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Speaker 1: Christ Yeah, welcome friends to the Christian O'Connell show podcast, especially.

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Speaker 2: That old Gray Pumpkin take that appears Morgan Daddy.

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Speaker 3: I need to find the lady who's chunder this is?

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Speaker 3: Is she here?

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Speaker 1: Christian O'Connell Show, Gold one, O four by.

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Speaker 3: Three, Hey coome on and Wednesday morning, Welcome to the

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Speaker 3: Christian O'Connell Show on Goal Good one and Patsy morning,

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Speaker 3: Good morning Jack.

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Speaker 2: Hello.

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Speaker 3: So yesterday Patsy and I were talking about go to

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Speaker 3: see the Barbie movie over the weekend. The other part

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Speaker 3: of Barbenheimer is Oppenheimer. You went to get your atomic

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Speaker 3: bomb on last night?

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Speaker 2: The boys, all eight of us boys packed into the

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Speaker 2: Imaccidable last night to watch the bombs go off.

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Speaker 3: Come on, bro, we don't need no plastic doll movie.

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Speaker 3: It's going to watch a proper movie by Nolan, our guy.

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Speaker 2: And then I bought the anchor along as well. So

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Speaker 2: eight boys in one of the women.

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Speaker 4: How delightful for.

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Speaker 3: All that test stops right.

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Speaker 2: It's a brilliant film.

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Speaker 3: Was raving about it. I've got tickets to go and

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Speaker 3: see it tomorrow.

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Speaker 2: Yeah, where are you sitting? Because I was in a

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Speaker 2: third row and it's too close.

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Speaker 3: No, no, no, I do picture.

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Speaker 2: I'm near the back goes for.

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Speaker 3: Noisy Movie. I don't want to be too near the front, but.

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Speaker 2: It's what a spectacle. And I had to get home

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Speaker 2: last night. Were you googling YouTube Oppenheimer.

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Speaker 3: It's a really big, complicated story.

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Speaker 2: There's just so much in there, because how.

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Speaker 3: BIG's the cast, just like he's got like a thousand

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Speaker 3: well known.

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Speaker 2: Yeah, it's insane. And so I was saying to you,

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Speaker 2: like last week when I saw a Mission Impossible in Imax,

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Speaker 2: I watched the trailer for Oppenheimer, and I was worried

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Speaker 2: that when I went it would be too loud because

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Speaker 2: the trailer alone was freaking everybody out.

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Speaker 3: These days with the way those were you an imax.

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Speaker 2: Yeah, in an imax.

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Speaker 3: It's so they've got these speakers everywhere now they like

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Speaker 3: in your bum almost that's Christopher Nolan in my ass.

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Speaker 3: You know, it's not everything someone's shaking you with the.

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Speaker 2: So I said to the boys, I'm buying for everybody,

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Speaker 2: and I did. I ordered them online and then when

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Speaker 2: they came they're like swimmers ear plugs, and wife.

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Speaker 3: Got those because it's just stop water getting it.

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Speaker 2: I've never used it before, so they're not.

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Speaker 3: Sound very well underwater, so there's no underwater imaxis.

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Speaker 2: Or at the start of the film, I plug plug

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Speaker 2: the gels into my ear the.

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Speaker 3: Weird sure you wouln't be to hear anything.

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Speaker 2: Then for the whole start of the movie, it's just dialogue.

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Speaker 2: They're not blowing stuff up straight away. So I've got

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Speaker 2: some audio of what it was it was sounding like

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Speaker 2: for me last night.

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Speaker 3: Chance pay all that money to go and IMAX and

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Speaker 3: even just about hair Cilly and Murphy and talking. It

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Speaker 3: sounds like you were next to when the atomic bob

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Speaker 3: went off and it blew your ears out. This is

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Speaker 3: what it must have sounded like afterwards.

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Speaker 2: So I was bringing the gels in and out of

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Speaker 2: my ears when he was in the labin talking to

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Speaker 2: his college.

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Speaker 3: All the crew doing that as well.

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Speaker 2: No, I didn't even give them the gels because I

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Speaker 2: was embarrassed that they were. There was the how do

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Speaker 2: you're not normally you're plugged. So then when they look

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Speaker 2: like they were going to set off an atomic bomb,

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Speaker 2: then I would shove them back in my eyes much.

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Speaker 3: I'm going to say, brilliant film, and you think it

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Speaker 3: will win Oscars next year?

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Speaker 2: Yeah, It's brilliant a Christopher Nolan's best film. Yeah name

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Speaker 2: for three of his others Batman one, Batman two.

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Speaker 1: The Christian O'Connell show podcast.

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Speaker 3: Extra Time on the time Waster for the best in

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Speaker 3: show this morning, you can win a two hundred and

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Speaker 3: All right, we're asking you to motivate a movie. Motivational movies. Okay,

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Speaker 3: let's go adam boys in theords heard.

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Speaker 2: We should add we should add atta boys to our

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Speaker 2: list of phrases that are dying.

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Speaker 3: Yeah, gold, hear that enough anymore? You can do it.

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Speaker 3: You can do e t you can do And I

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Speaker 3: know yesterday you hand men who stare at their goals,

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Speaker 3: men who stay at their gold medals. God, I worked

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Speaker 3: really hard, this jack of boy. What have you got

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Speaker 3: motivate a movie?

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Speaker 2: Mentors of a Geisha. They got to look up to

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Speaker 2: somebody who hid silver bluss Chin up, chin up bang bang, No,

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Speaker 2: that's very good.

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Speaker 3: That's gold plus chinup is another phrase, old timey phrase.

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Speaker 2: It needs to stay and star wars the Empire. Pats

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Speaker 2: on the back.

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Speaker 5: I like that.

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Speaker 3: That's gold which as well.

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Speaker 1: Look Christian Connell Show podcast.

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Speaker 3: Can I just say this now? I get the feeling

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Speaker 3: that I don't want you going to see any more

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Speaker 3: big movies during the week because I've act old thousand

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Speaker 3: yard stands. Coming out as Oppenheimer last night has opened

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Speaker 3: up a lot of questions to me, one of which

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Speaker 3: you just us being in a studio. I'm not sure

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Speaker 3: whether we should be asking on air, but I've noticed

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Speaker 3: a lot of staring out the window. Oppenheimer's woken something

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Speaker 3: up with you.

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Speaker 2: I'll say this, it will really make you think using

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Speaker 2: atomic weapons, huh.

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Speaker 3: I don't know about you, Patsy, but I needed that

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Speaker 3: that intervention because very close to splitting the atom again

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Speaker 3: in my carriage. A lot of thought going on over there,

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Speaker 3: because even now is not the worrying. All right, motivate

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Speaker 3: a movie. Let's see what you've got bear in mind

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Speaker 3: best and show wins two hundred and fifty dollars worth

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Speaker 3: of uniglow. Let's go Annie, Annie, Annie, give that goal

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Speaker 3: that is so basic. Come on, that's not Oppenheimer, Rebecca List, Edward,

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Speaker 3: busybe Hands, gold Josh Christian not no country for old member,

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Speaker 3: go comfy for old men. It's not really if we say,

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Speaker 3: make a movie more comfy Edward motivated hands, Bronze thought

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Speaker 3: motivated hands world record, throw Mama from the train, Will

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Speaker 3: and Woody up to some prank right now, guys, this

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Speaker 3: crazy boy's doing now you got you just up as

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Speaker 3: women again. All that mission is very possible. Mission is

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Speaker 3: very possible. Tim catch me you can.

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Speaker 2: Gold Mark, well.

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Speaker 3: Done, driving Miss Daisy to greatness. Silver Uh some almost

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Speaker 3: fire in the belly. He's got his rushion back. God plus,

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Speaker 3: Mark and Seford, well done an ocean's elevation. It's silver

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Speaker 3: plus all right, who wins the price? I liked it?

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Speaker 2: Rebecca, any any any oil oil owner?

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Speaker 1: Christian Connell's show podcast.

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Speaker 3: All right, if you're already at work, knocked on or

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Speaker 3: just about a knock on, give us a call this

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Speaker 3: morning nine four one four one o four three while

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Speaker 3: the rest of the city's asleep. If you're already at work,

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Speaker 3: we want to celebrate that we have now our own

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Speaker 3: unique mugs for knock On.

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Speaker 2: Brand new mugs, which is also why is the logo

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Speaker 2: so small?

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Speaker 3: What is that an I test?

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Speaker 2: You have to pay for one one if you've got

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Speaker 2: binoculars on a station.

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Speaker 3: Now about branding, Nike reduced that swoosh, make it barely perceptible.

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Speaker 2: But these are one of the kind mugs that's hay

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Speaker 2: on the back.

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Speaker 3: They really are the world's smallest logo. It's like this

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Speaker 3: stations deeply ashamed of me. He can have his name

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Speaker 3: on there, but in.

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Speaker 2: Tiny funk it says on the back, I'm knocking on

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Speaker 2: with the Christian O'Connell show.

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Speaker 3: No, no, it's it's it's with it.

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Speaker 6: This is the Christian O'Connell show podcast.

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Speaker 3: Knock on Wednesday. This is for you Melbourne, if you're

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Speaker 3: already at work, knocked on. We have now special mugs

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Speaker 3: with tiny, tiny show logo, the smallest branding in the world.

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Speaker 2: But the mug itself quality.

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Speaker 3: God, that's small mug space. It's more about the mug

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Speaker 3: than the show. Sorry, what the show is that?

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Speaker 2: If to squint, actually, if you place your when picking

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Speaker 2: up the mug, if you place your thumb in the

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Speaker 2: right way, you can't see anything. No, there's no logo

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Speaker 2: at all.

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Speaker 3: If you don't stop listening to the show, you fall

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Speaker 3: out with the stone ways. Put your thumb over it.

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Speaker 3: You can air brush us out. You can thumb us out. No, no,

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Speaker 3: d that's it. No charn Are you not do not work?

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Speaker 3: Are you at work right now? Work?

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Speaker 2: Right now?

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Speaker 3: Well? Focus man. The last five minutes, Patsy, he's been

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Speaker 3: arguing with producer Rio about who didn't invite who to

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Speaker 3: the footy this weekend. I've presided over a civil war and.

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Speaker 7: I could judge and think, Yeah, it's like Rio would

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Speaker 7: say one version of history, Jack saying another of because

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Speaker 7: they're two footy teams are playing each other and the

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Speaker 7: playmaker creating this confusion.

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Speaker 3: Tom the senior producer, Oh yeah, playmaker playbreaker? Any who?

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Speaker 3: Oppenheimer Knom. I've noticed, by the way, when you hang

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Speaker 3: out with your boy crew during the week you come

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Speaker 3: in quite boisy, who's coming to the footy?

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Speaker 1: Rio?

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Speaker 3: You come with me? I ain't going with you going

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Speaker 3: to light crew. I can tear it up. I ain't

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Speaker 3: seeing that Barbie's opping. Iiman with the crew. Testoster levels

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Speaker 3: are very high right now. Please stand away from the speakers.

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Speaker 3: You could grow testicles get tuned into Jack's side on

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Speaker 3: the left. Boys, where were we? You know?

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Speaker 8: John?

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Speaker 3: You not work? I don't even know answer. I mean,

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Speaker 3: what hope is there now? Wonder the station is getting

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Speaker 3: tiny fun. That's how to phase you out, certainly not

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Speaker 3: on the mud keeping fired. That's why starts with point

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Speaker 3: zero one follow. It's a new way. I'm not on, guys,

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Speaker 3: I'm not talking Christian. I've been at work since four am,

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Speaker 3: running machines, Laura. I'd love a little bit more detail

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Speaker 3: other than just running machines. Killian Murphy is the machine runner, Laurie.

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Speaker 3: You can have a mug. Let's go to lions here, San.

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Speaker 9: Good morning, Good morning Christian and crew.

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Speaker 3: Good morning mate. So you're noted on where are you

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Speaker 3: at work right now? What's work for you? Shenan?

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Speaker 10: I'm a street sweet bar. I do the footpaths and

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Speaker 10: the guarders and all in the city of Melbourne.

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Speaker 3: Good man, thank you very much for it. So you

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Speaker 3: in the little ride along sort of machine.

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Speaker 10: Yeah, that's the one. Yeah, the Johnson, the Johnson from

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Speaker 10: England from your.

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Speaker 2: Clean streets.

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Speaker 3: We may have been robbers of the ashes, but you

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Speaker 3: cut rob our street sweepers. You know, up and down,

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Speaker 3: bucking the palace the mail every day that queen wants

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Speaker 3: so much. He's dead now. The king wants to open

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Speaker 3: his windows and see clean streets. He knows the Johnson's

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Speaker 3: are out there. Get your Johnson's out.

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Speaker 10: I start four in the morning, fish midday, so it's good.

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Speaker 10: But just getting up in the morning cart that's all well.

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Speaker 3: In the little machine then the probably the Johnson five

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Speaker 3: point one is it. And they've got a little radio

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Speaker 3: in there as well, so you can.

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Speaker 10: Hear they've got a radio. They got a radio, and

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Speaker 10: they also got a two way radio sol contact with

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Speaker 10: the supervisors and all that.

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Speaker 8: Radio.

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Speaker 10: You guys are really good. I'll listen to this every morning.

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Speaker 3: Thank you very much. Know well, we'll send you a

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Speaker 3: mugg and some of the random merchandise as well. That's

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Speaker 3: got bigger writing for the show logo.

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Speaker 2: Can I ask what is the what's the max speed

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Speaker 2: of the Johnson? Don't you always want the how far?

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Speaker 2: Like these? Like when when it's the end of the

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Speaker 2: day and you're not sweeping anymore, can you just get

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Speaker 2: on the freeway and drive drive it, clean it.

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Speaker 3: On the way home.

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Speaker 11: Yeah?

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Speaker 10: We well, I'm well depots in Kingsington. So it's only

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Speaker 10: about sixteen minutes drive. It's twenty minutes for the depot.

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Speaker 10: So we going norm the Dinond Road. So just slowly,

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Speaker 10: you know. We just do about twenty k's some of that.

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Speaker 10: Not too fast right now.

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Speaker 3: Now, now we've gone into this, I am curious. Now right,

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Speaker 3: let's follow the three. So is there a limiter on

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Speaker 3: the Johnson?

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Speaker 10: There is on the footpath. Apparently we met to do

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Speaker 10: about five to teen k's on the footpath, but this.

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Speaker 3: Time of the morning, I just feed it up to

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Speaker 3: a good fifty get it done quicker.

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Speaker 2: That's what I'm saying. At the end of the sweeping,

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Speaker 2: when all the sweeping cone.

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Speaker 3: Can you take the brushes up and drive it?

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Speaker 2: Ye? Just emerging the traffic.

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Speaker 3: Yes, suddenly do in the seventeen on the freeway.

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Speaker 5: Yeah, yeah, we can go in the traffic.

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Speaker 10: Yes, that's right. We could do about forty k forty kye.

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Speaker 3: We got the answer. Ropenheimer. All right, Uhan, thank you

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Speaker 3: very much to listen to the show, and we're sending

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Speaker 3: you some of our stuff. All right, take care buddy

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Speaker 3: very much, by bye bye body k guys. Max speed

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Speaker 3: On knows to Johnson Andrew, Good morning, want to go.

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Speaker 3: I'm good. Knocked on Andrew. Yeah.

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Speaker 8: Then down at freezing cold Warrigal. It's about five degrees

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Speaker 8: here at the moment, and on the concrete or so.

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Speaker 8: Getting ready for a big poor tomorrow.

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Speaker 5: So yeah, already knocked on.

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Speaker 3: So what are you what you're doing for the next

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Speaker 3: twenty four hours? If the pause tomorrow? What are you

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Speaker 3: doing is looking at the empty hole at this time tomorrow, guys,

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Speaker 3: take for dirie. We'll fill it with something.

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Speaker 8: Got to get these all, got to get this ready

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Speaker 8: for the paw. So I could be here twenty four hours, right,

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Speaker 8: how long it takes to get ready. But it's not

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Speaker 8: all good. Got plenty to do, plenty to get to

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Speaker 8: get ready.

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Speaker 2: So Andrew, how many square meet?

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Speaker 8: Is you pouring a thousand?

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Speaker 3: Ooh, it's a big paw, big Paul, one of the

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Speaker 3: biggest ones of the year so far, is it?

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Speaker 12: No?

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Speaker 8: No, Well, I'm at the Warrigal Legend Center here, I've

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Speaker 8: got I've got seven and a half thousand squares the paw.

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Speaker 8: We've poured three thousand already. This will be, this will be,

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Speaker 8: this will be four thousand me my boys, for the

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Speaker 8: six of us.

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Speaker 3: Yeah, Jack, honey, piece away? What's it? What's the max

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Speaker 3: speed of the Poor?

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Speaker 13: Depends on how fast.

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Speaker 3: A minute?

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Speaker 14: Ye?

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Speaker 3: During the song? All right then, Andrew namy crewe are

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Speaker 3: you already at work with other guys there or getting

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Speaker 3: ready for the Big Poor?

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Speaker 12: Yeah?

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Speaker 8: Yeah, we're all we're all ready. There's there's Marco, there's Ray,

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Speaker 8: there's Brett, there's Uh, there's John, and there's.

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Speaker 3: Sam Ocean even stood around that big old right now? Guys,

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Speaker 3: what time is the Big Poor? Tomorrow? Is it during

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Speaker 3: the during the show?

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Speaker 13: Yeah?

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Speaker 8: Yeah, we started seeking tomorrow morning. Start pouring six. We've

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Speaker 8: got about there'll be about two hundred and you want.

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Speaker 3: To cross that. Yeah, let's did a big Big Poor hashtag.

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Speaker 3: Let's start it trending now Big Paul.

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Speaker 2: Live, but he's going to focus. He got me on

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Speaker 2: the phone.

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Speaker 3: Does it matter? Peter can do it or Marco one

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Speaker 3: of the others there?

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Speaker 2: Okay, not Ray, not Ray, you know Rays not ready yet?

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Speaker 3: Guys, crazy my phone raised the old man because he

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Speaker 3: is old Man's name, isn't he You might as well

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Speaker 3: stick him in that hole.

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Speaker 8: Pour over it the next one if I wouldn't mind pouring.

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Speaker 2: But maybe we don't cross this guy.

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Speaker 8: I saw Openheimer on Friday.

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Speaker 3: Oh yeah, is that a different one? Is a tribute?

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Speaker 8: Bad whatever? I walked out after two hours. Worst movie

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Speaker 8: I've ever seen.

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Speaker 5: I reckon.

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Speaker 2: Get to the explosion?

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Speaker 3: Oh no, because you imagine the poor that they had

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Speaker 3: to do after they flattened that city.

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Speaker 5: I couldn't stand it any longer.

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Speaker 8: It was too boring, really.

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Speaker 3: But you did two hours of it, didn't you want

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Speaker 3: to know to the end?

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Speaker 8: Right?

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Speaker 13: Couldn't.

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Speaker 8: I couldn't handle it.

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Speaker 2: You pretty much watched him do all the calculations on

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Speaker 2: the blackboard, but you didn't get to watch the bomb

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Speaker 2: go off.

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Speaker 8: I didn't get to see the big flag anymore.

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Speaker 3: Jack, interesting, All right, well they were send you and

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Speaker 3: the crew marks okay, Andrew all good, thank you, all right,

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00:15:47,800 --> 00:15:53,160
Speaker 3: thanks mate, Live radio guys, live radio. One minute. You

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Speaker 3: having a laugh for one minute, like, oh god, where

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Speaker 3: do we? Where do you go? What do you say that?

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Speaker 3: I was looking forward to the Big poor? But it's

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Speaker 3: not on now, Briner.

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00:16:00,400 --> 00:16:03,960
Speaker 1: Now you're listening to the Question o'cyls show podcast.

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00:16:03,840 --> 00:16:06,040
Speaker 3: Taylor Dane Tell It to My Heart six fifty three,

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00:16:06,160 --> 00:16:10,520
Speaker 3: Christian O'Connell's show on God we're doing knockoff. He celebrates.

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00:16:10,600 --> 00:16:14,720
Speaker 3: Oh yeah, the big poor knock on. Will we celebrate

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00:16:14,720 --> 00:16:17,040
Speaker 3: if you're at work right now, already knocked on on

347
00:16:17,200 --> 00:16:19,440
Speaker 3: nine four one four one o four three. You can

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00:16:19,440 --> 00:16:23,000
Speaker 3: have one of our exclusive knocked on mugs with a

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00:16:23,080 --> 00:16:28,240
Speaker 3: tiny font mark. Good morning, good morning, Good morning, Mark,

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00:16:28,280 --> 00:16:30,640
Speaker 3: welcome to the show. You already knocked on? Where's work

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00:16:30,680 --> 00:16:30,880
Speaker 3: for you?

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Speaker 12: I'm on the road, christ and on the way to Pindigo.

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Speaker 3: And what are you doing in Bendigo?

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00:16:36,320 --> 00:16:38,400
Speaker 13: Home deliveries customers?

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00:16:38,600 --> 00:16:39,400
Speaker 3: What are you delivering?

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00:16:40,960 --> 00:16:42,000
Speaker 2: What's everything that you.

357
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Speaker 13: Can buy in a house?

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Speaker 9: First jobs and up and down onto a builder.

359
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Speaker 3: A big old truck in it everything you can buy

360
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Speaker 3: itt ran like beds.

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Speaker 13: You can buy for a house?

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Speaker 3: We deliver, you deliver it sounds like back breaking hard work.

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00:16:55,440 --> 00:16:58,080
Speaker 3: The mark mark. You can have one of our marks,

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Speaker 3: my friend. Thanks for listening to the show.

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Speaker 5: Not a problem, Thanks Christian.

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Speaker 13: Thanks guys.

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Speaker 3: Let's go to Nick here, come on and Nick?

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Speaker 5: Hello, Hello Nick?

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Speaker 3: And what are you up to? What are you knocked

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Speaker 3: on doing right now?

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Speaker 13: I'm knocked on at Haart Marine Boat Building. We build

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Speaker 13: pilot boats and police boats.

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Speaker 2: Get out.

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00:17:19,800 --> 00:17:22,800
Speaker 3: That is interesting. See you're building police boats. Now Jack

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Speaker 3: already wants to know what's the max speed of a

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Speaker 3: police boat.

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00:17:26,720 --> 00:17:30,600
Speaker 13: Oh, we've got them out until about thirty five not

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Speaker 13: And I.

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Speaker 2: Was afraid you're going to say not, I have no idea.

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Speaker 3: What what's that?

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Speaker 2: In case?

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Speaker 3: Convert that to sort of lander and speak.

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Speaker 13: Okay, Well we're roughly around the fifty to sixty k.

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Speaker 2: Why doesn't they both want to use the kilometers per hour?

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Speaker 3: Yeah? I guess you would say that pencil neck in

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Speaker 3: your office. Okay, in the world is.

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Speaker 2: Never mind? Then?

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Speaker 3: Yeah, this want to and they don't like talking about

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Speaker 3: it at all. And why can't the police boat go

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Speaker 3: even quicker than that?

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Speaker 13: Well they're quite heavy. They're around the twenty three tons bloody.

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00:18:11,760 --> 00:18:13,720
Speaker 3: Yeah, twenty three tells what else is on there? They've

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00:18:13,720 --> 00:18:15,919
Speaker 3: got like the prisons on the back and like guns

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Speaker 3: and lasers.

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Speaker 13: Well they do have guns. They've got a gun face.

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Speaker 3: I was joking. Well, they've got like a fire was

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Speaker 3: designing the police boat and have lasers and have big

398
00:18:24,600 --> 00:18:29,680
Speaker 3: old school cannon just for the look of it. Because

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Speaker 3: if I'm them a pirate and like bloody else, Steve,

400
00:18:32,440 --> 00:18:33,560
Speaker 3: they've got kids?

401
00:18:36,359 --> 00:18:39,080
Speaker 13: Why and do they have it?

402
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Speaker 2: Do they have a cell on board, Like, if they

403
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Speaker 2: get some.

404
00:18:41,400 --> 00:18:43,520
Speaker 3: Go what they're going to do with the their doers?

405
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Speaker 3: They get some of those pirates, what they're going to

406
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Speaker 3: put them in?

407
00:18:46,760 --> 00:18:49,400
Speaker 13: No they don't. They don't have cells on them.

408
00:18:49,520 --> 00:18:52,480
Speaker 3: So if they get this, this is won't gone crazy

409
00:18:55,240 --> 00:18:57,040
Speaker 3: them to lobster and champagne or more.

410
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Speaker 2: What do they do with the pirate?

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00:18:58,600 --> 00:19:05,240
Speaker 13: Yeah, they'll be dealing with They'll get other boats to

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Speaker 13: come in very intensive.

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Speaker 3: What are the boats have they got prisons on board?

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00:19:11,119 --> 00:19:15,280
Speaker 3: Could listen. I'm not the architect of these police boats,

415
00:19:15,280 --> 00:19:17,320
Speaker 3: but I'd say Chuck is selling the back somewhere down

416
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Speaker 3: the hold or the brig or whatever you got starboard report.

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00:19:21,600 --> 00:19:26,320
Speaker 13: Yes we could, it's possible. We only build them for

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Speaker 13: their specifications. What they want is what we build.

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Speaker 3: But if you got like fifty odd tons of boats,

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Speaker 3: surely i'd start with the kind of al or holding.

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00:19:35,359 --> 00:19:37,480
Speaker 2: Well, I reckon when the chief rocks up and he's

422
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Speaker 2: like come to collect his boat, you go, hey, I

423
00:19:39,400 --> 00:19:41,439
Speaker 2: did you I know it wasn't on the report, but

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Speaker 2: have a look in the back.

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Speaker 3: No you didn't say the plans, but look we've got him.

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Speaker 3: What do you do that for? We don't need that.

427
00:19:51,080 --> 00:19:58,800
Speaker 3: We get the other boats to do that. NICKI boy,

428
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Speaker 3: we'll send you. We're sending Max. Thanks for giving us

429
00:20:01,480 --> 00:20:04,280
Speaker 3: a call. Mat have a good day very much, Sam.

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Speaker 3: See why aren't there any.

431
00:20:07,160 --> 00:20:09,359
Speaker 1: The Christian O'Connell show podcast.

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Speaker 3: So we're giving away the billboards of Melbourne to you guys.

433
00:20:13,160 --> 00:20:16,600
Speaker 3: Whatever you want, your messages on the billboards. We did

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Speaker 3: this for the first time at the start of the

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00:20:18,240 --> 00:20:20,600
Speaker 3: year and it's it's amazing. I can't believe we get

436
00:20:20,640 --> 00:20:22,920
Speaker 3: to do this. So whatever your messages you called into

437
00:20:22,960 --> 00:20:25,040
Speaker 3: the next ten to fifteen minutes, we pick one of

438
00:20:25,080 --> 00:20:28,360
Speaker 3: the messages. Within about five to ten minutes, it goes

439
00:20:28,359 --> 00:20:31,560
Speaker 3: from our studio to the billboards and I'm talking the

440
00:20:31,640 --> 00:20:35,840
Speaker 3: Pan Highway, boulty Bridge, Princess Freeway, Tulle Freeway and the

441
00:20:35,920 --> 00:20:40,080
Speaker 3: Monash So all over this city primetime rush hour, hundreds

442
00:20:40,119 --> 00:20:42,720
Speaker 3: of thousands of people will read whatever message. We don't

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00:20:42,720 --> 00:20:44,600
Speaker 3: even know which is. It's going to say, here are

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00:20:44,640 --> 00:20:52,880
Speaker 3: some of our favorites. When we did it in January.

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Speaker 9: Nitch, hurry up and propose to me.

446
00:20:54,960 --> 00:20:58,840
Speaker 5: Love this beer cheft no more chips under our partment.

447
00:21:00,119 --> 00:21:03,040
Speaker 9: I would love to put on the billboard reading cinemas.

448
00:21:03,080 --> 00:21:09,040
Speaker 9: Please hire my sons. Thanks broke Mama, please put your

449
00:21:09,160 --> 00:21:11,680
Speaker 9: dishes in the dish wash us.

450
00:21:12,520 --> 00:21:14,119
Speaker 3: There were so many follow up questions. We need to

451
00:21:14,119 --> 00:21:18,560
Speaker 3: know has Steve changed his behavior there? Also we got

452
00:21:18,680 --> 00:21:23,399
Speaker 3: that woman her son a job at reading cinemas. Is

453
00:21:23,440 --> 00:21:25,840
Speaker 3: he still working the six months on? That's what I

454
00:21:25,880 --> 00:21:28,320
Speaker 3: want to know, all right. So we have the billboards,

455
00:21:28,600 --> 00:21:31,240
Speaker 3: they're your billboards. What do you want on their nine

456
00:21:31,359 --> 00:21:34,479
Speaker 3: four one four one oh four three. No, Tony, we

457
00:21:34,560 --> 00:21:38,119
Speaker 3: cannot put please legalized cannabis. Okay, every time we do it,

458
00:21:38,200 --> 00:21:40,240
Speaker 3: he's the first call. Last time, he was the first

459
00:21:40,240 --> 00:21:44,000
Speaker 3: call yesterday in January he was like, attention, Dan Andrews,

460
00:21:44,119 --> 00:21:48,080
Speaker 3: legalized cannabis, right, he's part of the legalized cannabis movement.

461
00:21:48,320 --> 00:21:51,600
Speaker 3: And then yesterday he wanted Albanisi. He's going right to

462
00:21:51,600 --> 00:21:53,520
Speaker 3: the top. Yes.

463
00:21:54,320 --> 00:21:57,200
Speaker 1: The Christian Connell Show podcast.

464
00:21:57,160 --> 00:21:59,440
Speaker 3: Christian, I think if Tony wants to ask alban Ezy

465
00:21:59,560 --> 00:22:02,640
Speaker 3: to legal lines marijuana, even if Dan Andrews had said

466
00:22:02,720 --> 00:22:05,000
Speaker 3: yes in January, he'd pull out the deal before launch.

467
00:22:05,520 --> 00:22:12,600
Speaker 3: Oh too soon? Okay, So when a billboard your messages

468
00:22:12,840 --> 00:22:15,640
Speaker 3: on the billboards of Melbourne nine four one four one

469
00:22:15,640 --> 00:22:19,240
Speaker 3: oh four three. So a happy customer when we first

470
00:22:19,320 --> 00:22:21,800
Speaker 3: did this at the start of the year was Die.

471
00:22:22,000 --> 00:22:23,720
Speaker 3: She's the one that wanted to try and find her

472
00:22:24,160 --> 00:22:27,120
Speaker 3: son job at the Reading Cinemas. Die.

473
00:22:27,840 --> 00:22:28,879
Speaker 9: Hello, good morning.

474
00:22:29,000 --> 00:22:30,399
Speaker 3: I just want to give you a quick call to

475
00:22:30,440 --> 00:22:34,600
Speaker 3: see how your son Dom got on working at Reading Cinemas.

476
00:22:34,720 --> 00:22:36,600
Speaker 3: Is he still employed by them?

477
00:22:37,119 --> 00:22:40,080
Speaker 9: He certainly is, and he absolutely loves it.

478
00:22:40,600 --> 00:22:41,560
Speaker 3: Oh brilliant. I'm so.

479
00:22:43,000 --> 00:22:45,840
Speaker 9: Yes, the success story ahead.

480
00:22:48,920 --> 00:22:51,439
Speaker 3: We haven't spoken about Steve yet in the dishwasher, so

481
00:22:51,720 --> 00:22:54,480
Speaker 3: we're still pending that one. But I'm glad that Dom

482
00:22:54,560 --> 00:22:56,600
Speaker 3: is still enjoying his job there. That's crazy, He's Die,

483
00:22:56,640 --> 00:22:57,320
Speaker 3: You must be very hap.

484
00:22:57,720 --> 00:22:59,600
Speaker 9: So you picked up a few extra shoes this week,

485
00:22:59,640 --> 00:23:01,560
Speaker 9: and that's to them. Last night after I picked him

486
00:23:01,600 --> 00:23:03,680
Speaker 9: up and I said, I'm so proud of you, he said,

487
00:23:03,880 --> 00:23:05,719
Speaker 9: I really like the money.

488
00:23:06,400 --> 00:23:08,359
Speaker 3: That's great. I guess, yeah, I guess he has picked

489
00:23:08,400 --> 00:23:10,359
Speaker 3: up extra shifts over the weekend because of the big

490
00:23:10,840 --> 00:23:12,040
Speaker 3: Barbenheimer weekend.

491
00:23:12,760 --> 00:23:14,440
Speaker 9: Yes, yes, so I might have to get along to

492
00:23:14,480 --> 00:23:15,720
Speaker 9: see Oppenheimer now as well.

493
00:23:15,760 --> 00:23:16,880
Speaker 2: I think it's great.

494
00:23:17,000 --> 00:23:19,199
Speaker 3: Yeah, thank you very much, lovely to hear from you

495
00:23:19,240 --> 00:23:19,560
Speaker 3: again and.

496
00:23:21,600 --> 00:23:22,399
Speaker 9: Helping.

497
00:23:23,040 --> 00:23:26,879
Speaker 3: Let's go to Charlie here. Good morning Charlie. Good morning guys,

498
00:23:27,000 --> 00:23:28,960
Speaker 3: Good morning Charlie. So what would you love on the

499
00:23:28,960 --> 00:23:30,400
Speaker 3: billboard Charlie.

500
00:23:31,119 --> 00:23:34,000
Speaker 14: Website the new children's band, and we have our very

501
00:23:34,040 --> 00:23:36,120
Speaker 14: first song coming out this Friday.

502
00:23:35,880 --> 00:23:40,600
Speaker 3: Watch Wiggles. Some new guys in town.

503
00:23:40,200 --> 00:23:43,040
Speaker 14: The funny thing is our guys actually worked with the

504
00:23:43,080 --> 00:23:46,120
Speaker 14: wils Oh, you want.

505
00:23:45,920 --> 00:23:47,680
Speaker 3: To be the King, You've got to take out the King.

506
00:23:48,600 --> 00:23:52,240
Speaker 3: I like it. Siggles everyone. They think they're being supported

507
00:23:52,280 --> 00:23:56,280
Speaker 3: by friends. Then suddenly arrival breaks on the midst.

508
00:23:57,080 --> 00:23:58,600
Speaker 2: So what do your guys do with the Wiggles. They

509
00:23:58,600 --> 00:24:00,000
Speaker 2: work backstage or something.

510
00:24:00,760 --> 00:24:06,240
Speaker 14: So sometimes performing on stage, helping out some car, sometimes

511
00:24:06,240 --> 00:24:10,720
Speaker 14: playing guitar. Hidden Wiggles not not quite in the skivvy,

512
00:24:10,760 --> 00:24:13,120
Speaker 14: but on the stage, in.

513
00:24:13,080 --> 00:24:18,119
Speaker 2: The wings, in the costumes like dinosaurs. Oh, the people

514
00:24:18,160 --> 00:24:20,840
Speaker 2: inside Dorothy and the Octopus are going to make their

515
00:24:20,840 --> 00:24:21,320
Speaker 2: own band.

516
00:24:22,320 --> 00:24:28,399
Speaker 3: Yes, this is huge, This is huge, Charlie. Thank you

517
00:24:28,480 --> 00:24:30,840
Speaker 3: so much for calling us. This is massive.

518
00:24:32,200 --> 00:24:34,600
Speaker 2: I guessed when you like night after night, when you're

519
00:24:34,600 --> 00:24:37,440
Speaker 2: in that hot I'm writing.

520
00:24:37,240 --> 00:24:39,600
Speaker 3: Hits in my head. First one is called slew the Wiggles.

521
00:24:40,440 --> 00:24:45,320
Speaker 3: Next one's called I Want to Be Rich Too, Wake up, Jeff.

522
00:24:46,560 --> 00:24:47,919
Speaker 3: But that's just me, you know. That's what I've been

523
00:24:47,920 --> 00:24:49,680
Speaker 3: going on in my head on that big old dinosaur

524
00:24:49,720 --> 00:24:54,200
Speaker 3: out for every day, stinking of my own sweat. Wake up, Jeff,

525
00:24:54,560 --> 00:24:57,520
Speaker 3: ju Jugger Jugger hits out Friday. Guys, not much more

526
00:24:57,520 --> 00:24:59,760
Speaker 3: of this Trojan Horse.

527
00:25:01,119 --> 00:25:02,639
Speaker 2: So if you go to the Wiggles on the weekend

528
00:25:02,640 --> 00:25:03,840
Speaker 2: and Dorothy's not there.

529
00:25:03,680 --> 00:25:03,919
Speaker 5: You know.

530
00:25:05,440 --> 00:25:08,119
Speaker 3: This is great, Charlie. So what's the outfit called? What

531
00:25:08,160 --> 00:25:09,560
Speaker 3: do you call? We're right behind you.

532
00:25:10,119 --> 00:25:11,439
Speaker 5: We're called easy Peasy.

533
00:25:11,760 --> 00:25:21,040
Speaker 3: That's what that money is Wiggles. Okay, what's the first

534
00:25:21,080 --> 00:25:22,680
Speaker 3: song called so out Friday?

535
00:25:22,760 --> 00:25:26,240
Speaker 5: Is it out Friday? It's called I Love Avocado.

536
00:25:27,520 --> 00:25:31,360
Speaker 3: Okay, okay, staying in the wheelhouse, staying in the I

537
00:25:31,480 --> 00:25:33,199
Speaker 3: like it, and that's going to play big in this

538
00:25:33,280 --> 00:25:36,919
Speaker 3: city where everyone does love smart and smashed avo. I

539
00:25:37,280 --> 00:25:37,840
Speaker 3: like it.

540
00:25:38,920 --> 00:25:41,520
Speaker 2: When people first heard the words hot Potato, we would

541
00:25:41,560 --> 00:25:42,960
Speaker 2: have thought, oh, that's a strange thing to write, a

542
00:25:42,960 --> 00:25:45,240
Speaker 2: scale changer, And now it's a huge hit.

543
00:25:45,400 --> 00:25:47,720
Speaker 3: Absolutely. And who else is in the band? What do

544
00:25:47,800 --> 00:25:48,760
Speaker 3: you play, Charlie?

545
00:25:49,640 --> 00:25:53,399
Speaker 14: So I'm the guitarist and the pianist.

546
00:25:52,880 --> 00:25:53,359
Speaker 15: Of the band.

547
00:25:53,400 --> 00:25:55,200
Speaker 3: All right, So you're Murray yes.

548
00:25:56,280 --> 00:25:57,600
Speaker 5: Pretty much, pretty much.

549
00:25:58,160 --> 00:26:01,800
Speaker 14: We have Michael who drives the whole vision of the projects,

550
00:26:02,760 --> 00:26:03,920
Speaker 14: architect Harmony.

551
00:26:04,240 --> 00:26:05,120
Speaker 2: Is he on stage?

552
00:26:05,160 --> 00:26:05,840
Speaker 3: What's he doing?

553
00:26:08,080 --> 00:26:10,280
Speaker 5: He also plays guitar and piano and everything.

554
00:26:10,600 --> 00:26:12,600
Speaker 3: You've got to have an instrument. You can be the vision,

555
00:26:12,600 --> 00:26:14,560
Speaker 3: but you pick up an instrument as well, would wind

556
00:26:14,640 --> 00:26:16,240
Speaker 3: or otherwise. I don't care if it's a triangle. But

557
00:26:16,840 --> 00:26:21,040
Speaker 3: everybody and everyone an easy PC please, so a standing on,

558
00:26:21,600 --> 00:26:23,840
Speaker 3: waving at the crowd. Otherwise it's a breakfast show. You

559
00:26:23,840 --> 00:26:24,879
Speaker 3: can't have any passages.

560
00:26:25,040 --> 00:26:32,320
Speaker 14: Yeah, and we've also got Harmony with us, who's an exceptional.

561
00:26:31,760 --> 00:26:35,520
Speaker 3: Singer, fantastic. So you do any live stuff to promote

562
00:26:35,560 --> 00:26:36,960
Speaker 3: it this weekend you're playing anywhere.

563
00:26:37,440 --> 00:26:40,320
Speaker 14: We're not this weekend, but that's the next big goal

564
00:26:40,359 --> 00:26:41,840
Speaker 14: to try and get some live show if.

565
00:26:41,720 --> 00:26:43,080
Speaker 3: You want to have a word with a vision guy,

566
00:26:43,119 --> 00:26:46,160
Speaker 3: because you know the Beantels didn't just yeah, we've got

567
00:26:46,160 --> 00:26:49,399
Speaker 3: some songs out you're playing live? Yeah, yeah, we'll probably

568
00:26:49,440 --> 00:26:50,280
Speaker 3: to get to that next.

569
00:26:50,280 --> 00:26:53,040
Speaker 2: Actually, what's the big Vision released the debut single since

570
00:26:53,200 --> 00:26:53,960
Speaker 2: we lay Low?

571
00:26:54,280 --> 00:26:56,520
Speaker 3: Yeah, I'll tell you what he's taking it easy, your

572
00:26:56,600 --> 00:26:59,320
Speaker 3: vision guy, what's the marketing plan? Cool? Christian Tomorrow morning

573
00:26:59,359 --> 00:27:05,639
Speaker 3: and we needed release I love it, easy guys.

574
00:27:06,320 --> 00:27:07,800
Speaker 2: Can we get the single on Friday?

575
00:27:07,800 --> 00:27:09,840
Speaker 3: And here's some of it?

576
00:27:09,920 --> 00:27:12,560
Speaker 14: So it's my Space sample. We've got a sample up

577
00:27:12,600 --> 00:27:16,320
Speaker 14: on Instagram right now, and then we've also got links

578
00:27:16,359 --> 00:27:17,760
Speaker 14: to be able to access it on all of the

579
00:27:17,760 --> 00:27:19,760
Speaker 14: streaming services.

580
00:27:19,560 --> 00:27:23,320
Speaker 3: Easy psy, we love Avocado? Is that the song?

581
00:27:23,960 --> 00:27:25,000
Speaker 5: I Love Avocado?

582
00:27:25,119 --> 00:27:27,399
Speaker 3: I see gone for singular other than a collective? Okay,

583
00:27:27,640 --> 00:27:31,399
Speaker 3: that's a vision guy. I'm not a vision guy, just

584
00:27:31,440 --> 00:27:34,920
Speaker 3: a dancing monkey every morning. I'm not a vision guy.

585
00:27:35,320 --> 00:27:38,360
Speaker 2: Good luck, Charlie. So what would you want on the billboard?

586
00:27:38,880 --> 00:27:41,879
Speaker 3: All right, George Martin, come on.

587
00:27:41,880 --> 00:27:43,280
Speaker 2: Sorry, I forgot about the billboard.

588
00:27:43,520 --> 00:27:45,280
Speaker 3: He's not the vision guy either, but we need a

589
00:27:45,359 --> 00:27:45,800
Speaker 3: vision guy.

590
00:27:45,880 --> 00:27:46,920
Speaker 2: What would you want to say?

591
00:27:48,280 --> 00:27:50,600
Speaker 14: We've got to get our Instagram up on the billboard

592
00:27:50,760 --> 00:27:54,080
Speaker 14: and say I Love Avocado comes out this Friday.

593
00:27:54,960 --> 00:27:59,400
Speaker 2: Then Instagram, slash, easyp. There's a bit, missy, isn't it?

594
00:28:00,440 --> 00:28:02,480
Speaker 3: Tell you what we're gonna do. We're going to take

595
00:28:02,520 --> 00:28:03,919
Speaker 3: this off air for a couple of minutes and have

596
00:28:04,000 --> 00:28:05,800
Speaker 3: a think how we can sort of you know, we

597
00:28:05,840 --> 00:28:08,080
Speaker 3: need to speak to the vision guy here because you know,

598
00:28:08,160 --> 00:28:09,359
Speaker 3: I think it needs to be a bit more of

599
00:28:09,359 --> 00:28:11,199
Speaker 3: a punchy message. You know, you need something that's a

600
00:28:11,200 --> 00:28:13,520
Speaker 3: bit more attention grab and you're like dies, you know,

601
00:28:13,600 --> 00:28:16,760
Speaker 3: please reading cinemas, Please give my son a job, stee,

602
00:28:16,760 --> 00:28:19,080
Speaker 3: put your plates in a dishwasher. You go, and I

603
00:28:19,119 --> 00:28:21,800
Speaker 3: love Avocado, new single out. There's a lot of messages

604
00:28:21,880 --> 00:28:24,600
Speaker 3: like there. Okay, you're going into a lot of noisy headspace,

605
00:28:24,880 --> 00:28:28,200
Speaker 3: as the marketers say, so you need some point of distinction,

606
00:28:28,400 --> 00:28:32,440
Speaker 3: something like it's not this death to the Wiggles.

607
00:28:33,800 --> 00:28:34,440
Speaker 5: Going whoa, whoa.

608
00:28:35,000 --> 00:28:36,040
Speaker 3: I love Avcardo.

609
00:28:37,960 --> 00:28:39,920
Speaker 2: I think he's right, Charlie, you got to take down

610
00:28:39,920 --> 00:28:40,320
Speaker 2: the Wiggle.

611
00:28:41,560 --> 00:28:45,560
Speaker 1: We'll come back to this well Christian Connell's show podcast.

612
00:28:46,240 --> 00:28:49,040
Speaker 3: All right, here's the situation. Every morning we'll giving a

613
00:28:49,160 --> 00:28:51,880
Speaker 3: billboards to you. Whatever you want on the billboards, you

614
00:28:51,920 --> 00:28:54,080
Speaker 3: can have it. We can put up your message within

615
00:28:54,320 --> 00:28:57,520
Speaker 3: minutes to the billboards all over town now being Highway,

616
00:28:57,560 --> 00:29:01,080
Speaker 3: Balto Bridge, Princess Freeway, Tell a free way Monash free

617
00:29:01,080 --> 00:29:05,000
Speaker 3: with those big mega billboards, the electronic ones. Charlie just

618
00:29:05,040 --> 00:29:07,800
Speaker 3: gave us a call. Him and his mates have a

619
00:29:07,880 --> 00:29:10,240
Speaker 3: children's band. They've actually been playing with the Wiggles. They're

620
00:29:10,280 --> 00:29:12,480
Speaker 3: the guys who were inside the big dinosaur outfits.

621
00:29:12,520 --> 00:29:13,960
Speaker 2: They're ready to come out of the costumes.

622
00:29:14,000 --> 00:29:17,320
Speaker 3: Yeah, they're called easy Peasy. Their first song this is

623
00:29:17,320 --> 00:29:20,200
Speaker 3: their big play, right, Their first song comes out Friday.

624
00:29:20,240 --> 00:29:22,520
Speaker 3: They'd love to have something on the billboard right at

625
00:29:22,520 --> 00:29:24,160
Speaker 3: the moment, he's trying to work out what it is,

626
00:29:24,160 --> 00:29:25,520
Speaker 3: and we're trying to help them out. At the moment,

627
00:29:25,560 --> 00:29:28,040
Speaker 3: they just want to push Instagram because that's the way

628
00:29:28,080 --> 00:29:29,680
Speaker 3: the world these days. But you're not going to see

629
00:29:29,680 --> 00:29:31,880
Speaker 3: that driving around stuff like that. There's too many of

630
00:29:31,880 --> 00:29:34,560
Speaker 3: these messages like us here do this, Okay, you don't.

631
00:29:34,720 --> 00:29:37,000
Speaker 3: They just need to push the band name and the

632
00:29:37,040 --> 00:29:39,640
Speaker 3: song and they need to get your attention. So Jack

633
00:29:39,680 --> 00:29:42,000
Speaker 3: at the moment, obviously I said this is working progres.

634
00:29:42,080 --> 00:29:43,720
Speaker 3: When I said death to the Wiggles, I mean no

635
00:29:43,800 --> 00:29:45,600
Speaker 3: harm to the Wiggles. Murray and Jeff and the boys,

636
00:29:45,640 --> 00:29:48,800
Speaker 3: lovely guys. However, we're brainstoring here, yes a blue sky

637
00:29:48,840 --> 00:29:51,280
Speaker 3: on it. As they say what about this? Then r

638
00:29:51,320 --> 00:29:53,080
Speaker 3: ip the Wiggles.

639
00:29:52,720 --> 00:29:54,920
Speaker 2: Are still on Death to the Wiggles. Actually it's even

640
00:29:54,960 --> 00:29:56,280
Speaker 2: worth they've already something's happened.

641
00:29:56,240 --> 00:29:58,880
Speaker 3: If something's happened, you're right, ah r I p the Wiggles,

642
00:29:58,880 --> 00:30:02,160
Speaker 3: Easy Pas for evs. That's the language of the kids.

643
00:30:02,520 --> 00:30:05,800
Speaker 3: Watch about this. Then the world's greatest kids band is

644
00:30:05,920 --> 00:30:08,080
Speaker 3: here hashtag easy Peasy.

645
00:30:08,240 --> 00:30:11,880
Speaker 2: All right, I've got hot potatoes have gone cold. Easy

646
00:30:11,960 --> 00:30:14,800
Speaker 2: Peasy is your new favorite kids band? Oh my god?

647
00:30:14,840 --> 00:30:17,560
Speaker 3: Who wrote that? Some sort of youth club leader? All right,

648
00:30:18,480 --> 00:30:22,160
Speaker 3: they need your help, Melbourne. Text in what's a better

649
00:30:22,360 --> 00:30:25,240
Speaker 3: headline they can have on the billboard? So the song

650
00:30:25,360 --> 00:30:26,800
Speaker 3: is called I Love Avocado.

651
00:30:26,920 --> 00:30:29,760
Speaker 2: I Love Avocado. The band is easy Peasy. And if

652
00:30:29,800 --> 00:30:33,040
Speaker 2: there's some kind of desk to the Wiggles.

653
00:30:32,800 --> 00:30:36,880
Speaker 3: Clip, Yes, a little bit of light spray, friendly banter, okay,

654
00:30:36,920 --> 00:30:39,040
Speaker 3: friendly fine to the Wiggles, that'll be ideal. All right?

655
00:30:39,080 --> 00:30:41,240
Speaker 3: Text in the message what should go on there to

656
00:30:41,320 --> 00:30:43,880
Speaker 3: promote the band they called Easyps is called I Love

657
00:30:43,960 --> 00:30:49,680
Speaker 3: Avocado Over seven five three one oh four three funeral

658
00:30:49,720 --> 00:30:52,320
Speaker 3: today it's the Wiggles.

659
00:30:52,360 --> 00:30:55,840
Speaker 6: This is the Christian O'Connell show podcast.

660
00:30:56,520 --> 00:31:02,240
Speaker 3: We're not promoting the Instagram. It's boring. Every other thing

661
00:31:02,320 --> 00:31:05,400
Speaker 3: these days is go to Facebook, Go and Instagram like us.

662
00:31:05,480 --> 00:31:07,520
Speaker 3: There for an oven. They want me to go and

663
00:31:07,680 --> 00:31:12,160
Speaker 3: like them on Instagram. You're an oven. Just at the

664
00:31:12,240 --> 00:31:15,360
Speaker 3: start of some kind of branding exercise. All right, so

665
00:31:15,520 --> 00:31:19,000
Speaker 3: here is where we are, then, win a billboard spoke.

666
00:31:19,080 --> 00:31:21,040
Speaker 3: Its a lovely guy called Charlie. He's got a band.

667
00:31:21,120 --> 00:31:23,360
Speaker 3: Him and his mates are in a band, kids band.

668
00:31:23,720 --> 00:31:26,760
Speaker 3: They're called easy Peasy. They've been playing with the Wiggles.

669
00:31:27,520 --> 00:31:31,120
Speaker 3: We've got their song right drops Friday. It's called I

670
00:31:31,160 --> 00:31:34,840
Speaker 3: Love Avocado. This is this is This is an instant hit.

671
00:31:35,080 --> 00:31:37,320
Speaker 3: This has got that infectious hook that the Wiggles did.

672
00:31:49,560 --> 00:31:50,840
Speaker 3: It's like it's from Disney.

673
00:31:51,320 --> 00:32:03,200
Speaker 1: It's very good at.

674
00:32:01,680 --> 00:32:02,640
Speaker 3: What's happened to lyrics?

675
00:32:04,200 --> 00:32:04,760
Speaker 2: That's a guitar?

676
00:32:05,280 --> 00:32:05,560
Speaker 12: All right?

677
00:32:05,600 --> 00:32:13,040
Speaker 3: Okay, right, you and I need to get into this game. Seriously.

678
00:32:13,600 --> 00:32:15,440
Speaker 2: You think it's easy to write it's easy ps.

679
00:32:15,720 --> 00:32:19,200
Speaker 3: No where they got the names? You and I could

680
00:32:19,240 --> 00:32:22,400
Speaker 3: do some of that. You know, dressing red were on

681
00:32:22,440 --> 00:32:26,720
Speaker 3: a Saturday morning shows. All right, So we're looking for

682
00:32:26,720 --> 00:32:31,000
Speaker 3: a slogan for the Billboards game. Hey, Google play I

683
00:32:31,080 --> 00:32:35,719
Speaker 3: Love Avocados by easy Pas clever clever on the nose. Uh.

684
00:32:35,920 --> 00:32:40,560
Speaker 3: The Audi Wiggles were good. We're different block capitals. Easy Peasy,

685
00:32:42,080 --> 00:32:44,440
Speaker 3: move over Wiggles. Pasy is here.

686
00:32:46,160 --> 00:32:48,760
Speaker 2: We don't even know the band's name, like the.

687
00:32:48,800 --> 00:32:54,040
Speaker 3: Stones Springsteen or Prince I love Avocado. Drops on Friday

688
00:32:54,360 --> 00:32:59,240
Speaker 3: smash the Wiggles. I love avocado. Hashtag easy peasy, Uh

689
00:32:59,680 --> 00:33:04,200
Speaker 3: We're you're on over to insta it's easy pas see

690
00:33:04,240 --> 00:33:08,400
Speaker 3: that's good to to Chugger, Chugger to the Wiggles. Easy

691
00:33:08,440 --> 00:33:15,000
Speaker 3: pasy runs the world now hashtag if were the previous

692
00:33:15,120 --> 00:33:20,480
Speaker 3: kings of the world Wiggles were easy peasy is.

693
00:33:22,680 --> 00:33:25,200
Speaker 2: Pasted to the presence. May I throw one more in?

694
00:33:25,360 --> 00:33:30,240
Speaker 2: Police Wiggles have gone stiff easy pasy because.

695
00:33:30,000 --> 00:33:38,800
Speaker 3: They're not with kids bands language like that. No stop kids,

696
00:33:38,960 --> 00:33:43,960
Speaker 3: tally parents, Jackson alreadio no kids telling parents the Wiggles

697
00:33:43,960 --> 00:33:49,080
Speaker 3: are out and easy in. That's a good one. Hashtag

698
00:33:49,440 --> 00:33:51,920
Speaker 3: I love avocado. Let's get the main man from the

699
00:33:51,920 --> 00:33:53,360
Speaker 3: band on right now and give us a call ten

700
00:33:53,400 --> 00:33:55,760
Speaker 3: minutes go, Charlie, do you like any of these? Mate?

701
00:33:56,880 --> 00:33:59,040
Speaker 14: To be honest, the one that actually stands out is

702
00:33:59,080 --> 00:34:03,880
Speaker 14: the hey Google one. It's a clear instruction. It's directing, it.

703
00:34:03,920 --> 00:34:05,720
Speaker 2: Is, it is, it's very very good.

704
00:34:05,760 --> 00:34:09,560
Speaker 3: It's a bit serious. Jack and Ized breath away.

705
00:34:09,719 --> 00:34:11,520
Speaker 2: We want I think we wanted to choose one of

706
00:34:11,520 --> 00:34:12,520
Speaker 2: the anti Wigan ones.

707
00:34:13,680 --> 00:34:18,040
Speaker 3: A taskmaster success demands it to get it, Charlie. Charlie,

708
00:34:18,120 --> 00:34:21,120
Speaker 3: by the way, the song, the song's great, thank.

709
00:34:20,960 --> 00:34:21,839
Speaker 5: You, thank you.

710
00:34:22,040 --> 00:34:24,680
Speaker 14: Where It's been a long process to get it ridden

711
00:34:24,680 --> 00:34:26,520
Speaker 14: and recorded. So I'm glad you like it.

712
00:34:26,640 --> 00:34:28,719
Speaker 3: No, I do. I think it's very very good, mate.

713
00:34:28,440 --> 00:34:31,000
Speaker 3: I wish all the success with it. So what's the

714
00:34:31,080 --> 00:34:32,480
Speaker 3: one that you like? When do you want us to

715
00:34:32,480 --> 00:34:34,359
Speaker 3: put this up? Do you not want this Friday when

716
00:34:34,400 --> 00:34:36,920
Speaker 3: the song's out, because then we can go out now,

717
00:34:37,239 --> 00:34:38,759
Speaker 3: you know, and you've got the little word tinkers on

718
00:34:38,800 --> 00:34:39,759
Speaker 3: the way to the school run.

719
00:34:40,840 --> 00:34:44,120
Speaker 14: I mean, if you're happy to do Friday, take Friday.

720
00:34:45,200 --> 00:34:45,960
Speaker 3: Who's gone stiff?

721
00:34:47,680 --> 00:34:48,920
Speaker 2: What did you call the children?

722
00:34:49,200 --> 00:34:53,120
Speaker 3: Tinkers? Attackers? You know, Charlie. So listen, Charlie, So what

723
00:34:53,200 --> 00:34:55,160
Speaker 3: about we do all this Friday, because that's when the

724
00:34:55,160 --> 00:34:55,800
Speaker 3: song's out.

725
00:34:56,320 --> 00:34:59,200
Speaker 5: Okay, I would love that. I'd be absolutely thrilled.

726
00:35:00,920 --> 00:35:08,200
Speaker 3: Blood Man's offering you access to all these billboards and

727
00:35:08,239 --> 00:35:10,920
Speaker 3: the day your singles out is free marketing. All right, Charlie.

728
00:35:10,960 --> 00:35:14,400
Speaker 3: So you like the Google play? I love Avocado?

729
00:35:15,040 --> 00:35:15,839
Speaker 5: Yes, yeah.

730
00:35:16,000 --> 00:35:18,200
Speaker 2: My only thought about that is, like some people use Alexa,

731
00:35:18,280 --> 00:35:19,480
Speaker 2: some people use Siri.

732
00:35:21,040 --> 00:35:25,520
Speaker 3: Burgs here all right, zook? Oh, the head of its

733
00:35:25,560 --> 00:35:29,160
Speaker 3: has popped in for quick Jack's left the room. Yep, Charlie,

734
00:35:29,160 --> 00:35:29,800
Speaker 3: don't worry about it.

735
00:35:29,840 --> 00:35:30,840
Speaker 5: We go with Google.

736
00:35:31,320 --> 00:35:35,560
Speaker 3: Okay, I'll cut out Jackie one this one. Charlie. We

737
00:35:35,640 --> 00:35:37,800
Speaker 3: speak to you Friday, but we'll give you the billboards Friday.

738
00:35:38,360 --> 00:35:39,319
Speaker 5: Amazing, Thank you.

739
00:35:39,640 --> 00:35:41,799
Speaker 3: All of this is great, right, great twenty minutes chat

740
00:35:41,880 --> 00:35:44,080
Speaker 3: with Charlie and messages. We've got nothing to put on

741
00:35:44,080 --> 00:35:47,680
Speaker 3: the billboard. What do you want for today? Melbourne?

742
00:35:48,000 --> 00:35:50,360
Speaker 1: Carl and Bryner and you're listening to the question of

743
00:35:50,520 --> 00:35:51,280
Speaker 1: Carl's Show.

744
00:35:51,160 --> 00:35:55,279
Speaker 3: Podcast, Christian what about the Wiggles hate avocados? We're moving on, guys,

745
00:35:55,320 --> 00:35:59,400
Speaker 3: you got to focus. There's all these billboards. Nothing on

746
00:35:59,440 --> 00:36:03,680
Speaker 3: the fort today Friday. We're good. It's dzy peasy Friday.

747
00:36:04,400 --> 00:36:07,080
Speaker 3: Right now. We have business in hand. Adam's on the line.

748
00:36:07,120 --> 00:36:07,920
Speaker 3: Good morning, Adam.

749
00:36:08,480 --> 00:36:09,399
Speaker 5: Hello, how are you?

750
00:36:09,560 --> 00:36:11,879
Speaker 3: I'm good, Adam, So welcome to the show and win

751
00:36:11,920 --> 00:36:15,000
Speaker 3: a billboard? What would you love the billboards of Melbourne

752
00:36:15,080 --> 00:36:16,160
Speaker 3: to say today?

753
00:36:17,120 --> 00:36:18,959
Speaker 16: So me and my mate we've opened up a little

754
00:36:19,000 --> 00:36:23,040
Speaker 16: cafe in Thornbury and everything's five dollars, just to help

755
00:36:23,080 --> 00:36:28,879
Speaker 16: out with everyone in the struggling times. So it's something

756
00:36:28,920 --> 00:36:31,320
Speaker 16: the cafe that maybe say the name and that everything's

757
00:36:31,360 --> 00:36:32,239
Speaker 16: five dollars.

758
00:36:32,600 --> 00:36:34,359
Speaker 3: Yeah, it's a great idea. Good on you. I think

759
00:36:34,360 --> 00:36:36,120
Speaker 3: it's a lovely thing to do. So it's all five

760
00:36:36,160 --> 00:36:38,239
Speaker 3: dollars today every day.

761
00:36:38,280 --> 00:36:42,719
Speaker 16: So that's our thing. Like we've got pastors, begets, like copies.

762
00:36:43,080 --> 00:36:47,799
Speaker 3: All like buck yeah much. I'm worried about your buddy here.

763
00:36:47,840 --> 00:36:49,960
Speaker 3: I'm worried about your make ends meet. I mean, this

764
00:36:50,080 --> 00:36:52,760
Speaker 3: is a lovely thing to do, but you've got bills

765
00:36:52,760 --> 00:36:54,960
Speaker 3: to play, the cost of livings high for everyone renting

766
00:36:55,040 --> 00:36:58,000
Speaker 3: the place and getting all the materials and food in

767
00:36:58,040 --> 00:36:59,239
Speaker 3: that that you're going to give to us.

768
00:37:00,560 --> 00:37:02,799
Speaker 16: It's just, you know, just we're trying to help out,

769
00:37:03,040 --> 00:37:05,400
Speaker 16: you know, a secret millionaires?

770
00:37:05,440 --> 00:37:08,880
Speaker 3: Is it some new TV show that'd be great?

771
00:37:09,719 --> 00:37:12,279
Speaker 2: No, but seriously, Adam, for five weeks now like a

772
00:37:12,320 --> 00:37:15,279
Speaker 2: coffee class, almost fly back to the cafe back again.

773
00:37:15,360 --> 00:37:19,400
Speaker 2: I haven't seen for under ten dollars.

774
00:37:20,920 --> 00:37:21,560
Speaker 5: No, it's good.

775
00:37:21,600 --> 00:37:23,200
Speaker 16: It's a good week. We came up with a good

776
00:37:23,200 --> 00:37:23,680
Speaker 16: idea and.

777
00:37:23,640 --> 00:37:26,520
Speaker 3: Well have you stay tuned to my friends? All right,

778
00:37:26,600 --> 00:37:30,040
Speaker 3: so what would you like it to say, Adam?

779
00:37:30,080 --> 00:37:32,400
Speaker 16: If maybe we just said like five bucks? Schmuck? And

780
00:37:32,600 --> 00:37:36,879
Speaker 16: maybe maybe seven nineteen High Street that's where it is,

781
00:37:36,960 --> 00:37:41,560
Speaker 16: and just maybe there's something to say, like everything's five bucks.

782
00:37:42,120 --> 00:37:47,759
Speaker 3: Okay, okay, it's a little bit loose at the mind again,

783
00:37:47,800 --> 00:37:49,280
Speaker 3: we're back to brainstorming.

784
00:37:49,320 --> 00:37:52,040
Speaker 2: So five is the name of the cafe?

785
00:37:52,520 --> 00:37:54,839
Speaker 3: Yes, great name. First of all, that is a great

786
00:37:54,920 --> 00:37:57,000
Speaker 3: name for the business. So I reckon you start, you

787
00:37:57,120 --> 00:38:01,000
Speaker 3: we open, yeah, we open with that five buck schmuck

788
00:38:01,480 --> 00:38:06,560
Speaker 3: exclamation mark? Yeah, yeah, straight away? What's this? You read

789
00:38:06,600 --> 00:38:08,600
Speaker 3: it right? Everything five dollars?

790
00:38:08,800 --> 00:38:11,080
Speaker 2: Yes, oh you heard right?

791
00:38:12,600 --> 00:38:13,279
Speaker 3: I heard right?

792
00:38:15,200 --> 00:38:21,239
Speaker 2: What about just everything five dollars including baguette, pastors, forgets?

793
00:38:21,280 --> 00:38:24,520
Speaker 3: Are we going to spell that right? How many is it? Eightees?

794
00:38:24,640 --> 00:38:25,040
Speaker 3: Is there?

795
00:38:25,360 --> 00:38:25,480
Speaker 13: What?

796
00:38:25,760 --> 00:38:26,040
Speaker 3: Friends?

797
00:38:26,120 --> 00:38:26,239
Speaker 14: Do?

798
00:38:26,280 --> 00:38:28,120
Speaker 3: They chuck another rest at the end? What's the blur

799
00:38:28,280 --> 00:38:28,800
Speaker 3: of baghett?

800
00:38:28,840 --> 00:38:30,160
Speaker 2: Does that?

801
00:38:30,800 --> 00:38:33,600
Speaker 3: Those French sticks? You know, the one's the big long

802
00:38:33,640 --> 00:38:34,400
Speaker 3: one the football?

803
00:38:35,080 --> 00:38:37,240
Speaker 2: What's your what's your best piece of food in there? Adam?

804
00:38:37,239 --> 00:38:38,200
Speaker 2: What's your centerpiece?

805
00:38:38,360 --> 00:38:40,080
Speaker 3: There we go with this today.

806
00:38:42,680 --> 00:38:45,719
Speaker 16: Everything goes pretty well, everything's pretty popular.

807
00:38:45,560 --> 00:38:48,800
Speaker 3: Yeah, exactly. Refuse to answer a press conference.

808
00:38:48,800 --> 00:38:53,320
Speaker 2: Adam is sorry, five bucks, schmuck everything? Five bucks?

809
00:38:53,400 --> 00:38:56,200
Speaker 3: Come along? Seven nights? What's your dress?

810
00:38:56,200 --> 00:38:57,640
Speaker 5: Seven nineteen High Street?

811
00:38:58,280 --> 00:38:58,440
Speaker 8: Thor.

812
00:38:58,800 --> 00:38:59,719
Speaker 2: Alright, that's all it needs to be.

813
00:39:00,160 --> 00:39:05,640
Speaker 3: Probably, it's punchy, it's it's good, ABC, accurate, brief, concise. Yep,

814
00:39:05,840 --> 00:39:10,520
Speaker 3: you got it, buddy, five buck Schmuck, seven nineteen Thornberry

815
00:39:10,560 --> 00:39:13,560
Speaker 3: High Street. Yep, I just keep saying it, you know,

816
00:39:13,719 --> 00:39:15,759
Speaker 3: out loud. Are you there?

817
00:39:15,760 --> 00:39:16,080
Speaker 2: Now?

818
00:39:18,080 --> 00:39:23,760
Speaker 3: Just up a crowd here? What was by buck schmuck?

819
00:39:23,800 --> 00:39:25,120
Speaker 3: I'm here for my owner, Baghetta?

820
00:39:25,440 --> 00:39:26,360
Speaker 2: What time do you open?

821
00:39:27,920 --> 00:39:28,040
Speaker 3: So?

822
00:39:29,040 --> 00:39:30,640
Speaker 16: I knew this was going so I just hopped in

823
00:39:30,680 --> 00:39:33,000
Speaker 16: the car to try try to do this, but I

824
00:39:33,040 --> 00:39:35,759
Speaker 16: should I was. I was just around the corner from there.

825
00:39:35,840 --> 00:39:39,040
Speaker 2: So yeah, but what time you like? What time does

826
00:39:39,040 --> 00:39:40,480
Speaker 2: the cap? I open in the morning?

827
00:39:40,680 --> 00:39:44,080
Speaker 3: What's going on? Opens at the seventh normally?

828
00:39:44,520 --> 00:39:45,319
Speaker 2: So who's there now?

829
00:39:45,440 --> 00:39:45,840
Speaker 3: The schmuck?

830
00:39:46,840 --> 00:39:46,960
Speaker 14: Uh?

831
00:39:47,280 --> 00:39:48,000
Speaker 5: Someone else there?

832
00:39:49,360 --> 00:39:49,960
Speaker 2: People can go?

833
00:39:50,080 --> 00:39:52,960
Speaker 3: So people can go right now? It's open now, Yes

834
00:39:52,960 --> 00:39:55,120
Speaker 3: it is gotch and cloud. We clear you're around the corner.

835
00:39:55,120 --> 00:39:57,360
Speaker 3: But there's someone else there running the five buck smuck?

836
00:39:57,480 --> 00:40:02,239
Speaker 3: Yeah yeah, seven nineteen Thornbury High Street. Yep, gotcha. Okay,

837
00:40:02,320 --> 00:40:04,920
Speaker 3: all right, adam, good luck, we're gonna send the message now.

838
00:40:04,960 --> 00:40:06,959
Speaker 3: It's going up the next couple of minutes. Good luck.

839
00:40:07,160 --> 00:40:09,440
Speaker 1: The Christian O'Connell show podcast.

840
00:40:09,880 --> 00:40:13,360
Speaker 3: Perhaps he do you get text messages from your daughter

841
00:40:13,640 --> 00:40:14,480
Speaker 3: during your.

842
00:40:14,360 --> 00:40:16,560
Speaker 4: Day at first times? Yeah, sometimes I do.

843
00:40:16,680 --> 00:40:19,960
Speaker 2: Well, you're answering your daughter during the show A lot

844
00:40:19,960 --> 00:40:21,480
Speaker 2: of the time. I look over and you're on the phone.

845
00:40:22,200 --> 00:40:26,080
Speaker 3: Now, that is not a separate thing. That's a separate thing.

846
00:40:26,120 --> 00:40:28,680
Speaker 4: Thirty seconds I ring her at seven forty as she

847
00:40:28,719 --> 00:40:29,520
Speaker 4: gets on the bus.

848
00:40:30,040 --> 00:40:31,800
Speaker 3: I don't want to get into it now. But that's

849
00:40:31,880 --> 00:40:34,719
Speaker 3: not true, is it. It's not thirty seconds? But I

850
00:40:34,800 --> 00:40:35,040
Speaker 3: get it.

851
00:40:35,120 --> 00:40:35,480
Speaker 12: You're here.

852
00:40:35,520 --> 00:40:36,960
Speaker 3: You want to just check everything's right home.

853
00:40:37,040 --> 00:40:38,720
Speaker 4: Yeah, well I don't see us, so I just need.

854
00:40:38,600 --> 00:40:41,840
Speaker 3: To show you know. It's tough in the mornings. It is. Yeah,

855
00:40:42,120 --> 00:40:45,439
Speaker 3: also a lot easy being here. That's what I've worked.

856
00:40:45,640 --> 00:40:47,319
Speaker 3: You see them at the end of the day. Seeing

857
00:40:47,320 --> 00:40:49,640
Speaker 3: the end of the day, they're all tired and cozy,

858
00:40:49,719 --> 00:40:52,200
Speaker 3: little bedtime story part time. You can be a hero

859
00:40:52,320 --> 00:40:54,280
Speaker 3: in the bedroom as you're just at reading out the stories,

860
00:40:54,440 --> 00:40:57,120
Speaker 3: get a couple of encores, whereas in the morning they're scratchy.

861
00:40:57,239 --> 00:40:59,800
Speaker 3: It's best Dad's somewhere else.

862
00:41:00,719 --> 00:41:03,640
Speaker 2: Well, you've done twenty years of breakfast row twenty five years,

863
00:41:03,640 --> 00:41:05,759
Speaker 2: so more than you would never have had to send

864
00:41:05,800 --> 00:41:06,520
Speaker 2: the girls to school.

865
00:41:06,800 --> 00:41:11,400
Speaker 3: I've done it about eight times and found it unbelievably stressful.

866
00:41:11,880 --> 00:41:14,160
Speaker 3: They also hated it because they because I get every early,

867
00:41:14,200 --> 00:41:16,839
Speaker 3: they would be deposited at school at like half plus

868
00:41:16,920 --> 00:41:17,520
Speaker 3: five in the morning.

869
00:41:18,760 --> 00:41:20,879
Speaker 4: Plus you get in the way. I find when I'm

870
00:41:20,880 --> 00:41:23,120
Speaker 4: on holidays and i'm home, I'm just on the way

871
00:41:23,360 --> 00:41:24,839
Speaker 4: in the way. It's like, mum, get out of the right.

872
00:41:25,480 --> 00:41:27,560
Speaker 3: They're not used to doing it. They don't want the

873
00:41:27,600 --> 00:41:29,880
Speaker 3: rhythm of you there. That's it. Actually you realize you're

874
00:41:29,880 --> 00:41:32,400
Speaker 3: a bystand they've got they've got this kind of strange

875
00:41:32,400 --> 00:41:35,920
Speaker 3: little routine and dance and actually you're not welcome. Then

876
00:41:36,000 --> 00:41:37,520
Speaker 3: it's best that you actually just get in the way

877
00:41:37,520 --> 00:41:39,839
Speaker 3: and I can fly in the ointment anyway. At the moment,

878
00:41:40,000 --> 00:41:43,919
Speaker 3: I'm getting messages because it's formal time for lower she's

879
00:41:43,960 --> 00:41:48,360
Speaker 3: here elone. Yeah, really exciting, but let's focus during the

880
00:41:48,360 --> 00:41:51,160
Speaker 3: school hours on the schooling, okay, and we do the

881
00:41:51,200 --> 00:41:53,560
Speaker 3: excitement at the weekend when you've got lots of time,

882
00:41:53,960 --> 00:41:56,640
Speaker 3: or at home time in the evening. Yesterday, I'm in

883
00:41:56,680 --> 00:41:59,799
Speaker 3: a meeting with the team here, right, and we're going

884
00:41:59,800 --> 00:42:03,880
Speaker 3: through some very exciting potential ideas for client ideas on

885
00:42:03,920 --> 00:42:06,120
Speaker 3: the show. The next couple of weeks, we're midway through

886
00:42:06,160 --> 00:42:08,319
Speaker 3: some very exciting stuff for a tool based company.

887
00:42:08,360 --> 00:42:10,279
Speaker 2: That's our favorite part of the show. How can we.

888
00:42:10,440 --> 00:42:12,000
Speaker 3: It's why I come here, really, I just knock off

889
00:42:12,040 --> 00:42:13,879
Speaker 3: the show stuff and I'm like, have we got any

890
00:42:13,880 --> 00:42:16,600
Speaker 3: more tool companies? I want to do stuff? I'm here

891
00:42:16,600 --> 00:42:20,160
Speaker 3: for that anyway. Nine forty two am I get this.

892
00:42:20,920 --> 00:42:23,840
Speaker 3: I really need your help Dad. Straight away. I go

893
00:42:23,920 --> 00:42:27,160
Speaker 3: to Team Hay to chat this. Something's going on. It's

894
00:42:27,200 --> 00:42:34,279
Speaker 3: a photo, a screenshot from the Iconic again not a

895
00:42:34,320 --> 00:42:39,360
Speaker 3: schooling educational portal of a handbag. This is my dream

896
00:42:39,440 --> 00:42:44,600
Speaker 3: bag for formal and it's now thirty percent off. I

897
00:42:44,760 --> 00:42:49,520
Speaker 3: need you to buy this, I reply, I need you

898
00:42:49,640 --> 00:42:53,000
Speaker 3: to focus on schooling and you can get the handbag

899
00:42:53,320 --> 00:42:59,080
Speaker 3: after six o'clock tonight, Cinderella. I'm concerned this thirty percent

900
00:42:59,160 --> 00:43:03,680
Speaker 3: off won't be for much longer. And then the tear emoji.

901
00:43:04,680 --> 00:43:07,319
Speaker 3: This is this is ridiculous. I said, I'm in a

902
00:43:07,360 --> 00:43:10,440
Speaker 3: re meeting right now. I'm going to keep battering you

903
00:43:10,560 --> 00:43:13,680
Speaker 3: until you say yes nothing and then I go yes

904
00:43:13,719 --> 00:43:14,800
Speaker 3: by the flipping handbag.

905
00:43:16,320 --> 00:43:19,800
Speaker 1: Christian no Connell's Show podcast Christian.

906
00:43:19,840 --> 00:43:23,320
Speaker 3: I had to google the plot after watching Don't Worry Darling.

907
00:43:24,480 --> 00:43:26,600
Speaker 3: Maybe I was too busy looking at Harry Styles to

908
00:43:26,640 --> 00:43:28,120
Speaker 3: take the king the whole thing, but there was a

909
00:43:28,200 --> 00:43:29,040
Speaker 3: lot going on.

910
00:43:29,280 --> 00:43:30,400
Speaker 4: I had to do that as well.

911
00:43:31,000 --> 00:43:34,200
Speaker 3: Yeah, we were talking about it last week. These days,

912
00:43:34,239 --> 00:43:36,320
Speaker 3: a lot of the movies, there's a lot of layers

913
00:43:37,239 --> 00:43:40,520
Speaker 3: you're overage, Mumby like us to go through. Back in

914
00:43:40,600 --> 00:43:45,360
Speaker 3: my day, Police Academy, Academy, top Gun. He's in a cockpit. Okay,

915
00:43:45,400 --> 00:43:47,719
Speaker 3: he meets the girl, will they get together? We all

916
00:43:47,719 --> 00:43:50,440
Speaker 3: go home. We have no questions. You tied up with

917
00:43:50,480 --> 00:43:53,120
Speaker 3: a nice bow at the end. This hidden meaning stuff,

918
00:43:53,120 --> 00:43:55,840
Speaker 3: And I'm talking to you, Christopher Nolan. Make it obvious.

919
00:43:55,960 --> 00:43:58,000
Speaker 2: There was no Google back then, but we didn't need it.

920
00:43:58,040 --> 00:43:59,640
Speaker 2: We got the movie You.

921
00:43:59,600 --> 00:44:03,520
Speaker 3: Caristial shovel popcorn into your mouth without these thoughts after thoughts.

922
00:44:04,080 --> 00:44:06,080
Speaker 3: So I uh no, Sporiler said, By the way, but

923
00:44:06,120 --> 00:44:10,239
Speaker 3: I loved the Barbie movie. But Patsy, did you understand

924
00:44:10,880 --> 00:44:14,400
Speaker 3: the ending? A very funny line, But I thought, hm,

925
00:44:15,040 --> 00:44:17,000
Speaker 3: they mean something in that. I don't want to say

926
00:44:17,000 --> 00:44:20,279
Speaker 3: anything to the two radical feminists that took me my

927
00:44:20,400 --> 00:44:22,759
Speaker 3: daughters because I thought they'd tearing me to pieces. It

928
00:44:22,800 --> 00:44:24,719
Speaker 3: was already like a chimpanzee war as it was. They

929
00:44:24,760 --> 00:44:27,040
Speaker 3: were tearing chunks at me in the car. About when

930
00:44:27,080 --> 00:44:29,640
Speaker 3: I just said, right, Gosling steals that movie. They go, oh,

931
00:44:29,680 --> 00:44:33,319
Speaker 3: there's a patriarchy. Guy supports guy, and I was just like,

932
00:44:33,360 --> 00:44:35,919
Speaker 3: I just keep quiet, now, keep quiet. So I got

933
00:44:35,920 --> 00:44:39,640
Speaker 3: home and I googled Barbie movie ending question mark, like

934
00:44:39,680 --> 00:44:41,520
Speaker 3: you do the rest, Google, you explain it to me.

935
00:44:41,960 --> 00:44:46,320
Speaker 3: I read a two thousand word article from l magazine

936
00:44:46,400 --> 00:44:49,080
Speaker 3: or even the lady writing it was presuming this is

937
00:44:49,120 --> 00:44:51,239
Speaker 3: what they meant, and she didn't want to say. I

938
00:44:51,239 --> 00:44:53,680
Speaker 3: think it's issue and I think what they're saying in

939
00:44:53,719 --> 00:44:56,359
Speaker 3: the movie is two thousand words and you haven't got

940
00:44:56,360 --> 00:44:59,760
Speaker 3: a definitive ending. These kids aren't going to understand this.

941
00:45:00,160 --> 00:45:02,279
Speaker 2: It was so interesting now looking back at when you

942
00:45:02,320 --> 00:45:04,520
Speaker 2: came in after the weekend and to caitlin A producing

943
00:45:05,000 --> 00:45:06,200
Speaker 2: the ending was very clever.

944
00:45:06,360 --> 00:45:09,640
Speaker 3: Yeah, so much clever. It went over my head.

945
00:45:10,280 --> 00:45:12,399
Speaker 4: Chris was the same though, he goes, what a stupid ending.

946
00:45:12,680 --> 00:45:14,879
Speaker 4: When we're in the cinema, said, oh, how dare you?

947
00:45:14,960 --> 00:45:15,799
Speaker 4: That's blosshemous.

948
00:45:16,880 --> 00:45:18,920
Speaker 3: I just didn't do you what did you what do

949
00:45:18,920 --> 00:45:19,239
Speaker 3: you take?

950
00:45:19,280 --> 00:45:20,080
Speaker 2: Can you say what it is?

951
00:45:20,280 --> 00:45:20,440
Speaker 5: Will?

952
00:45:20,680 --> 00:45:27,560
Speaker 3: No? No, it's a very very funny joke because actually

953
00:45:27,640 --> 00:45:29,960
Speaker 3: it's a joke with a meaning, right, And like with

954
00:45:30,040 --> 00:45:32,480
Speaker 3: any joke, you can take it in a million different ways,

955
00:45:32,600 --> 00:45:35,000
Speaker 3: and they end with it a movie like that, which

956
00:45:35,000 --> 00:45:37,239
Speaker 3: has a lot of points in there. It's not just

957
00:45:37,320 --> 00:45:40,600
Speaker 3: a joke. Everyone walked out laughing, but I walked out going,

958
00:45:41,360 --> 00:45:44,760
Speaker 3: I get it, greta girl with I just have Google

959
00:45:44,800 --> 00:45:48,520
Speaker 3: as but Google just needs to back up my final.

960
00:45:48,760 --> 00:45:50,200
Speaker 2: Yeah, that's what I thought just reading that.

961
00:45:50,320 --> 00:45:51,560
Speaker 3: Now do you think, Patsy?

962
00:45:51,800 --> 00:45:54,279
Speaker 4: Yeah, no, I think you will take the meaning from

963
00:45:54,360 --> 00:45:55,680
Speaker 4: it that you want to.

964
00:45:56,400 --> 00:45:59,960
Speaker 3: Come a raw shap blocker ink block.

965
00:46:00,360 --> 00:46:01,040
Speaker 4: That's what I think.

966
00:46:01,080 --> 00:46:02,200
Speaker 2: There are no wrong answers.

967
00:46:02,280 --> 00:46:04,560
Speaker 4: Yeah, correct, I think you'll take from it what you will.

968
00:46:04,680 --> 00:46:05,600
Speaker 3: What did you take from it?

969
00:46:06,080 --> 00:46:06,640
Speaker 4: I loved it.

970
00:46:06,680 --> 00:46:10,040
Speaker 3: I thought it was the ending.

971
00:46:09,080 --> 00:46:10,880
Speaker 4: To say, because it's a spoil I don't want to

972
00:46:10,960 --> 00:46:12,200
Speaker 4: spoil it for anyone watching it.

973
00:46:12,280 --> 00:46:15,160
Speaker 2: Yeah, yeah, fair enough, gotcha. I will say this about Oppenheimer,

974
00:46:15,200 --> 00:46:16,239
Speaker 2: which I watched last night.

975
00:46:16,400 --> 00:46:18,520
Speaker 3: It wasn't no spoilers, by the way, because we all

976
00:46:18,560 --> 00:46:21,040
Speaker 3: know how it ended. You can't go, hey, I want

977
00:46:21,040 --> 00:46:24,320
Speaker 3: to go home, don't ever go in history books.

978
00:46:25,120 --> 00:46:27,000
Speaker 2: No, I had to google more than just the ending

979
00:46:27,080 --> 00:46:27,319
Speaker 2: there was.

980
00:46:27,560 --> 00:46:27,799
Speaker 3: It was.

981
00:46:27,880 --> 00:46:31,080
Speaker 2: I love the movie, but it was so dense, especially

982
00:46:31,560 --> 00:46:36,600
Speaker 2: all the political turmoil in and around Oppenheimer and what

983
00:46:36,680 --> 00:46:38,640
Speaker 2: happened after, because it's a bomb.

984
00:46:38,520 --> 00:46:41,480
Speaker 3: Big, big story to tell you, and the movie's long anyway?

985
00:46:41,600 --> 00:46:42,919
Speaker 3: Was it just on the three hours?

986
00:46:42,920 --> 00:46:46,200
Speaker 2: Three hours? And then Oppenheimer explained on YouTube was half

987
00:46:46,239 --> 00:46:48,600
Speaker 2: an hour. So that's four hours that I put into

988
00:46:48,640 --> 00:46:51,000
Speaker 2: last night, just understanding work.

989
00:46:50,880 --> 00:46:52,400
Speaker 3: You gotta do. Isn't that we didn't have to do

990
00:46:52,440 --> 00:46:54,400
Speaker 3: this back in the day. Go to your local library

991
00:46:54,480 --> 00:46:56,560
Speaker 3: to read up on tupp gun and what an F

992
00:46:56,719 --> 00:46:59,239
Speaker 3: nineteen was and a meg fighter jet? All right? So

993
00:46:59,360 --> 00:47:01,319
Speaker 3: when did you have to google a movie you saw

994
00:47:01,360 --> 00:47:02,399
Speaker 3: to find out more about it?

995
00:47:02,760 --> 00:47:05,719
Speaker 1: The Christian O'Connell show podcast a.

996
00:47:05,719 --> 00:47:09,200
Speaker 3: Couple of years ago, there was a movie called Donny Darko. Yes,

997
00:47:09,440 --> 00:47:13,440
Speaker 3: I have no idea, and everyone's like, oh God, I

998
00:47:13,480 --> 00:47:15,480
Speaker 3: seen Johnny. Isn't that a great movie? And you know,

999
00:47:15,560 --> 00:47:18,600
Speaker 3: we go, yeah, yeah, yeah, so great, and inside you

1000
00:47:18,680 --> 00:47:21,239
Speaker 3: going I got no idea about what I saw or

1001
00:47:21,239 --> 00:47:24,320
Speaker 3: what the ending was a couple of years ago, promoting

1002
00:47:24,320 --> 00:47:26,240
Speaker 3: a very different kind of movie which I did understand,

1003
00:47:26,239 --> 00:47:29,520
Speaker 3: called Southpoor, a boxer movie. Jake Gillenhall. Half the interview,

1004
00:47:29,600 --> 00:47:32,000
Speaker 3: I was talking about Donny Dark Oh went I didn't

1005
00:47:32,040 --> 00:47:34,640
Speaker 3: understand it? Did you understand he was in the flipping movie?

1006
00:47:34,640 --> 00:47:36,560
Speaker 3: He goes, I gotta be honest, I've never said this

1007
00:47:36,560 --> 00:47:38,080
Speaker 3: for but it's a few years on it. I didn't

1008
00:47:38,160 --> 00:47:41,160
Speaker 3: understand lots of I'm not then what hope is there

1009
00:47:41,239 --> 00:47:45,080
Speaker 3: for the average slacksual mumdy like me shoveling popcorn in

1010
00:47:45,120 --> 00:47:46,279
Speaker 3: my pie hole watching it?

1011
00:47:46,320 --> 00:47:49,120
Speaker 2: What was that energy snake coming out of your stomach? About? Yes,

1012
00:47:49,840 --> 00:47:50,480
Speaker 2: time travel.

1013
00:47:50,800 --> 00:47:53,080
Speaker 3: We're talking about movies where you had to consult Google

1014
00:47:53,360 --> 00:47:56,480
Speaker 3: try and understand what you'd seen. No Country for Old Men.

1015
00:47:56,800 --> 00:47:59,000
Speaker 3: Christian everywhere else was going about how brilliant the ending was.

1016
00:47:59,040 --> 00:48:00,880
Speaker 3: I just thought, what did I mean? Straight onto the

1017
00:48:00,920 --> 00:48:04,200
Speaker 3: IMDb aptor read up on it. Still think it was

1018
00:48:04,280 --> 00:48:09,440
Speaker 3: a stupid ending. Mark's on the line, Mark, what movie

1019
00:48:09,440 --> 00:48:11,360
Speaker 3: did you go and see? We had to consult Google?

1020
00:48:12,800 --> 00:48:15,000
Speaker 12: Thanks Christian. I went and saw I'm Keenanth a few

1021
00:48:15,080 --> 00:48:17,520
Speaker 12: years ago. Another bloody Christopher Nolan.

1022
00:48:19,080 --> 00:48:22,520
Speaker 3: Since Dark Knight, he's determined to confuse cinema.

1023
00:48:22,320 --> 00:48:25,040
Speaker 2: But Matthew McConaughey in that Bookshelf and Interstellar.

1024
00:48:27,080 --> 00:48:28,799
Speaker 12: I don't know what he's on, but he should be

1025
00:48:28,800 --> 00:48:29,680
Speaker 12: sharing it, I tell you.

1026
00:48:31,719 --> 00:48:33,480
Speaker 3: So you went to see Tenant, which is a very

1027
00:48:33,520 --> 00:48:34,839
Speaker 3: confusing movie, isn't it.

1028
00:48:34,840 --> 00:48:37,120
Speaker 12: It's a very confusing movie. I saw it at like

1029
00:48:37,200 --> 00:48:40,239
Speaker 12: the nine thirty session was just made it worse because

1030
00:48:40,280 --> 00:48:42,760
Speaker 12: I was just trapped in a cinema with like eighty

1031
00:48:42,800 --> 00:48:44,960
Speaker 12: five turbo geeks that just got every bit of it.

1032
00:48:46,360 --> 00:48:49,160
Speaker 3: I love that it's not geeks, it's turbo geeks. It's

1033
00:48:49,160 --> 00:48:51,160
Speaker 3: a special showing the turbo geeks showing.

1034
00:48:52,440 --> 00:48:55,040
Speaker 12: And it took me a good three or four days

1035
00:48:55,040 --> 00:48:58,480
Speaker 12: of research, and I still I don't know if it's

1036
00:48:58,480 --> 00:49:01,160
Speaker 12: forwards backwards up there, and I don't know what's happening.

1037
00:49:01,239 --> 00:49:04,839
Speaker 3: So, and you aren't you a maths teacher, so you're

1038
00:49:04,880 --> 00:49:05,959
Speaker 3: obviously a smart guy.

1039
00:49:06,080 --> 00:49:09,360
Speaker 12: Yeah, but it's logic, and this is not logic.

1040
00:49:10,640 --> 00:49:10,880
Speaker 11: You know.

1041
00:49:11,320 --> 00:49:14,080
Speaker 12: Come on, a movie should go from point to point

1042
00:49:14,080 --> 00:49:15,239
Speaker 12: to point to point.

1043
00:49:16,160 --> 00:49:21,439
Speaker 3: Midge, we all walk out understanding it all. Smiley, there's

1044
00:49:21,480 --> 00:49:24,399
Speaker 3: no shade to gray, there's only black and white.

1045
00:49:24,480 --> 00:49:26,440
Speaker 2: Yeah, because what happens with and this happened with me

1046
00:49:26,600 --> 00:49:28,680
Speaker 2: last night, Oppenheimer, you walk out, and the natural thing

1047
00:49:28,680 --> 00:49:30,279
Speaker 2: to do is everyone goes, oh, what did you think?

1048
00:49:30,560 --> 00:49:32,400
Speaker 2: I did like it, But it's hard to say I

1049
00:49:32,440 --> 00:49:35,600
Speaker 2: love a film, but I also didn't understand a bunch.

1050
00:49:35,400 --> 00:49:39,080
Speaker 3: Of it, especially when saying there for three hours, because

1051
00:49:39,080 --> 00:49:40,600
Speaker 3: you're like, what did you miss? Because there's so much?

1052
00:49:40,719 --> 00:49:42,800
Speaker 3: But everyone says an Oppenheimer, there's too much information.

1053
00:49:42,920 --> 00:49:45,480
Speaker 2: There's so much. I mean, he's they're packing his whole

1054
00:49:45,520 --> 00:49:48,040
Speaker 2: life in there, so from when he's a teenager up

1055
00:49:48,120 --> 00:49:48,959
Speaker 2: until when he dies.

1056
00:49:49,000 --> 00:49:50,239
Speaker 3: Why do we need to know what happened as a

1057
00:49:50,239 --> 00:49:51,960
Speaker 3: teenager and you know what he got up to with

1058
00:49:52,040 --> 00:49:54,120
Speaker 3: splitting the act. I don't care what he was like

1059
00:49:54,160 --> 00:49:54,719
Speaker 3: as a kid.

1060
00:49:54,840 --> 00:49:57,719
Speaker 2: I tell you. Actually, films have come so far, and

1061
00:49:57,760 --> 00:49:59,759
Speaker 2: the advancement of filmmaking has come so far. But something

1062
00:49:59,800 --> 00:50:02,600
Speaker 2: there I still haven't nailed is making an older actor

1063
00:50:02,640 --> 00:50:05,719
Speaker 2: convincingly look like a younger man. Yeah, it doesn't worry Oppenheimer.

1064
00:50:05,760 --> 00:50:11,640
Speaker 2: As a younger man just look like some supermarket hair dye.

1065
00:50:12,560 --> 00:50:14,120
Speaker 3: So my well worth just for men.

1066
00:50:16,960 --> 00:50:20,480
Speaker 6: This is the Christian O'Connell show podcast.

1067
00:50:20,920 --> 00:50:25,359
Speaker 3: Christian, I had to google the Prestige amazing movie. Didn't

1068
00:50:25,440 --> 00:50:28,080
Speaker 3: understand a lot of it. It's another Christopher Nola one.

1069
00:50:28,120 --> 00:50:32,200
Speaker 3: I think ninety nine point nine percent of the movies

1070
00:50:32,239 --> 00:50:34,560
Speaker 3: that we've all had to google and involve Christopher Nolan

1071
00:50:34,640 --> 00:50:37,720
Speaker 3: behind the lens. James, thank you very much your text

1072
00:50:39,000 --> 00:50:41,280
Speaker 3: ban you have her time wasted coming up in five

1073
00:50:41,400 --> 00:50:44,640
Speaker 3: minutes time. Thank you, very very very much. Share everyone

1074
00:50:45,360 --> 00:50:48,120
Speaker 3: that has offered to help out the lady we spoke

1075
00:50:48,160 --> 00:50:52,000
Speaker 3: to yesterday, wonderful person Sue. Sue called him when we

1076
00:50:52,000 --> 00:50:54,520
Speaker 3: were talking about Winner billboard work the moment on the show,

1077
00:50:54,560 --> 00:50:58,000
Speaker 3: we are giving you control of the billboards of Melbourne.

1078
00:50:58,160 --> 00:51:00,360
Speaker 3: Sue wanted to put a message up there, but actually

1079
00:51:00,440 --> 00:51:02,640
Speaker 3: she had something far bigger going on in her life.

1080
00:51:02,840 --> 00:51:05,360
Speaker 3: Her brother was to be getting married next month and

1081
00:51:05,480 --> 00:51:09,520
Speaker 3: at the end of August, and sadly Monday this week

1082
00:51:09,920 --> 00:51:12,680
Speaker 3: we're given a diagnosis with his brain tumor that isn't good,

1083
00:51:13,040 --> 00:51:14,719
Speaker 3: so much so that he was advised that if you

1084
00:51:14,719 --> 00:51:16,520
Speaker 3: do want to get married, he would have to do

1085
00:51:16,560 --> 00:51:19,480
Speaker 3: it this Saturday. So yesterday Sue was just trying to

1086
00:51:19,520 --> 00:51:22,160
Speaker 3: call us, not asking for any how, she was trying

1087
00:51:22,160 --> 00:51:24,960
Speaker 3: to move the entire wedding forward by a couple of

1088
00:51:24,960 --> 00:51:28,320
Speaker 3: weeks in just a couple of days and processing what's

1089
00:51:28,320 --> 00:51:30,360
Speaker 3: happening with her brother. She was actually colling us to

1090
00:51:30,360 --> 00:51:34,960
Speaker 3: put something about a family member coming over flying into Melbourne,

1091
00:51:35,000 --> 00:51:37,200
Speaker 3: just want them to see a nice welcome message, a

1092
00:51:37,239 --> 00:51:39,520
Speaker 3: little bit of cheer ahead of the big day on Saturday.

1093
00:51:39,840 --> 00:51:41,360
Speaker 3: So we said, look, you can't do all that alone.

1094
00:51:41,360 --> 00:51:43,359
Speaker 3: There's so much work that goes on trying to pull

1095
00:51:43,400 --> 00:51:45,520
Speaker 3: up a wedding, let alone just a couple of days.

1096
00:51:45,520 --> 00:51:47,799
Speaker 3: So when we say stuff like that and say that

1097
00:51:47,920 --> 00:51:50,200
Speaker 3: we can help that we really is you guys, and

1098
00:51:50,239 --> 00:51:52,360
Speaker 3: you made the show with us every single day. But

1099
00:51:52,480 --> 00:51:55,960
Speaker 3: it's incredible. I'm always humbled, and yesterday never more so

1100
00:51:56,560 --> 00:51:58,400
Speaker 3: than when we left here at nine o'clock. There were

1101
00:51:58,400 --> 00:52:01,839
Speaker 3: still phone calls out the day, so many emails from

1102
00:52:01,840 --> 00:52:05,000
Speaker 3: people giving their time, their money. We all know how

1103
00:52:05,000 --> 00:52:07,440
Speaker 3: hard things are right now and the costs of living,

1104
00:52:07,440 --> 00:52:09,200
Speaker 3: but the moment you heard what Sue was trying to

1105
00:52:09,200 --> 00:52:12,440
Speaker 3: do for a poor brother, Brian and his wife to

1106
00:52:12,480 --> 00:52:17,200
Speaker 3: be this weekend, Heather, this is just some of the people.

1107
00:52:17,640 --> 00:52:19,560
Speaker 3: Can't get through all them because there's so many. But

1108
00:52:19,960 --> 00:52:22,160
Speaker 3: thank you very much to Adam and all the team,

1109
00:52:22,160 --> 00:52:24,360
Speaker 3: but the Guards of Valhalla, the Bikers, that do a

1110
00:52:24,360 --> 00:52:27,160
Speaker 3: lot of work for charity. They were offering to guide

1111
00:52:27,160 --> 00:52:30,959
Speaker 3: them be outriders on their motorbikes and actually give Brian

1112
00:52:31,040 --> 00:52:32,680
Speaker 3: a lift on the back of the bike to the

1113
00:52:32,719 --> 00:52:35,040
Speaker 3: wedding this weekend. They're obviously even going to pay for

1114
00:52:35,080 --> 00:52:38,120
Speaker 3: accommodation themselves, so thank you very much. To the Guards

1115
00:52:38,120 --> 00:52:38,800
Speaker 3: of Valhalla.

1116
00:52:39,200 --> 00:52:41,640
Speaker 2: Wayne has offered luxury cars to take them if they

1117
00:52:41,640 --> 00:52:43,920
Speaker 2: would like luxury cars, the Caddyman car Hire.

1118
00:52:44,080 --> 00:52:45,920
Speaker 3: Thank you very much. To Jamie. He's got a twenty

1119
00:52:45,920 --> 00:52:49,279
Speaker 3: acre property out at Pantonhill which is beautiful out there

1120
00:52:49,280 --> 00:52:51,280
Speaker 3: with the barn they could have used if they couldn't

1121
00:52:51,280 --> 00:52:54,760
Speaker 3: move the venue, So Jamie, thank you very much.

1122
00:52:55,040 --> 00:52:57,480
Speaker 2: And Tracy has offered honeymoon for them at year in

1123
00:52:57,520 --> 00:52:58,400
Speaker 2: Gorge Cottagers.

1124
00:52:58,600 --> 00:53:02,600
Speaker 3: Thank you very much to Emma Cake Studio offering a

1125
00:53:02,800 --> 00:53:05,440
Speaker 3: free wedding cake to make that ahead of this weekend,

1126
00:53:05,640 --> 00:53:07,720
Speaker 3: which is a big offer. Thank you very much, Emma

1127
00:53:07,719 --> 00:53:08,840
Speaker 3: Atlas at Cake Studio.

1128
00:53:09,040 --> 00:53:11,440
Speaker 2: We had a great response to people offering dress and

1129
00:53:11,480 --> 00:53:14,560
Speaker 2: suit higher Alicia who works at Ferrari Formal Wear or

1130
00:53:14,760 --> 00:53:17,240
Speaker 2: Sarah from Review Australia can help them out.

1131
00:53:17,080 --> 00:53:19,200
Speaker 3: And yesterday in the midst of everything that she was

1132
00:53:19,239 --> 00:53:21,359
Speaker 3: going through. Sue. She just said, I want to give

1133
00:53:21,400 --> 00:53:24,800
Speaker 3: my brother a big party and knees up this weekend.

1134
00:53:25,320 --> 00:53:26,920
Speaker 3: Thank you. So if you need that, you need some boost.

1135
00:53:27,120 --> 00:53:30,319
Speaker 3: Thank you very much to Jay from Rochford Wines, I'm

1136
00:53:30,320 --> 00:53:33,000
Speaker 3: going to provide a dozen red and a dozen white.

1137
00:53:33,200 --> 00:53:37,320
Speaker 3: Morgan from White Light Beverages can provide gin and vodka.

1138
00:53:37,080 --> 00:53:39,640
Speaker 2: And John from JMS Photography is happy to be the

1139
00:53:39,680 --> 00:53:40,719
Speaker 2: photographer on the day.

1140
00:53:41,160 --> 00:53:43,279
Speaker 3: There were loads more. Honestly, thank you so much for

1141
00:53:43,320 --> 00:53:46,320
Speaker 3: everyone that's offered to help out. Sue is on the

1142
00:53:46,760 --> 00:53:51,359
Speaker 3: line right now. Good morning, Sue, Good morning. So how

1143
00:53:51,400 --> 00:53:53,480
Speaker 3: are you now then, ahead of trying to move the

1144
00:53:53,520 --> 00:53:55,600
Speaker 3: wedding forward to this weekend, how's it looking.

1145
00:53:57,080 --> 00:53:58,120
Speaker 1: It's really good.

1146
00:53:58,760 --> 00:54:01,040
Speaker 11: The people that we sort of in place of all

1147
00:54:01,040 --> 00:54:03,640
Speaker 11: come to the party and said, yes we can. We've

1148
00:54:03,640 --> 00:54:07,680
Speaker 11: got the venue, We've got the celebrant. Unfortunately not the piper.

1149
00:54:07,800 --> 00:54:10,440
Speaker 11: So I have reached out to the lady who offered

1150
00:54:10,440 --> 00:54:15,120
Speaker 11: the piper because we were stuck as he's in Scotland,

1151
00:54:16,880 --> 00:54:20,680
Speaker 11: so and just the wedding gives sets all. Everybody else

1152
00:54:20,760 --> 00:54:22,640
Speaker 11: is sort of come to the party and said no,

1153
00:54:22,880 --> 00:54:25,919
Speaker 11: we can move. So it's been great. Thank you so

1154
00:54:25,920 --> 00:54:28,560
Speaker 11: so much, and your listeners are amazing.

1155
00:54:28,080 --> 00:54:29,920
Speaker 3: No, they really are. Thank you for saying that, Sue,

1156
00:54:30,000 --> 00:54:32,240
Speaker 3: So listen, Sue. So in terms of like the things

1157
00:54:32,239 --> 00:54:34,440
Speaker 3: that you do need at the moment, So if anyone

1158
00:54:34,480 --> 00:54:38,160
Speaker 3: knows of a bagpiper for this Saturday, so the bagpipe

1159
00:54:38,280 --> 00:54:40,720
Speaker 3: is important, yeah.

1160
00:54:40,560 --> 00:54:41,279
Speaker 13: Because.

1161
00:54:42,840 --> 00:54:46,600
Speaker 11: Her family is Scottish sort of you know from and

1162
00:54:46,640 --> 00:54:48,799
Speaker 11: so she just wanted that to her mum and their dad.

1163
00:54:48,920 --> 00:54:51,000
Speaker 3: They love the bagpiper. They go mad for that. Scotts

1164
00:54:51,640 --> 00:54:55,840
Speaker 3: we do, all right. So if anyone knows who are bagpiper?

1165
00:54:55,920 --> 00:54:58,360
Speaker 3: You've got that one who practices on your overl opposite.

1166
00:54:58,360 --> 00:55:01,640
Speaker 3: You haven't heard him for in Scotland it's the World

1167
00:55:01,719 --> 00:55:05,160
Speaker 3: Champs at the moment. It's not the open over there.

1168
00:55:05,480 --> 00:55:06,160
Speaker 3: It's a big.

1169
00:55:06,000 --> 00:55:09,400
Speaker 2: Ground and we're looking at a piper drought in Australia

1170
00:55:09,440 --> 00:55:11,480
Speaker 2: if there are all the big custions.

1171
00:55:12,000 --> 00:55:14,239
Speaker 3: All right, So bagpiper the other thing that you're also

1172
00:55:14,320 --> 00:55:16,080
Speaker 3: keen on. You get a lot of weddings these days,

1173
00:55:16,120 --> 00:55:17,319
Speaker 3: and when I was out a couple of weeks ago,

1174
00:55:17,320 --> 00:55:19,680
Speaker 3: it's a lot of fun. Is the photo booth need that?

1175
00:55:20,840 --> 00:55:21,040
Speaker 2: Yeah?

1176
00:55:21,120 --> 00:55:23,919
Speaker 11: Yeah, we were thinking. I met up with my brother

1177
00:55:23,960 --> 00:55:26,520
Speaker 11: in head last night and so I hadn't had a

1178
00:55:26,560 --> 00:55:28,640
Speaker 11: chance to so I was thinking about it, but I

1179
00:55:28,640 --> 00:55:30,600
Speaker 11: hadn't had a chance to organize it and sort of

1180
00:55:30,640 --> 00:55:33,480
Speaker 11: probing too late now, So it might.

1181
00:55:33,320 --> 00:55:35,560
Speaker 3: Not be too late, honestly, Just look at all the

1182
00:55:35,600 --> 00:55:38,480
Speaker 3: people that have come for the last twenty four hours

1183
00:55:38,480 --> 00:55:40,359
Speaker 3: to you never know, there might be someone who has

1184
00:55:40,400 --> 00:55:42,600
Speaker 3: got a photo booth and they can give it to

1185
00:55:42,600 --> 00:55:43,400
Speaker 3: you for this weekend.

1186
00:55:44,400 --> 00:55:46,000
Speaker 11: Oh that would the amazing.

1187
00:55:46,000 --> 00:55:47,919
Speaker 3: It might be a bagpiper who's got a photo booth.

1188
00:55:47,920 --> 00:55:49,520
Speaker 3: He could be like a Swiss army knife.

1189
00:55:49,280 --> 00:55:52,640
Speaker 15: Fingers crossed, a Scott Jammy nice.

1190
00:55:53,080 --> 00:55:56,480
Speaker 3: Yes, there you go nice. And also you would love

1191
00:55:56,520 --> 00:56:00,160
Speaker 3: some chocolate hearts in that little gift gift bank for

1192
00:56:00,200 --> 00:56:00,880
Speaker 3: the guests.

1193
00:56:01,520 --> 00:56:04,279
Speaker 11: Oh yes, and I'm also contacted the share of from

1194
00:56:04,360 --> 00:56:06,759
Speaker 11: Winning Wish and she she's actually got back to me

1195
00:56:06,840 --> 00:56:09,520
Speaker 11: and and said that she would love to help. That

1196
00:56:09,520 --> 00:56:11,840
Speaker 11: would be wonderful, So thank you, Sharah.

1197
00:56:12,160 --> 00:56:12,880
Speaker 3: Brilliant, brilliant.

1198
00:56:12,960 --> 00:56:13,279
Speaker 8: All right?

1199
00:56:13,400 --> 00:56:14,960
Speaker 2: So the pipe and the photo book.

1200
00:56:15,239 --> 00:56:17,320
Speaker 3: That is there? Anything? Elsel is that those two today?

1201
00:56:17,320 --> 00:56:18,000
Speaker 3: Those are the things?

1202
00:56:18,000 --> 00:56:18,200
Speaker 13: You know.

1203
00:56:18,719 --> 00:56:21,880
Speaker 11: It's just my son has an old car that my

1204
00:56:21,960 --> 00:56:24,479
Speaker 11: brother really wanted, so he's going in my son's old

1205
00:56:24,480 --> 00:56:31,040
Speaker 11: cards and old Valiant and we have another Monaro for

1206
00:56:31,200 --> 00:56:34,200
Speaker 11: the bride. So we had the cars, but thank you

1207
00:56:34,239 --> 00:56:37,160
Speaker 11: so much for the for the cars too, and.

1208
00:56:37,239 --> 00:56:39,160
Speaker 3: We're surprised of those guys of Van Haana just hang

1209
00:56:39,200 --> 00:56:39,840
Speaker 3: around there anyway.

1210
00:56:39,920 --> 00:56:44,480
Speaker 2: Just those bikes come whether you like it or note,

1211
00:56:44,760 --> 00:56:46,480
Speaker 2: come on, guys, stand down, stand up.

1212
00:56:47,239 --> 00:56:48,279
Speaker 11: My brother last bike.

1213
00:56:48,400 --> 00:56:51,120
Speaker 15: So yeah, so that that thanks thank you for them

1214
00:56:51,160 --> 00:56:51,600
Speaker 15: as well.

1215
00:56:51,960 --> 00:56:54,440
Speaker 3: All right, So if you got a photo booth is

1216
00:56:54,480 --> 00:56:58,120
Speaker 3: this Saturday, or if you know of a bagpiper or

1217
00:56:58,160 --> 00:56:59,880
Speaker 3: you are a bagpiper, please give us a call No.

1218
00:57:00,080 --> 00:57:03,839
Speaker 3: Four one one four three fingers crossed. Hopefully more good

1219
00:57:03,880 --> 00:57:06,640
Speaker 3: news today, but please send our best to Brian and

1220
00:57:06,719 --> 00:57:08,640
Speaker 3: Heather as well. It's on track. They aren't going to

1221
00:57:08,719 --> 00:57:11,640
Speaker 3: have a really spectacular day this weekend. Thanks for all

1222
00:57:11,680 --> 00:57:14,160
Speaker 3: the work that you've done. You're a great sister to Ah.

1223
00:57:14,360 --> 00:57:14,799
Speaker 11: Thank you.

1224
00:57:14,920 --> 00:57:15,120
Speaker 13: Now.

1225
00:57:15,160 --> 00:57:18,120
Speaker 15: Look he's been a great brother and I just want

1226
00:57:18,120 --> 00:57:21,840
Speaker 15: to make it a huge celebration just in light of everything.

1227
00:57:21,960 --> 00:57:24,560
Speaker 3: So good on you and you will all right, So

1228
00:57:24,600 --> 00:57:27,000
Speaker 3: we catch up tomorrow. Hey, that's a right pleasure. Speak

1229
00:57:27,040 --> 00:57:27,920
Speaker 3: to you tomorrow. Have a good day.

1230
00:57:28,280 --> 00:57:30,480
Speaker 1: The Christian O'Connell Show podcast.

1231
00:57:31,040 --> 00:57:33,320
Speaker 3: Let's say we have a lead for the photo booth.

1232
00:57:33,400 --> 00:57:37,040
Speaker 3: The bag piper is the tricky one. Someone's just called

1233
00:57:37,080 --> 00:57:40,000
Speaker 3: in just now who was a piper, but they can't

1234
00:57:40,040 --> 00:57:42,919
Speaker 3: make it so they're either in Scotland or they've got

1235
00:57:42,920 --> 00:57:46,440
Speaker 3: an engagement this weekend. So bagpiper is a tricky thing

1236
00:57:46,480 --> 00:57:48,400
Speaker 3: that we still need leads for. If you can help

1237
00:57:48,600 --> 00:57:51,200
Speaker 3: nine four one for one oh four three. Patsy, you've

1238
00:57:51,200 --> 00:57:52,760
Speaker 3: got a lead as well that I know you've passed

1239
00:57:52,800 --> 00:57:53,120
Speaker 3: on as.

1240
00:57:53,040 --> 00:57:55,400
Speaker 4: Well to the Yeah, no, I know Camel who listens

1241
00:57:55,440 --> 00:57:55,959
Speaker 4: to the show.

1242
00:57:56,280 --> 00:58:00,760
Speaker 3: I'll come on, come on the piper. I've got my phone.

1243
00:58:01,040 --> 00:58:02,160
Speaker 3: Pipe pipe is Calmel.

1244
00:58:03,080 --> 00:58:05,760
Speaker 4: I used to dance with her and her whole family.

1245
00:58:05,800 --> 00:58:07,920
Speaker 4: Pipe is Calmel. If you're listening, if you can help out,

1246
00:58:08,160 --> 00:58:10,280
Speaker 4: you call me the Partridge family.

1247
00:58:11,880 --> 00:58:16,960
Speaker 3: There's to chrug some five pipers. Of course this would

1248
00:58:17,000 --> 00:58:19,720
Speaker 3: have been in your wheelhouse as a former stage cham.

1249
00:58:19,960 --> 00:58:22,479
Speaker 4: Absolutely, there's got to be someone that can help.

1250
00:58:22,520 --> 00:58:24,720
Speaker 2: Come on in whats up in Highland dancing? Did you

1251
00:58:24,760 --> 00:58:28,240
Speaker 2: always dance to live pipers? Sometimes tape?

1252
00:58:28,280 --> 00:58:32,480
Speaker 4: Sometimes we had cassette tape Jack, yes, because our pipers

1253
00:58:32,480 --> 00:58:34,920
Speaker 4: were quite old in the day. They're about seventy or eighty.

1254
00:58:35,360 --> 00:58:37,040
Speaker 3: Some of them fought with braveheart.

1255
00:58:37,280 --> 00:58:39,560
Speaker 4: Very fit though, because it's good for your lungs.

1256
00:58:41,240 --> 00:58:44,120
Speaker 3: Okay, that is interesting, it is, isn't it. You know

1257
00:58:44,120 --> 00:58:46,680
Speaker 3: I've always wondered how what their votwo capacity is.

1258
00:58:46,840 --> 00:58:47,720
Speaker 4: It's very high.

1259
00:58:47,800 --> 00:58:50,120
Speaker 3: Yeah, I bet it. What do you reckon that max is?

1260
00:58:50,440 --> 00:58:51,920
Speaker 2: There's seventy But they breathed like a.

1261
00:58:51,880 --> 00:58:56,920
Speaker 3: Fifty yes, right ah, right time now for today's time

1262
00:58:57,200 --> 00:59:01,200
Speaker 3: waste where it can feel. Social media song today is

1263
00:59:01,280 --> 00:59:06,000
Speaker 3: this is made up world MySpace Remembrance Day. What are

1264
00:59:06,040 --> 00:59:11,200
Speaker 3: you gonna have a moment's silence? Yesterday? Twitter officially changed

1265
00:59:11,240 --> 00:59:13,240
Speaker 3: its name to this is ludicrous, isn't it?

1266
00:59:13,280 --> 00:59:13,720
Speaker 15: To X?

1267
00:59:15,840 --> 00:59:18,080
Speaker 3: Mad? Isn't he? He paid forty four billion for a

1268
00:59:18,120 --> 00:59:22,320
Speaker 3: company which changed your name randomly to X.

1269
00:59:22,320 --> 00:59:26,000
Speaker 2: Which everybody knows. It's in the vernacular. We're used to it.

1270
00:59:26,160 --> 00:59:30,120
Speaker 3: Retweet you tweet now it's X. There's already been a

1271
00:59:30,160 --> 00:59:32,280
Speaker 3: couple of problems. First, and new logo is called some

1272
00:59:32,320 --> 00:59:36,600
Speaker 3: confusion online because that's also the same as apparently one

1273
00:59:36,640 --> 00:59:38,160
Speaker 3: of the work Jack told me this, one of the

1274
00:59:38,240 --> 00:59:42,000
Speaker 3: most most popular porn sites came in today. He was like,

1275
00:59:42,120 --> 00:59:43,880
Speaker 3: you have you seen us? I've never seen them before

1276
00:59:43,880 --> 00:59:48,520
Speaker 3: in my life. Cathick and Mark Zuckerberg has already strategdic

1277
00:59:48,560 --> 00:59:51,480
Speaker 3: the trademark X of four musket. This is so born

1278
00:59:51,520 --> 00:59:57,800
Speaker 3: about these two nerds turbo getting turn geeks. All right,

1279
00:59:57,880 --> 01:00:01,439
Speaker 3: so we're looking for your social media songs. Jack Let's

1280
01:00:01,480 --> 01:00:07,000
Speaker 3: go what are they listening to? Huh? It's d m'd

1281
01:00:07,040 --> 01:00:09,000
Speaker 3: of the world as we know it?

1282
01:00:09,160 --> 01:00:11,000
Speaker 2: Silver plus, who.

1283
01:00:11,000 --> 01:00:13,400
Speaker 3: Let the Blogs Out? Who Who? Who?

1284
01:00:13,880 --> 01:00:14,200
Speaker 2: Gold?

1285
01:00:14,200 --> 01:00:15,960
Speaker 3: There's bound to be a blog called who Let the

1286
01:00:16,000 --> 01:00:19,680
Speaker 3: Blogs Out? Piers Morgan's big on social media. That's right,

1287
01:00:19,760 --> 01:00:22,560
Speaker 3: Peers in Heaven instead of Tears in Heaven. Peers in Heaven.

1288
01:00:23,160 --> 01:00:23,440
Speaker 2: Silver.

1289
01:00:23,680 --> 01:00:26,720
Speaker 3: I saw that Tears Morgan was trending. Yessay, maybe laugh

1290
01:00:26,840 --> 01:00:30,640
Speaker 3: very hard. You've got a friend requesting me Gold. The

1291
01:00:30,680 --> 01:00:33,800
Speaker 3: first time I ever saw my space, not her face,

1292
01:00:34,120 --> 01:00:38,160
Speaker 3: my Space Silver plus my Remembrance Day and you're my

1293
01:00:38,240 --> 01:00:41,440
Speaker 3: best trend Silver plus, Jackie Boy, what have you got?

1294
01:00:41,520 --> 01:00:42,600
Speaker 3: Social media songs?

1295
01:00:43,280 --> 01:00:45,440
Speaker 2: Dolly Parton and Kenny Rodgers are playing a bit of

1296
01:00:45,480 --> 01:00:48,000
Speaker 2: social media song. Yeah, Island's in the meme?

1297
01:00:49,000 --> 01:00:52,040
Speaker 3: Oh yeah, very good. Gold.

1298
01:00:53,400 --> 01:01:01,840
Speaker 2: The Dexy Midnight Runners are on social media. Come on, Elon, it's.

1299
01:01:01,640 --> 01:01:02,240
Speaker 3: His high level.

1300
01:01:03,040 --> 01:01:07,720
Speaker 2: Yeah, yeah, yeah, it's good God. And Kyle he's on Facebook. Yeah,

1301
01:01:07,880 --> 01:01:09,040
Speaker 2: I should be so zucky.

1302
01:01:10,240 --> 01:01:11,760
Speaker 3: Oh no, that's brons No.

1303
01:01:11,840 --> 01:01:14,720
Speaker 1: The Christian Connell Show podcast.

1304
01:01:14,760 --> 01:01:18,440
Speaker 3: One of the dad's at this school my kids go

1305
01:01:18,480 --> 01:01:20,560
Speaker 3: to as a bagpipe prop. Just send them a message.

1306
01:01:20,720 --> 01:01:22,320
Speaker 3: I'll let you know for hear anything back. Thank you

1307
01:01:22,360 --> 01:01:25,439
Speaker 3: so much to do with that, mate, and Christian, I'm

1308
01:01:25,480 --> 01:01:28,280
Speaker 3: pulling from Whoopster Daisy. Happy to help out with bridal

1309
01:01:28,400 --> 01:01:31,640
Speaker 3: flowers or any other props they need. Thank you very

1310
01:01:31,720 --> 01:01:37,520
Speaker 3: very much. All right, today's time waste stuff? Social media songs.

1311
01:01:40,520 --> 01:01:44,560
Speaker 3: It's your favorite social media Patsy Oh facebooker.

1312
01:01:44,440 --> 01:01:46,880
Speaker 4: No, no, not so much now, I reckon. I'm more

1313
01:01:46,880 --> 01:01:48,480
Speaker 4: of an instagirl these days.

1314
01:01:48,560 --> 01:01:50,760
Speaker 2: Yeah, jackie boy, what do you I've had to put

1315
01:01:50,760 --> 01:01:52,560
Speaker 2: a bit in on my Instagram because I was going

1316
01:01:52,600 --> 01:01:53,640
Speaker 2: to it too much on my phone.

1317
01:01:53,680 --> 01:01:56,360
Speaker 3: It's so clever that they, once they got into the reels,

1318
01:01:56,440 --> 01:01:59,560
Speaker 3: send you your those that algorithm knows you so well.

1319
01:02:00,280 --> 01:02:03,160
Speaker 3: I always kid myself like the second Modern Day magazine,

1320
01:02:03,200 --> 01:02:08,320
Speaker 3: and I'm learning. I'm learning here. All right. So social

1321
01:02:08,360 --> 01:02:11,280
Speaker 3: media songs, you're ready to march out? Girls? Just one

1322
01:02:11,320 --> 01:02:18,360
Speaker 3: to have followers? Gold what an Els. My spaceman came traveling,

1323
01:02:18,640 --> 01:02:22,960
Speaker 3: So the spaceman came traveling. Scroll over Beethoven.

1324
01:02:23,400 --> 01:02:27,240
Speaker 2: Gold, I will always d M you, Silva.

1325
01:02:27,760 --> 01:02:31,520
Speaker 3: Am I ever going to see your Facebook page again? Gold, Cindy,

1326
01:02:31,560 --> 01:02:36,440
Speaker 3: well done the weekend. I can't feed my space Silva.

1327
01:02:37,680 --> 01:02:39,480
Speaker 3: I want to emoji hand beetles.

1328
01:02:40,400 --> 01:02:43,240
Speaker 2: Oh that's funny, very good.

1329
01:02:44,240 --> 01:02:49,960
Speaker 3: Take my followers away, Rebecca Bronze. The only ways upload Silva,

1330
01:02:50,560 --> 01:02:56,160
Speaker 3: I the Viber Silva. Uh, you too with the tweets

1331
01:02:56,160 --> 01:02:59,640
Speaker 3: have no names? Gold, Joe Dolci and shut up on

1332
01:02:59,680 --> 01:03:06,640
Speaker 3: my Space. God, that's so good. You've got to swipe

1333
01:03:06,680 --> 01:03:11,960
Speaker 3: for your right to party bo Silver, your rhythmics, tweet dreams, Gold,

1334
01:03:12,640 --> 01:03:17,240
Speaker 3: sext On Fire silvera sitting on the TikTok of the bay. Gold,

1335
01:03:17,280 --> 01:03:20,680
Speaker 3: but I'm stupid Kiss and I won a block a

1336
01:03:20,720 --> 01:03:26,040
Speaker 3: troll all night. Gold. That's very good. Uh swiping in

1337
01:03:26,080 --> 01:03:30,160
Speaker 3: the name of Silver. I think we're Elon now. I

1338
01:03:30,160 --> 01:03:34,360
Speaker 3: think we're now. That's goodld Laura, well done, Elvis Presley,

1339
01:03:34,360 --> 01:03:37,800
Speaker 3: love me, Tinder Gold, loose the guys doing the Tinder ones,

1340
01:03:38,360 --> 01:03:43,720
Speaker 3: Reddit Reddit Wine Gold, I'm Too Texty Gold, which is

1341
01:03:43,720 --> 01:03:48,400
Speaker 3: a feature called I'm Too Texty Smells nineteen, snapchatting Bronze

1342
01:03:48,480 --> 01:03:50,880
Speaker 3: and tweet Caroline Gold.

1343
01:03:51,880 --> 01:03:54,040
Speaker 1: Christian Connell's show podcast.

1344
01:03:55,000 --> 01:03:57,840
Speaker 3: So if you know a piper or you are a piper,

1345
01:03:58,400 --> 01:04:00,400
Speaker 3: we'd really love you to contact the show today. You

1346
01:04:00,400 --> 01:04:03,920
Speaker 3: can email me Christian Christian O'Connell dot com dot au.

1347
01:04:04,120 --> 01:04:07,080
Speaker 3: Tomorrow's show. Tomorrow Show will be counting down to the

1348
01:04:07,120 --> 01:04:09,680
Speaker 3: second game for the Matilda's Tomorrow night. They're back in

1349
01:04:09,720 --> 01:04:12,880
Speaker 3: action taking on Nigeria. I think it's in Brisbane to

1350
01:04:13,040 --> 01:04:15,640
Speaker 3: night's game. But the important thing is every goal they

1351
01:04:15,680 --> 01:04:18,240
Speaker 3: score you win a prize. Thanks to Ian s. The

1352
01:04:18,360 --> 01:04:26,440
Speaker 3: golithon is here at yes whatever it suits you. On

1353
01:04:26,520 --> 01:04:30,880
Speaker 3: Tomorrow's show between six to nine, the lines are open fused.

1354
01:04:31,080 --> 01:04:33,400
Speaker 3: I'm trying to help out our listener, Mick. Mick is

1355
01:04:33,400 --> 01:04:38,600
Speaker 3: a former postings dreamers to publish a book of posting stories.

1356
01:04:39,400 --> 01:04:43,720
Speaker 3: So to fill an entire book. It's not film fl no, no.

1357
01:04:43,560 --> 01:04:46,720
Speaker 2: No, remember he's got he's got one hundred stories of

1358
01:04:46,720 --> 01:04:49,480
Speaker 2: his own, so really be editing down just the best.

1359
01:04:49,280 --> 01:04:51,520
Speaker 3: One, you're right, and probably be volume one of nineteen.

1360
01:04:51,880 --> 01:04:53,480
Speaker 2: It's like Encyclopedias in the home.

1361
01:04:53,600 --> 01:04:56,040
Speaker 3: Christopher Nola will make the first move and we won't

1362
01:04:56,120 --> 01:05:00,040
Speaker 3: understand anything to do with it. Wow. Yes, Now to

1363
01:05:00,080 --> 01:05:02,000
Speaker 3: help him out. He doesn't need our help, but to

1364
01:05:02,120 --> 01:05:05,080
Speaker 3: help him out. We heard two kidder stories from him

1365
01:05:05,120 --> 01:05:07,600
Speaker 3: yesterday actually, but to have him out. He is looking

1366
01:05:07,640 --> 01:05:10,840
Speaker 3: for stories from us, the general public. So if you've

1367
01:05:10,840 --> 01:05:12,960
Speaker 3: got any stories, what shall weaver to do with post?

1368
01:05:13,160 --> 01:05:15,680
Speaker 3: Whether it's something you tried to send in the post,

1369
01:05:16,040 --> 01:05:18,520
Speaker 3: a strange thing you've received in the post. I think

1370
01:05:18,520 --> 01:05:21,640
Speaker 3: we spoke to someone last year, bee maker. They can

1371
01:05:21,760 --> 01:05:22,840
Speaker 3: order bees in the post.

1372
01:05:23,840 --> 01:05:24,600
Speaker 2: I don't remember that.

1373
01:05:24,640 --> 01:05:26,400
Speaker 3: I think they just sort of scoop them up in

1374
01:05:26,400 --> 01:05:29,360
Speaker 3: the box and send them off. Put some honey in

1375
01:05:29,360 --> 01:05:32,520
Speaker 3: there for them, the happy little mini bee hive in

1376
01:05:32,600 --> 01:05:34,120
Speaker 3: there to keep them going. Make some bees while I'm

1377
01:05:34,120 --> 01:05:35,800
Speaker 3: in there, guys, no downtime.

1378
01:05:36,400 --> 01:05:38,360
Speaker 2: I don't remember that call, so I made it up.

1379
01:05:38,440 --> 01:05:41,600
Speaker 3: I might have made that up. I don't know. But anyway, listen, beekeepers,

1380
01:05:42,160 --> 01:05:44,200
Speaker 3: you don't put me straight on that today, email me

1381
01:05:44,240 --> 01:05:46,400
Speaker 3: if that's not true. I just made it up.

1382
01:05:46,840 --> 01:05:49,640
Speaker 2: Before anyone puts some bees in the post this afternoon,

1383
01:05:50,040 --> 01:05:51,120
Speaker 2: let's just double check that.

1384
01:05:51,200 --> 01:05:52,720
Speaker 3: You know what. I'm going to send myself some bees

1385
01:05:52,720 --> 01:05:54,320
Speaker 3: in the post, guys, just to see what happens? Can

1386
01:05:54,360 --> 01:05:55,959
Speaker 3: you actually collect bees and put them in the post?

1387
01:05:55,960 --> 01:05:57,840
Speaker 3: Look what I'm saying is, hey, let me play the

1388
01:05:57,880 --> 01:06:04,000
Speaker 3: music again. Wow, we're looking for anything to do with

1389
01:06:04,040 --> 01:06:08,440
Speaker 3: the world or it's a beautiful, big world, the world

1390
01:06:08,520 --> 01:06:12,160
Speaker 3: of post, the world of posts. That's what according to

1391
01:06:12,240 --> 01:06:15,720
Speaker 3: my show, The super Bowl of Post. I mean Jack

1392
01:06:15,760 --> 01:06:17,480
Speaker 3: and Pantsy. I know you guys are going to come

1393
01:06:17,480 --> 01:06:19,240
Speaker 3: in locks and load of post stories tomorrow.

1394
01:06:20,080 --> 01:06:22,200
Speaker 2: You're friends with your postman. Don't you invite him in

1395
01:06:22,240 --> 01:06:22,560
Speaker 2: for two?

1396
01:06:22,640 --> 01:06:24,840
Speaker 4: We're on a first name basis, are you?

1397
01:06:25,120 --> 01:06:25,320
Speaker 13: Yeah?

1398
01:06:25,880 --> 01:06:28,840
Speaker 4: Absolutely, because I got so many packages sent and he

1399
01:06:28,880 --> 01:06:30,200
Speaker 4: knows the dog's name as well.

1400
01:06:32,240 --> 01:06:35,800
Speaker 3: Horse to be quiet, turns up some carrots to feed

1401
01:06:35,840 --> 01:06:39,560
Speaker 3: him with a nosebag. What's the name of your local

1402
01:06:39,600 --> 01:06:41,720
Speaker 3: post Colin? Come and that little bike?

1403
01:06:42,120 --> 01:06:44,240
Speaker 4: No, No, he's in the he's in a bed.

1404
01:06:48,760 --> 01:06:54,000
Speaker 3: Postman for okay, So it's a beautiful don't play the

1405
01:06:54,080 --> 01:06:55,440
Speaker 3: music again. I love to see him this by the

1406
01:06:56,760 --> 01:07:00,880
Speaker 3: world of post. Start calling. It is going to get

1407
01:07:01,040 --> 01:07:03,480
Speaker 3: very busy. Reserve your spot today.

1408
01:07:03,280 --> 01:07:05,400
Speaker 2: Christian, could people email you overnight?

1409
01:07:05,560 --> 01:07:09,560
Speaker 3: Great idea? Why don't you post me something Christian at

1410
01:07:09,640 --> 01:07:13,600
Speaker 3: Christian dot com dot you you got a question of

1411
01:07:13,680 --> 01:07:14,120
Speaker 3: a post.

1412
01:07:14,560 --> 01:07:17,360
Speaker 2: Yes, what happens to the lost mail? My friend just

1413
01:07:17,400 --> 01:07:21,680
Speaker 2: this week sent no, no, no, Well let me finish

1414
01:07:21,760 --> 01:07:26,400
Speaker 2: the question. He bought a dice in hairdryer for his wife,

1415
01:07:26,440 --> 01:07:29,360
Speaker 2: not cheap, cashed.

1416
01:07:29,160 --> 01:07:31,880
Speaker 3: In those David join David Jones points.

1417
01:07:31,680 --> 01:07:35,080
Speaker 2: He saved up his coins, bought it online, shipped to

1418
01:07:35,080 --> 01:07:37,920
Speaker 2: his house for her birthday. Gone missing in the posts.

1419
01:07:37,960 --> 01:07:39,840
Speaker 2: Posters goes sorry we lost that one.

1420
01:07:40,200 --> 01:07:43,840
Speaker 3: Nothing else suddenly got a great throw going.

1421
01:07:44,360 --> 01:07:45,760
Speaker 2: That's good.

1422
01:07:47,000 --> 01:07:50,840
Speaker 3: Normally it's all dang. Suddenly it's all disony. Dare I

1423
01:07:50,960 --> 01:07:51,400
Speaker 3: say it?

1424
01:07:51,760 --> 01:07:51,880
Speaker 12: So?

1425
01:07:51,920 --> 01:07:54,400
Speaker 2: Maybe another question could be what got lost in the mail?

1426
01:07:55,160 --> 01:07:58,960
Speaker 3: What got found in the mail? Someone got my car

1427
01:07:59,080 --> 01:08:01,920
Speaker 3: keys and my dropped off at the wrong house. Oh wait,

1428
01:08:01,960 --> 01:08:04,600
Speaker 3: that wasn't a postman. Now, it's just a mechanic dropping.

1429
01:08:04,360 --> 01:08:06,720
Speaker 4: Off from Don't they have an auction for the mail

1430
01:08:06,760 --> 01:08:08,320
Speaker 4: that gets lost? Like every year?

1431
01:08:08,560 --> 01:08:09,000
Speaker 3: Do they do?

1432
01:08:09,160 --> 01:08:10,760
Speaker 2: I think they do this.

1433
01:08:11,120 --> 01:08:12,680
Speaker 3: We need this tomorrow. What do you mean but it

1434
01:08:12,800 --> 01:08:14,200
Speaker 3: belongs to me? I've ordered it.

1435
01:08:14,240 --> 01:08:16,759
Speaker 4: No, I like the airport does as well for lost luggage.

1436
01:08:16,760 --> 01:08:18,360
Speaker 4: They hold it for a certain amount of time.

1437
01:08:18,400 --> 01:08:21,160
Speaker 3: I believe you're telling me the escamar if it's drugs,

1438
01:08:21,160 --> 01:08:25,080
Speaker 3: got nabs that you can just bid for them five bucks.

1439
01:08:25,120 --> 01:08:28,640
Speaker 3: I'll have all that white stuff. Got a party this weekend.

1440
01:08:28,520 --> 01:08:29,360
Speaker 4: At least they used to.

1441
01:08:29,840 --> 01:08:32,120
Speaker 3: This sounds amazing. I need to know more on this tomorrow.

1442
01:08:32,240 --> 01:08:36,080
Speaker 3: What we say is the big world of post post

1443
01:08:36,120 --> 01:08:39,160
Speaker 3: me something on email Christian at Christian O'Connell dot com

1444
01:08:39,200 --> 01:08:41,040
Speaker 3: dot au. We met guys. We might need to start

1445
01:08:41,040 --> 01:08:42,679
Speaker 3: tomort five third with all these post stories.

1446
01:08:44,160 --> 01:08:47,400
Speaker 1: Welcome to The Christian O'Connell Show podcast