1 00:00:00,360 --> 00:00:04,240 Speaker 1: Jonesy and Amanda's. 2 00:00:03,200 --> 00:00:05,160 Speaker 2: Well, our next guest is kicked off the year with 3 00:00:05,240 --> 00:00:08,880 Speaker 2: a bang, resulting in a bump. It's a brand new 4 00:00:08,920 --> 00:00:12,360 Speaker 2: TV series on Stand called Bump and this has already 5 00:00:12,360 --> 00:00:15,720 Speaker 2: broken all time viewing records on Stand, which is extraordinary. 6 00:00:15,720 --> 00:00:20,160 Speaker 2: Critics and viewers alike are loving it. Star and creator 7 00:00:20,239 --> 00:00:22,400 Speaker 2: of the series is Claudia carbon and she joins us. 8 00:00:22,400 --> 00:00:25,520 Speaker 1: Now, Hi, Claudia, Hi, Amanda. 9 00:00:25,640 --> 00:00:26,480 Speaker 2: So nice to you. 10 00:00:26,880 --> 00:00:28,040 Speaker 3: How good I'm here as well? 11 00:00:28,080 --> 00:00:31,960 Speaker 1: Claudia Jones Hello. Sorry, but I know. 12 00:00:31,960 --> 00:00:34,360 Speaker 3: That you have history with Amanda because she's seen you 13 00:00:34,479 --> 00:00:35,520 Speaker 3: dance in your underpants. 14 00:00:35,600 --> 00:00:38,600 Speaker 2: Well all of Australia did. But is the last time 15 00:00:38,640 --> 00:00:41,879 Speaker 2: I saw Claudia? What we all saw Claudia was well, 16 00:00:41,960 --> 00:00:43,920 Speaker 2: last time I saw you was dancing with the stars. 17 00:00:43,920 --> 00:00:45,159 Speaker 2: If you kept you dancing up. 18 00:00:46,080 --> 00:00:48,280 Speaker 1: Well, it's been one of those unusual years, hasn't it. 19 00:00:48,280 --> 00:00:51,080 Speaker 1: There hasn't been a lot of partner dancing. No, but 20 00:00:51,120 --> 00:00:53,199 Speaker 1: I was thinking about Dancing with the Stars the other day. 21 00:00:53,200 --> 00:00:55,240 Speaker 1: I think that feels like it was like four years ago, 22 00:00:55,600 --> 00:00:58,279 Speaker 1: twenty twenty for like the longest year on record, and 23 00:00:58,360 --> 00:00:58,680 Speaker 1: it was. 24 00:00:58,760 --> 00:01:02,280 Speaker 2: It was an extraordinary time to be on television with 25 00:01:02,400 --> 00:01:05,640 Speaker 2: a show like that because every week the COVID rules 26 00:01:05,640 --> 00:01:09,399 Speaker 2: were changing. Every week, we were wondering if the airports 27 00:01:09,400 --> 00:01:11,720 Speaker 2: were going to close every week, We're wondering if you'd 28 00:01:11,720 --> 00:01:13,480 Speaker 2: be able to keep dancing with a partner as the 29 00:01:13,560 --> 00:01:16,240 Speaker 2: rules were constantly changing. Was amazing, wasn't it. 30 00:01:16,520 --> 00:01:18,840 Speaker 1: Yeah, well, it was quite a beautiful thing to be 31 00:01:18,920 --> 00:01:21,120 Speaker 1: doing while everything was in chaos because it was eight 32 00:01:21,160 --> 00:01:24,120 Speaker 1: hours of focus dancing, so you sort of got to 33 00:01:24,319 --> 00:01:28,360 Speaker 1: escape all the uncertainty and it was an amazing I mean, 34 00:01:28,360 --> 00:01:30,319 Speaker 1: we only had to cut it short by one week, 35 00:01:30,480 --> 00:01:32,120 Speaker 1: so we kind of survived pretty well. 36 00:01:32,360 --> 00:01:33,000 Speaker 2: Thought so too. 37 00:01:33,120 --> 00:01:37,039 Speaker 3: But this Bump is absolutely fantastic and it's great, particularly 38 00:01:37,240 --> 00:01:39,000 Speaker 3: in the year that we've had that we're seeing some 39 00:01:39,040 --> 00:01:41,440 Speaker 3: great Aussie content come out on our screen. And I 40 00:01:41,480 --> 00:01:43,440 Speaker 3: just love the premise because it's sort of close to 41 00:01:43,480 --> 00:01:46,400 Speaker 3: home because I've got adult children, as you know, d 42 00:01:46,400 --> 00:01:48,880 Speaker 3: how to have and I guess the great fear is 43 00:01:48,920 --> 00:01:52,760 Speaker 3: having a teenage girl, your daughter having an unexpected baby. 44 00:01:54,040 --> 00:01:57,240 Speaker 1: Yes, yeah, I think I think some women have been 45 00:01:57,240 --> 00:01:59,559 Speaker 1: inspired to get hysterectomies after watching FUM. 46 00:02:03,080 --> 00:02:04,000 Speaker 2: You just take a pill. 47 00:02:05,560 --> 00:02:06,640 Speaker 3: It's a extreme cloth. 48 00:02:09,200 --> 00:02:11,880 Speaker 1: Yeah. No, I think we're lucky we weren't sort of 49 00:02:11,960 --> 00:02:15,480 Speaker 1: developing like a political thriller or a horror series or something. 50 00:02:15,520 --> 00:02:18,280 Speaker 1: I mean, it just happened to be the right content 51 00:02:18,360 --> 00:02:23,120 Speaker 1: for this time. It's about resilience, and it's about families, 52 00:02:23,160 --> 00:02:24,760 Speaker 1: and there's a lot of love in the show. It's 53 00:02:24,919 --> 00:02:27,640 Speaker 1: very life affirming. So I think it's sort of landed 54 00:02:28,280 --> 00:02:31,360 Speaker 1: at exactly the right times, and I think that's why 55 00:02:31,400 --> 00:02:33,240 Speaker 1: it's been one of the reasons why it's being so 56 00:02:33,360 --> 00:02:34,360 Speaker 1: warmly embraced. 57 00:02:34,840 --> 00:02:37,200 Speaker 2: Have you got friends who've been in this situation that 58 00:02:37,240 --> 00:02:39,919 Speaker 2: they're not ready to be grandparents? Because that word means 59 00:02:39,919 --> 00:02:43,120 Speaker 2: something grandparents sounds like you're at a certain stage of 60 00:02:43,160 --> 00:02:46,240 Speaker 2: your life, whereas like your character here, you're working, you're 61 00:02:46,280 --> 00:02:48,240 Speaker 2: just getting on with it and suddenly bang, there it is. 62 00:02:50,320 --> 00:02:54,160 Speaker 1: Oh, I don't, Actually, that's a good question. No, I don't. 63 00:02:55,400 --> 00:02:59,280 Speaker 1: I think teen pregnancies are like two percent of the 64 00:02:59,280 --> 00:03:01,480 Speaker 1: birth and it's right, there are team pregnancies, so she's 65 00:03:02,000 --> 00:03:06,000 Speaker 1: very Yeah, yes, it's quite uncommon here in Australia. 66 00:03:06,040 --> 00:03:06,320 Speaker 3: Wow. 67 00:03:06,320 --> 00:03:09,000 Speaker 1: And then yeah, and then the other fact I read 68 00:03:09,080 --> 00:03:11,960 Speaker 1: was one in four hundred and seventy five pregnancies are 69 00:03:12,080 --> 00:03:16,679 Speaker 1: cryptic pregnancies, So women who didn't believe or understand that 70 00:03:16,760 --> 00:03:19,720 Speaker 1: they were pregnant. So yes, it's a mysterious old world, 71 00:03:19,760 --> 00:03:22,639 Speaker 1: but no, I don't. But look that the idea came 72 00:03:22,639 --> 00:03:26,560 Speaker 1: from Kelsey Monroe and it did happen to friends of hers, 73 00:03:27,160 --> 00:03:30,480 Speaker 1: and when she was on her second maternity leave, she 74 00:03:30,639 --> 00:03:34,160 Speaker 1: was toying around with ideas for TV series and she 75 00:03:34,280 --> 00:03:36,200 Speaker 1: just landed on this one because she saw it as 76 00:03:36,200 --> 00:03:42,040 Speaker 1: a terrific metaphor for what, you know, the experience of motherhood. 77 00:03:42,080 --> 00:03:44,240 Speaker 1: And if you put it in the context of a 78 00:03:44,280 --> 00:03:47,040 Speaker 1: sixteen year old with all these ambitions who actually does 79 00:03:47,120 --> 00:03:51,320 Speaker 1: not know, it's, you know, not that dissimilar from having 80 00:03:51,320 --> 00:03:53,360 Speaker 1: a baby when you've planned it. You know a lot 81 00:03:53,400 --> 00:03:56,760 Speaker 1: of the similar things you're feeling. But I think it's 82 00:03:56,800 --> 00:03:59,800 Speaker 1: just more dramatic and more comedic in the life of 83 00:03:59,840 --> 00:04:02,000 Speaker 1: her very ambitious sixteen year old girl. 84 00:04:02,240 --> 00:04:04,320 Speaker 3: So here you're wearing the producer hat again, but you're 85 00:04:04,320 --> 00:04:07,040 Speaker 3: in this. You did this in Doctor Doctor. You were 86 00:04:07,120 --> 00:04:11,119 Speaker 3: just the producer had and Doctor Doctor was a fantastic series. 87 00:04:11,640 --> 00:04:14,320 Speaker 1: Ah, thank you. I love Doctor Doctor. I did that 88 00:04:14,360 --> 00:04:17,840 Speaker 1: for three years, created it with Ian Collie and Tony 89 00:04:17,920 --> 00:04:20,560 Speaker 1: McNamara has gone on to do unbelievable things. He's in 90 00:04:20,560 --> 00:04:22,440 Speaker 1: London at the moment doing second series. It is a 91 00:04:22,520 --> 00:04:25,320 Speaker 1: great which is a series that's also understand and it's 92 00:04:25,520 --> 00:04:28,600 Speaker 1: a ripper. If you haven't seen it, check it out. 93 00:04:28,680 --> 00:04:29,720 Speaker 1: It's one of the best series. 94 00:04:30,440 --> 00:04:32,240 Speaker 3: And do you what do you like to which hat? 95 00:04:32,400 --> 00:04:34,479 Speaker 3: Do you like being an actress or an actor or 96 00:04:34,520 --> 00:04:36,719 Speaker 3: do you want to wear the producer hat? Because i'd 97 00:04:36,720 --> 00:04:39,120 Speaker 3: imagine being a producer. You say, you don't get any 98 00:04:39,160 --> 00:04:41,040 Speaker 3: of the credit. No one goes, oh, how great is that? 99 00:04:41,240 --> 00:04:43,479 Speaker 3: You know, they always just talk about how great Roger 100 00:04:43,520 --> 00:04:45,880 Speaker 3: Corser is. They don't say how great is Claudia Carvin 101 00:04:45,920 --> 00:04:46,360 Speaker 3: in that thing. 102 00:04:47,880 --> 00:04:49,839 Speaker 1: I know that that's sort of a release too, to 103 00:04:49,920 --> 00:04:53,159 Speaker 1: sort of be invisible. But yeah, you well, not only 104 00:04:53,240 --> 00:04:55,279 Speaker 1: you don't get the compliments, you also get all the 105 00:04:55,320 --> 00:04:57,240 Speaker 1: criticisms of the winging and you know, you have to 106 00:04:57,279 --> 00:04:59,800 Speaker 1: sort of put you're putting fires out all the time. 107 00:04:59,839 --> 00:05:03,120 Speaker 1: But that's also a nice role to do. And it's 108 00:05:03,480 --> 00:05:05,880 Speaker 1: nice working sort of nine to five as a producer 109 00:05:05,920 --> 00:05:08,880 Speaker 1: and you know, wearing your own clothes at work and 110 00:05:08,920 --> 00:05:13,680 Speaker 1: not having change, you know, in different costumes. But look, 111 00:05:13,800 --> 00:05:17,560 Speaker 1: my favorite I think is acting and producing going hand 112 00:05:17,560 --> 00:05:20,120 Speaker 1: in hand because the roles really do complement each other 113 00:05:20,200 --> 00:05:24,680 Speaker 1: so well. Because you know, if as a producer you're 114 00:05:24,760 --> 00:05:27,279 Speaker 1: not really on set a lot, I try to avoid 115 00:05:27,320 --> 00:05:29,560 Speaker 1: being on set because you sort of change the dynamic 116 00:05:29,720 --> 00:05:33,000 Speaker 1: of the of the of the feeling on set. But 117 00:05:33,080 --> 00:05:35,040 Speaker 1: if you're an actor and a director onset, then you 118 00:05:35,279 --> 00:05:39,400 Speaker 1: sort of constantly, you know, just constantly in the trenches 119 00:05:39,520 --> 00:05:43,040 Speaker 1: and able to sort of track the way things are going, 120 00:05:43,120 --> 00:05:44,640 Speaker 1: so you can be a lot more effective. 121 00:05:45,400 --> 00:05:47,320 Speaker 2: But do you find yourself in that time when you're 122 00:05:47,360 --> 00:05:50,600 Speaker 2: doing both morning tea someone's having two biscuits and you say, hey, 123 00:05:50,680 --> 00:05:52,160 Speaker 2: do you know how expensive they are? 124 00:05:53,279 --> 00:05:55,960 Speaker 1: Yes, that's exactly what is where I am. I love 125 00:05:56,120 --> 00:05:57,080 Speaker 1: night lat them. 126 00:05:57,080 --> 00:05:59,480 Speaker 3: On the hand, I'm looking at you. Your big guts 127 00:06:00,360 --> 00:06:06,200 Speaker 3: not made of biscuits. Well, Claudia Is, it's always great 128 00:06:06,240 --> 00:06:08,640 Speaker 3: to talk to you. All episodes of Bump is available 129 00:06:08,760 --> 00:06:11,880 Speaker 3: right now on stand. Claudia Carved, it's always a treated 130 00:06:11,960 --> 00:06:12,599 Speaker 3: catch up with you. 131 00:06:13,400 --> 00:06:16,800 Speaker 1: Oh, thank you, Jonesy, Same to you, guys. Jonesy and 132 00:06:16,800 --> 00:06:18,000 Speaker 1: Amanda's Gamnation