WEBVTT - BONUS: How Mitch offended Dua Lipa ✨

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<v Speaker 1>Is it just me a podcast by a couple of minches.

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<v Speaker 2>Mitch, Look, you you spoke to do Aleipa recently. I'm

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<v Speaker 2>trying to move this along.

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<v Speaker 3>I did. This was actually crazy.

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<v Speaker 4>I was folowing to Hamilton Island by one of Music

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<v Speaker 4>Australia and they reached out that like do a Leaper

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<v Speaker 4>is in town for Don't Start Now. She's got the

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<v Speaker 4>new album coming out, Future Nostalgia. She'll be in Hamilton

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<v Speaker 4>Island and she just wants to do press in Hamilton.

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<v Speaker 2>Simple yes would have sufficed. But sure story you spoke

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<v Speaker 2>to recently? Yes, I haven't. I'm sorry, I'm a bad friend.

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<v Speaker 2>I haven't actually listened to it yet. So you were

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<v Speaker 2>going to play it for us here.

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<v Speaker 3>Right the chat? Yeah? Then I've got some stuff to

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<v Speaker 3>talk about after it.

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<v Speaker 2>So do I I've got a bone to pick a

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<v Speaker 2>few about this interview me.

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<v Speaker 3>Yeah, have you heard it?

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<v Speaker 2>No, I haven't heard the interview. But there's something else.

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<v Speaker 3>About the whole event.

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<v Speaker 2>Yeah, okay, but I heard that you were saying that

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<v Speaker 2>you were worried that she hates you, because it's something

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<v Speaker 2>you said.

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<v Speaker 3>Yeah, No, not she hated me. I was worried.

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<v Speaker 4>It didn't start off I made a joke that did

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<v Speaker 4>not land anyway fit at all.

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<v Speaker 3>After a roll the interview here it is, Hello, Hi,

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<v Speaker 3>how are we?

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<v Speaker 5>I'm really good?

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<v Speaker 3>Is there this rubbish where we are?

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<v Speaker 5>I know it's terrible awful.

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<v Speaker 3>I mean, let's paint a picture.

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<v Speaker 4>I think I saw a sea turtle just beneath our

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<v Speaker 4>feet before.

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<v Speaker 3>Was stunning.

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<v Speaker 5>Yeah, and the water is so clear.

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<v Speaker 3>Crystal clear. We're in Hamilton Island. I mean, look at us.

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<v Speaker 5>Go I know you.

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<v Speaker 4>Yesterday I was in my hotel room. I was trying

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<v Speaker 4>to geo locate where you were. I'm like, can I

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<v Speaker 4>go find do a leaper and swim out to you?

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<v Speaker 4>But no, would not have worked. Very excited to have you.

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<v Speaker 4>How are you feeling? So the time of this recording,

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<v Speaker 4>you've done amas, hopped on a plane and you went

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<v Speaker 4>to Arias a night of Knights.

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<v Speaker 3>How did that happen?

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<v Speaker 5>Is that like a slogan for it, the night of Nights?

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<v Speaker 3>Yeah, that's it's our Like I.

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<v Speaker 6>Feel like people say that a lot, the Arias the

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<v Speaker 6>Night of Nights. I'm like, wow, we.

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<v Speaker 3>Don't have much else. We have.

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<v Speaker 4>Aris is our Grammys, and then the logis is our

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<v Speaker 4>Golden Globes. Cool, and we only have the two and

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<v Speaker 4>then we get like a big star every year, and

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<v Speaker 4>you were the star. Talk to me about that. So

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<v Speaker 4>you had Amas. The performance was incredible.

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<v Speaker 5>Thank you.

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<v Speaker 3>Do you do the same chry for every show we've.

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<v Speaker 6>For this song, we've been making it a thing. Yeah,

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<v Speaker 6>but we just kind of modify it for every performance

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<v Speaker 6>depending on the stage, and we just change it up

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<v Speaker 6>a little bit. But yeah, it's the same choreography. Yeah,

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<v Speaker 6>it's almost like because we didn't really do choreography for

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<v Speaker 6>the music video. The music video was very like free

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<v Speaker 6>form and fun, kind of like a crazy night out,

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<v Speaker 6>but the choreography just was like it brought like a

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<v Speaker 6>new dimension to the song and was really fun to

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<v Speaker 6>do it because it's very like disco orientated, and so

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<v Speaker 6>it was only right to just have an ongoing choreography part.

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<v Speaker 4>Yeah, Amas on a plane, two Arias and now you're here.

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<v Speaker 4>You did Sunrise this morning. Yeah, it was a pleasure

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<v Speaker 4>to watch you. It was crazy.

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<v Speaker 5>Thank you.

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<v Speaker 3>I made so much? Are you exhausted?

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<v Speaker 5>Do you know what?

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<v Speaker 2>I'm all right?

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<v Speaker 6>Actually waking up at three am bizarrely was okay because

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<v Speaker 6>of the jet lag, Like it was like midday in

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<v Speaker 6>London some right, So I'm feeling I'm feeling very okay with.

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<v Speaker 3>The rein cycle, so it's it's good.

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<v Speaker 5>Yeah, I'm more off to Tokyo tomorrow.

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<v Speaker 3>Fun. Are you missing home?

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<v Speaker 6>I've only just started my trip abroad. Of course I

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<v Speaker 6>always miss like my family and my friends. But it's

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<v Speaker 6>all worth it. I'm so happy to get to do

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<v Speaker 6>what I what I.

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<v Speaker 3>Love when don't start now.

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<v Speaker 4>Before it came out, I got an email from Grace

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<v Speaker 4>from your label, and she was like, we want you

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<v Speaker 4>to hear the song, and like at the radio station,

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<v Speaker 4>I'm like, I'm just a nobody, you know, like like

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<v Speaker 4>a shitkicker.

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<v Speaker 3>So they're like, we want you to hear the song. No,

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<v Speaker 3>it's true. It is true.

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<v Speaker 4>Like I was cleaning the basement of the radio station

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<v Speaker 4>a year ago, now on the air with you, So

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<v Speaker 4>I pinched myself moment I love so good.

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<v Speaker 3>Yeah, I was mitched the coffee bitch.

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<v Speaker 6>So I I think everyone's got to start somewhere. But

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<v Speaker 6>it's amazing and inspiring that you've done that thing.

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<v Speaker 3>If you look at this, so happy.

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<v Speaker 4>I made a vanilla latte for Fifth Harmony once, but

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<v Speaker 4>I didn't have any vanilla, so I put eight sugars

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<v Speaker 4>in each and they were like, we'll get it. We'll

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<v Speaker 4>get a vanilla latte please. I'm like, no worries can

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<v Speaker 4>do and pumped it with sugar and they did not

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<v Speaker 4>know the difference.

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<v Speaker 3>You gotta make it work.

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<v Speaker 5>I'm dying.

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<v Speaker 3>I know when I watched YouTube tutorials and had a froth.

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<v Speaker 3>Milk was you know you.

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<v Speaker 5>Maybe that's what I mean. It's like, you make do

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<v Speaker 5>with what you've got.

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<v Speaker 4>You got a hush, you are exactly right. And they said,

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<v Speaker 4>we want you to hit the song, and I was like, okay, great.

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<v Speaker 4>So what they did was they put someone in a taxi.

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<v Speaker 4>They sent them to work with a UI boom. We

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<v Speaker 4>sat in like a broom closet so no one else

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<v Speaker 4>could hear. And then we put the volume.

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<v Speaker 3>On like six and like, okay, so this is the song.

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<v Speaker 4>No one can hear it, but we're playing it to

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<v Speaker 4>you so you can talk about it on the show

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<v Speaker 4>when it comes out.

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<v Speaker 3>I'm like, great, we played it on volume three.

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<v Speaker 4>We both had to lean into this UI boom and

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<v Speaker 4>then we're bopping our heads along and then we hit

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<v Speaker 4>a cow bell and then we just stop.

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<v Speaker 3>I mean the cow bell just stops the nation.

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<v Speaker 2>Now.

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<v Speaker 4>I know everyone's going to be asking you about the

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<v Speaker 4>cow bell, but I want to know. Was it a

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<v Speaker 4>literal cow bell, like a real one or was it

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<v Speaker 4>like a button affect cow bell?

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<v Speaker 5>Do you know what? Are you to have to ask Ian?

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<v Speaker 6>He's the one who went in andto like the production

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<v Speaker 6>for it, so I have to ask the mastermind. But

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<v Speaker 6>I have a good feeling it's a real one because

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<v Speaker 6>Ian loves to keep really crazy instruments around.

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<v Speaker 3>Right, So you never actually I saw a literal cow bell.

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<v Speaker 5>I didn't see the literal.

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<v Speaker 4>I was hoping there was a cow bell and an

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<v Speaker 4>action from to a leaper and we'd see it.

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<v Speaker 5>It was actually me doing the cow bell.

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<v Speaker 3>We love the song. How do you feel is that?

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<v Speaker 3>I feel like you can just make that the album.

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<v Speaker 3>Just put that on ten times.

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<v Speaker 5>I appreciate that.

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<v Speaker 3>Don't you feel proud of the song?

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<v Speaker 6>I'm really I'm really proud of it. I'm really proud

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<v Speaker 6>of the album in general. It's it's a lot of

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<v Speaker 6>fun and I feel like I've grown so much as

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<v Speaker 6>an artist, and I'm just excited for you guys.

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<v Speaker 5>Here the rest of the music.

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<v Speaker 4>Yeah, and when are we getting it a couple of days, right,

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<v Speaker 4>the title.

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<v Speaker 6>The title comes in December first, and then album comes

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<v Speaker 6>next year, right, and then I'll be releasing music until then.

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<v Speaker 3>You'll be touring with the album next year? Yes, yeah,

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<v Speaker 3>around the world. Yes, absolutely, im me down under.

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<v Speaker 5>Of course you're here for Mardi grass I will be

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<v Speaker 5>here for Martin.

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<v Speaker 3>It will be fun. Yeah, Oh my god.

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<v Speaker 4>This year I was on a float, not intentionally. I

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<v Speaker 4>wasn't meant to be on a float, and I was filler.

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<v Speaker 4>They're like, get on the flow because this aren't here

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<v Speaker 4>of the of the radio show I work at, and

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<v Speaker 4>they never turned up.

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<v Speaker 3>So they will like, just go, just start the float.

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<v Speaker 4>So I was on Oxford Street on the parade on

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<v Speaker 4>this giant set of headphones as a float.

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<v Speaker 3>Everyone's like who is that guy? Or just waving. It

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<v Speaker 3>was great. Marti Gras in Sydney is the best in

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<v Speaker 3>the world. You're gonna have to wait.

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<v Speaker 5>I absolutely can't wait. It's gonna be a lot of fun.

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<v Speaker 3>Was that something that crossed your mind as a maybe

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<v Speaker 3>or you're like, no, I.

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<v Speaker 6>Have to do I know when I got asked to

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<v Speaker 6>do it, I was like absolutely, yes, let's do it.

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<v Speaker 3>Yeah, do you have Marti gra in the UK. Do

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<v Speaker 3>you is it pride we have?

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<v Speaker 6>We have pride? Yeah, yeah, we have pride, which is

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<v Speaker 6>really fun. I mean there's pride all over England. Yeah,

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<v Speaker 6>but I've never done Mardi Gras.

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<v Speaker 3>Yeah, it's like it's crazy, you'll have so much fun.

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<v Speaker 5>Yeah, they can't wait.

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<v Speaker 3>The Queen fan base love you. You're like an icon.

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<v Speaker 5>Thank you.

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<v Speaker 4>They really sort of latch onto you and your music.

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<v Speaker 4>I think the disco vibe has always been like thank you,

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<v Speaker 4>quite queer, and I love the music.

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<v Speaker 3>I think you're just the disco queen like that. That's

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<v Speaker 3>where you are.

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<v Speaker 5>I'll take it. Think.

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<v Speaker 6>Yeah, I'm excited about the new disco era. I just

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<v Speaker 6>feel like I haven't really heard it so much on

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<v Speaker 6>the radio, and that's why I just wanted to play

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<v Speaker 6>around with different sounds. And I'm grateful for the response

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<v Speaker 6>and happy happy to do.

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<v Speaker 3>That's how I feel.

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<v Speaker 4>When I played onst Now on the radio, it doesn't

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<v Speaker 4>sound like anything that we have. Thank you, like it

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<v Speaker 4>stands out. We're playing it on loop. It's one of

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<v Speaker 4>those songs that we play every hour and people are like, oh,

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<v Speaker 4>it's dually, but we'll get away with it. We're playing

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<v Speaker 4>your song every hour and dance monkey Tones and eye

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<v Speaker 4>have you heard that song?

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<v Speaker 5>Course?

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<v Speaker 3>How cool?

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<v Speaker 4>Is that?

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<v Speaker 5>So so good?

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<v Speaker 6>And it's just a feel good trap. So yeah, and

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<v Speaker 6>she picked up a bunch of awards at the area.

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<v Speaker 3>Yeah she did she now there, Yeah she did best

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<v Speaker 3>Pop realy some thing.

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<v Speaker 4>She was busking in barn Bay, which is close to your,

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<v Speaker 4>close to Hamilton, like a.

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<v Speaker 3>Year ago a busker. I'm okay, now, thank you so

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<v Speaker 3>much for hanging out.

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<v Speaker 5>Thank you so much.

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<v Speaker 3>It's been amazing. They can't wait for the hourbur Yes,

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<v Speaker 3>me too.

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<v Speaker 4>I feel like I want to yell into the ether

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<v Speaker 4>and just yell out to Hamilton.

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<v Speaker 3>Should we know? You do it with me?

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<v Speaker 1>Oh?

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<v Speaker 3>Okay? What should I say?

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<v Speaker 5>I don't know? What did you want to say?

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<v Speaker 3>I don't know.

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<v Speaker 4>I just am feeling the energy. I'm getting a very

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<v Speaker 4>you don't want to scrape?

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<v Speaker 5>No, I want to what you do?

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<v Speaker 3>Would you say Australia loves dua?

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<v Speaker 5>Well that'd be weird for me.

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<v Speaker 3>Okay, Well why don't we say stream don't start? Now?

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<v Speaker 4>Okay, Okay, that's good, right, get a bug in the

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<v Speaker 4>labels happy with that?

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<v Speaker 6>All right?

0:08:10.760 --> 0:08:11.960
<v Speaker 3>I'm three. We're going to countdown?

0:08:12.600 --> 0:08:13.320
<v Speaker 2>How loud, we go.

0:08:13.680 --> 0:08:15.600
<v Speaker 4>We'll all scream it, but you can just do you

0:08:15.640 --> 0:08:17.560
<v Speaker 4>know you've got to save your vocals, so just go.

0:08:17.640 --> 0:08:19.520
<v Speaker 3>Stream, don't start now into the ether.

0:08:19.640 --> 0:08:22.520
<v Speaker 4>We're at Hamilton Island overlooking the ocean on three one two,

0:08:22.520 --> 0:08:24.920
<v Speaker 4>three months du aleper stream.

0:08:24.600 --> 0:08:27.560
<v Speaker 3>Don't start now. That was so good. That was loud

0:08:27.600 --> 0:08:29.640
<v Speaker 3>that I thought you'd never well done.

0:08:30.000 --> 0:08:32.680
<v Speaker 4>Imagine if I just whispered it may not stream, don't

0:08:32.679 --> 0:08:33.040
<v Speaker 4>start now.

0:08:33.080 --> 0:08:33.280
<v Speaker 6>I can.

0:08:33.440 --> 0:08:34.600
<v Speaker 5>I can't leave hanging like that.

0:08:34.679 --> 0:08:36.760
<v Speaker 3>No, you couldn't with as mr moment, with your nails.

0:08:37.160 --> 0:08:38.760
<v Speaker 3>That'll be fun. Stream's stream.

0:08:40.400 --> 0:08:43.400
<v Speaker 6>But thank you so much, thank you much.

0:08:44.360 --> 0:08:44.960
<v Speaker 3>That last bit.

0:08:45.080 --> 0:08:48.000
<v Speaker 2>She really yeah, not that she sounded like she didn't

0:08:48.080 --> 0:08:49.400
<v Speaker 2>like you at the star, but she warmed up to

0:08:49.400 --> 0:08:50.680
<v Speaker 2>you by the end, like you guys are having fun.

0:08:50.720 --> 0:08:52.400
<v Speaker 2>I was good on you and she likes you.

0:08:52.520 --> 0:08:54.120
<v Speaker 3>Yeah, by the end, we were having real fun. To

0:08:54.160 --> 0:08:56.400
<v Speaker 3>get hurt to yell off. You should have seen it.

0:08:56.440 --> 0:08:59.600
<v Speaker 4>The photos are on. Actually we'll put one up on iGEM.

0:09:00.200 --> 0:09:01.280
<v Speaker 4>You will, but I'll do it.

0:09:01.360 --> 0:09:04.160
<v Speaker 2>If it's not there. It's because we're relying on Mitchell's memory.

0:09:04.200 --> 0:09:07.160
<v Speaker 4>Regton and I got it a yell off the balcony

0:09:07.520 --> 0:09:09.040
<v Speaker 4>we'll put the footge jup, I'll put the foota jump,

0:09:09.280 --> 0:09:11.439
<v Speaker 4>And I was surprised that happened. She kind of looked

0:09:11.480 --> 0:09:14.760
<v Speaker 4>at her label. There was about twenty people off camera.

0:09:16.040 --> 0:09:17.880
<v Speaker 4>There were twenty there were two makeup people, there were

0:09:17.880 --> 0:09:19.280
<v Speaker 4>the label people, there was a manager, there was.

0:09:19.240 --> 0:09:20.120
<v Speaker 3>Two security guards.

0:09:20.160 --> 0:09:20.720
<v Speaker 2>I'd hate that.

0:09:20.920 --> 0:09:22.360
<v Speaker 4>It was intense and I was a bit thrown. So

0:09:22.400 --> 0:09:23.800
<v Speaker 4>I think that's what happened at the start of the interview,

0:09:23.800 --> 0:09:24.719
<v Speaker 4>but it was great by the end.

0:09:24.880 --> 0:09:26.760
<v Speaker 2>So why were you worried that she hated you? You

0:09:26.800 --> 0:09:28.240
<v Speaker 2>said that you were worried that you offended her, but

0:09:28.240 --> 0:09:29.400
<v Speaker 2>there was nothing offensive in there.

0:09:29.520 --> 0:09:33.120
<v Speaker 4>Yeah, well, so I made a joke before the MIC's

0:09:33.120 --> 0:09:33.559
<v Speaker 4>were rolling.

0:09:33.600 --> 0:09:34.520
<v Speaker 3>It was sort of I sat down.

0:09:34.600 --> 0:09:35.600
<v Speaker 2>She just wasn't in it.

0:09:35.840 --> 0:09:37.800
<v Speaker 4>No, it wasn't in the interview. It was while everyone

0:09:37.840 --> 0:09:39.800
<v Speaker 4>was setting up around us. So I was there sitting there,

0:09:39.800 --> 0:09:42.320
<v Speaker 4>and I didn't just want to sit there like this hello.

0:09:42.559 --> 0:09:45.280
<v Speaker 4>Before the interview. I wanted to hate it's the nice,

0:09:45.280 --> 0:09:46.720
<v Speaker 4>awkward part. So I'm like, I'll make a joke and

0:09:46.720 --> 0:09:48.720
<v Speaker 4>a warm it up. So I'd been on Hamilton Island

0:09:48.720 --> 0:09:51.679
<v Speaker 4>for like twelve hours and it's beautiful. It's so nice

0:09:51.760 --> 0:09:54.360
<v Speaker 4>but as soon as it hit six o'clock, it's almost

0:09:54.520 --> 0:09:58.000
<v Speaker 4>like no one is there, and then all these bats

0:09:58.000 --> 0:10:01.280
<v Speaker 4>appear as the sun setting, people leave the island. There's

0:10:01.280 --> 0:10:04.320
<v Speaker 4>nowhere to eat dinner after six o'clock, but one restaurant, like,

0:10:04.320 --> 0:10:07.280
<v Speaker 4>you've got no choice. That is Hamilton Island in a nutshell.

0:10:07.280 --> 0:10:09.200
<v Speaker 4>So I'm sitting opposite to a lipa and I go, oh,

0:10:09.240 --> 0:10:11.679
<v Speaker 4>do how beautiful Hamilton Island. So it's so nice, it's

0:10:11.679 --> 0:10:13.720
<v Speaker 4>absolutely stood and I love it and I'm like, yeah,

0:10:13.960 --> 0:10:16.000
<v Speaker 4>but don't you get like weird North Korean vibes from

0:10:16.040 --> 0:10:19.480
<v Speaker 4>the place. And then she's like and I was like, yeah,

0:10:19.520 --> 0:10:21.600
<v Speaker 4>after six o'clock, no one's anywhere.

0:10:21.760 --> 0:10:23.480
<v Speaker 3>And then you can't eat here, you can't eat there.

0:10:23.640 --> 0:10:25.520
<v Speaker 4>You gotta ride around on golf buggies. It's like it's

0:10:25.600 --> 0:10:27.880
<v Speaker 4>run by Kim jongle and the buildings are big. And

0:10:27.920 --> 0:10:29.760
<v Speaker 4>she looks at the people and she's like, right, let's

0:10:29.760 --> 0:10:31.560
<v Speaker 4>not maybe, let's stop this.

0:10:32.240 --> 0:10:33.920
<v Speaker 3>And I was like, yeah, oh yeah, you're right, you're

0:10:33.960 --> 0:10:36.280
<v Speaker 3>right here a way to start. But you're on a boat.

0:10:36.280 --> 0:10:38.400
<v Speaker 4>You're on a yacht and looked beautiful and she's like right,

0:10:38.559 --> 0:10:40.040
<v Speaker 4>and I'm like, fuck, I'm ruined it.

0:10:42.240 --> 0:10:43.520
<v Speaker 2>Did she think you were recording?

0:10:43.760 --> 0:10:45.199
<v Speaker 3>Yes, and this was my bit.

0:10:45.400 --> 0:10:47.320
<v Speaker 2>You opened with a North Korea dough yeah, and it

0:10:47.360 --> 0:10:49.240
<v Speaker 2>did not didn't help that you just told a story

0:10:49.240 --> 0:10:53.800
<v Speaker 2>that your dressed with Kim Jo not ideal. She didn't

0:10:53.800 --> 0:10:55.360
<v Speaker 2>wiped out that boat, and you're like, I do a

0:10:55.360 --> 0:10:56.040
<v Speaker 2>great impression.

0:10:56.120 --> 0:10:59.199
<v Speaker 4>No, so it almost tanked, but I won her over

0:10:59.280 --> 0:11:00.439
<v Speaker 4>by making a yell yeah.

0:11:00.520 --> 0:11:01.600
<v Speaker 2>No, she loved you by the end.

0:11:01.600 --> 0:11:03.079
<v Speaker 4>You could tell yeah, yeah, we got along like a

0:11:03.080 --> 0:11:04.319
<v Speaker 4>house on fire, and she gave me a kiss and

0:11:04.320 --> 0:11:05.960
<v Speaker 4>did it and she's like joined to do an instant story

0:11:06.120 --> 0:11:07.400
<v Speaker 4>and I'm like, yeah, so the fact that she.

0:11:08.000 --> 0:11:09.839
<v Speaker 2>That is good. Actually they never offer.

0:11:09.960 --> 0:11:11.760
<v Speaker 4>Yeah, it was really nice and like if you watch

0:11:11.800 --> 0:11:13.440
<v Speaker 4>the she's like all over me and cuddling. So she

0:11:13.480 --> 0:11:15.040
<v Speaker 4>we were great friends by the end. But I think

0:11:15.080 --> 0:11:17.280
<v Speaker 4>she got my stick, which is kind of like I'm

0:11:17.280 --> 0:11:19.959
<v Speaker 4>a goofy one, right and she sort.

0:11:19.760 --> 0:11:24.920
<v Speaker 2>Of that's clear to everyone. Let me disassure you we

0:11:24.960 --> 0:11:25.440
<v Speaker 2>don't hide it.

0:11:25.480 --> 0:11:26.680
<v Speaker 3>Well no, no, not.

0:11:27.360 --> 0:11:29.400
<v Speaker 2>You said you have an issue with the interview though, right, No, no,

0:11:29.440 --> 0:11:31.080
<v Speaker 2>the interview, no issue with that at all. But I

0:11:31.160 --> 0:11:32.720
<v Speaker 2>just thought it was strange and this is not a

0:11:32.760 --> 0:11:35.120
<v Speaker 2>dig at you. It's just a dig at lots of

0:11:35.160 --> 0:11:37.120
<v Speaker 2>people that do the same thing that you were all

0:11:37.160 --> 0:11:40.560
<v Speaker 2>over social media being like, oh, do a leaper's co

0:11:40.640 --> 0:11:44.480
<v Speaker 2>hosting with me? I just think that the general public

0:11:44.600 --> 0:11:49.400
<v Speaker 2>know the difference between an interview and someone co hosting. Like,

0:11:49.640 --> 0:11:52.160
<v Speaker 2>she wasn't co hosting. You were talking to her about

0:11:52.200 --> 0:11:54.760
<v Speaker 2>her new song for her own commercial game.

0:11:55.440 --> 0:11:56.360
<v Speaker 3>Yeah.

0:11:56.480 --> 0:11:59.520
<v Speaker 1>When I hear co hosting, I think somebody's sitting on

0:11:59.600 --> 0:12:01.480
<v Speaker 1>a panel with somebody and.

0:12:01.600 --> 0:12:05.520
<v Speaker 2>Like, imagine she is interviewing Samantha Armitage for three hours.

0:12:05.559 --> 0:12:07.480
<v Speaker 2>Like that's not what that's not what co hosting is,

0:12:07.520 --> 0:12:09.719
<v Speaker 2>but that's what you do it. Did I know was

0:12:09.840 --> 0:12:12.480
<v Speaker 2>co hosting with me? Oh, I had the perfect guest

0:12:12.480 --> 0:12:15.160
<v Speaker 2>co host of the year. You spoke to her for

0:12:15.240 --> 0:12:18.200
<v Speaker 2>seven minutes. It's not just you that does it. I

0:12:18.240 --> 0:12:21.240
<v Speaker 2>see people in radio do it all the time. It's like, oh,

0:12:21.600 --> 0:12:25.120
<v Speaker 2>tomorrow morning, Michelle Bridge's co host with Buzz and Gang

0:12:25.200 --> 0:12:27.360
<v Speaker 2>Bang on the Rock, Like, no, she's not. She's going

0:12:27.400 --> 0:12:29.200
<v Speaker 2>to talk about her ship book. She's not co hosting.

0:12:29.240 --> 0:12:32.600
<v Speaker 2>It's the opposite. It's such a difference between being interviewed

0:12:32.640 --> 0:12:33.360
<v Speaker 2>and co hosting.

0:12:34.240 --> 0:12:37.400
<v Speaker 3>Very true. Matt Preston co hosting with Trevor and Tom.

0:12:38.000 --> 0:12:43.640
<v Speaker 2>Is Julie Goodwin? Actually no, she is the oh Julie Goodwin.

0:12:43.760 --> 0:12:46.280
<v Speaker 2>You remember her for Master Chef she won first year.

0:12:46.440 --> 0:12:49.920
<v Speaker 2>She hosts a radio show and she they full name

0:12:49.960 --> 0:12:53.199
<v Speaker 2>her because she's famous. But her co host clearly has

0:12:53.240 --> 0:12:55.040
<v Speaker 2>this radio name that he's not willing to let go

0:12:55.400 --> 0:12:58.559
<v Speaker 2>his rabbit. So the show is Rabbit and Julie Goodwin.

0:12:58.760 --> 0:13:00.400
<v Speaker 3>Literally sounds like cook.

0:13:00.760 --> 0:13:01.600
<v Speaker 6>It sounds so.

0:13:01.640 --> 0:13:04.840
<v Speaker 2>Weird pairing a full name with an animal. It's like, oh,

0:13:04.880 --> 0:13:06.400
<v Speaker 2>Spider and Denise.

0:13:06.520 --> 0:13:08.840
<v Speaker 3>Yeah, Greg and Casswery.

0:13:11.800 --> 0:13:15.960
<v Speaker 2>Margaret and Tarantula in the morning Wake up with what hogged?

0:13:16.000 --> 0:13:20.040
<v Speaker 2>Wendy Iigron Beryl.

0:13:20.559 --> 0:13:22.640
<v Speaker 4>No, it is a radiotrope though. That's what we do

0:13:22.760 --> 0:13:24.440
<v Speaker 4>because it makes it sound bigger than it is.

0:13:24.920 --> 0:13:26.600
<v Speaker 3>And she was she was, So.

0:13:26.600 --> 0:13:28.280
<v Speaker 2>You're setting people up for disappointing.

0:13:28.280 --> 0:13:30.600
<v Speaker 3>Well, for that hour, it was Douer and I on

0:13:30.679 --> 0:13:31.040
<v Speaker 3>the show.

0:13:31.400 --> 0:13:35.599
<v Speaker 2>So are you saying that if I titled this podcast

0:13:35.880 --> 0:13:38.000
<v Speaker 2>do a liper co hosts? Is it just me?

0:13:38.200 --> 0:13:38.400
<v Speaker 1>No?

0:13:38.800 --> 0:13:40.040
<v Speaker 2>That wouldn't be clickbait.

0:13:40.120 --> 0:13:42.160
<v Speaker 4>No, because normally, when you have an interview, you give

0:13:42.200 --> 0:13:43.960
<v Speaker 4>it three minutes on the radio and you're done.

0:13:45.080 --> 0:13:46.200
<v Speaker 2>What interview that you listening to?

0:13:46.440 --> 0:13:46.920
<v Speaker 3>My show?

0:13:47.000 --> 0:13:51.640
<v Speaker 2>That might be the rule for ding Batton, Marie. Most

0:13:51.640 --> 0:13:53.560
<v Speaker 2>interviews go for like fifteen minutes on radiod.

0:13:53.600 --> 0:13:59.240
<v Speaker 4>You grab at Michael, have a driver, Dashington name, Sorry,

0:13:59.480 --> 0:14:01.720
<v Speaker 4>we're going to This is just awful.

0:14:02.120 --> 0:14:03.920
<v Speaker 3>I'm trying to think of exotic animals.

0:14:04.240 --> 0:14:11.480
<v Speaker 4>Yeah too, Canon Terrence for the three pm pickup, Oh.

0:14:11.440 --> 0:14:14.240
<v Speaker 2>God, Rabbit and Julie Goodman and I can't make it

0:14:14.280 --> 0:14:15.360
<v Speaker 2>thin now and I listened to the.

0:14:15.360 --> 0:14:17.839
<v Speaker 3>Other day, Margaret. I listened to that new Nelly and

0:14:17.880 --> 0:14:20.000
<v Speaker 3>the Now Wall show. It's phenomenal.

0:14:20.960 --> 0:14:27.000
<v Speaker 2>Oh my god, spur Way on side, Louise and Ladybug.

0:14:27.680 --> 0:14:28.640
<v Speaker 3>It's a beautiful little show.

0:14:28.960 --> 0:14:34.240
<v Speaker 1>Kelly Cain and Belinda that's funny.

0:14:34.800 --> 0:14:35.600
<v Speaker 3>Holy fuck.

0:14:36.240 --> 0:14:41.480
<v Speaker 2>Oh Jenna, Oh, Jenna Dingo and Delilah.

0:14:41.880 --> 0:14:45.320
<v Speaker 4>I forgot what we were talking about, but co hosting. Yeah, look,

0:14:45.360 --> 0:14:47.400
<v Speaker 4>she she didn't go U but she I had dedicated

0:14:47.440 --> 0:14:50.280
<v Speaker 4>an hour to her and we played five of her songs.

0:14:50.200 --> 0:14:52.880
<v Speaker 2>Sing and hang on, hang on, hang on? How did

0:14:52.920 --> 0:14:56.040
<v Speaker 2>you spread that seven minute interview across an hour? I

0:14:56.080 --> 0:15:01.560
<v Speaker 2>made it work, Jenna, what's seven sixty divided by seven?

0:15:02.080 --> 0:15:03.000
<v Speaker 1>That's a good question.

0:15:03.640 --> 0:15:04.840
<v Speaker 3>Let's say do it Jim.

0:15:05.080 --> 0:15:06.600
<v Speaker 1>Eight point fifty seven.

0:15:08.000 --> 0:15:09.840
<v Speaker 2>Imagine being a du A Leaper fan just being like,

0:15:09.880 --> 0:15:12.120
<v Speaker 2>fuck man, stop giving it to me. In Sprinkle, You're

0:15:12.160 --> 0:15:13.960
<v Speaker 2>like canceling sprinkling crumbs.

0:15:14.040 --> 0:15:16.040
<v Speaker 4>There was one point where you would have just heard

0:15:16.040 --> 0:15:17.960
<v Speaker 4>it then where I asked her about the cow bell.

0:15:17.760 --> 0:15:19.520
<v Speaker 3>And you know, like that don't in the song. I'm like,

0:15:19.520 --> 0:15:20.840
<v Speaker 3>where did the cow bell come from? Was it a

0:15:20.840 --> 0:15:22.560
<v Speaker 3>literal cow bell? Was there a cow in studio?

0:15:22.760 --> 0:15:25.560
<v Speaker 4>Like it? We just heard it, I know, just from

0:15:25.560 --> 0:15:28.200
<v Speaker 4>my own memory. And she gave me the answer, and

0:15:28.240 --> 0:15:29.800
<v Speaker 4>she said, yeah, it was actually and I cut it

0:15:29.800 --> 0:15:31.520
<v Speaker 4>on there. Oh if you want to hear if it

0:15:31.560 --> 0:15:34.320
<v Speaker 4>was real, stick around. I'll play the rest in fifteen minutes.

0:15:35.600 --> 0:15:37.280
<v Speaker 4>Literally cut the poor bitch off mid breath.

0:15:37.840 --> 0:15:38.480
<v Speaker 3>The answer for that?

0:15:40.320 --> 0:15:44.080
<v Speaker 1>How is that co hosting? Like I expect you were

0:15:44.160 --> 0:15:46.640
<v Speaker 1>to be like coming up on Mitch till Midnight.

0:15:46.720 --> 0:15:48.560
<v Speaker 2>Yeah, exactly, that's not co hosting.

0:15:48.600 --> 0:15:50.040
<v Speaker 3>Well, at least I've got a radio shirt.

0:15:51.280 --> 0:15:51.920
<v Speaker 2>Okay.

0:15:52.440 --> 0:15:54.480
<v Speaker 3>I thought that was gonna have more of an impact

0:15:54.520 --> 0:15:54.960
<v Speaker 3>than I did.

0:15:55.080 --> 0:15:58.000
<v Speaker 2>I'm not jealous. I'm happy for you. Thank you well

0:15:58.040 --> 0:16:00.840
<v Speaker 2>done on your interview. Is it just me?

0:16:01.480 --> 0:16:04.320
<v Speaker 6>Don't forget to subscribe, and leave a review on your

0:16:04.320 --> 0:16:05.160
<v Speaker 6>podcast app.