1 00:00:09,685 --> 00:00:12,245 Speaker 1: I Heeart podcasts. You can hear more Gold one I 2 00:00:12,285 --> 00:00:15,645 Speaker 1: four point three podcasts, playlist and listen live on the 3 00:00:15,685 --> 00:00:21,284 Speaker 1: free iHeart app. Got anything good? Hey, this is the 4 00:00:21,485 --> 00:00:29,005 Speaker 1: Christian O'Connell show podcast. So yesterday afternoon I went to 5 00:00:29,005 --> 00:00:33,684 Speaker 1: go and see F one, the Formula one movie, two 6 00:00:33,765 --> 00:00:37,885 Speaker 1: and a half hours. Oh, long time, long time. However, 7 00:00:39,045 --> 00:00:41,165 Speaker 1: I jogged to go to the toilet because it was 8 00:00:41,245 --> 00:00:44,324 Speaker 1: that good. It is such cheesy fun. It's why we 9 00:00:44,365 --> 00:00:46,725 Speaker 1: go to the cinema. If you're interested and you haven't 10 00:00:46,725 --> 00:00:47,885 Speaker 1: seen it yet, I know it's been on for a 11 00:00:47,885 --> 00:00:49,684 Speaker 1: couple of weeks now, but going to South Favor. If 12 00:00:49,725 --> 00:00:51,125 Speaker 1: you are going to go and see it, go and 13 00:00:51,125 --> 00:00:52,925 Speaker 1: see it where it should be done. It's a it's 14 00:00:52,964 --> 00:00:57,125 Speaker 1: a big cinema movie. The action scenes are relentless. It's brilliant. 15 00:00:57,485 --> 00:01:00,084 Speaker 1: It's Top Gun. It's Brad Pitt's Top Gun in a 16 00:01:00,125 --> 00:01:03,165 Speaker 1: car even not the same director as Top Gun. Maverick. 17 00:01:03,245 --> 00:01:06,444 Speaker 1: I read Walking Out, It's it's and also it's got 18 00:01:06,485 --> 00:01:09,885 Speaker 1: so many I love a sports movie, right, but all 19 00:01:09,925 --> 00:01:14,565 Speaker 1: sports movies have sports movie cliches, and it had so many. 20 00:01:14,565 --> 00:01:17,405 Speaker 1: I felt like I was with my people. Read I 21 00:01:17,445 --> 00:01:20,965 Speaker 1: wasn't yet a great montage. There's always round about the 22 00:01:21,005 --> 00:01:25,045 Speaker 1: sort of halfway mark, there's a key monologue and you know, 23 00:01:25,125 --> 00:01:26,725 Speaker 1: and I knew as soon as I saw the monologue, 24 00:01:26,965 --> 00:01:29,045 Speaker 1: God damn it, this is going to be paid off, 25 00:01:29,285 --> 00:01:32,605 Speaker 1: pay attention Christian in the last ten minutes, and it was. 26 00:01:32,645 --> 00:01:35,685 Speaker 1: It creates an invisible thread as soon as that monologue 27 00:01:35,725 --> 00:01:37,725 Speaker 1: is floated, and they had a key phrase about why 28 00:01:37,805 --> 00:01:40,565 Speaker 1: Sonny Hayes, Of course that's our boy, Brad peer Why 29 00:01:40,565 --> 00:01:43,245 Speaker 1: does he race? Tell you what rio it for? Money? 30 00:01:43,805 --> 00:01:45,885 Speaker 1: What's it for Sonny? Why are you here love? And 31 00:01:45,925 --> 00:01:49,325 Speaker 1: he says something not for that either something else. And 32 00:01:49,365 --> 00:01:51,725 Speaker 1: the last ten minutes you see it, and it gave 33 00:01:51,765 --> 00:01:55,125 Speaker 1: me goosebumps. That's what you want in a sports movie. Yes, 34 00:01:55,525 --> 00:02:03,485 Speaker 1: the dialogue was actually written by testosterone, our real healthy 35 00:02:03,645 --> 00:02:09,524 Speaker 1: dose and sprinkling of dad issues. So like any great 36 00:02:09,525 --> 00:02:12,605 Speaker 1: sports movie. Okay, you've got the old dog, you know 37 00:02:13,044 --> 00:02:15,645 Speaker 1: that the has been and that's Brad Pitt and then 38 00:02:15,685 --> 00:02:18,525 Speaker 1: he got the young dog. They're two very different characters, 39 00:02:18,525 --> 00:02:21,205 Speaker 1: but they got to work together for a team. Wait, 40 00:02:21,245 --> 00:02:23,924 Speaker 1: that actually is just top Gun Mad. It's the same 41 00:02:23,965 --> 00:02:26,285 Speaker 1: the same director and wait for this, the same writer 42 00:02:26,365 --> 00:02:29,845 Speaker 1: of the movie as well, and I don't mind any 43 00:02:29,885 --> 00:02:32,365 Speaker 1: of it. I'm here for all of it. Keep on 44 00:02:32,445 --> 00:02:34,845 Speaker 1: making this kind of movie with just different things old 45 00:02:35,725 --> 00:02:40,005 Speaker 1: whatever it is. The dialogue is so hammy at time, 46 00:02:40,125 --> 00:02:42,925 Speaker 1: So if formerly one's your sport, and for the rest 47 00:02:42,965 --> 00:02:44,525 Speaker 1: of us that kind of don't really know all the 48 00:02:44,525 --> 00:02:48,725 Speaker 1: intricate details they slap on quite easy for thickies like II. 49 00:02:49,205 --> 00:02:51,925 Speaker 1: Several times you've seen giant letters across the whole screen. 50 00:02:52,445 --> 00:02:58,484 Speaker 1: Last lap some there shoveling food. I get it. Thank 51 00:02:58,525 --> 00:03:01,484 Speaker 1: you for saying that, because yeah, earlier you told me 52 00:03:01,565 --> 00:03:04,085 Speaker 1: that this was lap sixty six. I don't know whether 53 00:03:04,085 --> 00:03:07,285 Speaker 1: it's good or bad. Wait sixty six? How many more 54 00:03:07,365 --> 00:03:13,005 Speaker 1: to go? I don't know. Wheer it's high one more? Oh, 55 00:03:13,125 --> 00:03:16,005 Speaker 1: this must mean it's gonna get really important now to 56 00:03:16,045 --> 00:03:18,605 Speaker 1: pay attention, and it's it's got a lot of cameos 57 00:03:18,605 --> 00:03:22,525 Speaker 1: from actually Formula one drivers. That's cool, yastreet, He's got 58 00:03:22,565 --> 00:03:25,165 Speaker 1: Max for stapping at one point, Brad Pitt is racing. 59 00:03:25,165 --> 00:03:27,805 Speaker 1: Now Brad Pitt is still a beautiful looking guy. Okay, 60 00:03:27,805 --> 00:03:31,485 Speaker 1: but you stick that beautiful, aging cherubic face into a 61 00:03:31,565 --> 00:03:33,965 Speaker 1: helmet a lot of the movie. All his beautiful face 62 00:03:34,045 --> 00:03:36,725 Speaker 1: is squshed together towards his nose. He looks like it 63 00:03:36,805 --> 00:03:38,565 Speaker 1: keeps looking at every ten minutes. He's having a mass on, 64 00:03:39,525 --> 00:03:41,845 Speaker 1: you know, he said, that little round thing. And it's 65 00:03:41,845 --> 00:03:43,765 Speaker 1: great to see. No one looks great in a helmet. 66 00:03:44,325 --> 00:03:47,525 Speaker 1: Even Brad Pitt still looks like a do even at 67 00:03:47,605 --> 00:03:49,805 Speaker 1: the great level. But anyway, in one minute, he's racing 68 00:03:49,885 --> 00:03:53,805 Speaker 1: one lap to goes and suddenly v stapping comes on 69 00:03:53,845 --> 00:03:57,565 Speaker 1: the outside. Actually the stapping overtakes brad Pitt the best 70 00:03:57,645 --> 00:04:03,565 Speaker 1: line they can give him. Damn he's good. A maxicrn 71 00:04:03,645 --> 00:04:08,285 Speaker 1: said that yesterday a Saints are Damn they're good. Damn 72 00:04:08,725 --> 00:04:12,805 Speaker 1: he's good. However, there are certain things that only ever 73 00:04:12,845 --> 00:04:15,725 Speaker 1: happen in movie world and yesterday, how many times you've 74 00:04:15,725 --> 00:04:18,605 Speaker 1: seen this? In the movie characters can fall into a 75 00:04:18,645 --> 00:04:22,284 Speaker 1: deep sleep with the curtains open. How do they do 76 00:04:22,365 --> 00:04:24,805 Speaker 1: with that, like in the middle of the day, is it? No? No? No? 77 00:04:24,844 --> 00:04:27,404 Speaker 1: At nighttime? You know, at nighttime they wake up in 78 00:04:27,404 --> 00:04:30,325 Speaker 1: the morning, the curtains are still are still. Fully they 79 00:04:30,325 --> 00:04:33,285 Speaker 1: haven't drawn the curtains. It try And because it's like 80 00:04:33,325 --> 00:04:36,205 Speaker 1: formula one, they've got all these exotic locations. There's Singapore 81 00:04:36,284 --> 00:04:38,445 Speaker 1: and then there's Vegas that are on the strip, all 82 00:04:38,484 --> 00:04:41,565 Speaker 1: these bright lights. How is Brad new getting a solid 83 00:04:41,645 --> 00:04:45,325 Speaker 1: eight hours sleep to draw the curtains? Man, you're in 84 00:04:45,325 --> 00:04:48,205 Speaker 1: a five star penthal sweet that have blackout blinds. Yes, 85 00:04:48,245 --> 00:04:50,364 Speaker 1: it's in Vegas. They're all blackout. Yes, it's all the 86 00:04:50,364 --> 00:04:53,525 Speaker 1: blind Yes. So what only happens in movies? You see 87 00:04:53,604 --> 00:04:55,925 Speaker 1: in so many movies where the main characters no one 88 00:04:55,924 --> 00:05:00,005 Speaker 1: closes the curtains, and also any hotel reminding you're doing 89 00:05:00,044 --> 00:05:01,885 Speaker 1: that thing going now, there's still a bit of light 90 00:05:01,924 --> 00:05:06,044 Speaker 1: coming through? Is it? What is that like? What is it? 91 00:05:06,284 --> 00:05:09,445 Speaker 1: The modem? It's an alarm clock. You have to put 92 00:05:09,525 --> 00:05:12,765 Speaker 1: so many bits of clothing, socks, underpants over to make 93 00:05:12,804 --> 00:05:15,564 Speaker 1: sure it's blacked out. There's no way he's falling asleep 94 00:05:15,765 --> 00:05:18,964 Speaker 1: in Vegas with the curtains open, all right, So only 95 00:05:19,205 --> 00:05:21,165 Speaker 1: in the movies do you see? Give us a call? 96 00:05:21,245 --> 00:05:25,004 Speaker 1: Thirteen fifty five, twenty two. What only happens in the movies? 97 00:05:25,284 --> 00:05:31,364 Speaker 1: Thirteen fifty five, twenty two. Dermy's Good. The Christian O'Connell 98 00:05:31,404 --> 00:05:32,365 Speaker 1: Show Podcast