1 00:00:00,440 --> 00:00:03,840 Speaker 1: This is a journey into sound pop up, the value 2 00:00:03,880 --> 00:00:08,520 Speaker 1: of crazy releases, the history of sound. Yeah, well we 3 00:00:08,520 --> 00:00:10,159 Speaker 1: we are looking at the history of sound and the 4 00:00:10,240 --> 00:00:13,720 Speaker 1: National Film and Sound Archive of Australia have very kindly 5 00:00:13,760 --> 00:00:14,480 Speaker 1: teamed up with. 6 00:00:14,520 --> 00:00:17,520 Speaker 2: Us to talk about the history of sound. Today we're 7 00:00:17,560 --> 00:00:19,520 Speaker 2: all about the cassette tape. 8 00:00:19,800 --> 00:00:22,360 Speaker 1: Welcome to Neil Hands from the National Film and Sound 9 00:00:22,480 --> 00:00:23,400 Speaker 1: Archive of Australia. 10 00:00:23,520 --> 00:00:25,880 Speaker 3: Lo Toanil Heydanil, welcome, Hi. 11 00:00:26,480 --> 00:00:28,960 Speaker 4: Thanks for having it. Thank you any opportunity to talk 12 00:00:29,000 --> 00:00:31,080 Speaker 4: about you sound same. 13 00:00:31,760 --> 00:00:35,040 Speaker 1: So take us back to Neil who invented the cassette tape. 14 00:00:36,320 --> 00:00:39,640 Speaker 4: Yeah, well, the compact cassette or cassette tape, yes, was 15 00:00:39,680 --> 00:00:42,760 Speaker 4: invented by the Dutch Lou Ottens in nineteen sixty three 16 00:00:42,800 --> 00:00:45,879 Speaker 4: for Phillips nineteen sixty three. 17 00:00:46,000 --> 00:00:47,960 Speaker 1: Well yeah, but I mean at the time I probably 18 00:00:48,000 --> 00:00:50,760 Speaker 1: would have thought it was even longer ago than that. 19 00:00:50,920 --> 00:00:53,760 Speaker 2: So the Dutch gave us the compact cassette as it used. 20 00:00:53,680 --> 00:00:57,000 Speaker 5: To BET cassette and we ended up with a compact 21 00:00:57,000 --> 00:00:59,600 Speaker 5: disc later. But it was you know, the technology at 22 00:00:59,600 --> 00:01:02,880 Speaker 5: the time was probably pretty cool. Well I had its limitations. 23 00:01:05,160 --> 00:01:08,039 Speaker 4: Absolutely, So you know, the tape, as we know, it 24 00:01:08,080 --> 00:01:12,200 Speaker 4: consists of two small spools of one in one magnetic 25 00:01:12,240 --> 00:01:14,200 Speaker 4: tape which is enclosed in a plastic case and it 26 00:01:14,240 --> 00:01:16,399 Speaker 4: fits in the palm of your hand, and so the 27 00:01:16,440 --> 00:01:18,600 Speaker 4: tape has two sides. You have to take it out 28 00:01:18,640 --> 00:01:20,600 Speaker 4: and flip it to play it. And there's roughly only 29 00:01:20,600 --> 00:01:23,280 Speaker 4: about sixty to one hundred and twenty minutes of recording. 30 00:01:23,800 --> 00:01:28,280 Speaker 1: Yes, and of course you had to fast forward now 31 00:01:28,319 --> 00:01:31,640 Speaker 1: do the song you didn't lie, I'm I'm tumbling. 32 00:01:31,319 --> 00:01:33,520 Speaker 3: Around with it right now trying to get a song on. 33 00:01:34,240 --> 00:01:37,600 Speaker 1: So was it designed for anything, for something specific other 34 00:01:37,640 --> 00:01:39,280 Speaker 1: than you know what we used it for. 35 00:01:39,440 --> 00:01:44,800 Speaker 4: Mostly absolutely, So, you know, the origins of magnetic tape 36 00:01:44,840 --> 00:01:47,680 Speaker 4: are actually much earlier than the nineteen sixties. We've got 37 00:01:48,040 --> 00:01:51,120 Speaker 4: recordings on reels of wire in our collection that start 38 00:01:51,160 --> 00:01:54,559 Speaker 4: in the early nineteen hundred and they were really intended 39 00:01:54,720 --> 00:01:59,680 Speaker 4: for field recordings or mostly on the domestic market for dictation, right. 40 00:02:00,160 --> 00:02:02,960 Speaker 4: But it was really, you know, only as a lot 41 00:02:02,960 --> 00:02:06,760 Speaker 4: of companies began experimenting with tapes and with cartridges that 42 00:02:06,800 --> 00:02:10,840 Speaker 4: we got into a much cheaper, much smaller system that 43 00:02:11,000 --> 00:02:13,720 Speaker 4: playing and recording became so much more accessible. And so, 44 00:02:14,320 --> 00:02:17,280 Speaker 4: you know, the first portable recorder available in Australia was 45 00:02:17,320 --> 00:02:21,880 Speaker 4: about eleven hundred dollars, which sounds like a lot. Yeah 46 00:02:22,320 --> 00:02:27,200 Speaker 4: it was, but all of a sudden, sound recording was 47 00:02:27,200 --> 00:02:30,160 Speaker 4: being democratized. I mean compared to a big studio system, 48 00:02:30,919 --> 00:02:32,000 Speaker 4: having a system in your house. 49 00:02:32,360 --> 00:02:35,400 Speaker 3: Yeah, the early computer's very expensive. 50 00:02:35,480 --> 00:02:38,160 Speaker 1: We were certainly keen to lip that dictation in the bud. 51 00:02:39,000 --> 00:02:41,079 Speaker 1: Austin said when we spoke to him on Monday, to 52 00:02:41,160 --> 00:02:46,639 Speaker 1: Neil that that's what the phonograph cylinder was first, you know, four. 53 00:02:47,880 --> 00:02:49,280 Speaker 4: Absolute dictation. 54 00:02:50,360 --> 00:02:50,480 Speaker 1: Right. 55 00:02:50,560 --> 00:02:53,519 Speaker 4: I mean why it changed for us is that the 56 00:02:53,560 --> 00:02:57,960 Speaker 4: biggest innovation with tape as opposed to disc recording is 57 00:02:58,000 --> 00:03:00,240 Speaker 4: that with tape you can cut out section and you 58 00:03:00,240 --> 00:03:03,440 Speaker 4: can fly sections together. So what we did was we 59 00:03:03,480 --> 00:03:06,320 Speaker 4: moved away from that dictation and the recording actuality and 60 00:03:06,360 --> 00:03:08,720 Speaker 4: you're able to construct a creative work. 61 00:03:09,120 --> 00:03:10,080 Speaker 3: Yeah enough. 62 00:03:10,480 --> 00:03:14,000 Speaker 4: What that meant is eventually we developed multi track and 63 00:03:14,120 --> 00:03:18,120 Speaker 4: stereo and lower distortion and it became a really cheap, 64 00:03:18,360 --> 00:03:23,079 Speaker 4: easy format for say, small underground acts in Australia. You've 65 00:03:23,080 --> 00:03:27,320 Speaker 4: got Perths the Triffids in the late seventies. Yes, they 66 00:03:27,400 --> 00:03:30,560 Speaker 4: had one hundred songs over their first two years and 67 00:03:30,600 --> 00:03:34,400 Speaker 4: they released six independent cassette tapes within two years, and 68 00:03:34,440 --> 00:03:36,400 Speaker 4: they would sell them at gigs and that's how they 69 00:03:36,840 --> 00:03:40,040 Speaker 4: quickly distributed and became one of the most popular bands. 70 00:03:40,240 --> 00:03:41,480 Speaker 2: And we still talk about them. 71 00:03:41,560 --> 00:03:43,960 Speaker 5: It became It made the music more mobile as well, 72 00:03:43,960 --> 00:03:45,560 Speaker 5: didn't it. You could get out Like my dad one 73 00:03:45,640 --> 00:03:47,240 Speaker 5: night went and saw Neil Diamond I can't remember. It 74 00:03:47,320 --> 00:03:49,080 Speaker 5: was subi Ovall or the Whack and he recorded the 75 00:03:49,120 --> 00:03:51,320 Speaker 5: whole concert and the recording was awful because it bactually 76 00:03:51,320 --> 00:03:53,680 Speaker 5: started wearing out. So the end of the game like 77 00:03:53,720 --> 00:03:57,800 Speaker 5: crunching out olask Us around eighty seven. Yeah, you could, yeah, 78 00:03:58,040 --> 00:04:00,400 Speaker 5: but at least he got a couple of because you've 79 00:04:00,360 --> 00:04:01,960 Speaker 5: got a couple at the start of the gig. That 80 00:04:02,040 --> 00:04:03,720 Speaker 5: sounded a right. I don't know if he ever played again, 81 00:04:03,840 --> 00:04:06,120 Speaker 5: but we became more mobile. MoMA was the music ind. 82 00:04:06,120 --> 00:04:09,920 Speaker 4: We definitely, I mean, and especially when the Walkman came 83 00:04:09,960 --> 00:04:13,040 Speaker 4: around in nineteen seventy nine, all of a sudden, you 84 00:04:13,080 --> 00:04:15,480 Speaker 4: had a player you could take anywhere, you can listen 85 00:04:15,520 --> 00:04:17,479 Speaker 4: to it by yourself, and you can custom make a 86 00:04:17,520 --> 00:04:18,960 Speaker 4: soundtrack for your own life. 87 00:04:19,400 --> 00:04:23,240 Speaker 1: Well this is I mean, The Walkman changed my life 88 00:04:23,600 --> 00:04:27,000 Speaker 1: because I was able to sit in the backseat of 89 00:04:27,000 --> 00:04:28,640 Speaker 1: the car on a road trip. This is on the 90 00:04:28,720 --> 00:04:31,280 Speaker 1: days where Mum and Dad chose the music and if 91 00:04:31,320 --> 00:04:33,279 Speaker 1: you didn't like the two mad I could sit in 92 00:04:33,320 --> 00:04:35,200 Speaker 1: the back and I could listen to David Bowie or 93 00:04:35,240 --> 00:04:38,000 Speaker 1: whatever while they've got Max Bargraves playing on their you know, 94 00:04:38,080 --> 00:04:39,080 Speaker 1: cassette tape in the car. 95 00:04:39,880 --> 00:04:41,680 Speaker 2: And it was it was freedom. 96 00:04:41,760 --> 00:04:48,800 Speaker 1: Yeah, oh, that pratical destiny, pretty of choice. 97 00:04:49,760 --> 00:04:50,280 Speaker 2: That's why it. 98 00:04:50,240 --> 00:04:52,960 Speaker 4: Became the leading format from nineteen eighty four to nineteen 99 00:04:53,000 --> 00:04:56,359 Speaker 4: eighty two. I mean the Walkman changed everyone's lives. Yeah, 100 00:04:56,400 --> 00:04:58,800 Speaker 4: but we still had you know, there was so much 101 00:04:58,839 --> 00:05:01,200 Speaker 4: development and a real boot room in cassette players. We 102 00:05:01,279 --> 00:05:05,760 Speaker 4: had them in cars from the nineteen sixty eight. It 103 00:05:05,800 --> 00:05:08,279 Speaker 4: really made it portable and enjoyable and it was really 104 00:05:08,320 --> 00:05:11,560 Speaker 4: picked up by surfers, you know, bringing them out and 105 00:05:11,600 --> 00:05:13,839 Speaker 4: playing them out the back of the vans and blasting 106 00:05:13,920 --> 00:05:18,560 Speaker 4: skyhooks and it really did amazing things for the Australian industry. 107 00:05:18,640 --> 00:05:20,840 Speaker 5: Yeah, they replaced the smaller cassettes, replacing the old eye 108 00:05:20,839 --> 00:05:22,200 Speaker 5: track because a lot of people are the eye tracks 109 00:05:22,200 --> 00:05:24,080 Speaker 5: in the curve something else. 110 00:05:24,080 --> 00:05:28,480 Speaker 1: Absolutely, that was you know, probably it wasn't the right thing, 111 00:05:28,520 --> 00:05:31,640 Speaker 1: but it was life changing. The cassettes was coming back 112 00:05:31,640 --> 00:05:33,719 Speaker 1: from Bali with a suitcase full of. 113 00:05:33,720 --> 00:05:34,360 Speaker 2: The dam flings. 114 00:05:35,480 --> 00:05:40,160 Speaker 1: I mean, was this the very first example of pirating music? 115 00:05:42,040 --> 00:05:44,160 Speaker 4: I don't know if it's the first example because we're 116 00:05:44,200 --> 00:05:50,000 Speaker 4: kind of wily, but I would say it definitely was 117 00:05:50,040 --> 00:05:52,880 Speaker 4: a big concern for the Australian industry. They estimated that 118 00:05:52,920 --> 00:05:55,440 Speaker 4: it was costing them about four hundred and forty point 119 00:05:55,480 --> 00:05:59,799 Speaker 4: eight million, and that's not including just how easy tapes 120 00:05:59,800 --> 00:06:01,479 Speaker 4: were a shop lift compared to an LP. 121 00:06:01,800 --> 00:06:02,320 Speaker 3: Yeah. 122 00:06:02,520 --> 00:06:05,680 Speaker 2: I never gave that a pretty small slippy. I did 123 00:06:05,720 --> 00:06:07,799 Speaker 2: pick them a few pate copy Yeah. 124 00:06:07,880 --> 00:06:10,000 Speaker 5: Yeah, you makes make them a mixtape so you don't 125 00:06:10,000 --> 00:06:10,839 Speaker 5: have to buy the album? 126 00:06:10,960 --> 00:06:13,599 Speaker 3: You know you the c album? No, I don't have to. 127 00:06:14,440 --> 00:06:18,720 Speaker 1: Mixtapes were the first dating apps, in my opinion, because 128 00:06:19,080 --> 00:06:22,160 Speaker 1: we didn't know, we didn't have social media to flirt. 129 00:06:22,279 --> 00:06:23,799 Speaker 2: I found that the best. 130 00:06:23,880 --> 00:06:27,760 Speaker 1: I think if there was someone you liked, you made 131 00:06:27,800 --> 00:06:28,599 Speaker 1: them a mixtape. 132 00:06:28,600 --> 00:06:30,960 Speaker 2: Oh really, and that was the key to their heart? 133 00:06:31,080 --> 00:06:31,640 Speaker 3: Did you do that? 134 00:06:31,960 --> 00:06:33,599 Speaker 2: Yes? Many. 135 00:06:34,360 --> 00:06:36,520 Speaker 4: If you didn't make a mixtape for someone you cared 136 00:06:36,520 --> 00:06:37,600 Speaker 4: about it, I don't want to know you. 137 00:06:38,880 --> 00:06:41,919 Speaker 5: Yeah, what about the revival I mean, it hasn't been 138 00:06:41,960 --> 00:06:44,320 Speaker 5: as huge as as people going and buying vinyl, But 139 00:06:44,320 --> 00:06:46,479 Speaker 5: there have been some releases on cassettes in recent times, 140 00:06:46,520 --> 00:06:47,200 Speaker 5: haven't they. 141 00:06:47,720 --> 00:06:48,520 Speaker 2: Absolutely? 142 00:06:48,680 --> 00:06:50,400 Speaker 4: I think it has a large part to do with 143 00:06:50,480 --> 00:06:54,279 Speaker 4: the nostalgia. I think it's cheaper with an LP and labels. 144 00:06:54,520 --> 00:06:58,039 Speaker 4: While they're producing these digital releases, they'll often come with 145 00:06:58,080 --> 00:07:01,159 Speaker 4: a limited edition collectibook cassette and that comes with a 146 00:07:01,200 --> 00:07:04,679 Speaker 4: digital download with it. You know, the recent Barbie movie 147 00:07:04,760 --> 00:07:07,560 Speaker 4: released its soundtrack on a hot pink transparent cassette. 148 00:07:07,839 --> 00:07:11,400 Speaker 2: Oh my god, I loved that one first. No style too, 149 00:07:11,520 --> 00:07:11,920 Speaker 2: isn't it. 150 00:07:12,200 --> 00:07:15,800 Speaker 1: I do think they were sometimes the least loved of 151 00:07:15,840 --> 00:07:19,360 Speaker 1: all the forms, and yet they were the one probably 152 00:07:19,520 --> 00:07:23,440 Speaker 1: that did for me change so many things. Okay, the 153 00:07:23,520 --> 00:07:25,440 Speaker 1: quality might not have been as good as putting on 154 00:07:25,480 --> 00:07:27,840 Speaker 1: an album at home, but as I said, you know, 155 00:07:28,040 --> 00:07:29,080 Speaker 1: I was on the move with it. 156 00:07:29,120 --> 00:07:30,520 Speaker 5: But when it got caught in the heads to take 157 00:07:30,600 --> 00:07:32,880 Speaker 5: the corner heads and your tape was rubbish? 158 00:07:32,920 --> 00:07:37,560 Speaker 1: How many you try to save your favorite You've got 159 00:07:37,560 --> 00:07:40,120 Speaker 1: the pencil, you're trying to wind it back on, and 160 00:07:40,400 --> 00:07:42,600 Speaker 1: the moment you get that when you reach that moment 161 00:07:42,600 --> 00:07:44,360 Speaker 1: where you think, no, it's gone. 162 00:07:44,360 --> 00:07:45,880 Speaker 3: What do you reckon to now? It's frustrating. I can 163 00:07:45,920 --> 00:07:46,560 Speaker 3: hear it in your voice. 164 00:07:47,080 --> 00:07:50,440 Speaker 4: Oh absolutely, I mean I've done it myself, getting the 165 00:07:50,480 --> 00:07:52,480 Speaker 4: tape and getting it out and winding it back with 166 00:07:52,520 --> 00:07:54,560 Speaker 4: the pencil and getting your own sticky tape and trying 167 00:07:54,560 --> 00:07:55,640 Speaker 4: to get it back together. 168 00:07:55,880 --> 00:07:56,120 Speaker 1: Yeah. 169 00:07:56,240 --> 00:07:58,760 Speaker 4: But do you know what, I don't think CDs fixed 170 00:07:58,880 --> 00:08:01,040 Speaker 4: anything like that. They were just I think they were 171 00:08:01,040 --> 00:08:03,480 Speaker 4: more easily scratched and less durable, and. 172 00:08:03,800 --> 00:08:06,960 Speaker 3: More when listening to them, the skating kind of thing 173 00:08:06,960 --> 00:08:07,240 Speaker 3: on them. 174 00:08:07,320 --> 00:08:11,520 Speaker 4: Yeah, I think I think cassettes are hard done by. 175 00:08:11,720 --> 00:08:12,600 Speaker 2: They were sturdier. 176 00:08:13,160 --> 00:08:16,320 Speaker 1: Well to Neil, thank you for taking us through the 177 00:08:16,360 --> 00:08:18,000 Speaker 1: history of the cassette today. 178 00:08:18,360 --> 00:08:22,360 Speaker 2: It's lovely to talk to you. Thank you by bye 179 00:08:22,480 --> 00:08:22,920 Speaker 2: so much. 180 00:08:22,960 --> 00:08:23,360 Speaker 4: Take care,