1 00:00:00,200 --> 00:00:02,519 Speaker 1: What a shot was today, Freendy, we had a new. 2 00:00:02,440 --> 00:00:05,600 Speaker 2: Segment called Amanda's Evening Scroll instead of an evening Stroll. 3 00:00:05,920 --> 00:00:07,160 Speaker 2: I like to have an evening scroll. 4 00:00:08,000 --> 00:00:10,120 Speaker 1: You scroll so much I have to text you at night. 5 00:00:10,160 --> 00:00:11,600 Speaker 1: Stop scrolling, Go to bed. 6 00:00:11,840 --> 00:00:15,160 Speaker 2: What about the amazing, incredible things that I find I 7 00:00:15,160 --> 00:00:17,759 Speaker 2: don't know one of which though, one of which was 8 00:00:17,800 --> 00:00:20,960 Speaker 2: a woman who drank two liters of milk even though 9 00:00:21,000 --> 00:00:22,200 Speaker 2: she was lactose intolerant. 10 00:00:22,440 --> 00:00:23,479 Speaker 3: And then we had to listen to the. 11 00:00:23,480 --> 00:00:26,360 Speaker 2: Effects which gave rise to a pole that's still upon 12 00:00:26,440 --> 00:00:27,800 Speaker 2: our socials at Jones and Amanda. 13 00:00:27,960 --> 00:00:29,440 Speaker 3: Whether you'd rather hear this. 14 00:00:35,920 --> 00:00:38,280 Speaker 2: Or Brendan Jones's bad it's a Bad. 15 00:00:38,120 --> 00:00:41,920 Speaker 3: Element so far. I'm shocked you've come out on top. 16 00:00:43,159 --> 00:00:43,839 Speaker 3: Way to go on? 17 00:00:47,159 --> 00:00:50,160 Speaker 2: You do drop Sideka stop? You do drop song number four? 18 00:00:50,360 --> 00:00:54,120 Speaker 2: She's dropped something. You've dropped song number four from the EP. 19 00:00:54,480 --> 00:00:54,880 Speaker 3: The EP. 20 00:00:55,160 --> 00:00:57,320 Speaker 1: Today is a red letter day because it's the twenty 21 00:00:57,400 --> 00:01:00,000 Speaker 1: ninth of May. So not only does the fourth track 22 00:01:00,320 --> 00:01:05,000 Speaker 1: from Bad Elements self titled album Bad Element dropped today, 23 00:01:05,120 --> 00:01:08,120 Speaker 1: but he RUMBEI the anniversary the nine year anniversary of 24 00:01:08,160 --> 00:01:09,560 Speaker 1: a rumbe passing away. 25 00:01:09,600 --> 00:01:11,280 Speaker 3: If you don't remember who rumbe was we'll talk you 26 00:01:11,360 --> 00:01:13,840 Speaker 3: all through that. We've got smart versus dart. 27 00:01:14,080 --> 00:01:16,000 Speaker 2: You got cranky at me because I'm not a good 28 00:01:16,080 --> 00:01:17,600 Speaker 2: dart through I'm trying to throw a dance at you 29 00:01:17,760 --> 00:01:19,440 Speaker 2: to pick the footag teams. It's like me saying, do 30 00:01:19,480 --> 00:01:22,160 Speaker 2: you be a better dancer. Everyone the world said that 31 00:01:22,200 --> 00:01:22,360 Speaker 2: to you. 32 00:01:22,400 --> 00:01:25,319 Speaker 3: It didn't help. But the thing about it is people 33 00:01:25,360 --> 00:01:27,319 Speaker 3: listen to our show. They want to hear dig around. 34 00:01:27,600 --> 00:01:28,720 Speaker 3: They want to hear dig around. 35 00:01:28,720 --> 00:01:30,959 Speaker 1: They listen to fits You and Whipper, but no, they 36 00:01:31,000 --> 00:01:33,400 Speaker 1: want to hear concise process. 37 00:01:33,680 --> 00:01:36,720 Speaker 2: Get a professional dart player that I channel the universe 38 00:01:36,760 --> 00:01:38,920 Speaker 2: through my dart plane. I can't pick where they go, 39 00:01:39,080 --> 00:01:40,880 Speaker 2: and a few of them, funnily enough, I've gone into 40 00:01:40,880 --> 00:01:42,040 Speaker 2: your head. 41 00:01:42,360 --> 00:01:45,400 Speaker 1: A lot of them seem to disproportionately go into my head. 42 00:01:45,680 --> 00:01:48,240 Speaker 1: Did you see that busca in the on the mean 43 00:01:48,280 --> 00:01:52,080 Speaker 1: Streets of Sydney. He's busking away. In the background, a 44 00:01:52,160 --> 00:01:55,160 Speaker 1: young Esha has all hell rained down upon him by 45 00:01:55,320 --> 00:01:56,400 Speaker 1: New South Wales police. 46 00:01:56,480 --> 00:01:59,200 Speaker 2: Buscar just keeps going, so the tribal drum is beating four. 47 00:01:59,520 --> 00:02:02,040 Speaker 3: The show must go on and gets my ghoulies. 48 00:02:02,120 --> 00:02:13,280 Speaker 4: That's all coming up in this podcast right now. 49 00:02:13,320 --> 00:02:15,880 Speaker 3: That the miracle of recording. We have so many requests 50 00:02:15,919 --> 00:02:16,880 Speaker 3: for them to do it again. 51 00:02:17,000 --> 00:02:20,840 Speaker 4: Mistress Amanda and miss Killer Amanda doesn't work alone. 52 00:02:22,680 --> 00:02:25,360 Speaker 3: Friend is in a broom making the tools of the train. 53 00:02:25,440 --> 00:02:28,240 Speaker 3: I've heard them describe him as a drunken idiot. 54 00:02:28,840 --> 00:02:33,600 Speaker 5: I've been a legendary part Jonesy and Amanda the actress. 55 00:02:33,639 --> 00:02:37,560 Speaker 3: Congratulations, man, we're ready right now. Jersey and Amanda, you're 56 00:02:37,600 --> 00:02:38,440 Speaker 3: doing a great job. 57 00:02:39,639 --> 00:02:43,600 Speaker 6: Anyone but your selfie giant Now good time, good radio. 58 00:02:43,840 --> 00:02:50,880 Speaker 1: Sorry but it's a twist set and Amanda, shoot Timy. 59 00:02:51,120 --> 00:02:54,320 Speaker 3: We're on there. Top of the money to you. Amanda. Hello, 60 00:02:54,639 --> 00:02:56,320 Speaker 3: Ad you go with State of Origin. Last night, I 61 00:02:56,400 --> 00:02:56,799 Speaker 3: watched the. 62 00:02:56,760 --> 00:02:58,840 Speaker 2: First half and I was through the first early this morning. 63 00:02:58,800 --> 00:02:59,960 Speaker 3: We'll see what had happened at the end. 64 00:03:00,040 --> 00:03:03,200 Speaker 1: Than Hurrah, Hurrah, indeed, great game news South but I 65 00:03:03,240 --> 00:03:04,000 Speaker 1: was played so well. 66 00:03:04,160 --> 00:03:05,800 Speaker 3: But credit to Queensland as well. 67 00:03:06,960 --> 00:03:10,000 Speaker 2: Yeah, but it's interesting that the scoreboard if we've got 68 00:03:10,040 --> 00:03:13,160 Speaker 2: all the conversion kicks with a bit more points on that. Yeah, 69 00:03:13,240 --> 00:03:16,359 Speaker 2: I mean if if jison butts were candies and nuts, 70 00:03:16,960 --> 00:03:17,840 Speaker 2: great Christmas. 71 00:03:17,919 --> 00:03:20,200 Speaker 3: Do you think that big screen would be distracting? 72 00:03:20,240 --> 00:03:22,919 Speaker 1: And that I was watching from Nathan Cleary's eye line 73 00:03:23,280 --> 00:03:24,440 Speaker 1: as he kicks the ball. 74 00:03:24,720 --> 00:03:27,400 Speaker 3: There's a big picture of him kicking the ball towards 75 00:03:27,480 --> 00:03:29,280 Speaker 3: it used to that by now, I don't know. Like 76 00:03:29,320 --> 00:03:31,480 Speaker 3: a cricket they have the sight screens too, so they 77 00:03:31,480 --> 00:03:33,200 Speaker 3: can see the ball. I find that. I think that 78 00:03:33,200 --> 00:03:35,440 Speaker 3: would be very distracted. But if it was distracting, they'd 79 00:03:35,440 --> 00:03:38,240 Speaker 3: have told them by now. Yeah. It's like doing a 80 00:03:38,400 --> 00:03:39,600 Speaker 3: TV show with Joe Bailey. 81 00:03:39,640 --> 00:03:42,040 Speaker 1: Whenever we did a TV show member I was on 82 00:03:42,120 --> 00:03:44,440 Speaker 1: Kerry An show, we did no junk Mail. They had 83 00:03:44,440 --> 00:03:47,040 Speaker 1: to turn the monitors around because Joe would see himself 84 00:03:47,120 --> 00:03:49,400 Speaker 1: on the screen and he turned into a labrador just 85 00:03:49,440 --> 00:03:50,480 Speaker 1: looking at himself. 86 00:03:50,160 --> 00:03:52,760 Speaker 3: On the monitor. Do that, but budgies, would. 87 00:03:52,520 --> 00:03:54,680 Speaker 1: He be just look at it, Joe, look at the cameras. 88 00:03:54,680 --> 00:03:57,280 Speaker 1: Don't look at the monitor. Yeah, yeah, you know, as 89 00:03:57,280 --> 00:03:58,280 Speaker 1: soon as you're in the crowd. 90 00:03:58,280 --> 00:03:58,880 Speaker 3: This is a tip. 91 00:03:59,000 --> 00:04:01,480 Speaker 1: If you're doing something in the crowd and the camera 92 00:04:01,560 --> 00:04:04,000 Speaker 1: zoom's on, you don't look at the screen and wave 93 00:04:04,040 --> 00:04:07,320 Speaker 1: at the screen because they instantly zoom away from the screen. 94 00:04:07,520 --> 00:04:09,760 Speaker 2: When you were running in the Olympics and that happened. 95 00:04:10,040 --> 00:04:12,280 Speaker 1: Well, you saying bold will he'd be running along and 96 00:04:12,320 --> 00:04:14,240 Speaker 1: he'd look at himself on the screen to see where 97 00:04:14,280 --> 00:04:16,000 Speaker 1: he was going compared to the other. 98 00:04:16,120 --> 00:04:19,680 Speaker 2: Dude, can you use it's see, it's like Formula One drivers. 99 00:04:19,680 --> 00:04:22,360 Speaker 2: They know every track like the back of their hands. Yeah, 100 00:04:22,680 --> 00:04:25,880 Speaker 2: Nathan Cleary would know this this field field what do 101 00:04:25,920 --> 00:04:29,719 Speaker 2: we call it? Stadium? Yep, he'd know this stadium so 102 00:04:29,720 --> 00:04:32,280 Speaker 2: so well. He'd know that that's there, he'd know how 103 00:04:32,279 --> 00:04:34,440 Speaker 2: to focus it out. They know that stuff. 104 00:04:34,720 --> 00:04:38,279 Speaker 1: I've seen a lot of TV presenters do their stuff, 105 00:04:38,279 --> 00:04:40,320 Speaker 1: and there's a real craft to presenting TV. You are 106 00:04:40,440 --> 00:04:43,360 Speaker 1: probably the best in the country and doing no Seriously, 107 00:04:43,600 --> 00:04:45,200 Speaker 1: you are very good at it because it's a you know, 108 00:04:45,200 --> 00:04:46,680 Speaker 1: you're looking down the barrel of the camera. 109 00:04:46,920 --> 00:04:49,320 Speaker 3: I was watching Darrell Summer's work one time. He was 110 00:04:49,400 --> 00:04:51,880 Speaker 3: old school. He's got the big Q cards that are 111 00:04:51,880 --> 00:04:53,039 Speaker 3: next to the camera, but. 112 00:04:53,279 --> 00:04:57,000 Speaker 1: Where the teleprompter should be, where the words come up, 113 00:04:57,640 --> 00:05:00,600 Speaker 1: it's the monitor of him, so he's actually looking back 114 00:05:00,839 --> 00:05:01,520 Speaker 1: at himself. 115 00:05:01,560 --> 00:05:02,360 Speaker 3: That'd be very hard. 116 00:05:02,480 --> 00:05:05,000 Speaker 1: Yeah, I find that would be distracting, but I get 117 00:05:05,000 --> 00:05:07,960 Speaker 1: why Dale was doing it. It's like how we wear headphones. 118 00:05:08,160 --> 00:05:10,360 Speaker 1: You can modulate your voice, you can move what you're 119 00:05:10,360 --> 00:05:11,000 Speaker 1: doing as you go. 120 00:05:11,040 --> 00:05:14,760 Speaker 3: Along. He's a season TV professional. Yeah, you know it. 121 00:05:14,839 --> 00:05:17,000 Speaker 1: This is really good on TV with the piece to camera, 122 00:05:17,360 --> 00:05:18,200 Speaker 1: it's god cam. 123 00:05:18,279 --> 00:05:22,719 Speaker 3: Yeah, extraordinary. Just one take? Does this all this information? 124 00:05:23,080 --> 00:05:23,480 Speaker 3: One take? 125 00:05:23,560 --> 00:05:25,360 Speaker 2: And then the Llaway's be producer said, let's get one 126 00:05:25,360 --> 00:05:26,120 Speaker 2: more and you'll go nap. 127 00:05:26,520 --> 00:05:29,360 Speaker 1: Yeah, got enough and there's always a sound go hang 128 00:05:29,400 --> 00:05:31,599 Speaker 1: on mate, I didn't have it on. 129 00:05:33,040 --> 00:05:35,280 Speaker 3: Just what are we having lunch? How do we get 130 00:05:35,279 --> 00:05:37,520 Speaker 3: there from? I was gonna say sound of music, state 131 00:05:37,560 --> 00:05:38,040 Speaker 3: of origin. 132 00:05:38,440 --> 00:05:42,240 Speaker 1: That's the length and breadth of this show. Well, your 133 00:05:42,279 --> 00:05:43,800 Speaker 1: stupid footy tips didn't work. 134 00:05:43,960 --> 00:05:44,520 Speaker 3: We'll tell you what. 135 00:05:44,960 --> 00:05:48,960 Speaker 2: It's not my foot I channel the universe, as you know, 136 00:05:49,440 --> 00:05:52,920 Speaker 2: and the dart hit the marone, so it's not my fault. 137 00:05:53,160 --> 00:05:55,039 Speaker 3: I mean, it's great that that didn't happen. 138 00:05:55,240 --> 00:05:58,960 Speaker 2: Having said that, overall, I still won the week's tipping. 139 00:05:59,120 --> 00:06:01,800 Speaker 1: I brought in some Sackers official gloves today, these ones, 140 00:06:01,880 --> 00:06:05,679 Speaker 1: and I can afford to have these punctured by your darts. 141 00:06:05,680 --> 00:06:08,119 Speaker 2: All right, Well, we're going to be picking our tips 142 00:06:08,160 --> 00:06:08,919 Speaker 2: a little bit later on. 143 00:06:09,040 --> 00:06:12,040 Speaker 3: Looking forward to that. Also, mark this day down. 144 00:06:12,240 --> 00:06:14,960 Speaker 1: Where were you on this day when the fourth track 145 00:06:15,120 --> 00:06:17,000 Speaker 1: of Bad Elements EP dropped? 146 00:06:17,240 --> 00:06:18,280 Speaker 3: Is that going to be today. 147 00:06:18,360 --> 00:06:22,240 Speaker 2: That's today when you say it was I do? 148 00:06:22,320 --> 00:06:24,360 Speaker 3: I need to be here? You need to be here, 149 00:06:24,640 --> 00:06:27,520 Speaker 3: all right? And just just make me feel four? Is 150 00:06:27,560 --> 00:06:31,160 Speaker 3: it that? Nothing else? I just wanted to check whether 151 00:06:31,600 --> 00:06:33,679 Speaker 3: we're done. We're done is complete? 152 00:06:33,760 --> 00:06:35,560 Speaker 1: I bet I better take my phone out of the 153 00:06:35,560 --> 00:06:38,920 Speaker 1: studio because I'm pretty sure that the office are going 154 00:06:38,960 --> 00:06:39,360 Speaker 1: to come wrong. 155 00:06:39,880 --> 00:06:41,760 Speaker 2: You'll be like you're saying, bolt looking up to see 156 00:06:41,800 --> 00:06:43,000 Speaker 2: yourself already. 157 00:06:43,400 --> 00:06:44,960 Speaker 3: Reunion tour is being offered. 158 00:06:45,240 --> 00:06:48,080 Speaker 1: Really, people are talking, you know, because all of us are, 159 00:06:48,160 --> 00:06:50,440 Speaker 1: all three members are all tragically alive. 160 00:06:50,240 --> 00:06:52,360 Speaker 3: So it can happen reunion too. 161 00:06:52,480 --> 00:06:56,240 Speaker 1: I haven't played drums since I think nineteen ninety five. 162 00:06:57,400 --> 00:07:00,800 Speaker 3: There are summers can fill in for it, okay, he 163 00:07:00,920 --> 00:07:01,719 Speaker 3: is a good drummer. 164 00:07:02,200 --> 00:07:04,880 Speaker 1: Also, Instagram makes us return and we can't do anything 165 00:07:04,960 --> 00:07:06,480 Speaker 1: till we do The Magnificent. 166 00:07:06,040 --> 00:07:08,400 Speaker 2: Seven question one known for its omega mansions. In which 167 00:07:08,440 --> 00:07:10,640 Speaker 2: country would you find the Hampton's. 168 00:07:10,440 --> 00:07:13,400 Speaker 1: Gem Nation Top of the morning to you magnificent seven 169 00:07:14,200 --> 00:07:14,920 Speaker 1: seven questions? 170 00:07:14,960 --> 00:07:16,320 Speaker 3: Can you go all the way and answer all seven 171 00:07:16,360 --> 00:07:18,360 Speaker 3: questions correctly? If you do that, Amanda will say you 172 00:07:18,680 --> 00:07:19,600 Speaker 3: will be off. 173 00:07:19,440 --> 00:07:22,040 Speaker 2: To see Annie the musical. Did you see the woman 174 00:07:22,040 --> 00:07:23,960 Speaker 2: from Annie the musical. So I don't know her name, 175 00:07:24,080 --> 00:07:25,880 Speaker 2: the young one who's sang the anthem last night. 176 00:07:25,880 --> 00:07:27,440 Speaker 3: She did a great job. I know she's not the 177 00:07:27,480 --> 00:07:28,680 Speaker 3: young one, she's the old old one. 178 00:07:28,680 --> 00:07:30,360 Speaker 2: But I thought she did a great job. And Welcome 179 00:07:30,400 --> 00:07:31,280 Speaker 2: the Country was great. 180 00:07:31,640 --> 00:07:32,040 Speaker 3: That was good. 181 00:07:32,080 --> 00:07:34,520 Speaker 2: I thought, there, you know, it's such a big Channel 182 00:07:34,600 --> 00:07:38,800 Speaker 2: nine beating its chair and no, here they go and 183 00:07:38,920 --> 00:07:40,880 Speaker 2: just do it once went on and on and on. 184 00:07:40,960 --> 00:07:42,720 Speaker 1: I loved the story of Fatty Vaden though, when he 185 00:07:42,720 --> 00:07:43,920 Speaker 1: became coach of Queensland. 186 00:07:43,960 --> 00:07:45,240 Speaker 3: That was a good story. I thought that was a 187 00:07:45,240 --> 00:07:45,679 Speaker 3: good story. 188 00:07:45,720 --> 00:07:48,560 Speaker 1: And I worked with him on the radio around those times, 189 00:07:48,600 --> 00:07:51,400 Speaker 1: and he's a very funny guy, Fatty. But he used 190 00:07:51,400 --> 00:07:52,800 Speaker 1: to sit there and say, I don't know what I'm doing, 191 00:07:53,000 --> 00:07:54,400 Speaker 1: Just get out there and play. 192 00:07:54,560 --> 00:07:57,160 Speaker 3: And that's what that's what he did. That's the that's 193 00:07:57,200 --> 00:08:00,920 Speaker 3: the style of the fight mane. And then another era. 194 00:08:01,440 --> 00:08:04,840 Speaker 3: We needed a guscooled preamble. He's doing his ears too. 195 00:08:05,360 --> 00:08:08,760 Speaker 1: I love the pre amble. Uh, let's get into the 196 00:08:08,800 --> 00:08:10,560 Speaker 1: magnific of seven. Kelly has joined us. 197 00:08:10,680 --> 00:08:14,920 Speaker 7: Hello, Kelly, Good morning, jo d Morning, Amanda, Hello Kelly. 198 00:08:14,960 --> 00:08:17,320 Speaker 2: Question number one, known for its mega mansions in Which 199 00:08:17,320 --> 00:08:18,880 Speaker 2: country would you find the Hamptons? 200 00:08:20,080 --> 00:08:22,720 Speaker 7: Ah, United States? 201 00:08:23,280 --> 00:08:23,440 Speaker 3: Right? 202 00:08:23,840 --> 00:08:27,000 Speaker 1: Which player scored the first try in Origin last night? 203 00:08:27,120 --> 00:08:27,440 Speaker 3: Kelly? 204 00:08:29,160 --> 00:08:32,600 Speaker 7: Oh, no, I have no idea, Sorry, Kelly. 205 00:08:33,440 --> 00:08:36,280 Speaker 3: Great try Warrens in Castle Hill. 206 00:08:36,120 --> 00:08:38,000 Speaker 2: Hello, Warren, do you know who scored the first try 207 00:08:38,080 --> 00:08:38,560 Speaker 2: last night? 208 00:08:40,600 --> 00:08:51,640 Speaker 3: Yeah? He is bing bing. Let's get to question three 209 00:08:51,679 --> 00:09:02,120 Speaker 3: for you, Warren, which is riffraff s gotta keep so, Warren? 210 00:09:02,160 --> 00:09:19,400 Speaker 3: What song has this riff? Warren? Yeah, I'll give you 211 00:09:19,440 --> 00:09:27,920 Speaker 3: a clue. It's not Bad Element. Okay, look the Bad 212 00:09:27,960 --> 00:09:31,640 Speaker 3: Element riffs are He seemed to accept that very I 213 00:09:31,679 --> 00:09:33,760 Speaker 3: know he did. He did, he knew it wasn't bad 214 00:09:34,160 --> 00:09:35,040 Speaker 3: riff from Bad Element. 215 00:09:36,880 --> 00:09:45,680 Speaker 2: This is Brendan's band when he was, you know, annoying me. 216 00:09:45,760 --> 00:09:47,560 Speaker 2: This has become a giant earworm for me. 217 00:09:49,040 --> 00:09:51,280 Speaker 3: Kids are loving it. Glad my ese a relatively able 218 00:09:51,320 --> 00:09:54,920 Speaker 3: to talk about reunion. Who's the people? 219 00:09:55,040 --> 00:09:58,640 Speaker 1: Cards and letters from people that don't even know office 220 00:09:58,679 --> 00:09:59,720 Speaker 1: coming in over the fire? 221 00:09:59,720 --> 00:10:02,080 Speaker 2: When you quoting Glenn Campbell and you sound like that, 222 00:10:02,160 --> 00:10:04,120 Speaker 2: I think there's a lot to be asked of you. 223 00:10:05,559 --> 00:10:07,760 Speaker 1: Thirteen fifty five twenty two, Why don't you play the 224 00:10:07,800 --> 00:10:11,439 Speaker 1: Magnificent seven Shit Podcast? 225 00:10:11,520 --> 00:10:13,720 Speaker 3: We're into the magnificence. I wrote to question. 226 00:10:13,600 --> 00:10:21,520 Speaker 2: Number three and it's riff rash, yeah, rite, oh to 227 00:10:21,559 --> 00:10:24,640 Speaker 2: keep the whiff Ian's in listgo but it's Chiley this 228 00:10:24,679 --> 00:10:25,960 Speaker 2: morning and let's go Ian. 229 00:10:26,920 --> 00:10:28,480 Speaker 7: Yeah, a little bit of a frost this morning. 230 00:10:28,520 --> 00:10:31,160 Speaker 2: Yeah, haven't listened to this and siffing tell us what 231 00:10:31,160 --> 00:10:31,720 Speaker 2: the riff is? 232 00:10:34,280 --> 00:10:36,280 Speaker 3: I mean, that's the riff. That's the riff that tell 233 00:10:36,320 --> 00:10:36,800 Speaker 3: us the song. 234 00:10:36,960 --> 00:10:41,400 Speaker 1: It's no bad element Dean's do you know what the 235 00:10:41,440 --> 00:10:42,040 Speaker 1: song is? 236 00:10:42,280 --> 00:10:45,320 Speaker 8: Use somebody, use somebody k it is. 237 00:10:49,760 --> 00:10:52,160 Speaker 1: What is the name of a person who enjoys watching 238 00:10:52,200 --> 00:10:56,480 Speaker 1: activities on the canals of the United Kingdom? Are they 239 00:10:56,600 --> 00:11:02,280 Speaker 1: a a lock gazer, b an a canal of file 240 00:11:02,960 --> 00:11:04,920 Speaker 1: or see a gong goozler? 241 00:11:07,440 --> 00:11:08,840 Speaker 3: It is true. I'm not making this up. 242 00:11:08,880 --> 00:11:11,199 Speaker 1: One of them is real and they watched the canals 243 00:11:11,600 --> 00:11:12,960 Speaker 1: of the United Kingdom. 244 00:11:12,679 --> 00:11:17,679 Speaker 2: Maybe or see one of them is real. It does 245 00:11:17,760 --> 00:11:19,240 Speaker 2: make sense, but that's what it thinks. 246 00:11:19,400 --> 00:11:21,120 Speaker 1: In Balina and people do this. You can see it 247 00:11:21,160 --> 00:11:23,680 Speaker 1: on YouTube because have you ever seen the locks? Yeah 248 00:11:24,400 --> 00:11:26,760 Speaker 1: feeing the water fills up, the little long boat goes. 249 00:11:26,880 --> 00:11:29,280 Speaker 3: Yeah, Hello, Craig. 250 00:11:30,880 --> 00:11:32,800 Speaker 2: Good a person who loves watching all of that stuff 251 00:11:32,840 --> 00:11:35,000 Speaker 2: on the canals. Are they a canal of file or 252 00:11:35,000 --> 00:11:36,560 Speaker 2: a Gongoozler. 253 00:11:37,360 --> 00:11:39,040 Speaker 9: I would say, I look down on the Murray in 254 00:11:39,040 --> 00:11:41,000 Speaker 9: the Darling for a number of yews, a gondola on 255 00:11:41,000 --> 00:11:42,520 Speaker 9: the Murray for the series I see. 256 00:11:44,480 --> 00:11:47,520 Speaker 1: The word may have arisen from words in Lincolnshire dialect 257 00:11:47,960 --> 00:11:52,200 Speaker 1: gone and goose, both meaning to stare or gape. 258 00:11:52,520 --> 00:11:53,760 Speaker 3: These days against you tase it. 259 00:11:54,120 --> 00:11:56,240 Speaker 1: You can't go around gaping. Doesn't even have a good 260 00:11:56,240 --> 00:11:57,080 Speaker 1: old gape anymore. 261 00:11:57,120 --> 00:11:59,959 Speaker 3: We've been professional gaper. No, I'm just an amateur. 262 00:12:00,160 --> 00:12:02,520 Speaker 1: Yeah, what about like gules. Remember if someone has a 263 00:12:02,520 --> 00:12:04,880 Speaker 1: car accident and people hang around. My mumm used to say, oh, 264 00:12:04,920 --> 00:12:07,200 Speaker 1: look at all the ghules. They've come to have a look. 265 00:12:07,679 --> 00:12:12,080 Speaker 3: So they have a gapeoul and a gape. That's for 266 00:12:12,160 --> 00:12:14,000 Speaker 3: a bed. Question number five. 267 00:12:14,040 --> 00:12:17,560 Speaker 2: In poker, five cards of the same suit is called 268 00:12:17,559 --> 00:12:18,559 Speaker 2: a what craig. 269 00:12:20,440 --> 00:12:21,719 Speaker 9: Oh, a straight. 270 00:12:23,720 --> 00:12:25,840 Speaker 3: Dingo is in power man? Dingo? 271 00:12:28,800 --> 00:12:31,880 Speaker 2: If I have five cards of the same suit in poker. 272 00:12:31,600 --> 00:12:36,040 Speaker 3: What's that called? It's a flush? Who won state of 273 00:12:36,040 --> 00:12:41,160 Speaker 3: origin last night? Dingo? Oh? Yes, you've left out a question? 274 00:12:41,480 --> 00:12:46,360 Speaker 3: What we'll just dingo? 275 00:12:47,400 --> 00:12:48,199 Speaker 9: Yeah? 276 00:12:48,360 --> 00:12:55,000 Speaker 2: That was question six? Who won state of origin last night. Yeah, yeah, 277 00:12:55,040 --> 00:12:57,319 Speaker 2: that's question six. It was gonna be question seven. The 278 00:12:57,320 --> 00:12:59,479 Speaker 2: sound effects ready to go, and I was plopped. 279 00:12:59,200 --> 00:13:04,400 Speaker 3: Them around because Brendan can't read. I just question seven, 280 00:13:04,559 --> 00:13:05,880 Speaker 3: which was formerly six. 281 00:13:06,880 --> 00:13:09,840 Speaker 1: HBO has announced the cast for its upcoming revival of 282 00:13:09,880 --> 00:13:11,480 Speaker 1: Which Fantasy series, a. 283 00:13:11,520 --> 00:13:13,680 Speaker 2: Very famous series of books and movies. 284 00:13:16,840 --> 00:13:21,600 Speaker 3: Harry Potter is celebrations all around. Didn't got the baby? 285 00:13:21,720 --> 00:13:28,120 Speaker 3: And why can't we not celebrate Harry Potter babies? Yeah? 286 00:13:28,360 --> 00:13:28,560 Speaker 3: We are. 287 00:13:28,600 --> 00:13:30,840 Speaker 1: You just making this better and better, and I was 288 00:13:30,840 --> 00:13:33,360 Speaker 1: worried i'd cock stuff up. Congratulations, did you go? It's 289 00:13:33,400 --> 00:13:36,400 Speaker 1: all coming your way? A double pass to Any the musical? 290 00:13:36,480 --> 00:13:39,080 Speaker 3: Did you see the shielder from any singing the anthem 291 00:13:39,160 --> 00:13:41,679 Speaker 3: last night? She nailed it, she did. Barnesy was there 292 00:13:41,760 --> 00:13:44,240 Speaker 3: to see Barnesy. He was edited to hold up a truck. 293 00:13:44,360 --> 00:13:46,160 Speaker 3: I thought he was going to do the anthem. Made 294 00:13:46,200 --> 00:13:47,600 Speaker 3: no sense to me. He just held up a truck, 295 00:13:48,200 --> 00:13:48,840 Speaker 3: he said to me. 296 00:13:49,200 --> 00:13:51,320 Speaker 1: Being asked to sing the anthem has been asked to 297 00:13:51,320 --> 00:13:53,480 Speaker 1: go and surf in one of those big wave competitions. 298 00:13:53,480 --> 00:13:55,880 Speaker 1: You go, Please don't ask me, Please don't ask me. 299 00:13:56,520 --> 00:13:58,600 Speaker 1: That's playing at the Capitol Theater. Book your tickets at 300 00:13:58,600 --> 00:14:01,520 Speaker 1: any musical dot com dot au one hundred dollars to 301 00:14:01,559 --> 00:14:05,000 Speaker 1: spend at she in dream Space to start with Shean's 302 00:14:05,160 --> 00:14:08,400 Speaker 1: fifty dollars Starling challenge, and Jonesy demanded caricatures for you 303 00:14:08,480 --> 00:14:09,800 Speaker 1: to color in some standard pencils. 304 00:14:09,840 --> 00:14:12,920 Speaker 3: Didn't go anything you want to add to this? To this? Oh, 305 00:14:13,240 --> 00:14:15,240 Speaker 3: just see you very much, guys. I love your show. 306 00:14:15,480 --> 00:14:15,840 Speaker 3: Thank you. 307 00:14:15,880 --> 00:14:23,320 Speaker 8: Didn't go, Thank you very much Jonesy and Amanda podcast. 308 00:14:23,440 --> 00:14:26,440 Speaker 3: Jonesy don't have bad legs. You don't have bad No 309 00:14:26,880 --> 00:14:28,720 Speaker 3: where is he supposed to go? Get more? 310 00:14:29,320 --> 00:14:29,360 Speaker 2: So? 311 00:14:29,480 --> 00:14:30,000 Speaker 3: I don't know. 312 00:14:30,680 --> 00:14:33,280 Speaker 1: Thumbing through the jermanak Our Big Book of Musical fash 313 00:14:34,040 --> 00:14:37,240 Speaker 1: On this day. In nineteen eighty four, Tina Turner released 314 00:14:37,240 --> 00:14:39,600 Speaker 1: her hit What's Love Got to Do With It? 315 00:14:40,480 --> 00:14:42,520 Speaker 3: You know? The track dominated the eighties, didn't it? 316 00:14:42,520 --> 00:14:45,480 Speaker 1: He really did, and one Grammy for the Song of 317 00:14:45,480 --> 00:14:48,880 Speaker 1: the Year, Record of the Year, Best Female Vocal Performance, 318 00:14:48,920 --> 00:14:52,520 Speaker 1: also Best Female Video at the MTV Awards. 319 00:14:53,240 --> 00:14:53,920 Speaker 3: Then did it hit the. 320 00:14:53,880 --> 00:14:56,280 Speaker 1: Charts all over again in the nineties and two thousands, 321 00:14:56,440 --> 00:14:59,120 Speaker 1: first with hip hopper Warren G's cover. 322 00:14:58,960 --> 00:15:03,720 Speaker 3: You remember this? I see you know? So that's. 323 00:15:05,680 --> 00:15:15,880 Speaker 1: What about Wrapper Fat Joe's cover What's love. It's only 324 00:15:15,920 --> 00:15:19,280 Speaker 1: a matter of time before these guys cover sub of P's. 325 00:15:18,960 --> 00:15:24,960 Speaker 2: Work, particularly on this days work. 326 00:15:26,480 --> 00:15:28,840 Speaker 3: The fourth track from the EP drops today. 327 00:15:29,760 --> 00:15:31,800 Speaker 2: You know, are you comparing yourself to Tina Turner? 328 00:15:32,760 --> 00:15:37,840 Speaker 3: Yeah? What drug's got to do with it? We got 329 00:15:37,840 --> 00:15:38,960 Speaker 3: the legs, we got the hair. 330 00:15:42,280 --> 00:15:42,560 Speaker 8: Gem. 331 00:15:43,280 --> 00:15:45,120 Speaker 2: You know, I don't like it when my phone tells 332 00:15:45,120 --> 00:15:48,080 Speaker 2: me how long I've been on it. It says you've 333 00:15:48,120 --> 00:15:50,880 Speaker 2: been on your phone for eighteen million years just today. 334 00:15:51,120 --> 00:15:53,240 Speaker 3: You don't like people telling you what to do, But 335 00:15:53,280 --> 00:15:53,960 Speaker 3: it happens to. 336 00:15:54,080 --> 00:15:55,920 Speaker 2: Having said that, a lot of the stuff I'm looking 337 00:15:55,960 --> 00:15:59,160 Speaker 2: at is for work, you say that, well, yeah, but 338 00:15:59,200 --> 00:16:02,640 Speaker 2: then it's I'll tell you my latest one I found scrolling. 339 00:16:02,760 --> 00:16:04,600 Speaker 3: It's Jack Reach, you're putting a shirt. 340 00:16:04,280 --> 00:16:09,760 Speaker 2: On hot guys reading okay, and it's men reading on trains, 341 00:16:09,800 --> 00:16:12,680 Speaker 2: on planes, sitting at airports reading books. 342 00:16:13,520 --> 00:16:15,680 Speaker 3: That from Henry Cavill assembling a computer. 343 00:16:15,920 --> 00:16:17,720 Speaker 2: I still look at that. I still look I've got 344 00:16:17,760 --> 00:16:21,440 Speaker 2: a back catalog, Brendan, But I thought, I've come across 345 00:16:21,440 --> 00:16:24,120 Speaker 2: some interesting bits and pieces, and sometimes I think I 346 00:16:24,160 --> 00:16:27,200 Speaker 2: don't know how to share them on air without giving 347 00:16:27,240 --> 00:16:30,240 Speaker 2: them a context. So I've come up with this new segment. 348 00:16:30,440 --> 00:16:31,240 Speaker 2: Oh it's this. 349 00:16:32,360 --> 00:16:37,920 Speaker 3: It's time once again for Amanda's evening scroll, an evening stroll. 350 00:16:38,640 --> 00:16:41,040 Speaker 3: I'll share my evening scroll. I now have to send 351 00:16:41,080 --> 00:16:43,120 Speaker 3: a little text to you at night go to bed. 352 00:16:44,160 --> 00:16:46,080 Speaker 2: Well, there's only two things I'm going to play today, 353 00:16:46,120 --> 00:16:48,880 Speaker 2: and ironically they came up next to each other in 354 00:16:48,960 --> 00:16:52,480 Speaker 2: my feed and they related in the weirdest way. I'll 355 00:16:52,520 --> 00:16:55,040 Speaker 2: tell you the hashtags of this first woman I found here. 356 00:16:55,640 --> 00:16:58,920 Speaker 2: These are hashtags at the end, hashtag pray, hashtag prayer, 357 00:16:58,960 --> 00:17:05,119 Speaker 2: hashtag Jesus, hash healing, hashtag demon slayer, and she wants 358 00:17:05,160 --> 00:17:08,520 Speaker 2: to heal you of the most specific of ailments. 359 00:17:08,880 --> 00:17:10,440 Speaker 6: I want to pray for those of you right now 360 00:17:10,440 --> 00:17:12,400 Speaker 6: that have stomach and digestive issues. 361 00:17:12,480 --> 00:17:14,639 Speaker 3: In the name of Jesus. I speak to your. 362 00:17:14,560 --> 00:17:18,119 Speaker 7: Digestive system and I command it to come into alignment 363 00:17:18,200 --> 00:17:19,760 Speaker 7: with the word of God. 364 00:17:20,200 --> 00:17:24,760 Speaker 3: I command your body to process food properly. 365 00:17:24,400 --> 00:17:26,800 Speaker 10: In the name of Jesus Christ. 366 00:17:27,600 --> 00:17:30,200 Speaker 3: Hashtag demon slayer, and I appreciate it. Thank you for 367 00:17:30,440 --> 00:17:32,399 Speaker 3: that long drive, Jesus. 368 00:17:33,760 --> 00:17:38,600 Speaker 2: You do pray absolutely well. Then straight after that, I 369 00:17:38,640 --> 00:17:42,160 Speaker 2: came across this woman who was known as lactose intolerant girl, 370 00:17:42,680 --> 00:17:44,840 Speaker 2: versus milk, lactose and. 371 00:17:45,280 --> 00:17:47,560 Speaker 8: Girlie versus two pints of milk. 372 00:17:47,920 --> 00:17:51,919 Speaker 3: Let's do this. I actually hate milk. 373 00:17:57,760 --> 00:18:01,040 Speaker 2: Now we wait, wait, she's drunk to leaders and we wait, 374 00:18:01,440 --> 00:18:13,800 Speaker 2: we wait for this exactly, Yes, I wait for her 375 00:18:13,800 --> 00:18:15,200 Speaker 2: to get your play commercial? 376 00:18:15,720 --> 00:18:16,960 Speaker 3: What's French for? Yuck? 377 00:18:18,680 --> 00:18:18,840 Speaker 11: Oh? 378 00:18:18,960 --> 00:18:21,600 Speaker 3: Stop? Okay, that's enough. Have you got an outro for 379 00:18:21,640 --> 00:18:23,800 Speaker 3: the segment? No? I don't. I think we just end it. 380 00:18:23,960 --> 00:18:28,359 Speaker 3: I just play the intro again. I think Ryan, it's 381 00:18:28,400 --> 00:18:33,720 Speaker 3: time once again for Amanda's Evening Scratch Sense, because then 382 00:18:33,760 --> 00:18:34,520 Speaker 3: it starts all over. 383 00:18:34,760 --> 00:18:36,080 Speaker 2: I know we're gonna have to hear her on the 384 00:18:36,119 --> 00:18:40,679 Speaker 2: toilet again, this attractive woman laying face down with bad noise, and. 385 00:18:40,800 --> 00:18:42,320 Speaker 3: You say the bad elements bad? 386 00:18:43,440 --> 00:18:47,800 Speaker 2: Would you rather hear lactose intolerant woman past wind or 387 00:18:48,560 --> 00:18:52,080 Speaker 2: Brendan's new band or old band re brought back to life? 388 00:18:52,200 --> 00:18:53,240 Speaker 3: That will make that a poll. 389 00:18:57,080 --> 00:18:59,800 Speaker 1: Let's get on down to the jo arms for the 390 00:19:00,520 --> 00:19:01,800 Speaker 1: interesting discussion this. 391 00:19:01,680 --> 00:19:03,240 Speaker 3: Morning about lemons. 392 00:19:04,160 --> 00:19:06,320 Speaker 2: A friend of mine said that she's got a lemonry 393 00:19:06,359 --> 00:19:09,880 Speaker 2: in her suburban backyard and she's got a box when 394 00:19:09,880 --> 00:19:12,280 Speaker 2: she has lots of lemons and she just puts them 395 00:19:12,480 --> 00:19:14,159 Speaker 2: out the front of her house with a sign written 396 00:19:14,160 --> 00:19:17,160 Speaker 2: on the box freshly picked lemons, please help yourself. 397 00:19:17,280 --> 00:19:19,600 Speaker 3: Sure, And she was shocked. 398 00:19:20,320 --> 00:19:22,080 Speaker 2: And thought it was bad form the other day when 399 00:19:22,080 --> 00:19:26,560 Speaker 2: someone took the entire box. Why because the and this 400 00:19:26,640 --> 00:19:29,359 Speaker 2: is why I think it's an interesting pub test. The 401 00:19:30,200 --> 00:19:32,199 Speaker 2: thinking behind it is you just take a couple and 402 00:19:32,320 --> 00:19:35,440 Speaker 2: leave the rest for others. But if you're walking past 403 00:19:35,480 --> 00:19:37,280 Speaker 2: and see a whole lot of free lemons, and you 404 00:19:37,359 --> 00:19:39,640 Speaker 2: want a whole lot of free lemons, and you think, well, 405 00:19:39,640 --> 00:19:44,800 Speaker 2: I might be the only one who's going to take them. Yeah, yeah, 406 00:19:44,840 --> 00:19:48,320 Speaker 2: was she was put off that someone took not only 407 00:19:48,359 --> 00:19:51,520 Speaker 2: all the lemons, plus the box took they took the 408 00:19:51,520 --> 00:19:54,679 Speaker 2: box as well, but they took them all. And I 409 00:19:54,840 --> 00:19:57,480 Speaker 2: wonder on the suburban ethics. 410 00:19:58,000 --> 00:19:59,000 Speaker 3: You're taking them all? 411 00:19:59,200 --> 00:20:02,120 Speaker 1: You know what I like as community libraries, the little 412 00:20:02,160 --> 00:20:04,320 Speaker 1: book libraries, and you see a lot of those. Imagine 413 00:20:04,359 --> 00:20:06,880 Speaker 1: if you went along there and just empty the whole community. 414 00:20:06,440 --> 00:20:07,800 Speaker 3: Library, and what's the same thing. 415 00:20:07,960 --> 00:20:11,040 Speaker 2: And maybe that's okay because they're there for people to take, 416 00:20:11,240 --> 00:20:14,440 Speaker 2: but it's bad form to take them all. But then 417 00:20:14,520 --> 00:20:16,200 Speaker 2: with the lemons, you think, if I leave them there 418 00:20:16,200 --> 00:20:18,280 Speaker 2: and no one else takes them, yeah, and then I 419 00:20:18,280 --> 00:20:20,440 Speaker 2: could do with all those lemons, and if I leave them, 420 00:20:20,720 --> 00:20:21,760 Speaker 2: they'll just go back inside. 421 00:20:21,800 --> 00:20:25,000 Speaker 1: Birds come and peck at the lemons, or the little 422 00:20:25,480 --> 00:20:28,080 Speaker 1: essays of the street. Have a lemon fight, a lemon 423 00:20:28,200 --> 00:20:30,359 Speaker 1: fight that could happen, could easily happen. 424 00:20:31,080 --> 00:20:34,000 Speaker 3: An eye addy or a lemon fight. That's what they 425 00:20:34,040 --> 00:20:35,000 Speaker 3: said to do these days. 426 00:20:35,080 --> 00:20:37,280 Speaker 2: She was shocked that someone took them all, and I 427 00:20:37,440 --> 00:20:40,920 Speaker 2: was too outraged. And then I thought, well, maybe it's okay. 428 00:20:41,520 --> 00:20:43,680 Speaker 2: It's one of those unwritten laws, and I don't know 429 00:20:43,720 --> 00:20:46,800 Speaker 2: which way the law goes. Let's put it to the 430 00:20:46,800 --> 00:20:49,119 Speaker 2: pub test. Let's see what you guys think. What do 431 00:20:49,160 --> 00:20:51,640 Speaker 2: you think taking the whole box of lemons? 432 00:20:51,720 --> 00:20:53,760 Speaker 3: Yep, it does take one or two? Or you take 433 00:20:53,800 --> 00:20:54,560 Speaker 3: the whole box. 434 00:20:54,640 --> 00:21:00,240 Speaker 2: Does it pass the pub test? 435 00:21:01,640 --> 00:21:05,440 Speaker 3: Say ol mother ud leader rough cap, I'm not trying that. Thursday, 436 00:21:05,520 --> 00:21:06,800 Speaker 3: the twenty ninth of May. 437 00:21:07,280 --> 00:21:10,800 Speaker 2: Do you remember Harambe. I was reading this this morning. 438 00:21:10,800 --> 00:21:13,480 Speaker 2: It's an anniversary of the death of Harambe. My kids 439 00:21:13,480 --> 00:21:15,560 Speaker 2: were obsessed with this story, as. 440 00:21:15,480 --> 00:21:18,240 Speaker 3: Was most of the world kids of a certain age. 441 00:21:18,440 --> 00:21:22,160 Speaker 2: Yeah, but nine years ago today Harambe was shot dead. 442 00:21:22,200 --> 00:21:26,080 Speaker 2: HARAMBEI was a Western Lowland gorilla who lived in Cincinnati 443 00:21:26,200 --> 00:21:28,320 Speaker 2: Zoo as his story coming back to you now, do 444 00:21:28,359 --> 00:21:29,080 Speaker 2: you remember this? 445 00:21:29,520 --> 00:21:31,679 Speaker 9: A three year old boy climbed over a barrier and 446 00:21:31,720 --> 00:21:35,080 Speaker 9: fell into the moat of Harambe's enclosure. Harambe noticed him 447 00:21:35,080 --> 00:21:38,000 Speaker 9: and climbed down to investigate. Harambi approached the boy and 448 00:21:38,000 --> 00:21:40,000 Speaker 9: picked him up by his leg. He then carried him 449 00:21:40,000 --> 00:21:42,320 Speaker 9: through the water and dragged him up ladder onto dry land, 450 00:21:42,440 --> 00:21:45,000 Speaker 9: where he held him between his legs. The zoo officials 451 00:21:45,040 --> 00:21:47,320 Speaker 9: immediately signaled for the three gorillas in the habitat to 452 00:21:47,359 --> 00:21:50,720 Speaker 9: return inside, but Harambe did not comply. The zoo officials 453 00:21:50,720 --> 00:21:53,640 Speaker 9: faced a difficult and dangerous decision. They could not use 454 00:21:53,640 --> 00:21:56,120 Speaker 9: tranquilizers as they would take too long to take effect 455 00:21:56,200 --> 00:21:59,000 Speaker 9: and could have agitated Harambi. Further, they could not enter 456 00:21:59,040 --> 00:22:01,600 Speaker 9: the enclosure as they would risk being attacked by Harambe 457 00:22:01,720 --> 00:22:04,120 Speaker 9: or the other gorillas. They had to act fast before 458 00:22:04,160 --> 00:22:06,800 Speaker 9: Harambei could harm the boy or himself more. They made 459 00:22:06,800 --> 00:22:09,320 Speaker 9: the heartbreaking choice to shoot Harambe, ending his life and 460 00:22:09,359 --> 00:22:11,480 Speaker 9: saving the boy. Rest in peace, Harambe. 461 00:22:11,720 --> 00:22:13,679 Speaker 2: There was lots of discussion at the time as to 462 00:22:13,760 --> 00:22:16,879 Speaker 2: whether they should have shot harmbe But when you hear that, 463 00:22:16,960 --> 00:22:19,240 Speaker 2: then you look all that decision making that had to 464 00:22:19,240 --> 00:22:21,159 Speaker 2: happen in that really short period of time, and he 465 00:22:21,200 --> 00:22:23,000 Speaker 2: became a whole lot of memes and kind of stuff 466 00:22:23,040 --> 00:22:23,479 Speaker 2: around it. 467 00:22:23,640 --> 00:22:25,320 Speaker 3: But we've just rel looked at the footage. 468 00:22:25,440 --> 00:22:28,160 Speaker 2: Yeah, it's very distressing to see him drag that three 469 00:22:28,200 --> 00:22:31,639 Speaker 2: year old child through the water. At any minute, you 470 00:22:31,680 --> 00:22:33,879 Speaker 2: think this is going to turn deadly. 471 00:22:34,000 --> 00:22:35,080 Speaker 3: I think they had no choice. 472 00:22:35,080 --> 00:22:37,520 Speaker 2: They had no choice. And imagine that they didn't want 473 00:22:37,520 --> 00:22:41,359 Speaker 2: to agitate him further. They didn't want to they couldn't 474 00:22:41,359 --> 00:22:43,960 Speaker 2: tranquilize him. It would have taken too long. Imagine how 475 00:22:44,040 --> 00:22:46,480 Speaker 2: quickly those decisions had to be made, because when you 476 00:22:46,480 --> 00:22:48,200 Speaker 2: look at that footage, it's quite terrified. 477 00:22:48,240 --> 00:22:51,080 Speaker 1: Do you remember work on that day zookeeper and you've 478 00:22:51,080 --> 00:22:52,360 Speaker 1: got to hangover or something like. 479 00:22:52,320 --> 00:22:54,400 Speaker 2: That, and you think I'll get through today and I'll 480 00:22:54,400 --> 00:22:55,640 Speaker 2: just head home, be a quiet day. 481 00:22:55,560 --> 00:22:58,000 Speaker 3: At the zoo. The little kid, yeah, he would be 482 00:22:58,000 --> 00:23:00,960 Speaker 3: what now eleven? Yeah, I'm let's go to Reddit where 483 00:23:01,000 --> 00:23:01,720 Speaker 3: they know everything. 484 00:23:02,920 --> 00:23:05,199 Speaker 1: Why hasn't anyone found the kid who fell into her 485 00:23:05,280 --> 00:23:06,200 Speaker 1: rumbay's enclosure? 486 00:23:06,200 --> 00:23:06,320 Speaker 10: Well? 487 00:23:06,359 --> 00:23:08,359 Speaker 2: I wonder if the family probably went to ground because 488 00:23:08,400 --> 00:23:10,159 Speaker 2: there was a lot of criticism that the child had 489 00:23:10,160 --> 00:23:12,160 Speaker 2: been allowed to get into the enclosure. 490 00:23:11,920 --> 00:23:12,560 Speaker 3: A lot of people. 491 00:23:12,640 --> 00:23:14,399 Speaker 1: I mean, if he knew who it was, would you 492 00:23:14,480 --> 00:23:17,360 Speaker 1: out them? What do you gain from it? Because there's 493 00:23:17,400 --> 00:23:20,960 Speaker 1: no real reason to. He'd be about eleven years old. 494 00:23:21,040 --> 00:23:21,920 Speaker 1: Leave the kid alone. 495 00:23:22,600 --> 00:23:25,359 Speaker 3: His probably parents probably don't know where he is either. 496 00:23:28,800 --> 00:23:31,600 Speaker 2: So nine years ago, years remember, was all that stuff 497 00:23:31,600 --> 00:23:32,800 Speaker 2: about what would her rumba do? 498 00:23:32,920 --> 00:23:36,120 Speaker 3: My kids were obsessed with a rumbay right now, old hero. 499 00:23:36,240 --> 00:23:38,840 Speaker 3: Those kids are in their twenties. Yeah. 500 00:23:38,880 --> 00:23:41,520 Speaker 2: I just texted that to mine this morning, saying, hey, guys, 501 00:23:41,520 --> 00:23:41,960 Speaker 2: it's nine. 502 00:23:41,960 --> 00:23:44,200 Speaker 1: Years probably drinking it in a city pub, drinking that 503 00:23:44,320 --> 00:23:46,840 Speaker 1: horrible free passion for it beer they seem to like. 504 00:23:46,960 --> 00:23:49,320 Speaker 3: And Brendan says, hello, gem nation. 505 00:23:50,600 --> 00:23:56,680 Speaker 9: God, I wanted to get on right now, your windows, 506 00:23:57,880 --> 00:23:58,800 Speaker 9: your head and yell. 507 00:23:58,920 --> 00:24:05,040 Speaker 2: It was a suburban dilimit. Today a friend of mine 508 00:24:05,119 --> 00:24:07,240 Speaker 2: has a lemon tree in her backcount. She has a 509 00:24:07,240 --> 00:24:10,040 Speaker 2: box that she puts on the out the front that 510 00:24:10,160 --> 00:24:12,080 Speaker 2: says fresh lemons please. 511 00:24:12,440 --> 00:24:14,600 Speaker 1: You've written an in jointy writing like a child has 512 00:24:14,640 --> 00:24:16,880 Speaker 1: written with the backwards or something like that. 513 00:24:17,119 --> 00:24:21,160 Speaker 2: Women et Stent don't think so no, because she's a growner. 514 00:24:22,280 --> 00:24:25,000 Speaker 2: She was shocked when someone took the whole box. It's 515 00:24:25,119 --> 00:24:28,480 Speaker 2: not good form, But is it bad? Where do you 516 00:24:28,560 --> 00:24:31,119 Speaker 2: draw the line? Because what if someone wanted twelve lemons 517 00:24:31,119 --> 00:24:31,520 Speaker 2: for something? 518 00:24:31,520 --> 00:24:33,879 Speaker 3: Maybe you need to send a piece for your dinner party. 519 00:24:33,960 --> 00:24:36,600 Speaker 2: Maybe you did, Maybe you're making certain drinks for people 520 00:24:36,600 --> 00:24:39,359 Speaker 2: coming over, whatever it is. And if you didn't take 521 00:24:39,520 --> 00:24:42,359 Speaker 2: them all, if you took just two and other and 522 00:24:42,520 --> 00:24:44,439 Speaker 2: no one else took the others, is at a waste? 523 00:24:44,760 --> 00:24:45,719 Speaker 2: Are you allowed to take them all? 524 00:24:45,760 --> 00:24:46,639 Speaker 3: Community library? 525 00:24:46,640 --> 00:24:48,119 Speaker 1: If you got that and you got those one of 526 00:24:48,119 --> 00:24:51,679 Speaker 1: eyose little quirky, quaint community libraries and tipped it all 527 00:24:51,720 --> 00:24:53,520 Speaker 1: into your duffel bag and just walked off. 528 00:24:54,000 --> 00:24:55,919 Speaker 2: On one hand, you think that's okay, but it's not 529 00:24:55,960 --> 00:24:59,879 Speaker 2: what should be done. It's an ethical dilemma today we 530 00:25:00,040 --> 00:25:01,880 Speaker 2: calling this taking all the lemons? 531 00:25:02,240 --> 00:25:03,359 Speaker 3: Is it past the pub test? 532 00:25:03,800 --> 00:25:04,000 Speaker 2: No? 533 00:25:04,760 --> 00:25:06,320 Speaker 3: Well, I think it's far intended. 534 00:25:06,760 --> 00:25:09,160 Speaker 7: You know one or two you might need a lemon, 535 00:25:10,000 --> 00:25:10,280 Speaker 7: But I. 536 00:25:10,200 --> 00:25:13,800 Speaker 3: Think taking the whole boxibly, that'll be greedy, very. 537 00:25:15,800 --> 00:25:16,480 Speaker 6: Reality. 538 00:25:17,200 --> 00:25:18,800 Speaker 3: Everybody to get. 539 00:25:18,720 --> 00:25:21,679 Speaker 7: Out of this, You can't take the whole box of lemons. 540 00:25:21,760 --> 00:25:24,359 Speaker 7: Caring sharing, take what you need and let some of 541 00:25:24,400 --> 00:25:25,960 Speaker 7: else have slow No. 542 00:25:26,200 --> 00:25:26,720 Speaker 3: I think. 543 00:25:28,320 --> 00:25:30,840 Speaker 6: Just take what you need, what you want. I wanted 544 00:25:30,880 --> 00:25:31,840 Speaker 6: to help with the. 545 00:25:34,080 --> 00:25:34,320 Speaker 4: Else. 546 00:25:34,680 --> 00:25:37,399 Speaker 10: I think it's just indicative as the society that we 547 00:25:37,480 --> 00:25:38,440 Speaker 10: live in these days. 548 00:25:38,520 --> 00:25:40,840 Speaker 7: You know, everything's all about me and don't worry about 549 00:25:40,840 --> 00:25:41,520 Speaker 7: anybody else. 550 00:25:41,560 --> 00:25:43,800 Speaker 10: So yeah, I think it's very ordinary. 551 00:25:44,480 --> 00:25:47,520 Speaker 2: There we have it sign of society when someone takes 552 00:25:47,560 --> 00:25:48,360 Speaker 2: all the lemons. 553 00:25:48,760 --> 00:25:50,680 Speaker 3: I think we would have bingo that each day. 554 00:25:50,800 --> 00:25:54,160 Speaker 1: On the pub test, someone says it's indicative of society. 555 00:25:56,119 --> 00:25:58,560 Speaker 2: Podcast, My loins are so good and it's been a 556 00:25:58,600 --> 00:26:01,879 Speaker 2: fun week. You found an old cassette from your band 557 00:26:02,560 --> 00:26:06,000 Speaker 2: Bad Element. There are four songs on the tape had 558 00:26:06,000 --> 00:26:10,000 Speaker 2: snapped so an EP so you've had to splice the 559 00:26:10,040 --> 00:26:13,119 Speaker 2: tape back. So you've been eking out the treasures. I 560 00:26:13,200 --> 00:26:15,879 Speaker 2: must say. Just a little bit earlier, I played some 561 00:26:15,960 --> 00:26:19,240 Speaker 2: audio from a woman I found on my evening scroll 562 00:26:19,960 --> 00:26:24,720 Speaker 2: who is lactose intolerant, has but drinks two liters of 563 00:26:24,760 --> 00:26:27,480 Speaker 2: milk to see the effects. And we put a pole 564 00:26:27,560 --> 00:26:32,080 Speaker 2: up to say, whether you'd rather listen to that lactose woman. 565 00:26:32,119 --> 00:26:40,320 Speaker 2: Here's a lactose woman, Whether you'd rather hear that or 566 00:26:40,480 --> 00:26:47,480 Speaker 2: Bad Element? Yes, that pollar be up all day, at 567 00:26:47,480 --> 00:26:56,080 Speaker 2: the moment until the milk wears off. At the moment Brendan, 568 00:26:56,840 --> 00:27:00,000 Speaker 2: sixty nine percent of people would rather hear you over lactas. 569 00:27:00,760 --> 00:27:03,360 Speaker 2: And I am done. Earlier this morning was. 570 00:27:03,320 --> 00:27:06,679 Speaker 3: Fifty to fifty. I'm beating farty woman and this is great. 571 00:27:08,160 --> 00:27:10,800 Speaker 2: You should be very proud of your beating farty woman. 572 00:27:10,960 --> 00:27:11,959 Speaker 3: And it's with that confidence. 573 00:27:12,000 --> 00:27:13,760 Speaker 1: And I will say this says I've had a lot 574 00:27:13,760 --> 00:27:16,399 Speaker 1: of people. Two people come up to me and so 575 00:27:16,560 --> 00:27:18,520 Speaker 1: I was in a garage band in the eighties and 576 00:27:18,560 --> 00:27:21,880 Speaker 1: we wrote songs and we all had dreams and garage 577 00:27:21,880 --> 00:27:23,080 Speaker 1: bands they still exist. 578 00:27:23,840 --> 00:27:25,520 Speaker 3: There's great bands out there, you know. 579 00:27:25,560 --> 00:27:27,800 Speaker 1: We were talking the other day about Gazaband, who I 580 00:27:27,840 --> 00:27:29,920 Speaker 1: love and they're still doing it and I got I 581 00:27:29,960 --> 00:27:31,680 Speaker 1: met there are a lot better than we ever were. 582 00:27:31,920 --> 00:27:34,280 Speaker 1: But the hopes and dreams of becoming a rock star, 583 00:27:34,880 --> 00:27:36,760 Speaker 1: that's what it's all about. And when we recorded that 584 00:27:36,880 --> 00:27:39,879 Speaker 1: album How Will We Be, our hopes were dreams. We 585 00:27:39,960 --> 00:27:42,280 Speaker 1: really thought that all we wanted was a gig at 586 00:27:42,320 --> 00:27:45,080 Speaker 1: the pub. That's all we wanted, paid gig, which we 587 00:27:45,119 --> 00:27:45,479 Speaker 1: never got. 588 00:27:45,600 --> 00:27:45,919 Speaker 3: Let's go. 589 00:27:46,040 --> 00:27:48,240 Speaker 2: So the first time we've heard is no lies, No. 590 00:27:48,320 --> 00:27:53,040 Speaker 3: Lies here truly on the drums and singing very hard. 591 00:27:53,119 --> 00:27:56,800 Speaker 3: I know those melodies anyway. The second one was called 592 00:27:57,600 --> 00:28:07,920 Speaker 3: was Forgetful Nights You Forgot Yesterday. We heard too Young, 593 00:28:08,000 --> 00:28:08,880 Speaker 3: Too pretty young. 594 00:28:09,280 --> 00:28:13,840 Speaker 1: Social commentary on the drug scoots of the eighties. A 595 00:28:13,920 --> 00:28:15,560 Speaker 1: young girl selling their souls. 596 00:28:15,600 --> 00:28:20,360 Speaker 2: You smack day up the pay you just made vocals. 597 00:28:20,040 --> 00:28:20,440 Speaker 3: Isn't it? 598 00:28:20,880 --> 00:28:23,440 Speaker 1: He wrote that he read that, well, today I give 599 00:28:23,520 --> 00:28:27,359 Speaker 1: you and this is a This is how hard it was, 600 00:28:27,400 --> 00:28:29,280 Speaker 1: not only just to get a recording deal or a 601 00:28:29,320 --> 00:28:32,720 Speaker 1: gig at a pub to meet a girl. And this 602 00:28:32,760 --> 00:28:37,280 Speaker 1: song is called know her Name? Starts doing some drums 603 00:28:37,280 --> 00:28:40,560 Speaker 1: from you and then banging bass. 604 00:28:42,440 --> 00:28:44,600 Speaker 3: Sounds like the last one. It's a bit of a 605 00:28:44,640 --> 00:28:46,840 Speaker 3: wall of sound going here. We're only a three piece. 606 00:28:47,000 --> 00:28:53,720 Speaker 3: In your face green day. It started b sure at 607 00:28:53,760 --> 00:28:54,200 Speaker 3: the pup. 608 00:28:54,800 --> 00:28:59,280 Speaker 1: She was so gut up ball I up hurt jo 609 00:29:00,200 --> 00:29:03,440 Speaker 1: buyer a drink and she said yes, So. 610 00:29:03,600 --> 00:29:07,240 Speaker 3: I went to the bar. I came back, yet she 611 00:29:07,520 --> 00:29:11,280 Speaker 3: wasn't there. What's a blow to ever? Blood? 612 00:29:13,040 --> 00:29:13,640 Speaker 6: The boy? 613 00:29:14,840 --> 00:29:19,160 Speaker 10: What non? 614 00:29:19,840 --> 00:29:22,640 Speaker 3: Do you no name? 615 00:29:23,560 --> 00:29:24,800 Speaker 6: No name? 616 00:29:24,960 --> 00:29:29,120 Speaker 3: It's just a sign do you you know? 617 00:29:30,800 --> 00:29:31,560 Speaker 10: No? 618 00:29:32,160 --> 00:29:35,360 Speaker 3: It's just the signs in your dream? 619 00:29:36,280 --> 00:29:36,320 Speaker 11: What? 620 00:29:37,560 --> 00:29:39,400 Speaker 3: Sorry? Can we just I just need to pause? 621 00:29:39,440 --> 00:29:41,400 Speaker 1: I need to catch a d This guitar sold I guess, 622 00:29:41,440 --> 00:29:43,600 Speaker 1: wait till I'm bordering on self indulgently. 623 00:29:43,680 --> 00:29:46,800 Speaker 2: I need to catch my breath. I met her at 624 00:29:46,800 --> 00:29:47,200 Speaker 2: the pub. 625 00:29:47,280 --> 00:29:49,520 Speaker 3: Can you read it out? It started when I saw 626 00:29:49,560 --> 00:29:53,360 Speaker 3: her at the pub and she was so beautiful, beautiful. 627 00:29:53,680 --> 00:29:56,080 Speaker 3: I asked her to buy a drink and she said yes, 628 00:29:56,320 --> 00:29:58,240 Speaker 3: So I went to the bar. It's like a Paul 629 00:29:58,280 --> 00:30:01,240 Speaker 3: Kelly one. I came back. She was, isn't there? What's 630 00:30:01,240 --> 00:30:03,120 Speaker 3: a blake to with a fluffy dost? And what happens 631 00:30:03,120 --> 00:30:04,480 Speaker 3: on drink? 632 00:30:04,480 --> 00:30:06,280 Speaker 1: In the eighties, you couldn't You couldn't be like that, 633 00:30:06,400 --> 00:30:09,240 Speaker 1: you know, in those days you couldn't sit there think 634 00:30:09,280 --> 00:30:11,080 Speaker 1: everyone thinking there was something wrong with you? 635 00:30:11,280 --> 00:30:13,880 Speaker 3: And where's it go from there? This is verse two. 636 00:30:15,520 --> 00:30:16,720 Speaker 6: Out A drink down? 637 00:30:16,840 --> 00:30:21,240 Speaker 3: That's jack? Will you have a class? Back to? 638 00:30:22,720 --> 00:30:22,920 Speaker 6: Name? 639 00:30:23,160 --> 00:30:23,840 Speaker 2: What job? 640 00:30:24,040 --> 00:30:30,240 Speaker 3: That's dream? What you singing on your own? I told 641 00:30:30,320 --> 00:30:32,720 Speaker 3: him why if you bought your dream? 642 00:30:33,560 --> 00:30:34,160 Speaker 1: Yes me? 643 00:30:34,920 --> 00:30:41,080 Speaker 3: But you? I told him I didn't, no one, no 644 00:30:41,120 --> 00:30:46,280 Speaker 3: one name. It's just the time. Do you do you know? 645 00:30:46,640 --> 00:30:49,160 Speaker 3: I think this is my favorite so far. 646 00:30:49,440 --> 00:30:51,880 Speaker 2: It's it's hard for it makes no sense. 647 00:30:52,360 --> 00:30:54,240 Speaker 3: Do you know her name? Do you know her name. 648 00:30:54,560 --> 00:30:55,120 Speaker 3: Do you know a name? 649 00:30:55,120 --> 00:30:58,120 Speaker 2: It's just the same as my dreams or something. And 650 00:30:58,160 --> 00:31:00,200 Speaker 2: then the other mate, another guy comes up and do 651 00:31:00,240 --> 00:31:02,640 Speaker 2: you know her name? And he says, do you know 652 00:31:02,680 --> 00:31:03,080 Speaker 2: her name? 653 00:31:04,200 --> 00:31:06,320 Speaker 3: That's a little confused. He brought him a drink he 654 00:31:06,400 --> 00:31:07,640 Speaker 3: bought it's. 655 00:31:07,480 --> 00:31:10,240 Speaker 2: So I want to say prosaic, but I wish you'd 656 00:31:10,280 --> 00:31:12,880 Speaker 2: use the word prosaic in the song. It's so pedestrian. 657 00:31:13,120 --> 00:31:15,280 Speaker 2: I went to the bar, I bought her that. It's 658 00:31:15,360 --> 00:31:17,720 Speaker 2: everything that is my favorite one so far. 659 00:31:18,040 --> 00:31:20,560 Speaker 3: You got any questions, Ryan, No, I know what I'd 660 00:31:20,640 --> 00:31:22,440 Speaker 3: rather listen to. Let's listen to it again. 661 00:31:25,240 --> 00:31:30,600 Speaker 1: Excuse me, mate, I'll say farty. Woman is being beaten 662 00:31:30,680 --> 00:31:31,080 Speaker 1: by us. 663 00:31:32,000 --> 00:31:37,400 Speaker 3: The poll is still us up all days. Remember where 664 00:31:37,480 --> 00:31:37,800 Speaker 3: you were? 665 00:31:37,840 --> 00:31:42,440 Speaker 1: They the anniversary of Rumbe's death and the fourth track 666 00:31:42,480 --> 00:31:44,800 Speaker 1: of Bad Elements, self titled EP. 667 00:31:48,000 --> 00:31:48,080 Speaker 5: So. 668 00:31:48,200 --> 00:31:51,840 Speaker 2: Deborahly Finess, two years after her split with Hugh Jackman, 669 00:31:51,880 --> 00:31:54,880 Speaker 2: has released a statement because they are finally filing for divorce. 670 00:31:55,480 --> 00:31:57,320 Speaker 3: She has said this is in part. This is what 671 00:31:57,360 --> 00:31:57,800 Speaker 3: she has said. 672 00:31:57,840 --> 00:32:00,920 Speaker 2: My heart and compassion goes out to everyone who's traversed 673 00:32:00,960 --> 00:32:04,000 Speaker 2: the traumatic journey of betrayal. It's a profound wound that 674 00:32:04,040 --> 00:32:07,040 Speaker 2: cuts deep. However, I believe in a higher power that 675 00:32:07,120 --> 00:32:09,600 Speaker 2: the God, the universe, whatever you relate to is your guidance, 676 00:32:09,720 --> 00:32:12,240 Speaker 2: is always working for us. This belief has helped me 677 00:32:12,360 --> 00:32:15,960 Speaker 2: navigate the breakdown of an almost three decade marriage. 678 00:32:17,160 --> 00:32:18,600 Speaker 3: People have been wondering how. 679 00:32:18,440 --> 00:32:21,640 Speaker 2: Deb has felt about all this, because Hugh is mister 680 00:32:21,720 --> 00:32:24,200 Speaker 2: nice guy, has to continue being mister nice guy. He's 681 00:32:24,200 --> 00:32:25,560 Speaker 2: obviously in a new relationship. 682 00:32:25,680 --> 00:32:26,760 Speaker 3: When did it begin? 683 00:32:27,320 --> 00:32:31,400 Speaker 2: Was that the demise of his marriage to deb People 684 00:32:31,440 --> 00:32:34,280 Speaker 2: are saying that he if you're the perpetrator and you're 685 00:32:34,320 --> 00:32:36,640 Speaker 2: in hit the position he is in, you would have 686 00:32:37,080 --> 00:32:44,280 Speaker 2: spin doctors, publicists, lawyers, accountants, everyone in place. Presumably you'd 687 00:32:44,280 --> 00:32:46,800 Speaker 2: imagine before Debbi even knew what was going on. So 688 00:32:46,840 --> 00:32:49,840 Speaker 2: he handles all of this completely on the front foot. 689 00:32:50,120 --> 00:32:52,760 Speaker 2: He dictates the timeline of how the story is told, 690 00:32:52,960 --> 00:32:55,680 Speaker 2: when he's first pictured with his new girlfriend, all of that, 691 00:32:56,080 --> 00:32:58,640 Speaker 2: whereas deab has said she was the one pretty much 692 00:32:58,720 --> 00:33:02,280 Speaker 2: left blindsided. How do you feel about all of this? 693 00:33:02,880 --> 00:33:06,560 Speaker 2: Digital Jenna our social dipstick? Has you put this up 694 00:33:06,560 --> 00:33:09,400 Speaker 2: on our socials yesterday? This commentary because some people have 695 00:33:09,480 --> 00:33:12,320 Speaker 2: said deb it's two years, give it a rest, Get 696 00:33:12,360 --> 00:33:12,920 Speaker 2: on with your life. 697 00:33:12,960 --> 00:33:15,520 Speaker 3: You're getting the money. Who cares? But others aren't saying that. 698 00:33:15,760 --> 00:33:19,280 Speaker 5: Yeah, So I put up her quote onto our Facebook yesterday. 699 00:33:19,680 --> 00:33:23,880 Speaker 5: It got two point two thousand comments, and a lot 700 00:33:23,880 --> 00:33:27,800 Speaker 5: of people are in support of Deb, so a lot 701 00:33:27,920 --> 00:33:32,400 Speaker 5: express disappointment and sympathy, noting how sincerely he used to 702 00:33:32,400 --> 00:33:35,000 Speaker 5: speak about her and their children, which makes the betrayal 703 00:33:35,080 --> 00:33:39,600 Speaker 5: feel even worse. Others have acknowledged that relationships can end, 704 00:33:39,640 --> 00:33:43,160 Speaker 5: but criticized moving on before being honest, so praising deb 705 00:33:43,200 --> 00:33:46,360 Speaker 5: for handling it with grace. Others saw it just as 706 00:33:46,400 --> 00:33:50,440 Speaker 5: a typical midlife crisis, and then a few pointed out 707 00:33:50,440 --> 00:33:54,560 Speaker 5: that there's always two sides to every story, so yeah, 708 00:33:54,640 --> 00:33:56,040 Speaker 5: we don't really know the truth. 709 00:33:56,240 --> 00:34:00,640 Speaker 2: No, we don't. And there's no guarantee. I spoke about 710 00:34:00,840 --> 00:34:02,680 Speaker 2: about my own wedding anniversary the other day, whether it's 711 00:34:02,720 --> 00:34:05,520 Speaker 2: sickness and health, happiness, unhappiness, there's no guarantee when you 712 00:34:05,560 --> 00:34:07,200 Speaker 2: get married it's going to last forever and what's going 713 00:34:07,240 --> 00:34:07,880 Speaker 2: to be going on. 714 00:34:08,840 --> 00:34:10,759 Speaker 3: But this public betrayal. 715 00:34:10,320 --> 00:34:12,040 Speaker 2: That must be so hard to deal with. 716 00:34:12,280 --> 00:34:14,000 Speaker 3: I feel from them both because I like them both 717 00:34:14,320 --> 00:34:15,400 Speaker 3: both nice people. 718 00:34:15,120 --> 00:34:17,040 Speaker 2: And you're entitled to start again and move on. But 719 00:34:17,520 --> 00:34:18,920 Speaker 2: we were led to believe it was doll with a 720 00:34:18,920 --> 00:34:21,239 Speaker 2: degree of honesty and the way it's made here with 721 00:34:21,280 --> 00:34:23,080 Speaker 2: what deb saying, maybe that wasn't the case. 722 00:34:23,080 --> 00:34:26,680 Speaker 3: It's a complicated sandwich. It is social dipstick. Jenna, Thank 723 00:34:26,680 --> 00:34:29,279 Speaker 3: you very much, Jenna, carry on, going back to your 724 00:34:29,280 --> 00:34:32,160 Speaker 3: other booboos has things going with the. 725 00:34:32,160 --> 00:34:35,000 Speaker 2: Pole as to whether people let's just recap as to 726 00:34:35,040 --> 00:34:39,560 Speaker 2: whether people would rather hear lactose intolerant woman drinking two 727 00:34:39,560 --> 00:34:52,319 Speaker 2: liters of milk versus Jonesy's music at the moment, six 728 00:34:53,320 --> 00:34:55,920 Speaker 2: people would rather hear Jonesy, which I'm stumb about. 729 00:34:57,200 --> 00:35:00,759 Speaker 3: What a winner. Can I get T shirts? Mate? I'll 730 00:35:00,800 --> 00:35:03,440 Speaker 3: get lactose ones mate. When you get I feel that 731 00:35:03,440 --> 00:35:04,799 Speaker 3: we're gonna get T shirts made. 732 00:35:04,880 --> 00:35:17,799 Speaker 8: Come on, okay, Jonesy and Amanda podcast. 733 00:35:17,880 --> 00:35:20,680 Speaker 2: It's round thirteen of the NRL, and this year we're 734 00:35:20,680 --> 00:35:23,480 Speaker 2: experimenting with who's a better tipper, the experts or the universe, 735 00:35:23,719 --> 00:35:27,280 Speaker 2: the experts whose knowledge and insider information. I throw darts 736 00:35:27,320 --> 00:35:30,560 Speaker 2: at Jonesy. He holds ping pong bats representing each team. 737 00:35:30,680 --> 00:35:34,200 Speaker 2: Where will they land? We call it smart versus dart. 738 00:35:34,640 --> 00:35:38,239 Speaker 2: I'm anxious, so your neck guard last night. Last week, 739 00:35:38,280 --> 00:35:40,759 Speaker 2: you didn't want to wear your neck guard. Last week, 740 00:35:40,800 --> 00:35:42,080 Speaker 2: you didn't want to wear your neck guard. 741 00:35:42,200 --> 00:35:45,920 Speaker 3: And you've got to dart right in the throat. Okay, 742 00:35:46,640 --> 00:35:47,799 Speaker 3: let's stop ticking around with this. 743 00:35:48,560 --> 00:35:49,799 Speaker 2: Well, do you want me to throw a dart at 744 00:35:49,800 --> 00:35:53,040 Speaker 2: you without full protection? All right, you've said it, and 745 00:35:53,080 --> 00:35:55,520 Speaker 2: you're not wearing your leg pads. You've chosen this the 746 00:35:55,560 --> 00:35:58,440 Speaker 2: first one. We're all getting cranky now. The first game, 747 00:35:58,760 --> 00:36:01,840 Speaker 2: Dragons versus Nights. The experts have predicted the Dragons. 748 00:36:01,920 --> 00:36:02,840 Speaker 3: Let's see what's going to happen. 749 00:36:03,239 --> 00:36:06,080 Speaker 2: Move back a little bit, you're too close. Oh, right 750 00:36:06,120 --> 00:36:09,720 Speaker 2: in the head, right on the shoulder, move them around, 751 00:36:10,160 --> 00:36:12,919 Speaker 2: come on, okay, right there go. Then that's a nice 752 00:36:12,960 --> 00:36:15,839 Speaker 2: Titans in the storm. Who will I pick? You've got 753 00:36:15,840 --> 00:36:19,239 Speaker 2: a titan? You should that hit a titan? That hit 754 00:36:19,280 --> 00:36:22,040 Speaker 2: a tight Cowboys and the tigers. Cowboys have been picked 755 00:36:22,080 --> 00:36:26,680 Speaker 2: by the experts. Here, Oh wow, got him right in 756 00:36:26,719 --> 00:36:31,160 Speaker 2: the visor. Okay, okay, that hit a cowboy. Okay, great, 757 00:36:31,719 --> 00:36:35,080 Speaker 2: a cowboy manly Broncos. Broncos have been predicted to win 758 00:36:35,120 --> 00:36:35,520 Speaker 2: this game. 759 00:36:35,600 --> 00:36:38,279 Speaker 3: Do you feel about it? Right on your shoulder, I'm 760 00:36:38,280 --> 00:36:42,080 Speaker 3: sorry about that? Right your head? Don't wave them too 761 00:36:42,120 --> 00:36:47,239 Speaker 3: far around. Okay, Oh sorry, Oh no, one more, let's 762 00:36:47,280 --> 00:36:47,560 Speaker 3: see what. 763 00:36:47,800 --> 00:36:53,160 Speaker 2: Oh come on, don't make me angry. I'm throwing them 764 00:36:53,160 --> 00:36:57,920 Speaker 2: hard now, and then my aim is even worse. Why 765 00:36:57,960 --> 00:37:01,759 Speaker 2: would you inflame me? Okay, that's hit a bronco. Next one, 766 00:37:01,840 --> 00:37:06,000 Speaker 2: rabbitos Warriors. Warriors have been picked to in this right 767 00:37:06,000 --> 00:37:08,120 Speaker 2: in the head. A bingo. 768 00:37:08,600 --> 00:37:09,680 Speaker 3: Okay, that hit a warrior. 769 00:37:10,200 --> 00:37:13,359 Speaker 2: Next one, We've got panthers and eels. Panthers. Step back 770 00:37:13,400 --> 00:37:15,480 Speaker 2: a bit so I can throw the floor. It's littered 771 00:37:15,480 --> 00:37:19,120 Speaker 2: with darts. Paramatta. That's gone to Paramata. Okay, we've got 772 00:37:19,120 --> 00:37:23,680 Speaker 2: one more. Roosters and the raiders. Roosters and the raiders. 773 00:37:24,280 --> 00:37:27,120 Speaker 2: I don't know where that hit. Oh wow, that went 774 00:37:27,200 --> 00:37:33,480 Speaker 2: for your knee. Let me get one more. Why won't 775 00:37:33,520 --> 00:37:36,120 Speaker 2: you hear it right in the head? 776 00:37:36,360 --> 00:37:37,960 Speaker 3: One more? Come on, we've got to get through this. 777 00:37:38,560 --> 00:37:42,240 Speaker 3: We have to get right off the top of your head. 778 00:37:42,400 --> 00:37:44,440 Speaker 3: One more. Look. 779 00:37:43,719 --> 00:37:49,799 Speaker 2: Okay, that hit a rooster and it's over. Brendan, you 780 00:37:49,880 --> 00:37:52,399 Speaker 2: were so ungracious while I'm throwing with darts at your face. 781 00:37:54,800 --> 00:37:59,400 Speaker 3: It's coming out your pant leg last week or what 782 00:37:59,440 --> 00:37:59,600 Speaker 3: are you? 783 00:38:00,640 --> 00:38:03,240 Speaker 2: You need to know though? How randomly I pick these. Obviously, 784 00:38:03,239 --> 00:38:06,200 Speaker 2: I'm just throwing darts everywhere, and yet I am winning 785 00:38:06,239 --> 00:38:09,200 Speaker 2: the tipping this year. So it just goes to show. 786 00:38:09,320 --> 00:38:19,360 Speaker 3: Jam facious, what's a free more instances and Amanda's screamed. 787 00:38:20,040 --> 00:38:23,000 Speaker 1: It just goes to show ten questions sixty seconds on 788 00:38:23,040 --> 00:38:24,640 Speaker 1: the clock. You can pass if you don't know an answer, 789 00:38:24,680 --> 00:38:26,840 Speaker 1: will come back to that question of time Pervince, you 790 00:38:26,880 --> 00:38:29,440 Speaker 1: get on the questions right, one thousand dollars. 791 00:38:29,440 --> 00:38:30,800 Speaker 3: Well, this happened earlier this week. 792 00:38:31,719 --> 00:38:34,319 Speaker 2: Natalie decided to throw her hat into the ring to 793 00:38:34,360 --> 00:38:36,600 Speaker 2: put it answer the bonus question double or nothing? 794 00:38:36,680 --> 00:38:37,360 Speaker 3: You got two grand? 795 00:38:37,480 --> 00:38:39,560 Speaker 1: Quite the hat that she was wearing very impressive. I'd 796 00:38:39,560 --> 00:38:40,440 Speaker 1: guess a sombrero. 797 00:38:40,560 --> 00:38:43,799 Speaker 3: It would be a big one. Catherine's in dune sight. Hello, Catherine, 798 00:38:44,320 --> 00:38:44,839 Speaker 3: Oh my god. 799 00:38:44,880 --> 00:38:50,719 Speaker 2: Hi, let's set duneideto upside with one thousand dollars. That's 800 00:38:50,760 --> 00:38:53,439 Speaker 2: how we start. Ten questions sixty seconds. If you're not sure, 801 00:38:53,760 --> 00:38:55,480 Speaker 2: say passed, because we usually have time to come back. 802 00:38:55,520 --> 00:38:58,960 Speaker 3: Okay, fantasy, Okay, here we go. He comes. 803 00:38:59,080 --> 00:39:02,120 Speaker 2: Question number one? What does he stand for on a compass? 804 00:39:04,120 --> 00:39:04,600 Speaker 3: Question two? 805 00:39:04,680 --> 00:39:06,280 Speaker 2: How many tentacles are on an octopus? 806 00:39:07,080 --> 00:39:07,279 Speaker 3: Eight? 807 00:39:07,640 --> 00:39:10,080 Speaker 2: Question three a B L T is bacon lettuce and 808 00:39:10,120 --> 00:39:14,239 Speaker 2: what question four? Mahogany and oak are types of what 809 00:39:15,320 --> 00:39:15,960 Speaker 2: question five? 810 00:39:16,040 --> 00:39:16,680 Speaker 3: True or false? 811 00:39:16,960 --> 00:39:19,399 Speaker 2: The Great Wall of China can be seen from space. 812 00:39:20,000 --> 00:39:23,880 Speaker 3: True as it's been debunked. 813 00:39:23,960 --> 00:39:30,360 Speaker 2: Man, I'm sorry anyway, Catherine, you came out of the 814 00:39:30,360 --> 00:39:32,000 Speaker 2: gates so strong. I'm so sorry. 815 00:39:32,719 --> 00:39:34,400 Speaker 7: Oh good, thank you very much. Have a great day. 816 00:39:34,480 --> 00:39:37,960 Speaker 1: Go and carry on, Catherine, carry on. It'll be back 817 00:39:38,000 --> 00:39:38,560 Speaker 1: again tomorrow. 818 00:39:41,480 --> 00:39:41,960 Speaker 3: Podcast. 819 00:39:42,080 --> 00:39:44,719 Speaker 1: By now you would have seen that viral footage of 820 00:39:44,760 --> 00:39:48,799 Speaker 1: the buska in the Sydney CBD Jesus playing his jam. 821 00:39:48,880 --> 00:39:55,319 Speaker 1: He's playing Queen's we Are the Champions. He's good, and 822 00:39:55,360 --> 00:39:58,560 Speaker 1: then a man in the background enters the scream, throws 823 00:39:58,600 --> 00:40:01,120 Speaker 1: his hands in the air, and then a rain of 824 00:40:01,160 --> 00:40:01,920 Speaker 1: cops come. 825 00:40:01,840 --> 00:40:05,239 Speaker 3: Down and spend some justice on it while he's playing this. 826 00:40:05,520 --> 00:40:07,520 Speaker 3: So someone's filming it. Yeah, listen to this. 827 00:40:08,080 --> 00:40:10,040 Speaker 1: And he just gets it and turns around his season 828 00:40:11,440 --> 00:40:14,000 Speaker 1: and then puts on a fell's face melting display. 829 00:40:14,520 --> 00:40:15,799 Speaker 3: So someone's filming him. 830 00:40:15,840 --> 00:40:18,879 Speaker 2: He's playing someone gets arrested by the police behind him 831 00:40:18,880 --> 00:40:21,399 Speaker 2: and sort of put on the ground, hands behind his back, 832 00:40:21,480 --> 00:40:24,200 Speaker 2: police on top, and he keeps going, that's what it's 833 00:40:24,200 --> 00:40:25,560 Speaker 2: about did he see them doing it? 834 00:40:25,600 --> 00:40:29,319 Speaker 3: Yeah, he's just around. You're not stopping once. The show 835 00:40:29,440 --> 00:40:30,960 Speaker 3: must go on, show must go on. 836 00:40:31,080 --> 00:40:34,040 Speaker 2: So dance band on the Titanic exactly must go on. 837 00:40:34,239 --> 00:40:36,640 Speaker 1: Our fellaws has been an honor to play with you. 838 00:40:36,800 --> 00:40:40,440 Speaker 1: And then down they went a bad element. They launched 839 00:40:40,480 --> 00:40:43,239 Speaker 1: into some bad element. At the last minute they thought, 840 00:40:43,239 --> 00:40:43,600 Speaker 1: how bad? 841 00:40:43,600 --> 00:40:46,280 Speaker 3: Can this be a bad element? Story there were playing. 842 00:40:46,680 --> 00:40:47,520 Speaker 3: This is bad element. 843 00:40:47,560 --> 00:40:49,560 Speaker 1: By the way, this is the garage band that I 844 00:40:49,600 --> 00:40:51,080 Speaker 1: was in. 845 00:40:52,239 --> 00:40:55,600 Speaker 2: Anyway, yes, please continue. 846 00:40:57,160 --> 00:41:01,040 Speaker 1: We were enlisted to play a birthday by an eighteenth 847 00:41:01,080 --> 00:41:04,799 Speaker 1: birthday party, and we were playing away and. 848 00:41:04,719 --> 00:41:10,759 Speaker 3: The police came to investigate a noise complaint. Well, I 849 00:41:10,800 --> 00:41:11,560 Speaker 3: wonder what it was. 850 00:41:11,600 --> 00:41:14,160 Speaker 1: Halfway through the show, we're just playing. We see the 851 00:41:14,200 --> 00:41:15,920 Speaker 1: cops or coming into. 852 00:41:17,400 --> 00:41:22,400 Speaker 3: The I was going to say stadium about the backyard stadium. Yes, 853 00:41:23,200 --> 00:41:24,000 Speaker 3: then you woke up. 854 00:41:24,040 --> 00:41:26,359 Speaker 1: Anyway, one cop starts talking to another and they start 855 00:41:26,360 --> 00:41:28,000 Speaker 1: pointing at the stage and I'm. 856 00:41:27,920 --> 00:41:30,600 Speaker 3: On my kit. Wow, I'm good these cops. Even the 857 00:41:30,640 --> 00:41:31,360 Speaker 3: cops are digging. 858 00:41:31,440 --> 00:41:31,600 Speaker 6: Man. 859 00:41:32,000 --> 00:41:34,600 Speaker 1: What they were pointing at were these flashing yellow lights 860 00:41:34,640 --> 00:41:37,759 Speaker 1: that have been liberated from a building site from road works. 861 00:41:37,760 --> 00:41:39,759 Speaker 3: So I remember the old flashing yellow lights and new 862 00:41:39,840 --> 00:41:41,760 Speaker 3: using them for lights for stage lighting. 863 00:41:41,760 --> 00:41:44,760 Speaker 1: They look really cool, looked really street. 864 00:41:44,960 --> 00:41:47,800 Speaker 3: What had happened, officer? I think I can tell exactly 865 00:41:47,840 --> 00:41:49,239 Speaker 3: what time. I didn't steal the lights. 866 00:41:49,239 --> 00:41:51,040 Speaker 1: Someone dumped him in his front yard, dump them in 867 00:41:51,080 --> 00:41:52,799 Speaker 1: the front yard, and we just thought they would be 868 00:41:52,960 --> 00:41:56,399 Speaker 1: cheap sage lighting. Anyway, that's an offense. So we're playing away. 869 00:41:56,520 --> 00:41:58,719 Speaker 1: Then while almost playing a guitar, they come and start 870 00:41:58,760 --> 00:42:02,160 Speaker 1: asking him questions, you know, while he's playing this brilliant 871 00:42:02,239 --> 00:42:06,560 Speaker 1: work from Bad Element, So can you imagine that? 872 00:42:06,600 --> 00:42:09,560 Speaker 3: Excuse me together these lights? Hey, I've just got to do. 873 00:42:09,640 --> 00:42:13,360 Speaker 1: This, Nick, but he's getting bunny bundled into a paddywag. 874 00:42:13,440 --> 00:42:16,359 Speaker 3: Really you got arrested at that point. 875 00:42:16,360 --> 00:42:18,320 Speaker 1: We had to because it we've got to have been a 876 00:42:18,360 --> 00:42:21,480 Speaker 1: good drum and bass solo. 877 00:42:21,719 --> 00:42:23,160 Speaker 3: He has to highlight. You know you're in trouble. 878 00:42:23,840 --> 00:42:27,239 Speaker 2: Come on, Tritle drum is going to beat for this. 879 00:42:27,560 --> 00:42:28,759 Speaker 2: The show must go on. 880 00:42:28,960 --> 00:42:34,480 Speaker 3: Yes, Freddy, what's happened? And you've just had to continue? 881 00:42:34,560 --> 00:42:40,680 Speaker 3: You just got to keep going. Freddy did podcast. 882 00:42:40,800 --> 00:42:43,200 Speaker 1: By now, you probably would have seen that viral video 883 00:42:43,239 --> 00:42:45,040 Speaker 1: of a busker in Sydney CBD. 884 00:42:47,280 --> 00:42:48,400 Speaker 3: He is just nailing it. 885 00:42:48,520 --> 00:42:50,200 Speaker 1: Every I's looking at him, and then all of a sudden, 886 00:42:50,239 --> 00:42:53,040 Speaker 1: he what, people are really digging my stuff. But then 887 00:42:53,080 --> 00:42:56,720 Speaker 1: he turns around and the cops are arresting this person 888 00:42:57,320 --> 00:42:58,880 Speaker 1: who's allegedly carrying a knife. 889 00:42:58,880 --> 00:43:00,839 Speaker 2: They've got them flat on the ground, hand behind the back, 890 00:43:00,840 --> 00:43:01,839 Speaker 2: police on top of their back. 891 00:43:01,920 --> 00:43:04,200 Speaker 3: For the young busker, he says, this is my moment. 892 00:43:05,040 --> 00:43:07,719 Speaker 3: Keeps going. The tribal drum is beating for the show 893 00:43:07,760 --> 00:43:08,399 Speaker 3: must go on. 894 00:43:11,680 --> 00:43:14,560 Speaker 2: Charlie, Hello, Charlie. What show was happening? And what went on? 895 00:43:15,400 --> 00:43:18,759 Speaker 6: Well, my friend was going to church with his grandfather. 896 00:43:19,360 --> 00:43:24,480 Speaker 6: Halfway through the sermon, his grandfather had an ngina attack, 897 00:43:25,000 --> 00:43:28,400 Speaker 6: so he collapsed to the floor. People were running everywhere, 898 00:43:28,600 --> 00:43:33,160 Speaker 6: but the preacher kept on preaching and didn't miss a beat. 899 00:43:33,320 --> 00:43:35,960 Speaker 6: And they got the thing, put it under his tongue, 900 00:43:36,280 --> 00:43:38,120 Speaker 6: you know, And he came to and they set him 901 00:43:38,120 --> 00:43:40,800 Speaker 6: back in the pot in the actual pew, and Noah, 902 00:43:40,880 --> 00:43:43,080 Speaker 6: and as a preacher just kept on preaching. 903 00:43:43,719 --> 00:43:44,880 Speaker 3: Preacher kept on preaching. 904 00:43:44,960 --> 00:43:48,120 Speaker 2: They propped him back up in the pew, back. 905 00:43:48,040 --> 00:43:51,080 Speaker 6: Up, and a pure he'd taken he's jina tablet under 906 00:43:51,120 --> 00:43:54,759 Speaker 6: the tongue, and he just kept the preacher did not 907 00:43:55,000 --> 00:43:56,160 Speaker 6: miss a beat once. 908 00:43:56,239 --> 00:43:57,719 Speaker 2: You think the preacher would come down to check he 909 00:43:57,840 --> 00:43:59,400 Speaker 2: was okay, the hand of God and that. 910 00:43:59,640 --> 00:44:02,000 Speaker 3: Is that there, you know. But I like, we're using 911 00:44:02,000 --> 00:44:04,640 Speaker 3: the word preacher many times. Yeah in the Deep South 912 00:44:04,719 --> 00:44:06,840 Speaker 3: the preacher, thank you charming, but you know that's what 913 00:44:06,880 --> 00:44:09,560 Speaker 3: happened to you. Keep going and he came back. 914 00:44:09,840 --> 00:44:11,840 Speaker 1: Who's to say that maybe the preacher while he was 915 00:44:11,840 --> 00:44:13,920 Speaker 1: saying got this guy back. 916 00:44:13,760 --> 00:44:15,360 Speaker 3: Well, the preacher was ignoring him. 917 00:44:15,920 --> 00:44:20,120 Speaker 2: Hello, Natalie, Hi, Amanda, have you got to store about 918 00:44:20,120 --> 00:44:21,160 Speaker 2: a preacher? 919 00:44:21,880 --> 00:44:22,080 Speaker 5: No? 920 00:44:22,280 --> 00:44:25,560 Speaker 7: Absolutely not. This is very very different. And I even 921 00:44:25,680 --> 00:44:27,480 Speaker 7: was like, oh do I even ring up and say this. 922 00:44:27,600 --> 00:44:31,759 Speaker 11: But I was training for a half marathon and there 923 00:44:31,800 --> 00:44:33,680 Speaker 11: was a day I was running on the beach and 924 00:44:34,040 --> 00:44:38,000 Speaker 11: I could feel, I think, like I really needed. 925 00:44:37,680 --> 00:44:42,480 Speaker 7: To do a number two, and was like, okay, it's happening. 926 00:44:42,719 --> 00:44:46,719 Speaker 11: And I was so far away from home that I 927 00:44:46,760 --> 00:44:51,800 Speaker 11: had to just run into the water and I kept 928 00:44:51,840 --> 00:44:54,880 Speaker 11: going and then had to keep the run going because 929 00:44:54,960 --> 00:44:56,160 Speaker 11: I had no other choice. 930 00:44:56,560 --> 00:45:00,359 Speaker 2: Wow, I'm going to ask an indelicate question. Be very 931 00:45:00,400 --> 00:45:01,879 Speaker 2: hard to do a poo in the in the water? 932 00:45:01,920 --> 00:45:04,640 Speaker 2: I would have thought, well, I. 933 00:45:04,520 --> 00:45:06,040 Speaker 7: Mean, if it's coming, it's coming. 934 00:45:09,600 --> 00:45:11,799 Speaker 3: You just kept running, You just kept running. 935 00:45:12,480 --> 00:45:13,240 Speaker 7: Just keep running. 936 00:45:15,600 --> 00:45:18,759 Speaker 3: At that point, wow, you know we were looking for 937 00:45:18,800 --> 00:45:22,960 Speaker 3: shows yourself as a pool job. 938 00:45:23,200 --> 00:45:25,839 Speaker 2: But the show went on. The show went on. 939 00:45:26,840 --> 00:45:30,200 Speaker 3: Natalie, did anyone notice, Well. 940 00:45:30,160 --> 00:45:31,960 Speaker 7: No, it was it was fairly early in the morning. 941 00:45:32,000 --> 00:45:34,239 Speaker 11: There are a few people about, but like I mean, 942 00:45:35,080 --> 00:45:36,640 Speaker 11: I'm sure they. 943 00:45:36,600 --> 00:45:38,600 Speaker 7: Must have noticed, Like, how do you see a. 944 00:45:38,560 --> 00:45:43,680 Speaker 11: Woman runnings or anything and just run straight into the water. 945 00:45:43,600 --> 00:45:45,680 Speaker 1: You know, And well you could have been you might 946 00:45:45,680 --> 00:45:47,360 Speaker 1: have had like a calf strain or something. 947 00:45:49,280 --> 00:45:51,520 Speaker 3: That's what I would have thought. The problem is when 948 00:45:51,520 --> 00:45:53,440 Speaker 3: you do it in the water, it just follows you. 949 00:45:53,600 --> 00:45:55,400 Speaker 2: That's the problem, that follows you out and across the 950 00:45:55,400 --> 00:45:56,239 Speaker 2: finish line before you. 951 00:45:56,320 --> 00:46:02,960 Speaker 3: It's a little thank you, Natalie. That was a diversion. 952 00:46:03,000 --> 00:46:03,759 Speaker 3: We appreciate it. 953 00:46:04,680 --> 00:46:06,520 Speaker 2: No, I appreciated it very much. 954 00:46:06,800 --> 00:46:08,960 Speaker 3: We don't want a forum of pooh, John that's our 955 00:46:09,040 --> 00:46:14,160 Speaker 3: last one. But Natalie, thank you. Jonesy and Amanda. 956 00:46:13,200 --> 00:46:17,280 Speaker 1: Podcast Jonesy and Amanda. 957 00:46:17,360 --> 00:46:19,319 Speaker 3: I'm just in the Bourne. 958 00:46:19,320 --> 00:46:24,640 Speaker 1: Identity's not in that other movie. A video has gone 959 00:46:24,719 --> 00:46:27,760 Speaker 1: viral of a busker in Sydney CBD's just having a 960 00:46:27,800 --> 00:46:31,120 Speaker 1: healthy busk in the middle of town doing a face 961 00:46:31,239 --> 00:46:32,840 Speaker 1: melding rendition of Queens. 962 00:46:32,840 --> 00:46:33,680 Speaker 3: We are the champion. 963 00:46:33,800 --> 00:46:36,880 Speaker 2: Next minute someone is bustled to the ground behind him. 964 00:46:36,880 --> 00:46:39,120 Speaker 3: Police jump on your back, Copper, straight on there. 965 00:46:39,360 --> 00:46:41,280 Speaker 2: Busker keeps going, nothing's happened. 966 00:46:41,320 --> 00:46:44,000 Speaker 1: The busker notices this, turns around and goes, Okay, I'm 967 00:46:44,000 --> 00:46:44,879 Speaker 1: just going to keep going. 968 00:46:44,920 --> 00:46:46,960 Speaker 2: So the trouble job is beating for the show must. 969 00:46:46,760 --> 00:46:52,880 Speaker 3: Go on, Freddy Ewart Danny has joined. Hello Danny, What 970 00:46:53,040 --> 00:46:54,440 Speaker 3: show went on? Despite what? 971 00:46:55,640 --> 00:46:56,000 Speaker 5: Oh? Hi? 972 00:46:56,120 --> 00:46:58,279 Speaker 7: I was in about fifth class, I think, and we 973 00:46:58,280 --> 00:47:01,600 Speaker 7: were doing a school concert and I had really really 974 00:47:01,600 --> 00:47:04,799 Speaker 7: bad sunburn on my shoulders and I had blisters about 975 00:47:04,840 --> 00:47:07,759 Speaker 7: the size of the twenty cent piece horrendous, and it 976 00:47:07,800 --> 00:47:11,400 Speaker 7: was covering goreze and medical pape that ripped off on 977 00:47:11,440 --> 00:47:14,439 Speaker 7: a blister during costume cage. So that was bad enough. 978 00:47:14,880 --> 00:47:19,280 Speaker 7: Then we went on dancing barefoot and there were roses 979 00:47:19,280 --> 00:47:21,239 Speaker 7: on the stage, and of course I sited on a 980 00:47:21,320 --> 00:47:24,520 Speaker 7: rose thorn, and I didn't know what to do, kept 981 00:47:24,520 --> 00:47:27,160 Speaker 7: going and my teacher well got off the station, which 982 00:47:27,239 --> 00:47:33,800 Speaker 7: is covered in years of blood. Quentin Tarantino episode. 983 00:47:34,000 --> 00:47:37,080 Speaker 2: But you put popped a blister on stuff, You had 984 00:47:37,080 --> 00:47:40,040 Speaker 2: your blisters popping, your feet were bleeding, and you kept going. 985 00:47:40,120 --> 00:47:42,600 Speaker 7: Danny, I was a very professional ten year old. 986 00:47:42,719 --> 00:47:43,359 Speaker 3: Absolutely. 987 00:47:44,080 --> 00:47:47,839 Speaker 1: I was watching Modley Crue perform and they only did 988 00:47:47,920 --> 00:47:50,680 Speaker 1: three songs, and then Tommy Lee comes to the front 989 00:47:50,680 --> 00:47:52,960 Speaker 1: of the stage. He goes, we got to go. Vince Lee, 990 00:47:53,160 --> 00:47:53,760 Speaker 1: Vince Giant. 991 00:47:53,800 --> 00:47:56,480 Speaker 3: What's you name? Vince? What's the lead singer of Monley 992 00:47:56,480 --> 00:48:01,720 Speaker 3: c Vince, Vince Sorrenti, Vince Neil. Yeah, Vince has passed 993 00:48:01,719 --> 00:48:05,600 Speaker 3: a kidney stone. I caught it on stage. They started 994 00:48:05,680 --> 00:48:06,200 Speaker 3: off as merch. 995 00:48:06,239 --> 00:48:08,120 Speaker 2: But they should have kept going. They should have kept 996 00:48:08,160 --> 00:48:11,840 Speaker 2: going for Vince and he can do it. Jenny Oho, Jenny, 997 00:48:11,920 --> 00:48:12,560 Speaker 2: what happened? 998 00:48:13,600 --> 00:48:18,439 Speaker 10: Hi? So my son was in a choir and he 999 00:48:18,920 --> 00:48:21,080 Speaker 10: fainted on stage. They were on those tears you know 1000 00:48:21,120 --> 00:48:23,359 Speaker 10: that they set up on stage so the kids could 1001 00:48:23,400 --> 00:48:26,200 Speaker 10: be seen. And he fainted and took the whole back 1002 00:48:26,320 --> 00:48:28,279 Speaker 10: row off the back of the tier with him. When 1003 00:48:28,280 --> 00:48:31,239 Speaker 10: he fainted. The rest of them just kept on going, 1004 00:48:31,360 --> 00:48:33,520 Speaker 10: kept on singing. At the end of the song, two 1005 00:48:33,520 --> 00:48:36,120 Speaker 10: fellers came on carried my son off, the others climbed 1006 00:48:36,120 --> 00:48:38,480 Speaker 10: back up onto their teer and the show kept going. 1007 00:48:38,880 --> 00:48:41,680 Speaker 3: Wow, you did you know? It was him that fainted 1008 00:48:41,680 --> 00:48:44,840 Speaker 3: straight away. Well, I figured he was good at it, 1009 00:48:44,880 --> 00:48:46,360 Speaker 3: so I figured it was probably him. 1010 00:48:50,200 --> 00:48:53,880 Speaker 2: So good and they kept going totally that Motley crue. 1011 00:48:53,920 --> 00:48:58,400 Speaker 3: Those conus ads went to thank you, Jenny, make you Jenny, 1012 00:48:58,400 --> 00:48:59,239 Speaker 3: thank you for all your cars. 1013 00:48:59,280 --> 00:49:01,640 Speaker 1: And look, we had a about fifty million calls about 1014 00:49:01,640 --> 00:49:02,720 Speaker 1: pool joggers. 1015 00:49:02,320 --> 00:49:04,480 Speaker 3: And we joggers. Okay, we all want to know, No 1016 00:49:04,600 --> 00:49:05,000 Speaker 3: we don't. 1017 00:49:05,040 --> 00:49:10,920 Speaker 4: Okay, give it to your forums podcast. 1018 00:49:11,000 --> 00:49:11,160 Speaker 3: You know what. 1019 00:49:11,200 --> 00:49:13,920 Speaker 1: I'm looking forward to seeing this movie, The Surfer, although 1020 00:49:14,200 --> 00:49:16,520 Speaker 1: I am looking forward to it, and then I'm not 1021 00:49:16,560 --> 00:49:17,360 Speaker 1: looking forward. 1022 00:49:17,160 --> 00:49:20,439 Speaker 3: To its Nicholas Cage. I love Nick Cage. He remember 1023 00:49:20,520 --> 00:49:21,520 Speaker 3: he was in Australia for a while. 1024 00:49:21,520 --> 00:49:23,520 Speaker 2: We all wanted in Western Australia to make this movie. 1025 00:49:23,560 --> 00:49:25,880 Speaker 3: He's filming this movie. But The Surfer, and if anyone surfs. 1026 00:49:25,880 --> 00:49:28,440 Speaker 1: It's kind of triggering in a way because it's a 1027 00:49:28,480 --> 00:49:29,600 Speaker 1: psychological thriller. 1028 00:49:29,920 --> 00:49:31,479 Speaker 3: I thought it was going to be about sharks or something. 1029 00:49:31,520 --> 00:49:32,399 Speaker 3: It follows a man. 1030 00:49:32,719 --> 00:49:35,560 Speaker 1: This is Nicholas Cage, who returns to Australia after years 1031 00:49:35,560 --> 00:49:38,360 Speaker 1: in the US to buy back his child, family home 1032 00:49:39,200 --> 00:49:41,440 Speaker 1: and then his plans to take a dark turn when 1033 00:49:41,480 --> 00:49:44,239 Speaker 1: he is humiliated in front of his teenage son by 1034 00:49:44,280 --> 00:49:48,839 Speaker 1: a group of territorial local surfers who claim ownership over 1035 00:49:49,280 --> 00:49:51,000 Speaker 1: the break where he once surfed. 1036 00:49:53,000 --> 00:49:58,120 Speaker 3: Michael, I grew up here. Don't leave here, don't dead. 1037 00:49:58,560 --> 00:50:03,719 Speaker 3: It's okay. You're stirring my board. Listen to me, brother. 1038 00:50:04,200 --> 00:50:06,120 Speaker 1: I know it's masked to lose face in front of 1039 00:50:06,160 --> 00:50:07,920 Speaker 1: your boy, but you're going to know when to back 1040 00:50:08,000 --> 00:50:10,080 Speaker 1: down or it could get a whole lot worse. 1041 00:50:11,840 --> 00:50:16,560 Speaker 3: That's a good one over a surf break. 1042 00:50:16,719 --> 00:50:19,799 Speaker 2: And girls don't understand, you know, nonsurfers don't understand that. 1043 00:50:19,880 --> 00:50:22,040 Speaker 1: Growing up in the seventies and eighties as a surfer, 1044 00:50:22,520 --> 00:50:24,319 Speaker 1: they were very much it was a thing. 1045 00:50:24,440 --> 00:50:24,640 Speaker 3: You know. 1046 00:50:24,680 --> 00:50:26,960 Speaker 1: There was cranky old surfers that were you know, they 1047 00:50:27,080 --> 00:50:28,840 Speaker 1: punched you the head as soon as look at you 1048 00:50:28,880 --> 00:50:29,680 Speaker 1: out in the surf. 1049 00:50:29,760 --> 00:50:32,520 Speaker 3: These days it's a bit more gentrified. It doesn't sound 1050 00:50:32,560 --> 00:50:36,240 Speaker 3: it by that well that this certainly hope doesn't happen. 1051 00:50:36,280 --> 00:50:38,720 Speaker 1: There's there's a nice naivity when you go back into 1052 00:50:38,719 --> 00:50:40,279 Speaker 1: the surf and you don't know all the rules and 1053 00:50:40,320 --> 00:50:43,600 Speaker 1: the complexities of it, but someone will tell you when 1054 00:50:43,600 --> 00:50:46,640 Speaker 1: you're doing something wrong, you're snake in people's waves, or 1055 00:50:46,680 --> 00:50:47,360 Speaker 1: you drop. 1056 00:50:47,160 --> 00:50:48,239 Speaker 3: It snaking the world. 1057 00:50:48,239 --> 00:50:50,640 Speaker 1: Well, the thing is I write a SUP in the 1058 00:50:50,719 --> 00:50:55,200 Speaker 1: surf stand up paddle board, which is you know, in. 1059 00:50:55,239 --> 00:50:59,280 Speaker 2: The evolutionary scale, looks like you're do evolving and we're evolving. 1060 00:50:59,320 --> 00:51:02,000 Speaker 1: We're actually on from prone to standing up. Anyway, it's 1061 00:51:02,000 --> 00:51:04,080 Speaker 1: not my forum to push that. The reason I write 1062 00:51:04,120 --> 00:51:06,320 Speaker 1: us up is because you can go to other breaks 1063 00:51:06,320 --> 00:51:08,480 Speaker 1: where people can't go, Like I wouldn't go into a 1064 00:51:08,600 --> 00:51:11,439 Speaker 1: crowded surf break with it unless I knew everyone there. 1065 00:51:11,680 --> 00:51:13,839 Speaker 1: But it is kind of triggering when you see this, 1066 00:51:14,320 --> 00:51:17,600 Speaker 1: and largely it doesn't happen in Australia that much, but 1067 00:51:17,719 --> 00:51:19,319 Speaker 1: it is kind of I don't want to watch it 1068 00:51:19,360 --> 00:51:20,240 Speaker 1: because that reason. 1069 00:51:20,320 --> 00:51:22,880 Speaker 3: It does sound spooky. Do you know Julian McMahon's in it. 1070 00:51:23,080 --> 00:51:24,080 Speaker 3: He's great in this stuf. 1071 00:51:24,080 --> 00:51:26,239 Speaker 1: I've set him in the trailers and he was I 1072 00:51:26,280 --> 00:51:28,479 Speaker 1: always thought a bit too pretty to be a bad guy, 1073 00:51:28,960 --> 00:51:31,120 Speaker 1: and he plays a bad He doesn't, but he's got 1074 00:51:31,160 --> 00:51:32,160 Speaker 1: a bit of age on him now. 1075 00:51:32,320 --> 00:51:32,560 Speaker 3: Yeah. 1076 00:51:32,760 --> 00:51:35,600 Speaker 2: And for those who are too young to know, his 1077 00:51:35,640 --> 00:51:37,120 Speaker 2: father was William McMahon. 1078 00:51:36,760 --> 00:51:40,440 Speaker 3: Our Prime Minister, and his mum wore that McMahon revealing dress. 1079 00:51:40,440 --> 00:51:41,880 Speaker 2: She went to the White House and more address that 1080 00:51:41,960 --> 00:51:43,280 Speaker 2: had to slip right up the side. 1081 00:51:43,440 --> 00:51:45,680 Speaker 3: Those are the races. No, no, she went to the 1082 00:51:45,680 --> 00:51:47,760 Speaker 3: White House. Maybe she got two ways head of it. 1083 00:51:49,000 --> 00:51:51,120 Speaker 1: She got good value out of where she get Julian 1084 00:51:51,160 --> 00:51:53,480 Speaker 1: McMahon or Nicholas Cage on the show. 1085 00:51:53,640 --> 00:51:54,080 Speaker 3: I'd like to. 1086 00:51:54,160 --> 00:51:57,560 Speaker 1: It's had really interesting reviews. People say it's the worst movie. 1087 00:51:57,840 --> 00:52:00,759 Speaker 1: People are saying it's the best movie. I just think 1088 00:52:00,800 --> 00:52:03,200 Speaker 1: anything that Nicholas Cage is in is great. 1089 00:52:03,440 --> 00:52:05,640 Speaker 2: I think it's streaming on Stand in June, So. 1090 00:52:05,600 --> 00:52:11,000 Speaker 3: You June fifteen, stream The Surfer on Stand. Amanda Sham 1091 00:52:11,080 --> 00:52:13,480 Speaker 3: Notion podcast every. 1092 00:52:20,520 --> 00:52:22,960 Speaker 2: Twenty thousand dollars for our favorite goolie of the year. 1093 00:52:23,280 --> 00:52:23,879 Speaker 3: What have we got? 1094 00:52:24,760 --> 00:52:27,759 Speaker 5: What gets my girulies is when you go to work 1095 00:52:27,800 --> 00:52:30,120 Speaker 5: and you give it one hundred and ten percent, flat 1096 00:52:30,160 --> 00:52:30,759 Speaker 5: out all day. 1097 00:52:31,600 --> 00:52:33,680 Speaker 1: Then your reward is you've got to pick up. 1098 00:52:33,640 --> 00:52:37,040 Speaker 3: The slack on the sluggers. And really gets my gulies. 1099 00:52:37,120 --> 00:52:38,680 Speaker 3: I hear you, brother, I ho if you pick them 1100 00:52:38,719 --> 00:52:42,040 Speaker 3: up from your slugger. I hear he's saying that you 1101 00:52:42,120 --> 00:52:45,440 Speaker 3: do that. I just know. I hear you, mate. Okay, 1102 00:52:45,480 --> 00:52:46,319 Speaker 3: what else have we got? 1103 00:52:47,080 --> 00:52:49,960 Speaker 5: It really gives me the goolies when people have their 1104 00:52:50,080 --> 00:52:53,240 Speaker 5: mobiles on speakerphone in public places. 1105 00:52:53,600 --> 00:52:58,560 Speaker 1: Yep, A it's a well held ghoulie, that one. I'm 1106 00:52:58,600 --> 00:53:00,560 Speaker 1: looking at the same out with him with a good 1107 00:53:00,560 --> 00:53:03,560 Speaker 1: context held via the iHeartRadio app. 1108 00:53:04,040 --> 00:53:08,320 Speaker 2: At seven tonight, a oneld favorite caller email of Facebook 1109 00:53:08,320 --> 00:53:11,759 Speaker 2: friend wins overnight accommodation a signature deluxe room for two 1110 00:53:12,400 --> 00:53:14,400 Speaker 2: at the Grace Hotel in the heart of the CBD. 1111 00:53:15,080 --> 00:53:17,400 Speaker 2: Now the tribal drum was beating for the show must 1112 00:53:17,400 --> 00:53:17,799 Speaker 2: go on. 1113 00:53:18,000 --> 00:53:20,279 Speaker 1: You brought this to the table, the video at that 1114 00:53:20,440 --> 00:53:23,319 Speaker 1: buska and the CBD performing. We are the champions while 1115 00:53:23,320 --> 00:53:26,200 Speaker 1: the cops rain having on a miscreant. 1116 00:53:28,120 --> 00:53:30,360 Speaker 3: Okay, okay, mister scrubble. 1117 00:53:30,680 --> 00:53:33,719 Speaker 2: But we were asking, we were asking you for the 1118 00:53:33,800 --> 00:53:37,480 Speaker 2: show must go on. We're expecting callers, calls about performers. 1119 00:53:37,880 --> 00:53:42,120 Speaker 2: Natalie from Camden, however, outed herself as a marathon pooh jogger. 1120 00:53:42,560 --> 00:53:45,080 Speaker 11: Well, I mean, if it's coming, it's coming. 1121 00:53:45,080 --> 00:53:48,439 Speaker 3: Show must go on Friday. That's enough. 1122 00:53:48,480 --> 00:53:50,279 Speaker 2: We will have the poll up all days to whether 1123 00:53:50,320 --> 00:53:52,680 Speaker 2: you'd hear at lactose woman drink milk and then do 1124 00:53:52,800 --> 00:54:00,200 Speaker 2: this or Brendan Jones's band Bad Element performer that's the 1125 00:54:00,239 --> 00:54:02,520 Speaker 2: result actually doing pretty well. Eighty two percent would still 1126 00:54:02,600 --> 00:54:04,759 Speaker 2: rather hear you, Brennan. I'm shocked, but that poll will 1127 00:54:04,760 --> 00:54:05,239 Speaker 2: be up all. 1128 00:54:05,200 --> 00:54:08,440 Speaker 1: Day, so repeat workday continues after nine. We, on the 1129 00:54:08,480 --> 00:54:10,680 Speaker 1: other hand, will be back for jam Nation tonight. 1130 00:54:10,440 --> 00:54:13,720 Speaker 3: At six for date you Well. Thank God. That's Ober. 1131 00:54:13,800 --> 00:54:18,640 Speaker 6: Good bite, good bite, wipe them. 1132 00:54:19,320 --> 00:54:22,680 Speaker 8: Catch Jonesy and Amanda's podcast on the iHeartRadio app or 1133 00:54:22,680 --> 00:54:35,719 Speaker 8: wherever you get your podcasts. Jones catch up on what 1134 00:54:35,760 --> 00:54:38,080 Speaker 8: you've missed on the free iHeartRadio app.