1 00:00:11,119 --> 00:00:15,840 Speaker 1: Clearsy releases The story behind the album Here We Go. 2 00:00:16,120 --> 00:00:22,040 Speaker 2: Purple Rain is the sixth studio album by singer, songwriter, producer, 3 00:00:22,120 --> 00:00:26,720 Speaker 2: on multi instrumentalist Prince. It was released on June twenty five, 4 00:00:26,920 --> 00:00:30,560 Speaker 2: nineteen eighty four, as the soundtrack album to the nineteen 5 00:00:30,560 --> 00:00:33,320 Speaker 2: eighty four film of the same name. Purple Rain was 6 00:00:33,440 --> 00:00:38,400 Speaker 2: musically denser than Prince's previous albums, emphasizing full band performances 7 00:00:38,520 --> 00:00:41,199 Speaker 2: because it is Prince and the Revolution it's from, and 8 00:00:41,400 --> 00:00:45,919 Speaker 2: multiple layers of guitars and keyboards and electronic synthesier effects, 9 00:00:46,000 --> 00:00:50,280 Speaker 2: synthesizer effects and drum machines. It was all about the sound. 10 00:00:50,760 --> 00:00:54,240 Speaker 2: And I guess one person who knew more than anyone 11 00:00:54,360 --> 00:00:57,920 Speaker 2: about the sound was Prince's sound engineer, Susan Rogers. 12 00:00:58,000 --> 00:00:59,800 Speaker 1: That's right, because it was no surprise that he was 13 00:01:00,040 --> 00:01:01,920 Speaker 1: and as a workaholic p Lice and Prince wanted what 14 00:01:01,960 --> 00:01:03,640 Speaker 1: he wanted to. I wanted to be ready to go 15 00:01:03,760 --> 00:01:07,600 Speaker 1: with inspirations stuck and the studio set up, and he 16 00:01:07,640 --> 00:01:09,559 Speaker 1: was very demanding like that. And as you mentioned, Susan 17 00:01:09,640 --> 00:01:12,320 Speaker 1: Rodgers knew all about it. He's work ethic and he's 18 00:01:12,319 --> 00:01:13,119 Speaker 1: set up right here. 19 00:01:13,160 --> 00:01:15,360 Speaker 3: Well, his favorite way to work was to have everything 20 00:01:15,400 --> 00:01:17,800 Speaker 3: set up and routed so that he could work silently, 21 00:01:17,800 --> 00:01:22,400 Speaker 3: because he didn't like small talk. Interrupted that flow, that river, 22 00:01:22,920 --> 00:01:26,280 Speaker 3: that Niagara falls of ideas it was coming through his brain. 23 00:01:26,920 --> 00:01:29,520 Speaker 3: It interrupted that flow if he had to have conversations. 24 00:01:29,520 --> 00:01:31,800 Speaker 3: So if he could start a session with everything set 25 00:01:31,840 --> 00:01:37,199 Speaker 3: up and routed, just headed to tape, Happy, happy, Happy. 26 00:01:37,720 --> 00:01:39,800 Speaker 3: Sometimes you'd get a phone call saying here's what he 27 00:01:39,800 --> 00:01:41,959 Speaker 3: wants set up. Sometimes you'd come to the studio and 28 00:01:41,959 --> 00:01:44,400 Speaker 3: there'd be a note waiting on the console saying here's 29 00:01:44,440 --> 00:01:46,440 Speaker 3: what he wants set up. If the sunset, he would 30 00:01:46,480 --> 00:01:48,960 Speaker 3: tell the front desk, tell the engineers, I want this 31 00:01:49,040 --> 00:01:52,240 Speaker 3: set up, But you come in and try to get 32 00:01:52,240 --> 00:01:54,720 Speaker 3: as much routed for him. Get his bass tuned, get 33 00:01:54,720 --> 00:01:58,760 Speaker 3: his guitars tuned before handing it to him, So never 34 00:01:58,760 --> 00:02:00,000 Speaker 3: hand him an untuned instrument. 35 00:02:00,360 --> 00:02:01,280 Speaker 1: You'll imagine doing that. 36 00:02:01,280 --> 00:02:04,640 Speaker 2: He had one job, Yes, could you imagine? 37 00:02:04,960 --> 00:02:06,400 Speaker 1: You know he had lots of band mates over the years. 38 00:02:06,400 --> 00:02:08,200 Speaker 1: Didn't he know so many people who went on to 39 00:02:08,320 --> 00:02:09,360 Speaker 1: other things in their careers. 40 00:02:09,560 --> 00:02:09,800 Speaker 4: Yeah. 41 00:02:09,919 --> 00:02:13,000 Speaker 2: The interesting thing about Purple Rain is its generally regarded 42 00:02:13,040 --> 00:02:16,360 Speaker 2: as the most pop oriented of Prince's career. Yeah, but 43 00:02:17,200 --> 00:02:19,320 Speaker 2: it has a number of elements that point towards the 44 00:02:19,360 --> 00:02:22,240 Speaker 2: more experimental records that he would go on to release 45 00:02:22,360 --> 00:02:24,919 Speaker 2: after Purple Rain. So it was such a pivotal moment. 46 00:02:25,480 --> 00:02:31,959 Speaker 2: His previous albums were primarily solo recordings Prince by Prince, 47 00:02:32,160 --> 00:02:35,800 Speaker 2: but Purple Rain contained the credits, produced, arranged, composed and 48 00:02:35,880 --> 00:02:39,440 Speaker 2: performed by Prince and the Revolution, so he gave over 49 00:02:39,520 --> 00:02:41,760 Speaker 2: some of the responsibility. 50 00:02:41,880 --> 00:02:45,840 Speaker 1: Yeah, and more of a band, even though he was 51 00:02:45,880 --> 00:02:47,680 Speaker 1: always have the final say, let's be honest, it was 52 00:02:47,880 --> 00:02:49,920 Speaker 1: absolutely yeah, and he had lots of people around him. 53 00:02:49,919 --> 00:02:52,760 Speaker 1: You could call him a few muses over the years, 54 00:02:52,800 --> 00:02:54,560 Speaker 1: and the likes and Shela. He was in the band 55 00:02:54,560 --> 00:02:57,040 Speaker 1: of one stage, but he had Lisa and Wendy, and 56 00:02:57,080 --> 00:02:59,920 Speaker 1: Wendy Melvin here is talking about the reveues from the Revolution, 57 00:03:00,040 --> 00:03:02,720 Speaker 1: talking about performing and the advice that Prince gave her 58 00:03:02,840 --> 00:03:03,320 Speaker 1: that night. 59 00:03:03,240 --> 00:03:09,880 Speaker 5: At First Avenue was a foreshadowing for sure, because there 60 00:03:09,880 --> 00:03:13,880 Speaker 5: were at least three tracks that ended up being the 61 00:03:14,200 --> 00:03:16,359 Speaker 5: you know, the recorded versions for the album. 62 00:03:17,360 --> 00:03:19,760 Speaker 3: And you I mean it was my first show. 63 00:03:20,480 --> 00:03:23,400 Speaker 5: It was my first show with the band. Best advice 64 00:03:23,440 --> 00:03:27,160 Speaker 5: I've ever gotten that I share with other musicians when 65 00:03:27,160 --> 00:03:31,200 Speaker 5: they're starting, He said to me, when I get nervous, 66 00:03:31,720 --> 00:03:33,640 Speaker 5: and you hear the beat, and you hear the rhythm, 67 00:03:33,680 --> 00:03:37,080 Speaker 5: and you hear how fast we're going, cut your body 68 00:03:37,080 --> 00:03:41,119 Speaker 5: in halftime. So if you're feeling one two three four 69 00:03:41,200 --> 00:03:44,680 Speaker 5: one two three four, if you're nervous, you're going to 70 00:03:44,760 --> 00:03:49,520 Speaker 5: be pushing the beat, right, he said, go halftime one. 71 00:03:51,280 --> 00:03:54,920 Speaker 5: And it's like it's a meditation. You slow, you're breathing down, 72 00:03:55,320 --> 00:03:58,840 Speaker 5: and you don't rush, and you stay behind the beat. 73 00:03:59,080 --> 00:04:01,960 Speaker 5: And that's where funk. And that was the best advice 74 00:04:02,440 --> 00:04:03,560 Speaker 5: she ever gave me. 75 00:04:03,680 --> 00:04:05,120 Speaker 1: That's pretty cool, isn't it. 76 00:04:05,120 --> 00:04:08,680 Speaker 2: It's amazing, amazing advice from Prince Purple. Rain was well 77 00:04:08,720 --> 00:04:12,000 Speaker 2: received by contemporary critics. Kurt Loder, who was writing for 78 00:04:12,080 --> 00:04:14,680 Speaker 2: Rolling Stone in nineteen eighty four, compared Prince to Jimmy 79 00:04:14,720 --> 00:04:18,560 Speaker 2: Hendrix and praised him for merging black and white styles. 80 00:04:18,600 --> 00:04:21,800 Speaker 2: He said, the spirit of Jimmy Hendrix must surely smile 81 00:04:21,880 --> 00:04:25,320 Speaker 2: down on Prince Rogers Nelson. Like Hendrix, Prince seems to 82 00:04:25,400 --> 00:04:29,520 Speaker 2: have tapped into some extraterrestrial music dimension where black and 83 00:04:29,520 --> 00:04:33,360 Speaker 2: white styles are merely different aspects of the same funky thing. 84 00:04:33,720 --> 00:04:36,080 Speaker 1: Yeah, he was a light about incredible guitarist. But we 85 00:04:36,080 --> 00:04:38,559 Speaker 1: saw how versatile when we finally got him in Perth 86 00:04:38,839 --> 00:04:41,440 Speaker 1: and that gig, those gigs at the Arena, Yeah, you know, 87 00:04:41,839 --> 00:04:44,159 Speaker 1: it was just a piano and microphone tour and he 88 00:04:44,200 --> 00:04:47,479 Speaker 1: showed his versatility. But he was also, as Susan Rogers 89 00:04:47,560 --> 00:04:49,680 Speaker 1: mentioned earlier, he was pretty shy and he didn't really 90 00:04:49,680 --> 00:04:51,320 Speaker 1: want to do small talk. No, you could hear it 91 00:04:51,360 --> 00:04:53,360 Speaker 1: when he accepted the Oscar. 92 00:04:54,160 --> 00:05:05,080 Speaker 4: Thank you very much. This is Lisa and this is Wendy. 93 00:05:06,279 --> 00:05:11,760 Speaker 4: This is a very unbelievable. I can never imagine this 94 00:05:11,880 --> 00:05:15,400 Speaker 4: in my wildest dreams. And I would like to thank 95 00:05:15,839 --> 00:05:22,960 Speaker 4: the Academy, mister Albert Magnoli, my manager, Stephen, Bob, Joe Bobby, 96 00:05:23,120 --> 00:05:26,240 Speaker 4: American Matt who corin't be with us today, and Moss 97 00:05:26,279 --> 00:05:28,760 Speaker 4: of our God. Thank you very much. 98 00:05:30,360 --> 00:05:32,479 Speaker 2: Burble Rame was originally written as a country song and 99 00:05:32,520 --> 00:05:34,640 Speaker 2: intended to be a collaboration with Stevie Nicks. 100 00:05:34,680 --> 00:05:38,279 Speaker 1: Oh really, who knew that? How about that? 101 00:05:38,480 --> 00:05:42,039 Speaker 2: But of course the lead single was when Doves Cry 102 00:05:42,520 --> 00:05:45,520 Speaker 2: of what a Ripper Princess first Billboard Hot one hundred 103 00:05:45,680 --> 00:05:49,039 Speaker 2: number one single, where it stayed for five weeks, and 104 00:05:49,080 --> 00:05:50,920 Speaker 2: it was also a worldwide hit.