1 00:00:01,240 --> 00:00:04,560 Speaker 1: Good afternoon, and everyone, welcome to the show where you 2 00:00:04,680 --> 00:00:09,480 Speaker 1: in the morning. Yes, guys, we've covered off the fact 3 00:00:09,840 --> 00:00:12,200 Speaker 1: podcasting is on demand listening. Yes, you can listen to 4 00:00:12,200 --> 00:00:14,600 Speaker 1: it anytime you like. Now, do you need to put 5 00:00:14,640 --> 00:00:16,720 Speaker 1: that in like a pre recorded message or something just 6 00:00:17,200 --> 00:00:19,640 Speaker 1: to shut you two pricks up every time? Now? To 7 00:00:19,680 --> 00:00:21,759 Speaker 1: think about that? Anyway you go, it's wonderful, wonderful to 8 00:00:21,760 --> 00:00:24,880 Speaker 1: do it in your own time. Now we're in a 9 00:00:24,920 --> 00:00:29,120 Speaker 1: situation you guys and and me whereby we don't know 10 00:00:30,040 --> 00:00:35,520 Speaker 1: what Joe Jonas has requested in order to play round 11 00:00:35,640 --> 00:00:36,720 Speaker 1: six of can you hear? 12 00:00:37,040 --> 00:00:40,040 Speaker 2: I'm going to say I'm going to say right now 13 00:00:40,080 --> 00:00:42,159 Speaker 2: as well, if you haven't heard yesterday's podcast, no, we 14 00:00:42,200 --> 00:00:42,640 Speaker 2: don't want that. 15 00:00:43,800 --> 00:00:44,320 Speaker 3: If we haven't. 16 00:00:44,360 --> 00:00:46,960 Speaker 2: If you haven't heard yesterday's podcast, yeah, go and listen 17 00:00:46,960 --> 00:00:47,360 Speaker 2: to it now. 18 00:00:48,080 --> 00:00:49,080 Speaker 3: Oh yeah, I reckon. 19 00:00:50,760 --> 00:00:54,160 Speaker 1: This is almost like a spoiler sort of. Yeah. 20 00:00:54,240 --> 00:00:54,440 Speaker 4: Yeah. 21 00:00:54,680 --> 00:00:57,320 Speaker 1: If you'd like to continue reading this article, you can, 22 00:00:57,520 --> 00:00:59,280 Speaker 1: but it's going to be a bit shit unless you 23 00:00:59,320 --> 00:01:00,840 Speaker 1: go and listen to the previous show. 24 00:01:01,120 --> 00:01:03,200 Speaker 2: Listened to yesterday, the previous full show, yeah, and then 25 00:01:03,240 --> 00:01:06,360 Speaker 2: come back to us, uh for those people to leave. Yeah, 26 00:01:06,640 --> 00:01:11,200 Speaker 2: So you guys, let the door hit you on the way, right. Uh, 27 00:01:11,200 --> 00:01:14,480 Speaker 2: those bluddy sandbaggers that just kip episodes, am I right? 28 00:01:14,880 --> 00:01:17,040 Speaker 1: Year old faithful, But they're going to come back and 29 00:01:17,080 --> 00:01:31,360 Speaker 1: listen to this episode subsequent bit with you way losers? 30 00:01:31,680 --> 00:01:37,880 Speaker 1: Now do all those faithful stuck around. 31 00:01:39,520 --> 00:01:39,880 Speaker 5: God? 32 00:01:40,200 --> 00:01:42,280 Speaker 3: Yeah, to all of them, so you know as well 33 00:01:42,280 --> 00:01:42,679 Speaker 3: as I do. 34 00:01:43,080 --> 00:01:45,679 Speaker 1: And you know, lecturing me sorry at the start of 35 00:01:45,680 --> 00:01:47,600 Speaker 1: the show about that the people can listen to whatever 36 00:01:47,640 --> 00:01:50,120 Speaker 1: they want whenever they want. They come back and hit 37 00:01:50,160 --> 00:01:52,480 Speaker 1: you in the face has a number of certain poetic 38 00:01:52,640 --> 00:01:53,680 Speaker 1: justice about those things. 39 00:01:53,720 --> 00:01:55,000 Speaker 2: I say, come back and hit me in the face 40 00:01:55,040 --> 00:01:57,760 Speaker 2: of some stat but everyone knows now he nailed five 41 00:01:57,800 --> 00:01:59,760 Speaker 2: on yesterday's show, right, he was on fire, but then 42 00:01:59,760 --> 00:02:02,080 Speaker 2: all of a sudden he went for a sixth, or he 43 00:02:02,120 --> 00:02:03,880 Speaker 2: wants to go for a sixth. Yeah, that's what you're 44 00:02:03,880 --> 00:02:06,680 Speaker 2: going to hear today. But he places a wager on it. 45 00:02:06,880 --> 00:02:10,400 Speaker 1: Yes, and I don't know what that is. Yeah, and 46 00:02:10,480 --> 00:02:14,320 Speaker 1: you in return, so naturally your reflex is, oh, you 47 00:02:14,320 --> 00:02:15,760 Speaker 1: want to put a wager on it. I would like 48 00:02:15,800 --> 00:02:18,200 Speaker 1: to have something on it as well. So in that instance, 49 00:02:18,200 --> 00:02:20,880 Speaker 1: your good buddy Will's not in the interview. Surely you're thinking, 50 00:02:21,160 --> 00:02:23,480 Speaker 1: you know, your fly will and I to your mansion. 51 00:02:23,560 --> 00:02:24,519 Speaker 1: We both get to hang out. 52 00:02:25,080 --> 00:02:26,720 Speaker 3: I was on the spot. I was on the spot. 53 00:02:26,840 --> 00:02:28,960 Speaker 1: Well, I think that almost shows you true nature. You know, 54 00:02:29,160 --> 00:02:32,560 Speaker 1: the first thing that came to your Mindvage. 55 00:02:32,400 --> 00:02:35,000 Speaker 3: Does it well, And now I think about it. 56 00:02:35,080 --> 00:02:36,360 Speaker 1: The first thing that comes to your mind is that 57 00:02:36,400 --> 00:02:37,480 Speaker 1: the thing that's in the front of your mind, that 58 00:02:37,600 --> 00:02:39,520 Speaker 1: is who you really are. And I don't know what 59 00:02:39,560 --> 00:02:41,720 Speaker 1: the request is yet, but it sounds like it was selfish. 60 00:02:41,800 --> 00:02:44,040 Speaker 2: Actually, no, that actually makes a lot of sense. It's 61 00:02:44,120 --> 00:02:46,000 Speaker 2: not really for me, but it kind of what you've 62 00:02:46,000 --> 00:02:47,280 Speaker 2: just said there makes a lot of sense. 63 00:02:48,040 --> 00:02:49,679 Speaker 1: True nature, Yes, big time. 64 00:02:50,080 --> 00:02:55,200 Speaker 3: That's the first thing that came to my hmm, could 65 00:02:55,240 --> 00:02:57,320 Speaker 3: be could be or someone else. 66 00:02:57,360 --> 00:03:03,160 Speaker 1: I love ah Remy, I see, yeah, right, someone about Remy? Nice? 67 00:03:03,240 --> 00:03:05,520 Speaker 1: It could be nice. That's cute, that's nice. 68 00:03:05,560 --> 00:03:07,800 Speaker 3: True nature. Yeah, that's what a redemption. 69 00:03:07,919 --> 00:03:18,520 Speaker 1: Yeah. Joe Jonas was on the show yesterday playing can 70 00:03:18,560 --> 00:03:21,079 Speaker 1: you hear it? Can he tell the difference between a 71 00:03:21,120 --> 00:03:23,480 Speaker 1: canna beer or a can of softdrink opening just by 72 00:03:23,480 --> 00:03:25,440 Speaker 1: the sound of it opening? Guys, He is the second 73 00:03:25,440 --> 00:03:27,720 Speaker 1: person ever to get five in a row. You can 74 00:03:27,720 --> 00:03:31,520 Speaker 1: see that in our socials TikTok Instagram, Will and Wood. 75 00:03:31,520 --> 00:03:34,600 Speaker 1: He he has he's going to go for one more. 76 00:03:34,680 --> 00:03:36,760 Speaker 1: He wants to be the only person on the planet 77 00:03:36,800 --> 00:03:40,760 Speaker 1: to do six cans in a row. He has put 78 00:03:41,200 --> 00:03:45,560 Speaker 1: a proviso, a wager, a wager on that sixth can. 79 00:03:45,600 --> 00:03:47,720 Speaker 1: We're all going to find out what that is in 80 00:03:47,760 --> 00:03:51,160 Speaker 1: about half an hour. But right now, woulds before we 81 00:03:51,200 --> 00:03:53,640 Speaker 1: got to the can opening, you you put a bit 82 00:03:53,640 --> 00:03:56,960 Speaker 1: of your your own proviso on the situation. 83 00:03:57,240 --> 00:03:59,440 Speaker 2: I did. I just thought I've got all the power 84 00:03:59,560 --> 00:04:02,600 Speaker 2: over this hugely famous musician. Right now, you want to 85 00:04:02,640 --> 00:04:04,440 Speaker 2: play a game, I'm in control of that game. And 86 00:04:04,480 --> 00:04:06,600 Speaker 2: I said to Joe, I said, if you want to play, 87 00:04:06,680 --> 00:04:08,320 Speaker 2: can you hear it? You have to tell me a 88 00:04:08,360 --> 00:04:10,880 Speaker 2: story right now that you've never told anyone before. 89 00:04:11,960 --> 00:04:12,080 Speaker 6: Now. 90 00:04:12,160 --> 00:04:14,040 Speaker 3: Amazingly and full respect to. 91 00:04:14,080 --> 00:04:16,960 Speaker 2: Joe, he went there and a cop out here like 92 00:04:17,080 --> 00:04:19,960 Speaker 2: he told a really embarrassing story. And the great news 93 00:04:20,080 --> 00:04:23,560 Speaker 2: is I opened the news today and there's like articles 94 00:04:23,600 --> 00:04:24,760 Speaker 2: and I'm just going to read. 95 00:04:26,200 --> 00:04:29,240 Speaker 1: I'm going to know you really suck at him in here, 96 00:04:29,520 --> 00:04:32,640 Speaker 1: like I'm quite It really showed how desperate he was 97 00:04:32,680 --> 00:04:35,200 Speaker 1: to play. Can you hear it. He was so desperate 98 00:04:35,240 --> 00:04:36,760 Speaker 1: that he was willing to offer this up. 99 00:04:36,920 --> 00:04:39,760 Speaker 2: Yeah, here's the headline that news dot COM's going for. 100 00:04:40,600 --> 00:04:43,720 Speaker 2: Joe Jonas has revealed the incident that made him pooh himself. 101 00:04:47,400 --> 00:04:49,880 Speaker 2: That's going everywhere. 102 00:04:49,320 --> 00:04:55,039 Speaker 1: So it's not about three very large news websites and 103 00:04:55,080 --> 00:04:57,880 Speaker 1: the poor guy. You know what, I'll give you guys 104 00:04:57,920 --> 00:05:02,920 Speaker 1: a great story, but not the agent's going Jo. It's 105 00:05:03,000 --> 00:05:06,960 Speaker 1: just just a stupid guy. 106 00:05:07,279 --> 00:05:09,159 Speaker 2: If you didn't miss it yesterday, hear he is telling 107 00:05:09,200 --> 00:05:10,919 Speaker 2: the story about when he did pool himself. 108 00:05:11,839 --> 00:05:13,440 Speaker 7: I was with a few friends yesterday and we were 109 00:05:13,440 --> 00:05:15,040 Speaker 7: just talking about you know, there's a point in your 110 00:05:15,080 --> 00:05:17,480 Speaker 7: life where as an adult, you can remember the last 111 00:05:17,520 --> 00:05:23,039 Speaker 7: time you shit your pants. I did not see this 112 00:05:23,160 --> 00:05:27,200 Speaker 7: going this direction, but go on, Joe, I mean only 113 00:05:27,200 --> 00:05:28,239 Speaker 7: the best for Will and Woody. 114 00:05:28,520 --> 00:05:29,320 Speaker 3: Thank you. 115 00:05:29,520 --> 00:05:31,760 Speaker 6: This was I think about four years ago. 116 00:05:32,200 --> 00:05:33,680 Speaker 7: You know, I've been able to work through a lot 117 00:05:33,680 --> 00:05:35,640 Speaker 7: of therapy and just just say, it was a bad 118 00:05:35,720 --> 00:05:38,560 Speaker 7: day to choose to wear white clothing. You think it 119 00:05:38,640 --> 00:05:40,040 Speaker 7: might be a little too, it might have been a 120 00:05:40,040 --> 00:05:42,000 Speaker 7: little something else, a little something extra. 121 00:05:41,839 --> 00:05:44,159 Speaker 6: So it was like a mid wardrobe shit change. During 122 00:05:44,200 --> 00:05:45,239 Speaker 6: the set Get Lost. 123 00:05:45,800 --> 00:05:47,680 Speaker 7: There's a wardrobe change after through the show, and it 124 00:05:47,680 --> 00:05:49,040 Speaker 7: maybe was a little bit like, oh, that was an 125 00:05:49,040 --> 00:05:51,920 Speaker 7: interesting choice to change clothes that quickly. So that's that's 126 00:05:51,920 --> 00:05:54,200 Speaker 7: the story I've never told. And also that's just real life. 127 00:05:54,400 --> 00:05:56,240 Speaker 7: It was a light a light one. It wasn't it 128 00:05:56,240 --> 00:05:59,720 Speaker 7: wasn't a full you know, so I was able to 129 00:05:59,720 --> 00:06:03,280 Speaker 7: tell the tell. All I asked is well and ready 130 00:06:03,320 --> 00:06:05,320 Speaker 7: to pass it on and people can can call in 131 00:06:05,400 --> 00:06:08,760 Speaker 7: and tell they're embarrassing now not so embarrassing stories about 132 00:06:08,760 --> 00:06:12,160 Speaker 7: them them pulling themselves and awkward moments. 133 00:06:11,839 --> 00:06:13,520 Speaker 6: And you know, and then it kind of diffused me. 134 00:06:13,640 --> 00:06:15,279 Speaker 6: You know what, we're all in this together. 135 00:06:16,800 --> 00:06:19,560 Speaker 1: Now, will just cou'tle it like only on our show 136 00:06:20,279 --> 00:06:24,320 Speaker 1: is the payment for playing a silly game a story 137 00:06:24,320 --> 00:06:27,480 Speaker 1: about you pooing yourself? Like only like what what are 138 00:06:27,480 --> 00:06:29,240 Speaker 1: you listening? I don't know what you guys are listening 139 00:06:29,240 --> 00:06:32,000 Speaker 1: to sometimes, but that's it was outrageous set up. 140 00:06:32,120 --> 00:06:35,800 Speaker 2: And well, I think asking our listeners you know, when 141 00:06:35,839 --> 00:06:39,080 Speaker 2: did you pull your pants? Is immature. I think it's crass. 142 00:06:39,240 --> 00:06:41,280 Speaker 2: I think it's silly. Yeah, but at the end of 143 00:06:41,279 --> 00:06:45,359 Speaker 2: the day, you heard Joe, he wants it thirty one 144 00:06:45,440 --> 00:06:48,200 Speaker 2: O six five is our number. We would never be 145 00:06:48,279 --> 00:06:50,720 Speaker 2: allowed to do this, no no, no no, but we've got 146 00:06:50,760 --> 00:06:53,040 Speaker 2: license now because Joe Jones wants to do it. So 147 00:06:53,800 --> 00:06:56,600 Speaker 2: did you pull your pants at an inappropriate time? I 148 00:06:56,640 --> 00:06:58,800 Speaker 2: think that was the wording that Joe went for. There, 149 00:06:59,200 --> 00:07:02,720 Speaker 2: Sarah's given us cool on thirteen one O sixty five. Firstly, Sarah, 150 00:07:02,760 --> 00:07:07,120 Speaker 2: I congratulate you in your bravery. What's your story? 151 00:07:07,680 --> 00:07:08,279 Speaker 3: Hi guys. 152 00:07:08,320 --> 00:07:10,680 Speaker 5: So a few years ago, I was on holidays with 153 00:07:10,760 --> 00:07:13,360 Speaker 5: my husband and my daughter in Orlando, Florida, doing all 154 00:07:13,400 --> 00:07:16,400 Speaker 5: of the theme part. We had gone to this dodgy 155 00:07:16,800 --> 00:07:20,080 Speaker 5: buffet restaurant over there called the Golden Corral, and for 156 00:07:20,120 --> 00:07:22,880 Speaker 5: about fifteen dollars, you can just have the most hideous 157 00:07:22,920 --> 00:07:23,920 Speaker 5: food on your plate. 158 00:07:24,520 --> 00:07:27,360 Speaker 8: And I went nuts because it's Florida and that's what 159 00:07:27,400 --> 00:07:31,120 Speaker 8: you do you're on holiday. Within about five minutes of 160 00:07:31,160 --> 00:07:33,760 Speaker 8: finishing that meal, I looked at my husband and I went, 161 00:07:34,080 --> 00:07:38,320 Speaker 8: oh yeah, And I had to waddle from the restaurant 162 00:07:38,360 --> 00:07:39,200 Speaker 8: back to the hotel. 163 00:07:40,960 --> 00:07:42,520 Speaker 5: I wattled into the elevator. 164 00:07:42,560 --> 00:07:43,360 Speaker 8: I thought, I'm good. 165 00:07:43,360 --> 00:07:44,239 Speaker 5: Here, I'm in the clear. 166 00:07:44,280 --> 00:07:46,200 Speaker 8: I can close the lift. I'm on my own, I 167 00:07:46,200 --> 00:07:49,360 Speaker 8: can just let go. No, no, no, there you know 168 00:07:49,440 --> 00:07:49,840 Speaker 8: the whole. 169 00:07:51,280 --> 00:07:53,119 Speaker 1: Oh god, it's a cliff. 170 00:07:53,400 --> 00:07:54,600 Speaker 3: You've had a horrific job out there. 171 00:07:54,600 --> 00:07:57,320 Speaker 2: Sorry, Sarah, Sarah, wait wait wait you dropped at You're 172 00:07:57,320 --> 00:07:58,200 Speaker 2: in the elevator. 173 00:07:58,720 --> 00:07:59,440 Speaker 3: Something happened? 174 00:07:59,480 --> 00:08:00,680 Speaker 5: Go on, elevator. 175 00:08:01,120 --> 00:08:03,440 Speaker 8: I'm about to let go, let read because I just 176 00:08:03,440 --> 00:08:07,440 Speaker 8: couldn't help myself anymore. And then the arm comes in to. 177 00:08:07,360 --> 00:08:10,240 Speaker 1: Push the elevator terminator too. 178 00:08:10,520 --> 00:08:13,680 Speaker 5: Ye, six seven. 179 00:08:13,480 --> 00:08:15,600 Speaker 8: Foot tall basketball players. 180 00:08:15,760 --> 00:08:17,200 Speaker 4: No walking. 181 00:08:18,920 --> 00:08:21,120 Speaker 8: I'm literally pupping myself. 182 00:08:20,720 --> 00:08:22,200 Speaker 5: As they're getting in the elevator. 183 00:08:23,760 --> 00:08:25,800 Speaker 8: Yeah, and I have to waddle. 184 00:08:26,000 --> 00:08:29,240 Speaker 5: I was literally waddling back to my hotel. 185 00:08:28,880 --> 00:08:32,040 Speaker 1: Room with them in the elevator. 186 00:08:32,080 --> 00:08:37,559 Speaker 5: With you, I was pupping in the elevator with basketball Who. 187 00:08:37,960 --> 00:08:39,840 Speaker 1: Were the NBA players? Do you know? Do you know 188 00:08:39,840 --> 00:08:40,440 Speaker 1: who they were? 189 00:08:41,800 --> 00:08:44,160 Speaker 5: Because but I don't know who they were because I'm 190 00:08:44,160 --> 00:08:45,400 Speaker 5: not a basketball girl. 191 00:08:45,640 --> 00:08:46,120 Speaker 9: What team? 192 00:08:46,240 --> 00:08:47,680 Speaker 1: What they have on the whole? 193 00:08:48,800 --> 00:08:50,079 Speaker 5: Is there an Orlando team? 194 00:08:50,160 --> 00:08:50,760 Speaker 10: I don't know? 195 00:08:52,640 --> 00:08:52,840 Speaker 4: Yeah? 196 00:08:53,280 --> 00:08:57,120 Speaker 8: Was it the Magic or University College? 197 00:08:58,800 --> 00:09:00,880 Speaker 2: You're going to go with the Orlando Now, let me 198 00:09:00,920 --> 00:09:04,480 Speaker 2: tell the story to say Lebron James's much better story. 199 00:09:04,760 --> 00:09:06,080 Speaker 1: Let's go toda story. 200 00:09:06,320 --> 00:09:07,040 Speaker 6: Sarah, thank you. 201 00:09:07,040 --> 00:09:08,280 Speaker 1: You can have a double fast to go and see 202 00:09:08,320 --> 00:09:10,079 Speaker 1: Indiana Jones and the Dollar Destiny for that, Thank you 203 00:09:10,160 --> 00:09:12,120 Speaker 1: very much. Maddie here on thirty one and six five. 204 00:09:12,240 --> 00:09:15,080 Speaker 11: Maddie, Hello, guys, how are you today? 205 00:09:15,280 --> 00:09:19,160 Speaker 2: We're out standing. I commend your bravery. Shoot off with 206 00:09:19,240 --> 00:09:19,720 Speaker 2: your story. 207 00:09:20,440 --> 00:09:24,679 Speaker 11: All right. So I am a beauty therapist. I one 208 00:09:24,760 --> 00:09:28,160 Speaker 11: day was having my afternoon coffee going by my day, 209 00:09:28,280 --> 00:09:30,920 Speaker 11: had a couple of massages to finish the day, as 210 00:09:30,960 --> 00:09:35,439 Speaker 11: you usually do. Went into my last massage, felt ooh, 211 00:09:35,880 --> 00:09:38,720 Speaker 11: feeling a bit gassy, not feeling too great. I'm a 212 00:09:38,720 --> 00:09:40,560 Speaker 11: bit lactose tolerant to milk as well. 213 00:09:40,640 --> 00:09:42,440 Speaker 3: Yeah, sure, so I usually. 214 00:09:42,200 --> 00:09:42,880 Speaker 12: Get soy milk. 215 00:09:43,320 --> 00:09:47,079 Speaker 11: It then dawned on me, got that impeding dread. I 216 00:09:47,160 --> 00:09:50,600 Speaker 11: got cold hands clammy. I was like, oh no, it's coming. 217 00:09:51,320 --> 00:09:55,400 Speaker 11: The barista definitely messed up my order. Next minute, tried 218 00:09:55,400 --> 00:10:00,000 Speaker 11: to let it sneaky SBD through, just you know, let it, 219 00:10:00,200 --> 00:10:04,400 Speaker 11: let it go. Of course, I realized that it was 220 00:10:04,440 --> 00:10:05,560 Speaker 11: a shot, not a part. 221 00:10:05,760 --> 00:10:07,520 Speaker 1: Yeah, and I went to the client. 222 00:10:07,559 --> 00:10:09,280 Speaker 5: I went, oh my gosh, I'm just gonna go really 223 00:10:09,360 --> 00:10:11,199 Speaker 5: quickly and get the ice facial role as they go, 224 00:10:11,400 --> 00:10:12,200 Speaker 5: yet no worries. 225 00:10:12,640 --> 00:10:16,640 Speaker 11: I clenched those butt cheeks, waddling to the toilet. Pull 226 00:10:16,720 --> 00:10:17,360 Speaker 11: down my pants. 227 00:10:17,480 --> 00:10:18,800 Speaker 5: There is a full log in there. 228 00:10:19,040 --> 00:10:25,920 Speaker 2: Oh, I know that didn't come in elevated full log. 229 00:10:26,360 --> 00:10:30,200 Speaker 1: No one saw it coming. We might we might might 230 00:10:30,320 --> 00:10:32,640 Speaker 1: leave that story there. We might leave that story at 231 00:10:32,640 --> 00:10:33,120 Speaker 1: full log. 232 00:10:33,200 --> 00:10:35,040 Speaker 2: What is Joe Jonah's under this radiotion? 233 00:10:36,160 --> 00:10:36,680 Speaker 9: So long? 234 00:10:36,840 --> 00:10:41,800 Speaker 1: Nobody many? Seems like a really sweet woman. She's caught up. 235 00:10:42,360 --> 00:10:45,760 Speaker 1: She dropped full log into the jat. Wow, that is 236 00:10:45,880 --> 00:10:46,360 Speaker 1: rocked out? 237 00:10:46,360 --> 00:10:46,640 Speaker 2: All right? 238 00:10:46,640 --> 00:10:50,240 Speaker 1: Do we go to Daniel? Go to Daniel? Oh, okay, 239 00:10:50,559 --> 00:10:52,160 Speaker 1: Daniels can't get much worse. 240 00:10:52,679 --> 00:10:55,320 Speaker 2: We love your bravery. This is Joe Jonas's idea. He 241 00:10:55,320 --> 00:10:57,680 Speaker 2: wants to build a community of people who have put themselves. 242 00:10:57,920 --> 00:11:00,240 Speaker 3: What happened mate there? 243 00:11:00,280 --> 00:11:04,959 Speaker 10: Good afternoon, gentlemen. I'm literally uploating about twenty seven years 244 00:11:04,960 --> 00:11:08,439 Speaker 10: a guilty So this was fantastic for me. Look, I 245 00:11:08,480 --> 00:11:10,520 Speaker 10: was about eighteen years old, and I've hit the gym 246 00:11:10,559 --> 00:11:12,400 Speaker 10: for the first day, and I've trained really hard, and 247 00:11:12,520 --> 00:11:15,240 Speaker 10: I felt very nauseous, very thick. I've got into the 248 00:11:15,240 --> 00:11:18,439 Speaker 10: toilet and I actually vomited in the toil and booted 249 00:11:18,480 --> 00:11:20,560 Speaker 10: myself at the same time. I did a double whammy, 250 00:11:20,880 --> 00:11:22,560 Speaker 10: and I didn't know what to do with my underwear. 251 00:11:22,720 --> 00:11:25,360 Speaker 10: I'm sitting in the toilet, have no idea. So back 252 00:11:25,400 --> 00:11:27,400 Speaker 10: then old building and had the slatted windows, and I've 253 00:11:27,440 --> 00:11:29,440 Speaker 10: grabbed me yundies and I've tucked them up inside the 254 00:11:29,440 --> 00:11:30,280 Speaker 10: slatted windows. 255 00:11:30,600 --> 00:11:33,079 Speaker 2: I just dropped on the other side. 256 00:11:32,360 --> 00:11:34,080 Speaker 10: And they sat there. And I went back to this 257 00:11:34,160 --> 00:11:37,440 Speaker 10: gym for years and my underwear just there. It was 258 00:11:37,480 --> 00:11:39,520 Speaker 10: just their dirty underwear on the other side of his 259 00:11:39,600 --> 00:11:44,040 Speaker 10: window frame. Every time I went in there at the face, 260 00:11:44,280 --> 00:11:46,480 Speaker 10: I had the face underwear in my shame. 261 00:11:46,800 --> 00:11:48,439 Speaker 13: And I've never told anybody to. 262 00:11:50,000 --> 00:11:52,520 Speaker 1: Daniel, Daniel, are they still? Are they still there? 263 00:11:54,240 --> 00:11:56,920 Speaker 10: I think the building is demolished, probably because of my underwear. 264 00:12:00,480 --> 00:12:04,280 Speaker 1: Wood. He thinks he's the fastest parent in Australia, in 265 00:12:04,520 --> 00:12:09,280 Speaker 1: Australia to run with a Prams speak set. 266 00:12:11,000 --> 00:12:13,000 Speaker 4: Brilliant, brilliant, brilliant. 267 00:12:13,240 --> 00:12:19,719 Speaker 1: Welcome to the celebrity for Hunderter Pram round you so 268 00:12:19,840 --> 00:12:25,400 Speaker 1: lot time. Alrighty, let's get down to it, Woods, because 269 00:12:25,559 --> 00:12:27,520 Speaker 1: it's ridiculous. We all know it's ridiculous, but. 270 00:12:28,480 --> 00:12:30,760 Speaker 2: It's absolutely not. And I'm putting in my mouth where 271 00:12:30,800 --> 00:12:32,960 Speaker 2: my feeder. I'm sure if that's the right terminology, but 272 00:12:33,160 --> 00:12:35,480 Speaker 2: I'm saying I'm in we're doing a PRAM four hundred. 273 00:12:35,559 --> 00:12:37,000 Speaker 1: Yes, we are next week and I'll. 274 00:12:36,840 --> 00:12:39,960 Speaker 3: Tell you what the field already it's looking all right. 275 00:12:40,600 --> 00:12:43,240 Speaker 1: First celebrities. Who's going to be entered into the field. 276 00:12:43,520 --> 00:12:45,240 Speaker 1: Dave Thornton. I'm a little bit older. 277 00:12:45,000 --> 00:12:47,120 Speaker 5: Than what I haven't really pushed the PRAM around for 278 00:12:47,160 --> 00:12:47,520 Speaker 5: a while. 279 00:12:47,679 --> 00:12:49,440 Speaker 1: I think you've got to have him at thirty meters 280 00:12:49,520 --> 00:12:53,959 Speaker 1: thirty Yeah. Yeah, it's a former Brownlow medallist AFL player, 281 00:12:54,120 --> 00:12:55,240 Speaker 1: Adam Kearney. 282 00:12:55,080 --> 00:12:58,600 Speaker 4: Combining two of the things I dislike most children and exercise. 283 00:13:02,000 --> 00:13:03,320 Speaker 2: Are you kidding me? 284 00:13:03,520 --> 00:13:05,599 Speaker 1: There's no head start for you. You're going to be 285 00:13:05,640 --> 00:13:06,199 Speaker 1: on scratch. 286 00:13:06,559 --> 00:13:07,600 Speaker 2: That's what deal. 287 00:13:08,160 --> 00:13:08,640 Speaker 14: Maddy j. 288 00:13:10,120 --> 00:13:12,160 Speaker 15: I've torn my medisc. 289 00:13:12,440 --> 00:13:16,400 Speaker 2: It's a meniscus for starters, mate, not a mediscus. Your 290 00:13:16,559 --> 00:13:18,240 Speaker 2: beautiful partner, Laurie. 291 00:13:18,360 --> 00:13:22,080 Speaker 11: It was only two weeks ago he ran twenty five kilometers. 292 00:13:24,880 --> 00:13:27,480 Speaker 2: Maddie is off scratch with me and Adam Kearney. 293 00:13:28,280 --> 00:13:29,880 Speaker 1: Yeah, it looks. It looks amazing. 294 00:13:30,440 --> 00:13:31,559 Speaker 3: I thought it was an easy bed. 295 00:13:31,640 --> 00:13:32,800 Speaker 2: But other than that, I remember. 296 00:13:32,600 --> 00:13:35,800 Speaker 1: Got to fill the field out. We weren't going to 297 00:13:35,840 --> 00:13:38,440 Speaker 1: get John Stephenson, so yeah, we've had to fill it 298 00:13:38,440 --> 00:13:39,679 Speaker 1: out a little bit, and it's got to have Thorn 299 00:13:39,720 --> 00:13:42,400 Speaker 1: on board. He's a great man and but but I 300 00:13:42,400 --> 00:13:44,040 Speaker 1: do think you're going to have a run for your 301 00:13:44,080 --> 00:13:45,520 Speaker 1: money with Adam Kearney. 302 00:13:45,920 --> 00:13:48,760 Speaker 2: I think Maddie J is a wolf in a sheep 303 00:13:49,000 --> 00:13:53,640 Speaker 2: a sheep's dressing. Absolutely Again, I've got the terminology. You're wrong, 304 00:13:53,679 --> 00:13:55,480 Speaker 2: but I think he's lying. He's very fit, so I'm 305 00:13:55,520 --> 00:14:00,320 Speaker 2: worried about Maddie J. But still I think I'll take home. 306 00:14:00,360 --> 00:14:01,000 Speaker 3: The truck is here. 307 00:14:01,080 --> 00:14:05,120 Speaker 1: Okay, Well, look, none of us hope you do appreciate 308 00:14:05,160 --> 00:14:06,959 Speaker 1: that there is five thousand dollars for charity, all thanks 309 00:14:07,000 --> 00:14:10,040 Speaker 1: to Demison, so they've got on board here. There's incentive there, 310 00:14:10,040 --> 00:14:11,440 Speaker 1: which is great. This is why all of these people 311 00:14:11,480 --> 00:14:13,920 Speaker 1: are getting on board. When coldon Floud strikes, the Demson 312 00:14:13,960 --> 00:14:16,160 Speaker 1: gets it done. Always follow the directions for use. But 313 00:14:16,240 --> 00:14:20,000 Speaker 1: Woods yes, in an interesting twist of events. In an 314 00:14:20,000 --> 00:14:21,920 Speaker 1: interesting twist events, we've pretty much got a full field 315 00:14:21,920 --> 00:14:24,480 Speaker 1: now there. As you heard, Dave Thornton, Maddy Jay and 316 00:14:24,600 --> 00:14:27,720 Speaker 1: Adam Kearney all racing, all off different handicaps as well, 317 00:14:27,800 --> 00:14:29,720 Speaker 1: so there will be head starts given to different runners 318 00:14:29,720 --> 00:14:32,640 Speaker 1: so that we get a nice even finish. There's been 319 00:14:32,680 --> 00:14:36,960 Speaker 1: a request from an outsider to join the race. An outsider, Yeah, 320 00:14:37,000 --> 00:14:40,600 Speaker 1: somebody beyond the celebrity sphere who would like to throw 321 00:14:40,640 --> 00:14:42,040 Speaker 1: their hat in the rings, so to speak. 322 00:14:42,840 --> 00:14:45,200 Speaker 2: Ah, a normal person, A peasant. 323 00:14:45,720 --> 00:14:47,040 Speaker 1: Well it's your dad. 324 00:14:47,440 --> 00:14:48,640 Speaker 9: I don't know if we've gone. 325 00:14:50,520 --> 00:14:54,479 Speaker 1: We're doing a peasant welcome steep. 326 00:14:55,840 --> 00:14:56,320 Speaker 13: Welcome will. 327 00:14:56,360 --> 00:15:00,240 Speaker 4: I'm not sure about that comment. Non celebrity, Yeah, who 328 00:15:00,480 --> 00:15:02,520 Speaker 4: except where I've been labeled as a non celebrity. 329 00:15:03,120 --> 00:15:07,840 Speaker 2: Yeah, yeah, stack fighte on you will. I mean Dad's 330 00:15:07,880 --> 00:15:10,000 Speaker 2: on this show pretty much more than me at this stage. 331 00:15:10,960 --> 00:15:12,840 Speaker 2: Definitely since retirement things have stepped up. 332 00:15:12,880 --> 00:15:13,760 Speaker 3: Yeah, I agree. 333 00:15:13,760 --> 00:15:16,760 Speaker 2: I think you are becoming somewhat of a quasi celebrity. 334 00:15:17,360 --> 00:15:21,880 Speaker 1: You okay, we'll agree to disagree there, Steve, you want 335 00:15:21,880 --> 00:15:26,600 Speaker 1: to race in the PRAM four hundred to try and again. 336 00:15:27,000 --> 00:15:28,760 Speaker 1: The whole point of this, I think is to prove 337 00:15:28,840 --> 00:15:31,320 Speaker 1: that Woody is not the fastest parent in Australia to 338 00:15:31,400 --> 00:15:33,280 Speaker 1: run with the PRAM. We've got a great field of 339 00:15:33,360 --> 00:15:36,560 Speaker 1: Dad so far. You would like to you think that 340 00:15:36,600 --> 00:15:38,960 Speaker 1: you might be able to beat him. 341 00:15:39,120 --> 00:15:43,840 Speaker 13: Look, I'm pretty confident that with the sportsmanship, a bit 342 00:15:43,880 --> 00:15:47,880 Speaker 13: of you, I could sort of bring in some mind 343 00:15:48,000 --> 00:15:50,360 Speaker 13: off the job a little bit. 344 00:15:50,840 --> 00:15:53,120 Speaker 3: Yeah, nine game sure, yeah. 345 00:15:53,080 --> 00:15:56,800 Speaker 4: Mind games, and I think there can experience counsel lot. Okay, 346 00:15:57,040 --> 00:15:59,720 Speaker 4: so I'm pretty confident I can provide it. 347 00:16:00,160 --> 00:16:03,320 Speaker 13: I'm it's recognized at my age and my. 348 00:16:05,800 --> 00:16:06,640 Speaker 1: Into account, I can. 349 00:16:06,680 --> 00:16:08,400 Speaker 2: I ask you, just just for everyone listening right now, 350 00:16:08,400 --> 00:16:10,800 Speaker 2: how many of your natural hips do you have left? 351 00:16:10,840 --> 00:16:16,320 Speaker 4: Ad I've got one's gone years ago, the other one 352 00:16:16,360 --> 00:16:21,360 Speaker 4: I pulled just last month. I've got an arthritic knee, 353 00:16:21,800 --> 00:16:23,880 Speaker 4: and I've got a dodgy metal shoulder. 354 00:16:24,040 --> 00:16:29,640 Speaker 1: All right, all right, we'll take all of that into account. 355 00:16:30,160 --> 00:16:32,120 Speaker 1: We're going to have to talk obviously, what your handicap 356 00:16:32,160 --> 00:16:34,280 Speaker 1: will be. What your head started over the race, Steve. 357 00:16:34,240 --> 00:16:38,400 Speaker 4: Well, well, I'm also my eyesight's not great, and if 358 00:16:38,440 --> 00:16:41,920 Speaker 4: I'm further away than fifty meters from the finishing line, 359 00:16:42,200 --> 00:16:48,920 Speaker 4: I'm not going to know where to go. So to start, you're. 360 00:16:48,840 --> 00:16:51,040 Speaker 1: Almost more of an android now than you are human. 361 00:16:51,080 --> 00:16:51,880 Speaker 1: Giving the amount of. 362 00:16:53,200 --> 00:16:56,520 Speaker 4: I'm not here, it gives me an advantage or a disadvantage. 363 00:16:56,920 --> 00:16:58,800 Speaker 4: You know, I think it's a disadvantage. 364 00:16:58,840 --> 00:17:01,600 Speaker 3: YEA, yeah, no does everyone but. 365 00:17:03,000 --> 00:17:05,280 Speaker 2: You said before the song you want a three hundred 366 00:17:05,320 --> 00:17:08,119 Speaker 2: and fifty meter head start, so. 367 00:17:08,440 --> 00:17:11,440 Speaker 3: You would have fair so you have fifty. 368 00:17:11,119 --> 00:17:13,800 Speaker 2: Meters to go, yes, right, And this is where things 369 00:17:13,840 --> 00:17:17,320 Speaker 2: get interesting. I mean, I know my dad better than anyone. Here. Dad, 370 00:17:17,320 --> 00:17:19,920 Speaker 2: you've been trimming down recently. I know that for a fact, 371 00:17:19,920 --> 00:17:21,040 Speaker 2: we've been trimming down a little bit. 372 00:17:21,080 --> 00:17:23,480 Speaker 4: I have a premonition about this. Yes, here's true. 373 00:17:23,680 --> 00:17:25,520 Speaker 3: Yes see here, see, here we go. 374 00:17:26,080 --> 00:17:27,560 Speaker 1: You're in good nick at the I. 375 00:17:27,560 --> 00:17:30,240 Speaker 2: Just think Dad has been behind our backs actually training 376 00:17:30,240 --> 00:17:30,719 Speaker 2: her fair bit. 377 00:17:30,760 --> 00:17:32,360 Speaker 3: And Dad, I knew this might have been the case. 378 00:17:32,400 --> 00:17:34,800 Speaker 2: So during the song just before, I actually called your 379 00:17:34,840 --> 00:17:38,000 Speaker 2: wife and my mother, and you know how scary that 380 00:17:38,080 --> 00:17:40,000 Speaker 2: can be. Like, she doesn't like being called by me 381 00:17:40,640 --> 00:17:44,679 Speaker 2: at all, especially for not a serious reason, but not really. 382 00:17:45,680 --> 00:17:48,760 Speaker 2: I called her and just asked her just about any 383 00:17:48,840 --> 00:17:50,399 Speaker 2: secret training that's been going up. 384 00:17:51,040 --> 00:17:52,480 Speaker 3: Mum, how are you going? 385 00:17:53,000 --> 00:17:53,200 Speaker 1: Yeah? 386 00:17:53,280 --> 00:17:53,440 Speaker 2: Good? 387 00:17:53,480 --> 00:17:56,120 Speaker 12: Thanks, in the middle of doing something, but yeah, what. 388 00:17:56,000 --> 00:17:56,480 Speaker 3: Were you doing? 389 00:17:56,880 --> 00:17:57,160 Speaker 9: Work? 390 00:17:57,800 --> 00:18:01,560 Speaker 2: Yeah? Fair enough? So really Excitedly, Dad is going to 391 00:18:01,600 --> 00:18:05,240 Speaker 2: be in a race next week with me, slash against me. 392 00:18:05,240 --> 00:18:06,040 Speaker 3: I'm not sure have you told you? 393 00:18:06,280 --> 00:18:06,440 Speaker 2: Yeah? 394 00:18:06,560 --> 00:18:07,960 Speaker 4: To me, he's excited. 395 00:18:08,480 --> 00:18:10,120 Speaker 3: How much training has he been doing? 396 00:18:10,320 --> 00:18:10,480 Speaker 16: Oh? 397 00:18:10,520 --> 00:18:11,639 Speaker 5: He got one hundred sit ups? 398 00:18:12,720 --> 00:18:14,440 Speaker 3: Here's a hundred sit ups. 399 00:18:14,800 --> 00:18:15,080 Speaker 2: Wow. 400 00:18:15,440 --> 00:18:16,760 Speaker 4: Then he saw for the next week. 401 00:18:16,800 --> 00:18:20,720 Speaker 2: So that's is he running or is he doing anything 402 00:18:20,760 --> 00:18:22,199 Speaker 2: to maybe enhance his speed? 403 00:18:24,520 --> 00:18:24,879 Speaker 17: Nothing? 404 00:18:25,480 --> 00:18:27,560 Speaker 2: Okay, So it's a four hundred meters race. How much 405 00:18:27,560 --> 00:18:28,800 Speaker 2: of a headstart would you give Dad? 406 00:18:29,560 --> 00:18:30,240 Speaker 8: Three hundred? 407 00:18:30,640 --> 00:18:30,960 Speaker 18: Right? 408 00:18:32,800 --> 00:18:35,480 Speaker 5: Okay, yeah, right, he doesn't really run. 409 00:18:36,760 --> 00:18:37,960 Speaker 3: How was the laugh at the end? 410 00:18:38,000 --> 00:18:44,399 Speaker 2: They're Dad brutil So she said three hundred meters? Are 411 00:18:44,440 --> 00:18:46,560 Speaker 2: you willing to come down to three hundred because I 412 00:18:46,600 --> 00:18:47,560 Speaker 2: think three hundred. 413 00:18:47,320 --> 00:18:49,280 Speaker 3: And fifty is ridiculous? He could you could crawl? 414 00:18:51,560 --> 00:19:00,600 Speaker 4: Oh wow, I know, I know that's the best you. 415 00:19:00,600 --> 00:19:03,240 Speaker 1: Can take the man out of real estate that is 416 00:19:03,240 --> 00:19:06,439 Speaker 1: still hardwired to your brain here mate, not a house. 417 00:19:06,760 --> 00:19:10,280 Speaker 1: We're talking about a charity. Four hundred meters rays. I 418 00:19:10,280 --> 00:19:13,800 Speaker 1: think you need I think you need to be reasonable, Steve, yep, 419 00:19:13,920 --> 00:19:14,560 Speaker 1: three hundred. 420 00:19:16,600 --> 00:19:18,639 Speaker 4: Well look we could go on all afternoon. 421 00:19:22,200 --> 00:19:24,159 Speaker 2: Right, that's that I mean. 422 00:19:24,480 --> 00:19:26,159 Speaker 4: Can I tell you a story the last time I 423 00:19:26,160 --> 00:19:27,240 Speaker 4: pushed the kid in the pram? 424 00:19:27,359 --> 00:19:27,560 Speaker 2: Yeah? 425 00:19:27,600 --> 00:19:29,920 Speaker 1: Sure, sure, I was at the goal. 426 00:19:29,960 --> 00:19:32,880 Speaker 4: There's many years ago. Had a pram pusher or something 427 00:19:32,960 --> 00:19:36,439 Speaker 4: like that. As that the Australian opened what he was 428 00:19:36,440 --> 00:19:39,840 Speaker 4: in the pram? Anyway, someone said Norman's about to hit off. 429 00:19:40,240 --> 00:19:43,159 Speaker 4: I'm the sixth so I ran down, pushed through, you know, 430 00:19:43,200 --> 00:19:45,480 Speaker 4: to catch him hitting the ball. And I didn't see 431 00:19:45,480 --> 00:19:47,040 Speaker 4: a rock in front of me. I hadn't put the 432 00:19:47,080 --> 00:19:49,640 Speaker 4: harness on Woody. This is a true story. Hit the rock. 433 00:19:50,240 --> 00:19:53,760 Speaker 4: Wood He was propelled out of the pran the momentum 434 00:19:53,840 --> 00:19:56,920 Speaker 4: of the running. And fortunately it was a Australian Open, 435 00:19:57,000 --> 00:19:58,280 Speaker 4: so it was a really good course, so it was 436 00:19:58,280 --> 00:20:02,600 Speaker 4: a soft landings all the courses through anyway, but unfortunately 437 00:20:02,920 --> 00:20:05,120 Speaker 4: caused a bit of a commotion in the gallery. It's 438 00:20:05,160 --> 00:20:08,160 Speaker 4: just at the top of Norman's swing missus the green 439 00:20:08,920 --> 00:20:12,200 Speaker 4: and it's been put down to Woody and the incidents 440 00:20:12,240 --> 00:20:14,679 Speaker 4: that happened in the crack. Since then, Greg and I 441 00:20:14,680 --> 00:20:15,399 Speaker 4: have never spoken. 442 00:20:22,520 --> 00:20:26,080 Speaker 1: Oh very good mate. Now, Steve, which charity are you 443 00:20:26,119 --> 00:20:28,200 Speaker 1: going to be running for? And you can't say yourself. 444 00:20:28,640 --> 00:20:31,800 Speaker 4: I can't know. Oh see, I thought that was a condition. 445 00:20:33,080 --> 00:20:36,240 Speaker 4: The book belonged ticking. We'd send book second hand books 446 00:20:36,320 --> 00:20:39,320 Speaker 4: up to Papria, New Guinea and I distributed them to 447 00:20:39,320 --> 00:20:41,120 Speaker 4: schools and library so I thought they'd be really. 448 00:20:40,960 --> 00:20:43,280 Speaker 3: Long, great stuff. 449 00:20:43,320 --> 00:20:46,320 Speaker 1: All right, Steve, Well you're inmate, A three hundred meters 450 00:20:46,400 --> 00:20:49,359 Speaker 1: head starting four hundred, and. 451 00:20:49,440 --> 00:20:50,480 Speaker 4: George Clooney's on in. 452 00:20:51,400 --> 00:20:54,920 Speaker 1: Oh yeah, Gloey, he's still in the wings, but we're 453 00:20:54,960 --> 00:20:58,560 Speaker 1: working on him. Steve's entering the rays along with Maddie 454 00:20:58,640 --> 00:21:03,400 Speaker 1: j Dave Thornton, Adam Kearney, and of course our very 455 00:21:03,440 --> 00:21:06,040 Speaker 1: own Woody whitelaw this celebrity four under me to pray 456 00:21:06,040 --> 00:21:06,760 Speaker 1: four hundreds. 457 00:21:06,880 --> 00:21:08,960 Speaker 2: I think that just meant to say Adam Kearney and said, 458 00:21:08,960 --> 00:21:09,920 Speaker 2: George Clooney. 459 00:21:11,720 --> 00:21:14,880 Speaker 1: Is right. I was like, where did you get Clooney from? 460 00:21:15,000 --> 00:21:17,320 Speaker 1: He was talking about Adam Kearney Classic. All right, mate, 461 00:21:17,400 --> 00:21:18,080 Speaker 1: we'll see you there. 462 00:21:21,280 --> 00:21:31,360 Speaker 2: Joe Jonas yesterday played Can you hear it all right now? 463 00:21:31,359 --> 00:21:34,000 Speaker 2: If you're hearing this for the first time, Joe Jonas 464 00:21:34,040 --> 00:21:37,119 Speaker 2: actually reached out to us. He slid into our DMS 465 00:21:37,119 --> 00:21:40,040 Speaker 2: because he wanted to play so badly, loved the game 466 00:21:40,119 --> 00:21:43,240 Speaker 2: so much. He actually joined us yesterday. As I said, 467 00:21:43,280 --> 00:21:46,520 Speaker 2: and gee whiz Will. He was hot the game. By 468 00:21:46,520 --> 00:21:48,480 Speaker 2: the ways we crack open cans here in the studio, 469 00:21:48,640 --> 00:21:50,320 Speaker 2: you tell us if it's a soft drink or a 470 00:21:50,359 --> 00:21:53,160 Speaker 2: beerd based only on the sound of the can opening. 471 00:21:53,480 --> 00:21:54,320 Speaker 2: He was hot. 472 00:21:54,480 --> 00:21:55,359 Speaker 3: He was on fire. 473 00:21:55,440 --> 00:21:59,120 Speaker 1: Will, Yeah, five from five, five from five now only 474 00:21:59,160 --> 00:22:02,040 Speaker 1: the second person ever to have done that, by the way, 475 00:22:02,080 --> 00:22:05,000 Speaker 1: and that's in it amongst hundreds of people who have 476 00:22:05,040 --> 00:22:06,800 Speaker 1: tried to play can you here, who thought they could 477 00:22:06,800 --> 00:22:09,440 Speaker 1: hear it? Who were cocky as hell? He genuinely can 478 00:22:09,520 --> 00:22:10,200 Speaker 1: hear the difference. 479 00:22:10,800 --> 00:22:10,919 Speaker 6: Now. 480 00:22:10,920 --> 00:22:12,840 Speaker 2: It's important to note as well that I was the 481 00:22:12,840 --> 00:22:16,440 Speaker 2: only one doing the chat with Joe. You had to 482 00:22:17,080 --> 00:22:18,760 Speaker 2: leave unfortunately before the chat. 483 00:22:18,840 --> 00:22:20,840 Speaker 1: So you're doing a great job up till now. Can 484 00:22:20,880 --> 00:22:23,000 Speaker 1: I just say, you're doing a really, really good job. 485 00:22:23,119 --> 00:22:25,520 Speaker 1: Very proud of you. Tough gig, big guest, doing it 486 00:22:25,520 --> 00:22:27,400 Speaker 1: by yourself. Done a brilliant job. 487 00:22:27,600 --> 00:22:28,919 Speaker 3: Thank you. I really appreciate that. 488 00:22:29,000 --> 00:22:32,560 Speaker 1: So you don't know you know why I don't like 489 00:22:32,720 --> 00:22:35,760 Speaker 1: leaving the keys to the car at home when I 490 00:22:35,880 --> 00:22:38,119 Speaker 1: leave you at home. Yes, that makes any sense. 491 00:22:38,160 --> 00:22:40,560 Speaker 2: And I'm following. I think Australia is following too. You 492 00:22:40,600 --> 00:22:45,320 Speaker 2: don't trust me now. You don't know what happens next. 493 00:22:45,320 --> 00:22:47,720 Speaker 2: But after he gets five, I was expecting it to finish. 494 00:22:47,760 --> 00:22:51,120 Speaker 2: I was like, you've done your five, great whatever, and 495 00:22:51,359 --> 00:22:52,720 Speaker 2: he wanted to keep going. 496 00:22:52,720 --> 00:22:55,200 Speaker 3: Now, before I play the audio of what happened next. 497 00:22:55,200 --> 00:22:57,600 Speaker 2: It's important to note that for the fifth can. To 498 00:22:57,640 --> 00:23:00,680 Speaker 2: make things more interesting, I put a nude on the line, 499 00:23:01,000 --> 00:23:03,200 Speaker 2: so I was like, if you're wrong here, you've got. 500 00:23:03,080 --> 00:23:03,960 Speaker 3: To do a nude streak. 501 00:23:04,280 --> 00:23:05,960 Speaker 1: Yeah, cute, nice idea. Would have been a. 502 00:23:05,960 --> 00:23:07,520 Speaker 2: Bit of fun if you get it. If you get 503 00:23:07,520 --> 00:23:09,520 Speaker 2: it wrong though, okay, sorry. If you get it right, 504 00:23:09,560 --> 00:23:11,920 Speaker 2: I've got to do a nude streak at a location 505 00:23:12,000 --> 00:23:14,760 Speaker 2: that we can both aground. Okay, that happened, all right, 506 00:23:14,800 --> 00:23:18,120 Speaker 2: he gets five, So I'm doing a nude streak. 507 00:23:18,560 --> 00:23:22,639 Speaker 3: And then this happens. Okay, here comes the fifth ken. 508 00:23:27,119 --> 00:23:27,199 Speaker 1: Can. 509 00:23:27,359 --> 00:23:27,840 Speaker 6: Number five. 510 00:23:27,880 --> 00:23:42,200 Speaker 17: I'm gonna go with beer, Jorge. 511 00:23:43,600 --> 00:23:48,680 Speaker 6: Now here's a question. Yes, here's a question. Yes you 512 00:23:48,720 --> 00:23:51,359 Speaker 6: know that's five for five. Yeah, and I don't like 513 00:23:51,480 --> 00:23:52,480 Speaker 6: tying with anyone. 514 00:23:52,920 --> 00:23:54,919 Speaker 2: Oh wow, you want to go for six? Legit? 515 00:23:55,119 --> 00:23:57,520 Speaker 7: I just feel like at this point I like to 516 00:23:57,520 --> 00:23:59,760 Speaker 7: walk away knowing that I'm the world. 517 00:24:00,240 --> 00:24:01,920 Speaker 6: Oh my would be it would feel pretty good. 518 00:24:02,080 --> 00:24:05,359 Speaker 2: We have had produces sprint to the drinks fridge here 519 00:24:05,400 --> 00:24:08,480 Speaker 2: at the radio station. We have got a sixth can. 520 00:24:08,600 --> 00:24:11,159 Speaker 2: Joe Jonas. I'm gonna'm gonna go as far as saye though, Joe, 521 00:24:11,200 --> 00:24:12,960 Speaker 2: if you want to do this, if they're gonna burn 522 00:24:12,960 --> 00:24:14,440 Speaker 2: another can of drink. 523 00:24:14,440 --> 00:24:16,920 Speaker 3: Here this double or nothing with the nude strake. If 524 00:24:16,920 --> 00:24:17,399 Speaker 3: you get this. 525 00:24:19,400 --> 00:24:21,159 Speaker 7: My thing is I feel like I get to make 526 00:24:21,200 --> 00:24:24,359 Speaker 7: the rules now because you technically lost. 527 00:24:25,680 --> 00:24:26,520 Speaker 2: Yeah, that's probably fair. 528 00:24:26,560 --> 00:24:28,640 Speaker 18: I don't think you get I mean I get the double, 529 00:24:28,680 --> 00:24:29,720 Speaker 18: I get the double or nothing. 530 00:24:29,760 --> 00:24:30,920 Speaker 6: But here's how how does this sound? 531 00:24:31,080 --> 00:24:35,480 Speaker 18: YEA? If I win, Will and Woody, yeah, it will 532 00:24:35,480 --> 00:24:40,000 Speaker 18: be performing on stage playing a song or two of 533 00:24:40,040 --> 00:24:43,000 Speaker 18: my choosing for the Australian audience when we tour there, 534 00:24:43,480 --> 00:24:47,760 Speaker 18: maybe maybe next maybe maybe sometime in the next six 535 00:24:47,880 --> 00:24:49,040 Speaker 18: to twelve months. 536 00:24:49,720 --> 00:24:51,919 Speaker 6: It's a big, big hint. Will and Woody will be 537 00:24:51,920 --> 00:24:53,440 Speaker 6: performing a song or two. 538 00:24:53,320 --> 00:24:56,879 Speaker 19: Of my choosing. And we're and wardrobe of my choosing 539 00:24:56,880 --> 00:25:03,119 Speaker 19: of God. It could be too track vocal, but I 540 00:25:03,119 --> 00:25:03,920 Speaker 19: think that's quite fair. 541 00:25:03,960 --> 00:25:05,280 Speaker 6: What do you think now? 542 00:25:05,520 --> 00:25:06,840 Speaker 3: Was integrate so then we. 543 00:25:06,800 --> 00:25:09,159 Speaker 7: Would scratch, I would scratch the I would scratch the 544 00:25:09,160 --> 00:25:10,960 Speaker 7: streaking and I'd go straight to the performance. 545 00:25:11,720 --> 00:25:12,280 Speaker 1: I love that. 546 00:25:12,320 --> 00:25:14,679 Speaker 6: And if you lose, I mean, I guess you get 547 00:25:14,720 --> 00:25:15,639 Speaker 6: to you get to decide. 548 00:25:16,320 --> 00:25:17,160 Speaker 3: Oh, it's true. 549 00:25:18,880 --> 00:25:19,440 Speaker 6: If I lose. 550 00:25:19,880 --> 00:25:22,679 Speaker 7: If I lose, then we will throw a ball or 551 00:25:22,720 --> 00:25:23,600 Speaker 7: barbecue together. 552 00:25:23,920 --> 00:25:25,160 Speaker 6: I will bring my credit card. 553 00:25:25,280 --> 00:25:28,840 Speaker 2: Okay, okay, you pay for a barbecue and the Jonas 554 00:25:28,920 --> 00:25:31,800 Speaker 2: Brothers will perform at my daughter's first birthday. 555 00:25:32,000 --> 00:25:33,840 Speaker 6: I don't know about the Jonas brothers, but you got me. 556 00:25:34,000 --> 00:25:38,400 Speaker 2: Okay, totally fair enough. 557 00:25:38,880 --> 00:25:40,760 Speaker 7: I don't have that call be like, hey, keV Nick, Hey, 558 00:25:40,760 --> 00:25:43,120 Speaker 7: I was on a show and I listen. 559 00:25:43,160 --> 00:25:45,240 Speaker 6: I listened to a bunch of cans being opened. 560 00:25:45,520 --> 00:25:46,119 Speaker 9: I lost. 561 00:25:46,280 --> 00:25:49,120 Speaker 7: We have to perform at a at somebody's first birthday party. 562 00:25:49,119 --> 00:25:51,520 Speaker 6: You guys cool with that? I think that's just a 563 00:25:51,600 --> 00:25:54,600 Speaker 6: very difficult ask, but I would be down. 564 00:25:55,280 --> 00:25:58,560 Speaker 2: Okay, amazing. If you lose, here you're performing at my 565 00:25:58,640 --> 00:26:01,760 Speaker 2: daughter's first birthday. If you win, then Will and I 566 00:26:02,160 --> 00:26:05,160 Speaker 2: are the warm up act for one of your gigs 567 00:26:05,600 --> 00:26:08,280 Speaker 2: and you're choosing the songs and our attire. 568 00:26:08,520 --> 00:26:12,399 Speaker 3: Yes, that is terrifying. Okay, let's get down to it. 569 00:26:12,480 --> 00:26:15,160 Speaker 2: Currently, Titan first, you are going for outright first right now, 570 00:26:15,200 --> 00:26:18,560 Speaker 2: to get six cans in a row. Joe Jonas, here 571 00:26:19,160 --> 00:26:19,879 Speaker 2: is your can. 572 00:26:37,119 --> 00:26:39,560 Speaker 18: Oh man, man, man, man, man man. 573 00:26:39,480 --> 00:26:40,399 Speaker 8: Man man. 574 00:26:41,720 --> 00:26:46,240 Speaker 2: Find out up next. If Joe Jonas gets can number, 575 00:26:46,720 --> 00:26:50,760 Speaker 2: the steaks are high. With the steaks are it's. 576 00:26:50,600 --> 00:26:51,600 Speaker 1: A win win for us. 577 00:26:51,960 --> 00:26:54,840 Speaker 2: It'll be fun I thought you'd hate he's gonna put 578 00:26:54,880 --> 00:26:55,720 Speaker 2: us in g bangers. 579 00:26:56,240 --> 00:26:58,040 Speaker 1: Oh, I didn't think about the outfits. 580 00:26:58,119 --> 00:26:59,920 Speaker 3: If he gets it, find out up next. 581 00:27:02,800 --> 00:27:05,639 Speaker 1: I this is pretty well set up for a great 582 00:27:05,680 --> 00:27:08,040 Speaker 1: result either way for the Willa and Woody show. 583 00:27:08,600 --> 00:27:09,080 Speaker 2: Amazing. 584 00:27:09,600 --> 00:27:11,040 Speaker 3: I'm happy. I don't know why. I just thought you'd, 585 00:27:11,080 --> 00:27:13,359 Speaker 3: yeah'd be very disappointed, but he is. 586 00:27:13,359 --> 00:27:15,200 Speaker 1: Oh, look, my friends in the underground aren't going to 587 00:27:15,240 --> 00:27:16,560 Speaker 1: be happy about the fact that I'm opening for the 588 00:27:16,640 --> 00:27:17,280 Speaker 1: Jonas Brothers. 589 00:27:17,320 --> 00:27:22,520 Speaker 2: But like, potentially here is the wager four can number six. 590 00:27:22,880 --> 00:27:26,800 Speaker 2: Joe Jonas says, if I get this right, then you 591 00:27:26,920 --> 00:27:29,560 Speaker 2: and I will are going to be the warm up 592 00:27:29,600 --> 00:27:33,040 Speaker 2: act for one of the Jonas Brothers concerts gigs when 593 00:27:33,080 --> 00:27:36,840 Speaker 2: they tour here in Australia. He chooses the songs, he 594 00:27:36,960 --> 00:27:40,280 Speaker 2: chooses the outfits. Now that it could mean anything. 595 00:27:40,680 --> 00:27:42,280 Speaker 1: We could be up there like powerpuff Girls. 596 00:27:42,720 --> 00:27:46,600 Speaker 2: Powerpuff Girls which streams completely nude. 597 00:27:46,840 --> 00:27:50,639 Speaker 3: Like, no, he can't do that. He probably can't put 598 00:27:50,720 --> 00:27:51,320 Speaker 3: us up there nude. 599 00:27:51,440 --> 00:27:52,840 Speaker 2: But but at the end of the day, he can 600 00:27:52,880 --> 00:27:55,080 Speaker 2: do whatever he wants to make it very embarrassing. 601 00:27:55,160 --> 00:27:56,120 Speaker 1: Does he choose the song? 602 00:27:56,520 --> 00:27:58,440 Speaker 3: Yeah, he said he one or two songs. 603 00:27:58,440 --> 00:28:02,199 Speaker 2: He chooses them, and he chooses our outfits right, So 604 00:28:02,280 --> 00:28:05,120 Speaker 2: again there's some excitement there, like we could be performing 605 00:28:05,160 --> 00:28:07,800 Speaker 2: in front of thousands of people, but also it also 606 00:28:07,800 --> 00:28:09,080 Speaker 2: could be horrifically embarrassing. 607 00:28:09,320 --> 00:28:11,440 Speaker 1: We'll never recover if you were doing that to us. 608 00:28:12,400 --> 00:28:15,400 Speaker 1: I'm thinking I would make us the Munchkins and perform 609 00:28:15,960 --> 00:28:17,520 Speaker 1: we represent the Lollipop Guild. 610 00:28:17,680 --> 00:28:19,119 Speaker 3: Yeah, that's embarrassing anyway. 611 00:28:19,160 --> 00:28:21,480 Speaker 2: The other side of the wager, if he gets it wrong, 612 00:28:21,920 --> 00:28:25,040 Speaker 2: is that Joe Jonas agreed to perform at my daughter's 613 00:28:25,240 --> 00:28:29,440 Speaker 2: first birthday, which is huge, which great party and also 614 00:28:29,720 --> 00:28:30,879 Speaker 2: just hilarious. 615 00:28:31,000 --> 00:28:32,359 Speaker 3: Joe Jonas in the corner. 616 00:28:32,080 --> 00:28:33,439 Speaker 1: Of the nursery from London. 617 00:28:33,560 --> 00:28:37,439 Speaker 3: Yeh, from London, Bring Sophie. Obviously, she's bring the whole fan, 618 00:28:37,480 --> 00:28:38,400 Speaker 3: bring the whole family down. 619 00:28:38,440 --> 00:28:42,480 Speaker 2: He performs at my daughter's birthday, first birthday party. So 620 00:28:42,560 --> 00:28:45,240 Speaker 2: without further ado, he is with the stakes that high. 621 00:28:45,360 --> 00:28:49,440 Speaker 2: Yes he is can six. 622 00:29:05,720 --> 00:29:10,560 Speaker 6: Oh manh is there is? 623 00:29:10,560 --> 00:29:10,760 Speaker 13: There? 624 00:29:10,840 --> 00:29:13,280 Speaker 7: Is there some like can I get some drum roll 625 00:29:13,440 --> 00:29:14,640 Speaker 7: or background music or anything. 626 00:29:14,760 --> 00:29:15,960 Speaker 2: I'm sure we can give you like a you want, 627 00:29:15,960 --> 00:29:17,600 Speaker 2: like a drone or something, or like. 628 00:29:17,560 --> 00:29:20,760 Speaker 6: A just anything. Yeah, okay, if you guys can pretend 629 00:29:20,760 --> 00:29:28,160 Speaker 6: like you've done this before. Here we go, ladies and gentlemen. 630 00:29:28,640 --> 00:29:29,960 Speaker 6: I believe that was a soft drink. 631 00:29:32,320 --> 00:29:44,720 Speaker 16: He's the only man in the world to get six 632 00:29:45,120 --> 00:29:45,959 Speaker 16: from six. 633 00:29:46,280 --> 00:29:48,280 Speaker 2: Wow wow wow. 634 00:29:49,000 --> 00:29:52,840 Speaker 20: Well, I'd like to I'd like to thank uh, Will 635 00:29:52,880 --> 00:29:54,960 Speaker 20: and Woody for having me on. I'd like to thank 636 00:29:55,040 --> 00:29:59,720 Speaker 20: Soft Drinks and Adult Beverages for for being there for 637 00:29:59,800 --> 00:30:02,680 Speaker 20: me when I needed a cold, refreshing drink. 638 00:30:02,840 --> 00:30:03,080 Speaker 1: Wow. 639 00:30:03,240 --> 00:30:05,800 Speaker 6: It feels good to be the people's champ and I hope. 640 00:30:05,600 --> 00:30:08,400 Speaker 18: I get some sort of trophy soon from you guys, 641 00:30:08,400 --> 00:30:10,960 Speaker 18: whether that's in person when I see you, you'll be 642 00:30:11,000 --> 00:30:12,040 Speaker 18: actually because Will. 643 00:30:11,920 --> 00:30:15,720 Speaker 7: And Woody will be actually opening up for the Jonas Brothers. 644 00:30:15,800 --> 00:30:17,160 Speaker 6: When we perform in Australia. 645 00:30:17,440 --> 00:30:20,240 Speaker 18: Two songs of My Choosing and wardrobe of My Choosing, 646 00:30:20,360 --> 00:30:21,160 Speaker 18: And I'll just say, you. 647 00:30:21,160 --> 00:30:22,640 Speaker 6: Don't want to miss that show. If you're going to 648 00:30:22,680 --> 00:30:24,200 Speaker 6: miss our show, you don'tant to miss that show. 649 00:30:24,800 --> 00:30:27,720 Speaker 2: Okay. That is absolutely terrifying, Joe Jonahs. 650 00:30:27,920 --> 00:30:29,960 Speaker 7: Honestly, I was expecting to come on here and get 651 00:30:30,080 --> 00:30:31,600 Speaker 7: not even one and just be. 652 00:30:31,560 --> 00:30:36,440 Speaker 6: Like, well that was fun. But wow, wow wow wow wow. 653 00:30:36,600 --> 00:30:39,400 Speaker 6: Thank you for having me on. I am honored. It's 654 00:30:39,440 --> 00:30:42,800 Speaker 6: been a pleasure. Thank Mile Hevin or Nick. Good luck 655 00:30:42,840 --> 00:30:44,880 Speaker 6: my friends. I'm excited to see how well you do 656 00:30:45,080 --> 00:30:46,120 Speaker 6: or how poorly you do. 657 00:30:48,080 --> 00:30:48,920 Speaker 2: So love to go unpack. 658 00:30:48,960 --> 00:30:51,280 Speaker 1: There so much to one pack. 659 00:30:51,360 --> 00:30:54,440 Speaker 2: Firstly, so he's cold at Nile Horn and he's brothers, 660 00:30:54,640 --> 00:30:56,880 Speaker 2: yeah to play. Can you hear it? That's gonna happen 661 00:30:56,960 --> 00:30:59,160 Speaker 2: at some site. Also, if you haven't looked that in yet, 662 00:30:59,200 --> 00:31:01,360 Speaker 2: but that happening now. 663 00:31:01,360 --> 00:31:02,000 Speaker 3: The bigger thing. 664 00:31:02,800 --> 00:31:07,160 Speaker 1: Yeah, you and I. When he steps it out, you're like, shit, 665 00:31:07,280 --> 00:31:11,840 Speaker 1: that actually does suck. I was like you I was expecting, 666 00:31:11,960 --> 00:31:15,120 Speaker 1: you know, because I think I just like I was 667 00:31:15,160 --> 00:31:17,280 Speaker 1: like I thought initially when I heard it, he was 668 00:31:17,320 --> 00:31:18,959 Speaker 1: just like, oh, you guys open for me. And then 669 00:31:19,000 --> 00:31:20,360 Speaker 1: I was like, oh, you know what, I can jump 670 00:31:20,400 --> 00:31:22,600 Speaker 1: on the decks. You know you coul play some bongos. 671 00:31:22,680 --> 00:31:23,880 Speaker 3: Totally, she might put on a. 672 00:31:23,920 --> 00:31:27,040 Speaker 1: Nice little show as soon as he's like, I choose 673 00:31:27,040 --> 00:31:29,920 Speaker 1: the song, I choose the instruments, I choose the outfits 674 00:31:30,080 --> 00:31:31,960 Speaker 1: were screwed. What do you look like? We're gonna be 675 00:31:31,960 --> 00:31:33,200 Speaker 1: the laughing stock of a nation. 676 00:31:33,640 --> 00:31:36,280 Speaker 2: And by the way, keep in mind that to play 677 00:31:36,280 --> 00:31:37,880 Speaker 2: the game, I made him tell us a story, tell 678 00:31:37,960 --> 00:31:38,320 Speaker 2: us a story. 679 00:31:38,360 --> 00:31:41,640 Speaker 1: He's never told me that's made pub that's made international headlines. 680 00:31:41,640 --> 00:31:44,600 Speaker 2: He revealed that he put himself on stage right yesterday 681 00:31:44,760 --> 00:31:47,120 Speaker 2: and as you said, well, that's myde international headlines. Jinas 682 00:31:47,120 --> 00:31:48,960 Speaker 2: has seeing that now and he's going, oh, really, okay, 683 00:31:49,680 --> 00:31:54,480 Speaker 2: I'm going to choose those two songs very selectively. It's 684 00:31:54,520 --> 00:31:55,960 Speaker 2: become a war with jas. 685 00:31:56,640 --> 00:32:03,960 Speaker 1: This happened. Two million people missed out on Taylor Swift tickets. 686 00:32:04,680 --> 00:32:07,160 Speaker 1: As I said before, it's close to a tenth of 687 00:32:07,200 --> 00:32:10,360 Speaker 1: the population. Probably more than a tenth of the population 688 00:32:10,520 --> 00:32:13,160 Speaker 1: missed out on seeing this woman. That is insane. Woods. 689 00:32:13,440 --> 00:32:16,640 Speaker 1: We're even more insane, and maybe slightly unfair is that 690 00:32:16,680 --> 00:32:19,400 Speaker 1: we ended up with rows and rows of seats now. 691 00:32:25,320 --> 00:32:28,600 Speaker 2: Free sailor ticket see. 692 00:32:28,400 --> 00:32:28,920 Speaker 9: What's a show? 693 00:32:29,680 --> 00:32:32,640 Speaker 1: As I said before, you know, ticket scalping is illegal. 694 00:32:32,680 --> 00:32:34,320 Speaker 1: It's a shocking thing to do, and that would be 695 00:32:34,320 --> 00:32:37,480 Speaker 1: the wrong approach. But we're not ticket scalpers. I said yesterday, 696 00:32:37,480 --> 00:32:40,960 Speaker 1: Where where the robin hood of the ticketing game here? 697 00:32:41,000 --> 00:32:43,360 Speaker 1: Because we've taken the tickets off people that would want 698 00:32:43,400 --> 00:32:46,840 Speaker 1: to scalp them. Those dodgy secondhand ticket websites sell them 699 00:32:46,880 --> 00:32:49,520 Speaker 1: back to you a million dollars. We're giving away these 700 00:32:49,520 --> 00:32:51,840 Speaker 1: whole rows for free, which and again it's a whole 701 00:32:51,920 --> 00:32:53,760 Speaker 1: role of seats. So it's not just you. You're not 702 00:32:53,840 --> 00:32:56,400 Speaker 1: just you haven't just like scabbed some crappy seat in 703 00:32:56,400 --> 00:32:58,600 Speaker 1: the nosebleed. You've got a whole roll of seats. You 704 00:32:58,600 --> 00:33:00,479 Speaker 1: can take a whole bunch of pe with you. We're 705 00:33:00,480 --> 00:33:03,280 Speaker 1: giving them to dedicated Taylor SWI fans. You've gotta be 706 00:33:03,280 --> 00:33:05,160 Speaker 1: listening from eight am in the morning all across the 707 00:33:05,160 --> 00:33:08,680 Speaker 1: workdays and to us just for how to get these 708 00:33:08,720 --> 00:33:11,000 Speaker 1: seats woulds. But right now we've got another road to 709 00:33:11,000 --> 00:33:11,480 Speaker 1: give away. 710 00:33:11,920 --> 00:33:14,840 Speaker 2: And just to confirm, we call you okay, and I 711 00:33:14,920 --> 00:33:15,760 Speaker 2: can't stress that enough. 712 00:33:15,800 --> 00:33:16,920 Speaker 3: Our phone lines have blocked all. 713 00:33:17,160 --> 00:33:19,520 Speaker 1: I think we've covered that. I think we have covered that, 714 00:33:19,520 --> 00:33:21,800 Speaker 1: but please stop calling us. Here we go and just 715 00:33:21,800 --> 00:33:23,200 Speaker 1: a warning, this gets intense. 716 00:33:24,320 --> 00:33:29,200 Speaker 11: Hello Bonnie speaking Hi, Hello, Hello, who's this? 717 00:33:29,840 --> 00:33:30,320 Speaker 2: Uh? 718 00:33:30,360 --> 00:33:32,200 Speaker 3: Well, good question? Do you know who this is? 719 00:33:32,680 --> 00:33:33,040 Speaker 4: Oh? 720 00:33:33,080 --> 00:33:36,600 Speaker 12: I'm please please tell me it said it's kissing him? 721 00:33:36,760 --> 00:33:38,600 Speaker 12: Please please tell me that it's you. 722 00:33:38,800 --> 00:33:46,440 Speaker 2: Be more specific, Will nice and your research so you 723 00:33:46,440 --> 00:33:47,360 Speaker 2: know who Will and I are? 724 00:33:48,000 --> 00:33:48,120 Speaker 11: We? 725 00:33:48,200 --> 00:33:49,080 Speaker 5: Do you know who you are? 726 00:33:49,360 --> 00:33:51,280 Speaker 12: I've got my daughter Arabella. 727 00:33:50,800 --> 00:33:56,480 Speaker 1: Here, Hi, Arabella, how are you going good to hear 728 00:33:57,160 --> 00:34:01,720 Speaker 1: have you finished school? Arabella? Yes, nice one, nice. 729 00:34:01,520 --> 00:34:03,360 Speaker 2: One, you say, really nervous? Are you nervous to talk 730 00:34:03,400 --> 00:34:03,840 Speaker 2: to Will and I? 731 00:34:03,920 --> 00:34:12,000 Speaker 3: Arabella? Are you're Taylor Swift fans? 732 00:34:13,160 --> 00:34:14,200 Speaker 12: We certainly are. 733 00:34:14,560 --> 00:34:17,320 Speaker 1: Ranger right, Great, that's good to know. 734 00:34:17,480 --> 00:34:19,440 Speaker 2: So did you try and get tickets to her concerts? 735 00:34:20,160 --> 00:34:24,839 Speaker 12: We tried so hard in front of the computer. We 736 00:34:24,880 --> 00:34:28,120 Speaker 12: had so many family and friends. My whole husband worked 737 00:34:28,160 --> 00:34:30,080 Speaker 12: for was like trying to get us tickets, and we 738 00:34:30,080 --> 00:34:33,520 Speaker 12: were just devastated that we missed out. So we just 739 00:34:33,640 --> 00:34:36,160 Speaker 12: wanted to win, like we just wanted to just see 740 00:34:36,160 --> 00:34:37,440 Speaker 12: her so badly together. 741 00:34:37,640 --> 00:34:40,399 Speaker 1: So well, the great news is you got a whole 742 00:34:40,480 --> 00:34:41,640 Speaker 1: road of states to go and see that. 743 00:34:50,440 --> 00:34:51,600 Speaker 2: I believe it. 744 00:34:53,080 --> 00:34:56,360 Speaker 1: I can't believe. 745 00:34:56,480 --> 00:34:57,800 Speaker 3: You. 746 00:34:57,800 --> 00:34:58,000 Speaker 12: No. 747 00:35:01,760 --> 00:35:07,000 Speaker 1: Enjoy guys, thank you so much. 748 00:35:07,080 --> 00:35:08,240 Speaker 12: We are so excited. 749 00:35:09,760 --> 00:35:11,000 Speaker 1: Pleasure, absolutely pleasure. 750 00:35:11,040 --> 00:35:11,239 Speaker 2: Guys. 751 00:35:11,280 --> 00:35:16,799 Speaker 1: Have a wonderful time. Those guys. Congratulations. Another whole sets 752 00:35:16,800 --> 00:35:18,879 Speaker 1: to get away here on Monday or Millingwood to Tails Swift. 753 00:35:19,320 --> 00:35:21,719 Speaker 1: I do think we need to stop giving these away. 754 00:35:21,719 --> 00:35:23,320 Speaker 1: I'm starting to get a bit of a god complex. 755 00:35:24,920 --> 00:35:27,239 Speaker 1: Getting this is really going to my head. But right 756 00:35:27,360 --> 00:35:30,680 Speaker 1: into the weekend, I feel amazing. I feel like I'm levitating. 757 00:35:31,000 --> 00:35:33,799 Speaker 1: It's just every time I don't deserve the prayer. 758 00:35:35,640 --> 00:35:39,840 Speaker 2: Yeah, you know, we passed that praise onto whoever did organize. 759 00:35:39,400 --> 00:35:54,400 Speaker 14: This, maybe Fair Boy, slim Beeasty Boys. 760 00:35:54,960 --> 00:35:59,760 Speaker 15: Oh oh, Buddy rocking Buddy? 761 00:36:00,120 --> 00:36:01,480 Speaker 3: Is that Beastie Boys? 762 00:36:02,880 --> 00:36:04,760 Speaker 1: Keep your oh wow? 763 00:36:05,880 --> 00:36:06,480 Speaker 3: Who was it? 764 00:36:11,800 --> 00:36:18,160 Speaker 1: Buddy moving Bundy movement? It is Beastie Boys remixed by 765 00:36:18,239 --> 00:36:19,080 Speaker 1: fat Boy Sleep. 766 00:36:19,200 --> 00:36:28,880 Speaker 9: Yeah, Buddy Buddy. 767 00:36:27,560 --> 00:36:32,200 Speaker 2: Your buddy movement by Buddy Buddy movement, Buddy moving, Buddy 768 00:36:32,239 --> 00:36:33,400 Speaker 2: moving Buddy. 769 00:36:33,880 --> 00:36:39,720 Speaker 14: Weitty Buddy mother, partty closer, partty closer, Buddy closer, buddy closer. 770 00:36:40,000 --> 00:36:43,000 Speaker 1: Yeah. Nice, that's gonna get annoying for potty closer. I 771 00:36:43,000 --> 00:36:44,799 Speaker 1: hope we should just put on a banging tune in 772 00:36:44,800 --> 00:36:46,640 Speaker 1: the potty closer and just have it on in the background. 773 00:36:47,440 --> 00:36:48,120 Speaker 3: That's in the background. 774 00:36:48,200 --> 00:36:50,080 Speaker 1: Yeah, I just keep it rolling there like that's nice. 775 00:36:50,520 --> 00:36:52,560 Speaker 3: Does it get a bit? Do we get drowned out 776 00:36:52,600 --> 00:36:52,839 Speaker 3: a bit? 777 00:36:52,840 --> 00:36:53,040 Speaker 2: Well? 778 00:36:53,719 --> 00:36:55,399 Speaker 1: You worried about that? Is that too? Is that too 779 00:36:55,440 --> 00:36:57,480 Speaker 1: much for you there? Because I know your sensitive noise. 780 00:36:57,520 --> 00:37:00,920 Speaker 1: I'm I'm I'm I used to having my is accosted 781 00:37:00,920 --> 00:37:01,960 Speaker 1: by sounds across the day. 782 00:37:02,000 --> 00:37:04,160 Speaker 2: If everyone's loving this, it's fine, No, No, I'm not 783 00:37:04,200 --> 00:37:04,879 Speaker 2: relaxed at all. 784 00:37:05,719 --> 00:37:08,600 Speaker 3: Okay, Like my anxiety levels of elevated. 785 00:37:09,120 --> 00:37:12,399 Speaker 1: So we can listen to like a banger at the start, 786 00:37:12,400 --> 00:37:13,960 Speaker 1: but then we faded out. Yeah, just don't talk to 787 00:37:14,000 --> 00:37:15,920 Speaker 1: me while the bang is on, So you just don't 788 00:37:15,920 --> 00:37:16,600 Speaker 1: talk during that. 789 00:37:17,680 --> 00:37:21,279 Speaker 11: Buddy Moved, Buddy Mobid we be Boddy. 790 00:37:21,000 --> 00:37:24,120 Speaker 1: Moved Buddy movid e Boddy Morbid. 791 00:37:24,080 --> 00:37:28,160 Speaker 2: Buddy more we be buddy body. If you want me 792 00:37:28,239 --> 00:37:31,080 Speaker 2: to shut up, just like play us on, it's perfect 793 00:37:31,120 --> 00:37:32,919 Speaker 2: because my brain just shuts down. 794 00:37:33,360 --> 00:37:37,040 Speaker 1: Yeah, yeah, I can't take it all in right, Yeah, 795 00:37:37,280 --> 00:37:40,440 Speaker 1: it is interesting. Actually it's it's my partner has the 796 00:37:40,480 --> 00:37:41,719 Speaker 1: same thing. Sam has the same thing. 797 00:37:42,000 --> 00:37:44,640 Speaker 2: Yeah, I think it's in hyper sensitive people. 798 00:37:44,760 --> 00:37:47,000 Speaker 1: But and people with ADHD. 799 00:37:47,360 --> 00:37:47,560 Speaker 2: Yes. 800 00:37:47,760 --> 00:37:50,480 Speaker 3: Yeah, it's it's like you can't you have to focus 801 00:37:50,560 --> 00:37:50,719 Speaker 3: on it. 802 00:37:50,760 --> 00:37:52,600 Speaker 1: It's too much to focus on exactly. Yeah. 803 00:37:53,000 --> 00:37:59,719 Speaker 2: Yeah, anyway, and a psycho analysis of mere it. 804 00:37:59,800 --> 00:38:02,160 Speaker 1: Is after six on it Friday. Probably know what you 805 00:38:02,320 --> 00:38:05,000 Speaker 1: feel like? No, no, no, no, let's pick your part. 806 00:38:06,080 --> 00:38:10,080 Speaker 2: Okay, okay, but Joe Jonas, yeah, Joey Jojo. 807 00:38:10,600 --> 00:38:13,000 Speaker 3: So where where we are going to do? 808 00:38:15,040 --> 00:38:16,359 Speaker 1: Don't do it a dog with a bone. 809 00:38:16,400 --> 00:38:18,200 Speaker 3: We're going to be before me. Yeah, yeah, one of 810 00:38:18,360 --> 00:38:19,240 Speaker 3: his gigs. 811 00:38:19,320 --> 00:38:21,879 Speaker 2: When the Jonahs brothers are touring here, we've been throwing 812 00:38:21,920 --> 00:38:24,319 Speaker 2: around that's going to be sixty thousand, seventy thousand people. 813 00:38:25,239 --> 00:38:26,800 Speaker 1: Well yeah, I mean it's going to be tens of 814 00:38:26,840 --> 00:38:31,040 Speaker 1: thousands of people. Absolutely, they do stadium tours, no doubt, 815 00:38:31,440 --> 00:38:31,879 Speaker 1: no doubt. 816 00:38:32,640 --> 00:38:37,160 Speaker 2: You Now, we don't know, no doubt, no doubt, no doubt. 817 00:38:37,520 --> 00:38:41,879 Speaker 2: Now we don't know when he's that they are touring yet, 818 00:38:41,920 --> 00:38:43,800 Speaker 2: there's been no announcement. 819 00:38:43,320 --> 00:38:44,919 Speaker 1: He said, he said six or twelve months. 820 00:38:45,200 --> 00:38:49,560 Speaker 2: Yeah, do you think we should start training in musical craft? 821 00:38:51,239 --> 00:38:51,359 Speaker 4: Uh? 822 00:38:53,840 --> 00:38:56,680 Speaker 1: He didn't say he chose the He didn't he chose 823 00:38:56,719 --> 00:38:57,600 Speaker 1: the instruments, did he? 824 00:38:57,680 --> 00:39:00,000 Speaker 15: He just said song. He said, you actually signed music. 825 00:39:00,040 --> 00:39:01,600 Speaker 15: He said you might have a backing He said you 826 00:39:01,640 --> 00:39:04,239 Speaker 15: can have a track backing voice. You can have a 827 00:39:04,320 --> 00:39:04,840 Speaker 15: voice tragger. 828 00:39:04,960 --> 00:39:05,359 Speaker 1: Yeah, yeah. 829 00:39:05,560 --> 00:39:07,520 Speaker 2: I think what he's saying is you don't need to 830 00:39:07,520 --> 00:39:10,640 Speaker 2: worry about instruments, but you guys will be performing, right, 831 00:39:10,760 --> 00:39:11,800 Speaker 2: Is that is that what he meant by that? 832 00:39:12,800 --> 00:39:15,560 Speaker 1: Well, I'm able to, I'm able to, like I currently 833 00:39:15,640 --> 00:39:21,200 Speaker 1: play guitar reasonably, well, yeah, to to a stadium audience. 834 00:39:21,239 --> 00:39:23,120 Speaker 1: Well no, but you know, I can whip out the 835 00:39:23,120 --> 00:39:26,200 Speaker 1: guitar again, but probably Yeah, that's that's so annoying my partner. 836 00:39:26,239 --> 00:39:29,239 Speaker 1: I mean, that'll be right up. That's pretty cool. O. 837 00:39:29,320 --> 00:39:31,320 Speaker 3: Stually, I played the drums for Pull my Finger, the 838 00:39:31,920 --> 00:39:32,759 Speaker 3: have a Band for Powder thing. 839 00:39:32,880 --> 00:39:34,479 Speaker 1: Yea, yeah, we'd just be a cute little two piece. 840 00:39:34,840 --> 00:39:35,040 Speaker 14: Yeah. 841 00:39:35,480 --> 00:39:37,360 Speaker 1: Maybe you get Joe to be on the on the 842 00:39:37,400 --> 00:39:39,560 Speaker 1: bass with this. Oh yeah, we'll play a bit of lead. 843 00:39:39,719 --> 00:39:41,440 Speaker 2: I don't think that part of the deal was Joe 844 00:39:41,560 --> 00:39:44,239 Speaker 2: joining us. I think Joe would he used to watch 845 00:39:44,280 --> 00:39:47,799 Speaker 2: him laugh. Okay, yeah, but yeah no, But do you think, 846 00:39:47,880 --> 00:39:49,560 Speaker 2: like should we be I don't even we don't know 847 00:39:49,600 --> 00:39:52,719 Speaker 2: what we are performing yet. That's up to him, But 848 00:39:52,840 --> 00:39:54,440 Speaker 2: like should we reach out to him and be like, hey, 849 00:39:54,880 --> 00:39:56,200 Speaker 2: any chance we can get those songs? 850 00:39:56,640 --> 00:40:01,000 Speaker 1: What sort of musical because I I feel like, you know, 851 00:40:01,280 --> 00:40:03,919 Speaker 1: we're probably at different stages of our musical journey. Like yeah, 852 00:40:04,239 --> 00:40:07,279 Speaker 1: I'm I'm actually I'm actually, funnily enough, going to start 853 00:40:07,320 --> 00:40:10,399 Speaker 1: doing piano lessons next week. Great, Yeah, I always wanted 854 00:40:10,400 --> 00:40:12,520 Speaker 1: to play piano, so I'm actually gonna keep that off. 855 00:40:12,640 --> 00:40:14,160 Speaker 2: Hit the piano, So you should do piano, So you 856 00:40:14,200 --> 00:40:14,400 Speaker 2: do that? 857 00:40:14,600 --> 00:40:17,840 Speaker 1: Yeah, I feel like for you. My daughter does a 858 00:40:17,880 --> 00:40:21,120 Speaker 1: class called Movement to Music. What time that ten o'clock 859 00:40:21,160 --> 00:40:22,080 Speaker 1: on a Tuesday morning? 860 00:40:24,440 --> 00:40:25,440 Speaker 2: Ten every Tuesday. 861 00:40:25,600 --> 00:40:28,399 Speaker 1: Pick up a marimba and sort of a great start 862 00:40:28,440 --> 00:40:30,359 Speaker 1: for me. That had a bit of a whack. That's 863 00:40:30,400 --> 00:40:32,560 Speaker 1: a great with the other two year olds. As we 864 00:40:32,640 --> 00:40:36,600 Speaker 1: discussed that just just just shake a shake an eggshaker 865 00:40:36,680 --> 00:40:37,440 Speaker 1: in the corner. 866 00:40:37,360 --> 00:40:39,120 Speaker 2: As we discussed at the start of this podcast The 867 00:40:39,400 --> 00:40:42,959 Speaker 2: Closer though, I think been in a room of toddlers banging. 868 00:40:42,960 --> 00:40:45,319 Speaker 3: Musical instruments, break here, it would be my worst note 869 00:40:45,400 --> 00:40:46,719 Speaker 3: break here. You know, well, I'll go to one. 870 00:40:46,800 --> 00:40:47,680 Speaker 2: I'll go next Tuesday. 871 00:40:47,680 --> 00:40:50,400 Speaker 1: And it's car Coffins as well. Like they're playing a 872 00:40:50,480 --> 00:40:52,080 Speaker 1: different called no No. 873 00:40:53,360 --> 00:40:55,640 Speaker 2: It's like that. It's an aggressive name for the. 874 00:40:55,680 --> 00:41:01,279 Speaker 1: Children they produce. Is it is? It's everything think think 875 00:41:01,320 --> 00:41:04,359 Speaker 1: about it. You've got twenty kids under the age of two, 876 00:41:04,680 --> 00:41:07,480 Speaker 1: all with a choose, your choose your weapons set up 877 00:41:07,520 --> 00:41:11,840 Speaker 1: in terms of percussion, just all having a crack. I 878 00:41:12,800 --> 00:41:13,759 Speaker 1: do a nursery rhyme. 879 00:41:14,960 --> 00:41:15,239 Speaker 18: It is. 880 00:41:16,200 --> 00:41:19,480 Speaker 1: It's like no noise you've ever heard. If you're on 881 00:41:19,560 --> 00:41:21,440 Speaker 1: the keys, what are you thinking? Like? What do you 882 00:41:21,480 --> 00:41:25,239 Speaker 1: think you'll play? Because I reckon this would go off him. 883 00:41:25,440 --> 00:41:30,680 Speaker 2: Mu oh, and I can see that. I think, I think, 884 00:41:30,880 --> 00:41:32,640 Speaker 2: I think we just need to put instrument down for me, 885 00:41:33,080 --> 00:41:34,640 Speaker 2: but I reckon. What I'm going to do is call 886 00:41:34,719 --> 00:41:36,319 Speaker 2: someone and just get vocal training for. 887 00:41:36,280 --> 00:41:36,759 Speaker 3: The next year. 888 00:41:36,760 --> 00:41:38,120 Speaker 1: Oh yeah, the next year. 889 00:41:38,200 --> 00:41:39,719 Speaker 3: Yeah, it's quite seriously, I. 890 00:41:40,360 --> 00:41:42,360 Speaker 1: Think, do you think, Okay, here's a good question for you, 891 00:41:42,640 --> 00:41:47,520 Speaker 1: because I've done a few duets before, and there really 892 00:41:47,680 --> 00:41:52,719 Speaker 1: aren't that many great duets. Come what ma come what route? 893 00:41:52,719 --> 00:41:55,319 Speaker 1: That would be a tough one. A really good one 894 00:41:55,400 --> 00:41:57,200 Speaker 1: to do is Yeah, cruising together is a good one. 895 00:41:58,719 --> 00:42:03,800 Speaker 1: Elton John and el John Britney spears, No, no, and 896 00:42:03,920 --> 00:42:07,600 Speaker 1: I think it's key Key. Her name is Kiki something 897 00:42:07,760 --> 00:42:10,879 Speaker 1: I don't get breaking my heart breaking that's a lose 898 00:42:10,920 --> 00:42:17,439 Speaker 1: a live version or don't let go the keys? The keys. Yeah, 899 00:42:18,400 --> 00:42:22,640 Speaker 1: it's a great song if we didn't breaking keys, all right, 900 00:42:22,680 --> 00:42:24,880 Speaker 1: Telton John, I'm not as good as don't breaking maha 901 00:42:25,760 --> 00:42:33,000 Speaker 1: the female obviously. Yeah that's Keiki. Yeah, yeah, yess man, 902 00:42:33,920 --> 00:42:37,320 Speaker 1: being you're not that can listening. 903 00:42:37,040 --> 00:42:41,120 Speaker 2: In the crowd, that'd be a similar crowd reaction, a 904 00:42:41,160 --> 00:42:41,880 Speaker 2: similar reaction to that. 905 00:42:42,160 --> 00:42:44,360 Speaker 1: Sure, he does another version with Billy He does a 906 00:42:44,520 --> 00:42:46,120 Speaker 1: Don't Let the Sun Go Down on Me with George 907 00:42:46,160 --> 00:42:49,800 Speaker 1: Michael and Billy Joel. It's a bit more big ballady, 908 00:42:49,880 --> 00:42:51,759 Speaker 1: bit bit bit heavier, maybe finished that. 909 00:42:51,800 --> 00:42:52,400 Speaker 2: We'll finished with that. 910 00:42:52,440 --> 00:42:57,920 Speaker 1: I think we're just doing one one two different Elton 911 00:42:59,000 --> 00:43:02,919 Speaker 1: that would pick. So, yeah, that's an option. Another great 912 00:43:03,040 --> 00:43:03,920 Speaker 1: duet I found. 913 00:43:04,640 --> 00:43:10,480 Speaker 2: You know, we're not choosing a shit Joe gets complete Joe, 914 00:43:10,640 --> 00:43:13,040 Speaker 2: will Joe give us a Jonas Brothers song as well? 915 00:43:13,200 --> 00:43:15,759 Speaker 2: Is that like, is there a chance he goes you're 916 00:43:15,800 --> 00:43:16,239 Speaker 2: playing mine? 917 00:43:16,280 --> 00:43:16,320 Speaker 20: No? 918 00:43:16,400 --> 00:43:18,160 Speaker 1: I wouldn't have thought so, because they're going to play 919 00:43:18,200 --> 00:43:21,359 Speaker 1: their music. Oh maybe sorry just before we go there. 920 00:43:21,440 --> 00:43:23,279 Speaker 1: I mean, i'd like to pick because the other song 921 00:43:23,320 --> 00:43:24,640 Speaker 1: that I really like to do as a duet is 922 00:43:24,719 --> 00:43:28,399 Speaker 1: Time after Time Cindy Law, but is a wonderful jell 923 00:43:28,680 --> 00:43:29,799 Speaker 1: towards the end. I'm not sure who the. 924 00:43:29,800 --> 00:43:32,200 Speaker 3: Guy is in that, but we can always message Joe 925 00:43:32,239 --> 00:43:33,720 Speaker 3: and just and strictly bore. 926 00:43:33,600 --> 00:43:35,239 Speaker 1: Room when they're dancing on the riftop. 927 00:43:35,080 --> 00:43:37,319 Speaker 3: Time after Time or wanted work. 928 00:43:40,160 --> 00:43:42,000 Speaker 1: And I'm glad you're the person that said that, because 929 00:43:42,000 --> 00:43:43,319 Speaker 1: that was going to be a hard chat. I knew 930 00:43:43,520 --> 00:43:45,879 Speaker 1: you'd go home tonight, would all sit down and like, right, okay, 931 00:43:45,920 --> 00:43:46,279 Speaker 1: how do we. 932 00:43:48,719 --> 00:43:50,520 Speaker 2: I'm well aware that I'm not a good singer, but 933 00:43:50,520 --> 00:43:51,440 Speaker 2: I'm willing to put in the time. 934 00:43:51,480 --> 00:43:52,719 Speaker 1: You know, who do you be good to reach out 935 00:43:52,719 --> 00:43:54,799 Speaker 1: to it in terms of like vote Dicko. I mean 936 00:43:54,840 --> 00:43:58,279 Speaker 1: he's a judge as train would know the best music 937 00:43:58,360 --> 00:44:01,960 Speaker 1: like vocal trainer in the country. Oh he actually he 938 00:44:02,040 --> 00:44:05,040 Speaker 1: would go they would have them in his pocket. Love 939 00:44:05,120 --> 00:44:08,439 Speaker 1: you guys to do some singing lessons, Yeah, be good, 940 00:44:08,560 --> 00:44:09,800 Speaker 1: but really good. 941 00:44:09,719 --> 00:44:10,600 Speaker 3: Given start now. 942 00:44:11,000 --> 00:44:14,839 Speaker 1: Yeah, exactly to get we have to get our song. 943 00:44:15,080 --> 00:44:16,920 Speaker 1: We have to know our song beforehand. 944 00:44:17,080 --> 00:44:19,439 Speaker 2: Well, can we Let's message Joe. Let's message Joe. 945 00:44:19,360 --> 00:44:20,680 Speaker 1: And just be like that's the key. As soon as 946 00:44:20,719 --> 00:44:23,320 Speaker 1: he gives us our song, we can go away and 947 00:44:23,400 --> 00:44:26,000 Speaker 1: just hit that for twelve months, come back and shock 948 00:44:26,040 --> 00:44:27,600 Speaker 1: everyone and then you know, there might be a bit 949 00:44:27,600 --> 00:44:29,440 Speaker 1: of dance involved then because all of a sudden it 950 00:44:29,520 --> 00:44:31,520 Speaker 1: go down so hot that it's just you know, we're 951 00:44:31,520 --> 00:44:34,160 Speaker 1: on and all of a sudden, you know, people finish 952 00:44:34,200 --> 00:44:36,160 Speaker 1: watching us and they go ship Well, join his brother 953 00:44:36,239 --> 00:44:39,600 Speaker 1: Shmona's brothers. Yeah, the them, who the hell? 954 00:44:40,000 --> 00:44:44,160 Speaker 3: Well? And Jon was like, oh my god, it's happened. 955 00:44:44,239 --> 00:44:49,040 Speaker 1: God, you and I come back out, get out of here. 956 00:44:50,320 --> 00:44:53,200 Speaker 1: What if he puts you in a what do you 957 00:44:53,200 --> 00:44:54,600 Speaker 1: guys want? You want to hear? You want to hear? 958 00:44:54,600 --> 00:44:55,600 Speaker 1: Don't get breaking my heart again? 959 00:44:59,640 --> 00:44:59,920 Speaker 9: What if? 960 00:45:01,280 --> 00:45:02,080 Speaker 3: What did he put you in? 961 00:45:02,200 --> 00:45:05,400 Speaker 1: Like a full light? Yeah, he can left shark situation, 962 00:45:05,640 --> 00:45:06,520 Speaker 1: left left shark? 963 00:45:06,880 --> 00:45:09,880 Speaker 3: What's that left left shark situation? What's that situation? 964 00:45:09,960 --> 00:45:11,600 Speaker 15: Well, that was Katie Perry at the super Bowl and 965 00:45:11,640 --> 00:45:16,759 Speaker 15: the left shark. It was in a shark outfit, overshadowed. 966 00:45:17,880 --> 00:45:18,240 Speaker 2: Dancing. 967 00:45:18,600 --> 00:45:21,080 Speaker 1: Yeah, that's what that's that's what you're like a mascot 968 00:45:21,120 --> 00:45:23,400 Speaker 1: out My dance was not great. I'm going to be 969 00:45:23,440 --> 00:45:27,279 Speaker 1: honest that that's where I can that's where I can try. Yeah, absolutely, Yeah, 970 00:45:27,320 --> 00:45:30,839 Speaker 1: I reckon. I was hoping. Yeah, and here's another thing 971 00:45:30,880 --> 00:45:31,960 Speaker 1: that I would like you guys to do. 972 00:45:32,760 --> 00:45:35,480 Speaker 15: Definitely pitched to him because he'll come out on stage, 973 00:45:35,480 --> 00:45:39,080 Speaker 15: he'll introduce the bit, right, I reckon, and then I reckon. 974 00:45:39,239 --> 00:45:41,880 Speaker 15: It'd be great if because you're you're you'll be pre 975 00:45:42,080 --> 00:45:45,600 Speaker 15: the warm up. Yes, I thought we were replacing. 976 00:45:45,239 --> 00:45:48,600 Speaker 3: The No, I actually think it'd be warm up. 977 00:45:48,760 --> 00:45:51,120 Speaker 1: Sorry, five seconds of something gets warm up, then you. 978 00:45:51,480 --> 00:45:54,960 Speaker 2: Well, because Joe's getting in there before the crowd comes in, mate, 979 00:45:56,440 --> 00:45:58,719 Speaker 2: Joe wants to make this a show. I think I 980 00:45:58,800 --> 00:45:59,920 Speaker 2: think Joe's warm up bad. 981 00:46:00,040 --> 00:46:00,480 Speaker 3: Who's you know? 982 00:46:00,560 --> 00:46:05,680 Speaker 2: That's obviously birds to Tokyo whatever like, and we were like, 983 00:46:05,719 --> 00:46:06,680 Speaker 2: get out of here, birds. 984 00:46:07,040 --> 00:46:09,920 Speaker 1: I really would have my money. It's got to be 985 00:46:10,000 --> 00:46:15,440 Speaker 1: five seconds or summer like that lineup is they do lineupfybly. 986 00:46:15,520 --> 00:46:17,520 Speaker 2: Because once when Joe walks out there, you know he 987 00:46:17,600 --> 00:46:19,640 Speaker 2: wants crowd because he's introducing this, but he's gonna be 988 00:46:19,680 --> 00:46:21,360 Speaker 2: doing that to you know, people just rocking up. 989 00:46:21,560 --> 00:46:23,839 Speaker 1: So I think he's a cool dude. So you reckon, 990 00:46:24,680 --> 00:46:26,719 Speaker 1: you reckon we bump five Sauce No, no, I think 991 00:46:26,760 --> 00:46:30,440 Speaker 1: five Sauce play and then yeah, okay, then we come out. 992 00:46:30,840 --> 00:46:33,279 Speaker 3: Well Joe brings us out because this is this, this 993 00:46:33,400 --> 00:46:34,040 Speaker 3: is Joe's bit. 994 00:46:34,160 --> 00:46:35,759 Speaker 1: I reckon, what we need to just play a little 995 00:46:35,760 --> 00:46:38,040 Speaker 1: bit of hardball here, and I reckon you were in 996 00:46:38,080 --> 00:46:41,560 Speaker 1: a position to play. Look, he said it's only for 997 00:46:41,640 --> 00:46:43,759 Speaker 1: one show, yes exactly, So I reckon, we just be 998 00:46:43,840 --> 00:46:46,760 Speaker 1: a bit bullish and we go this in five Sauce. 999 00:46:48,040 --> 00:46:50,480 Speaker 3: Why were you starting to fuk with five s now Well, because. 1000 00:46:50,239 --> 00:46:52,920 Speaker 1: They'll probably be the opening act. Like I'm sorry, but 1001 00:46:54,200 --> 00:46:57,160 Speaker 1: I've never booked anything in my life band wise. But like, 1002 00:46:57,360 --> 00:46:59,280 Speaker 1: I think you're a fucking idiot if you're not booking 1003 00:46:59,360 --> 00:47:02,080 Speaker 1: five Sauce ahead of the Jonas Brothers. That's a match 1004 00:47:02,120 --> 00:47:06,800 Speaker 1: made in nemon. So yeah, agrees, not that's that's a 1005 00:47:06,840 --> 00:47:07,680 Speaker 1: match written in the stars. 1006 00:47:07,719 --> 00:47:08,160 Speaker 3: It makes sense. 1007 00:47:08,200 --> 00:47:10,200 Speaker 1: So I imagine we'll be having a chatter five. So 1008 00:47:10,520 --> 00:47:11,120 Speaker 1: were their names? 1009 00:47:13,120 --> 00:47:14,400 Speaker 3: There's there's a lot of there's a few of them. 1010 00:47:14,440 --> 00:47:18,520 Speaker 1: There's four of the five five five four seconds, five 1011 00:47:18,560 --> 00:47:20,080 Speaker 1: seconds of summer and then there's four There might be 1012 00:47:20,160 --> 00:47:21,080 Speaker 1: four of them. I think it's just. 1013 00:47:21,360 --> 00:47:22,920 Speaker 3: Three seconds to Mars and there's three of them. 1014 00:47:23,920 --> 00:47:24,719 Speaker 2: Just off the top of my head. 1015 00:47:24,719 --> 00:47:27,360 Speaker 3: There's Luke, Callum, Michael and Ashton. 1016 00:47:27,680 --> 00:47:30,960 Speaker 1: So there's four show there's four of them. There's four 1017 00:47:31,000 --> 00:47:32,239 Speaker 1: seconds of summer, there's four. 1018 00:47:32,640 --> 00:47:35,040 Speaker 3: Was there a fifth second of Summer? 1019 00:47:35,120 --> 00:47:37,560 Speaker 1: I don't think the seconds are reminiscent of the people. 1020 00:47:37,600 --> 00:47:45,480 Speaker 1: But anyway, three seconds to Mars, okay, common misconception. I 1021 00:47:45,600 --> 00:47:49,360 Speaker 1: think that there were five seconds and now maybe. 1022 00:47:51,440 --> 00:47:54,359 Speaker 2: S Club seven there was seven. It's been it's been 1023 00:47:54,400 --> 00:47:56,120 Speaker 2: a trend very it. 1024 00:47:56,160 --> 00:47:58,759 Speaker 1: Is very confusing. Maybe the fifth gide who knows well, 1025 00:47:58,760 --> 00:48:02,360 Speaker 1: they might have who knows everyround dies? What's such a 1026 00:48:02,520 --> 00:48:03,279 Speaker 1: shocking thing to that? 1027 00:48:03,680 --> 00:48:07,839 Speaker 3: Yeah? So what I'm just trying to figure out if 1028 00:48:07,840 --> 00:48:08,760 Speaker 3: there was a fifth anyway? 1029 00:48:08,840 --> 00:48:13,839 Speaker 1: Anyway, go on, Okay, so let's say we approach five size. Yeah, yeah, yeah, 1030 00:48:13,960 --> 00:48:15,800 Speaker 1: I think we're in our rights to be bullish with 1031 00:48:15,880 --> 00:48:18,719 Speaker 1: them and just go look boys. First of all, Joe, 1032 00:48:18,800 --> 00:48:19,960 Speaker 1: where the fuck is the fifth one? 1033 00:48:20,719 --> 00:48:20,919 Speaker 7: Really? 1034 00:48:21,080 --> 00:48:22,839 Speaker 2: Did you think about that when you made the band name? 1035 00:48:24,440 --> 00:48:28,319 Speaker 1: Four seconds of you really drop the ball? And then 1036 00:48:28,360 --> 00:48:29,800 Speaker 1: we go. Second of all, now we've got you on 1037 00:48:29,840 --> 00:48:32,200 Speaker 1: the back foot. Yeah nice, you're out. Yeah. 1038 00:48:32,600 --> 00:48:34,680 Speaker 3: And we spoke to Joe have the night off boys, 1039 00:48:34,680 --> 00:48:36,120 Speaker 3: and they're like, what have the night off? 1040 00:48:36,480 --> 00:48:38,640 Speaker 1: Leave your guitars, have a chat about the fifth member? 1041 00:48:39,080 --> 00:48:40,920 Speaker 1: Yeah in Brisbane? 1042 00:48:41,120 --> 00:48:42,239 Speaker 3: Yeah, yeah, got it. 1043 00:48:42,640 --> 00:48:44,680 Speaker 15: I think though when so when you do perform, he'll 1044 00:48:44,719 --> 00:48:46,880 Speaker 15: come out, he'll introduce you. But I definitely think you 1045 00:48:47,000 --> 00:48:49,360 Speaker 15: need to come down from the roof on wires. 1046 00:48:49,600 --> 00:48:51,760 Speaker 1: I couldn't agree. Yeah, yeah that's appropriate. 1047 00:48:52,160 --> 00:48:54,040 Speaker 3: Yeah, and that can be another non negotiable. 1048 00:48:54,600 --> 00:48:56,040 Speaker 1: Yeah again, be a bit bullish about it. 1049 00:48:56,120 --> 00:48:58,600 Speaker 2: Yeah, five So snaright off and those and we're coming 1050 00:48:58,640 --> 00:48:59,280 Speaker 2: down on wires. 1051 00:49:02,600 --> 00:49:03,359 Speaker 1: The pyrotechniques. 1052 00:49:03,400 --> 00:49:04,160 Speaker 3: Yeah, the pyrotechnics. 1053 00:49:05,200 --> 00:49:08,080 Speaker 1: You're coming down, but one of you is placing the 1054 00:49:08,120 --> 00:49:14,560 Speaker 1: wrong way and you're trying to swing so good aund 1055 00:49:15,600 --> 00:49:18,239 Speaker 1: and then you hear those opening keys from don't get Breaking. 1056 00:49:24,239 --> 00:49:25,040 Speaker 1: This is going to be great. 1057 00:49:25,200 --> 00:49:26,000 Speaker 9: Don't go breaking. 1058 00:49:26,760 --> 00:49:27,360 Speaker 1: Yeah, that'd be. 1059 00:49:27,680 --> 00:49:30,920 Speaker 3: When it was and what we were singing anyway, pitch. 1060 00:49:30,840 --> 00:49:34,160 Speaker 1: Songs because I'll be pitching, oh, pitching this, so it's 1061 00:49:34,160 --> 00:49:35,800 Speaker 1: pretty simple on the keys as well. It sounds like 1062 00:49:35,800 --> 00:49:37,319 Speaker 1: we're going to need a string section, which is fine. 1063 00:49:37,320 --> 00:49:40,280 Speaker 1: They can be also been our writer string section wise 1064 00:49:40,280 --> 00:49:42,920 Speaker 1: from the roof pyrotechniques and being five seconds of summer, 1065 00:49:42,920 --> 00:49:43,560 Speaker 1: and then you've got this. 1066 00:49:44,080 --> 00:49:45,479 Speaker 2: Don't Go Breaking my heart. 1067 00:49:45,640 --> 00:49:56,160 Speaker 9: I mean, oh that was good, honey rest, Yes, that's you. 1068 00:49:56,280 --> 00:49:59,520 Speaker 1: There did In other words, I can learn that, yeah, yeah, 1069 00:49:59,560 --> 00:50:02,799 Speaker 1: of course words you can learn. Alright. We will see 1070 00:50:02,800 --> 00:50:05,120 Speaker 1: you guys on my next Have a lover, reecond have 1071 00:50:05,200 --> 00:50:06,320 Speaker 1: a ROVERI reekend