1 00:00:00,120 --> 00:00:01,760 Speaker 1: Shane Jacobson is joining us now. 2 00:00:01,800 --> 00:00:05,880 Speaker 2: Australia's Got Talent is back on Sunday Night on seven 3 00:00:06,240 --> 00:00:07,000 Speaker 2: at seven. 4 00:00:07,160 --> 00:00:08,360 Speaker 1: And when I say back, it's. 5 00:00:08,240 --> 00:00:12,200 Speaker 2: Back after a three year hiatus from the screen. Hello, shamee, 6 00:00:12,360 --> 00:00:12,680 Speaker 2: do take. 7 00:00:13,720 --> 00:00:14,800 Speaker 3: How are we going good? 8 00:00:14,800 --> 00:00:15,720 Speaker 1: How are you good? 9 00:00:16,079 --> 00:00:19,000 Speaker 3: Well? Good? You know I've been sitting around doing absolutely 10 00:00:19,040 --> 00:00:20,520 Speaker 3: nothing for three years and now I'm back. 11 00:00:20,880 --> 00:00:23,440 Speaker 1: You're not being the only one great anywhere. 12 00:00:23,560 --> 00:00:26,200 Speaker 2: Look, it's not your first rodeo working as a judge, 13 00:00:26,480 --> 00:00:28,680 Speaker 2: how would you describe a style? 14 00:00:29,880 --> 00:00:31,000 Speaker 3: What was that? What's my judging? 15 00:00:31,360 --> 00:00:32,559 Speaker 1: What was your judging style? 16 00:00:33,840 --> 00:00:35,720 Speaker 3: Well, I'm not attracted to look at so I try 17 00:00:35,760 --> 00:00:40,360 Speaker 3: and be kind in words. It's my judging store, to 18 00:00:40,400 --> 00:00:42,400 Speaker 3: be honest, it's the same as I guess for most 19 00:00:42,440 --> 00:00:44,760 Speaker 3: of the judges, which is you kind of have to 20 00:00:44,800 --> 00:00:47,600 Speaker 3: start every actor that walks out on stage. You have 21 00:00:47,680 --> 00:00:50,440 Speaker 3: to empty your sponge and be ready to absorb whatever 22 00:00:50,720 --> 00:00:53,320 Speaker 3: kind of emotion or feeling they give you, and you 23 00:00:53,760 --> 00:00:55,840 Speaker 3: have to shake off whatever you've just seen. So if 24 00:00:55,840 --> 00:00:58,680 Speaker 3: you've had something else that was amazing or something else 25 00:00:58,720 --> 00:01:00,720 Speaker 3: that was terrible, you have to shake that off because 26 00:01:01,080 --> 00:01:04,000 Speaker 3: everything that comes on the stage is completely different from 27 00:01:04,000 --> 00:01:06,440 Speaker 3: whatever came out of it before. Like, there's no way 28 00:01:06,520 --> 00:01:08,399 Speaker 3: that an act that walks out can inform you what 29 00:01:08,400 --> 00:01:10,600 Speaker 3: you're going to see next or have seen before that 30 00:01:10,680 --> 00:01:13,679 Speaker 3: because they're also incredibly different, which is which is what 31 00:01:13,760 --> 00:01:15,880 Speaker 3: I think is the beauty of the AGT brand is 32 00:01:15,880 --> 00:01:17,720 Speaker 3: that you know, our show is just anything. I mean, 33 00:01:17,720 --> 00:01:20,240 Speaker 3: you can come and juggle set prior to yourself through magic, 34 00:01:20,440 --> 00:01:22,880 Speaker 3: it's not that you can do anything. So my job 35 00:01:22,959 --> 00:01:25,480 Speaker 3: is just to sit there, and their job is to 36 00:01:25,600 --> 00:01:27,720 Speaker 3: make me feel something. If it's a comedian, I should laugh. 37 00:01:28,000 --> 00:01:30,559 Speaker 3: If it's a singer, they should make me feel woman fuzzy. 38 00:01:30,560 --> 00:01:32,759 Speaker 3: If it's a magician, I should be shocked and confused. 39 00:01:33,319 --> 00:01:35,199 Speaker 3: And if it's supposed to be dangerous, I should be scared. 40 00:01:35,200 --> 00:01:36,800 Speaker 3: But as long as I feel something, then they've done 41 00:01:36,840 --> 00:01:37,200 Speaker 3: their job. 42 00:01:37,920 --> 00:01:39,640 Speaker 2: I do love that they're not just singing a song 43 00:01:39,720 --> 00:01:42,640 Speaker 2: or something. They're folding themselves into a box or just 44 00:01:42,720 --> 00:01:44,600 Speaker 2: doing something really random. 45 00:01:44,720 --> 00:01:47,000 Speaker 1: And you know, you can't turn away from. 46 00:01:48,080 --> 00:01:50,560 Speaker 3: There's some things that we do turn away from. There. 47 00:01:50,640 --> 00:01:54,680 Speaker 3: There's an accent India that I honestly thought someone was 48 00:01:54,720 --> 00:01:59,880 Speaker 3: going to get really seriously injured or worse. And you know, 49 00:02:00,120 --> 00:02:04,080 Speaker 3: is that we're doing for entertainment, you know, I keep saying. 50 00:02:03,400 --> 00:02:09,120 Speaker 4: Yes, the one on the promo, Shane, we've seen a 51 00:02:09,160 --> 00:02:11,720 Speaker 4: bit of was was a cracking a coconut on someone's 52 00:02:11,720 --> 00:02:12,280 Speaker 4: head or something. 53 00:02:12,360 --> 00:02:16,919 Speaker 3: Oh gosh, with a massive hammer. There was at one 54 00:02:16,960 --> 00:02:20,160 Speaker 3: point one of those guys rubbed. They poured salt in 55 00:02:20,160 --> 00:02:24,360 Speaker 3: his eyes. I'd like a bandage around so the salt 56 00:02:24,400 --> 00:02:26,400 Speaker 3: couldn't leave his eyes, and then gave him a massive 57 00:02:26,440 --> 00:02:29,280 Speaker 3: hammer and then he ran around smashing stuff and Pumpkin's 58 00:02:29,320 --> 00:02:34,919 Speaker 3: rocker side his mate. F It was. It was genuinely 59 00:02:35,280 --> 00:02:38,079 Speaker 3: and I'm not just saying this him was terrifying. I went, 60 00:02:39,040 --> 00:02:41,079 Speaker 3: this is going to be a story. I'll be telling 61 00:02:41,160 --> 00:02:43,040 Speaker 3: him for one hundred you know, or maybe not one hundred, 62 00:02:43,040 --> 00:02:47,040 Speaker 3: but hopefully at least fifty years. Yeah, I was. I 63 00:02:47,120 --> 00:02:49,800 Speaker 3: was there the day the guy died blood on the stage. 64 00:02:51,120 --> 00:02:54,799 Speaker 1: There is there is talk of a world first twist. 65 00:02:55,600 --> 00:02:57,560 Speaker 1: Can you say anything about. 66 00:02:57,280 --> 00:03:01,840 Speaker 3: That a world first twist? Well, you might have to watch. 67 00:03:02,760 --> 00:03:04,959 Speaker 2: Look, that's a fair answer. I just thought I would 68 00:03:05,000 --> 00:03:07,040 Speaker 2: ask you if it's a twist, you hardly can give 69 00:03:07,080 --> 00:03:07,440 Speaker 2: away the. 70 00:03:07,440 --> 00:03:10,360 Speaker 3: Twist'll probably not And look, it may actually be the 71 00:03:10,360 --> 00:03:13,679 Speaker 3: fact that someone there is incredibly twisted. It's you know. Yes, 72 00:03:15,240 --> 00:03:18,200 Speaker 3: there was a contortions she features in one of the ads. 73 00:03:18,520 --> 00:03:22,280 Speaker 3: She does contortion type work and arrows with her feet. 74 00:03:24,400 --> 00:03:26,200 Speaker 4: People with a rubber spine that should be in circus 75 00:03:26,240 --> 00:03:26,440 Speaker 4: il a. 76 00:03:27,040 --> 00:03:29,359 Speaker 3: I know. We did say at one point, how flexible 77 00:03:29,400 --> 00:03:31,000 Speaker 3: are you? And she said, look, to be honest, I 78 00:03:31,040 --> 00:03:36,760 Speaker 3: can't do Thursdays. We had the stumer on a Wednesday. 79 00:03:37,080 --> 00:03:41,520 Speaker 2: Contutions are interesting because I always think, well, the first time, 80 00:03:41,760 --> 00:03:42,520 Speaker 2: what made you go? 81 00:03:42,600 --> 00:03:45,440 Speaker 1: I'm going to give this a go. 82 00:03:48,320 --> 00:03:50,440 Speaker 3: For the rest of us, especially all of us over 83 00:03:50,480 --> 00:03:52,520 Speaker 3: the age of fifty. If I drop a pencil on 84 00:03:52,560 --> 00:03:55,400 Speaker 3: the ground, that's already going to be the worst part 85 00:03:55,400 --> 00:03:56,720 Speaker 3: of my day. I've got to get stand there and 86 00:03:56,720 --> 00:03:58,440 Speaker 3: grab that. 87 00:03:57,960 --> 00:03:59,240 Speaker 1: I got to get up. 88 00:03:59,680 --> 00:04:03,520 Speaker 3: This is the truth. Three this morning, I picked up 89 00:04:05,120 --> 00:04:07,440 Speaker 3: a little box that had all these pencils in it 90 00:04:07,480 --> 00:04:09,080 Speaker 3: and they all fell to the ground. 91 00:04:09,400 --> 00:04:10,000 Speaker 4: Yeah. 92 00:04:10,080 --> 00:04:12,120 Speaker 3: I called one of the way to pick them up. 93 00:04:12,320 --> 00:04:15,120 Speaker 3: It was a bit sore, and I saw one of 94 00:04:15,120 --> 00:04:16,960 Speaker 3: my kids and I said, we'll make a favor, coming 95 00:04:17,000 --> 00:04:20,320 Speaker 3: help help you pick up those pins. I beat down 96 00:04:20,320 --> 00:04:22,119 Speaker 3: and picked that one because I realized at this point 97 00:04:22,520 --> 00:04:24,159 Speaker 3: this is a bit uncleair that he's picking up like 98 00:04:24,200 --> 00:04:28,440 Speaker 3: twenty five people the box. Yeah, I can child in. 99 00:04:28,720 --> 00:04:32,039 Speaker 4: Well, no visits anywhere. They've got flat packs for you know, 100 00:04:32,200 --> 00:04:35,680 Speaker 4: key visits for you, Shane, you forever, Shane. 101 00:04:35,680 --> 00:04:37,919 Speaker 2: Can you tell us if there are any way as 102 00:04:38,279 --> 00:04:39,159 Speaker 2: for us to look out. 103 00:04:39,040 --> 00:04:42,320 Speaker 3: For Oh, you've got me getting now. We've got it 104 00:04:42,400 --> 00:04:45,400 Speaker 3: from everywhere. I need this from now. I mean they're 105 00:04:45,400 --> 00:04:47,200 Speaker 3: literally from everyone. I'm trying to think. I'm going back 106 00:04:47,240 --> 00:04:48,240 Speaker 3: through my brain the game. 107 00:04:48,880 --> 00:04:50,720 Speaker 1: Well, they are from all over the world, so. 108 00:04:50,760 --> 00:04:55,760 Speaker 3: It is a bit the words from Germany, you know, 109 00:04:55,880 --> 00:05:00,760 Speaker 3: from India. We've got from Ukraine. It's amazing act from Ukraine. 110 00:05:01,080 --> 00:05:03,240 Speaker 3: So look, we had actual remember I'm sure we haven't heer, 111 00:05:03,520 --> 00:05:06,360 Speaker 3: but it literally we saw hundreds. We saw hundreds, many 112 00:05:06,440 --> 00:05:08,960 Speaker 3: from everywhere. And the thing is, you know, I know 113 00:05:09,000 --> 00:05:12,240 Speaker 3: he saw some. I can't tell you which ones kind 114 00:05:12,240 --> 00:05:15,599 Speaker 3: of got through only because my memory kind of loses 115 00:05:15,640 --> 00:05:17,560 Speaker 3: whether they're from w a Ne, South Wales, Victoria in 116 00:05:17,560 --> 00:05:20,919 Speaker 3: a hurry, the O's ones I remember because they've got 117 00:05:20,960 --> 00:05:21,359 Speaker 3: an accent. 118 00:05:21,960 --> 00:05:24,840 Speaker 4: Funny, Hey, Shane, we know we know a lot about 119 00:05:24,880 --> 00:05:26,960 Speaker 4: David Oneham is the judge and Kate Richie tell us 120 00:05:27,000 --> 00:05:28,520 Speaker 4: more about Alicia Dixon. We know she was in a 121 00:05:28,560 --> 00:05:30,039 Speaker 4: band called Mystic at one stage. 122 00:05:30,720 --> 00:05:33,440 Speaker 3: Yeah, yeah, she I'm not just saying this, I'm just 123 00:05:33,480 --> 00:05:35,280 Speaker 3: trying to put sugar on a brick as here. She's 124 00:05:35,440 --> 00:05:39,280 Speaker 3: genuinely I'm putting sugar on a cake. She's genuinely a 125 00:05:39,360 --> 00:05:43,920 Speaker 3: fantastic woman and a whole lot of fun. She's she's 126 00:05:43,960 --> 00:05:46,040 Speaker 3: definitely after a laugh, there's no doubt about it. And 127 00:05:46,120 --> 00:05:49,159 Speaker 3: she she couldn't wait to learn more about Australian culture. 128 00:05:49,320 --> 00:05:51,880 Speaker 3: I had to explain. She's like, tell me some stuff, 129 00:05:51,880 --> 00:05:53,440 Speaker 3: you know, tell me some lingo that I don't know. 130 00:05:54,240 --> 00:05:58,240 Speaker 3: So I taught her chuck a YUEI yeah, Well, just said, 131 00:05:58,320 --> 00:05:59,920 Speaker 3: you know, I've been to other countries and they talk 132 00:06:00,040 --> 00:06:01,800 Speaker 3: for about a minute going. When you get up here, 133 00:06:01,839 --> 00:06:03,719 Speaker 3: what's going to want to do is move over to 134 00:06:03,720 --> 00:06:05,280 Speaker 3: the writing on side and we're going to go back 135 00:06:05,360 --> 00:06:08,200 Speaker 3: the way we just came. We want to bedding North out. Okay, 136 00:06:08,800 --> 00:06:12,280 Speaker 3: just chuck and it's done. I said, you don't have 137 00:06:12,279 --> 00:06:14,520 Speaker 3: to explain any one Australia. We're going back the way 138 00:06:14,520 --> 00:06:17,240 Speaker 3: we came back to. Just chuck you as soon as 139 00:06:17,240 --> 00:06:21,159 Speaker 3: you can. Let's get that done and chuck it doesn't 140 00:06:21,160 --> 00:06:22,840 Speaker 3: mean it five, but it's just as sour as you can. 141 00:06:23,800 --> 00:06:28,120 Speaker 3: So she's under that. I said, I've probably saved hours 142 00:06:28,120 --> 00:06:31,400 Speaker 3: of her life. Yeah yeah, And I explained to her 143 00:06:31,480 --> 00:06:36,960 Speaker 3: the beauty of NA. She had NA, and she said, 144 00:06:36,960 --> 00:06:38,719 Speaker 3: tell me how it works. I said, so it's yes 145 00:06:38,760 --> 00:06:42,520 Speaker 3: and no together. He said, isn't that impossible? And I said, no, 146 00:06:42,600 --> 00:06:46,680 Speaker 3: it's not. It's the nicest no you'll ever get. And she, 147 00:06:47,160 --> 00:06:49,320 Speaker 3: I said, it's it's it's a no. She said, so 148 00:06:49,480 --> 00:06:51,599 Speaker 3: is it a no? I said, oh, yeah, definitely. 149 00:06:54,040 --> 00:06:56,480 Speaker 1: I can't wait to see the show. 150 00:06:56,920 --> 00:06:59,440 Speaker 4: And she's gone for as it's either you or Brian Brown. 151 00:06:59,680 --> 00:07:01,039 Speaker 4: So she she came to the right place. 152 00:07:03,279 --> 00:07:05,080 Speaker 3: I don't think Brandy will be a yeah kind of guy, 153 00:07:05,160 --> 00:07:07,120 Speaker 3: and I'm not a year and kind of guy. Yes 154 00:07:07,279 --> 00:07:10,200 Speaker 3: or no. But but she she did use it. She's going, 155 00:07:10,520 --> 00:07:12,360 Speaker 3: so how do I use it? And I said, if 156 00:07:12,360 --> 00:07:15,120 Speaker 3: you've got a friend that says, look, you know, do 157 00:07:15,120 --> 00:07:16,720 Speaker 3: you mind if I pop brand tonight just for a 158 00:07:16,720 --> 00:07:19,240 Speaker 3: couple of wines and you're already died? You go, yeah, no, 159 00:07:19,240 --> 00:07:22,600 Speaker 3: not tonight, and what that means is and she dared 160 00:07:22,640 --> 00:07:23,400 Speaker 3: come to my door. 161 00:07:24,040 --> 00:07:25,679 Speaker 1: Yes it does, it does. 162 00:07:26,240 --> 00:07:28,520 Speaker 3: Solid No but it's the nicest one you're going to get. 163 00:07:28,560 --> 00:07:28,880 Speaker 1: Course. 164 00:07:31,800 --> 00:07:34,240 Speaker 2: Yesterday, when we were talking about you being on the 165 00:07:34,240 --> 00:07:38,000 Speaker 2: show today, our producer Susie shared a story about how 166 00:07:38,080 --> 00:07:40,520 Speaker 2: one time, when she was working at another station, You 167 00:07:40,640 --> 00:07:43,480 Speaker 2: had just completed an on air phone interview and she 168 00:07:43,600 --> 00:07:45,600 Speaker 2: picked up the phone afterwards to say thank you, but 169 00:07:45,640 --> 00:07:47,960 Speaker 2: completely forgot she was talking to a celebrity and not 170 00:07:48,040 --> 00:07:49,760 Speaker 2: her parents, because she said. 171 00:07:49,560 --> 00:07:50,640 Speaker 1: Okay, but I love you. 172 00:07:53,600 --> 00:07:55,840 Speaker 2: I don't know if you remember it, but she is 173 00:07:56,040 --> 00:07:57,560 Speaker 2: mortified to this day. 174 00:07:58,520 --> 00:08:01,800 Speaker 3: But can you let him know I've been in trouble 175 00:08:01,840 --> 00:08:06,280 Speaker 3: before for oversharing. I love you, mate, but because I do, 176 00:08:06,360 --> 00:08:09,520 Speaker 3: I do that to my male female So yeah, it 177 00:08:09,560 --> 00:08:14,520 Speaker 3: wouldn't have made me link or about nihiledgic. I try 178 00:08:14,600 --> 00:08:16,320 Speaker 3: them out, you know, like I work. 179 00:08:16,480 --> 00:08:19,480 Speaker 1: That's a lovely way to start the day. I random 180 00:08:19,560 --> 00:08:20,760 Speaker 1: love you from a stranger. 181 00:08:21,600 --> 00:08:25,200 Speaker 3: But look, I don't take that. I mean, gosh, if 182 00:08:25,200 --> 00:08:26,880 Speaker 3: I had that said to me at primary school, I'd 183 00:08:26,920 --> 00:08:29,480 Speaker 3: go read and probably and probably want to rest of 184 00:08:29,520 --> 00:08:32,640 Speaker 3: my life. Game. I've found someone that actually likes this look, 185 00:08:32,679 --> 00:08:34,600 Speaker 3: and this is hard. To get someone to like this look. 186 00:08:34,760 --> 00:08:37,400 Speaker 3: Pretty's easy. Try try pulling the look. I've gone off. 187 00:08:37,400 --> 00:08:39,840 Speaker 3: It's hard work, you've got to It takes a lot, 188 00:08:39,960 --> 00:08:43,080 Speaker 3: like years of years of disc You're getting a. 189 00:08:43,080 --> 00:08:46,240 Speaker 1: Lot of disagreement in here. Let me tell you. 190 00:08:47,080 --> 00:08:48,880 Speaker 3: Well, well, Hanks, the fact I was going to say, 191 00:08:48,880 --> 00:08:50,840 Speaker 3: when someone goes I love you, I just automatically assume 192 00:08:50,920 --> 00:08:52,280 Speaker 3: you know, I love your work. I love what you're doing. 193 00:08:54,920 --> 00:08:58,000 Speaker 3: But but just because my wife's not listening, if she 194 00:08:58,080 --> 00:09:01,920 Speaker 3: meant something to let me know right, you know, because 195 00:09:01,960 --> 00:09:06,120 Speaker 3: that would be very surprising to me. Well, I might 196 00:09:06,120 --> 00:09:07,600 Speaker 3: have said, would love you to get off the phone, 197 00:09:07,600 --> 00:09:11,560 Speaker 3: and we've had enough half the step. 198 00:09:12,160 --> 00:09:15,120 Speaker 2: The bottom line is she does love you, ah, And 199 00:09:15,559 --> 00:09:18,000 Speaker 2: we look forward to seeing you back on our Telly 200 00:09:18,080 --> 00:09:20,760 Speaker 2: on Sunday night on seven. And I mean that we 201 00:09:20,800 --> 00:09:23,680 Speaker 2: look forward to seeing you because you're a beautiful man. 202 00:09:23,800 --> 00:09:25,520 Speaker 4: Stop it chain, Stop putting yourself down. Mate. 203 00:09:26,080 --> 00:09:28,720 Speaker 3: See that works treat, didn't it. I am that all 204 00:09:28,720 --> 00:09:31,160 Speaker 3: that all worked out really well, that little a little 205 00:09:31,200 --> 00:09:31,679 Speaker 3: ploy for. 206 00:09:31,679 --> 00:09:35,200 Speaker 1: Me to get on the reverse psychology. Well done, Shane. 207 00:09:35,320 --> 00:09:38,400 Speaker 1: Lovely to talk to you as always. 208 00:09:37,880 --> 00:09:40,400 Speaker 3: Please you. 209 00:09:41,160 --> 00:09:45,440 Speaker 2: I love you,