1 00:00:01,080 --> 00:00:04,760 Speaker 1: Dowered by they I Radio WAB from ninety six Air FM, 2 00:00:04,960 --> 00:00:09,160 Speaker 1: So whereever you're listening today, this is crazy and Lisa's 3 00:00:09,200 --> 00:00:12,240 Speaker 1: podcast coming up on the podcast Master Songwriter and a 4 00:00:12,240 --> 00:00:14,120 Speaker 1: great performer with ten CC coming to Perth. 5 00:00:14,200 --> 00:00:14,800 Speaker 2: Graham Goodman. 6 00:00:14,880 --> 00:00:16,840 Speaker 3: We took a calls and what emoji you'd like added 7 00:00:16,880 --> 00:00:17,760 Speaker 3: to your phone on. 8 00:00:17,760 --> 00:00:19,680 Speaker 2: The Shore Report at LISTA talked about Eddie Murphy in 9 00:00:19,720 --> 00:00:22,280 Speaker 2: a certain movie. We don't think it really works. 10 00:00:22,680 --> 00:00:25,960 Speaker 3: Ten CC they're coming to town with the Ultimate Greatest 11 00:00:26,040 --> 00:00:28,680 Speaker 3: Hits to us Sunday, July two at the Asta Theater. 12 00:00:28,800 --> 00:00:32,320 Speaker 3: Tickets through ticket Tech and Graham Goldman from ten CEC 13 00:00:32,520 --> 00:00:33,560 Speaker 3: is joining us this morning. 14 00:00:33,600 --> 00:00:36,600 Speaker 2: Good morning, morning, Graham, Good morning to you mate. 15 00:00:36,640 --> 00:00:39,080 Speaker 1: It is wonderful to well we can see you, but 16 00:00:39,159 --> 00:00:41,279 Speaker 1: on the radio to hear you and great to talk 17 00:00:41,320 --> 00:00:43,680 Speaker 1: to you. And I'm thinking rubber bullets. Life is a 18 00:00:43,760 --> 00:00:45,760 Speaker 1: man a strony. Good morning, Judge. I'm not in love 19 00:00:45,800 --> 00:00:48,040 Speaker 1: dreadlock holiday, you leave your fans exhausted at the end 20 00:00:48,040 --> 00:00:49,239 Speaker 1: of a gig. Made somebody here. 21 00:00:50,200 --> 00:00:53,360 Speaker 4: Well, we always say we have we have no mercy 22 00:00:53,400 --> 00:00:57,520 Speaker 4: and we take no prisoners. Love it, so yeah, yeah, yeah, 23 00:00:57,600 --> 00:00:59,200 Speaker 4: people that come to the show are going to hear 24 00:00:59,720 --> 00:01:02,080 Speaker 4: well all the hits that you would expect us to 25 00:01:02,120 --> 00:01:06,920 Speaker 4: play and more, various album tracks, a couple of surprises. 26 00:01:07,880 --> 00:01:10,360 Speaker 3: Well, I have to say life is a miniestrone one 27 00:01:10,360 --> 00:01:14,480 Speaker 3: of my favorite song titles of all time. Now ten 28 00:01:14,640 --> 00:01:19,560 Speaker 3: CC is celebrating fifty years of recording and touring. When 29 00:01:19,640 --> 00:01:21,080 Speaker 3: was the last time you were in Perth? 30 00:01:21,720 --> 00:01:25,039 Speaker 4: We were in Perth, not long before the pandemic. Now 31 00:01:25,959 --> 00:01:29,800 Speaker 4: we toured Australia and New Zealand. In fact, we left 32 00:01:29,800 --> 00:01:33,959 Speaker 4: Auckland and came back to the very beginning of the pandemic, 33 00:01:34,280 --> 00:01:37,280 Speaker 4: and so very much looking forward to coming back to 34 00:01:37,319 --> 00:01:39,640 Speaker 4: Australia in particular. 35 00:01:39,880 --> 00:01:40,520 Speaker 2: Unreal mate. 36 00:01:40,520 --> 00:01:42,720 Speaker 1: Can we go back to the sixties, mate, and talk 37 00:01:42,720 --> 00:01:44,600 Speaker 1: about some of those amazing songs you wrote for the 38 00:01:44,720 --> 00:01:47,319 Speaker 1: Yardbirds and the Hollies and Herman Herberts and the like 39 00:01:47,360 --> 00:01:49,360 Speaker 1: over the years. And there's a Yardbirds song called for 40 00:01:49,480 --> 00:01:51,280 Speaker 1: Your Love, which I particularly love and it was a 41 00:01:51,360 --> 00:01:53,960 Speaker 1: changing point for an R and BN band called the Yardbirds. 42 00:01:53,960 --> 00:01:55,720 Speaker 1: I think was part of the reason why Clapton said 43 00:01:55,760 --> 00:01:57,320 Speaker 1: I don't want to be a pop artist. But you 44 00:01:57,360 --> 00:01:59,480 Speaker 1: wrote that song. Was there a chance that was getting 45 00:01:59,480 --> 00:02:01,040 Speaker 1: shopped around to become a Beatles song. 46 00:02:01,160 --> 00:02:02,400 Speaker 2: Is that a myth? Is that true? 47 00:02:02,760 --> 00:02:04,960 Speaker 4: It's a myth, but it's based on the fact that 48 00:02:05,640 --> 00:02:08,320 Speaker 4: my manager at the time said we should get this 49 00:02:08,400 --> 00:02:11,000 Speaker 4: song to the Beatles. But I did remind him that 50 00:02:11,040 --> 00:02:16,799 Speaker 4: the Beatles were doing very well in the songwriting department themselves. Yeah, yeah, 51 00:02:16,880 --> 00:02:20,040 Speaker 4: so that, yeah, I think that's how that actually came about. 52 00:02:20,360 --> 00:02:20,920 Speaker 4: That story. 53 00:02:21,600 --> 00:02:24,560 Speaker 3: One of your biggest songs, I'm Not in Love, of course, 54 00:02:24,760 --> 00:02:27,760 Speaker 3: was huge at the time, and now in recent times 55 00:02:27,760 --> 00:02:31,480 Speaker 3: a little movie called Guardians of the Galaxy has sent 56 00:02:31,560 --> 00:02:33,359 Speaker 3: it back to the top. You have a whole new 57 00:02:33,440 --> 00:02:36,239 Speaker 3: generation loving it. Do you get a real kick out 58 00:02:36,280 --> 00:02:38,720 Speaker 3: of that? I mean, obviously it sends them to your 59 00:02:38,760 --> 00:02:40,680 Speaker 3: other music as well. Would you get a kick out. 60 00:02:40,560 --> 00:02:43,000 Speaker 2: Of But yeah, I do very much so. 61 00:02:43,160 --> 00:02:46,480 Speaker 4: And it's sort of evident at the gigs that we 62 00:02:46,560 --> 00:02:50,680 Speaker 4: do that we were that advanced in our years, let's 63 00:02:50,680 --> 00:02:51,399 Speaker 4: put it that way. 64 00:02:51,960 --> 00:02:53,640 Speaker 2: We get people of our sort. 65 00:02:53,440 --> 00:02:58,320 Speaker 4: Of our own age, more mature. We get that we 66 00:02:58,520 --> 00:03:02,080 Speaker 4: got their children who are kind of approaching middle age 67 00:03:02,480 --> 00:03:06,200 Speaker 4: and their children as well. So it's very gratifying see 68 00:03:06,360 --> 00:03:09,040 Speaker 4: three generations, you know, coming. 69 00:03:08,840 --> 00:03:09,280 Speaker 2: To see us. 70 00:03:09,280 --> 00:03:12,080 Speaker 4: And it's of course it's not just because of things 71 00:03:12,120 --> 00:03:14,960 Speaker 4: like Guardians of the Galaxy. You know that our songs 72 00:03:14,960 --> 00:03:18,480 Speaker 4: are being played on the radio all the time, so 73 00:03:18,520 --> 00:03:22,040 Speaker 4: they're in the ether, you know. Yeah, we play them 74 00:03:22,560 --> 00:03:24,200 Speaker 4: several of them every week. Mat Can you tell me 75 00:03:24,200 --> 00:03:26,000 Speaker 4: about a song called floating in here at a beautiful 76 00:03:26,000 --> 00:03:28,200 Speaker 4: piece of music? And you have more than just music 77 00:03:28,200 --> 00:03:30,040 Speaker 4: in common with Brian May from Queen, don't you? 78 00:03:30,639 --> 00:03:30,839 Speaker 1: Yes? 79 00:03:30,919 --> 00:03:31,160 Speaker 4: I do. 80 00:03:31,320 --> 00:03:31,799 Speaker 3: Yeah. 81 00:03:31,919 --> 00:03:34,480 Speaker 4: I wrote the song, which was inspired by the James 82 00:03:34,639 --> 00:03:38,800 Speaker 4: web space telescope, played it to Andrew my record company, 83 00:03:38,840 --> 00:03:41,080 Speaker 4: and he said the song is brilliant, he said, but 84 00:03:41,080 --> 00:03:43,000 Speaker 4: wouldn't it be great to get someone like Brown May 85 00:03:43,080 --> 00:03:46,920 Speaker 4: to play on it? Because Brian is both an astronomer 86 00:03:47,120 --> 00:03:50,720 Speaker 4: and an astrophysicist as well as being a brilliant guitar player. 87 00:03:51,160 --> 00:03:52,920 Speaker 4: So I sent him the song and he says, I 88 00:03:52,960 --> 00:03:54,640 Speaker 4: love this, I want to play on it. And he 89 00:03:54,720 --> 00:03:56,720 Speaker 4: was very involved in the making of the record and 90 00:03:56,760 --> 00:03:58,119 Speaker 4: it was wonderful working with him. 91 00:03:58,440 --> 00:04:06,080 Speaker 3: Overachiever, Speaking of songs that are still very much in 92 00:04:06,120 --> 00:04:10,360 Speaker 3: the ether, Dreadlock Holiday, are you amazed that it became well, 93 00:04:10,400 --> 00:04:12,000 Speaker 3: I mean, obviously with the line in and I don't 94 00:04:12,080 --> 00:04:13,880 Speaker 3: like cricket, I love it. It was always going to 95 00:04:13,880 --> 00:04:16,880 Speaker 3: be associated with cricket. But are you Are you thrilled 96 00:04:16,920 --> 00:04:20,159 Speaker 3: that forty five years later it's still so associated with cricket. 97 00:04:20,480 --> 00:04:24,920 Speaker 4: I'm absolutely delighted, I have to say, ironically. I mean, 98 00:04:25,040 --> 00:04:28,039 Speaker 4: friends of mine have threatened to take me to cricket matches, 99 00:04:28,080 --> 00:04:32,520 Speaker 4: but I've never been to a cricket I know that's 100 00:04:32,520 --> 00:04:33,159 Speaker 4: really weird. 101 00:04:33,279 --> 00:04:36,240 Speaker 2: So yeah, one day, one day I'll go. 102 00:04:36,320 --> 00:04:40,440 Speaker 4: But you know that that line was actually I have 103 00:04:40,520 --> 00:04:42,719 Speaker 4: to admit that it wasn't a line that I thought of. 104 00:04:42,800 --> 00:04:45,279 Speaker 4: I was in Jamaica and I was trying to a 105 00:04:45,360 --> 00:04:49,200 Speaker 4: guy in the place I was staying and talking about sports, 106 00:04:49,480 --> 00:04:50,720 Speaker 4: and I said, what about cricket? 107 00:04:50,720 --> 00:04:52,800 Speaker 2: Do you like it? He said, no, I don't like it. 108 00:04:53,520 --> 00:04:55,279 Speaker 2: I love it, and he gave me the line. 109 00:04:55,320 --> 00:04:57,680 Speaker 4: You know, I thought, I think that's the thing with 110 00:04:58,000 --> 00:05:00,880 Speaker 4: songwriters have always got this sort of antenna. I am 111 00:05:01,040 --> 00:05:03,520 Speaker 4: waiting for something too. Yeah, you know, they pick up 112 00:05:03,560 --> 00:05:06,760 Speaker 4: on something someone says that might be funny or it's 113 00:05:06,760 --> 00:05:09,520 Speaker 4: a great last thing, and it's a great line, you know, 114 00:05:09,560 --> 00:05:12,719 Speaker 4: and I thank him for it's the test of time. 115 00:05:12,800 --> 00:05:13,880 Speaker 1: And I was going to think I was trying to 116 00:05:13,880 --> 00:05:15,560 Speaker 1: think of a new question to ask all the musicians 117 00:05:15,600 --> 00:05:17,160 Speaker 1: that come on the show, and my question is not 118 00:05:17,279 --> 00:05:18,919 Speaker 1: fear with you, because it was going to be Have 119 00:05:18,960 --> 00:05:20,440 Speaker 1: you ever met a Beatle and what did they say 120 00:05:20,440 --> 00:05:21,919 Speaker 1: to you? But you've spent a lot of time with 121 00:05:21,960 --> 00:05:23,360 Speaker 1: one Beatle in particular, haven't you? 122 00:05:23,800 --> 00:05:26,240 Speaker 4: Yes? I did, yeah with Ringo Star. I toured with 123 00:05:26,360 --> 00:05:30,479 Speaker 4: Ringo in twenty eighteen. We did two major tours and 124 00:05:30,640 --> 00:05:32,880 Speaker 4: had a wonderful time with him and the rest of 125 00:05:32,920 --> 00:05:33,320 Speaker 4: the band. 126 00:05:33,360 --> 00:05:35,680 Speaker 2: It was a great experience. I really enjoyed it. 127 00:05:36,400 --> 00:05:39,279 Speaker 3: Graham can I ask, as a songwriter, what do you 128 00:05:39,279 --> 00:05:41,800 Speaker 3: think of the current crop of artists like your age 129 00:05:41,800 --> 00:05:45,240 Speaker 3: Shearon and Adele and Chris Martin. Do you think they 130 00:05:45,279 --> 00:05:47,080 Speaker 3: have the staying power of your lot? 131 00:05:47,400 --> 00:05:49,920 Speaker 2: I think some of them will, Yes, I do. 132 00:05:50,279 --> 00:05:52,320 Speaker 4: There are certain records that are sort of I think 133 00:05:52,320 --> 00:05:55,120 Speaker 4: they're kind of disposable, and they're made that way and 134 00:05:55,160 --> 00:05:57,960 Speaker 4: not destined to become classics that will be played fifty 135 00:05:58,040 --> 00:06:00,680 Speaker 4: years on by some of ours. So, but you know, 136 00:06:00,720 --> 00:06:05,080 Speaker 4: there's always something good happening. And when I was like 137 00:06:05,160 --> 00:06:09,599 Speaker 4: a young teenager, the top ten I'd like maybe seventy 138 00:06:09,600 --> 00:06:12,400 Speaker 4: five percent of it, and now it's kind of rather 139 00:06:12,480 --> 00:06:16,400 Speaker 4: less than that. But the whole industry has changed somewhat. 140 00:06:17,240 --> 00:06:19,479 Speaker 4: But for us, you know, the songs that we have 141 00:06:19,640 --> 00:06:22,839 Speaker 4: have longevity, and that's proved by the fact that we 142 00:06:22,880 --> 00:06:25,400 Speaker 4: can still tour playing these songs and people want to 143 00:06:25,400 --> 00:06:29,080 Speaker 4: hear them. So yeah, the answer the question is there's 144 00:06:29,120 --> 00:06:32,600 Speaker 4: not as much I think songwriting talent around today, but there. 145 00:06:32,560 --> 00:06:33,240 Speaker 2: Is certainly is. 146 00:06:33,720 --> 00:06:35,880 Speaker 4: You know, there are people that are great, you know, 147 00:06:35,920 --> 00:06:37,839 Speaker 4: and I mean i'd share and is a good good 148 00:06:37,880 --> 00:06:40,320 Speaker 4: example of someone who is He just hits the nail 149 00:06:40,360 --> 00:06:40,640 Speaker 4: on the. 150 00:06:40,600 --> 00:06:43,360 Speaker 3: Head with what he writes and he's prolific. 151 00:06:43,520 --> 00:06:45,360 Speaker 1: Yeah, and as a master songwriter, how do you feel 152 00:06:45,360 --> 00:06:47,080 Speaker 1: about it having to go to court to protect these 153 00:06:47,120 --> 00:06:49,240 Speaker 1: use of certain chords which have been used by so many. 154 00:06:49,480 --> 00:06:54,440 Speaker 4: Well, I applauded his victory because, as his lawyer said, 155 00:06:54,440 --> 00:06:58,040 Speaker 4: there are certain building blocks that all songwriters have the 156 00:06:58,160 --> 00:07:02,440 Speaker 4: right to Ownah, because something has a similar groove to 157 00:07:02,520 --> 00:07:05,400 Speaker 4: something else doesn't mean it's a copy. It was inspired 158 00:07:05,400 --> 00:07:07,719 Speaker 4: by it, and he I mean ed proved that when 159 00:07:07,760 --> 00:07:12,240 Speaker 4: he used to segue let's get it on into speaking 160 00:07:12,280 --> 00:07:16,040 Speaker 4: out loud, so he kind of admits that. But you know, 161 00:07:16,080 --> 00:07:19,560 Speaker 4: we're all influenced by something else. There's nothing truly original, 162 00:07:19,640 --> 00:07:24,040 Speaker 4: but obviously we don't want a copy blatantly copy plagiarize Steel. 163 00:07:24,280 --> 00:07:25,200 Speaker 2: But we're all. 164 00:07:25,240 --> 00:07:28,480 Speaker 4: I mean, I'm to this day my biggest influence in 165 00:07:28,600 --> 00:07:32,560 Speaker 4: songwriting is the Beetles. But I have I have really 166 00:07:32,560 --> 00:07:35,560 Speaker 4: written a couple of their songs many years ago and 167 00:07:35,800 --> 00:07:37,640 Speaker 4: sort of realized that I shouldn't have done it. 168 00:07:39,560 --> 00:07:42,920 Speaker 2: But you know, all songwriters will do. I think it's 169 00:07:43,080 --> 00:07:43,680 Speaker 2: quite common. 170 00:07:43,800 --> 00:07:46,960 Speaker 4: You'll do something then you or whatever your friends will say, 171 00:07:47,360 --> 00:07:50,440 Speaker 4: I'm sorry, mate, you can't do that. Yeah, too, similar 172 00:07:50,440 --> 00:07:55,200 Speaker 4: to George, someone will, someone will pull you up on it. 173 00:07:55,440 --> 00:07:56,840 Speaker 1: George Harrison said if you can put it all on 174 00:07:56,880 --> 00:07:58,680 Speaker 1: a computer and it would spit it out, And he 175 00:07:58,720 --> 00:08:00,400 Speaker 1: said that when he got in the trouble in this evidence, 176 00:08:00,520 --> 00:08:03,160 Speaker 1: you know, there's no one way of saying yes or no. 177 00:08:03,400 --> 00:08:06,720 Speaker 4: Yeah, I'm sure Joe was not conscious of the fact 178 00:08:06,720 --> 00:08:10,400 Speaker 4: that he was that, you know, Marie, sweet lord. Yeah, 179 00:08:10,880 --> 00:08:13,720 Speaker 4: was so similar to He's so fine, but there you go. 180 00:08:13,760 --> 00:08:16,040 Speaker 4: But you know he owned up to it and shared 181 00:08:16,080 --> 00:08:16,520 Speaker 4: the archers. 182 00:08:16,680 --> 00:08:18,440 Speaker 3: So, Graham, I've got to ask you one question or 183 00:08:18,480 --> 00:08:20,240 Speaker 3: you need to do is say yes or no. But 184 00:08:20,360 --> 00:08:25,480 Speaker 3: over the years I've been told various accounts of why 185 00:08:25,520 --> 00:08:28,400 Speaker 3: the band was called ten c C. Is it the 186 00:08:28,480 --> 00:08:30,720 Speaker 3: story I've heard that's made me blush? 187 00:08:30,760 --> 00:08:34,360 Speaker 4: That story, that story, the story you've heard that made 188 00:08:34,440 --> 00:08:35,040 Speaker 4: you blush? 189 00:08:35,160 --> 00:08:38,880 Speaker 3: Yes, just to wear the name Tim is something. 190 00:08:38,480 --> 00:08:43,280 Speaker 4: That we adopted because it was more fun than the 191 00:08:43,920 --> 00:08:47,319 Speaker 4: real reason and wouldn't make you blush. 192 00:08:47,400 --> 00:08:49,599 Speaker 3: Yes, if you know, you know, we'll leave it at that. 193 00:08:51,120 --> 00:08:54,240 Speaker 4: I know exactly what you're talk We'll let people look 194 00:08:54,240 --> 00:08:54,640 Speaker 4: that up. 195 00:08:56,040 --> 00:09:00,199 Speaker 1: Yeah, okay, Well, it's been a real pleasure to talk 196 00:09:00,200 --> 00:09:01,560 Speaker 1: to you, and we look forward to hearing those. 197 00:09:01,520 --> 00:09:02,000 Speaker 2: Hits you're in for. 198 00:09:02,760 --> 00:09:05,280 Speaker 3: Yes on July the second that the asta. Lovely to 199 00:09:05,280 --> 00:09:06,120 Speaker 3: talk to you, Graham. 200 00:09:06,320 --> 00:09:08,760 Speaker 4: Okay, lovely to talk to you too, Thank you so much. 201 00:09:09,360 --> 00:09:17,080 Speaker 3: More Crazy more Lisa, More podcasts soon. Well. Legalizing cannabis 202 00:09:17,120 --> 00:09:20,200 Speaker 3: is a debate that has been around for a while. 203 00:09:20,400 --> 00:09:23,120 Speaker 3: I mean it's there's not too many places in America now, 204 00:09:23,120 --> 00:09:26,080 Speaker 3: I think not too many states that don't, but haven't 205 00:09:26,360 --> 00:09:28,800 Speaker 3: as well as other countries. But I say America because 206 00:09:28,800 --> 00:09:31,120 Speaker 3: they're so sort of holier than now and so many 207 00:09:31,120 --> 00:09:34,120 Speaker 3: things on certain things, yeah, but not this. But yeah, 208 00:09:34,120 --> 00:09:37,040 Speaker 3: they're way ahead of us on this now. A Ubay 209 00:09:37,160 --> 00:09:42,040 Speaker 3: report says has concluded that legalizing cannabis could make doubly 210 00:09:42,120 --> 00:09:44,760 Speaker 3: way almost two hundred and fifty million dollars per year, 211 00:09:45,080 --> 00:09:48,400 Speaker 3: and this has always been my big part of my 212 00:09:48,559 --> 00:09:52,120 Speaker 3: reasoning for one hundred percent it should be legalized. The 213 00:09:52,200 --> 00:09:55,600 Speaker 3: report says the state could save one hundred million dollars 214 00:09:56,000 --> 00:09:59,120 Speaker 3: and make one hundred and forty three million dollars if 215 00:09:59,280 --> 00:10:03,680 Speaker 3: cannabis is legalized. It quantified the revenue through legalizing cannabis 216 00:10:04,240 --> 00:10:06,520 Speaker 3: by considering the data about the form and frequency of 217 00:10:06,559 --> 00:10:09,400 Speaker 3: cannabis use, as well as the estimated cost of enforcing 218 00:10:09,480 --> 00:10:13,240 Speaker 3: current laws that prohibit cannabis use. And it's just a 219 00:10:13,280 --> 00:10:17,960 Speaker 3: fancy way of saying, look, if it was legalized, then 220 00:10:18,040 --> 00:10:19,560 Speaker 3: you know it would cut out a lot of the 221 00:10:19,640 --> 00:10:23,199 Speaker 3: time wasted on the small sort of crime that the 222 00:10:23,880 --> 00:10:28,480 Speaker 3: domino effect would be I think worth so much more 223 00:10:28,559 --> 00:10:29,840 Speaker 3: than trying to. 224 00:10:30,080 --> 00:10:33,360 Speaker 1: Exactly what you say. You can imagine the underground things 225 00:10:33,360 --> 00:10:37,840 Speaker 1: would corrective, services, corrective as money. 226 00:10:37,840 --> 00:10:42,400 Speaker 3: As we know, there's also the see if you put 227 00:10:42,559 --> 00:10:46,520 Speaker 3: alcohol and cannabis together. For one, this is just a 228 00:10:46,559 --> 00:10:49,640 Speaker 3: personal opinion. I don't think that cannabis is any worse 229 00:10:49,640 --> 00:10:51,200 Speaker 3: than our co infact, I would probably go so far 230 00:10:51,240 --> 00:10:53,800 Speaker 3: as to say it's probably better because you know, the 231 00:10:53,880 --> 00:11:00,280 Speaker 3: alcohol leads to fatal car crashes. Domestic violence is often, 232 00:11:00,840 --> 00:11:04,360 Speaker 3: you know, hand in hand with alcohol, not so much 233 00:11:04,400 --> 00:11:08,679 Speaker 3: with cannabis. It's not usually and the place that you go. 234 00:11:09,760 --> 00:11:13,240 Speaker 3: Doctor Brian Walker, who took part in this study, is 235 00:11:13,280 --> 00:11:16,319 Speaker 3: a longtime campaigner for cannabis reform and a practicing GP 236 00:11:16,440 --> 00:11:18,800 Speaker 3: in the Hills. He said he was not concerned about 237 00:11:18,800 --> 00:11:21,040 Speaker 3: the number of cannabis users. He says, if you look 238 00:11:21,040 --> 00:11:26,599 Speaker 3: at four substances which are commonly used tobacco, alcohol, cannabis 239 00:11:26,720 --> 00:11:31,040 Speaker 3: and sugar, they're all addictive, but really the safest, he believes, 240 00:11:31,080 --> 00:11:32,400 Speaker 3: is actually cannabis. 241 00:11:33,160 --> 00:11:34,720 Speaker 1: Like you said, there is a lot of upside and 242 00:11:34,800 --> 00:11:36,760 Speaker 1: just that saving of police, courts and correction. 243 00:11:36,760 --> 00:11:39,600 Speaker 2: They're estimating about one hundred million dollars saved, which. 244 00:11:39,440 --> 00:11:43,360 Speaker 3: Is I've never understood why they don't want to. You know, 245 00:11:43,760 --> 00:11:48,240 Speaker 3: you can legislate it and sort of control the Isn't 246 00:11:48,280 --> 00:11:50,679 Speaker 3: that a good idea. I've always been in favor of 247 00:11:50,720 --> 00:11:52,160 Speaker 3: a cannabis led recustomers. 248 00:11:52,520 --> 00:11:55,439 Speaker 1: Some kind of fear to pull the trigger on it, 249 00:11:55,559 --> 00:11:55,840 Speaker 1: isn't it. 250 00:11:56,000 --> 00:11:58,960 Speaker 3: There is? There is and you know, as producer SUSI said, 251 00:11:59,080 --> 00:12:01,640 Speaker 3: might as well be first tourism. 252 00:12:02,520 --> 00:12:03,200 Speaker 2: Some terrorist facts. 253 00:12:03,280 --> 00:12:04,800 Speaker 3: There is a point in that as well. 254 00:12:05,320 --> 00:12:08,319 Speaker 1: Yeah, one date does it or one territory does it. However, 255 00:12:08,440 --> 00:12:09,280 Speaker 1: and the bubbles burst. 256 00:12:09,320 --> 00:12:11,120 Speaker 3: Ben Elton wrote a great book about it. I think 257 00:12:11,120 --> 00:12:14,680 Speaker 3: it's called High Society and he met. One thing he 258 00:12:14,720 --> 00:12:18,120 Speaker 3: said in it was the thing about cannabis is you're 259 00:12:18,120 --> 00:12:23,120 Speaker 3: pushing really, for the most part, very regular law abiding 260 00:12:23,200 --> 00:12:27,840 Speaker 3: people into a kind of an underworld thing to procure. 261 00:12:28,320 --> 00:12:31,200 Speaker 3: There cannabis also another reason why it's you know, yeah, 262 00:12:31,360 --> 00:12:31,920 Speaker 3: oh just. 263 00:12:32,360 --> 00:12:35,240 Speaker 2: Come on, guys, well we will see. We'll have to 264 00:12:35,280 --> 00:12:36,640 Speaker 2: legalize this space. 265 00:12:36,760 --> 00:12:40,760 Speaker 1: But the voices who are pro making this happen, they're 266 00:12:40,800 --> 00:12:41,920 Speaker 1: getting loud of progressively. 267 00:12:41,960 --> 00:12:43,520 Speaker 3: So and stop bowguarding that witch, you clo. 268 00:12:45,640 --> 00:12:50,679 Speaker 1: There's sure report on ninety six a FM. 269 00:12:50,720 --> 00:12:55,080 Speaker 3: Harrison Ford has received a huge ovation as he accepted 270 00:12:55,120 --> 00:12:58,880 Speaker 3: an honorary Palm door at the carn Film Festival premiere 271 00:12:59,040 --> 00:13:02,439 Speaker 3: of Indiana Joon and The Dial of Destiny after watching 272 00:13:02,440 --> 00:13:04,880 Speaker 3: a montage of some of his past endeavors such as 273 00:13:04,920 --> 00:13:08,680 Speaker 3: The Fugitive Working Girl, Blade Runner and many more, with 274 00:13:08,760 --> 00:13:11,280 Speaker 3: the theme from Star Wars playing in the background, Ford 275 00:13:11,360 --> 00:13:13,720 Speaker 3: told the audience it was like watching his life flash 276 00:13:13,800 --> 00:13:14,720 Speaker 3: before his eyes. 277 00:13:15,000 --> 00:13:17,400 Speaker 2: A great part of my life, but not all of 278 00:13:17,400 --> 00:13:20,960 Speaker 2: my life. My life has been enabled. 279 00:13:20,559 --> 00:13:25,439 Speaker 3: By my lovely wife who. 280 00:13:25,360 --> 00:13:33,320 Speaker 2: Is supporting my passion. 281 00:13:34,440 --> 00:13:35,840 Speaker 1: In my dreams. 282 00:13:37,080 --> 00:13:39,520 Speaker 3: And I'm grateful and you know. 283 00:13:42,040 --> 00:13:45,320 Speaker 2: I love you too. Thank you. 284 00:13:47,240 --> 00:13:50,080 Speaker 3: His wife, of course, is Callista Flocker Alee mcbill. They've 285 00:13:50,080 --> 00:13:53,160 Speaker 3: been together, well, they've been married since two thousand and two, 286 00:13:53,679 --> 00:13:55,160 Speaker 3: so they've been together a bit longer than that. 287 00:13:55,240 --> 00:13:58,040 Speaker 2: And so nervous, there oh so much. 288 00:13:58,480 --> 00:14:02,240 Speaker 3: There's he really was very touched. There's a hot rumor 289 00:14:02,240 --> 00:14:05,320 Speaker 3: in Hollywood that Eddie Murphy is sniffing around a certain 290 00:14:05,360 --> 00:14:08,640 Speaker 3: movie franchise with plans to bring back a certain character 291 00:14:08,720 --> 00:14:11,440 Speaker 3: to the big screen. He might be following in Peter 292 00:14:11,559 --> 00:14:14,880 Speaker 3: Sellers and Steve Martin's formidable footsteps and taking on the 293 00:14:14,960 --> 00:14:18,080 Speaker 3: role of Inspectorcluse So in a new Pink Panther movie. 294 00:14:18,160 --> 00:14:20,840 Speaker 3: Multiple sources say the movie is in development. I do 295 00:14:20,960 --> 00:14:24,560 Speaker 3: not see Eddie Murphy as like a stretch look. I 296 00:14:24,680 --> 00:14:28,680 Speaker 3: like Eddie Murphy, but I cannot see him as Inspector Cluso. 297 00:14:29,080 --> 00:14:31,680 Speaker 3: It's just not subtle enough. It's such a I mean, 298 00:14:31,720 --> 00:14:34,360 Speaker 3: you think Peter Sellers Steve Martin was good too, but 299 00:14:34,480 --> 00:14:38,240 Speaker 3: just Peter Sellers is in the Pink Panther as Inspector 300 00:14:38,240 --> 00:14:43,040 Speaker 3: cluse Man Ringo Star is going Country. The Beatle is 301 00:14:43,040 --> 00:14:46,360 Speaker 3: set to record a country album with legendary Nashville producer 302 00:14:46,600 --> 00:14:49,360 Speaker 3: e Bone Burnette. He might have caught the bug hanging 303 00:14:49,360 --> 00:14:52,520 Speaker 3: around Dolly because stars appearing on Dolly Putton's upcoming rock 304 00:14:52,600 --> 00:14:57,240 Speaker 3: album rock Star. Everything's All upside Down. Producer and director 305 00:14:57,280 --> 00:15:00,280 Speaker 3: Michael Bay, who's best known for big budget blockbusters like 306 00:15:00,320 --> 00:15:03,400 Speaker 3: The Transformers movies and Armageddon, is creating a true crime 307 00:15:03,440 --> 00:15:06,120 Speaker 3: documentary series for the Discovery Channel. He says he can't 308 00:15:06,160 --> 00:15:08,880 Speaker 3: wait to expose some of the most twisted crimes of 309 00:15:08,920 --> 00:15:12,960 Speaker 3: the century. And Netflix has confirmed that Squib Game the 310 00:15:13,080 --> 00:15:17,400 Speaker 3: Challenge will pre premiere this November. Squib Game the Challenge 311 00:15:17,480 --> 00:15:21,400 Speaker 3: is a reality TV show based on the series about 312 00:15:21,400 --> 00:15:24,840 Speaker 3: a reality TV show, and will feature contestants competing for 313 00:15:24,880 --> 00:15:28,360 Speaker 3: a cash prize of almost seven million dollars in a 314 00:15:28,600 --> 00:15:32,400 Speaker 3: series of games inspired by the show Just without the 315 00:15:32,480 --> 00:15:33,920 Speaker 3: violent Bear We like. 316 00:15:39,320 --> 00:15:42,120 Speaker 2: You've give me chills A damn show. 317 00:15:43,280 --> 00:15:46,280 Speaker 3: My God. I believe no, Yes, I can What am 318 00:15:46,320 --> 00:15:47,480 Speaker 3: I saying? Of course I can can? 319 00:15:47,560 --> 00:15:49,280 Speaker 2: Believe it way a game of statues and get shot 320 00:15:49,280 --> 00:15:49,720 Speaker 2: if you move. 321 00:15:50,560 --> 00:15:54,360 Speaker 1: More Clezy, more Lisa, more podcasts soon. 322 00:15:57,720 --> 00:16:01,120 Speaker 3: So let me tell you all something about Claesy in 323 00:16:01,160 --> 00:16:05,360 Speaker 3: case you didn't know, what do you got? He's a 324 00:16:05,560 --> 00:16:11,160 Speaker 3: practical joker. He likes to leave stuff around the place 325 00:16:11,200 --> 00:16:13,400 Speaker 3: for me. I loved him. Go to my handbag and 326 00:16:13,440 --> 00:16:15,600 Speaker 3: there's something in it that's been placed in there during 327 00:16:15,680 --> 00:16:15,960 Speaker 3: the day. 328 00:16:16,280 --> 00:16:16,680 Speaker 2: Stupid. 329 00:16:17,640 --> 00:16:20,200 Speaker 3: He once left something in my letterbox at home and 330 00:16:20,240 --> 00:16:22,400 Speaker 3: then had to wait two weeks for the payoff because 331 00:16:22,400 --> 00:16:23,880 Speaker 3: I don't check my letterbox all the time. 332 00:16:24,000 --> 00:16:26,480 Speaker 2: Isn't it six weeks? 333 00:16:24,880 --> 00:16:30,840 Speaker 3: He don't let everyone know it's that local. Yesterday I 334 00:16:30,920 --> 00:16:32,440 Speaker 3: went down to my car and it was surrounded by 335 00:16:32,440 --> 00:16:36,160 Speaker 3: witchess hats in the car park. Yes, so I'm sitting 336 00:16:36,160 --> 00:16:39,320 Speaker 3: in the car tried to, you know, compose a message 337 00:16:39,360 --> 00:16:41,680 Speaker 3: back to Clarsy and I spent about five minutes going 338 00:16:41,680 --> 00:16:44,320 Speaker 3: through all the emoji options looking for a witch's hat. 339 00:16:44,400 --> 00:16:46,880 Speaker 2: You want, that's all you wanted, you know, in the 340 00:16:47,040 --> 00:16:47,480 Speaker 2: you know, in. 341 00:16:47,440 --> 00:16:50,040 Speaker 3: The area of the emoji selection, with all the traffic 342 00:16:50,080 --> 00:16:51,640 Speaker 3: lights and all that, I think there's going to be 343 00:16:51,680 --> 00:16:54,040 Speaker 3: a witch's hat for sure. Have to be surely people 344 00:16:54,200 --> 00:16:57,520 Speaker 3: send messages that involved witches hats. No, there isn't. 345 00:16:57,600 --> 00:17:00,720 Speaker 2: How many minutes you can you spend it least five. 346 00:17:00,840 --> 00:17:02,160 Speaker 2: It was longer than the FRANKETSLF. 347 00:17:02,200 --> 00:17:06,760 Speaker 3: I had to get my glasses out. Yeah, so I 348 00:17:06,760 --> 00:17:10,919 Speaker 3: would like the emoji people, whoever it is, who do 349 00:17:11,000 --> 00:17:11,600 Speaker 3: I contact? 350 00:17:11,680 --> 00:17:16,200 Speaker 2: Is it mister mister emoji emoji dot Com? 351 00:17:16,320 --> 00:17:18,520 Speaker 3: Maybe I would like them to add a witch's hat 352 00:17:19,480 --> 00:17:20,439 Speaker 3: the emoji selection. 353 00:17:20,720 --> 00:17:25,680 Speaker 2: Okay, well that's your register, that's my that's my request. 354 00:17:25,800 --> 00:17:29,440 Speaker 1: Lisa emojis. Can we please just get a penis? I'm sure. 355 00:17:30,640 --> 00:17:32,280 Speaker 1: I'm so sick of seeing egg plan. 356 00:17:32,520 --> 00:17:35,760 Speaker 3: I know it's a it's ridiculous. Just let's just do it, 357 00:17:36,040 --> 00:17:36,399 Speaker 3: be done with. 358 00:17:36,440 --> 00:17:38,960 Speaker 2: It does have to be a threatening looking one, you know. 359 00:17:39,560 --> 00:17:41,639 Speaker 3: Do it? What is a threatening looking on? 360 00:17:41,840 --> 00:17:46,400 Speaker 2: And I reckon, I've got one as well? How about plenty? 361 00:17:46,440 --> 00:17:50,480 Speaker 1: Ops, I've got another one. What about an emoji for 362 00:17:50,560 --> 00:17:53,840 Speaker 1: quietly quitting, you know, like. 363 00:17:53,920 --> 00:17:55,040 Speaker 3: The what would that look like? 364 00:17:55,080 --> 00:17:56,840 Speaker 1: Well, it would be like the shushing face, maybe with 365 00:17:56,920 --> 00:17:58,840 Speaker 1: like a computer or whiteboard in the background, so it 366 00:17:58,840 --> 00:17:59,600 Speaker 1: looks like you're at work. 367 00:17:59,760 --> 00:18:02,879 Speaker 3: We want to ask you what emoji would you like 368 00:18:02,960 --> 00:18:05,439 Speaker 3: seeing added to the emoji selection on the phone. What 369 00:18:05,480 --> 00:18:07,680 Speaker 3: have you been you wanted to say something to someone 370 00:18:07,680 --> 00:18:10,239 Speaker 3: You've thought I really need that surprise. It wasn't there 371 00:18:10,280 --> 00:18:13,240 Speaker 3: to demonstrate what I'm trying to say. Kerry in Westminster, 372 00:18:13,320 --> 00:18:17,440 Speaker 3: what is it? I would love kiss my ast I 373 00:18:17,520 --> 00:18:24,320 Speaker 3: love that, but I love it. That's it, That's it. 374 00:18:25,520 --> 00:18:29,520 Speaker 2: How many times I wanted to say. 375 00:18:28,440 --> 00:18:31,080 Speaker 3: It, but it is so good to send it. 376 00:18:31,080 --> 00:18:33,760 Speaker 1: It also feels a bit more cartoonish if you send 377 00:18:33,760 --> 00:18:34,920 Speaker 1: it to see emotion. 378 00:18:35,440 --> 00:18:38,880 Speaker 3: Exactly, it's less threatening. And when you can just send 379 00:18:38,880 --> 00:18:42,199 Speaker 3: one emoji that says so much rather than a series 380 00:18:42,240 --> 00:18:42,560 Speaker 3: of that. 381 00:18:42,560 --> 00:18:43,879 Speaker 2: Absolutely, they're the best. 382 00:18:44,400 --> 00:18:49,720 Speaker 3: I love it. Thanks, Kerry. Eileen in Hello, Aileen, Hello, 383 00:18:49,880 --> 00:18:51,040 Speaker 3: how are you? 384 00:18:51,640 --> 00:18:53,199 Speaker 2: What have you got for us? What emoji would you 385 00:18:53,200 --> 00:18:53,560 Speaker 2: like to say? 386 00:18:54,040 --> 00:18:58,040 Speaker 3: Well, I'm getting very tired of putting the black, yellow, 387 00:18:58,200 --> 00:19:02,120 Speaker 3: red at heart for the original flag. It's about time 388 00:19:02,160 --> 00:19:02,560 Speaker 3: they put. 389 00:19:02,480 --> 00:19:06,560 Speaker 2: The Abriginal flags and also the Torres Straight Islander. 390 00:19:06,640 --> 00:19:11,159 Speaker 3: Because they've got the Pride, they've got the trains flag, 391 00:19:11,280 --> 00:19:16,000 Speaker 3: they've got pretty much anything else every nation as well. 392 00:19:16,080 --> 00:19:20,600 Speaker 2: Yeah, very good with my Aboriginal friends, and they're putting 393 00:19:20,640 --> 00:19:28,919 Speaker 2: the hearts they Yeah, it's just frustrating. Yeah, putting all 394 00:19:28,920 --> 00:19:31,000 Speaker 2: the Yeah. Absolutely, that's a good one. 395 00:19:31,200 --> 00:19:33,639 Speaker 3: Thanks Eleen, Darren and Ellenbrook. 396 00:19:33,680 --> 00:19:36,560 Speaker 2: Hello, good morning guys. 397 00:19:35,359 --> 00:19:39,280 Speaker 3: Are I reckon it should be the Collingwood flag when 398 00:19:39,320 --> 00:19:41,120 Speaker 3: we win, it's gonna look damn good. 399 00:19:41,119 --> 00:19:47,680 Speaker 2: Oh year, he's going. The pies are looking pretty good 400 00:19:47,680 --> 00:19:47,840 Speaker 2: at that. 401 00:19:48,720 --> 00:19:51,320 Speaker 3: I suppose you can use a black and white love heart. 402 00:19:52,320 --> 00:19:53,840 Speaker 2: Or it could be anything you want. 403 00:19:53,920 --> 00:19:54,960 Speaker 1: Really, all right? 404 00:19:55,040 --> 00:19:57,120 Speaker 3: All that you know that the baby head that's only 405 00:19:57,160 --> 00:19:57,520 Speaker 3: got one to. 406 00:20:00,000 --> 00:20:05,359 Speaker 2: I'm sorry, there's still on the line. I can't see it. 407 00:20:05,440 --> 00:20:07,879 Speaker 1: Darren was giving Lisa a bit of a that angry 408 00:20:07,960 --> 00:20:13,560 Speaker 1: Jordan to go with the right Lisa, Darren from ellen Brook. 409 00:20:13,600 --> 00:20:15,160 Speaker 2: The pistman hasn't he. 410 00:20:15,119 --> 00:20:17,560 Speaker 3: Could, you know, But by the look of things, he 411 00:20:17,600 --> 00:20:18,120 Speaker 3: could be right. 412 00:20:18,680 --> 00:20:21,720 Speaker 2: They looked pretty good, looked pretty good, premier. But they're 413 00:20:21,720 --> 00:20:22,240 Speaker 2: looking all right. 414 00:20:22,920 --> 00:20:28,320 Speaker 3: What a carry on yesterday. I'm sorry, but they have 415 00:20:28,520 --> 00:20:30,960 Speaker 3: kind of been caught out. I'm talking, of course, of 416 00:20:30,960 --> 00:20:34,920 Speaker 3: Harry and Meghan. And there's their claims of a near 417 00:20:35,240 --> 00:20:41,400 Speaker 3: catastrophic two and a half hour chase through the streets 418 00:20:41,440 --> 00:20:44,359 Speaker 3: of New York. They were in that cab for ten minutes. 419 00:20:44,720 --> 00:20:47,400 Speaker 3: The Cabby's been laughing his head off. No okay, fair enough. 420 00:20:47,400 --> 00:20:48,480 Speaker 3: They were in another car. 421 00:20:48,400 --> 00:20:51,280 Speaker 2: First, okay, so that was their car they were, They were. 422 00:20:51,200 --> 00:20:54,800 Speaker 3: In their car and they the paparazzi started, you know, 423 00:20:54,920 --> 00:20:56,600 Speaker 3: coming at them from the sides of the car. So 424 00:20:56,640 --> 00:20:59,280 Speaker 3: they said, take us to the police station. They got 425 00:20:59,320 --> 00:21:04,160 Speaker 3: out at the police station, went inside, reported the brew 426 00:21:04,200 --> 00:21:05,919 Speaker 3: haha to the police, and they came out and they 427 00:21:06,000 --> 00:21:08,720 Speaker 3: got in a cab and they were in the cab 428 00:21:08,760 --> 00:21:13,280 Speaker 3: for ten minutes. Harry and Meghan are saying that their 429 00:21:13,320 --> 00:21:15,960 Speaker 3: lives were in peril at every turn. It was a 430 00:21:16,040 --> 00:21:19,440 Speaker 3: high speed, near catastrophic chase through the streets of New York. 431 00:21:19,720 --> 00:21:23,800 Speaker 3: The taxi driver who was driving said it was, you know, 432 00:21:23,960 --> 00:21:27,119 Speaker 3: not ideal. These guys were coming away clicking, you know, 433 00:21:27,240 --> 00:21:31,640 Speaker 3: from the sides. But he said it wasn't scary. 434 00:21:30,560 --> 00:21:31,760 Speaker 2: Not so much a chase. 435 00:21:32,240 --> 00:21:35,680 Speaker 3: It wasn't so much a chase. And now the police 436 00:21:36,080 --> 00:21:38,320 Speaker 3: have come out because that when I first saw the 437 00:21:38,320 --> 00:21:41,400 Speaker 3: story yesterday, there were reports of people being run over 438 00:21:41,840 --> 00:21:45,000 Speaker 3: and paparazzi's driving into the side. It was like a 439 00:21:45,400 --> 00:21:49,719 Speaker 3: Hollywood move police chase. Sounds like none of that happens. 440 00:21:49,920 --> 00:21:50,560 Speaker 2: This is ridiculous. 441 00:21:50,720 --> 00:21:53,879 Speaker 3: Other than in the inside of Meghan and Harry's head. 442 00:21:54,359 --> 00:21:57,679 Speaker 3: Police have come out and said at no stage was 443 00:21:58,280 --> 00:21:59,920 Speaker 3: they agreed with the cab driver. It was an idea 444 00:22:00,119 --> 00:22:02,879 Speaker 3: to have the paparazzi driving alongside taking photos, but it 445 00:22:03,080 --> 00:22:06,919 Speaker 3: was not a dangerous situation at any moment. 446 00:22:07,240 --> 00:22:08,560 Speaker 1: The two of them do a lot of look at 447 00:22:08,560 --> 00:22:11,360 Speaker 1: me because I'm doing another interview with another big name interviewer, 448 00:22:11,920 --> 00:22:14,440 Speaker 1: and then they go, I don't want the perhaps following it. 449 00:22:14,520 --> 00:22:16,760 Speaker 1: So it's a it's a bit of a them. But 450 00:22:16,800 --> 00:22:19,480 Speaker 1: also this weeks there are cameras around her, this weeks 451 00:22:19,480 --> 00:22:21,840 Speaker 1: of a reality TV show. They've been filmed and creating 452 00:22:21,920 --> 00:22:23,959 Speaker 1: drama because it's what the reality shows seem to do. 453 00:22:24,000 --> 00:22:26,480 Speaker 3: It start us the idea of a high high speed 454 00:22:26,560 --> 00:22:31,160 Speaker 3: chase through Manhattan. Yeah, somewhat impossible. Yeah, there's a fair 455 00:22:31,160 --> 00:22:31,760 Speaker 3: bit of traffic. 456 00:22:32,760 --> 00:22:35,119 Speaker 1: You and I have what shows like Gene Simmons Family Jewels, 457 00:22:35,160 --> 00:22:37,760 Speaker 1: you know, the cameras from around they create something to 458 00:22:38,359 --> 00:22:39,040 Speaker 1: make an episode. 459 00:22:39,080 --> 00:22:40,480 Speaker 2: That's what it sounds like to me. It sounds like 460 00:22:40,520 --> 00:22:41,280 Speaker 2: they're making a show. 461 00:22:42,040 --> 00:22:45,159 Speaker 3: I don't know, they're making a show of themselves. Harry 462 00:22:45,160 --> 00:22:49,760 Speaker 3: immediately used the experience yesterday to cry out once again 463 00:22:49,800 --> 00:22:52,760 Speaker 3: for the Royals to pay for their security. Right, he 464 00:22:52,840 --> 00:22:54,959 Speaker 3: said told you so. To just see what happens. 465 00:22:55,000 --> 00:22:56,600 Speaker 2: Trying to make the King feel a bit bit of guilt. 466 00:22:56,720 --> 00:22:58,960 Speaker 3: Is he I don't know. It's all very awkward. 467 00:22:59,040 --> 00:22:59,800 Speaker 2: Nothing, it's going to work. 468 00:23:00,200 --> 00:23:06,399 Speaker 3: Clazy and Lisa Thy six am