WEBVTT - Alex Williams - WARNIE- Actor

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload the podcast part Deep Maline. Welcome back, guys

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<v Speaker 1>to TV Reload. As you may know, my name is

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<v Speaker 1>Benjamin Norris and this is your podcast to get all

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<v Speaker 1>the inside goss on the popular TV shows you may

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<v Speaker 1>be watching from around the world. Undeniably, our TV sets

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<v Speaker 1>are a major part of our home entertainment, and yet

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<v Speaker 1>very little is known about how our favorite shows get made.

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<v Speaker 1>So each episode I find guests the wanna dive just

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<v Speaker 1>that little bit deeper into the shows they're currently making,

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<v Speaker 1>so that you can hear all their exclusive stories and

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<v Speaker 1>gain access to the biggest names in Australian television. I

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<v Speaker 1>want to thank you for downloading all subscribing to this

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<v Speaker 1>podcast however you found it. I love hearing your feedback,

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<v Speaker 1>so make sure you leave a review or a comment

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<v Speaker 1>on your chosen podcast platform. On today's podcast, I have

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<v Speaker 1>special guest Alex Williams, the actor tasked with the intimidating

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<v Speaker 1>honor of playing Shane Warn in the mini series Warning.

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<v Speaker 1>The two part series Warning will air over two nights

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<v Speaker 1>on Sunday, the twenty fifth of June at seven pm

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<v Speaker 1>and Monday, June twenty sixth that's seven thirty pm obviously

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<v Speaker 1>on Channel nine. Nine to Now Warney looks back at

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<v Speaker 1>the life and times of cricketing legend Shane Warn and

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<v Speaker 1>I will say this is not just for cricket fans.

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<v Speaker 1>Williams is no stranger to portraying real life personalities with

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<v Speaker 1>his credits including the role of Julia Nassage in Underground

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<v Speaker 1>and Perk Pennigilly in Never Tear Us Apart the Untold

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<v Speaker 1>Story of Inexcess. I should probably address that there has

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<v Speaker 1>been a lot of controversial opinions in the media this

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<v Speaker 1>week and I did choose to not mention Simone or

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<v Speaker 1>her children as I just didn't think it was fair

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<v Speaker 1>on them or really Alex. I will talk to Alex

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<v Speaker 1>though about his decision to take on this iconic role,

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<v Speaker 1>and if this mini series is a little bit too soon,

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<v Speaker 1>you will get a chance to hear how Alex created

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<v Speaker 1>the essence of Shane Warn and how we would get

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<v Speaker 1>into character. Alex will talk about his relationship with the

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<v Speaker 1>sportsman and what he learned from playing this role. Plus

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<v Speaker 1>we will get plenty of exclusives from behind the scenes

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<v Speaker 1>of Warning, including why audiences should give this series a go. Anyway,

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<v Speaker 1>let's get Alex into the podcast and guys, I really

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<v Speaker 1>hope you enjoyed this. It's a very interesting episode of

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<v Speaker 1>TV reload. Hey Alex, how are you, buddy? I'm good?

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<v Speaker 2>Thanks, mate, how are you?

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<v Speaker 1>I've watched the first two episodes, so I kind of

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<v Speaker 1>feel like I'm talking to Warning a little bit.

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<v Speaker 2>You've seen it all there, and you've seen it all.

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<v Speaker 1>You know, the series has been so widely anticipated. Are

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<v Speaker 1>you excited for audiences to finally see it?

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<v Speaker 3>Yeah, I'm really excited for people to see it. Sometimes

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<v Speaker 3>the general fame of someone becomes sort of bigger than

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<v Speaker 3>all the individual little things. But it's kind of cool

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<v Speaker 3>to go back and see it and get a bit

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<v Speaker 3>of nostalgia.

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<v Speaker 1>Growing up. What was your relationship with Shane warn test?

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<v Speaker 3>Cricket for me was sort of you know, the sound

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<v Speaker 3>of summer really, you know, we would just sort of

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<v Speaker 3>had the cricket on in the background, like a lot

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<v Speaker 3>of Australian families, and you know, I sort of remember

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<v Speaker 3>people kind of going one of my brothers or my

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<v Speaker 3>dad sort of yelling out every now and again, you know,

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<v Speaker 3>Warning's on, and then everyone had come in and watch

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<v Speaker 3>those overs and then when he went off, everyone else

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<v Speaker 3>went off and did whatever they.

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<v Speaker 2>Were doing again.

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<v Speaker 3>So that's kind of my first memory of Shane Warn

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<v Speaker 3>as a cricketer primarily, well.

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<v Speaker 1>For me, it was more. I went to Doncaster High

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<v Speaker 1>in Melbourne and I remember there was three boys that

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<v Speaker 1>had the haircut and that was not an accident.

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<v Speaker 2>You know, they have the earring as well, or just the.

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<v Speaker 1>Just the one in particular. And I'm hoping that he's

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<v Speaker 1>listening to this podcast because he will know you think

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<v Speaker 1>about him. But he literally it felt like he was

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<v Speaker 1>coming to school in costume every day.

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<v Speaker 2>That's interesting.

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<v Speaker 1>I love that you what did you learn about him

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<v Speaker 1>that you didn't know before shooting this series?

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<v Speaker 2>You know, I learned a lot, to be honest. I

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<v Speaker 2>knew him as a cricketer, and I know, you.

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<v Speaker 3>Know, some of the indiscretions that had gone on throughout

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<v Speaker 3>his career, but more of the sort of the intricacies

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<v Speaker 3>of how it went down with Cricket Australia and you

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<v Speaker 3>know more about.

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<v Speaker 2>The pills he took as well, the diet pills, and.

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<v Speaker 3>I kind of didn't know that much about those scandal

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<v Speaker 3>you know, I kind of had seen because it sort

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<v Speaker 3>of got splashed all over newspapers and such that the

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<v Speaker 3>stuff about the women and the family and stuff like that,

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<v Speaker 3>but not not as much about kind of you know,

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<v Speaker 3>the year he took off. The funny thing is, as

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<v Speaker 3>soon as I got down to Melbourne, and you know,

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<v Speaker 3>people knew I was playing Shane. You know, I heard

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<v Speaker 3>about it a hundred stories. You know, everyone in Melbourne

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<v Speaker 3>seems to have a story, a Shane Warren story.

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<v Speaker 2>So that was that was pretty fun.

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<v Speaker 1>Did you ever meet him in the flesh? Did you

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<v Speaker 1>see a game?

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<v Speaker 2>Like?

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<v Speaker 1>What was the closest you ever got to an interaction?

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<v Speaker 2>I didn't know. I never met him.

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<v Speaker 3>It's funny, isn't that When you see someone all the

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<v Speaker 3>time and he then on commentary, you know, such a

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<v Speaker 3>fantastic broadcaster.

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<v Speaker 2>That person's transported into your living room. You kind of

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<v Speaker 2>feel like you know them in a way.

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<v Speaker 3>I think, you know, you realize, Yeah, no, never met him,

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<v Speaker 3>never even got close to meeting him.

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<v Speaker 2>I don't think you.

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<v Speaker 1>Mentioned something there because like wanting to get himself into

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<v Speaker 1>a fair amount of trouble, you know, over the years,

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<v Speaker 1>I mean, he's still had the world's admiration all the time.

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<v Speaker 1>Why do you think that he was so popular even

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<v Speaker 1>though he went through all of these scandals, the ups

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<v Speaker 1>and downs. Do you think that maybe there's an underdog

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<v Speaker 1>element that gave him mass appeal regardless.

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<v Speaker 2>Yeah, I would say it's more like ownership.

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<v Speaker 3>You know, he made mistakes, he made serially mistakes, but

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<v Speaker 3>he owned them. He didn't shirk responsibility of his actions.

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<v Speaker 2>He didn't try and hide away from it.

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<v Speaker 3>He sort of came out and said, yep, I've done

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<v Speaker 3>the wrong thing here, sorry, and then kind of, you know,

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<v Speaker 3>you know, tried to move on from that, which you

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<v Speaker 3>know is everyone in a way.

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<v Speaker 2>You know, everyone makes mistakes and.

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<v Speaker 3>You learn to apologize for them and try and become

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<v Speaker 3>a better person.

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<v Speaker 2>And I think that's, you know, that's what he spent

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<v Speaker 2>his life doing.

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<v Speaker 1>Did people ever say, you know, over your life, did

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<v Speaker 1>you look like him?

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<v Speaker 2>I think just because I had, you know, blonde hair,

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<v Speaker 2>I had a mullet when I was a kid.

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<v Speaker 3>I did get a bit of that, not not heaps,

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<v Speaker 3>but like enough that it was kind of like when

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<v Speaker 3>the audition came up, I definitely circled it.

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<v Speaker 2>And when this is certainly achievable just on a look.

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<v Speaker 1>I mean to take someone on as iconic as Warning,

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<v Speaker 1>Did that feel like a lot of pressure? I mean,

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<v Speaker 1>if someone said to me, can you play Warning, I'd

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<v Speaker 1>say no. And it would be even if I look

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<v Speaker 1>like him, I'd still say no because I'd be just

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<v Speaker 1>so worried about the relationship that audiences already have with him.

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<v Speaker 1>You know, what was your initial response to taking on

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<v Speaker 1>someone as iconic as Shane Warn.

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<v Speaker 2>Yeah, that's a good question.

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<v Speaker 3>I love challenges, and especially I didn't really get into

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<v Speaker 3>acting to sort of shirt again, you know, sort of

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<v Speaker 3>challenges you want to see how good you can be,

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<v Speaker 3>and you want to see if you can make something work.

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<v Speaker 2>And also so there was that, but also, you.

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<v Speaker 3>Know, you kind of think given his competitive spirit, there's

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<v Speaker 3>no way he would have.

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<v Speaker 2>Turned it down, you know what I mean, Like it

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<v Speaker 2>sort of had that.

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<v Speaker 3>I had sort of that feeling about it, sort of

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<v Speaker 3>a rise.

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<v Speaker 2>To the challenge kind of feeling.

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<v Speaker 3>And I also kind of, you know, I looked around

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<v Speaker 3>and went, you know, if it's not me, it's you know,

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<v Speaker 3>it'll be it'll be someone else. And I genuinely thought

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<v Speaker 3>that I was the best person for the role. I

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<v Speaker 3>thought I knew as much as anyone, if not more.

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<v Speaker 3>Then my contemporaries, and I just kind of thought, Hey, look,

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<v Speaker 3>if it's not me, it's going to be someone else,

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<v Speaker 3>and I'd rather it was I'd rather it was me

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<v Speaker 3>taking on the responsibility because I didn't take it lightly,

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<v Speaker 3>you know, like he meant a lot to me growing up,

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<v Speaker 3>and I wanted the show to be good and a

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<v Speaker 3>celebration of him, so just kind of took it on.

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<v Speaker 1>How closely did you want to take this characterization? There

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<v Speaker 1>must have been conversations of, oh, you know, is this

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<v Speaker 1>going to feel like an impersonation or you know what

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<v Speaker 1>were those conversations, Like, you're not there.

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<v Speaker 3>To do a character, sure, You're there to create a

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<v Speaker 3>three dimensional person who has a moral compass and you know,

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<v Speaker 3>makes mistakes and gets better.

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<v Speaker 2>And or doesn't or keeps making mistakes, so.

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<v Speaker 3>Whatever it is, you're there to sort of create, not

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<v Speaker 3>just a few idiosyncrasies at a mullet. You're there to

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<v Speaker 3>show a picture of, you know, a full human being.

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<v Speaker 3>And look, I think there's some scenes in.

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<v Speaker 2>The show that really highlight that.

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<v Speaker 3>Working with someone like Marnie Kennedy was an absolute delight.

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<v Speaker 3>She brought a lot to the show and was fantastic,

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<v Speaker 3>So so you don't take it lightly, but it was

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<v Speaker 3>a good experience.

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<v Speaker 1>What about some of these techniques, because you hear about

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<v Speaker 1>some very famous people like Nicole Kidman when she would

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<v Speaker 1>put on the nose when she was Virginia Wolf that

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<v Speaker 1>helped her get into character. Did you use any kind

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<v Speaker 1>of techniques to all of a sudden become him when

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<v Speaker 1>they said action?

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<v Speaker 3>I mean, I use sort of phrases and lines to

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<v Speaker 3>get into the voice and the energy of the character

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<v Speaker 3>and physical kind of you know, resets to get more

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<v Speaker 3>in his sort of gait than mine.

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<v Speaker 2>But a lot of that work is your prep.

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<v Speaker 3>You know, like I put on sort of seven or

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<v Speaker 3>eight kilos just to sort of feel stronger and heavier throughout.

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<v Speaker 2>The trunk and you know, just sort of look a

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<v Speaker 2>bit more like him.

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<v Speaker 3>And so I worked a lot with costume as well,

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<v Speaker 3>sort of make sure that you know, in the periods

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<v Speaker 3>that he was a bit bigger, and that.

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<v Speaker 2>Was part of the plot.

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<v Speaker 3>I looked a bit bigger, and we accentuated certain things

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<v Speaker 3>and took things away. And then when he's skinnier and

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<v Speaker 3>slimmer and tanned and all that kind of stuff, that

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<v Speaker 3>we sort of did that, and then you've just got

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<v Speaker 3>to let your performance and all the work you've done

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<v Speaker 3>setting and just be in the moment.

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<v Speaker 1>I just kept thinking the whole time through watching. I

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<v Speaker 1>watched it all in one go, so I watched episode

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<v Speaker 1>one and two. Very lucky to do it that way.

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<v Speaker 1>But I was going to say, I just was like,

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<v Speaker 1>I can't wait to talk to Alex about how good

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<v Speaker 1>you were at cricket yourself. You know, how did you

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<v Speaker 1>try and practice the spin? Did you get real cricketers

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<v Speaker 1>to come in and try and get that authenticity?

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<v Speaker 2>Yeah, how did you think it looked?

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<v Speaker 1>I mean, you probably could pick this up for me,

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<v Speaker 1>but I'm a Philly camp man and I don't watch

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<v Speaker 1>a lot of sport. I'm just going to tell you

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<v Speaker 1>right now that I don't know cricket that well. But

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<v Speaker 1>for me, it seemed pretty good.

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<v Speaker 2>That's good.

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<v Speaker 3>Well, I think if you're if you're a cricketing savant,

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<v Speaker 3>you'd pick up maybe a few things that I was

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<v Speaker 3>doing wrong. But I worked really hard on that because

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<v Speaker 3>you know, whenever I'm a big sports fan, and whenever

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<v Speaker 3>I watch TV or films about a sport and you

0:09:55.360 --> 0:09:58.400
<v Speaker 3>see someone that's just nowhere knew it, it can take

0:09:58.400 --> 0:10:00.240
<v Speaker 3>you out of the world you kind of lose is

0:10:00.240 --> 0:10:03.440
<v Speaker 3>that suspension of disbelief and it just bothers you, it

0:10:03.480 --> 0:10:03.839
<v Speaker 3>nags you.

0:10:03.880 --> 0:10:05.280
<v Speaker 2>And I knew I wasn't going to be able to do.

0:10:05.240 --> 0:10:08.520
<v Speaker 3>It, you know, obviously exactly like Shane, because otherwise I'd

0:10:08.520 --> 0:10:11.880
<v Speaker 3>be playing in the ashes coming up. But I worked

0:10:11.920 --> 0:10:13.920
<v Speaker 3>really hard on that and it was really important to me,

0:10:13.960 --> 0:10:16.920
<v Speaker 3>and I made that very clear to production that I wanted,

0:10:17.920 --> 0:10:18.960
<v Speaker 3>you know, people to train me.

0:10:19.000 --> 0:10:20.440
<v Speaker 2>I wanted professionals to train me.

0:10:20.520 --> 0:10:24.320
<v Speaker 3>So I had Steve O'Keefe helped me up in Sydney,

0:10:24.320 --> 0:10:25.960
<v Speaker 3>and then once it goes down to Melbourne, I had

0:10:26.000 --> 0:10:29.520
<v Speaker 3>Bryce McGain who had trained with Shane and TJ for

0:10:29.600 --> 0:10:33.360
<v Speaker 3>a long time and he was an invaluable resource. Like

0:10:33.400 --> 0:10:36.560
<v Speaker 3>he just he was fantastic, not only with the cricket stuff.

0:10:36.559 --> 0:10:39.840
<v Speaker 3>He really got me rowling well and on target, but

0:10:40.480 --> 0:10:43.720
<v Speaker 3>the mentality that Shane would bring to the field, you know,

0:10:43.760 --> 0:10:46.600
<v Speaker 3>which is quite aggressive, let's say.

0:10:46.960 --> 0:10:49.360
<v Speaker 2>So it's just those little stories and that feeling.

0:10:50.080 --> 0:10:52.920
<v Speaker 3>It's one thing to get that trigger action happening and

0:10:53.200 --> 0:10:54.520
<v Speaker 3>coming out of the back of your hand in the

0:10:54.600 --> 0:10:57.400
<v Speaker 3>right way, and you know, it's this disposition for this

0:10:57.520 --> 0:11:00.360
<v Speaker 3>ball and this for this ball but then also have

0:11:00.480 --> 0:11:02.559
<v Speaker 3>that thing of going at the top of his mark.

0:11:02.640 --> 0:11:06.160
<v Speaker 3>He would just stare down the batsman. You know, these

0:11:06.200 --> 0:11:09.320
<v Speaker 3>sort of little things that really pected the performance with

0:11:09.559 --> 0:11:11.440
<v Speaker 3>what I thought was some authenticity.

0:11:11.920 --> 0:11:13.320
<v Speaker 1>The one thing I feel like you're going to get

0:11:13.320 --> 0:11:16.720
<v Speaker 1>asked a lot about making this particular show is do

0:11:16.760 --> 0:11:19.000
<v Speaker 1>you think it's too soon? I think that's what most

0:11:19.040 --> 0:11:21.240
<v Speaker 1>people seem to be talking about, because this went into

0:11:21.280 --> 0:11:24.640
<v Speaker 1>productions that are six months after he passed away. How

0:11:24.760 --> 0:11:26.080
<v Speaker 1>is all of that landing with you?

0:11:26.320 --> 0:11:30.160
<v Speaker 3>Yeah, well, when I first read the script that Matt

0:11:30.200 --> 0:11:33.960
<v Speaker 3>Ford had been writing for seven years, it's pretty clear

0:11:34.000 --> 0:11:36.920
<v Speaker 3>to me that it's a celebration. It was clear to

0:11:36.960 --> 0:11:38.520
<v Speaker 3>me at the time that it was a celebration of

0:11:39.679 --> 0:11:42.880
<v Speaker 3>the man, and that's something that I wanted to celebrate.

0:11:43.360 --> 0:11:47.400
<v Speaker 3>So I understand the sensitivities around it. But you know,

0:11:47.480 --> 0:11:51.079
<v Speaker 3>different people process, you know, things at different rates and

0:11:51.080 --> 0:11:54.360
<v Speaker 3>at different times. So I understand if people, you know,

0:11:54.400 --> 0:11:56.040
<v Speaker 3>I don't want to watch for that for that reason.

0:11:56.360 --> 0:11:58.080
<v Speaker 1>Well, it'll be interesting because I think it is going

0:11:58.120 --> 0:11:59.840
<v Speaker 1>to rate. I think people will tune in to see

0:11:59.840 --> 0:12:02.200
<v Speaker 1>it because he is a part of our history. You know,

0:12:02.440 --> 0:12:05.920
<v Speaker 1>we started off this conversation about talking about how iconic

0:12:06.040 --> 0:12:08.959
<v Speaker 1>he is, and you even mentioned learning along the way.

0:12:09.120 --> 0:12:12.320
<v Speaker 1>What about audiences though, do you think audiences watching this

0:12:12.559 --> 0:12:15.200
<v Speaker 1>is going to walk away learning new things about it

0:12:15.520 --> 0:12:18.080
<v Speaker 1>worth them tuning to watch the show one?

0:12:19.000 --> 0:12:21.600
<v Speaker 3>As much as you know people will think that they

0:12:21.640 --> 0:12:25.920
<v Speaker 3>know everything about him, they don't, and they will learn something,

0:12:26.080 --> 0:12:29.040
<v Speaker 3>you know, the longer they tune in for so you know,

0:12:29.320 --> 0:12:31.160
<v Speaker 3>I'll look forward to that. They might bring up a

0:12:31.200 --> 0:12:35.480
<v Speaker 3>few uncomfortable things, but that's that's that's life, that's drama.

0:12:35.520 --> 0:12:39.600
<v Speaker 3>It would be it would be foolish to to change

0:12:39.720 --> 0:12:43.800
<v Speaker 3>history as far as going, oh, well, no, he didn't

0:12:43.840 --> 0:12:46.040
<v Speaker 3>do it, and just make it a really clean docco

0:12:46.559 --> 0:12:49.640
<v Speaker 3>He was very open about what he you know, the

0:12:49.640 --> 0:12:51.719
<v Speaker 3>mistakes he made, and he owned them.

0:12:51.760 --> 0:12:54.400
<v Speaker 2>So I feel like it's a fair representation.

0:12:54.720 --> 0:12:56.880
<v Speaker 1>Well, the success of this series for me was that

0:12:57.040 --> 0:13:00.760
<v Speaker 1>I really enjoyed the highs. I really enjoyed those moments

0:13:00.800 --> 0:13:02.760
<v Speaker 1>where he was picked to be on the team, And

0:13:02.800 --> 0:13:05.400
<v Speaker 1>you know, it must have been kind of phenomenal in

0:13:05.440 --> 0:13:08.400
<v Speaker 1>a weird way to vicariously live through this man and

0:13:08.440 --> 0:13:11.880
<v Speaker 1>recreate those moments. How was that feeling where you are

0:13:12.320 --> 0:13:16.000
<v Speaker 1>having to act and live through some of those really

0:13:16.000 --> 0:13:17.840
<v Speaker 1>important highs that he had in his career.

0:13:18.000 --> 0:13:19.439
<v Speaker 2>It's kind of a fun experience.

0:13:19.520 --> 0:13:22.560
<v Speaker 3>I mean, like that first scene is one of my

0:13:22.960 --> 0:13:27.360
<v Speaker 3>favorite scenes when he when when he gets picked for

0:13:27.440 --> 0:13:30.480
<v Speaker 3>the squad in the first time and he sort of

0:13:30.800 --> 0:13:33.520
<v Speaker 3>tells his family that you know, he's going, and then

0:13:33.720 --> 0:13:37.280
<v Speaker 3>he just streams dad, you know, because obvious.

0:13:40.720 --> 0:13:42.680
<v Speaker 2>Fantastic. Yeah, because I just had.

0:13:42.520 --> 0:13:45.280
<v Speaker 3>That thing of going like someone's missing, you know, and

0:13:45.960 --> 0:13:48.080
<v Speaker 3>just screaming dads sprinting out.

0:13:48.280 --> 0:13:50.199
<v Speaker 2>Especially after the rejection of security.

0:13:50.240 --> 0:13:53.000
<v Speaker 3>You know, he thought his dream was of being a

0:13:53.000 --> 0:13:56.440
<v Speaker 3>professional sportsman was Oliver, you know, and his true love

0:13:56.480 --> 0:13:59.800
<v Speaker 3>for AFL was over. And then you know that feeling

0:13:59.800 --> 0:14:02.440
<v Speaker 3>of like getting off the team pass and everyone wanting

0:14:02.480 --> 0:14:05.319
<v Speaker 3>your signature and yelling, you know, warning, warning him. I

0:14:05.360 --> 0:14:09.079
<v Speaker 3>mean that's something that I will probably almost definitely never experience.

0:14:09.840 --> 0:14:13.480
<v Speaker 1>So at the same time, though, recreating those moments, there

0:14:13.559 --> 0:14:15.800
<v Speaker 1>must have been some satisfaction in that as well, just

0:14:15.840 --> 0:14:17.880
<v Speaker 1>to even get as close to what it must have

0:14:17.920 --> 0:14:19.960
<v Speaker 1>felt like to be hum in some of those moments.

0:14:20.000 --> 0:14:21.480
<v Speaker 1>You know, yeah, yeah, it was.

0:14:22.240 --> 0:14:26.440
<v Speaker 3>You know, it makes it easier as a performer when

0:14:26.480 --> 0:14:29.600
<v Speaker 3>it is built like that and you're just responding quite,

0:14:29.680 --> 0:14:32.320
<v Speaker 3>you know, naturally at the time. And the thing is,

0:14:32.560 --> 0:14:34.640
<v Speaker 3>you know, there's a famous quote about him. I can't

0:14:34.640 --> 0:14:37.760
<v Speaker 3>remember exactly. I'll probably butcher it. But Shane took to

0:14:37.880 --> 0:14:40.920
<v Speaker 3>fame like a duckt toward it, you know, like some

0:14:40.920 --> 0:14:43.000
<v Speaker 3>people find it very difficult.

0:14:42.480 --> 0:14:44.600
<v Speaker 2>Being famous and notoriety.

0:14:44.640 --> 0:14:48.200
<v Speaker 3>I don't think that that was his initial reaction to it.

0:14:48.400 --> 0:14:50.480
<v Speaker 1>I want to know when you're watching this when it

0:14:50.520 --> 0:14:52.760
<v Speaker 1>goes to air, will you be dressed as him? At

0:14:52.760 --> 0:14:54.760
<v Speaker 1>home watching it with your friends and family. How are

0:14:54.760 --> 0:14:56.320
<v Speaker 1>you planning on watching this show?

0:14:56.800 --> 0:14:59.600
<v Speaker 3>I don't know yet, is the truth. My family will

0:14:59.640 --> 0:15:03.480
<v Speaker 3>live in Hurts, so it won't it won't be with them. Look,

0:15:03.680 --> 0:15:06.160
<v Speaker 3>I might have a couple of mates over and crack

0:15:06.200 --> 0:15:09.720
<v Speaker 3>a few tins and watch it, and we'll we'll have

0:15:09.760 --> 0:15:10.040
<v Speaker 3>to see it.

0:15:10.280 --> 0:15:12.560
<v Speaker 1>I remember a friend of mine was playing someone. I

0:15:12.600 --> 0:15:14.200
<v Speaker 1>don't want to say his name because you'll hate this,

0:15:14.360 --> 0:15:17.200
<v Speaker 1>but I'm so nervous about recreating this person that he

0:15:17.240 --> 0:15:19.840
<v Speaker 1>went for a very long run. So he was running

0:15:19.840 --> 0:15:22.160
<v Speaker 1>the whole time it was playing on television, just because

0:15:22.360 --> 0:15:24.960
<v Speaker 1>social media could be so brutal that he just didn't

0:15:25.000 --> 0:15:27.200
<v Speaker 1>want to be on social media to see any kind

0:15:27.240 --> 0:15:29.880
<v Speaker 1>of response. And the reason why I'm not mentioning him

0:15:29.920 --> 0:15:31.680
<v Speaker 1>is because you know, the response to him was a

0:15:31.680 --> 0:15:34.440
<v Speaker 1>little bit sort of up and down, and he shouldn't that.

0:15:34.520 --> 0:15:36.640
<v Speaker 1>You know, he knew that going into it, that you can't,

0:15:37.080 --> 0:15:38.280
<v Speaker 1>you know, win everyone over.

0:15:38.640 --> 0:15:39.560
<v Speaker 2>It's an interesting thing.

0:15:39.640 --> 0:15:42.840
<v Speaker 3>Like you know, when I did The Sun a long

0:15:42.880 --> 0:15:46.080
<v Speaker 3>time ago, it's sort of it felt like that and I,

0:15:46.200 --> 0:15:48.240
<v Speaker 3>you know, had some friends over and I was on

0:15:48.280 --> 0:15:49.840
<v Speaker 3>Twitter and excited.

0:15:49.440 --> 0:15:53.440
<v Speaker 2>And you know, you're right though, like this, this.

0:15:53.560 --> 0:15:56.040
<v Speaker 3>Probably won't you know, it's a it's going to be

0:15:56.040 --> 0:15:58.280
<v Speaker 3>a polarizing show potentially, so.

0:15:58.600 --> 0:16:00.680
<v Speaker 2>Yeah, it probably won't be sitting on Twitter. I'll tell

0:16:00.680 --> 0:16:01.080
<v Speaker 2>you that much.

0:16:01.080 --> 0:16:03.920
<v Speaker 1>Free stay away from Also, I said this all the time.

0:16:03.960 --> 0:16:05.960
<v Speaker 1>I think it's a good quote from Sandra Bullock. Never

0:16:06.040 --> 0:16:10.920
<v Speaker 1>read the comments section ever. Right before you go. But

0:16:11.000 --> 0:16:12.480
<v Speaker 1>the last question I want to ask is the same

0:16:12.520 --> 0:16:14.760
<v Speaker 1>question I ask everyone who joins the pod, and that is,

0:16:14.800 --> 0:16:17.120
<v Speaker 1>what is something from behind the scene, something that we

0:16:17.200 --> 0:16:19.520
<v Speaker 1>won't see on the show, but kind of like a

0:16:19.560 --> 0:16:21.560
<v Speaker 1>bit of a you know, behind the scene secret for

0:16:21.680 --> 0:16:23.840
<v Speaker 1>you while you're making warning one.

0:16:23.640 --> 0:16:28.280
<v Speaker 3>Weekend because we've shot for two weeks and you know

0:16:28.640 --> 0:16:31.960
<v Speaker 3>you're doing these massive days and because basically in every

0:16:31.960 --> 0:16:33.880
<v Speaker 3>scene and I just really don't have any time to

0:16:33.920 --> 0:16:36.360
<v Speaker 3>practice cricket. And I knew that I had some massive,

0:16:36.840 --> 0:16:38.720
<v Speaker 3>actual cricketing days coming up.

0:16:38.880 --> 0:16:41.040
<v Speaker 2>So I asked Bryce if I could go, you know,

0:16:41.160 --> 0:16:41.440
<v Speaker 2>do a.

0:16:41.360 --> 0:16:43.080
<v Speaker 3>Net session with him, and he was like, yeah, I

0:16:43.080 --> 0:16:45.720
<v Speaker 3>may just pop down to the MCG. I was like, okay,

0:16:46.040 --> 0:16:47.880
<v Speaker 3>So I went and trained with him at the MCG.

0:16:48.040 --> 0:16:50.720
<v Speaker 3>After he was commentating the Shield Cricket. I was sort

0:16:50.720 --> 0:16:53.480
<v Speaker 3>of leaving afterwards, you know in the nets that he

0:16:53.520 --> 0:16:56.760
<v Speaker 3>trained with with with Shane and TJ, which is prove

0:16:56.840 --> 0:16:57.760
<v Speaker 3>really special moment.

0:16:58.560 --> 0:17:00.960
<v Speaker 2>And then I was sort of leaving.

0:17:00.480 --> 0:17:04.200
<v Speaker 3>And there was this Yeah, there was this lovely couple

0:17:04.280 --> 0:17:06.760
<v Speaker 3>who are clearly on you know, on a holiday, and

0:17:07.200 --> 0:17:09.720
<v Speaker 3>were you know, the mtgym and it's quiet, there's no

0:17:09.800 --> 0:17:10.320
<v Speaker 3>one around.

0:17:10.359 --> 0:17:13.520
<v Speaker 2>You know, it's a Sunday afternoon. There is no one around.

0:17:13.320 --> 0:17:16.040
<v Speaker 3>Except this this couple, young couple, and they were in

0:17:16.040 --> 0:17:19.399
<v Speaker 3>front of the statue of Shane warn and she was

0:17:19.400 --> 0:17:21.680
<v Speaker 3>taking a photo of him and I sort of was

0:17:21.720 --> 0:17:24.480
<v Speaker 3>walking past them and you know, wearing a hat and stuff.

0:17:24.520 --> 0:17:26.280
<v Speaker 3>But you know, it was like, you guys want me

0:17:26.280 --> 0:17:27.879
<v Speaker 3>to take a photo of the two of you, you know,

0:17:28.119 --> 0:17:29.520
<v Speaker 3>in front of the statues.

0:17:29.640 --> 0:17:32.200
<v Speaker 2>I just sit there and took a photo of this.

0:17:32.119 --> 0:17:35.080
<v Speaker 3>Young couple you know, who clearly loved Shane Warn in

0:17:35.119 --> 0:17:37.439
<v Speaker 3>front of his statue, and I just felt like it

0:17:37.480 --> 0:17:38.720
<v Speaker 3>was a really nice moment.

0:17:38.960 --> 0:17:41.120
<v Speaker 1>Did they know? Did they know that it was you?

0:17:41.119 --> 0:17:44.600
<v Speaker 2>No? Absolutely, I had no idea. No, why would they? Yeah? Yeah.

0:17:44.720 --> 0:17:46.399
<v Speaker 1>I hope that this plant past gets out to a

0:17:46.400 --> 0:17:48.400
<v Speaker 1>wider audience so that those people work it out.

0:17:49.880 --> 0:17:50.640
<v Speaker 2>Yeah. Maybe.

0:17:50.760 --> 0:17:52.680
<v Speaker 1>Well. I just want to say thank you so much

0:17:52.680 --> 0:17:55.440
<v Speaker 1>for your generosity with talking about this, and I hope

0:17:55.440 --> 0:17:58.040
<v Speaker 1>people absorb it. And for those people that don't, you know,

0:17:58.160 --> 0:17:59.080
<v Speaker 1>you can't win them all.

0:17:59.119 --> 0:18:01.160
<v Speaker 3>Thanks mate, I appreciate I appreciate you watching the whole

0:18:01.200 --> 0:18:04.040
<v Speaker 3>thing and and uh and and and saying such naze things.

0:18:04.200 --> 0:18:06.359
<v Speaker 1>Enjoy chatting to the media about this, you know, and

0:18:06.359 --> 0:18:08.480
<v Speaker 1>and enjoy this experience. I think it's a fan it's

0:18:08.520 --> 0:18:10.240
<v Speaker 1>you know, it's a once in a life from opportunity

0:18:10.280 --> 0:18:12.120
<v Speaker 1>to play a role. So you know, it's a bit

0:18:12.240 --> 0:18:13.000
<v Speaker 1>in time for you.

0:18:13.040 --> 0:18:14.119
<v Speaker 2>Thanks mate, I appreciate it.