WEBVTT - Courtney Act - MASKED SINGER - TV Personality

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload the podcast last week thatyline. Welcome back Eyes

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<v Speaker 1>to TV Reload. As you may know, my name is

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<v Speaker 1>Benjamin Norris and this is your podcast to get all

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<v Speaker 1>the inside goss on the popular TV shows that you

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<v Speaker 1>might be watching from around the world. Underniably, our TV

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<v Speaker 1>sets are a major part of our home entertainment, and

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<v Speaker 1>yet very little is known about how our favorite shows

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<v Speaker 1>get made. So each episode I've been finding the guests

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<v Speaker 1>that want to dive just that little bit deeper into

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<v Speaker 1>the shows that they're currently making, so that you can

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<v Speaker 1>hear all their exclusive stories and gain access to the

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<v Speaker 1>biggest names in Australian television. I want to thank you

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<v Speaker 1>for downloading or subscribing to this podcast however you found me.

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<v Speaker 1>I really do love hearing your feedback, so make sure

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<v Speaker 1>you leave a review or a comment on your chosen

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<v Speaker 1>podcast platform. On today's podcast, I have Courtney Act who

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<v Speaker 1>has just had their mask revealed on the Mass Singer.

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<v Speaker 1>If you missed any of Courtney's performances as Cowgirl, you

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<v Speaker 1>can go back and check them out on tenplay. I

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<v Speaker 1>loved the full circle moment of Courtney singing what About Me,

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<v Speaker 1>which became a huge hit for Shannonol the year that

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<v Speaker 1>they both starred on Australian Idol. That one definitely was

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<v Speaker 1>one of my favorites. Shane Jenik, better known for his

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<v Speaker 1>stage name Courtney Act, is an Australian drag queen's singer

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<v Speaker 1>and television personality. Courtney first came to prominence competing on

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<v Speaker 1>the very first season of Australian Idol in two thousand

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<v Speaker 1>and three. After that show, she went on to sign

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<v Speaker 1>at BMG Australia which is now known as Sony Music,

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<v Speaker 1>and released that iconic single rub Me Wrong, which made

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<v Speaker 1>a decent splash on the ARIA charts. There is obviously

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<v Speaker 1>so much to Courtney's story, from RuPaul's drag race to

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<v Speaker 1>winning Big Brother UK, those dance moves, on Dancing with

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<v Speaker 1>the Stars, the LGBTI advocacy in this country and around

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<v Speaker 1>the world. There's just so much to unpack, and somehow

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<v Speaker 1>Courtney touches on everything effortlessly without ever really sounding like

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<v Speaker 1>that they're big noting themselves. I personally am a huge

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<v Speaker 1>fan and a friend and this chat was everything I

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<v Speaker 1>would expect from Shane and also so much more. I

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<v Speaker 1>will ask if there were big discussions behind the scenes

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<v Speaker 1>regarding the reveal and if there was much consideration into

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<v Speaker 1>revealing Courtney or Shane. We will discuss that play school

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<v Speaker 1>debarcle and how dressing up as a cow is somehow

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<v Speaker 1>more acceptable than a man dressing as a woman. You

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<v Speaker 1>will find out which of the three judges had met

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<v Speaker 1>Courtney before and if politics is something that Shane would

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<v Speaker 1>ever truly be interested in. Plus, we will get plenty

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<v Speaker 1>of exclusives from behind the scenes of The Mass Singer,

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<v Speaker 1>which returns for its season finale on Monday night on

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<v Speaker 1>Network ten. And if you've fallen just that little bit behind,

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<v Speaker 1>you can catch up on ten. Play anyway, guys, let's

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<v Speaker 1>bring Shane slash Courtney act into the podcast, and I

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<v Speaker 1>really do hope you enjoy this very insightful episode of

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<v Speaker 1>TV reload.

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<v Speaker 2>Wow.

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<v Speaker 1>Then I just wanted to say that I was in

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<v Speaker 1>the process of doing my hair and as soon as

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<v Speaker 1>Peter said, can you do nine thirty, I've just come

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<v Speaker 1>in enter the room, so I hadn't finished my face,

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<v Speaker 1>and I look like I've been electrocuted.

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<v Speaker 2>I think that's all in your head. You look. I

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<v Speaker 2>even went I even went like this to check.

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<v Speaker 1>Just to make sure. Yeah, and I hadn't even framed

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<v Speaker 1>the camera, so I'm a lot closer than I normally

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<v Speaker 1>would be. But anyway, how are you.

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<v Speaker 2>I'm good, I'm very good. Actually, I don't know what

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<v Speaker 2>hour is it there?

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<v Speaker 1>Nine n I'm thirty in the morning.

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<v Speaker 2>I got up at four thirty. I'm in Hong Kong.

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<v Speaker 1>What are you doing in Hong Kong? Can you tell

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<v Speaker 1>us or is it a secret project?

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<v Speaker 2>Yeah, I'm on Celebrity sas Hong Kong. No, I am

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<v Speaker 2>performing at the Gay Games opening gala concert on Sunday.

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<v Speaker 2>I don't have to explain what the Gay Games are

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<v Speaker 2>to you.

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<v Speaker 1>I assume no you don't. It's fine. I completely understand,

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<v Speaker 1>and I should have actually known that's why you were there.

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<v Speaker 1>But you know, for the people playing at home, the.

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<v Speaker 2>Gay Games is an opportunity for queer people to heal

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<v Speaker 2>their high school pe wounds with sports. Obviously the women

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<v Speaker 2>did a much better job than the queer men. But yeah,

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<v Speaker 2>it's like I literally have only just realized, like I'm

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<v Speaker 2>not even I don't think I'm even you know what

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<v Speaker 2>it was? It was when Marti Gras was in the

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<v Speaker 2>Sydney cricket ground Zoe Koombsmar and I was standing there

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<v Speaker 2>in like a rehearsal, the King rehearsal hosting the Mardi Gras.

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<v Speaker 2>But and she turned to me and she she we

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<v Speaker 2>were looking at all the seats and she was like,

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<v Speaker 2>all of this is for sport, and it dawned on me. So, like,

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<v Speaker 2>sixty thousand people fill that stadium several times a week

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<v Speaker 2>to watch sport, and I had never crossed my mind

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<v Speaker 2>how popular sport is that like most of the country

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<v Speaker 2>loves watching sport regularly. And I don't know, I know

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<v Speaker 2>I sound dumb for saying that, but it just sort

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<v Speaker 2>of dawned on me. And I think because historically queer

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<v Speaker 2>people are so like, oh, sport, I should probably say

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<v Speaker 2>like gay men are like, huh sport, because obviously the

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<v Speaker 2>Matilda's a bunch of wonderful women and a lot of

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<v Speaker 2>them queer and out and other female sporting arenas. But yeah,

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<v Speaker 2>I think that that those high school traumas of sport

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<v Speaker 2>really stay with us, and so the Gay Games is

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<v Speaker 2>a great opportunity to like go like, hey, there's actually

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<v Speaker 2>something really fun about playing sport. I'm not playing sport,

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<v Speaker 2>I'm performing but I did notice that marjong is sport

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<v Speaker 2>in the Hong Kong Ga Games, which is about the

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<v Speaker 2>only sport that I think I would be capable of

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<v Speaker 2>not injuring myself. I would come last still, but at

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<v Speaker 2>least I wouldn't break a limb.

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<v Speaker 1>Do you know what I always think of when I

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<v Speaker 1>think of LGBT I in sport. And I don't know

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<v Speaker 1>whether or not you remember this. We're the same age,

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<v Speaker 1>so you may. But do you remember Gina Riley and

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<v Speaker 1>Jane Turner on Big Girls Blouse doing the hotel check

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<v Speaker 1>in at the Olympic Gates Sport?

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<v Speaker 2>Hello, we would like a room please? Okay? So that's

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<v Speaker 2>one bedroom with two beds? No?

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<v Speaker 3>No, just one bed okay, one bed in a trundle.

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<v Speaker 2>No, oh okay.

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<v Speaker 1>I always wonder, you know, I always wondered because so

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<v Speaker 1>much of your humor is so accessible to me. I

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<v Speaker 1>always have wondered whether you've watched all of those same shows,

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<v Speaker 1>like being born in Australia and watching Big Girls Blouse,

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<v Speaker 1>Fast Forward, the comedy company that's in my DNA, and

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<v Speaker 1>I don't know, did you grow up on all that?

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<v Speaker 2>Absolutely, and that's one of the most refreshing things about

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<v Speaker 2>coming home to Australia. Is that like all of that,

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<v Speaker 2>whether you whether you say if you go with that

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<v Speaker 2>Mari from Marjong, I will go you with the night

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<v Speaker 2>like any even when I said mar Jong before, I'm

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<v Speaker 2>sure that a little part of your DNA thought about that.

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<v Speaker 2>And so there's just all of this like added texture

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<v Speaker 2>when you're talking to people in this stream, particularly like

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<v Speaker 2>you know of our Vintine because you just even that

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<v Speaker 2>was probably a bit our of vind Like it's not specific,

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<v Speaker 2>but it's just like that comedy sensibility that we got

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<v Speaker 2>from Maker and Gina and Jane and the whole.

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<v Speaker 1>I can't you know, do it. It's so funny as well,

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<v Speaker 1>like you're in our DNA now as well. And I

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<v Speaker 1>didn't quickly do the research on this, but I feel

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<v Speaker 1>like you've pet on television for nearly two decades. Am

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<v Speaker 1>I right by.

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<v Speaker 2>Saying man Idol was twenty years ago?

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<v Speaker 1>Yeah, it's just crazy. And I can't work at if

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<v Speaker 1>Courtney Act is in my DNA or I just or

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<v Speaker 1>it was too easy. But as soon as you performed

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<v Speaker 1>as cowgirl, like I just was like, that's that's Courtney Act.

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<v Speaker 1>That's that's shame, Like I it just and then every

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<v Speaker 1>performance that you did was amazing. But I could actually

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<v Speaker 1>see Courtney Act singing do you know what I mean?

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<v Speaker 1>Like through the through the.

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<v Speaker 2>Cow and did that make it? Because in the comment

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<v Speaker 2>section there's like, because I don't know how many types

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<v Speaker 2>of people are out, but there's the type of person

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<v Speaker 2>who's like, that's Courtney Act and like like somehow like

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<v Speaker 2>the game's over. But then there's like, like you said,

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<v Speaker 2>you're like, oh, that's obviously Courtney And then you watched

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<v Speaker 2>me performing as Cowgirl each episode, doing the numbers and

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<v Speaker 2>I guess like almost transposing what you know of me

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<v Speaker 2>through the cow and I feel like then you feel

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<v Speaker 2>like you're in on it and you're enjoying it.

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<v Speaker 1>You're a super fan and that's the joy of it.

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<v Speaker 1>For those people out there that thought you were all

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<v Speaker 1>those other people, fair play to them, and that's probably

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<v Speaker 1>what they truly thought. But for me, I could see

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<v Speaker 1>like even some of the movements being like Disgraceland back

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<v Speaker 1>in Melbourne and performances.

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<v Speaker 3>Well, you know what was funny is like I have

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<v Speaker 3>got some like.

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<v Speaker 2>Super fan Instagram accounts and there was this strange unspoken

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<v Speaker 2>acceptance like the Courtney Act Archives and Courtney Files, like

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<v Speaker 2>with my name in the title, and none of them

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<v Speaker 2>were like, we know it's Courtney Act. They just were like, oh,

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<v Speaker 2>we love Cowgirl. Isn't this a great performance by Cowgirl?

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<v Speaker 2>And they all kind of went along with the charade

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<v Speaker 2>of it all, which was really adorable to see that

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<v Speaker 2>that's how they chose and like, you know, they would

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<v Speaker 2>message and be like, obviously you can't say anything, but

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<v Speaker 2>we think he's doing really good job on the mast Singer.

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<v Speaker 1>I was like, I'm not even going to write to

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<v Speaker 1>you on Instagram or Twitter or any of those messages.

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<v Speaker 1>I'm just going to enjoy the minutia of you being

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<v Speaker 1>on this show because I'd sort of thought about it

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<v Speaker 1>for so long, thinking you'd be such a great contestant

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<v Speaker 1>on this show that while I was getting it, I

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<v Speaker 1>just was like, I'm just going to enjoy my slice

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<v Speaker 1>of cake instead of eating it too, do you know

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<v Speaker 1>what I mean?

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<v Speaker 2>Yeah, you just go along with the charade of it

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<v Speaker 2>all and have fun. And that's what the masting is.

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<v Speaker 2>If you had to explain the Mastinger to someone, imagine

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<v Speaker 2>that boardroom meeting must have happened. I mean, I'm in

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<v Speaker 2>Hong Kong, right.

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<v Speaker 1>Now, which is where it originated from.

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<v Speaker 2>It must have been in Asia somewhere. It definitely feels

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<v Speaker 2>like that. And I can't imagine in like a Western

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<v Speaker 2>boardroom a person coming in to pitch the mask singer

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<v Speaker 2>without a precedent, because they just be like, what the

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<v Speaker 2>PU talking about? Get out of this room. But they

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<v Speaker 2>when you can show people what the mask singer is,

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<v Speaker 2>it's a definite show them, don't tell them kind of show.

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<v Speaker 2>And they sit down and they watch it, and you're

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<v Speaker 2>not even suspending disbelief. I don't know what you're doing.

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<v Speaker 2>You're just enjoying. You're just letting go and you're just

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<v Speaker 2>having fun, and you're just watching this very silly show.

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<v Speaker 1>I love the idea of you being on this show though,

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<v Speaker 1>because I think of you as being able to wear

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<v Speaker 1>masks and blur gender diversity, and the idea of you

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<v Speaker 1>being cowgirl even though the girl is there. I felt

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<v Speaker 1>like these shows where you can put on a mask

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<v Speaker 1>and just sing without being judged by how you look,

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<v Speaker 1>just it's fascinating to me. I think this something in

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<v Speaker 1>that I probably haven't articulated it properly, but you know

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<v Speaker 1>where I'm going.

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<v Speaker 2>I know what you mean. And it's that thing of like,

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<v Speaker 2>it's that thing of people putting aside your identity and

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<v Speaker 2>their preconceptions maybe about queer people, about a drag performer

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<v Speaker 2>and being entertained by them in some form, like you're

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<v Speaker 2>inside this giant anthropomorphic anthropomorphic and take it and promorphic suit,

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<v Speaker 2>a humanized animal, and they're just being entertained and enjoying

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<v Speaker 2>the whole thing. And then you take your head off

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<v Speaker 2>and they're like, oh my god, it's a drag queen.

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<v Speaker 2>What did we think about this person before we knew?

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<v Speaker 2>Does that does that shift our opinions or ideas about

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<v Speaker 2>what we think about queer people or and especially like

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<v Speaker 2>when the idea of you know, like cowgirl reading a

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<v Speaker 2>storybook to kids, people probably wouldn't think twice about. It's

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<v Speaker 2>like Disneyland, it's a character costume. It's like we're so

0:10:54.600 --> 0:10:57.600
<v Speaker 2>familiar with like people dressed up as giant cows or

0:10:57.840 --> 0:11:02.480
<v Speaker 2>ducks or mice entertaining children. But the idea of the

0:11:02.520 --> 0:11:05.559
<v Speaker 2>person inside that suit, who we know nothing about, you know,

0:11:06.160 --> 0:11:08.120
<v Speaker 2>who those people are inside those suits. But the idea

0:11:08.120 --> 0:11:11.200
<v Speaker 2>of like me dressed up as Courtney, dressed up in

0:11:11.320 --> 0:11:15.599
<v Speaker 2>drag reading a storybook to kids, is this, like you,

0:11:16.480 --> 0:11:20.280
<v Speaker 2>sort of strangely shocking proposition in the world right now?

0:11:20.360 --> 0:11:23.640
<v Speaker 2>I will qualify that by saying strangely shocking proposition for

0:11:23.640 --> 0:11:27.000
<v Speaker 2>about five people who are all, you know, gunning to

0:11:27.040 --> 0:11:30.719
<v Speaker 2>get political points for their extreme right views by inciting

0:11:30.920 --> 0:11:33.640
<v Speaker 2>fear in people where no fear needs to exist. But

0:11:33.720 --> 0:11:35.880
<v Speaker 2>yet So it was kind of fun doing Cowgirl and

0:11:35.920 --> 0:11:39.360
<v Speaker 2>being on tele being in this big, crazy costume and

0:11:39.520 --> 0:11:41.320
<v Speaker 2>entertaining people without them no identity.

0:11:41.559 --> 0:11:44.760
<v Speaker 1>I feel like, without you knowing this, you are able

0:11:44.800 --> 0:11:48.319
<v Speaker 1>to explain things like that to straight people or to

0:11:48.400 --> 0:11:51.160
<v Speaker 1>people who may have fear of queer in a really

0:11:51.200 --> 0:11:53.680
<v Speaker 1>simple way that's so digestible that I feel like you've

0:11:53.679 --> 0:11:57.199
<v Speaker 1>opened and unlocked a lot of doors because just simply

0:11:57.280 --> 0:11:59.680
<v Speaker 1>saying what happened on play school and all of those

0:11:59.720 --> 0:12:03.080
<v Speaker 1>common you know, because it's just you, a man addressed

0:12:03.080 --> 0:12:04.920
<v Speaker 1>as a woman is frightening to them. But as soon

0:12:04.920 --> 0:12:06.520
<v Speaker 1>as you explain to them, but I can be dressed

0:12:06.520 --> 0:12:08.000
<v Speaker 1>as a cow and you don't have a problem. And

0:12:08.000 --> 0:12:09.640
<v Speaker 1>your children an't going to grow up thinking that they're

0:12:09.640 --> 0:12:11.559
<v Speaker 1>going to be cows, you know what I mean? Yeah,

0:12:11.600 --> 0:12:13.840
<v Speaker 1>And all of a sudden, this language, this conversation is

0:12:13.880 --> 0:12:16.720
<v Speaker 1>so accessible to people it's disarming.

0:12:16.960 --> 0:12:19.480
<v Speaker 2>It's just that there's like this level of critical thinking

0:12:19.559 --> 0:12:22.959
<v Speaker 2>that we seem to have lost across the discourse in general,

0:12:23.360 --> 0:12:25.720
<v Speaker 2>which I think is one of the problems, you know,

0:12:27.360 --> 0:12:30.640
<v Speaker 2>like the referendum recently right therese these We're not used

0:12:30.720 --> 0:12:34.679
<v Speaker 2>to people in the in the politics, in politics and

0:12:34.720 --> 0:12:38.080
<v Speaker 2>the media being willfully dishonest. We're used to them being

0:12:38.320 --> 0:12:40.560
<v Speaker 2>a little bit dishonest. We're used to politicians flying a

0:12:40.600 --> 0:12:42.880
<v Speaker 2>little bit, and we used to the media sort of

0:12:42.920 --> 0:12:46.360
<v Speaker 2>giving a spin. But we've entered this sort of Trumpian

0:12:46.480 --> 0:12:50.480
<v Speaker 2>era of politics and media now where people are being

0:12:50.800 --> 0:12:54.720
<v Speaker 2>told things by the same institutions and people they've trusted

0:12:54.760 --> 0:12:57.040
<v Speaker 2>for so long, but now that actually there's been a

0:12:57.040 --> 0:13:00.080
<v Speaker 2>ship where that information is no longer trustworthy. But they

0:13:00.120 --> 0:13:02.920
<v Speaker 2>don't know that because they're not invested. They're just trying

0:13:02.920 --> 0:13:04.760
<v Speaker 2>to get through life and get their Starbucks order right.

0:13:04.800 --> 0:13:07.520
<v Speaker 2>They're not really out there on the front line trying

0:13:07.559 --> 0:13:10.360
<v Speaker 2>to understand the nuancewers of the conversation about gender or

0:13:10.400 --> 0:13:13.000
<v Speaker 2>queer identity, about First nation's identity. They're just taking the

0:13:13.040 --> 0:13:14.800
<v Speaker 2>information as it's given to them because they're busy and

0:13:14.840 --> 0:13:17.440
<v Speaker 2>They're making decision based on what they hear, and there's

0:13:17.480 --> 0:13:21.120
<v Speaker 2>not really that ability to just pause for a second,

0:13:21.240 --> 0:13:24.720
<v Speaker 2>step back and think does this make sense? Because usually

0:13:24.760 --> 0:13:26.640
<v Speaker 2>when you do that, you're like, hang on, this doesn't

0:13:26.679 --> 0:13:29.960
<v Speaker 2>make sense. You know, the theomonga and then the negative

0:13:30.000 --> 0:13:33.560
<v Speaker 2>hype surrounding stuff. And I've been thinking in the wake

0:13:33.720 --> 0:13:38.720
<v Speaker 2>of the referendum, like, why won't this keep happening to

0:13:38.800 --> 0:13:41.920
<v Speaker 2>us in other areas of politics as we go forward,

0:13:42.000 --> 0:13:43.640
<v Speaker 2>and how can we stop it from happening? And I

0:13:43.640 --> 0:13:46.800
<v Speaker 2>think a lot of it is about educating people in

0:13:47.520 --> 0:13:51.760
<v Speaker 2>like it's critical thinking, right. But then I've been researching

0:13:51.760 --> 0:13:54.240
<v Speaker 2>this project about masculinity. I've been listening to all these

0:13:54.280 --> 0:13:58.080
<v Speaker 2>men's podcasts, which I do not recommend. It's a horrible

0:13:58.120 --> 0:14:00.320
<v Speaker 2>and weird world out there on all these podcasts, and

0:14:00.360 --> 0:14:03.760
<v Speaker 2>all of these guys like the Andrew Taps of the world.

0:14:03.840 --> 0:14:05.960
<v Speaker 2>Actually it was Andrew Tate. He was like, you know,

0:14:06.160 --> 0:14:08.160
<v Speaker 2>I've done the critical I can't do his accent. I've

0:14:08.200 --> 0:14:10.280
<v Speaker 2>done the critical thinking. And I'm like, that is not

0:14:10.320 --> 0:14:13.440
<v Speaker 2>critical thinking. You've done the opposite of critical thinking. You've

0:14:13.440 --> 0:14:16.600
<v Speaker 2>done confirmation bias. You've found these things that agree with

0:14:16.880 --> 0:14:19.560
<v Speaker 2>your worldview, and now you're telling yourself that you've done

0:14:19.600 --> 0:14:21.400
<v Speaker 2>critical thinking. And I think that's a problem with the

0:14:21.480 --> 0:14:25.560
<v Speaker 2>simple ideas like confirmation bias. Looking for things in your

0:14:25.600 --> 0:14:28.040
<v Speaker 2>experience that agree with what you already believe to be

0:14:28.080 --> 0:14:32.080
<v Speaker 2>true to validate what you think or is not critical thinking.

0:14:32.960 --> 0:14:36.720
<v Speaker 2>And so yeah, the thing about like Disneyland characters, like

0:14:36.960 --> 0:14:39.120
<v Speaker 2>someone dressed as a dinosaur as a cow or a horse,

0:14:39.200 --> 0:14:42.680
<v Speaker 2>like it should be much more weird to think about

0:14:42.680 --> 0:14:45.360
<v Speaker 2>somebody dressed up as another species than it is to

0:14:45.480 --> 0:14:48.000
<v Speaker 2>just be dressed up of someone of the same species,

0:14:48.040 --> 0:14:50.960
<v Speaker 2>of the different gender, or expressing their gender differently.

0:14:51.400 --> 0:14:53.120
<v Speaker 1>So you've been making us think about all of this

0:14:53.400 --> 0:14:56.760
<v Speaker 1>for so long, Like I will never forget watching you

0:14:56.920 --> 0:14:59.880
<v Speaker 1>perform in Idle, for those first few episodes where you

0:14:59.880 --> 0:15:01.640
<v Speaker 1>can came in a Shane and came in as Courtney.

0:15:01.720 --> 0:15:04.160
<v Speaker 1>Do you know what I thought was really impactful and

0:15:04.240 --> 0:15:06.840
<v Speaker 1>really a turning point in your career was Ian Dixon

0:15:06.880 --> 0:15:10.080
<v Speaker 1>being on television at a time that authorized you in

0:15:10.120 --> 0:15:15.080
<v Speaker 1>a way by supporting you so publicly, allowed you to

0:15:15.160 --> 0:15:18.680
<v Speaker 1>go further with that story and allowed Australia to unpack

0:15:19.160 --> 0:15:21.160
<v Speaker 1>more about it. I mean, I kind of feel like

0:15:21.160 --> 0:15:23.080
<v Speaker 1>you've been doing this for so long, and it's interesting

0:15:23.120 --> 0:15:25.560
<v Speaker 1>we talk about politics because I kind of feel like

0:15:25.680 --> 0:15:27.000
<v Speaker 1>we're going to be I'm going to be talking to

0:15:27.040 --> 0:15:28.240
<v Speaker 1>you in twenty years time and you're going to be

0:15:28.280 --> 0:15:30.960
<v Speaker 1>in politics, do you know what I mean? You know,

0:15:31.080 --> 0:15:33.960
<v Speaker 1>because because it's part of who you are, and the

0:15:34.000 --> 0:15:38.240
<v Speaker 1>accessibility to explain things to the Australian and global audiences

0:15:38.480 --> 0:15:40.880
<v Speaker 1>is so digestible. I feel like it's almost silly that

0:15:40.880 --> 0:15:43.840
<v Speaker 1>if you didn't go into politics at some point.

0:15:44.160 --> 0:15:48.360
<v Speaker 2>It's that funny thing where I think, you know obviously

0:15:48.440 --> 0:15:50.760
<v Speaker 2>that well I don't know. I mean, Dame Edner went

0:15:50.840 --> 0:15:54.400
<v Speaker 2>out in glamorous, I guess to an extent, I do

0:15:54.480 --> 0:15:57.160
<v Speaker 2>wonder like at what point my age will catch up

0:15:57.200 --> 0:16:00.560
<v Speaker 2>with Courtney's glamour or how Courtney will have and then

0:16:01.240 --> 0:16:03.520
<v Speaker 2>lots of people talk about politics, and I think like

0:16:03.560 --> 0:16:05.440
<v Speaker 2>I have a lot more opportunity to do a lot

0:16:05.480 --> 0:16:07.760
<v Speaker 2>more good right now just doing what I'm doing, rather

0:16:07.800 --> 0:16:10.520
<v Speaker 2>than getting sucked into a broken system. But I am

0:16:10.800 --> 0:16:13.640
<v Speaker 2>fascinated with politics, and I am fascinated with, you know,

0:16:14.080 --> 0:16:17.720
<v Speaker 2>how society and the media and everything interacts together, and

0:16:18.520 --> 0:16:22.360
<v Speaker 2>just trying in my own small way to you know, contribute.

0:16:21.960 --> 0:16:24.040
<v Speaker 1>Make an impact, kick the time, yeah.

0:16:23.880 --> 0:16:27.720
<v Speaker 2>Make it yeah. Like well, I can't quite remember why

0:16:28.120 --> 0:16:30.600
<v Speaker 2>or where that began, but it's interesting that you mentioned

0:16:30.600 --> 0:16:33.520
<v Speaker 2>Dicko because I think in a weird way, he's in

0:16:33.520 --> 0:16:35.640
<v Speaker 2>a weird way, in quite a wonderful way. He was

0:16:35.680 --> 0:16:39.640
<v Speaker 2>an ally before we really had that term, and that's

0:16:39.840 --> 0:16:43.560
<v Speaker 2>I think an example of allieship that people might be

0:16:43.600 --> 0:16:45.000
<v Speaker 2>able to like have contact with.

0:16:45.120 --> 0:16:47.720
<v Speaker 3>Where it goes me, I'm in drag might have been

0:16:47.760 --> 0:16:49.000
<v Speaker 3>a bit challenging for.

0:16:49.080 --> 0:16:52.760
<v Speaker 2>Like straight male Australians to understand, but I think Dicko,

0:16:52.880 --> 0:16:55.920
<v Speaker 2>being a brit had grown up with a different understanding

0:16:55.960 --> 0:16:57.560
<v Speaker 2>of drag, like pantomime.

0:16:57.880 --> 0:16:59.640
<v Speaker 1>Well, he grew up in the music business around a

0:16:59.640 --> 0:17:02.120
<v Speaker 1>little queer people, and so there was a lot of

0:17:02.320 --> 0:17:05.159
<v Speaker 1>there was a lot of queer people in English music,

0:17:05.359 --> 0:17:07.199
<v Speaker 1>not you know, obviously there you know, was a lot

0:17:07.240 --> 0:17:09.560
<v Speaker 1>of queer music happening, but behind the scenes there's a

0:17:09.560 --> 0:17:11.520
<v Speaker 1>lot of queer people that Dicko was growing up with.

0:17:11.680 --> 0:17:13.879
<v Speaker 1>And so when you hear all of that that his

0:17:14.080 --> 0:17:17.360
<v Speaker 1>mates growing up in his industry early on was all

0:17:17.400 --> 0:17:19.800
<v Speaker 1>of that, he kind of that sort of marries into

0:17:19.840 --> 0:17:23.200
<v Speaker 1>what you're saying to me. You know, yeah, he did,

0:17:23.240 --> 0:17:25.399
<v Speaker 1>and he ordained you in a weird way. It was beauty.

0:17:25.400 --> 0:17:27.879
<v Speaker 1>It was amazing television, you know, and you've done so

0:17:28.000 --> 0:17:30.320
<v Speaker 1>much since then, but it's just so it's such a

0:17:30.359 --> 0:17:31.560
<v Speaker 1>turning point, you know what I mean.

0:17:31.880 --> 0:17:34.520
<v Speaker 2>Yeah, and I think it was cool because queer people

0:17:34.520 --> 0:17:37.240
<v Speaker 2>can be as visible as they want, but kind of

0:17:37.320 --> 0:17:41.600
<v Speaker 2>in a weird way, queer people need straight society in

0:17:41.720 --> 0:17:46.639
<v Speaker 2>order for them to gain acceptance, and that's sort of

0:17:46.680 --> 0:17:49.120
<v Speaker 2>the pride parades and all of that is about attracting

0:17:49.160 --> 0:17:52.639
<v Speaker 2>attention and bringing people on board. But it's it's the

0:17:52.680 --> 0:17:55.159
<v Speaker 2>straight people. It's obviously the queer people who are on

0:17:55.200 --> 0:17:57.040
<v Speaker 2>the front line sort of changing their minds, who are

0:17:57.040 --> 0:17:59.240
<v Speaker 2>in the rooms we're having conversations, So it's you know,

0:17:59.359 --> 0:18:02.960
<v Speaker 2>changing police and who are visible that doing it. But

0:18:02.960 --> 0:18:06.280
<v Speaker 2>it's like the straight people coming around to accepting that

0:18:06.280 --> 0:18:08.359
<v Speaker 2>that sort of brings about the actual change. And I

0:18:08.359 --> 0:18:11.760
<v Speaker 2>think Dicko was an ally in that way where he said, oh,

0:18:11.880 --> 0:18:14.960
<v Speaker 2>it's okay, I'm a straight bloke. I'm entertained by Courtney.

0:18:15.000 --> 0:18:17.960
<v Speaker 2>I'm happy your work with Courtney. My sexuality, my masculinity

0:18:18.000 --> 0:18:21.440
<v Speaker 2>isn't threatened by doing so. And you can too, and

0:18:21.720 --> 0:18:24.159
<v Speaker 2>I think that is sort of role modeling a positive

0:18:24.200 --> 0:18:27.600
<v Speaker 2>behavior for other people, and I always appreciate him for that.

0:18:27.680 --> 0:18:29.639
<v Speaker 1>I always think of it myself as a queer person.

0:18:29.800 --> 0:18:32.080
<v Speaker 1>I was like, is he doing that on television? Is

0:18:32.119 --> 0:18:35.440
<v Speaker 1>he ordaining someone on television? And I felt sired, do

0:18:35.480 --> 0:18:37.320
<v Speaker 1>you know what I mean? Like I felt maybe it's

0:18:37.359 --> 0:18:40.199
<v Speaker 1>possible to be on television where prior to that, you know,

0:18:40.760 --> 0:18:43.520
<v Speaker 1>I was hiding away almost like sport, when people being picked,

0:18:43.520 --> 0:18:45.280
<v Speaker 1>I'm like, don't pick me because I don't want the

0:18:45.359 --> 0:18:47.680
<v Speaker 1>light on me, don't you know, don't include me because

0:18:47.720 --> 0:18:50.560
<v Speaker 1>I can't and I don't belong there. And then that

0:18:50.720 --> 0:18:52.919
<v Speaker 1>was a real big change, because I don't necessarily know

0:18:53.200 --> 0:18:56.840
<v Speaker 1>if we've ever had anyone who was so willing to

0:18:56.880 --> 0:18:59.080
<v Speaker 1>be themselves on television as much as you have been

0:18:59.119 --> 0:19:02.119
<v Speaker 1>through a Big Brother through all of these shows. However, actually,

0:19:02.200 --> 0:19:04.280
<v Speaker 1>just a quick point, someone messaged on one of the

0:19:04.320 --> 0:19:08.160
<v Speaker 1>forums last night, you one Big Brother. You came second

0:19:08.240 --> 0:19:11.760
<v Speaker 1>on Dancing with the Stars, You've now you came third

0:19:12.080 --> 0:19:15.480
<v Speaker 1>on RuPaul's Drag Race, and you've now come fourth on

0:19:15.560 --> 0:19:19.800
<v Speaker 1>The Mask Singer. It was a really interesting fact. I

0:19:19.840 --> 0:19:20.680
<v Speaker 1>was like, is it.

0:19:20.600 --> 0:19:22.880
<v Speaker 2>Called a duck. No, what are you good? That's fourth

0:19:23.000 --> 0:19:23.480
<v Speaker 2>and I don't know.

0:19:23.640 --> 0:19:25.600
<v Speaker 1>Yes, let's not go cricket references.

0:19:26.520 --> 0:19:29.320
<v Speaker 2>Well, I will just look, I'm not being defensive, but

0:19:29.359 --> 0:19:32.480
<v Speaker 2>I will say I didn't come third on drag Race,

0:19:32.600 --> 0:19:34.520
<v Speaker 2>and I didn't come second on drag Race. A Door

0:19:34.560 --> 0:19:38.720
<v Speaker 2>and I were technically top three, but that's a technicality.

0:19:38.760 --> 0:19:39.520
<v Speaker 2>I'm not sensitive.

0:19:39.800 --> 0:19:42.280
<v Speaker 1>Technically, then you came like twelfth on idle. So you've

0:19:42.280 --> 0:19:44.600
<v Speaker 1>got a few other little, you know, dots to punch

0:19:44.640 --> 0:19:45.480
<v Speaker 1>in your dance card.

0:19:45.560 --> 0:19:47.119
<v Speaker 2>I don't want to fill in. I don't want to

0:19:47.119 --> 0:19:48.480
<v Speaker 2>fill in five through twelve.

0:19:49.240 --> 0:19:52.080
<v Speaker 1>It's never gonna happen, my friend, It's never gonna happen.

0:19:53.280 --> 0:19:56.120
<v Speaker 1>What was was there a discussion with the producers when

0:19:56.119 --> 0:19:58.360
<v Speaker 1>they asked you to do this show about whether when

0:19:58.400 --> 0:20:00.560
<v Speaker 1>the mask would come off, you'd be Shane or Courtney.

0:20:00.600 --> 0:20:03.639
<v Speaker 1>That really fascinated me because even last night, with the

0:20:03.680 --> 0:20:06.000
<v Speaker 1>rest of Australia knowing it was you under there waiting

0:20:06.000 --> 0:20:09.560
<v Speaker 1>for you to take your cowhead off, I was questioning

0:20:10.000 --> 0:20:12.399
<v Speaker 1>what you would have chosen to do and what that

0:20:12.440 --> 0:20:13.600
<v Speaker 1>conversation must have been like.

0:20:13.880 --> 0:20:16.800
<v Speaker 2>Well, for me, it's all part of the theater of it.

0:20:17.160 --> 0:20:20.000
<v Speaker 2>I wanted it to be as ridiculous as possible, and

0:20:20.040 --> 0:20:22.679
<v Speaker 2>like pulling off my cowhead and being Shane underneath, like

0:20:22.840 --> 0:20:25.639
<v Speaker 2>as a performer as a showman, that doesn't make as

0:20:25.720 --> 0:20:28.359
<v Speaker 2>much sense as taking off that head and having the

0:20:28.400 --> 0:20:32.040
<v Speaker 2>biggest hair ever fall out of it, like Charlie's Angel

0:20:32.080 --> 0:20:36.040
<v Speaker 2>taking off a helmet. And Karen Green, the executive producer, afterwards,

0:20:36.080 --> 0:20:38.320
<v Speaker 2>she was like, Oh, I knew you're gonna be in drag,

0:20:38.400 --> 0:20:40.199
<v Speaker 2>but I just thought you'd have like a little, like

0:20:40.440 --> 0:20:42.800
<v Speaker 2>small like wig on And I was like, I was

0:20:42.800 --> 0:20:45.879
<v Speaker 2>not wanting a pussy catwig underneath that cowhead. I was

0:20:45.920 --> 0:20:49.200
<v Speaker 2>gonna have the biggest, most ridiculous hair possible, Like that's

0:20:49.359 --> 0:20:51.600
<v Speaker 2>that's what this show is. This show is like bigger

0:20:51.640 --> 0:20:54.679
<v Speaker 2>and more ridiculous and just silly, and so I wanted

0:20:54.720 --> 0:20:58.720
<v Speaker 2>to bring that. And it's really hot and sweaty inside

0:20:58.800 --> 0:21:03.280
<v Speaker 2>that costume, like like unbelievably hot and sweaty. So I did.

0:21:03.600 --> 0:21:05.479
<v Speaker 2>I just saw a photo because I was like, how

0:21:05.480 --> 0:21:07.320
<v Speaker 2>did I do my makeup? I just did my eyes

0:21:07.880 --> 0:21:10.239
<v Speaker 2>and I put like my primer on and I just

0:21:10.280 --> 0:21:12.840
<v Speaker 2>did my eyes because they don't sweat as much and

0:21:12.880 --> 0:21:17.000
<v Speaker 2>because then you bang your head inside the kettle and

0:21:17.160 --> 0:21:20.560
<v Speaker 2>you scrape off makeup, and so it was easier just

0:21:20.600 --> 0:21:24.080
<v Speaker 2>to like my foundation on after I had sung my

0:21:24.200 --> 0:21:27.119
<v Speaker 2>number to getting ready for the reveal, to go and

0:21:27.160 --> 0:21:28.919
<v Speaker 2>put the rest of the foundation on in case I

0:21:28.920 --> 0:21:31.119
<v Speaker 2>got eliminated, and then take the head off. And I

0:21:31.600 --> 0:21:34.000
<v Speaker 2>remember like banging something my nose on my chin, and

0:21:34.000 --> 0:21:35.879
<v Speaker 2>I was like, oh, no, am I gonna pull this

0:21:36.000 --> 0:21:39.159
<v Speaker 2>head off and have like a nose smudged off or

0:21:39.359 --> 0:21:39.800
<v Speaker 2>but it.

0:21:39.920 --> 0:21:43.760
<v Speaker 1>All looked perfect, No, not like per usual with you.

0:21:44.160 --> 0:21:46.280
<v Speaker 1>It was perfection. I mean apart from walking into the

0:21:46.320 --> 0:21:48.600
<v Speaker 1>Big Brother House and your dress flying off. I mean yeah,

0:21:49.200 --> 0:21:49.960
<v Speaker 1>which is still like.

0:21:51.560 --> 0:21:53.680
<v Speaker 2>Twenty two years of Well. I didn't do all the

0:21:53.760 --> 0:21:56.359
<v Speaker 2>Mighty Graar parties in drag, but like all of my

0:21:56.720 --> 0:21:59.000
<v Speaker 2>younger mighty graar parties I would do in drag. So

0:21:59.000 --> 0:22:00.919
<v Speaker 2>I do the parade, go to the party. I'd been

0:22:00.960 --> 0:22:03.840
<v Speaker 2>the irch I and the Horden from midnight until eight

0:22:03.880 --> 0:22:08.000
<v Speaker 2>am in full drag, sweating dancing, and that prepared me

0:22:08.160 --> 0:22:11.399
<v Speaker 2>for a career in television of like long shoot days,

0:22:11.520 --> 0:22:14.400
<v Speaker 2>hot lights. My body doesn't sweat, my face doesn't sweat

0:22:14.440 --> 0:22:16.439
<v Speaker 2>when I'm in drag, and I don't think that's natural.

0:22:16.480 --> 0:22:20.360
<v Speaker 2>I think that's years of I think that's nurture, not nature,

0:22:20.520 --> 0:22:23.000
<v Speaker 2>of years of Mardi Gras parties and being in drag

0:22:23.040 --> 0:22:25.359
<v Speaker 2>my skin just being like, you know what will is

0:22:25.359 --> 0:22:27.119
<v Speaker 2>just not sweat. It'll make it easier for everyone.

0:22:27.440 --> 0:22:29.480
<v Speaker 1>You like the Minogues. Do you remember the minogues came

0:22:29.480 --> 0:22:31.919
<v Speaker 1>out and said minogues don't sweat, they sweat litter or.

0:22:31.920 --> 0:22:35.960
<v Speaker 2>Whatever they either. I remember being in Fiji with my

0:22:36.040 --> 0:22:38.919
<v Speaker 2>then boyfriend and we climbed this like mountain and we

0:22:38.960 --> 0:22:40.719
<v Speaker 2>got to the top and I looked at him and

0:22:40.760 --> 0:22:42.560
<v Speaker 2>he was like drenched, and he looked at me and

0:22:42.560 --> 0:22:44.840
<v Speaker 2>he was like, why aren't you sweating?

0:22:45.240 --> 0:22:47.200
<v Speaker 3>And it was this moment where I was like why,

0:22:47.600 --> 0:22:48.760
<v Speaker 3>Like you look like you've been.

0:22:48.680 --> 0:22:53.159
<v Speaker 2>Doused in water, and yeah, I don't know what it is,

0:22:53.160 --> 0:22:53.800
<v Speaker 2>but I'm grateful.

0:22:53.920 --> 0:22:56.199
<v Speaker 1>Probably imagine if you were a really bad sweater, you

0:22:56.200 --> 0:22:58.120
<v Speaker 1>probably would have had the career that you've had.

0:22:59.040 --> 0:23:01.320
<v Speaker 2>No, that's what's Trevor Ashley back.

0:23:05.280 --> 0:23:08.520
<v Speaker 1>You bitch. The question I also saw on the on

0:23:08.560 --> 0:23:10.879
<v Speaker 1>the boards, which was you know, like on the social boards,

0:23:10.920 --> 0:23:12.520
<v Speaker 1>was this and I feel like if they don't ask it,

0:23:12.520 --> 0:23:14.399
<v Speaker 1>it would be remiss of me. But did you know

0:23:14.760 --> 0:23:17.359
<v Speaker 1>over twenty years, I feel like you would have met

0:23:17.480 --> 0:23:20.119
<v Speaker 1>and interacted with all four of those judges, had you

0:23:20.160 --> 0:23:23.480
<v Speaker 1>had a personal relationship or at least met and spent

0:23:23.560 --> 0:23:25.040
<v Speaker 1>some time with all four of them.

0:23:25.080 --> 0:23:28.879
<v Speaker 2>Only three. I hadn't met Mel before, but Chrissy and

0:23:28.920 --> 0:23:31.600
<v Speaker 2>I had met several times and I had done her show.

0:23:32.359 --> 0:23:35.960
<v Speaker 2>Would I lie to you just fairly recently before that, Husey,

0:23:36.080 --> 0:23:37.879
<v Speaker 2>I've been on Husey We have a Problem. I've been

0:23:37.920 --> 0:23:39.480
<v Speaker 2>on Hughesy's you know. I talked to Husy on the

0:23:39.560 --> 0:23:41.400
<v Speaker 2>Radio Bunch and been on Hughsey we have a Problem.

0:23:41.560 --> 0:23:44.960
<v Speaker 2>Abby and I were stablemates at Over with our podcasts

0:23:45.080 --> 0:23:48.160
<v Speaker 2>when we were there, and I've done photoshops and things together.

0:23:48.280 --> 0:23:50.879
<v Speaker 2>Mel I hadn't ever met before, but yeah, that was

0:23:51.080 --> 0:23:53.960
<v Speaker 2>that thing where I was like, you know what next

0:23:54.080 --> 0:23:57.280
<v Speaker 2>year's LOGI for best Acting should go to the guessing

0:23:57.320 --> 0:23:59.280
<v Speaker 2>panel of the last singer.

0:23:59.119 --> 0:24:01.200
<v Speaker 1>Should have I don't know if that convincing. I mean,

0:24:01.359 --> 0:24:04.240
<v Speaker 1>thank god one kept guessing you just to allow the

0:24:04.280 --> 0:24:06.800
<v Speaker 1>audience to know that she isn't drunk. But the rest

0:24:06.800 --> 0:24:09.200
<v Speaker 1>of them, I was like, you know when they kept

0:24:09.200 --> 0:24:11.399
<v Speaker 1>saying Trevor Ashley and maybe This is a part of

0:24:11.440 --> 0:24:16.320
<v Speaker 1>being an LGBTI person, you know. I just I can

0:24:16.320 --> 0:24:19.200
<v Speaker 1>tell the difference between those two singing voices, so like

0:24:19.520 --> 0:24:22.240
<v Speaker 1>I just was screaming saying that no, no, no, You're

0:24:22.280 --> 0:24:23.600
<v Speaker 1>just so different.

0:24:23.200 --> 0:24:26.000
<v Speaker 2>Like Trevor Ashley and I am not indistinguishable to the

0:24:26.119 --> 0:24:26.760
<v Speaker 2>naked ear.

0:24:27.040 --> 0:24:29.399
<v Speaker 1>It's just just like so mind boggling to me. Anyway,

0:24:29.400 --> 0:24:30.960
<v Speaker 1>this has been a much longer chat, but you have

0:24:31.119 --> 0:24:34.120
<v Speaker 1>definitely unpacked a lot, which I'm very happy with. And honestly,

0:24:34.720 --> 0:24:36.600
<v Speaker 1>I feel like if I was in the flesh with you,

0:24:36.680 --> 0:24:38.199
<v Speaker 1>I'd talked to you for like twenty four hours, so

0:24:38.200 --> 0:24:40.040
<v Speaker 1>you just like it. I'm not bear in Hong Kong.

0:24:40.240 --> 0:24:42.000
<v Speaker 1>But before you go, the last question, I ask everyone

0:24:42.040 --> 0:24:44.600
<v Speaker 1>who joins the podcast, what is something from behind the scenes,

0:24:44.920 --> 0:24:47.840
<v Speaker 1>something that people wouldn't have seen, maybe kind of like

0:24:47.840 --> 0:24:50.520
<v Speaker 1>a bit of a funny anecdote about what it's like

0:24:50.560 --> 0:24:51.840
<v Speaker 1>to take part in this show.

0:24:52.240 --> 0:24:55.320
<v Speaker 2>I mean, it's a very pokin dagger behind the scenes.

0:24:55.560 --> 0:24:57.040
<v Speaker 2>Like it's not like you're all hanging out in the

0:24:57.080 --> 0:25:00.280
<v Speaker 2>green room with your masks off, hanging out with Toy

0:25:00.440 --> 0:25:03.800
<v Speaker 2>Jackson and Sandra Sully and whoever, Like you have no

0:25:03.920 --> 0:25:06.120
<v Speaker 2>idea as a contestant who the other people are until

0:25:06.160 --> 0:25:08.200
<v Speaker 2>you watch it on television, you don't hear them, you

0:25:08.240 --> 0:25:11.080
<v Speaker 2>don't see them, you don't that's eagles swinging around my

0:25:11.119 --> 0:25:14.600
<v Speaker 2>hotel room like like giant birds of prey, like gliding

0:25:14.600 --> 0:25:15.359
<v Speaker 2>outside the window.

0:25:16.040 --> 0:25:17.720
<v Speaker 1>I capture them and make an outfit out of them.

0:25:17.720 --> 0:25:22.240
<v Speaker 2>But anyway, no, yeah, so you don't get to see anyone,

0:25:22.280 --> 0:25:23.480
<v Speaker 2>you don't get to know who they are.

0:25:24.040 --> 0:25:27.360
<v Speaker 3>It's all very like it's quite an isolating experience.

0:25:27.480 --> 0:25:31.240
<v Speaker 2>It kind of has throwbacks to COVID where you're like

0:25:31.320 --> 0:25:35.560
<v Speaker 2>locked in a room by yourself getting into drag. But

0:25:35.920 --> 0:25:37.800
<v Speaker 2>it's a lot of fun when you're out there and

0:25:37.880 --> 0:25:41.600
<v Speaker 2>sort of learning how to make the costume have its

0:25:41.680 --> 0:25:44.640
<v Speaker 2>own personality was probably the most fun part, which after

0:25:44.640 --> 0:25:46.960
<v Speaker 2>the first episode, I was very grumpy because I wasn't

0:25:47.119 --> 0:25:48.679
<v Speaker 2>getting to be caught in the act and doing the

0:25:48.680 --> 0:25:50.120
<v Speaker 2>thing that I loved. And once I got over that

0:25:50.200 --> 0:25:52.200
<v Speaker 2>and I realized I could get to be the cowgirl

0:25:52.400 --> 0:25:55.640
<v Speaker 2>and be that, like really lean into that physical comedy

0:25:56.119 --> 0:25:59.359
<v Speaker 2>with very large gestures and limited dexterity, it was a

0:25:59.400 --> 0:25:59.920
<v Speaker 2>lot of fun.

0:26:00.119 --> 0:26:01.520
<v Speaker 1>I just picture because I know that you're such a

0:26:01.560 --> 0:26:04.360
<v Speaker 1>perfectionist with what you do. I just pictured there being

0:26:04.359 --> 0:26:06.720
<v Speaker 1>a mirror in your dressing room and you being able

0:26:06.760 --> 0:26:10.400
<v Speaker 1>to choreograph parts to see what worked as the cowgirl.

0:26:10.440 --> 0:26:11.600
<v Speaker 1>Do you know what I mean? Like because all of

0:26:11.680 --> 0:26:14.760
<v Speaker 1>your movements, it was so funny, and how can you

0:26:14.800 --> 0:26:17.200
<v Speaker 1>be funny underneath that much latex? You know what I mean?

0:26:17.880 --> 0:26:21.080
<v Speaker 2>I put my camera on and i'd practice. I would

0:26:21.080 --> 0:26:24.000
<v Speaker 2>be like, where are my eyes? My eyes are up

0:26:24.000 --> 0:26:27.920
<v Speaker 2>here like and then I thought that my ears were

0:26:27.960 --> 0:26:30.360
<v Speaker 2>like here for a long time, but they were my horns.

0:26:30.400 --> 0:26:33.480
<v Speaker 2>And then I worked out like listen as they whisper,

0:26:33.720 --> 0:26:36.240
<v Speaker 2>and just working out because you're not you can't see,

0:26:36.240 --> 0:26:38.920
<v Speaker 2>so you're just like poking around the dark, working out

0:26:38.960 --> 0:26:43.000
<v Speaker 2>like choreographing, like how where your hand goes, or seeing

0:26:43.359 --> 0:26:45.000
<v Speaker 2>what it looked like when you got on the ground

0:26:45.040 --> 0:26:48.480
<v Speaker 2>and pounded the floor, and working out all of those

0:26:48.480 --> 0:26:50.240
<v Speaker 2>things each week, trying to add a new gesture.

0:26:50.359 --> 0:26:52.239
<v Speaker 1>I just thought of Rachel Griffis. I don't know if

0:26:52.240 --> 0:26:53.879
<v Speaker 1>you ever saw this moment, but when she won her

0:26:53.880 --> 0:26:56.199
<v Speaker 1>Golden Globe, she did this thing where she was like

0:26:57.240 --> 0:26:59.160
<v Speaker 1>she won it for six feet under quite a while

0:26:59.160 --> 0:27:01.200
<v Speaker 1>ago she won, you just sort of pulled on an

0:27:01.200 --> 0:27:03.720
<v Speaker 1>ear like just as in like being quite silly. And

0:27:03.760 --> 0:27:05.359
<v Speaker 1>I noticed you did that at one point when the

0:27:05.440 --> 0:27:07.959
<v Speaker 1>judges were interacting with you, kind of like maybe it

0:27:08.000 --> 0:27:09.760
<v Speaker 1>was not the carrier, maybe it was the thing, but

0:27:10.000 --> 0:27:13.280
<v Speaker 1>it gave that same vibes of just, you know, ridiculous,

0:27:13.400 --> 0:27:14.760
<v Speaker 1>very like, hey, that's a.

0:27:15.240 --> 0:27:18.560
<v Speaker 2>That's a very nuanced to comparison. But I definitely remember

0:27:19.000 --> 0:27:23.040
<v Speaker 2>like scratching my ears like I because I was I

0:27:23.080 --> 0:27:25.080
<v Speaker 2>was like, I wonder if people are getting like, how

0:27:25.160 --> 0:27:29.000
<v Speaker 2>dumb this is, like that I'm scratching my ear? Okay,

0:27:29.000 --> 0:27:31.000
<v Speaker 2>good god, those teams did not go unnoticed.

0:27:31.320 --> 0:27:33.760
<v Speaker 1>I'm obsessed. I'm obsessed. Can I just say thank you

0:27:33.800 --> 0:27:36.240
<v Speaker 1>so much for your generosity with your time and talking

0:27:36.240 --> 0:27:38.560
<v Speaker 1>to me this morning. I think it's fantastic and good

0:27:38.640 --> 0:27:40.480
<v Speaker 1>luck with the games over there in Hong Kong. I

0:27:40.480 --> 0:27:43.800
<v Speaker 1>think thank you. Could we have anyone better to represent Australia.

0:27:44.280 --> 0:27:47.240
<v Speaker 2>Ohang, I'm looking forward to it. Lovely to see you again.

0:27:47.359 --> 0:27:49.119
<v Speaker 1>Yeah, lovely to see you. Take care, I'll chat to

0:27:49.160 --> 0:27:49.359
<v Speaker 1>you so