, you know, no unless you unless that.

924
00:40:21,200 --> 00:40:21,839
Speaker 2: Choice of your own.

925
00:40:21,920 --> 00:40:23,880
Speaker 1: And that's if you're there for the bum washing, but

926
00:40:24,000 --> 00:40:26,359
Speaker 1: just to get the company, because I find I spent

927
00:40:26,400 --> 00:40:26,920
Speaker 1: a lot of time.

928
00:40:27,360 --> 00:40:30,400
Speaker 3: I took up sailing with these old blokes and the

929
00:40:30,520 --> 00:40:32,040
Speaker 3: only thing older than the boat.

930
00:40:31,920 --> 00:40:33,880
Speaker 1: Is the guys on the butt, and you'd be you

931
00:40:33,960 --> 00:40:35,720
Speaker 1: spent a lot of time when there was one guy, George,

932
00:40:36,480 --> 00:40:38,440
Speaker 1: and he one day we're just talking to us and

933
00:40:38,560 --> 00:40:41,520
Speaker 1: it's like that time I rode from Perth to Sydney

934
00:40:41,920 --> 00:40:44,319
Speaker 1: and on a motor I want to push by and went,

935
00:40:44,600 --> 00:40:45,520
Speaker 1: did you have a backup crew?

936
00:40:45,600 --> 00:40:45,840
Speaker 2: Did you?

937
00:40:46,200 --> 00:40:48,480
Speaker 1: No? I just went with the mate. We rode from

938
00:40:48,520 --> 00:40:50,239
Speaker 1: Perth to Sydney and I went what you had no

939
00:40:50,400 --> 00:40:52,799
Speaker 1: backup crew? You went across the nuther board plane. Did

940
00:40:52,840 --> 00:40:53,600
Speaker 1: you tell everyone no.

941
00:40:54,320 --> 00:40:57,680
Speaker 6: That's that age group? Then they're not boasters. We are

942
00:40:58,600 --> 00:41:00,840
Speaker 6: if we do even the mile of the cheap.

943
00:41:00,880 --> 00:41:03,000
Speaker 2: You know about, I'll get a t shirt. Mate, there's

944
00:41:03,000 --> 00:41:06,239
Speaker 2: a tattoo. And we have cares in our house now

945
00:41:06,480 --> 00:41:09,719
Speaker 2: with Harley's health and they're not there all the time,

946
00:41:09,840 --> 00:41:11,680
Speaker 2: but I've got a photo of both of us when

947
00:41:11,719 --> 00:41:14,239
Speaker 2: we were younger, particularly Harley, so that you think is

948
00:41:14,320 --> 00:41:17,080
Speaker 2: who he is. Don't judge the person you see.

949
00:41:17,000 --> 00:41:20,120
Speaker 6: That just because they maybe don't say much doesn't mean that.

950
00:41:21,040 --> 00:41:23,480
Speaker 2: They're not ticking over and have understup the contribute.

951
00:41:23,560 --> 00:41:26,520
Speaker 6: Un So, yeah, that's that's exactly what we wanted to

952
00:41:26,840 --> 00:41:27,719
Speaker 6: capture with zoom.

953
00:41:27,840 --> 00:41:29,719
Speaker 1: And will you be saying this to Sam Pang when

954
00:41:29,760 --> 00:41:32,160
Speaker 1: you have you been paying attention he has You're about

955
00:41:32,200 --> 00:41:32,919
Speaker 1: your your.

956
00:41:32,880 --> 00:41:35,799
Speaker 2: Age ages and Sam ages Sam.

957
00:41:36,000 --> 00:41:38,279
Speaker 6: I think Sam was the very first person I told

958
00:41:38,440 --> 00:41:40,680
Speaker 6: that I was writing a musical. This is probably a

959
00:41:40,800 --> 00:41:44,080
Speaker 6: decade ago, and then of course the follow up was

960
00:41:44,160 --> 00:41:46,200
Speaker 6: ol and it's set in an age home of course,

961
00:41:46,280 --> 00:41:49,280
Speaker 6: so I opened myself up to ritual.

962
00:41:50,120 --> 00:41:50,600
Speaker 2: I'm sure.

963
00:41:51,160 --> 00:41:53,560
Speaker 3: Well, Tom it's great. Can't wait to see coming to

964
00:41:53,719 --> 00:41:55,520
Speaker 3: the studio. You can check this out.

965
00:41:55,520 --> 00:41:58,920
Speaker 1: It's a Sydney the Sydney premier of stc Roslin's Packet

966
00:41:58,960 --> 00:42:01,200
Speaker 1: Theater check bloom Tommy.

967
00:42:01,239 --> 00:42:03,160
Speaker 3: Guys, you know it's always great to catch up with you.

968
00:42:03,360 --> 00:42:07,600
Speaker 2: Lovely to see you, nice, to see you Say Shit podcast,

969
00:42:10,120 --> 00:42:11,480
Speaker 2: Who Wants a Free Money.

970
00:42:11,239 --> 00:42:15,920
Speaker 5: Instance and Amanda's.

971
00:42:17,120 --> 00:42:20,120
Speaker 1: Gold Ten questions sixty seconds on the clock. You can

972
00:42:20,160 --> 00:42:21,680
Speaker 1: pass if you don't know an answer. We'll come back

973
00:42:21,719 --> 00:42:23,000
Speaker 1: to that question of time permits.

974
00:42:23,280 --> 00:42:25,560
Speaker 2: You get all the questions right, one thousand dollars. You

975
00:42:25,600 --> 00:42:28,439
Speaker 2: can make it two thousand dollars by answering one bonus question,

976
00:42:28,480 --> 00:42:29,319
Speaker 2: but it's double or nothing.

977
00:42:29,400 --> 00:42:33,080
Speaker 1: On this day, the twenty fifth of February, Amanda's birthday, Wendy,

978
00:42:33,560 --> 00:42:35,720
Speaker 1: how great would it be you win two thousand dollars?

979
00:42:37,480 --> 00:42:40,200
Speaker 2: Oh, very, very great. I'll tell you what. You're already

980
00:42:40,200 --> 00:42:42,960
Speaker 2: a winner. Everyone, thank you, But everyone who makes it

981
00:42:43,040 --> 00:42:46,640
Speaker 2: to air today, Wendy, because it's my birthday gets the

982
00:42:46,760 --> 00:42:49,279
Speaker 2: reward of yacht rock, which is my favorite genre. You're

983
00:42:49,320 --> 00:42:53,959
Speaker 2: off to see Yochtley Crewe they're an American yacht rock band.

984
00:42:54,040 --> 00:42:54,920
Speaker 2: They are brilliant.

985
00:42:55,080 --> 00:42:56,160
Speaker 3: Here's one we made earlier.

986
00:42:57,680 --> 00:42:59,840
Speaker 2: They are just absolutely brilliant. And we've got tickets for

987
00:42:59,880 --> 00:43:00,400
Speaker 2: them for you.

988
00:43:02,360 --> 00:43:03,680
Speaker 4: Oh okay, thank you very much.

989
00:43:03,760 --> 00:43:06,799
Speaker 2: Steady yourself down there, all right now, eyes to the front.

990
00:43:06,920 --> 00:43:09,320
Speaker 2: This is where we get serious. Ten question sixty seconds.

991
00:43:09,360 --> 00:43:11,440
Speaker 2: If you're not sure to say pass, which you have

992
00:43:11,520 --> 00:43:15,839
Speaker 2: time to come back? All right? Okay, okay, Wendy, here

993
00:43:15,920 --> 00:43:20,880
Speaker 2: we go, good luck. Question number one? What animal me ows? Okay?

994
00:43:21,200 --> 00:43:26,520
Speaker 2: Question two? TV is short for what television? Question three?

995
00:43:26,680 --> 00:43:31,839
Speaker 2: Tulips and sunflowers are types of what flowers? Question four?

996
00:43:31,960 --> 00:43:33,960
Speaker 2: What shape is an AFL field.

997
00:43:37,920 --> 00:43:38,160
Speaker 12: Change?

998
00:43:40,560 --> 00:43:45,799
Speaker 2: I'm sorry it's an oval. That's the NRL. Wendy. I'm

999
00:43:45,880 --> 00:43:48,680
Speaker 2: sorry you said round. Look you're still going to see

1000
00:43:48,719 --> 00:43:50,719
Speaker 2: Yochtley crew. I'm going to be there that night. It's

1001
00:43:50,719 --> 00:43:51,839
Speaker 2: going to be an incredible night.

1002
00:43:53,480 --> 00:43:54,560
Speaker 4: Okay, great, thank you.

1003
00:43:54,640 --> 00:43:55,400
Speaker 2: Thank you, Wendy.

1004
00:43:56,320 --> 00:43:58,560
Speaker 3: We're out of sync with Wendy. There isn't your birthdays?

1005
00:43:58,600 --> 00:44:01,239
Speaker 2: You think she's rattled by it? Another president coming up

1006
00:44:01,280 --> 00:44:04,040
Speaker 2: this hour for you. You're hooking me through. Well, this

1007
00:44:04,360 --> 00:44:08,920
Speaker 2: is so far gives the booty perfume I got.

1008
00:44:09,280 --> 00:44:11,320
Speaker 3: A giant fish soy sauce container.

1009
00:44:11,680 --> 00:44:14,239
Speaker 2: I had a candle that revealed a hidden message that

1010
00:44:14,320 --> 00:44:15,920
Speaker 2: was too rude to read out to say it to

1011
00:44:15,960 --> 00:44:18,200
Speaker 2: say no, go on, go on, go no, go on, no,

1012
00:44:18,480 --> 00:44:22,040
Speaker 2: go on no, And what's next? Well, who can tell?

1013
00:44:22,520 --> 00:44:26,080
Speaker 2: Who can tell? Do you like? Jet skis GM?

1014
00:44:26,800 --> 00:44:30,000
Speaker 1: Who would have thought NRL players in Las Vegas and

1015
00:44:30,120 --> 00:44:31,800
Speaker 1: there was going to be trouble pre season?

1016
00:44:32,040 --> 00:44:35,720
Speaker 2: It doesn't. But this one seems sort of cusan brotherly

1017
00:44:35,800 --> 00:44:38,840
Speaker 2: in a strange way in the in the scheme of things,

1018
00:44:38,960 --> 00:44:39,920
Speaker 2: this one's almost a door.

1019
00:44:40,080 --> 00:44:42,480
Speaker 3: But this is almost nice. It's not pulling someone's shoe.

1020
00:44:43,400 --> 00:44:46,839
Speaker 3: You know, they've they've come a long way NRL players.

1021
00:44:46,560 --> 00:44:49,920
Speaker 2: So Canberra has disciplined them, though so Hudson Young and

1022
00:44:50,040 --> 00:44:50,840
Speaker 2: Morgan Smithy's.

1023
00:44:50,920 --> 00:44:53,760
Speaker 1: Can I just ask about Morgan Smithy's with the name Smithy's,

1024
00:44:53,800 --> 00:44:54,520
Speaker 1: what's his nickname?

1025
00:44:57,320 --> 00:44:59,480
Speaker 2: You're right, his surname is already a nickname. I know,

1026
00:44:59,560 --> 00:45:02,920
Speaker 2: what do you do, mister smith that's his nickname? You're

1027
00:45:02,960 --> 00:45:06,239
Speaker 2: all forever known as They were evicted from their Las

1028
00:45:06,320 --> 00:45:08,879
Speaker 2: Vegas hotel following a scuffle. Now this is unusual because

1029
00:45:08,880 --> 00:45:11,719
Speaker 2: they're close friends. They returned from a night out and

1030
00:45:11,840 --> 00:45:13,279
Speaker 2: what happened is there was.

1031
00:45:13,280 --> 00:45:14,960
Speaker 3: So we're presuming drinking was involved.

1032
00:45:15,000 --> 00:45:17,880
Speaker 2: Are they allowed to before the game? I don't know,

1033
00:45:18,520 --> 00:45:21,279
Speaker 2: l it's a prerequisite. Amid a system's disaster at the

1034
00:45:21,320 --> 00:45:23,360
Speaker 2: hotel that saw a whole lot of people, fans and

1035
00:45:23,440 --> 00:45:26,359
Speaker 2: clubs being caught up in this technical drama. Some people

1036
00:45:26,440 --> 00:45:29,239
Speaker 2: with their luggage left waiting for rooms for ages. So

1037
00:45:29,600 --> 00:45:32,040
Speaker 2: maybe this was their first I'm surmising it was their

1038
00:45:32,080 --> 00:45:35,640
Speaker 2: first day there. They hadn't been allocated a room. They

1039
00:45:35,640 --> 00:45:37,600
Speaker 2: were a little bit jet lagged. They came back to

1040
00:45:37,719 --> 00:45:40,799
Speaker 2: the hotel to find that they didn't one of them

1041
00:45:40,840 --> 00:45:42,719
Speaker 2: didn't have a room and they're going to have to

1042
00:45:42,800 --> 00:45:46,080
Speaker 2: share a bed. A plan says here. That was met

1043
00:45:46,160 --> 00:45:48,000
Speaker 2: with resistance from one of them.

1044
00:45:48,080 --> 00:45:49,040
Speaker 3: Which one resisted.

1045
00:45:49,120 --> 00:45:51,600
Speaker 2: Don't know was it was it Chippy Chipchippy, I don't know.

1046
00:45:52,400 --> 00:45:56,239
Speaker 2: He was feeling a bit salty. Security then well, then

1047
00:45:56,239 --> 00:45:59,080
Speaker 2: they were removed from the hotel following an incident because

1048
00:46:00,160 --> 00:46:05,319
Speaker 2: they a good natured who I'm not staying yessue ended

1049
00:46:05,400 --> 00:46:09,279
Speaker 2: up in fisticuffs in an unusual way and inflatable bat

1050
00:46:09,440 --> 00:46:13,279
Speaker 2: involved on Security arrived to find the players they feared

1051
00:46:13,320 --> 00:46:15,840
Speaker 2: they were fighting with a weapon. The weapon ended up

1052
00:46:15,880 --> 00:46:20,520
Speaker 2: being an inflatable baseball bat. It's an unusual story all round.

1053
00:46:21,239 --> 00:46:23,120
Speaker 3: And what do the players have to say for themselves?

1054
00:46:23,280 --> 00:46:25,080
Speaker 2: Well, this is what they had to say for themselves.

1055
00:46:25,280 --> 00:46:27,320
Speaker 7: Obviously things got a little bit out of hand and

1056
00:46:27,719 --> 00:46:28,360
Speaker 7: happy to move on.

1057
00:46:28,520 --> 00:46:28,880
Speaker 2: All right.

1058
00:46:29,840 --> 00:46:33,040
Speaker 1: Married at first sight, I can actually understand what he's saying.

1059
00:46:33,760 --> 00:46:35,000
Speaker 3: That's totally reasonable.

1060
00:46:35,640 --> 00:46:37,400
Speaker 2: I mean, the club should have sorted so, I know,

1061
00:46:37,480 --> 00:46:39,080
Speaker 2: maybe the hotel had Ricky.

1062
00:46:38,920 --> 00:46:41,919
Speaker 3: Stewart was not He wasn't happy And the last person

1063
00:46:42,000 --> 00:46:43,040
Speaker 3: you want unhappy with.

1064
00:46:43,120 --> 00:46:45,680
Speaker 2: Him was Ricky st He's got his own inflatable baseball

1065
00:46:45,719 --> 00:46:50,320
Speaker 2: bas in the world. Well, let's talk about this tales

1066
00:46:50,400 --> 00:46:52,480
Speaker 2: of sharing the bed. Have you ever had to do that?

1067
00:46:53,840 --> 00:46:54,319
Speaker 11: My lord?

1068
00:46:54,800 --> 00:46:56,840
Speaker 2: I have with my brother, And how did you go?

1069
00:46:57,120 --> 00:46:58,640
Speaker 3: We we'd have to punch on at the drop of

1070
00:46:58,680 --> 00:46:58,920
Speaker 3: a hat.

1071
00:46:59,000 --> 00:47:00,920
Speaker 2: Didn't he chip your two because you got a song

1072
00:47:01,000 --> 00:47:01,520
Speaker 2: lyric wrong?

1073
00:47:01,719 --> 00:47:01,919
Speaker 11: Yeah?

1074
00:47:02,560 --> 00:47:05,839
Speaker 2: Yeah, yeah, that's that's for another that's for another time.

1075
00:47:06,160 --> 00:47:06,440
Speaker 2: I did.

1076
00:47:06,520 --> 00:47:07,719
Speaker 3: I have had moments though.

1077
00:47:07,760 --> 00:47:10,840
Speaker 1: I remember, you know, my Scamp or down at Scamp's

1078
00:47:10,880 --> 00:47:14,360
Speaker 1: farm and it was cold, and I ended up sharing

1079
00:47:14,400 --> 00:47:15,800
Speaker 1: a bed with Scamp's.

1080
00:47:15,440 --> 00:47:22,680
Speaker 9: Dad and Scamp a single bed in a caravan double bed,

1081
00:47:22,760 --> 00:47:25,799
Speaker 9: but it was freezing, and Scamp said, he looked out

1082
00:47:26,239 --> 00:47:30,279
Speaker 9: on the jew crusted ground and there, I mean his

1083
00:47:30,520 --> 00:47:33,920
Speaker 9: dad doing a Wii at the same time in the moonlight,

1084
00:47:34,040 --> 00:47:34,920
Speaker 9: in our underpants.

1085
00:47:36,080 --> 00:47:37,719
Speaker 2: And he just went back to me, said, are there

1086
00:47:37,760 --> 00:47:42,879
Speaker 2: any questions? Because sleeping together and in sleeping is often

1087
00:47:42,960 --> 00:47:46,000
Speaker 2: the biggest intimacy. I think there is more than having

1088
00:47:46,080 --> 00:47:48,160
Speaker 2: off with someone, or all of that shares.

1089
00:47:49,000 --> 00:47:52,040
Speaker 3: So the definition is you would feel if, say Harley

1090
00:47:52,160 --> 00:47:53,520
Speaker 3: was having it off with No.

1091
00:47:53,719 --> 00:47:53,759
Speaker 7: No.

1092
00:47:53,920 --> 00:47:56,839
Speaker 2: No, I don't mean it's just sleeping with no. I mean,

1093
00:47:58,080 --> 00:48:00,400
Speaker 2: for example, when you're first in a relationship, spending the

1094
00:48:00,480 --> 00:48:03,479
Speaker 2: night with someone's really weird. The intimacy of sleeping with someone,

1095
00:48:03,640 --> 00:48:05,680
Speaker 2: And if you're sleeping with someone who's not your partner,

1096
00:48:05,960 --> 00:48:09,080
Speaker 2: someone who's your mate's dad, it's unusual.

1097
00:48:09,160 --> 00:48:10,520
Speaker 3: If it's okay, if you want to rip one out,

1098
00:48:10,560 --> 00:48:12,520
Speaker 3: it's okay, But when.

1099
00:48:12,360 --> 00:48:14,560
Speaker 2: You win, how would you feel if he had I

1100
00:48:14,600 --> 00:48:17,800
Speaker 2: wouldn't bother me because it's your top to tail. I

1101
00:48:17,840 --> 00:48:22,000
Speaker 2: were just like facing each other, so you weren't spooning,

1102
00:48:22,040 --> 00:48:23,000
Speaker 2: so were you facing each other.

1103
00:48:23,120 --> 00:48:24,919
Speaker 3: The bed was big enough to have a bit of space.

1104
00:48:25,040 --> 00:48:27,560
Speaker 3: There was a bit of a sleeping bag vider and

1105
00:48:27,640 --> 00:48:28,600
Speaker 3: we're in sleeping bank.

1106
00:48:28,719 --> 00:48:35,239
Speaker 2: Okay, okay, separate ones, not a big double. Tales of

1107
00:48:35,440 --> 00:48:39,360
Speaker 2: sharing the bed. No, they were in the bed and

1108
00:48:39,600 --> 00:48:43,879
Speaker 2: the little and said, everyone who makes it to week

1109
00:48:43,920 --> 00:48:45,239
Speaker 2: it's sicks to see Yochtley crew.

1110
00:48:45,680 --> 00:48:48,359
Speaker 1: Because it's Amanda's birthday, you get the presents. Thirteen ninety

1111
00:48:48,360 --> 00:48:49,320
Speaker 1: seven thirty six.

1112
00:48:49,520 --> 00:48:49,920
Speaker 11: Young Z.

1113
00:48:51,800 --> 00:48:55,000
Speaker 1: Podcast The Tribal Dramas beating two NRL players from the

1114
00:48:55,080 --> 00:48:59,000
Speaker 1: Canbra side, Hudson Young and Morgan Smithy's got in.

1115
00:48:59,120 --> 00:49:03,520
Speaker 3: Trouble because something we don't know whose bed was, who didn't.

1116
00:49:03,280 --> 00:49:04,719
Speaker 2: Have a room. No, there was a mix up at

1117
00:49:04,760 --> 00:49:07,680
Speaker 2: the hotel that asked to share a bed. One said

1118
00:49:07,719 --> 00:49:10,000
Speaker 2: oh okay and the other one didn't want to. Next minute,

1119
00:49:10,040 --> 00:49:13,720
Speaker 2: they're waking each other with inflatable baseball bat. It happens.

1120
00:49:14,120 --> 00:49:16,640
Speaker 2: Chibal Joum is beating four tales of sharing the bed.

1121
00:49:17,200 --> 00:49:20,479
Speaker 3: They were two in the bed and the little and said,

1122
00:49:21,840 --> 00:49:22,879
Speaker 3: have you seen them on the news.

1123
00:49:22,960 --> 00:49:24,719
Speaker 2: One of them's got a little black y. Look they're

1124
00:49:24,719 --> 00:49:26,200
Speaker 2: good friends. They look so sagren.

1125
00:49:26,360 --> 00:49:28,600
Speaker 3: That's what happens with friends. Ashley's with us.

1126
00:49:28,560 --> 00:49:31,839
Speaker 2: Hello, Ashley. Everyone who gets to wear today is off

1127
00:49:31,880 --> 00:49:38,239
Speaker 2: to see yachtney cruise your rock and you're going along.

1128
00:49:38,680 --> 00:49:41,600
Speaker 13: Ashley, Thank you and happiest the birthday, Amanda.

1129
00:49:41,880 --> 00:49:44,040
Speaker 2: Thank you, Ashley. I appreciate it. So who shared a

1130
00:49:44,120 --> 00:49:44,400
Speaker 2: bed with?

1131
00:49:44,480 --> 00:49:44,640
Speaker 8: Who?

1132
00:49:46,080 --> 00:49:48,399
Speaker 13: So I actually co sleep with my four year old.

1133
00:49:48,480 --> 00:49:50,640
Speaker 13: I know you're not supposed to, but I do. And

1134
00:49:51,480 --> 00:49:54,480
Speaker 13: she was sleeping just below my stomach and she must

1135
00:49:54,520 --> 00:49:56,399
Speaker 13: have had a nightmare and she launched up the bed

1136
00:49:56,480 --> 00:49:58,520
Speaker 13: in the base of her head, hit the tip of

1137
00:49:58,600 --> 00:50:02,320
Speaker 13: my nose and broke my nose. Oh no, it doesn't

1138
00:50:02,360 --> 00:50:03,920
Speaker 13: take much force to break those.

1139
00:50:03,880 --> 00:50:04,080
Speaker 6: You know.

1140
00:50:04,640 --> 00:50:09,280
Speaker 2: Oh no, Actually, try trying not to be instantly angry

1141
00:50:09,360 --> 00:50:10,560
Speaker 2: would have been really hard.

1142
00:50:10,760 --> 00:50:13,240
Speaker 3: You got to stop, I cried.

1143
00:50:13,840 --> 00:50:16,719
Speaker 2: Of course it hurts like that, dickas it absolutely does.

1144
00:50:16,880 --> 00:50:18,800
Speaker 3: I'll say this to you when you get woken.

1145
00:50:19,320 --> 00:50:22,040
Speaker 1: Actually's your four year old my daughter who is now

1146
00:50:22,239 --> 00:50:23,319
Speaker 1: twenty seven, twenty eight.

1147
00:50:24,120 --> 00:50:25,680
Speaker 3: She didn't sleep for six years.

1148
00:50:25,840 --> 00:50:28,200
Speaker 2: I mean didn't sleep because you're always in our bed

1149
00:50:28,760 --> 00:50:29,440
Speaker 2: six years.

1150
00:50:29,760 --> 00:50:31,520
Speaker 3: Actually you got to nip it in the bus in

1151
00:50:31,560 --> 00:50:33,560
Speaker 3: your bed until she was six. No, she come in.

1152
00:50:33,680 --> 00:50:35,160
Speaker 3: She'd always sneak in one's.

1153
00:50:35,000 --> 00:50:36,640
Speaker 2: Dominic's twenty three.

1154
00:50:37,040 --> 00:50:40,239
Speaker 3: No, it is nothing weird, but she'd sneak in and

1155
00:50:40,520 --> 00:50:43,880
Speaker 3: sleep with us in the bed, and you'd be so tired.

1156
00:50:43,880 --> 00:50:45,200
Speaker 2: I think part of resistance.

1157
00:50:45,200 --> 00:50:47,920
Speaker 1: But I was at a radio station and one guy said,

1158
00:50:47,920 --> 00:50:49,640
Speaker 1: what's happened if Jonesy sounds terrible?

1159
00:50:49,719 --> 00:50:52,360
Speaker 2: Flat on air, sounds dreadful. And I said town, And

1160
00:50:52,400 --> 00:50:53,720
Speaker 2: I said, she's just she's.

1161
00:50:53,680 --> 00:50:55,800
Speaker 3: Ruining our lives. We're got to put her in The

1162
00:50:56,080 --> 00:50:56,600
Speaker 3: only thing.

1163
00:50:56,520 --> 00:50:58,520
Speaker 1: I could say is get her a bedroom further away

1164
00:50:58,560 --> 00:50:59,520
Speaker 1: from where your bedroom is.

1165
00:50:59,560 --> 00:51:00,680
Speaker 3: Actually, love, this helps you.

1166
00:51:01,680 --> 00:51:02,440
Speaker 13: That's a good idea.

1167
00:51:02,600 --> 00:51:05,600
Speaker 3: Well, it is because what they do seriously, they sense

1168
00:51:05,640 --> 00:51:07,919
Speaker 3: it and then to rod to your own back.

1169
00:51:09,040 --> 00:51:10,880
Speaker 13: Yeah, it's actually sniffed me out when I'm not in

1170
00:51:10,960 --> 00:51:11,560
Speaker 13: the room with her.

1171
00:51:12,040 --> 00:51:12,239
Speaker 7: Yeah.

1172
00:51:12,280 --> 00:51:13,600
Speaker 2: Well, good luck with that and good luck with you.

1173
00:51:13,680 --> 00:51:16,280
Speaker 13: Shnores, thank you, Happy birthday again.

1174
00:51:16,400 --> 00:51:19,560
Speaker 2: Thank you. sALS joined us sounds off to see Yochtley Crue.

1175
00:51:20,920 --> 00:51:26,160
Speaker 2: Good morning through Hello sound sal Hello, good morning, good.

1176
00:51:26,040 --> 00:51:28,920
Speaker 11: Morning Amanda, my favorite girl. Happy birthday.

1177
00:51:29,080 --> 00:51:31,440
Speaker 2: Sol. I very much appreciate it, Thank you very much.

1178
00:51:31,840 --> 00:51:32,880
Speaker 3: Who was You're welcome.

1179
00:51:33,600 --> 00:51:35,400
Speaker 11: Appreciate you guys too, Thank you.

1180
00:51:35,719 --> 00:51:39,560
Speaker 2: Ah well, who was sharing a bed with who? Sal Well? Look,

1181
00:51:39,560 --> 00:51:40,520
Speaker 2: it was a long time ago.

1182
00:51:40,840 --> 00:51:43,400
Speaker 12: We were very young with my brother and I we

1183
00:51:43,560 --> 00:51:44,640
Speaker 12: were short on the cash.

1184
00:51:44,760 --> 00:51:47,759
Speaker 13: We went away for a weekend looking for a bit

1185
00:51:47,800 --> 00:51:50,279
Speaker 13: of action and we ended up having to share a.

1186
00:51:50,280 --> 00:51:54,160
Speaker 11: Bed and after a long night out, we eventually went

1187
00:51:54,200 --> 00:51:56,360
Speaker 11: to sleep and I wake up horrified.

1188
00:51:56,520 --> 00:51:56,840
Speaker 6: He was.

1189
00:51:58,360 --> 00:52:01,280
Speaker 11: Attending to throw a leg over and it was frightened.

1190
00:52:03,920 --> 00:52:04,239
Speaker 10: So he.

1191
00:52:06,040 --> 00:52:08,640
Speaker 2: He was the more success, didn't know. I didn't know

1192
00:52:08,760 --> 00:52:11,640
Speaker 2: what he was doing though, so I'll throw the leg

1193
00:52:11,680 --> 00:52:12,000
Speaker 2: over you.

1194
00:52:13,400 --> 00:52:14,160
Speaker 1: Yeah, he was.

1195
00:52:14,400 --> 00:52:16,800
Speaker 11: It is a big It wasn't easy to kind of

1196
00:52:16,960 --> 00:52:18,480
Speaker 11: stop things in this, if you know.

1197
00:52:18,520 --> 00:52:18,920
Speaker 6: What I mean.

1198
00:52:19,200 --> 00:52:23,120
Speaker 2: So so yes, Jonesy wants reassurance that your brother didn't

1199
00:52:23,160 --> 00:52:23,759
Speaker 2: know what he was doing.

1200
00:52:23,840 --> 00:52:25,560
Speaker 3: He didn't know what he was doing.

1201
00:52:26,800 --> 00:52:28,800
Speaker 11: I think he might have been as horrified as I was.

1202
00:52:30,520 --> 00:52:32,520
Speaker 3: It's like in planes, trans and automobiles.

1203
00:52:32,560 --> 00:52:35,080
Speaker 2: You know how about that Bears game. Hell of a game,

1204
00:52:35,200 --> 00:52:37,000
Speaker 2: because that was like that you're not cushions.

1205
00:52:38,680 --> 00:52:43,600
Speaker 11: So yeah, it was a scary moment. Just again after that,

1206
00:52:43,960 --> 00:52:44,279
Speaker 11: I can.

1207
00:52:44,239 --> 00:52:45,560
Speaker 2: Amazine very deep down.

1208
00:52:45,600 --> 00:52:50,400
Speaker 5: Wow Wow Wow Jonesy and Amanda podcast.

1209
00:52:54,040 --> 00:52:56,440
Speaker 3: If I was on the celebrity race, I say, he's.

1210
00:52:56,320 --> 00:52:58,160
Speaker 2: Got the smallest and meat and potato and the beers.

1211
00:52:58,239 --> 00:53:00,840
Speaker 2: So we start with that I be birthday to you.

1212
00:53:01,440 --> 00:53:05,080
Speaker 1: Two merl players from the Canbra side, Hudson Young and

1213
00:53:05,160 --> 00:53:07,880
Speaker 1: Morgan Smithe's are in trouble after they had a bit

1214
00:53:07,920 --> 00:53:09,200
Speaker 1: of a hotel brewhard well.

1215
00:53:09,239 --> 00:53:11,279
Speaker 2: Apparently there was a technical glitch at the hotel. Lots

1216
00:53:11,280 --> 00:53:14,080
Speaker 2: of people didn't get their rooms assigned. These guys thought

1217
00:53:14,080 --> 00:53:15,800
Speaker 2: they'd have to share a room. One didn't want to

1218
00:53:16,000 --> 00:53:19,160
Speaker 2: share a bed. Security was called because I thought that

1219
00:53:19,239 --> 00:53:21,279
Speaker 2: there was. There was an altercation with a weapon, which

1220
00:53:21,360 --> 00:53:24,279
Speaker 2: ended up being an inflatable baseball bat. The tribal drum

1221
00:53:24,400 --> 00:53:26,279
Speaker 2: is beating for tales of sharing the bed.

1222
00:53:26,840 --> 00:53:30,400
Speaker 12: There were too in the bed and the little said.

1223
00:53:31,680 --> 00:53:33,919
Speaker 2: Danny has joined us by Danny who shared the bed.

1224
00:53:34,800 --> 00:53:36,680
Speaker 4: Happy birthday, Amanda, hope you have a great day.

1225
00:53:36,800 --> 00:53:38,840
Speaker 2: Danny. Thank you. You are off as all our callers

1226
00:53:38,880 --> 00:53:40,759
Speaker 2: are who make a Twitter day to see Yochtni crew.

1227
00:53:41,680 --> 00:53:42,600
Speaker 12: Oh wonderful ones.

1228
00:53:43,640 --> 00:53:47,279
Speaker 4: Danny, thank you so much. Okay, So, growing up as Cheese,

1229
00:53:47,320 --> 00:53:49,440
Speaker 4: the grandparents had quite often not come down from the

1230
00:53:49,480 --> 00:53:53,080
Speaker 4: Central Coast. Now, being on one of four children, there

1231
00:53:53,160 --> 00:53:55,080
Speaker 4: was never enough beds to go around. So this is

1232
00:53:55,239 --> 00:53:57,600
Speaker 4: particular night my sister as me and I had to

1233
00:53:57,640 --> 00:54:01,600
Speaker 4: share top to toe clayed this duba game, and we

1234
00:54:01,719 --> 00:54:04,360
Speaker 4: put foot and food against each other and push against

1235
00:54:04,400 --> 00:54:06,920
Speaker 4: each other and see who was the strongest. Anyway, this

1236
00:54:07,000 --> 00:54:10,279
Speaker 4: in particular night, my foot slipped, I went straight through

1237
00:54:10,280 --> 00:54:11,319
Speaker 4: and smashed the teeth out.

1238
00:54:11,680 --> 00:54:14,799
Speaker 2: Oh but you were, you were top to toe, top

1239
00:54:14,840 --> 00:54:16,480
Speaker 2: to toe, you smashed the teeth.

1240
00:54:17,880 --> 00:54:21,640
Speaker 4: Yeah, you put your feet against each other. And then

1241
00:54:21,719 --> 00:54:24,480
Speaker 4: I slipped off hers and went straight into her face

1242
00:54:24,520 --> 00:54:25,359
Speaker 4: and smash the seat out.

1243
00:54:25,560 --> 00:54:27,399
Speaker 2: But your top to tie, So how did your foot

1244
00:54:27,480 --> 00:54:29,880
Speaker 2: go from touching her foot to touching her face?

1245
00:54:30,880 --> 00:54:33,080
Speaker 4: Because we're pushing against each other with our feet, so

1246
00:54:33,160 --> 00:54:34,960
Speaker 4: we had our feet up against each other like beat

1247
00:54:35,040 --> 00:54:36,200
Speaker 4: knees feed up against each other.

1248
00:54:38,640 --> 00:54:42,840
Speaker 2: Okay, yeah, that makes you some sort of gymnast and

1249
00:54:42,960 --> 00:54:46,520
Speaker 2: that makes sense. Now, thanks, thank you. Danny has a choppers.

1250
00:54:46,600 --> 00:54:50,360
Speaker 3: Now we'll never know Janey before she.

1251
00:54:50,400 --> 00:54:52,360
Speaker 4: Actually got braces, and I've got big trouble.

1252
00:54:52,520 --> 00:54:54,800
Speaker 2: Of course you were cheap teeth.

1253
00:54:55,719 --> 00:54:56,040
Speaker 3: Thank you.

1254
00:54:57,080 --> 00:54:58,680
Speaker 2: Hello Debbie who was sharing.

1255
00:54:58,440 --> 00:55:02,160
Speaker 12: The bed with who Oh, good morning your beautiful souls,

1256
00:55:02,280 --> 00:55:05,320
Speaker 12: and I'd like to wish you were very happy birthday.

1257
00:55:05,320 --> 00:55:06,240
Speaker 5: Amanda Divvy.

1258
00:55:06,400 --> 00:55:07,920
Speaker 2: Thank you. That's very kind as he is.

1259
00:55:08,320 --> 00:55:08,759
Speaker 3: You're off to.

1260
00:55:10,320 --> 00:55:12,400
Speaker 2: Cruise I was wonderful.

1261
00:55:12,560 --> 00:55:14,640
Speaker 12: Thank you, so very very much, thank you.

1262
00:55:15,600 --> 00:55:17,000
Speaker 10: Now my tale.

1263
00:55:17,760 --> 00:55:21,319
Speaker 12: I was about fourteen and I was allowed to stay

1264
00:55:21,320 --> 00:55:25,520
Speaker 12: at a girlfriend's house overnight. So during the middle of

1265
00:55:25,680 --> 00:55:30,560
Speaker 12: the night, I woke up and I was dripping wet

1266
00:55:31,400 --> 00:55:37,480
Speaker 12: from basically my waist my chest. I woke up and

1267
00:55:37,680 --> 00:55:45,600
Speaker 12: my friend had wet the bed. She had wound all

1268
00:55:45,920 --> 00:55:52,960
Speaker 12: through the bed. I was dripping wet. I tried, I

1269
00:55:53,160 --> 00:55:55,200
Speaker 12: tried to wake her up, that she was in such

1270
00:55:55,239 --> 00:55:56,400
Speaker 12: a deep sleep. I couldn't.

1271
00:55:58,520 --> 00:55:59,239
Speaker 11: Oh, no, no no.

1272
00:55:59,400 --> 00:56:02,120
Speaker 12: I got up the bed and I went to her parents' room,

1273
00:56:02,520 --> 00:56:04,120
Speaker 12: tapped on the tapped.

1274
00:56:03,840 --> 00:56:04,959
Speaker 11: On the door.

1275
00:56:05,480 --> 00:56:08,920
Speaker 12: They came out. Mum picked her up to to the bathroom,

1276
00:56:09,360 --> 00:56:13,439
Speaker 12: washed her, changed the beds, put her back to bed,

1277
00:56:13,680 --> 00:56:18,839
Speaker 12: and I ended up sleeping on the floor. How at fourteen, Well,

1278
00:56:19,239 --> 00:56:23,160
Speaker 12: I was fourteen and she was a year older than me,

1279
00:56:23,360 --> 00:56:26,759
Speaker 12: she was fifteen. But nobody ever mentioned that she was

1280
00:56:27,360 --> 00:56:30,879
Speaker 12: a bed wearter ever, and I found out later down

1281
00:56:30,960 --> 00:56:31,640
Speaker 12: the track.

1282
00:56:37,520 --> 00:56:41,120
Speaker 3: Found out that night when they that's a sign.

1283
00:56:46,760 --> 00:56:49,160
Speaker 2: It was one of the stories she tells that poor

1284
00:56:49,239 --> 00:56:51,840
Speaker 2: girl and poor you, Debbie, Yeah, poor you.

1285
00:56:53,840 --> 00:56:56,440
Speaker 12: I was poor me at the time, but that I

1286
00:56:56,800 --> 00:56:59,640
Speaker 12: never ever brought it up. She ended up marrying my cousin.

1287
00:57:00,080 --> 00:57:02,680
Speaker 12: Never ever, once did I bring that story.

1288
00:57:03,120 --> 00:57:05,640
Speaker 2: She married your cousin, and it was never mentioned.

1289
00:57:08,600 --> 00:57:10,239
Speaker 3: So she's still in your life now.

1290
00:57:17,800 --> 00:57:21,400
Speaker 2: I hope he got the warner. Debbie, what a tail.

1291
00:57:21,720 --> 00:57:23,520
Speaker 3: So now it's out there we all know.

1292
00:57:26,000 --> 00:57:26,960
Speaker 12: Thanks God.

1293
00:57:28,880 --> 00:57:32,320
Speaker 3: He wraps herself up. Well wow, thank you, Debbie.

1294
00:57:34,960 --> 00:57:38,120
Speaker 2: Podcast. We're talking earlier about a Melbourne couple who were

1295
00:57:38,200 --> 00:57:42,720
Speaker 2: flying from Melbourne to Doha and Guitar Airways. A woman

1296
00:57:42,880 --> 00:57:48,280
Speaker 2: on the flight passed away. She was then these two

1297
00:57:48,320 --> 00:57:50,160
Speaker 2: were asked to shuffle up next to the window, so

1298
00:57:50,280 --> 00:57:53,439
Speaker 2: this woman was given the aisle seat. So they flew

1299
00:57:53,480 --> 00:57:55,440
Speaker 2: for four even though there were other seats that were empty.

1300
00:57:55,760 --> 00:57:58,960
Speaker 2: They flew for four hours with this person drapped in

1301
00:57:59,000 --> 00:58:01,840
Speaker 2: a blank next to them, and then when they landed

1302
00:58:01,840 --> 00:58:03,080
Speaker 2: they had to wait to the end to get out

1303
00:58:03,120 --> 00:58:04,680
Speaker 2: because they had to wait for this woman to be

1304
00:58:04,760 --> 00:58:05,480
Speaker 2: taken from the ass.

1305
00:58:05,600 --> 00:58:08,000
Speaker 3: You would wonder that there are protocols and that's a

1306
00:58:08,040 --> 00:58:08,360
Speaker 3: good thing.

1307
00:58:08,480 --> 00:58:10,800
Speaker 1: We have Steve, a flight attendant with us right now,

1308
00:58:10,840 --> 00:58:12,120
Speaker 1: who heard us talking about this early.

1309
00:58:12,200 --> 00:58:15,880
Speaker 11: How I see Yes, good morning guys, very well.

1310
00:58:15,960 --> 00:58:18,080
Speaker 2: Is it uncommon or common for someone to die on

1311
00:58:18,120 --> 00:58:18,520
Speaker 2: a flight.

1312
00:58:21,400 --> 00:58:27,160
Speaker 11: Well, as passenger loads increase, it's more common. In my career,

1313
00:58:27,360 --> 00:58:32,320
Speaker 11: I've had three deaths on board the aircraft. So we

1314
00:58:32,520 --> 00:58:39,600
Speaker 11: have procedures. They made very slightly. I actually from different airlines,

1315
00:58:39,760 --> 00:58:42,240
Speaker 11: but certainly the airline I work for. We have our

1316
00:58:42,320 --> 00:58:47,280
Speaker 11: procedures what to do and what was that. Well, if

1317
00:58:47,320 --> 00:58:51,080
Speaker 11: it's a full aircraft, and you know, I had seen

1318
00:58:51,120 --> 00:58:53,000
Speaker 11: a story on the current affair, but if it's a

1319
00:58:53,040 --> 00:58:54,840
Speaker 11: full aircraft, that's not as parally.

1320
00:58:55,000 --> 00:58:55,760
Speaker 9: We leave the.

1321
00:58:57,320 --> 00:58:59,919
Speaker 11: Person who passed away, We leave them in there, see

1322
00:59:00,720 --> 00:59:05,040
Speaker 11: blankets not over their head. Our procedures. It just looks

1323
00:59:05,120 --> 00:59:08,320
Speaker 11: like there are sleeps, you know, and of course seat

1324
00:59:08,360 --> 00:59:11,520
Speaker 11: belts on and everything. If we do have spare seats,

1325
00:59:12,040 --> 00:59:16,760
Speaker 11: well they can be moved, you know, but always there

1326
00:59:16,840 --> 00:59:21,760
Speaker 11: must be like in this sitting up position, not laying down.

1327
00:59:21,800 --> 00:59:23,680
Speaker 11: If there's spare seats across to say, a row of

1328
00:59:23,760 --> 00:59:25,000
Speaker 11: three or four seats.

1329
00:59:25,600 --> 00:59:27,880
Speaker 2: Is that a medical thing that they remain sitting up.

1330
00:59:29,960 --> 00:59:34,320
Speaker 11: To a point yet that they remain upright? But you know,

1331
00:59:34,520 --> 00:59:39,600
Speaker 11: I had one where a gentleman collapsed in the laboratory

1332
00:59:39,680 --> 00:59:42,080
Speaker 11: and we had to pull him out the laboratory. We

1333
00:59:42,160 --> 00:59:45,400
Speaker 11: had to work on him you know, CPR on the

1334
00:59:45,480 --> 00:59:50,400
Speaker 11: floor of the aircraft. Unfortunately that was coming into landing

1335
00:59:50,440 --> 00:59:52,800
Speaker 11: in the Sydney so we had to leave him on

1336
00:59:52,880 --> 00:59:56,360
Speaker 11: the floor. And we have our procedures if that happens.

1337
00:59:57,880 --> 01:00:00,120
Speaker 11: You know, all doors of the aircraft must be and

1338
01:00:02,120 --> 01:00:05,800
Speaker 11: as we're landing, as always in case there is an

1339
01:00:05,800 --> 01:00:08,520
Speaker 11: emergency and doors have to be open and slides deployed

1340
01:00:08,680 --> 01:00:10,200
Speaker 11: or rafts deployed.

1341
01:00:10,400 --> 01:00:11,760
Speaker 2: You had to leave him where he was.

1342
01:00:12,640 --> 01:00:16,840
Speaker 11: Yeah. Yeah, if he was a large gentleman and we're

1343
01:00:16,880 --> 01:00:20,320
Speaker 11: lost in it, it was very unfortunate. But I imagine

1344
01:00:20,360 --> 01:00:24,000
Speaker 11: it vary from different airlines procedures.

1345
01:00:24,160 --> 01:00:25,959
Speaker 1: So do these guys. Do you think that these guys

1346
01:00:26,240 --> 01:00:29,560
Speaker 1: followed the protocol correctly or not? Or was the people

1347
01:00:29,600 --> 01:00:31,840
Speaker 1: on the plane? You know, the old saying the squeaky

1348
01:00:31,840 --> 01:00:34,439
Speaker 1: will gets the grease of these people pushed back and says, look,

1349
01:00:34,440 --> 01:00:34,959
Speaker 1: I'm not sitting.

1350
01:00:35,080 --> 01:00:36,360
Speaker 2: He said, where are the space seat?

1351
01:00:36,360 --> 01:00:38,040
Speaker 1: Because they said, oh, not fair enough, will sit there

1352
01:00:38,040 --> 01:00:39,320
Speaker 1: if they push back.

1353
01:00:39,360 --> 01:00:40,600
Speaker 2: But do they move those people?

1354
01:00:41,960 --> 01:00:45,640
Speaker 11: We can move people. We can move passengers too if

1355
01:00:45,640 --> 01:00:49,200
Speaker 11: they're feeling uncomfortable, you know, we can move them and

1356
01:00:49,400 --> 01:00:53,680
Speaker 11: someone who's willing to sit beside them say ablebody passenger

1357
01:00:53,760 --> 01:00:56,840
Speaker 11: who would be like somebody from the military or from

1358
01:00:56,880 --> 01:01:02,360
Speaker 11: an airline, blucky passengering from the airline or a different

1359
01:01:02,400 --> 01:01:06,200
Speaker 11: airline that they're used to these procedures, or someone police

1360
01:01:06,280 --> 01:01:09,400
Speaker 11: or somebody who if in their in their civilian life,

1361
01:01:09,640 --> 01:01:11,320
Speaker 11: then we get them to sit beside them with other

1362
01:01:11,400 --> 01:01:14,680
Speaker 11: passengers feeling uncomfortable with that, you know, or maybe if

1363
01:01:14,720 --> 01:01:17,680
Speaker 11: there's doctors or nurses on bred will make a PA

1364
01:01:17,840 --> 01:01:21,600
Speaker 11: saying could you please assist us, We'll put it to them.

1365
01:01:23,440 --> 01:01:26,880
Speaker 11: But that is the Yeah, the protocols they did that

1366
01:01:27,080 --> 01:01:30,320
Speaker 11: passenge of that crew on the Qatar would be pretty normal.

1367
01:01:30,400 --> 01:01:32,240
Speaker 11: You have to wait to the end, so everybody else

1368
01:01:32,280 --> 01:01:35,000
Speaker 11: gets off the aircraft when it's when it's landed at

1369
01:01:35,040 --> 01:01:39,640
Speaker 11: the port, and those you know, the deceased and their

1370
01:01:39,720 --> 01:01:45,200
Speaker 11: relatives would stay on board. Paramedics ambulance would come and yeah,

1371
01:01:45,520 --> 01:01:48,120
Speaker 11: and then reports have to be done about what happened.

1372
01:01:49,520 --> 01:01:51,880
Speaker 2: It's just unusual. If there were space seats and they

1373
01:01:51,920 --> 01:01:54,280
Speaker 2: weren't in them, well.

1374
01:01:54,360 --> 01:01:57,640
Speaker 11: That's another airline. So I can't say really what they

1375
01:01:57,880 --> 01:02:02,240
Speaker 11: what their procedures are with that. They may have their reasons,

1376
01:02:02,280 --> 01:02:05,160
Speaker 11: but like I said in the beginning, their proceages might

1377
01:02:05,400 --> 01:02:09,840
Speaker 11: vary slightly because pretty much common persages what we would

1378
01:02:09,880 --> 01:02:10,160
Speaker 11: have to do.

1379
01:02:11,400 --> 01:02:13,760
Speaker 2: Well, Steve, thank you, thank you very good.

1380
01:02:14,440 --> 01:02:15,160
Speaker 11: You're as welcome.

1381
01:02:15,200 --> 01:02:16,640
Speaker 2: It's good to get a bit of insight. It would

1382
01:02:16,640 --> 01:02:18,720
Speaker 2: because it'd be very confronting having someone passed away on

1383
01:02:18,760 --> 01:02:21,800
Speaker 2: your flight. But inevitably people are going to die.

1384
01:02:22,400 --> 01:02:24,640
Speaker 3: That's what happens. You buck for it up great.

1385
01:02:26,480 --> 01:02:28,480
Speaker 2: Well, Yeah, if there's a seat in business.

1386
01:02:30,080 --> 01:02:31,600
Speaker 3: I'm happy to do it. That's the sort of guy.

1387
01:02:31,960 --> 01:02:34,640
Speaker 2: Yeah, I get someone from the military to sit with

1388
01:02:34,760 --> 01:02:36,920
Speaker 2: the deceased person, and you might meanwhile banging on the

1389
01:02:36,960 --> 01:02:37,840
Speaker 2: door of business class.

1390
01:02:37,880 --> 01:02:38,800
Speaker 3: Thank you for your service.

1391
01:02:39,520 --> 01:02:50,800
Speaker 2: Jem Jama twenty grand fort favorite goolie of the year.

1392
01:02:50,920 --> 01:02:51,640
Speaker 2: What have we got.

1393
01:02:53,160 --> 01:02:57,520
Speaker 16: My ghoulie, Amanda and Jonesy is when you go to

1394
01:02:57,680 --> 01:03:02,360
Speaker 16: Woolworth and you put your trolley coin in, you pull

1395
01:03:02,440 --> 01:03:06,640
Speaker 16: it out, you're trolley out and the wheels don't work.

1396
01:03:07,000 --> 01:03:12,360
Speaker 16: That really gets my gulies going, considering we now have

1397
01:03:12,560 --> 01:03:13,680
Speaker 16: to pay for a trolley.

1398
01:03:13,840 --> 01:03:15,880
Speaker 2: Sounds like I said, love, I said, Petter said love,

1399
01:03:16,120 --> 01:03:17,439
Speaker 2: fair enough. What else?

1400
01:03:18,400 --> 01:03:21,680
Speaker 17: What really gets my goolies is standing at a concert

1401
01:03:22,000 --> 01:03:25,120
Speaker 17: or at a festival up the front and what some

1402
01:03:25,360 --> 01:03:27,960
Speaker 17: might term the moshpit, although at our age, I think

1403
01:03:28,000 --> 01:03:31,320
Speaker 17: it's more a slosh bit. And people are talking and

1404
01:03:31,520 --> 01:03:35,480
Speaker 17: having conversations and gossiping about stuff that has nothing to

1405
01:03:35,560 --> 01:03:37,680
Speaker 17: do with the music. You're trying to stand there and

1406
01:03:37,880 --> 01:03:41,440
Speaker 17: listen and enjoy and maybe even dance, and all these

1407
01:03:41,840 --> 01:03:44,280
Speaker 17: very loud conversations are going on around you.

1408
01:03:44,840 --> 01:03:48,040
Speaker 1: You have that same complaint not fasting you Trump, he slipped,

1409
01:03:48,840 --> 01:03:50,040
Speaker 1: and people are just talking.

1410
01:03:50,160 --> 01:03:52,240
Speaker 3: We're talking out of aboutom of the Good.

1411
01:03:52,720 --> 01:03:54,720
Speaker 1: If you missed out, you can contact us by the

1412
01:03:54,840 --> 01:03:55,959
Speaker 1: iHeartRadio app.

1413
01:03:58,600 --> 01:04:00,640
Speaker 3: I'll do all this open my life. Ask gift for

1414
01:04:00,680 --> 01:04:01,640
Speaker 3: you for your birthday.

1415
01:04:01,760 --> 01:04:04,360
Speaker 1: Sorry it's in Christmas wrapping, but your birthday so close

1416
01:04:04,400 --> 01:04:08,680
Speaker 1: to Christmas? Our favorite caller, email or Facebook friend. When's

1417
01:04:08,720 --> 01:04:11,720
Speaker 1: a three hundred dollars best Restaurant's gift card. Give the

1418
01:04:11,800 --> 01:04:14,960
Speaker 1: gift of great Taste and choose from over four hundred restaurants.

1419
01:04:15,120 --> 01:04:18,720
Speaker 1: Plus you get the Jonesy Demander, keyring and teetoel as well.

1420
01:04:19,080 --> 01:04:21,200
Speaker 1: The tribal drum was beating for tales of sharing the

1421
01:04:21,240 --> 01:04:24,760
Speaker 1: bed after two NRL players got into a scuff leading

1422
01:04:24,840 --> 01:04:27,360
Speaker 1: them to being kicked down at a hotel room in Vegas,

1423
01:04:27,520 --> 01:04:30,120
Speaker 1: and it was all because they had to share a bed.

1424
01:04:31,480 --> 01:04:33,520
Speaker 2: Obviously things got a little bit out of hand and

1425
01:04:33,920 --> 01:04:34,560
Speaker 2: happy to move on.

1426
01:04:34,880 --> 01:04:37,720
Speaker 3: Yeah, well that's history anyway.

1427
01:04:37,840 --> 01:04:40,800
Speaker 1: Debbie from Padstow told us the story about her friend

1428
01:04:40,880 --> 01:04:44,280
Speaker 1: wedding the bed while she was in it, she.

1429
01:04:44,480 --> 01:04:50,360
Speaker 12: Had exployed all through the bed. I was dripping wet.

1430
01:04:50,800 --> 01:04:53,720
Speaker 3: We did go on to discover that she had married

1431
01:04:54,040 --> 01:04:54,640
Speaker 3: her cousin.

1432
01:04:55,360 --> 01:04:57,200
Speaker 12: Never ever once did I bring that.

1433
01:04:58,480 --> 01:05:00,920
Speaker 2: She married your cousin and is a nevilation.

1434
01:05:02,560 --> 01:05:04,520
Speaker 3: Never met until now?

1435
01:05:04,720 --> 01:05:07,800
Speaker 2: What are these little punch and Judy heads? It's one

1436
01:05:07,840 --> 01:05:08,479
Speaker 2: of them, a girl?

1437
01:05:08,680 --> 01:05:11,880
Speaker 3: Yeah, once, girl, it's Judy Head. Please to hold it

1438
01:05:11,960 --> 01:05:13,280
Speaker 3: up to the camera for digital Jenna.

1439
01:05:13,440 --> 01:05:14,920
Speaker 2: Are they like little puppets?

1440
01:05:15,120 --> 01:05:15,320
Speaker 1: Yeah?

1441
01:05:17,840 --> 01:05:20,720
Speaker 2: The issue uses for our new ads. Which one would

1442
01:05:20,760 --> 01:05:24,120
Speaker 2: you be? I'm right at you too that thank you

1443
01:05:24,320 --> 01:05:25,920
Speaker 2: so very much for my gift today. Thank you for

1444
01:05:26,080 --> 01:05:28,800
Speaker 2: everyone's kind messages. I really appreciate it.

1445
01:05:28,920 --> 01:05:30,160
Speaker 3: Happy birthday friend.

1446
01:05:30,000 --> 01:05:31,720
Speaker 2: Thank you so much. We of course will be back

1447
01:05:31,760 --> 01:05:33,280
Speaker 2: from six o'clock to night with jam Nation.

1448
01:05:33,400 --> 01:05:36,600
Speaker 3: Idally Phil joins us with Needy or Greedy.

1449
01:05:36,680 --> 01:05:39,960
Speaker 1: There are currently sixteen people one and sixteen chance of

1450
01:05:40,040 --> 01:05:41,560
Speaker 1: winning fifty thousand dollars.

1451
01:05:41,720 --> 01:05:44,480
Speaker 3: We'll be back from Jam four jam Nation tonight at six.

1452
01:05:44,600 --> 01:05:47,000
Speaker 2: See you then, good day to you. Well, thank god

1453
01:05:47,120 --> 01:05:51,040
Speaker 2: that's over. Good bite, good bite wipe.

1454
01:05:53,040 --> 01:05:56,320
Speaker 5: You catch Jonesy and Amanda's podcast on the iHeartRadio app

1455
01:05:56,560 --> 01:05:58,800
Speaker 5: or wherever you get your podcasts.

1456
01:06:01,400 --> 01:06:04,360
Speaker 2: Sent a good fine.

1457
01:06:08,520 --> 01:06:09,560
Speaker 13: Dating post.

1458
01:06:09,720 --> 01:06:12,400
Speaker 5: Catch up on what you've missed on the free iHeartRadio

1459
01:06:12,560 --> 01:06:12,760
Speaker 5: app