1 00:00:00,560 --> 00:00:00,920 Speaker 1: Christian. 2 00:00:00,960 --> 00:00:06,240 Speaker 2: Hello, Christian O'Connell Show Podcast Shime Down to confess you 3 00:00:06,280 --> 00:00:08,160 Speaker 2: call us up nine four one four one o four 4 00:00:08,280 --> 00:00:11,080 Speaker 2: three stand by your band? You tell us the song 5 00:00:11,160 --> 00:00:15,240 Speaker 2: one song you're secretly embarrassed to admit you love. During 6 00:00:15,280 --> 00:00:18,000 Speaker 2: the next half an hour, we'll hear all these various songs, 7 00:00:18,040 --> 00:00:23,160 Speaker 2: and then we will play one of them. Stam by 8 00:00:23,480 --> 00:00:31,760 Speaker 2: your bed. Don't be a shame you like them, just 9 00:00:32,040 --> 00:00:39,160 Speaker 2: cause the world don't understand. All right, lines open right now? 10 00:00:39,360 --> 00:00:42,640 Speaker 2: Nine four one four one oh four three, all right 11 00:00:42,760 --> 00:00:46,120 Speaker 2: my song this week to stand by your band? Please 12 00:00:46,240 --> 00:00:48,120 Speaker 2: let me paint a picture of a road trip. I'm 13 00:00:48,159 --> 00:00:51,440 Speaker 2: in a car. Yes, brother palais in the back, sweet 14 00:00:51,520 --> 00:00:54,960 Speaker 2: Zena's in the front. Do you know the song? Come 15 00:00:55,000 --> 00:00:58,200 Speaker 2: on passy, I'll bet you do. Brother palais in the front, 16 00:00:58,440 --> 00:00:59,520 Speaker 2: sweet Zena's in the. 17 00:00:59,520 --> 00:01:03,520 Speaker 3: Back, Rather pals in the front on the melody I 18 00:01:03,560 --> 00:01:04,039 Speaker 3: don't know. 19 00:01:04,120 --> 00:01:06,160 Speaker 2: I reckon. I'll give you one more go. I tell 20 00:01:06,240 --> 00:01:08,039 Speaker 2: you what if we said calling right now? People who 21 00:01:08,080 --> 00:01:10,920 Speaker 2: sat there in cars in traffic, they know this. Brother 22 00:01:11,000 --> 00:01:14,160 Speaker 2: Peals in the back, sweet Zenas in the front. How 23 00:01:14,840 --> 00:01:20,039 Speaker 2: How bizarre? Yeah, pallets in the back, sweet Zenas in 24 00:01:20,080 --> 00:01:21,520 Speaker 2: the front. How bizarre? 25 00:01:22,360 --> 00:01:27,039 Speaker 3: I don't know a lot of it's not b side. 26 00:01:27,120 --> 00:01:29,720 Speaker 2: There is this sound dare you stand by your band? 27 00:01:30,520 --> 00:01:33,839 Speaker 2: Going back to nineteen ninety five? O mcal bizarre. 28 00:01:35,080 --> 00:01:38,520 Speaker 3: This is a great song, best so come out of 29 00:01:38,600 --> 00:01:40,040 Speaker 3: New Zealand hands down. 30 00:01:40,319 --> 00:01:45,559 Speaker 2: It's the biggest selling So it's not when it pass 31 00:01:45,760 --> 00:01:52,160 Speaker 2: fun facts. It's Beetles Brother Pallets in the back, Sweet 32 00:01:52,240 --> 00:01:57,760 Speaker 2: Zina's in the front is bizarre? Why don't you get that? Configurations? 33 00:01:58,560 --> 00:02:00,800 Speaker 2: This is a great it's a really good so Jackie boy, 34 00:02:00,800 --> 00:02:01,800 Speaker 2: what have you brought in this week? 35 00:02:01,920 --> 00:02:04,040 Speaker 3: I was shocked this week to find out the song 36 00:02:04,040 --> 00:02:07,680 Speaker 3: I'm bringing in isn't well respected and is topped a 37 00:02:07,680 --> 00:02:10,760 Speaker 3: whole lot of lists of worst ever number one's worst 38 00:02:10,760 --> 00:02:11,720 Speaker 3: song of the eighties. 39 00:02:12,160 --> 00:02:13,280 Speaker 2: I was shocked. 40 00:02:13,560 --> 00:02:17,320 Speaker 3: I love this song by Chris de Berr Lady in Red. 41 00:02:17,440 --> 00:02:21,120 Speaker 2: It's a beautiful song. This was every school disco. This 42 00:02:21,320 --> 00:02:23,359 Speaker 2: was that sort of selection of songs they played where 43 00:02:23,360 --> 00:02:25,480 Speaker 2: you could have a slow dance with the young lady. 44 00:02:25,760 --> 00:02:27,480 Speaker 2: And this is always a song I would slow dance 45 00:02:27,520 --> 00:02:29,320 Speaker 2: with a young lady too. There's a line in here, 46 00:02:29,360 --> 00:02:32,160 Speaker 2: isn't it cheat to cheat? And any whispers just you 47 00:02:32,240 --> 00:02:36,560 Speaker 2: and I. 48 00:02:34,480 --> 00:02:37,919 Speaker 1: I have never seen undress who wear him all the 49 00:02:38,360 --> 00:02:39,440 Speaker 1: lights in your head? 50 00:02:39,919 --> 00:02:44,639 Speaker 2: I catch you one. I haven't blame. 51 00:02:45,960 --> 00:02:46,440 Speaker 4: Lady. 52 00:02:49,520 --> 00:02:54,600 Speaker 2: Yes, get many, cheek to cheek, there's dancing. He's coming 53 00:02:54,680 --> 00:02:59,240 Speaker 2: up now, whispers the next one, liking to the young lady. 54 00:03:00,080 --> 00:03:09,239 Speaker 2: It was around here. It's s beautifuls you and Christoper. 55 00:03:09,680 --> 00:03:12,320 Speaker 3: I honestly thought that was a well respected song. 56 00:03:12,240 --> 00:03:14,200 Speaker 2: Like Hue song back in the day. It was number one, like. 57 00:03:14,160 --> 00:03:17,200 Speaker 3: We respect Frank Sinatra. I can't believe. 58 00:03:18,919 --> 00:03:21,160 Speaker 2: I know you're getting ready for a two week holiday. 59 00:03:21,520 --> 00:03:25,440 Speaker 2: Don't start bringing Frank into I did actually get in 60 00:03:25,480 --> 00:03:27,280 Speaker 2: that testa and keep going, my friend. 61 00:03:27,320 --> 00:03:29,040 Speaker 3: I didn't even know that song was from the eighties. 62 00:03:29,080 --> 00:03:31,760 Speaker 3: I actually thought it was from like the Frank Sinatra era, 63 00:03:33,160 --> 00:03:37,440 Speaker 3: like old blue classic love. 64 00:03:38,520 --> 00:03:39,560 Speaker 2: Hell. I was just smoked by. 65 00:03:42,200 --> 00:03:43,000 Speaker 3: The second ago. 66 00:03:46,440 --> 00:03:47,040 Speaker 2: On the mount Rush. 67 00:03:50,520 --> 00:03:53,400 Speaker 3: Do you know this is a maul a lady dressing 68 00:03:53,520 --> 00:04:00,000 Speaker 3: red dress? 69 00:04:00,080 --> 00:04:07,440 Speaker 2: Ohbody here, it's just you me? 70 00:04:08,400 --> 00:04:08,680 Speaker 5: Really? 71 00:04:08,800 --> 00:04:10,280 Speaker 3: Yeah, a lady of the night. 72 00:04:12,040 --> 00:04:15,240 Speaker 2: I don't think it is it is it? Yeah? If 73 00:04:15,280 --> 00:04:16,920 Speaker 2: he says it is about that, you can't go no, 74 00:04:17,040 --> 00:04:18,760 Speaker 2: it's not. It's not, lady, And it's a nice brand 75 00:04:18,800 --> 00:04:20,680 Speaker 2: new red dress. You got in the sales from going on. 76 00:04:20,720 --> 00:04:22,640 Speaker 3: But it's in the lyrics. It sounds like he meets 77 00:04:22,640 --> 00:04:23,600 Speaker 3: her by coincidence. 78 00:04:24,040 --> 00:04:27,559 Speaker 2: That's what he said to the past, cheat to cheek. 79 00:04:28,000 --> 00:04:30,840 Speaker 2: There's no one here in this lay by but you 80 00:04:30,960 --> 00:04:35,279 Speaker 2: and I. The original lyrics the Christian O'Connor Show podcast. 81 00:04:35,440 --> 00:04:37,400 Speaker 2: What is the song you'll secretly in bound to make 82 00:04:37,400 --> 00:04:40,360 Speaker 2: you like? For Jackie boy? I have never seen a 83 00:04:40,560 --> 00:04:45,480 Speaker 2: dress you wear him? Christophers in your head? I catch you, 84 00:04:48,040 --> 00:04:56,840 Speaker 2: I heaven lady. This is a bank great song. There's 85 00:04:57,080 --> 00:04:58,520 Speaker 2: dancing weir. 86 00:05:01,240 --> 00:05:03,320 Speaker 1: To cheek. What a way to dance with the lame 87 00:05:04,920 --> 00:05:12,480 Speaker 1: you just perfect? Christ will want it any other way 88 00:05:13,560 --> 00:05:13,839 Speaker 1: for me? 89 00:05:13,960 --> 00:05:17,440 Speaker 2: We go to New Zealand nineteen ninety five, Brother Pallets 90 00:05:17,480 --> 00:05:19,040 Speaker 2: in the bat. We already established this, but just a 91 00:05:19,080 --> 00:05:24,560 Speaker 2: quick reminder seen as in the front. This snow MC 92 00:05:25,279 --> 00:05:28,159 Speaker 2: big song of the nineties, one of those classic ninety songs. 93 00:05:30,040 --> 00:05:32,200 Speaker 2: All right, let's see what you've got this morning? Stand 94 00:05:32,240 --> 00:05:35,159 Speaker 2: by your band, Paul, good morning? Is that a Chevy 95 00:05:35,200 --> 00:05:35,839 Speaker 2: sixty nine? 96 00:05:37,160 --> 00:05:37,640 Speaker 4: Help us that? 97 00:05:37,839 --> 00:05:38,000 Speaker 2: Now? 98 00:05:38,440 --> 00:05:40,560 Speaker 4: Mine is like it? I like it. 99 00:05:42,400 --> 00:05:44,560 Speaker 2: You can have a littless tie just for doing that. 100 00:05:44,600 --> 00:05:46,400 Speaker 2: Well done, Thank you, oh. 101 00:05:46,040 --> 00:05:47,120 Speaker 1: Thank you, thank you very much. 102 00:05:47,160 --> 00:05:47,960 Speaker 4: Getting I love the show. 103 00:05:49,440 --> 00:05:53,640 Speaker 1: My song is Inny Tomos he comes the Hot Stepper. 104 00:05:53,920 --> 00:05:56,520 Speaker 2: What yeah, a song You've just won the week, my 105 00:05:56,640 --> 00:05:59,320 Speaker 2: friend Jimmy, come. 106 00:05:59,160 --> 00:06:02,680 Speaker 3: On, Emmykelstern. 107 00:06:05,400 --> 00:06:13,000 Speaker 5: Yeah, anyone knows what an easy song and karaoke exactly 108 00:06:13,520 --> 00:06:15,719 Speaker 5: this is this this morning? 109 00:06:17,160 --> 00:06:19,120 Speaker 2: And Paul, when do you listen to that? Is it often? 110 00:06:19,279 --> 00:06:20,159 Speaker 2: What a great song? 111 00:06:20,760 --> 00:06:22,800 Speaker 3: Probably a couple of times a week in the car 112 00:06:22,960 --> 00:06:23,240 Speaker 3: on the. 113 00:06:23,160 --> 00:06:25,200 Speaker 2: Way Monday, Wednesday, Friday deal really. 114 00:06:25,640 --> 00:06:28,400 Speaker 4: Yeah, pretty much pretty much on the way home. 115 00:06:28,600 --> 00:06:29,440 Speaker 5: Just so it's. 116 00:06:29,320 --> 00:06:31,320 Speaker 2: Always on the way home, like you're the hot stepper 117 00:06:31,360 --> 00:06:37,800 Speaker 2: heading home on our phone system. We're going to rename 118 00:06:37,880 --> 00:06:41,800 Speaker 2: you now, Paul Brackets the hot Stepper. We'll always know 119 00:06:41,839 --> 00:06:44,799 Speaker 2: if you've gone again. Oh, have a great weekend. Stick around. 120 00:06:44,800 --> 00:06:46,440 Speaker 2: We might be planning this this morning to stand by 121 00:06:46,440 --> 00:06:46,800 Speaker 2: your band. 122 00:06:47,440 --> 00:06:48,880 Speaker 3: Thank you, having a good holiday. 123 00:06:48,920 --> 00:06:54,880 Speaker 2: Thanks buddy. Linda, good morning, good morning, Good morning, Linda, Linda, 124 00:06:55,080 --> 00:06:56,600 Speaker 2: good morning. I'm still good morning. 125 00:06:58,839 --> 00:07:02,279 Speaker 4: My song is rappers a lot like sugar Hill Game. 126 00:07:02,440 --> 00:07:04,360 Speaker 2: This is a great song on the classic rap songs, 127 00:07:04,600 --> 00:07:15,559 Speaker 2: just and just don't few drinks and it so funny 128 00:07:15,640 --> 00:07:18,600 Speaker 2: after world, you know, trying to sing the world. 129 00:07:19,840 --> 00:07:20,760 Speaker 3: It's a longer song. 130 00:07:20,880 --> 00:07:22,920 Speaker 2: Doesn't the full version go and a half minutes? 131 00:07:23,480 --> 00:07:27,600 Speaker 4: Yeah, I know, I don't very often play the full version. 132 00:07:27,520 --> 00:07:36,200 Speaker 2: But yeah, I hate it always. End of sugar Hill Game. 133 00:07:36,240 --> 00:07:37,360 Speaker 3: It's the sixth verse. 134 00:07:39,920 --> 00:07:41,840 Speaker 2: Linda, great one, Thank you mam. Let's just go to 135 00:07:42,200 --> 00:07:49,960 Speaker 2: h Abby. Good morning, Abby Nickelback. 136 00:07:50,920 --> 00:07:52,240 Speaker 1: Nickelback, you remind me. 137 00:07:54,040 --> 00:08:01,960 Speaker 2: I get it, George you in now. If you're to 138 00:08:02,040 --> 00:08:03,640 Speaker 2: come on with a rock star, I'll be with you. 139 00:08:03,720 --> 00:08:09,240 Speaker 2: But this is a crime against humanity. But it's your song, Abby. 140 00:08:09,400 --> 00:08:12,960 Speaker 2: You love listening to this in private, social. 141 00:08:12,640 --> 00:08:13,360 Speaker 4: Social song. 142 00:08:13,600 --> 00:08:14,680 Speaker 1: I sing it to myself. 143 00:08:16,160 --> 00:08:18,640 Speaker 3: If I'm not wrong. This was the first hit by Knickelback. 144 00:08:18,840 --> 00:08:21,240 Speaker 3: So before this song, it was the bliss that we 145 00:08:21,240 --> 00:08:22,119 Speaker 3: didn't even know about. 146 00:08:22,360 --> 00:08:25,280 Speaker 2: I've got no idea about the Discosgrophy order or stuff that. 147 00:08:25,360 --> 00:08:28,000 Speaker 2: If I'm not wrong, this was the first okay specialist 148 00:08:28,000 --> 00:08:32,880 Speaker 2: subject end back fun facts see if we started Patsy. 149 00:08:33,280 --> 00:08:38,319 Speaker 2: I'm not mistaken, but please prove me wrong on the lines. 150 00:08:39,640 --> 00:08:42,360 Speaker 2: That's a great one, Abby, Thank you very much. Nikka Back, 151 00:08:43,040 --> 00:08:44,480 Speaker 2: take care of a nice weekend. Lauren. 152 00:08:45,480 --> 00:08:48,360 Speaker 1: Yes, yes, morning. 153 00:08:48,120 --> 00:08:51,079 Speaker 2: Good morning, good morning everyone, Okay, just generally good morning. 154 00:08:51,400 --> 00:08:54,440 Speaker 2: What have you got for us well. I listened to 155 00:08:54,960 --> 00:09:04,280 Speaker 2: Old Many You by John Williamson. You got I certainly 156 00:09:04,280 --> 00:09:07,079 Speaker 2: have any every family get together. You know one of 157 00:09:07,120 --> 00:09:08,720 Speaker 2: our boys out there still with the banjo. 158 00:09:09,080 --> 00:09:20,440 Speaker 4: You're right, you gott live and I'll tell her never 159 00:09:21,600 --> 00:09:22,640 Speaker 4: That was their wedding song. 160 00:09:27,200 --> 00:09:31,280 Speaker 3: That could have gone offended. 161 00:09:31,960 --> 00:09:43,120 Speaker 2: Love Somebody Apology the first dancing. Oh, Lauren, thank you 162 00:09:43,200 --> 00:09:45,480 Speaker 2: very much for bringing this to the show. What a song. 163 00:09:45,880 --> 00:09:50,520 Speaker 2: Christian Hello, Christian O'Connell Show Podcast