1 00:00:01,360 --> 00:00:05,600 Speaker 1: And Amanda jam Nation my favorite musical. It's one of 2 00:00:05,640 --> 00:00:08,520 Speaker 1: the biggest musical phenomenons to hit the stage in recent decades. 3 00:00:08,560 --> 00:00:13,400 Speaker 1: And now Jesus Christ Superstar is opening tonight in Australia. 4 00:00:14,120 --> 00:00:18,760 Speaker 1: Playing Mary is the brilliant Mahalia Barnes and she joins us. Now, Hi, Mahalia, 5 00:00:18,760 --> 00:00:19,960 Speaker 1: how are you hi there? 6 00:00:20,079 --> 00:00:21,000 Speaker 2: I'm good? Thank you? 7 00:00:21,079 --> 00:00:23,520 Speaker 1: Oh is this role a dream for you? How did 8 00:00:23,560 --> 00:00:24,439 Speaker 1: it fall into your lap? 9 00:00:24,480 --> 00:00:25,040 Speaker 3: What happened? 10 00:00:25,920 --> 00:00:30,120 Speaker 2: It's pretty exciting. I you know, musical theater, you know, 11 00:00:30,280 --> 00:00:32,479 Speaker 2: that sort of thing has not really ever been on 12 00:00:32,520 --> 00:00:36,000 Speaker 2: my radar, not something that I've been longing to do. 13 00:00:36,400 --> 00:00:38,519 Speaker 2: But this show is just a different beast, you know, 14 00:00:38,640 --> 00:00:41,559 Speaker 2: it's it's especially in this country. I think we have 15 00:00:41,760 --> 00:00:45,239 Speaker 2: such a huge amount of love for Jesus Christ Superstar, 16 00:00:45,600 --> 00:00:48,199 Speaker 2: particularly because of the you know, I mean obviously there 17 00:00:48,240 --> 00:00:51,200 Speaker 2: was the seventies version with Marsha and you know, Johnny 18 00:00:51,200 --> 00:00:54,080 Speaker 2: English and people like that, but you know the nineties version. 19 00:00:54,320 --> 00:00:56,600 Speaker 2: You know, as a child born in the eighties, the 20 00:00:56,720 --> 00:00:59,640 Speaker 2: nineties version is you know, iconic in this country with 21 00:00:59,720 --> 00:01:03,720 Speaker 2: John Farnham and John Stevens, Kate Sobrano and you know, 22 00:01:03,840 --> 00:01:06,720 Speaker 2: so when the show when I was asked if I 23 00:01:06,760 --> 00:01:09,880 Speaker 2: wanted to audition for Mary I was. I sort of thought, well, 24 00:01:09,920 --> 00:01:11,720 Speaker 2: I can't really say no to that, can I? I mean, 25 00:01:11,760 --> 00:01:13,520 Speaker 2: what an honor to be to be able to be 26 00:01:13,560 --> 00:01:14,600 Speaker 2: a part of that legacy. 27 00:01:15,440 --> 00:01:17,200 Speaker 3: Did you think you're a sert to get it? 28 00:01:18,120 --> 00:01:20,200 Speaker 2: No, I definitely didn't. I never think that I'm a 29 00:01:20,240 --> 00:01:23,800 Speaker 2: certain for anything, but you know, I certainly thought i'd 30 00:01:23,800 --> 00:01:24,680 Speaker 2: give it a good shot. 31 00:01:25,000 --> 00:01:27,240 Speaker 1: Is it a different muscle when you have to perform 32 00:01:27,319 --> 00:01:29,720 Speaker 1: like this. I know you've toured extensively, but to perform 33 00:01:29,720 --> 00:01:31,880 Speaker 1: in a musical and a couple of times a night 34 00:01:31,959 --> 00:01:36,679 Speaker 1: for the afternoon sessions and things like that, is it 35 00:01:36,720 --> 00:01:38,560 Speaker 1: a different kind of muscle you have to flex. 36 00:01:39,840 --> 00:01:41,760 Speaker 2: Look, there's a lot of different muscles I'm having to 37 00:01:41,800 --> 00:01:44,640 Speaker 2: flex that are involved in some of the choreography, Like 38 00:01:44,640 --> 00:01:47,319 Speaker 2: I wouldn't say that I'm dancing or the ensemble are 39 00:01:47,319 --> 00:01:50,480 Speaker 2: incredible in this show, and they are just like they're 40 00:01:50,600 --> 00:01:53,520 Speaker 2: unbelievable how hard they're working up there. And you know, 41 00:01:53,680 --> 00:01:56,960 Speaker 2: I think that, you know, I'm very fortunate to get 42 00:01:56,960 --> 00:01:58,800 Speaker 2: to be carried along by a couple of them in 43 00:01:58,840 --> 00:02:00,840 Speaker 2: a few ensemble pieces where I do a little bit 44 00:02:00,840 --> 00:02:06,520 Speaker 2: of choreography, which my family is very excited to see. Vocally, 45 00:02:06,680 --> 00:02:10,320 Speaker 2: you know, it's exactly vocally, it's actually been been a 46 00:02:10,400 --> 00:02:13,280 Speaker 2: joy for me. I mean, I sing a lot, and 47 00:02:14,520 --> 00:02:17,200 Speaker 2: if anything, you know, like I don't know if you've 48 00:02:17,240 --> 00:02:19,200 Speaker 2: seen many of my shows, but I can get a 49 00:02:19,200 --> 00:02:21,200 Speaker 2: little bit carried away and sing for hours and hours 50 00:02:21,240 --> 00:02:23,200 Speaker 2: and hours on end. So you know, I love to sing. 51 00:02:23,520 --> 00:02:25,600 Speaker 2: My biggest challenge is that I'm you know, because I'm 52 00:02:25,600 --> 00:02:28,040 Speaker 2: not singing every song, you know, I'm You're just sort 53 00:02:28,080 --> 00:02:30,519 Speaker 2: of being singing everything, right, and I've got to shut 54 00:02:30,600 --> 00:02:32,040 Speaker 2: up every now and then I let, you know, let 55 00:02:32,080 --> 00:02:35,520 Speaker 2: Michael Painter have a go for Jesus, you know. So 56 00:02:36,080 --> 00:02:39,600 Speaker 2: you know, I find that I'm backstage singing the whole time, right, 57 00:02:40,400 --> 00:02:42,920 Speaker 2: But you know, it's it's definitely different eight shows a week, 58 00:02:43,000 --> 00:02:46,520 Speaker 2: you know. And the biggest shift for me, I think 59 00:02:46,600 --> 00:02:48,920 Speaker 2: is just being in one place for such an extended 60 00:02:48,960 --> 00:02:51,520 Speaker 2: period of time, you know, normally somewhere for a night, 61 00:02:51,560 --> 00:02:53,360 Speaker 2: then I jump on the plane and head somewhere else. 62 00:02:53,440 --> 00:02:56,840 Speaker 2: So yeah, it's really it's interesting and it's really exciting. 63 00:02:57,240 --> 00:03:00,400 Speaker 3: I was reading your touring but with coldure, but I 64 00:03:01,200 --> 00:03:04,080 Speaker 3: read that you're managing cold. Is that? Are you part managed? 65 00:03:04,120 --> 00:03:08,559 Speaker 2: I'm not managing colture. I manage Dad. 66 00:03:08,720 --> 00:03:11,000 Speaker 3: I can just imagine you crack and sticks. Go boys, 67 00:03:11,040 --> 00:03:12,960 Speaker 3: let's go, come on into the market. 68 00:03:13,200 --> 00:03:16,960 Speaker 2: I mean, look, I was helping tour manage cultures for 69 00:03:17,040 --> 00:03:18,919 Speaker 2: the tour, like we're helping with all the logistics and 70 00:03:18,960 --> 00:03:21,600 Speaker 2: things like that. But yeah, I mean I managed Dad 71 00:03:21,600 --> 00:03:24,640 Speaker 2: full time. So that's it's a lot, but it's great. 72 00:03:25,880 --> 00:03:27,679 Speaker 2: You know, it keeps me on my toes, that's for sure. 73 00:03:28,440 --> 00:03:31,880 Speaker 2: And then you know, between that and this, and then 74 00:03:32,000 --> 00:03:34,160 Speaker 2: you know, I was doing a bunch of the Chisel shows, 75 00:03:34,880 --> 00:03:39,200 Speaker 2: singing dvs as well. It's been it's been quite a 76 00:03:39,240 --> 00:03:39,800 Speaker 2: busy time. 77 00:03:39,960 --> 00:03:41,800 Speaker 3: I let you go, you poor thing. 78 00:03:41,840 --> 00:03:43,520 Speaker 1: Well, I can't wait to see this. It is my 79 00:03:43,640 --> 00:03:46,360 Speaker 1: favorite musical. I can't wait to see this incarnation of it. 80 00:03:46,400 --> 00:03:48,160 Speaker 1: And you're going to be amazing. I'll see it in 81 00:03:48,240 --> 00:03:50,280 Speaker 1: a few weeks and I'm thrill. 82 00:03:50,680 --> 00:03:52,760 Speaker 2: It's so great. I'm sure you'll love it. I just yeah, 83 00:03:52,760 --> 00:03:54,880 Speaker 2: I'm just like I said, I'm so excited for people 84 00:03:54,880 --> 00:03:56,600 Speaker 2: to see it. I'm going to love it. 85 00:03:56,640 --> 00:03:59,200 Speaker 3: Man is going to be yelling at more more Mahalia. 86 00:04:00,640 --> 00:04:01,000 Speaker 1: That woman. 87 00:04:04,600 --> 00:04:06,240 Speaker 2: Sometimes you got to give the people what they want. 88 00:04:06,280 --> 00:04:07,960 Speaker 3: You know, that's quite right. 89 00:04:08,000 --> 00:04:09,640 Speaker 2: But I happen to rush the stage. I'm not sure 90 00:04:09,680 --> 00:04:12,240 Speaker 2: how they feel about that, you know, like it's. 91 00:04:12,120 --> 00:04:15,560 Speaker 3: Not about it's about us. You can get your tickets 92 00:04:15,560 --> 00:04:18,200 Speaker 3: now to see Jesus Christ Superstar at ticketmaster dot com 93 00:04:18,240 --> 00:04:21,160 Speaker 3: dot au. Mahalia Barns, thank you for joining us. 94 00:04:21,760 --> 00:04:22,200 Speaker 2: Thank you,