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Speaker 1: Well, what a show today, massive show.

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Speaker 2: We had Paul Kelly in the studio with us, We

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Speaker 2: had Sir Bob Geldoff in the studio with us.

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Speaker 1: I'll tell you what. The studio wasn't big enough for

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Speaker 1: all of us.

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Speaker 2: And your ego, you know, something had to give.

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Speaker 1: My egos tiny compared to yours. Yours is a huge

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Speaker 1: like Hue. It was like one of those big superannuation monsters.

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Speaker 2: We covered the Melbourne Cup in a variety of ways.

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Speaker 2: In that tribal drum is beating for nut for the cup,

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Speaker 2: people who are crazy for the Melbourne Cup. And then

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Speaker 2: we gave you the option of going the other way.

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Speaker 2: We put the Melbourne Cup to the pubp test. How

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Speaker 2: do you actually feel about the Melbourne.

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Speaker 3: It's either nut or nut for the Cup.

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Speaker 1: That a miracle of recording. We have so many requests.

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Speaker 4: For them to do it again.

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Speaker 5: Mistress Amanda's miss Killer. Amanda doesn't work alone.

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Speaker 2: Friend is in a backroom making the tools of the train.

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Speaker 3: I heard them describe him as a drunken idiot.

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Speaker 1: I've been doing a legendary poet Jonesy. Amanda the actress wiggles.

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Speaker 4: Congratulations, man, we're right now and Amanda.

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Speaker 6: You're doing a great job, Selkie good radio.

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Speaker 7: Sorry, but if a tongue tongue twist set Amanda, it's

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Speaker 7: shoot Timy.

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Speaker 5: We're on the air.

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Speaker 1: Hello, Amanda, how are you.

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Speaker 2: I'm just rummaging in my bag to get a hard

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Speaker 2: boiled egg. I didn't want to leave it in there

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Speaker 2: and forget that it was there in that bag. I've

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Speaker 2: still got needles in the bottom of Remember the needles

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Speaker 2: fell out and they're all scattered around the bottom. I

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Speaker 2: still haven't taken that.

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Speaker 1: I dare say.

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Speaker 3: It's like doctor, who's tardest you get into that bag?

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Speaker 1: And this is a world.

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Speaker 2: Who knows what's in there? Some old worthers originals covered

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Speaker 2: in hair that isn't mine. Anyway, I've got my boiled

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Speaker 2: egg out. I'm ready for the day. Excellent gem I

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Speaker 2: rise here.

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Speaker 1: Hello. How's things going?

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Speaker 2: A big announcement yesterday? You're leaving at the end of

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Speaker 2: the year.

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Speaker 4: Yeah, No, pretty good, feeling, feeling a lot lighter.

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Speaker 3: I've set up the death clock of your career. Oh

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Speaker 3: that's technical that.

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Speaker 4: You're not dying.

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Speaker 2: No, you will go on to other career things, but

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Speaker 2: they'll never be as amazing as this.

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Speaker 3: So you know, just so you know, you said you

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Speaker 3: wanted to go to green green of pastures. Yeah, yesterday

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Speaker 3: we had a landscape that offered you a job.

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Speaker 4: What didn't mean like literal green park.

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Speaker 1: Well, you're also offered to wanted a sweet lives.

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Speaker 2: Your sweet life, offered to do some work. Someone said

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Speaker 2: they owned a bakery and you could come and make

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Speaker 2: caky bits.

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Speaker 4: I'm not interested in doing any sort of physical labor.

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Speaker 4: I don't beat eggs.

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Speaker 1: Okay, you don't hold a hose. So maybe you should

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Speaker 1: be a politician if you thought about that.

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Speaker 4: I don't want to go into politics. Too many politics, there's.

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Speaker 1: Too many, a lot of politics in politics.

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Speaker 2: Yeah, well, good luck finding something because you've narrowed down

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Speaker 2: what you don't want to do. Doesn't leave a lot.

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Speaker 4: It's something fun.

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Speaker 1: Here a radio station. I forgot. This isn't a place

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Speaker 1: of fun. Yeah. I don't know, mate, we'll work on it.

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Speaker 1: We got time, We.

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Speaker 4: Got time, nineteen shows left? Wow?

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Speaker 2: Is that all?

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Speaker 1: Is that all?

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Speaker 2: Could you look a little sadder? Rhyme?

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Speaker 1: Please?

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Speaker 2: First time I've seen you smile in a year.

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Speaker 3: In the meantime, politicians are now handing back their memberships

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Speaker 3: on various.

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Speaker 2: Lounge Natasha's News that various independent politicians are saint it's

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Speaker 2: not worth the angst and are handing in membership. I

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Speaker 2: think we're going too far. It's okay. I don't mind

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Speaker 2: that a politician is a membership, a membership of the

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Speaker 2: Virgin out. They do a lot of flying, they do

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Speaker 2: a lot of flying.

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Speaker 1: They get handed over to me.

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Speaker 3: I used to be a member of another Velocity thing,

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Speaker 3: the Platinum thing. That was a big that was a

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Speaker 3: big deal, and I never really used it. And then

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Speaker 3: when the pandemic came along, troubles for them. So I

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Speaker 3: didn't get that back. But if they want to hand

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Speaker 3: it over to me, I have no shame in sitting

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Speaker 3: at the point of end of the plane.

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Speaker 1: I just don't want to pay for it.

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Speaker 2: Now, that's how that goes for you.

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Speaker 3: But that's how the deal. Like, I'm a commercial radio guy.

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Speaker 3: That's why happens in this business.

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Speaker 1: What does there you know? You I scratch your back,

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Speaker 1: you scratch my back.

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Speaker 2: How do you scratch the back of someone to the

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Speaker 2: extent where they're going to put you in first class

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Speaker 2: somewhere it happened? Whose back would it be? How would

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Speaker 2: you scratch it's it's just a metaphor.

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Speaker 1: I can help people out. You help me.

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Speaker 3: Say, for example, you had some bricks you need moving.

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Speaker 2: I go get Ryan.

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Speaker 1: He's up for it. He's not going to do any

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Speaker 1: hard labor.

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Speaker 4: No way.

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Speaker 3: I'll move your bricks and then you I've got some

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Speaker 3: sand at my house.

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Speaker 2: You live in a barter system. Do you do any

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Speaker 2: good works that don't have an agenda to the regularly?

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Speaker 1: Regularly?

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Speaker 3: I do good works without any agenda, and I put

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Speaker 3: it out to the universe and it comes back.

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Speaker 2: In the form of a barbecue chicken lift in a

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Speaker 2: shopping troller. Maybe maybe that's how the universe is.

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Speaker 3: Yes, maybe that's because of the time that I changed

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Speaker 3: the tire on the old guy's car in the street.

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Speaker 3: Maybe that's that that's because of that. The law said,

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Speaker 3: you know, I'm going to give this kids some stuff,

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Speaker 3: and that's what happens. I'm blessed and I'm very I

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Speaker 3: always help people. I'm always looking for a way to

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Speaker 3: help people out.

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Speaker 2: Okay, I know there's a sting in the tail, and

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Speaker 2: there's always a sting in the tails, like tithing. I'll

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Speaker 2: give it out, but I expected backing.

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Speaker 1: No, I don't expect anything back well.

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Speaker 2: It's Melbourne Cup today. I wonder people expecting things to

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Speaker 2: come back into their lives after spending money on the

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Speaker 2: Melbourne Cup.

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Speaker 1: We're going to do our sweep again.

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Speaker 2: Let's do it. Here's what we're going to do. Every

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Speaker 2: person who who we call, who makes it to we

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Speaker 2: goes into ours sweep. If your horse gets first place,

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Speaker 2: you get five hundred dollars camp, second place, two tickets

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Speaker 2: to WSFM presents Our Heart Live with Paul Kelly Ye,

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Speaker 2: third place dinner to the value of one hundred and

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Speaker 2: fifty dollars at Rock Salt Restaurant. And if your horse

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Speaker 2: places last year at a bag of carrot.

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Speaker 3: Oh, we're a bit more sensitive this year. Last year

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Speaker 3: we gave our pot of clue.

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Speaker 2: I know, and people rightly rightly said not on we listened,

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Speaker 2: we said that wasn't us.

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Speaker 1: It was Kyle and Jakie sur We did that.

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Speaker 2: When we think of it now old.

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Speaker 1: You can't say anything these days. So woke.

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Speaker 2: How I feel about that language, Brendan, it was, you know,

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Speaker 2: we should not. There's a let's not go to the

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Speaker 2: dark side until the pub test. Then let's go to

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Speaker 2: the dark side.

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Speaker 3: Action packed Shaw Today we've got guests of Plenty. Paul

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Speaker 3: Kelly will be joining us. Sir Bob Geldoff. I'd like

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Speaker 3: to get Sir Bob Geldoff's take on Quincy Jones, who

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Speaker 3: passed away at the age of ninety one. Quincy Jones

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Speaker 3: is the one that introduced Bob to the cast of

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Speaker 3: We Are in the World USA for Africa.

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Speaker 2: Quincy Jones, Sir Bob and Bono went together to see

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Speaker 2: the Pope.

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Speaker 1: Just a normal day hat ashual.

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Speaker 3: We can't do anything until we do the Magnificent seven

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Speaker 3: question one for one, A blue.

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Speaker 2: Tongue is a type of Australian watch GM nation.

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Speaker 3: We have for you the Magnificence. There are seven questions.

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Speaker 3: Could you go all the way and answer all seven

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Speaker 3: questions correctly? If you do that, a man will.

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Speaker 2: Say well, I say great. But every caller that makes

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Speaker 2: it to her today goes into our suite. True dat

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Speaker 2: Andett is in Karen's hill, iron ed Hi Jones. Right,

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Speaker 2: Let me just rummage into my imaginary hat and pull

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Speaker 2: out a horse for you. You've got valiant King.

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Speaker 1: Valiant King.

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Speaker 2: What do we say about valiant?

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Speaker 3: Let me just get my race call in the right

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Speaker 3: stable to improve his form on paper is no good,

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Speaker 3: but he will run better than his form suggests.

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Speaker 2: Okayette, If he wins, you're beginning five hundred dollars cash, well.

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Speaker 1: Done, she's paying one hundred and one dollars.

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Speaker 2: Well, he might do a brad bree. You'd never know.

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Speaker 1: That's it. Put the house on that.

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Speaker 3: If that thing wins our frequency one O one, that

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Speaker 3: might be a nice little wager.

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Speaker 2: Question number one for you here anette? True or false?

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Speaker 2: Oh no, it's not true.

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Speaker 1: False.

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Speaker 2: A blue tongue is a type of Australian what lizard?

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Speaker 1: True or false?

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Speaker 3: The gravy recipe he mentioned in how to Make Gravy

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Speaker 3: by Paul Kelly contains a dollop of tomato sauce.

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Speaker 1: Is that true or is it false?

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Speaker 8: That's true?

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Speaker 1: That is true that there is.

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Speaker 2: A redline.

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Speaker 3: Don't forget about I don't know about the tomato sauce.

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Speaker 1: I've put that in stuff two tomato.

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Speaker 2: We Well, then you don't need to go we spoke

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Speaker 2: to Are we going to be speaking to Paul Kelly today? Actually?

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Speaker 2: Is that his actual recipe?

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Speaker 1: Yeah, I don't know.

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Speaker 2: We'll have to ask him, which brings us a question

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Speaker 2: number three. Let's play sing it back Anette, Can you

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Speaker 2: sing the next line of this song? Well, that's the

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Speaker 2: easiest one we've ever had. Ryan's bailed out of this

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Speaker 2: job already.

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Speaker 3: I like what Kate sobran I said about John Stevens's

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Speaker 3: best route she's never had.

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Speaker 2: Oh really, that's great. Oh that is a great thing

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Speaker 2: to say about something so good.

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Speaker 3: Which celebrity recently had their Christmas themed wax figure revealed

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Speaker 3: at Madame to Swords. You know, Amanda is still at

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Speaker 3: Madame to Swords. I am I walked past there the

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Speaker 3: other day. I didn't know this. They put a few

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Speaker 3: of the people the wax effigies outside the building to

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Speaker 3: get people.

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Speaker 2: Was that one of them? No?

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Speaker 3: No, I was hoping you would be. Burt Newton was

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Speaker 3: out the front, okay, but I was walking past. Someone

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Speaker 3: said Amanda was out there last week? And I really,

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Speaker 3: were you actually there there? Or your know my effigy?

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Speaker 3: I love that anyway. Which celebrity recently had their Christmas

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Speaker 3: theme wax figure revealed at Madame to Swords And that

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Speaker 3: was at a Mariah Carey, B.

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Speaker 1: Michael Buble or C.

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Speaker 3: Santa Claus, Santa Clause No, sorry it wasn't Santa Claus.

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Speaker 1: And then we have a christ like us.

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Speaker 2: That would it have been a Christmas theme night for

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Speaker 2: Santa Claus is in mufty the rest of the year?

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Speaker 2: Question and before which celebrity had their Christmas themed wax

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Speaker 2: figure revealed at Madame two swords? Is it Mariah Carey

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Speaker 2: or Michael bo Blam?

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Speaker 1: We are into the Magnificent seven.

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Speaker 3: Every caller at our Magnifictent seven today gets to sweep

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Speaker 3: in the Melbourne Cup.

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Speaker 1: Yeah.

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Speaker 2: And if your horse comes first, you at five hundred

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Speaker 2: dollars cash for it comes second, you're going to see

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Speaker 2: Paul Kelly here with us with our iHeart Live performance.

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Speaker 2: Third placed into the one hundred and fifty bucks at

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Speaker 2: Rock Salt Restaurant. Last place a bag of carrots. Yes,

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Speaker 2: good for your eyesight. Phillipson, Canley Heights.

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Speaker 1: Hi, Philip, Hi, good morning guy.

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Speaker 2: Let me get you a horse in us sharp and smart?

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Speaker 2: Is that one horse?

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Speaker 1: It's one horse. They had a boom early of a

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Speaker 1: three year old.

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Speaker 3: It was a bit better in the turmble, making a

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Speaker 3: long sustained runny good sneak a place.

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Speaker 2: There you go, Philip, well done. Oh so you're up

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Speaker 2: to question four. Which celebrity recently had their Christmas themed

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Speaker 2: wax figure revealed at Madame tuswords. Was it Rya Carey

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Speaker 2: or Michael Boublay? That one is my Riah Carey Carey.

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Speaker 3: Which Cap bush Hit was named after nineteenth century movie

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Speaker 3: novel I should say there was a movies in the

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Speaker 3: nineteenth century. Nineteenth century novel novel.

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Speaker 2: Oh My God, out on the line?

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Speaker 3: No, sorry, phellop, Jason has joined. It's in Oxley Park.

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Speaker 3: The good news for you, Jason, you get a horsey, you.

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Speaker 2: Get a horse. I've let me pick one out Positivity.

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Speaker 3: Positivity in good hands, but has too much grand to

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Speaker 3: make up that defeat at Mooney Valley last time.

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Speaker 2: Oh, that defeat at Mooney Valley. But Jason's talking about

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Speaker 2: it still, Jason, I want you to cheer on positive,

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Speaker 2: also paying one hundred and one dollars. Look, not every

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Speaker 2: horse can be a winner.

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Speaker 1: Its name will be glue Factory.

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Speaker 2: Oh don't We've chosen not to make those jokes. Which

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Speaker 2: Kate bush Hit was named after a nineteenth century novel.

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Speaker 2: That'll be wathering hot. That's the one question?

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Speaker 9: Six?

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Speaker 10: Is this?

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Speaker 2: Are there more or less than one thousand species of

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Speaker 2: native bees in Australia I've got native bees at home,

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Speaker 2: more or less, more or less than a thousand species.

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Speaker 3: You do have a little beehive in your background, there'll

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Speaker 3: be more.

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Speaker 1: It's more the.

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Speaker 2: Two thousand species of native bees, the honey they produce.

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Speaker 2: They don't produce as much honey as the honey producing bees.

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Speaker 2: But it's delicious. It almost tastes like liqueur, and it's

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Speaker 2: flavored by what's around it. While I was scared that

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Speaker 2: mine would taste like teenage shoes and dog poo, it

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Speaker 2: actually is quite nice.

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Speaker 1: Which us.

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Speaker 3: Netflix Star has announced their engagement from prison.

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Speaker 2: When you say star, they were a star of.

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Speaker 1: You know, Jason, Netflix Star.

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Speaker 2: I've been shut down. I can't help you.

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Speaker 1: I want to give some horses away. Maddie has joined us.

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Speaker 2: I'm Maddie. Good morning. You've got fancy man. What's fancy man?

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Speaker 1: Mine wouldn't think he has the from lines form lines.

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Speaker 3: I should say to make a case for there for here,

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Speaker 3: Oh god, it's caraway.

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Speaker 1: I couldn't read it.

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Speaker 3: I wouldn't think he has form lines to make a

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Speaker 3: case for here. Also paying one hundred dollars, is there

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Speaker 3: any good horses in this well?

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Speaker 2: You've got to answer this question. Here in Fancy Man,

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Speaker 2: which US Netflix star Altho, they were in a major

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Speaker 2: Netflix series, a sort of a reality documentary style thing.

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Speaker 2: Who's announcing your engagement from prison?

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Speaker 8: That's the Tiger Keys A Joe Exotic, Joe Exotic.

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Speaker 11: Oh my god, I'm never going to financially recover from yes, and.

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Speaker 2: That was question number seven.

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Speaker 1: Certainly. If Fancy Man wins, Maddie.

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Speaker 3: As well, Congratulations, you've won the jam Packet's all coming

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Speaker 3: away A double pass to a DO at the Nmore

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Speaker 3: Theater Thursday, fourteenth of November. Book now at the venue

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Speaker 3: orar do dot com at one hundred and fifty A

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Speaker 3: post voucher thanks to the Women's Weekly December issue with

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Speaker 3: a bonus twenty twenty five calendar when you purchase your

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Speaker 3: copy in store, plus Jonesy and Amanda Carriac to choose for.

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Speaker 1: The color and some standard pencils. Maddie, and you'd like

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Speaker 1: to add.

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Speaker 12: My son has literally just done a project on and

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Speaker 12: so this is the most perfect Thank you so much,

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Speaker 12: made his inspirational Artist of the Year, my son chose,

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Speaker 12: and so that's really cool.

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Speaker 2: I've been painted by and Do. I was on his

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Speaker 2: show and he painted my portrait. It's really an unusual

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Speaker 2: thing to have in your house because it's like if

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Speaker 2: your Mussolini, the eyes following around the ram.

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Speaker 3: I once was shared a comedy bill with him many

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Speaker 3: years ago, when I was doing stand up comedy in

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Speaker 3: that you know, remember I did stand up comedy. Then

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Speaker 3: September eleven happened and I kind of wind down of missiles.

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Speaker 2: Maybe well done.

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Speaker 3: Everyone's got a story about our good work.

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Speaker 13: Here Jonesy and Amanda post.

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Speaker 2: And I'm going to slip through the German Act a

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Speaker 2: big book of musical facts on I Stay. In nineteen

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Speaker 2: eighty seven, Klimnover released her hit loc Emotion. She says,

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Speaker 2: and it's true that it's a song that started her

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Speaker 2: singing career. She'd been famous on Neighbors, but this is

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Speaker 2: a song that kicked off her singing career. But she

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Speaker 2: thought it was uncool. She said, over time, there was

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Speaker 2: a period where I was like, I don't know how

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Speaker 2: to do it. It's so uncool. How do I do it?

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Speaker 2: But now she said, everything has come full circle and

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Speaker 2: I can, really, with all my heart and enthusiasm do

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Speaker 2: the song. She used to leave the song off her

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Speaker 2: set lists, but she said that she's added it back

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Speaker 2: in now because the crowds go wild. In fact, they

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Speaker 2: go loco. Should we put the song in motion?

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Speaker 6: Let's do it?

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Speaker 1: Jung WSFM. Hello there, it's Junesy Demanda.

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Speaker 3: They really went to town on these sound effects. There

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Speaker 3: odd your Stockache Borderman.

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Speaker 1: I'm just read Rick Astley's book, Ay any good?

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Speaker 5: You know.

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Speaker 2: He's funny and charming. It's written with someone but it's

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Speaker 2: very readable. And at the beginning he was just a

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Speaker 2: young guy who had a voice that sounded black, really,

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Speaker 2: and he grew up in terrible circumstances. His brother tried

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Speaker 2: to kill his dad his mum. The dad thought, they

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Speaker 2: don't know, whether truly or falsely, that the mum was

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Speaker 2: seeing someone else, so he kicked the mum out. So

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Speaker 2: they didn't grow up with their mum. And they lived

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Speaker 2: in a shed in a field pretty much really, and

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Speaker 2: a gardening center. And he got a job at lock

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Speaker 2: Stock and Waterman. Is that what it's too?

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Speaker 1: Smoked Stockache and Watermen.

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Speaker 2: Yeah, And he used to make the tea and things

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Speaker 2: like that. They sort of signed him to a bit

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Speaker 2: of a contract, but he'd be making the tea for

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Speaker 2: all the stars that would come in and then it

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Speaker 2: was his moment to have his one giant song.

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Speaker 3: Well, there was a big rumor going around that Kylie

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Speaker 3: and Rick Astley were the same person.

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Speaker 1: Just Kylie was slowed down, Rick Astley was sped up.

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Speaker 2: Well, he said it was a music machine, but he

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Speaker 2: said there was a genius to the way the songs

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Speaker 2: were written too. That it's easy to purpoo it, but

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Speaker 2: the songs were quite genius, and the machine was a

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Speaker 2: genius machine. Anyway. There there you go.

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Speaker 3: As like Quincy Giants will that's slightly different to well,

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Speaker 3: Quincy Giants was a genius but we'll talk about that

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Speaker 3: in a minute.

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Speaker 1: But yeah, that's the same sort of sort of thing.

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Speaker 2: They talk about some of the world's most ridiculously expensive handbags.

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Speaker 2: You may have seen these in the news recently. You know,

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Speaker 2: I love a handbag.

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Speaker 1: Well, I look at your bag.

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Speaker 2: Well this bag. I bought this. It's a designer bag,

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Speaker 2: but I don't normally go for designer things, but I

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Speaker 2: bought this at a like a second hand consignment place.

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Speaker 1: You've got some good use out of it.

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Speaker 2: I love it. And it is like Felix the Cat's

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Speaker 2: enormous bag in that as you know, I've spilt needles

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Speaker 2: in there, and they're still in there. I don't know

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Speaker 2: how to get them out without emptying the whole thing,

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Speaker 2: and that would be catastrophic. I took a boiled egg

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Speaker 2: out of there this morning, and I thought I'd better

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Speaker 2: do that because if I don't remember, it might be

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Speaker 2: there for a long time. There's old apples rolling around

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Speaker 2: in there.

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Speaker 1: A thousand year old egg comes out.

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Speaker 2: Like the Chinese would revere it as old as my

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Speaker 2: eggs are. But have you've seen this? I think the

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Speaker 2: company is called Machino Mashino, that one, and they have

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Speaker 2: put out this is how much it is in Australian dollars,

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Speaker 2: seven thousand dollars a celery shaped handbag. I have you seen it?

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Speaker 2: He's a picture.

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Speaker 1: Oh yeah.

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Speaker 2: It just looks like a bunch of celery, but it

404
00:18:10,880 --> 00:18:13,760
Speaker 2: opens up and it's a handbag. I love it. I

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Speaker 2: would never pay seven thousand dollars for it, but it's

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Speaker 2: so quirky that I love it. It's weird, isn't it.

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Speaker 2: And the leaves in the branches are reinforced with wire

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Speaker 2: to make it look so it's got leaves at the

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Speaker 2: end of it.

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Speaker 1: Also, they've put out for.

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Speaker 2: This is only I said to me, this is only

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Speaker 2: two thousand dollars a bag that is shaped like a baguette,

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Speaker 2: a long on one side, or you can get two

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Speaker 2: versions of flat one or one that has those bread

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Speaker 2: kind of shapes in it, you know what I mean.

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Speaker 2: And once again it's a clutch purse. You open it up,

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00:18:48,680 --> 00:18:53,320
Speaker 2: it's a handbag. Aldi has decided to do to take

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Speaker 2: the mickey out of this and just has models standing

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Speaker 2: in the holding a piece of celery and a baguette,

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Speaker 2: saying this is only cost you seventy five p quirky though,

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00:19:03,240 --> 00:19:06,600
Speaker 2: isn't it? And people are saying ridiculous, far too expensive?

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00:19:07,119 --> 00:19:09,439
Speaker 2: You know, how dare you put out a product like

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00:19:09,480 --> 00:19:12,320
Speaker 2: this during cost of living crisis? But if it wasn't quirky,

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00:19:13,000 --> 00:19:15,360
Speaker 2: no one would know that people spend seven thousand dollars

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Speaker 2: on a handbag.

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00:19:16,119 --> 00:19:17,040
Speaker 1: Yeah, that's true.

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00:19:17,280 --> 00:19:19,520
Speaker 3: You showed up at a vent recently with a goon

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Speaker 3: bag as.

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Speaker 2: A that great, isn't it great? It's a silver goon

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Speaker 2: bag with a working nozzle. I would never it's aligned,

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00:19:28,160 --> 00:19:29,720
Speaker 2: so I wouldn't put alcohol in it. But there's a

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Speaker 2: backpack that apparently you can put alcohol in. But it

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Speaker 2: looks like the inside of a goon of a cask. Brilliant.

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Speaker 2: I do love a quirky bag.

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Speaker 1: No really, it's something about two degrees away from being

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Speaker 1: a bag lady.

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00:19:42,520 --> 00:19:44,440
Speaker 2: No, I know, and I'm happy for it. If that's

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Speaker 2: how I go. If that's how I go, If I

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00:19:49,000 --> 00:19:50,760
Speaker 2: living on the streets and all I've got is what's

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00:19:50,800 --> 00:19:53,720
Speaker 2: in my bag that will sustain me sometime.

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Speaker 1: On the streets, throw a couple of bucks.

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Speaker 2: They're probably in the bottom of my bag.

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Speaker 1: And that pack craven A's.

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00:20:01,119 --> 00:20:05,840
Speaker 3: That's not a bag, that's actual Cravenates.

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Speaker 10: Jem Jam.

446
00:20:07,920 --> 00:20:10,639
Speaker 3: Music industry titan Quincy Jones has passed away. He was

447
00:20:10,800 --> 00:20:11,360
Speaker 3: ninety one.

448
00:20:11,440 --> 00:20:13,160
Speaker 2: Ninety one. I didn't wise he was that old.

449
00:20:13,440 --> 00:20:16,119
Speaker 3: It was said by one of his peers, Herbie Hancock.

450
00:20:16,840 --> 00:20:19,600
Speaker 3: Herbie said, you name it, Quincy's done it. We of

451
00:20:19,640 --> 00:20:23,960
Speaker 3: course know him from We Are the World USA for Africa.

452
00:20:24,119 --> 00:20:28,399
Speaker 3: This was America's response to England's band aid do they

453
00:20:28,440 --> 00:20:30,720
Speaker 3: know It's Christmas? And they wanted to not get on

454
00:20:30,760 --> 00:20:35,800
Speaker 3: the bandwagon, But Quincy Jones, Lionel Richie and Michael Jackson

455
00:20:35,800 --> 00:20:38,359
Speaker 3: got together and said, why don't we get everyone together

456
00:20:38,440 --> 00:20:41,160
Speaker 3: to make this to make this song and do our bit.

457
00:20:41,840 --> 00:20:47,320
Speaker 3: Quincy Jones started and every artist in the known universe

458
00:20:47,520 --> 00:20:48,960
Speaker 3: had something to do with Quincy or.

459
00:20:49,240 --> 00:20:51,560
Speaker 2: He was working with Frank Sinatra.

460
00:20:51,240 --> 00:20:54,960
Speaker 1: Leslie Gore, you do Frank Sinatra?

461
00:20:55,240 --> 00:21:08,960
Speaker 3: Ell, Michael Jackson of Yeah, what about George Benson.

462
00:21:13,520 --> 00:21:18,720
Speaker 1: Summer movie soundtracks?

463
00:21:20,600 --> 00:21:21,280
Speaker 2: Who's this one?

464
00:21:21,359 --> 00:21:22,240
Speaker 1: Austin Powers.

465
00:21:24,119 --> 00:21:25,760
Speaker 2: I always see the backrack when I think.

466
00:21:25,640 --> 00:21:30,400
Speaker 1: Of Jusus Quincy. Bert was in it, but Quincy had

467
00:21:30,400 --> 00:21:31,600
Speaker 1: his fingerprints on it.

468
00:21:31,680 --> 00:21:33,520
Speaker 2: Yeah, on everything, by the sound of it.

469
00:21:33,680 --> 00:21:36,480
Speaker 3: Yesterday I was watching the Netflix doco The Greatest Night

470
00:21:36,480 --> 00:21:36,879
Speaker 3: in Pop?

471
00:21:37,280 --> 00:21:38,080
Speaker 1: Have you seen that?

472
00:21:38,160 --> 00:21:40,960
Speaker 2: This is extraordinary documentary about the night that they did

473
00:21:41,000 --> 00:21:43,480
Speaker 2: record We Are the World. It was that American Music

474
00:21:43,480 --> 00:21:46,000
Speaker 2: Awards were on that night. Lionel said at the end

475
00:21:46,040 --> 00:21:48,320
Speaker 2: of it, we're all in one room together, come to

476
00:21:48,359 --> 00:21:52,399
Speaker 2: this recording studio, the biggest names in America music. Let's

477
00:21:52,640 --> 00:21:55,120
Speaker 2: do this in one night, record the song.

478
00:21:55,200 --> 00:21:57,840
Speaker 3: And you've got all these dudes in this in this room,

479
00:21:57,880 --> 00:22:00,280
Speaker 3: and they're all a bit jazz because they've been at

480
00:22:00,280 --> 00:22:01,600
Speaker 3: the awards night, as you say.

481
00:22:01,480 --> 00:22:03,119
Speaker 2: And they were looking at each other and there's a

482
00:22:03,160 --> 00:22:05,479
Speaker 2: lot of EGO member Huey Lewis says he was so

483
00:22:05,520 --> 00:22:07,040
Speaker 2: intimidated by the people in that.

484
00:22:07,080 --> 00:22:09,479
Speaker 3: Roomy Akroyd is standing there saying, what the hell am

485
00:22:09,480 --> 00:22:12,560
Speaker 3: I doing? Yeah, well, I'm even here. And although Cindy

486
00:22:12,640 --> 00:22:16,080
Speaker 3: Lauper's boyfriend didn't want her to go, said this is

487
00:22:16,080 --> 00:22:17,720
Speaker 3: a waste of time. It's going to be a disgrace.

488
00:22:18,000 --> 00:22:20,480
Speaker 3: Whalon Jennings walked out halfway through that well.

489
00:22:20,359 --> 00:22:21,040
Speaker 2: A bit all night.

490
00:22:21,160 --> 00:22:24,520
Speaker 1: Yeah, when All Night Whalen got tired, I'm going to

491
00:22:24,600 --> 00:22:28,560
Speaker 1: bit Bob Geldof, not Bob Geldof. Bob did he was overwhelmed.

492
00:22:29,160 --> 00:22:32,040
Speaker 3: And then it was Stevie Wonder that came up and said, no,

493
00:22:32,119 --> 00:22:35,760
Speaker 3: you got to just sing, And Bob's tried sometime.

494
00:22:35,840 --> 00:22:38,399
Speaker 1: Bob crack at seeing and.

495
00:22:38,280 --> 00:22:40,560
Speaker 3: He that has become one of the most iconic parts

496
00:22:40,600 --> 00:22:41,080
Speaker 3: of that song.

497
00:22:41,320 --> 00:22:42,360
Speaker 1: But there is a bit in it.

498
00:22:42,480 --> 00:22:46,320
Speaker 3: And this just was dovetails nicely into Bob Geldoff joining

499
00:22:46,359 --> 00:22:50,600
Speaker 3: us on the show today. When Quincy Jones introduces Bob Geldoff,

500
00:22:50,960 --> 00:22:54,359
Speaker 3: imagine if you had to sell what you are doing

501
00:22:54,400 --> 00:22:57,280
Speaker 3: as far as like this concept where you're going to

502
00:22:57,359 --> 00:22:58,199
Speaker 3: make a hit record.

503
00:22:58,480 --> 00:23:00,480
Speaker 1: For this to work, it had to be a hit record.

504
00:23:00,800 --> 00:23:02,720
Speaker 1: So all these people are quite and he had.

505
00:23:02,600 --> 00:23:04,720
Speaker 2: To suck the egos out of the room.

506
00:23:04,880 --> 00:23:06,640
Speaker 1: Yep. And this is what happened.

507
00:23:06,680 --> 00:23:09,960
Speaker 3: This is how well Bob Geldoff sold that story to

508
00:23:10,040 --> 00:23:11,600
Speaker 3: all these artists within two minutes.

509
00:23:13,320 --> 00:23:15,760
Speaker 14: First, I would like you to meet Bob Gelgark, who

510
00:23:16,359 --> 00:23:18,560
Speaker 14: is really the inspiration for this whole.

511
00:23:18,400 --> 00:23:19,320
Speaker 15: Thing, this thinking job.

512
00:23:22,280 --> 00:23:23,639
Speaker 1: He just came back to meet the opium.

513
00:23:23,680 --> 00:23:24,560
Speaker 2: He'd like to talk to you.

514
00:23:24,720 --> 00:23:32,720
Speaker 7: Oh well, maybe to put you in the mood of

515
00:23:32,840 --> 00:23:36,480
Speaker 7: the song you're about to sing, which hopefully will save

516
00:23:37,440 --> 00:23:38,440
Speaker 7: millions of lives.

517
00:23:38,560 --> 00:23:40,520
Speaker 15: I think it's best to remember that the price for

518
00:23:40,640 --> 00:23:43,879
Speaker 15: life this year is a piece of plastic seven inches

519
00:23:43,880 --> 00:23:46,719
Speaker 15: wide with a hole in the middle, and that I

520
00:23:46,760 --> 00:23:49,920
Speaker 15: think is an indictment of us. And I think what's

521
00:23:49,920 --> 00:23:52,720
Speaker 15: happening in Africa is a crime.

522
00:23:52,480 --> 00:23:54,600
Speaker 1: Of historical proportions.

523
00:23:54,800 --> 00:23:58,400
Speaker 15: And the crime is that the Western world has got

524
00:23:58,480 --> 00:24:03,719
Speaker 15: billions of tons of grain bursting in a silos and

525
00:24:03,760 --> 00:24:06,040
Speaker 15: we're not releasing it to people who are dying of hunger.

526
00:24:07,640 --> 00:24:10,960
Speaker 15: And I don't know if we in particular can conceive

527
00:24:11,040 --> 00:24:15,400
Speaker 15: of nothing, but nothing is not having a cardboard buff

528
00:24:15,680 --> 00:24:17,840
Speaker 15: to sleep undred minus ten degrees.

529
00:24:18,800 --> 00:24:19,720
Speaker 2: Nothing is.

530
00:24:23,160 --> 00:24:34,880
Speaker 5: Podcast now what's free? More instance, and Amanda's.

531
00:24:33,280 --> 00:24:36,240
Speaker 3: Horses are on the track. You have ten questions, sixty

532
00:24:36,280 --> 00:24:37,840
Speaker 3: seconds on the clock. You can pass if you don't

533
00:24:37,840 --> 00:24:39,399
Speaker 3: know an answer. We'll come back to that question at

534
00:24:39,400 --> 00:24:41,920
Speaker 3: the time. Permits you get all the questions right, one

535
00:24:41,960 --> 00:24:42,520
Speaker 3: thousand dollars.

536
00:24:42,600 --> 00:24:45,200
Speaker 2: You can make it two thousand dollars. One bonus question,

537
00:24:45,280 --> 00:24:46,320
Speaker 2: but it's double or nothing.

538
00:24:46,520 --> 00:24:47,920
Speaker 1: Meg is in Campbelltown.

539
00:24:48,040 --> 00:24:49,840
Speaker 16: Hey, Meg, good morning.

540
00:24:50,080 --> 00:24:52,000
Speaker 2: Hey, let me give you a horse in our sweep here.

541
00:24:52,320 --> 00:24:54,560
Speaker 2: Every caller who makes it to wear today goes into

542
00:24:54,560 --> 00:24:57,520
Speaker 2: our sweep. First prize is five hundred dollars. Meg has

543
00:24:57,640 --> 00:25:00,760
Speaker 2: warp speed. The rumor it's warp speed.

544
00:25:00,880 --> 00:25:03,400
Speaker 3: Like wow, it's from Japan, so it must be good.

545
00:25:03,920 --> 00:25:06,440
Speaker 3: What's the saying here? Did nothing in the Corefield Cup

546
00:25:06,520 --> 00:25:09,280
Speaker 3: lead up? Maybe there is an improvement on a dryer

547
00:25:09,359 --> 00:25:12,240
Speaker 3: track today? You can Meg, it's a it's a paying

548
00:25:12,280 --> 00:25:13,639
Speaker 3: twenty six bucks warp speed?

549
00:25:13,680 --> 00:25:14,520
Speaker 4: Is you really good?

550
00:25:14,720 --> 00:25:15,040
Speaker 11: All right?

551
00:25:15,040 --> 00:25:17,240
Speaker 2: Well let's see if we can make you a winner. Twofold.

552
00:25:17,320 --> 00:25:20,240
Speaker 2: You have ten questions. You've got sixty seconds. As JONESI

553
00:25:20,280 --> 00:25:22,200
Speaker 2: says at the beginning, if you're not sure, say passed.

554
00:25:22,240 --> 00:25:24,800
Speaker 2: We often have time to come back. Okay, all right,

555
00:25:24,920 --> 00:25:27,080
Speaker 2: all right, Meg, good luck, because here we go. Let's

556
00:25:27,080 --> 00:25:30,040
Speaker 2: do this at warp speed. Question one? Which number comes

557
00:25:30,080 --> 00:25:35,160
Speaker 2: before ten nine? Question two? Valentine's days on which date?

558
00:25:35,880 --> 00:25:37,040
Speaker 16: The fourteenth of February.

559
00:25:37,160 --> 00:25:42,560
Speaker 2: Question three? What is Thailand's capital city?

560
00:25:41,880 --> 00:25:42,040
Speaker 10: Oh?

561
00:25:42,760 --> 00:25:47,760
Speaker 3: Oh not in Bangkok?

562
00:25:47,920 --> 00:25:50,960
Speaker 8: May damn.

563
00:25:49,440 --> 00:25:53,200
Speaker 2: It might just say you had a bit of a brain.

564
00:25:53,720 --> 00:25:54,439
Speaker 2: It can be.

565
00:25:54,520 --> 00:25:56,240
Speaker 8: A complete brain flop.

566
00:25:56,880 --> 00:25:59,760
Speaker 2: I do that well with warp speed speed.

567
00:26:00,119 --> 00:26:03,040
Speaker 3: YEP will pay dividends for you.

568
00:26:03,080 --> 00:26:03,480
Speaker 2: Thank you.

569
00:26:03,520 --> 00:26:05,400
Speaker 1: Maybe that's just that's what happens.

570
00:26:06,560 --> 00:26:08,439
Speaker 2: I mean it happens to us. We get on the

571
00:26:08,440 --> 00:26:10,040
Speaker 2: wireless and have brain pards too.

572
00:26:11,640 --> 00:26:14,000
Speaker 3: I suddenly break into race caller when you've got the

573
00:26:14,040 --> 00:26:15,199
Speaker 3: Melbourne Cup thing happening.

574
00:26:15,600 --> 00:26:16,960
Speaker 2: It suits you, does it?

575
00:26:17,000 --> 00:26:18,880
Speaker 1: Maybe that's what I could be when this or fails.

576
00:26:19,240 --> 00:26:21,320
Speaker 3: Maybe I should be like Jim y Rae go to

577
00:26:21,400 --> 00:26:22,639
Speaker 3: some greedier pastures.

578
00:26:22,840 --> 00:26:24,960
Speaker 4: Maybe that's what I could do a race caller.

579
00:26:25,000 --> 00:26:26,960
Speaker 2: There's a lot of tricky names you have to say

580
00:26:26,960 --> 00:26:27,800
Speaker 2: in quick succession.

581
00:26:28,040 --> 00:26:28,919
Speaker 1: It's very hard to do.

582
00:26:29,000 --> 00:26:31,960
Speaker 3: How many years ago a footy club enlisted me to

583
00:26:32,000 --> 00:26:33,600
Speaker 3: do a phantom race call, you know when they do

584
00:26:33,680 --> 00:26:34,760
Speaker 3: those phantom race calls.

585
00:26:34,800 --> 00:26:38,359
Speaker 2: So it's a phantom win every year, but.

586
00:26:38,400 --> 00:26:39,159
Speaker 1: Very hard to do.

587
00:26:39,320 --> 00:26:42,359
Speaker 3: So you get people like everyone in the office, so

588
00:26:42,560 --> 00:26:45,800
Speaker 3: Amanda's out the front, Ryan's coming down their back, you know,

589
00:26:45,880 --> 00:26:48,800
Speaker 3: and then it sounds terrible but.

590
00:26:49,760 --> 00:26:52,480
Speaker 2: You just giggle all the way through phrases.

591
00:26:52,520 --> 00:26:54,800
Speaker 1: But I almost did a fu valve doing it. I

592
00:26:54,840 --> 00:26:56,879
Speaker 1: don't know how they do it well.

593
00:26:56,920 --> 00:26:59,160
Speaker 2: The Melbourne Cup. We're going to put to the pub

594
00:26:59,200 --> 00:27:01,280
Speaker 2: test later about how you feel about the Melbourne Cup.

595
00:27:01,320 --> 00:27:04,760
Speaker 2: But there, let's talk about the Melbourne Cup. Maddi's or

596
00:27:04,760 --> 00:27:06,240
Speaker 2: what did you want to call it? Nut for the cup?

597
00:27:06,320 --> 00:27:06,960
Speaker 1: Not for the cup?

598
00:27:07,040 --> 00:27:07,119
Speaker 17: Ye?

599
00:27:07,280 --> 00:27:10,320
Speaker 2: Not for the cup. Is there any person you know,

600
00:27:10,440 --> 00:27:13,280
Speaker 2: someone in your life, maybe it's you who's so crazy

601
00:27:13,320 --> 00:27:15,280
Speaker 2: for the cup? Did someone forget to pick you up

602
00:27:15,280 --> 00:27:17,040
Speaker 2: from school? Your mom forgot to pick you up because

603
00:27:17,040 --> 00:27:19,280
Speaker 2: she was watching the cup? Did a teacher make everyone's

604
00:27:19,280 --> 00:27:21,280
Speaker 2: stay back so they could smoke and watch them watch

605
00:27:21,359 --> 00:27:24,760
Speaker 2: them thing on the old DV. Someone who's nuts for

606
00:27:24,880 --> 00:27:28,119
Speaker 2: the cut?

607
00:27:28,520 --> 00:27:29,760
Speaker 1: Tribal drummers? Beauty for that?

608
00:27:29,840 --> 00:27:33,760
Speaker 3: That's from ir Am.

609
00:27:35,200 --> 00:27:38,280
Speaker 2: We've already got a Hello, Tony.

610
00:27:39,400 --> 00:27:40,440
Speaker 1: Let's give you a horse.

611
00:27:40,240 --> 00:27:43,080
Speaker 2: In the suite before we go any further. If you win,

612
00:27:43,160 --> 00:27:44,920
Speaker 2: if your horse wins, to be getting five hundred bucks.

613
00:27:44,960 --> 00:27:47,560
Speaker 2: Let's have a look. Saint George is for Tony. What's

614
00:27:47,560 --> 00:27:48,359
Speaker 2: St George like?

615
00:27:51,400 --> 00:27:53,199
Speaker 1: Easy? Easy? Saint George.

616
00:27:53,800 --> 00:27:55,560
Speaker 2: The day of sound effects for Ryan.

617
00:27:55,880 --> 00:27:59,600
Speaker 3: Overseas form was fantastic before getting here. He's first running

618
00:27:59,600 --> 00:28:03,080
Speaker 3: Australia in August was very encouraging. But he has just

619
00:28:03,160 --> 00:28:06,440
Speaker 3: been fair so he's hard to approach. So just don't

620
00:28:06,480 --> 00:28:07,000
Speaker 3: go up to him.

621
00:28:07,040 --> 00:28:09,560
Speaker 2: Don't go up to don't know, don't offer him a snake.

622
00:28:09,600 --> 00:28:11,639
Speaker 2: It's a bit moody, So tell us how your nuts

623
00:28:11,640 --> 00:28:12,120
Speaker 2: for the cup?

624
00:28:13,440 --> 00:28:13,640
Speaker 11: Look?

625
00:28:13,680 --> 00:28:16,800
Speaker 8: I know nothing about horses, but Melbourne Cup day on

626
00:28:16,960 --> 00:28:20,040
Speaker 8: the person enters every sweep and still can't.

627
00:28:19,840 --> 00:28:20,680
Speaker 2: Walk away with anything.

628
00:28:21,520 --> 00:28:23,520
Speaker 18: Really, I've got it.

629
00:28:23,600 --> 00:28:24,560
Speaker 11: I reckon, I've got.

630
00:28:24,400 --> 00:28:25,240
Speaker 19: To pin this year.

631
00:28:27,119 --> 00:28:31,240
Speaker 8: And George, well there you go, and you're just giving

632
00:28:31,280 --> 00:28:31,919
Speaker 8: me the horse.

633
00:28:32,040 --> 00:28:34,240
Speaker 2: Yes? Were you going to bet on St George anyway?

634
00:28:35,280 --> 00:28:35,760
Speaker 20: I was?

635
00:28:36,160 --> 00:28:36,800
Speaker 8: But not now?

636
00:28:37,680 --> 00:28:39,520
Speaker 1: Well you should bet on it anyway. Put the whole

637
00:28:39,600 --> 00:28:45,320
Speaker 1: house on the time, although ada encouraged.

638
00:28:46,800 --> 00:28:49,720
Speaker 2: All right, do you know someone who's nuts for the cup?

639
00:28:49,880 --> 00:28:51,160
Speaker 1: Is it you nut for the cup?

640
00:28:51,280 --> 00:28:54,320
Speaker 2: As someone lets you down because of the cup. Someone's

641
00:28:54,320 --> 00:28:56,720
Speaker 2: walked around and wearing a barrel because of the cup.

642
00:28:58,960 --> 00:28:59,720
Speaker 1: That's what I used to do.

643
00:28:59,720 --> 00:29:01,840
Speaker 2: In the days, we're a barrel, you wear a barrel.

644
00:29:01,880 --> 00:29:04,640
Speaker 3: These days barrels are quite expensive but very flattery. And

645
00:29:04,680 --> 00:29:07,920
Speaker 3: where do you find a coupup the tribal dramas beating

646
00:29:07,960 --> 00:29:09,760
Speaker 3: for nut for the cup.

647
00:29:11,680 --> 00:29:15,720
Speaker 1: On the track and everyone that gets through gets into our.

648
00:29:15,600 --> 00:29:18,400
Speaker 2: Sweep as well, gets into our sweep. The first place

649
00:29:18,480 --> 00:29:21,440
Speaker 2: gets five hundred dollars. You get a bag of carrots.

650
00:29:22,840 --> 00:29:24,560
Speaker 16: James and Amanda, Oh, Amy, I'm going to.

651
00:29:24,600 --> 00:29:26,120
Speaker 2: Pick a horse for you. Let's have a look.

652
00:29:27,640 --> 00:29:31,000
Speaker 8: Smooth operator, smooth operator.

653
00:29:31,400 --> 00:29:33,480
Speaker 1: It's actually one smooth operator.

654
00:29:33,040 --> 00:29:34,520
Speaker 2: There, one smooth operator.

655
00:29:35,040 --> 00:29:37,960
Speaker 3: He outclassed them in the g Long Cup. If you

656
00:29:38,160 --> 00:29:40,480
Speaker 3: like that form, at least you know he's just settled in.

657
00:29:40,560 --> 00:29:43,600
Speaker 3: Well there, he's got some hope. So that sounds pretty good.

658
00:29:43,640 --> 00:29:46,400
Speaker 2: Amy, thank you tell us his nuts for the cup.

659
00:29:47,480 --> 00:29:49,840
Speaker 16: My father in law is not for the cup.

660
00:29:51,400 --> 00:29:52,520
Speaker 8: He's Maltese.

661
00:29:52,680 --> 00:29:56,120
Speaker 16: He's got quite a thick accent. And every year, you know,

662
00:29:56,160 --> 00:29:59,720
Speaker 16: he places his little bet on the Melbourne Cup. And

663
00:30:00,560 --> 00:30:01,840
Speaker 16: he said, oh you know what, I'm going to go

664
00:30:01,840 --> 00:30:04,840
Speaker 16: to a person actually and put my ticket in that way,

665
00:30:05,440 --> 00:30:09,680
Speaker 16: and he with his multi'ese accent, he placed his bed,

666
00:30:09,680 --> 00:30:12,760
Speaker 16: he put his trifecter on. They didn't understand him and

667
00:30:12,800 --> 00:30:15,080
Speaker 16: put the wrong horses on and he ended up winning

668
00:30:15,080 --> 00:30:17,720
Speaker 16: about five thousand dollars because of his accent.

669
00:30:19,160 --> 00:30:20,160
Speaker 2: Accent brilliant.

670
00:30:20,240 --> 00:30:23,600
Speaker 1: I'm not yelling. I'm Maltese and that's so good.

671
00:30:23,640 --> 00:30:24,360
Speaker 2: Thank you Amy.

672
00:30:24,560 --> 00:30:25,600
Speaker 1: Greg has joined us.

673
00:30:25,720 --> 00:30:29,280
Speaker 2: Greg, let me get you a horse. You have trusting you?

674
00:30:29,320 --> 00:30:31,000
Speaker 2: What do we know about trusting? You bring it from

675
00:30:31,040 --> 00:30:31,680
Speaker 2: the paper.

676
00:30:31,400 --> 00:30:36,240
Speaker 3: That you read, so there's no paper in front of me. Greg,

677
00:30:36,560 --> 00:30:42,080
Speaker 3: trust in you one hundred dollars. If you like the

678
00:30:42,120 --> 00:30:44,800
Speaker 3: format of the Metropolitan, which I do this year, it

679
00:30:44,920 --> 00:30:47,640
Speaker 3: is not the worst one hundred and one shot you'll see.

680
00:30:47,680 --> 00:30:49,840
Speaker 3: I think he might be worth a dollar or two.

681
00:30:50,200 --> 00:30:51,400
Speaker 3: Imagine if that wins.

682
00:30:51,600 --> 00:30:54,760
Speaker 2: Greg, good luck. Tell us about the person who's nut

683
00:30:54,800 --> 00:30:55,640
Speaker 2: for the cup at you?

684
00:30:57,240 --> 00:30:59,960
Speaker 11: Personally? It'spent a public holiday for me the last twenty

685
00:31:00,080 --> 00:31:01,520
Speaker 11: seven years. Not I live in Sydney.

686
00:31:02,640 --> 00:31:05,680
Speaker 10: You take the day off, yes, every year?

687
00:31:06,080 --> 00:31:06,600
Speaker 11: Cheat before.

688
00:31:08,720 --> 00:31:09,840
Speaker 2: What do you do on the day.

689
00:31:10,800 --> 00:31:13,080
Speaker 11: I just have a few drinks and just move around

690
00:31:13,120 --> 00:31:15,720
Speaker 11: town where people coming up to me yesterday. Can you

691
00:31:15,760 --> 00:31:17,800
Speaker 11: put some bets on for us for the camp? And

692
00:31:17,840 --> 00:31:20,080
Speaker 11: this is the day before. It's bigger than the everestore

693
00:31:20,120 --> 00:31:22,280
Speaker 11: Weatherby for Molind and.

694
00:31:25,080 --> 00:31:25,720
Speaker 2: The day off.

695
00:31:26,840 --> 00:31:29,239
Speaker 11: No, no, because I've book it in every year and

696
00:31:29,280 --> 00:31:32,360
Speaker 11: you'll worry if I take it, so I'm covered. And uh,

697
00:31:32,640 --> 00:31:34,440
Speaker 11: it's just a religion thing familiar every year.

698
00:31:34,560 --> 00:31:36,880
Speaker 3: Yeah, well, Greg, look at you. In Melbourne they have

699
00:31:36,920 --> 00:31:41,240
Speaker 3: a public holiday. Greg takes a day off. It's all tickety.

700
00:31:40,880 --> 00:31:43,680
Speaker 2: Boo and he moves around town.

701
00:31:44,160 --> 00:31:46,000
Speaker 3: I like the idea of if you move around town,

702
00:31:46,040 --> 00:31:47,920
Speaker 3: have you got to Can you give us an idea

703
00:31:47,960 --> 00:31:49,240
Speaker 3: of where you'll be today, Greg?

704
00:31:50,920 --> 00:31:52,080
Speaker 11: My local workers club?

705
00:31:52,160 --> 00:31:53,520
Speaker 1: Yes, blacktown Workers?

706
00:31:53,720 --> 00:31:55,280
Speaker 2: Is that where you watch the That's true?

707
00:31:55,560 --> 00:31:56,840
Speaker 1: Right now, I'll watch it.

708
00:31:56,880 --> 00:31:57,680
Speaker 11: I'll watch it at home.

709
00:31:57,960 --> 00:31:59,160
Speaker 10: It's two packed as you get out.

710
00:31:59,280 --> 00:32:01,280
Speaker 11: You don't want crown that much. I'll have a few

711
00:32:01,320 --> 00:32:04,200
Speaker 11: drinks and something at and that's th o'clock.

712
00:32:04,240 --> 00:32:04,440
Speaker 15: Fag.

713
00:32:04,560 --> 00:32:07,320
Speaker 2: I'll be laughing Greg when you say moving around town,

714
00:32:08,000 --> 00:32:10,240
Speaker 2: you're you go down the road and then you come

715
00:32:10,240 --> 00:32:14,440
Speaker 2: home again. But I like it, and you talk like Jonesy.

716
00:32:15,240 --> 00:32:15,720
Speaker 2: I love it.

717
00:32:15,800 --> 00:32:18,000
Speaker 1: Have a great day with Greg, have a great day

718
00:32:18,160 --> 00:32:18,920
Speaker 1: man among men.

719
00:32:19,440 --> 00:32:22,240
Speaker 13: Jonesy and Amanda podcast.

720
00:32:24,880 --> 00:32:25,920
Speaker 1: Let's give the solver round.

721
00:32:26,000 --> 00:32:28,520
Speaker 3: Well, we pay attention because I do not want to

722
00:32:28,520 --> 00:32:29,400
Speaker 3: have to fail you.

723
00:32:29,560 --> 00:32:32,320
Speaker 1: It's the first Tuesday of November, Melbourne Cup Day.

724
00:32:32,280 --> 00:32:35,040
Speaker 2: Melbourne Cup Day and in the pub test shortly we'll

725
00:32:35,080 --> 00:32:37,200
Speaker 2: be touching on how you feel about the cup. But

726
00:32:37,280 --> 00:32:40,240
Speaker 2: for lots of people they are still nuts for the

727
00:32:40,280 --> 00:32:43,080
Speaker 2: cup or they know do you know someone who's nuts

728
00:32:43,080 --> 00:32:43,640
Speaker 2: for the cup?

729
00:32:43,960 --> 00:32:47,680
Speaker 1: Not for the horses? Trabal Drama's ready for this? Jackie

730
00:32:47,760 --> 00:32:48,160
Speaker 1: is with us?

731
00:32:48,240 --> 00:32:49,920
Speaker 2: Hi, Jackie, let's give you a horse before we go

732
00:32:49,960 --> 00:32:57,560
Speaker 2: any further. You pay buckeroo? Is that supposed to? It's

733
00:32:57,560 --> 00:32:59,240
Speaker 2: not the favorite Jackie?

734
00:33:00,400 --> 00:33:01,240
Speaker 19: Really is it?

735
00:33:02,640 --> 00:33:04,760
Speaker 1: Are you listening to the expert? You listening to Jackie?

736
00:33:04,760 --> 00:33:06,480
Speaker 2: Can you tell me what's in the paper as.

737
00:33:06,400 --> 00:33:08,880
Speaker 1: The best local form by far? And he's a different

738
00:33:08,920 --> 00:33:09,840
Speaker 1: horse this prep.

739
00:33:10,880 --> 00:33:13,280
Speaker 3: He's never been regarded as a stayer until the core

740
00:33:13,360 --> 00:33:15,560
Speaker 3: Field Cup and that's when he showed them all.

741
00:33:16,040 --> 00:33:17,840
Speaker 2: Well, I think you might be in with a chance.

742
00:33:19,560 --> 00:33:20,240
Speaker 10: Fingers crossed.

743
00:33:20,240 --> 00:33:23,800
Speaker 2: You're beginning five hundred bucks as well, Great Britain. We'll

744
00:33:23,840 --> 00:33:25,560
Speaker 2: tell us. Are you a nut for the cup? Jackie?

745
00:33:25,600 --> 00:33:25,960
Speaker 1: Who is?

746
00:33:26,960 --> 00:33:29,840
Speaker 2: I had a service technician that was I had a

747
00:33:29,840 --> 00:33:32,400
Speaker 2: field of texts that go out to service jobs, and

748
00:33:32,440 --> 00:33:35,880
Speaker 2: one begged and pleaded to head out to place his

749
00:33:35,960 --> 00:33:38,640
Speaker 2: bets for Melbourne Cup, even though there was an urgent job.

750
00:33:39,040 --> 00:33:41,040
Speaker 16: And lo and behold, I shuffled a few things.

751
00:33:41,120 --> 00:33:42,800
Speaker 21: He went out and put his bet and he won

752
00:33:42,840 --> 00:33:44,680
Speaker 21: twenty seven thousand and bought himself a boat.

753
00:33:47,040 --> 00:33:49,440
Speaker 2: Did he buy you anything for making his day better

754
00:33:49,520 --> 00:33:50,840
Speaker 2: and easier? So he got the bed.

755
00:33:51,720 --> 00:33:55,520
Speaker 8: He gave me a bottle of wine and some some chocolates.

756
00:33:55,600 --> 00:33:55,880
Speaker 1: Nice.

757
00:33:55,960 --> 00:33:56,640
Speaker 2: That is nice.

758
00:33:56,720 --> 00:33:58,840
Speaker 1: That is good. That's a good story from Gambs.

759
00:33:59,240 --> 00:34:03,160
Speaker 3: Always hit a bad stories, you know, destitute, losing everything family.

760
00:34:03,560 --> 00:34:04,560
Speaker 1: But no, we got a boat.

761
00:34:04,680 --> 00:34:05,840
Speaker 2: There you go, Thank you, Jackie.

762
00:34:06,000 --> 00:34:06,719
Speaker 1: Mary's with us.

763
00:34:06,720 --> 00:34:09,040
Speaker 2: Hey, Mary, let us give you a horse. You've got

764
00:34:09,719 --> 00:34:12,560
Speaker 2: tak a sushi.

765
00:34:13,880 --> 00:34:16,440
Speaker 3: Has it formed at the right time and will be popular,

766
00:34:18,320 --> 00:34:20,560
Speaker 3: going much better since being ridden forward?

767
00:34:21,200 --> 00:34:28,239
Speaker 2: Then that does help madeup going the wrong way? Mary,

768
00:34:28,320 --> 00:34:29,360
Speaker 2: who's the nut?

769
00:34:30,239 --> 00:34:33,480
Speaker 8: That would be me. I'm not a big gambler, but

770
00:34:33,560 --> 00:34:36,439
Speaker 8: come Melbourne Cup day, I will put at least ten

771
00:34:36,520 --> 00:34:41,719
Speaker 8: bets on the race horses on the one race. Absolutely,

772
00:34:41,760 --> 00:34:44,480
Speaker 8: I'll put like, you know, two dollars each way, or

773
00:34:44,760 --> 00:34:46,960
Speaker 8: I've blashed out this year and put ten dollars each

774
00:34:47,000 --> 00:34:50,920
Speaker 8: way on Saint George. Because my neck, my biggest thing

775
00:34:51,000 --> 00:34:53,560
Speaker 8: is I love gray horses, so I back the two grays.

776
00:34:54,840 --> 00:34:57,239
Speaker 8: I back pink and purple jockeys. But there's none in

777
00:34:57,280 --> 00:35:00,239
Speaker 8: the Melbourne Cup that I could see. And we put

778
00:35:00,280 --> 00:35:04,000
Speaker 8: all bikies down on the sweet page in the paper

779
00:35:04,120 --> 00:35:08,480
Speaker 8: and let the dog pick one as well, and she

780
00:35:08,560 --> 00:35:10,560
Speaker 8: eats first. That's her horse.

781
00:35:10,760 --> 00:35:13,640
Speaker 2: And have you been successful in the past with these techniques?

782
00:35:15,040 --> 00:35:18,000
Speaker 8: Well, occasionally, but nothing, nothing major.

783
00:35:18,200 --> 00:35:20,359
Speaker 2: You know, only one favorite has one in the last

784
00:35:20,360 --> 00:35:22,000
Speaker 2: eighteen years, so you may sort of spit on the

785
00:35:22,040 --> 00:35:25,760
Speaker 2: stuff that you're interested in. Yeah, a horse that runs

786
00:35:26,000 --> 00:35:27,480
Speaker 2: forwards is a good status.

787
00:35:27,480 --> 00:35:29,640
Speaker 3: We've heard that is a handy tip. I like how

788
00:35:29,760 --> 00:35:32,160
Speaker 3: when you were talking said that you were talking in code.

789
00:35:32,200 --> 00:35:33,880
Speaker 2: Put the bookies down.

790
00:35:35,120 --> 00:35:35,759
Speaker 1: I can realize that.

791
00:35:35,920 --> 00:35:43,239
Speaker 2: Actually there's dog biscuits, Melissa. Hey, we've given you here.

792
00:35:43,360 --> 00:35:47,160
Speaker 2: Let me pick one. You've got mostly cloudy.

793
00:35:47,320 --> 00:35:49,279
Speaker 21: Well, that seems to be the weather in Sydney at

794
00:35:49,320 --> 00:35:49,760
Speaker 21: the moment.

795
00:35:50,360 --> 00:35:54,000
Speaker 3: A real grinder who can stay plug home with the pack?

796
00:35:55,000 --> 00:35:56,160
Speaker 1: Hey? Am I talking about that?

797
00:35:56,320 --> 00:35:58,040
Speaker 2: Or what are the biggies doing?

798
00:35:58,120 --> 00:35:59,120
Speaker 1: What are the biggies doing?

799
00:35:59,160 --> 00:36:01,240
Speaker 2: Who's the Melbour cup nut? Melissa?

800
00:36:02,200 --> 00:36:02,799
Speaker 11: Oh my mum.

801
00:36:03,080 --> 00:36:05,200
Speaker 21: He makes it to the club to say the rowing

802
00:36:05,239 --> 00:36:06,520
Speaker 21: Club or the RSL.

803
00:36:06,239 --> 00:36:06,960
Speaker 1: Club every year.

804
00:36:07,560 --> 00:36:10,560
Speaker 21: Getting ready already, I've got to pop over and help

805
00:36:10,600 --> 00:36:13,000
Speaker 21: out there with the outfit in the hair, shortly put

806
00:36:13,000 --> 00:36:14,719
Speaker 21: the fascinator in and off she goes.

807
00:36:15,040 --> 00:36:19,040
Speaker 2: So she's getting ready already, it's not We've just gone

808
00:36:19,040 --> 00:36:21,120
Speaker 2: past seven point thirty.

809
00:36:21,239 --> 00:36:23,120
Speaker 21: Yep, you got to be ready, got to be out there,

810
00:36:23,239 --> 00:36:26,080
Speaker 21: get the seat, her table of eight, her friends are

811
00:36:26,120 --> 00:36:28,440
Speaker 21: there and if any of her friends win best fascinator

812
00:36:28,480 --> 00:36:30,759
Speaker 21: or the meat tray, mind you, there'll be drama at

813
00:36:30,800 --> 00:36:31,359
Speaker 21: the end of the day.

814
00:36:32,480 --> 00:36:35,600
Speaker 3: Wow, it's trying to get that fascinator just perfect.

815
00:36:35,719 --> 00:36:37,319
Speaker 1: Yeah, yeah, yeah, issue as well.

816
00:36:37,400 --> 00:36:39,480
Speaker 2: So you're watching horses run around, you're holding a big

817
00:36:39,560 --> 00:36:42,080
Speaker 2: thing of meat that you've won. It's in a funny

818
00:36:42,080 --> 00:36:45,440
Speaker 2: old day, isn't it a day? Thank you? Melissa Jones.

819
00:36:47,040 --> 00:36:47,560
Speaker 1: Podcast.

820
00:36:47,920 --> 00:36:49,919
Speaker 3: Let's get on down to the Jonesy a better arms

821
00:36:49,920 --> 00:36:53,480
Speaker 3: to the pub test the Melbourne Cup race. Is it

822
00:36:53,800 --> 00:36:55,359
Speaker 3: still the race that stops the nation?

823
00:36:55,760 --> 00:36:58,520
Speaker 2: Is it passing the pub test for you? It's declined,

824
00:36:58,640 --> 00:37:01,880
Speaker 2: according to freedom ware toelevision ratings year in year out.

825
00:37:02,320 --> 00:37:04,640
Speaker 2: I mean it used to be everything, didn't it At school,

826
00:37:05,000 --> 00:37:08,800
Speaker 2: wherever you were, workplaces, the TV beyond people would stop.

827
00:37:09,200 --> 00:37:11,440
Speaker 2: It's not the case anymore. And according to the latest

828
00:37:11,520 --> 00:37:14,719
Speaker 2: Essential poll of over a thousand voters, if this is

829
00:37:14,760 --> 00:37:17,759
Speaker 2: any indication, only eleven percent reported a high interest in

830
00:37:17,760 --> 00:37:20,719
Speaker 2: the Melbourne Cup. Of course, we have increased visibility and

831
00:37:20,800 --> 00:37:23,359
Speaker 2: concern for the impact on the animals. Lots of people

832
00:37:23,400 --> 00:37:27,560
Speaker 2: are saying to the cup for animal cruelty purposes and

833
00:37:28,000 --> 00:37:31,960
Speaker 2: also for the downside of obviously gambling and the problems

834
00:37:31,960 --> 00:37:33,239
Speaker 2: of that causes on a day like this.

835
00:37:33,719 --> 00:37:36,800
Speaker 1: Yeah, I was still Yeah, you like it. I have

836
00:37:36,880 --> 00:37:37,399
Speaker 1: a horse.

837
00:37:37,520 --> 00:37:39,719
Speaker 2: I usually have an afternoon sleep through Melbourne Cup.

838
00:37:39,800 --> 00:37:43,120
Speaker 3: Yeah. It's always been part of my life, you know,

839
00:37:43,160 --> 00:37:45,359
Speaker 3: it's always been growing up.

840
00:37:45,600 --> 00:37:46,520
Speaker 2: Do you watch it every year?

841
00:37:46,560 --> 00:37:48,040
Speaker 1: Will you watch it? Yeah? I'll probably watch it.

842
00:37:48,080 --> 00:37:51,160
Speaker 3: The teacher wheels the telly into the classroom, the old

843
00:37:51,160 --> 00:37:53,200
Speaker 3: man coming home because he won a couple hundred bucks

844
00:37:53,200 --> 00:37:55,600
Speaker 3: on a horse. These are the great, great memories of

845
00:37:55,640 --> 00:37:59,200
Speaker 3: my childhood. I'm not any big horse racing perv. But

846
00:37:59,239 --> 00:38:02,000
Speaker 3: I feel it's part of our fabric. It's part of

847
00:38:02,040 --> 00:38:05,080
Speaker 3: the fabric of this country. And I do appreciate that

848
00:38:05,400 --> 00:38:08,359
Speaker 3: many horses have passed away, and I do appreciate when

849
00:38:08,400 --> 00:38:10,799
Speaker 3: people say that it's cruelty, but it has been part

850
00:38:10,840 --> 00:38:13,719
Speaker 3: of our It's been part of our DNA for a

851
00:38:13,760 --> 00:38:14,399
Speaker 3: long long time.

852
00:38:14,680 --> 00:38:16,479
Speaker 2: Usually I just enjoy it from when I watch Current

853
00:38:16,480 --> 00:38:19,400
Speaker 2: Affair and I see you Martin King King flirting it

854
00:38:19,480 --> 00:38:22,440
Speaker 2: up in the birdcase watching all the girls.

855
00:38:22,440 --> 00:38:23,880
Speaker 1: For bring out the Curtain there.

856
00:38:26,200 --> 00:38:28,160
Speaker 2: We to host a charity event for Save our Sons

857
00:38:28,160 --> 00:38:31,279
Speaker 2: at a fabulous event. And that's the only reason I

858
00:38:31,280 --> 00:38:34,839
Speaker 2: would tolerate Melbourne Cup was to do a charity the charity. Yeah,

859
00:38:34,880 --> 00:38:36,120
Speaker 2: I'm not a Melbourne Cup fan.

860
00:38:36,400 --> 00:38:38,040
Speaker 1: Well what do you think Melbourne Cup?

861
00:38:38,280 --> 00:38:41,040
Speaker 3: Petefhit Zimond's rate is it's still the race that stops the.

862
00:38:41,040 --> 00:38:42,880
Speaker 2: Nation passing your pub test.

863
00:38:43,600 --> 00:38:44,120
Speaker 5: Fais.

864
00:38:45,280 --> 00:38:48,560
Speaker 2: Our next guest is an Australian treasure who has captivated

865
00:38:48,640 --> 00:38:52,320
Speaker 2: us with his iconic hits for nearly five decades. Cribes

866
00:38:52,480 --> 00:38:55,440
Speaker 2: it's a long time. I don't want to freak anyone out.

867
00:38:55,719 --> 00:38:58,080
Speaker 2: After the release of his new album and the announcement

868
00:38:58,120 --> 00:39:01,359
Speaker 2: of his biggest tour yet, it's only fitting we'd had

869
00:39:01,520 --> 00:39:04,640
Speaker 2: the man himself in the studio, Paul Kelly alone. Look

870
00:39:04,680 --> 00:39:09,239
Speaker 2: at him so how amazing fifty years pretty much after

871
00:39:09,280 --> 00:39:12,279
Speaker 2: you started, You're about to embark on your biggest tour ever.

872
00:39:13,600 --> 00:39:15,000
Speaker 2: Could you have ever believed this?

873
00:39:17,040 --> 00:39:18,680
Speaker 9: I guess I guess I could have. You know, I

874
00:39:18,719 --> 00:39:21,160
Speaker 9: just start starting music to sort of do the best

875
00:39:21,200 --> 00:39:23,920
Speaker 9: you can. It is actually exactly fifty years since I've

876
00:39:23,920 --> 00:39:27,040
Speaker 9: played my very first, very first time I played in public.

877
00:39:27,120 --> 00:39:30,880
Speaker 9: Was it Hobart a folk club in Salem Maker Place, Hobart?

878
00:39:30,960 --> 00:39:33,680
Speaker 10: Did they love you seventy fourth? I don't think so.

879
00:39:34,880 --> 00:39:37,600
Speaker 9: I played an old Australian folk song called Streets of

880
00:39:37,719 --> 00:39:42,080
Speaker 9: Forbes and a Bob Dylan song Girl from the North Country,

881
00:39:42,320 --> 00:39:44,600
Speaker 9: and I was so nervous. They had quite a lot

882
00:39:44,640 --> 00:39:48,880
Speaker 9: to drink afterwards in relief, and my friend was there,

883
00:39:49,000 --> 00:39:49,799
Speaker 9: had to help me home.

884
00:39:49,840 --> 00:39:52,440
Speaker 2: That's a beautiful memory.

885
00:39:52,560 --> 00:39:53,360
Speaker 10: Beautiful memory.

886
00:39:54,960 --> 00:39:56,000
Speaker 1: But look at you now.

887
00:39:56,480 --> 00:39:59,600
Speaker 3: The song Who's Going to Make the Gravy has now

888
00:39:59,800 --> 00:40:03,240
Speaker 3: in Spyad, a Netflix series.

889
00:40:03,520 --> 00:40:05,239
Speaker 1: Did you have anything to do with that?

890
00:40:05,880 --> 00:40:08,040
Speaker 10: Just sort of, I guess lightly.

891
00:40:08,400 --> 00:40:12,360
Speaker 9: My friend Megan Washington first approached me about making it

892
00:40:12,440 --> 00:40:15,200
Speaker 9: into a script, and her husband Nick Waterman's the director,

893
00:40:15,680 --> 00:40:18,120
Speaker 9: and they wrote the film and then have made it.

894
00:40:18,320 --> 00:40:21,319
Speaker 9: And it was always understood from the start that it

895
00:40:21,360 --> 00:40:23,560
Speaker 9: was their piece of work, not mine. But they were

896
00:40:23,600 --> 00:40:27,200
Speaker 9: using the song as a jumping off point, and off

897
00:40:27,239 --> 00:40:29,759
Speaker 9: they went, made their script, got the film made or

898
00:40:29,760 --> 00:40:32,359
Speaker 9: within two or three years, which is pretty pretty quick

899
00:40:32,400 --> 00:40:35,839
Speaker 9: for making a movie, and they've done a really good job.

900
00:40:35,960 --> 00:40:38,000
Speaker 9: But yeah, I didn't really, I didn't want to be

901
00:40:38,000 --> 00:40:41,000
Speaker 9: hovering over it or controlling the script. They were nice

902
00:40:41,080 --> 00:40:43,440
Speaker 9: enough to send me that script and asked me if I

903
00:40:43,480 --> 00:40:45,560
Speaker 9: had any thoughts. So I think, give my two bobs

904
00:40:45,600 --> 00:40:48,360
Speaker 9: worth here and there. But really was fairly you couldn't

905
00:40:48,360 --> 00:40:52,120
Speaker 9: play the lead. You insisted, no, I said, give me

906
00:40:52,120 --> 00:40:56,960
Speaker 9: the They honored the song very much, to all the details.

907
00:40:57,200 --> 00:40:59,640
Speaker 9: They've got the gravy recipe exactly is in the.

908
00:40:59,600 --> 00:41:01,400
Speaker 2: Song your family recipe.

909
00:41:01,480 --> 00:41:03,719
Speaker 10: It is an old family recipe.

910
00:41:04,480 --> 00:41:06,160
Speaker 1: And did you make that every year?

911
00:41:07,120 --> 00:41:10,880
Speaker 9: Most years here we don't always have a hot, crisp

912
00:41:10,960 --> 00:41:14,319
Speaker 9: hot roast. Whenever there's a roast, I'll make that. I'll

913
00:41:14,320 --> 00:41:14,960
Speaker 9: make that gravy.

914
00:41:15,040 --> 00:41:16,960
Speaker 1: You made the gravy because that would be good watching

915
00:41:17,000 --> 00:41:17,640
Speaker 1: you make it.

916
00:41:18,200 --> 00:41:21,000
Speaker 9: I can't not make it now, that's right, the family.

917
00:41:21,320 --> 00:41:21,719
Speaker 1: Right for you?

918
00:41:21,840 --> 00:41:25,560
Speaker 3: Back I me, Paul Kelly breaks the grave ox at

919
00:41:25,680 --> 00:41:27,799
Speaker 3: Christmas you'd be saying, hang on a minute.

920
00:41:27,800 --> 00:41:29,400
Speaker 2: And luckily you didn't write a song about it. To

921
00:41:29,480 --> 00:41:31,120
Speaker 2: duckan whenever you are, know, I want to do the

922
00:41:31,320 --> 00:41:36,000
Speaker 2: du So what's the new with the new album? What's

923
00:41:36,040 --> 00:41:38,239
Speaker 2: been some of the inspirations for that? You're have you

924
00:41:38,239 --> 00:41:40,720
Speaker 2: gone through your old cookbooks looking for something?

925
00:41:41,160 --> 00:41:46,120
Speaker 9: Yeah, there's there's no there's no food in the I

926
00:41:46,120 --> 00:41:49,160
Speaker 9: don't think this remember and all sorts of things get

927
00:41:49,239 --> 00:41:51,040
Speaker 9: into my songs. I don't think there's any recipes and

928
00:41:51,080 --> 00:41:53,279
Speaker 9: the new record and they mainly all love songs, like

929
00:41:53,800 --> 00:41:55,080
Speaker 9: mostly with.

930
00:41:55,200 --> 00:41:58,440
Speaker 3: The You're doing our iHeart Radio show and we're so

931
00:41:58,520 --> 00:42:00,680
Speaker 3: excited to show off the new building to you.

932
00:42:01,200 --> 00:42:02,880
Speaker 1: That that's coming up. That's going to be great.

933
00:42:03,960 --> 00:42:06,520
Speaker 10: Yeah, that's going to be a few weeks time, I believe,

934
00:42:06,640 --> 00:42:06,960
Speaker 10: isn't it.

935
00:42:07,160 --> 00:42:09,080
Speaker 1: Yep? Yeah, you better diarize that.

936
00:42:09,160 --> 00:42:10,719
Speaker 10: Yeah, yeah, No, I've got to I notice in the

937
00:42:10,719 --> 00:42:11,880
Speaker 10: calendar twenty fifth and.

938
00:42:11,840 --> 00:42:14,439
Speaker 2: You're going to be wearing Jones and Amanda Merch. We've

939
00:42:14,440 --> 00:42:17,279
Speaker 2: got going to get maybe some making that up.

940
00:42:18,760 --> 00:42:21,080
Speaker 1: He is dressed. I love that suit. By the way,

941
00:42:21,080 --> 00:42:23,279
Speaker 1: the suit that you're wearing today is fantastic.

942
00:42:23,400 --> 00:42:24,000
Speaker 10: Thank you.

943
00:42:24,000 --> 00:42:26,080
Speaker 3: You're not you're not gambling on the Melbourne Cup today

944
00:42:26,080 --> 00:42:28,000
Speaker 3: because I'd hate to see you wearing a barrel.

945
00:42:28,800 --> 00:42:31,319
Speaker 9: No, I just knew that you had new offices with

946
00:42:31,400 --> 00:42:33,839
Speaker 9: this magnificent view, and I thought I need to wear

947
00:42:33,840 --> 00:42:34,359
Speaker 9: something nice.

948
00:42:35,600 --> 00:42:36,279
Speaker 1: You'd spec you up.

949
00:42:36,280 --> 00:42:38,840
Speaker 3: Although I will say this, the barrels are quite expensive

950
00:42:38,880 --> 00:42:40,520
Speaker 3: if you were to wear a wooden barrow.

951
00:42:40,600 --> 00:42:42,560
Speaker 2: Were they wearing a barrel when they lost their money?

952
00:42:42,640 --> 00:42:44,520
Speaker 1: Because they were they were readily available.

953
00:42:44,520 --> 00:42:47,560
Speaker 3: These days are quite expensive, so I dare say that

954
00:42:47,600 --> 00:42:49,760
Speaker 3: Paul suit would probably cost the price of a barrel

955
00:42:49,800 --> 00:42:52,319
Speaker 3: these days. A modern cooper would charge you eitherday two

956
00:42:52,360 --> 00:42:53,200
Speaker 3: thousand dollars.

957
00:42:53,040 --> 00:42:53,600
Speaker 1: To make a bottle.

958
00:42:53,680 --> 00:42:55,320
Speaker 2: So these days you think you'd just be wearing a

959
00:42:55,360 --> 00:42:57,920
Speaker 2: Woolies shopping bag or something if you lost all your money.

960
00:42:58,760 --> 00:43:01,799
Speaker 1: A nice ball tomorrow all that.

961
00:43:01,840 --> 00:43:06,560
Speaker 9: You know a lot of people wandering around carrying their shoes. Yes, yes,

962
00:43:06,719 --> 00:43:07,920
Speaker 9: that's my main image.

963
00:43:07,640 --> 00:43:09,759
Speaker 1: Of the Melbourne cap. That's right. That's a man at

964
00:43:09,800 --> 00:43:10,200
Speaker 1: the races.

965
00:43:10,840 --> 00:43:12,719
Speaker 2: I've never been, never been.

966
00:43:13,200 --> 00:43:14,479
Speaker 1: You've never been in Melbourne Cup?

967
00:43:14,560 --> 00:43:17,040
Speaker 2: No, really you have. Everyone. Didn't you feel that your

968
00:43:17,080 --> 00:43:19,280
Speaker 2: wife sabotaged you by making you wear an og shirt?

969
00:43:19,360 --> 00:43:22,279
Speaker 1: That's right? And Mark Latham actually criticized my shirt. So

970
00:43:22,440 --> 00:43:24,680
Speaker 1: what's what's what? I was wearing a khaki shirt.

971
00:43:24,719 --> 00:43:27,000
Speaker 3: I'm not a khaki guy, but he said it was

972
00:43:27,040 --> 00:43:29,840
Speaker 3: a khaki actually leaning into a mustard yellow.

973
00:43:31,400 --> 00:43:34,160
Speaker 10: Someone convinced you to wear the shirt, right, I think wife.

974
00:43:34,239 --> 00:43:35,719
Speaker 1: My wife said wear this shirt.

975
00:43:35,560 --> 00:43:37,400
Speaker 2: And Jones thought it was a bit of sabotage, so

976
00:43:37,480 --> 00:43:38,839
Speaker 2: he didn't crack on in the bird cave.

977
00:43:40,120 --> 00:43:41,560
Speaker 10: No one's going to go near this.

978
00:43:41,480 --> 00:43:45,480
Speaker 2: Guy, even he'll be fine at water.

979
00:43:46,239 --> 00:43:47,800
Speaker 1: At the time, said what's with that shirt?

980
00:43:48,480 --> 00:43:48,719
Speaker 2: Paul?

981
00:43:48,760 --> 00:43:50,640
Speaker 1: It's great talk to you.

982
00:43:50,640 --> 00:43:53,160
Speaker 3: You can listen to Paul Kelly's new album, Fever Longing

983
00:43:53,280 --> 00:43:55,719
Speaker 3: Still you'd see it now, or you listen to it

984
00:43:55,760 --> 00:43:58,360
Speaker 3: now and to see him live, head to tick a

985
00:43:58,440 --> 00:44:00,479
Speaker 3: tech dot com are you.

986
00:44:00,600 --> 00:44:02,360
Speaker 2: Or you can try and win tickets with yes to

987
00:44:02,400 --> 00:44:03,920
Speaker 2: come to our iHeart music events.

988
00:44:03,920 --> 00:44:07,319
Speaker 9: So I'm up close and personal, poisonal personal. I think

989
00:44:07,360 --> 00:44:08,480
Speaker 9: I want to do that. I think I'm doing that

990
00:44:08,480 --> 00:44:10,560
Speaker 9: with my nephew Dan. We can do it as a duo.

991
00:44:10,680 --> 00:44:13,480
Speaker 9: So he's been playing with me for years.

992
00:44:13,520 --> 00:44:14,840
Speaker 2: How old is he?

993
00:44:14,840 --> 00:44:20,359
Speaker 9: He's just past fifty old I am, but.

994
00:44:20,800 --> 00:44:22,720
Speaker 10: He doesn't look fifty. He's a very young fifty.

995
00:44:22,960 --> 00:44:26,560
Speaker 3: I was imagined like a little von trapped kid, my

996
00:44:26,600 --> 00:44:27,400
Speaker 3: little nephew.

997
00:44:28,680 --> 00:44:35,360
Speaker 10: Fifty he's a grown up as his school. He's finished school. Paul.

998
00:44:35,440 --> 00:44:37,239
Speaker 1: It's always great to catch up with you. Thank you

999
00:44:37,280 --> 00:44:38,200
Speaker 1: for joining us.

1000
00:44:38,239 --> 00:44:44,719
Speaker 6: My pleasure The Man Sam Podcast When God I wanted

1001
00:44:44,760 --> 00:44:50,840
Speaker 6: to get on right now your windows, stick your head.

1002
00:44:50,680 --> 00:44:51,480
Speaker 7: On a yell.

1003
00:44:55,400 --> 00:44:57,879
Speaker 3: The pub test today the Melbourne Cup horse race.

1004
00:44:57,920 --> 00:44:59,560
Speaker 1: Does it pass the pub test well?

1005
00:45:00,080 --> 00:45:02,319
Speaker 2: According to people who are watching it on free to

1006
00:45:02,360 --> 00:45:06,000
Speaker 2: wear less people are watching it every year. The latest

1007
00:45:06,040 --> 00:45:08,960
Speaker 2: poll it only polled over a thousand people, but eleven

1008
00:45:09,000 --> 00:45:11,560
Speaker 2: percent said only eleven percent that they had a high

1009
00:45:11,600 --> 00:45:13,520
Speaker 2: interest in the Melbourne Cup. A lot of people are

1010
00:45:14,120 --> 00:45:16,600
Speaker 2: using the hashtag np to the Cup because of our

1011
00:45:17,080 --> 00:45:20,040
Speaker 2: awareness of the animal cruelty in the horse racing industry.

1012
00:45:20,320 --> 00:45:22,239
Speaker 2: Do you still love it? What does it mean for you?

1013
00:45:22,640 --> 00:45:25,839
Speaker 2: Does it pass the pub test?

1014
00:45:26,239 --> 00:45:29,040
Speaker 16: It certainly does, just a bit of fun like everything,

1015
00:45:29,160 --> 00:45:31,279
Speaker 16: just in moderation. Don't get shipid about it.

1016
00:45:31,360 --> 00:45:34,640
Speaker 18: Yes it does. But what happened was seeple don't watch

1017
00:45:34,680 --> 00:45:37,360
Speaker 18: it as much now because they change the time of

1018
00:45:37,480 --> 00:45:40,719
Speaker 18: the rate until three o'clock, which is still pick up time,

1019
00:45:41,200 --> 00:45:43,840
Speaker 18: so the kids don't get to watch it anymore. The

1020
00:45:43,920 --> 00:45:46,520
Speaker 18: mothers don't get to watch it anymore because there are

1021
00:45:46,760 --> 00:45:48,160
Speaker 18: still pick it up for kids.

1022
00:45:48,280 --> 00:45:49,680
Speaker 16: No, I don't think it passes a pub tist.

1023
00:45:49,680 --> 00:45:50,719
Speaker 19: I don't think it has for a while.

1024
00:45:50,840 --> 00:45:53,439
Speaker 4: I think it's just everyone's excited to get a delp

1025
00:45:53,440 --> 00:45:54,280
Speaker 4: and some pre pairs.

1026
00:45:54,320 --> 00:45:55,839
Speaker 16: But I'm not really a fan.

1027
00:45:56,200 --> 00:45:57,759
Speaker 2: Yeah, definitely as a.

1028
00:45:57,719 --> 00:46:00,640
Speaker 8: Bit of excitement at this time of year, and I

1029
00:46:00,960 --> 00:46:03,040
Speaker 8: like one smooth operator.

1030
00:46:03,280 --> 00:46:05,799
Speaker 19: Yeah, absolutely it does. I think we've got very few

1031
00:46:05,800 --> 00:46:08,439
Speaker 19: traditions in Australia and we need to hang onto this one.

1032
00:46:08,560 --> 00:46:10,640
Speaker 19: And those people that are saying up to the cup.

1033
00:46:11,000 --> 00:46:13,400
Speaker 19: We have racing three hundred and sixty four days a

1034
00:46:13,480 --> 00:46:16,320
Speaker 19: year in Australia, but you only ever see him on Monday.

1035
00:46:16,960 --> 00:46:19,600
Speaker 19: And the glue that they used to make their posters

1036
00:46:19,640 --> 00:46:22,239
Speaker 19: has made out of horses, So where's their credibility.

1037
00:46:23,239 --> 00:46:24,360
Speaker 2: I don't think we still do that.

1038
00:46:24,400 --> 00:46:25,960
Speaker 1: I don't think they done. And then we grind up

1039
00:46:25,960 --> 00:46:27,600
Speaker 1: the horses for glue anymore the hooves?

1040
00:46:27,800 --> 00:46:28,399
Speaker 2: Do we Ryan?

1041
00:46:29,239 --> 00:46:31,000
Speaker 4: I think it's some time for his birth.

1042
00:46:31,239 --> 00:46:32,080
Speaker 1: Think you're not here.

1043
00:46:32,480 --> 00:46:32,919
Speaker 5: Not here.

1044
00:46:33,719 --> 00:46:36,000
Speaker 2: Every person who made it turn the pub test gets

1045
00:46:36,000 --> 00:46:38,480
Speaker 2: a horse. By the way, this week it gets an

1046
00:46:38,480 --> 00:46:40,040
Speaker 2: iron horse.

1047
00:46:40,239 --> 00:46:42,120
Speaker 1: I forgot to give him mine. We should give him horse,

1048
00:46:42,480 --> 00:46:44,640
Speaker 1: give him a horse. That's the Bob Geldoff to give him,

1049
00:46:44,880 --> 00:46:45,479
Speaker 1: to give him horse.

1050
00:46:45,760 --> 00:46:48,520
Speaker 2: Bob geld is joining us in the studio this half hour.

1051
00:46:48,760 --> 00:46:52,799
Speaker 3: GM Quincy Jones passed away at the age of ninety one.

1052
00:46:53,719 --> 00:46:57,800
Speaker 3: Interesting yesterday I was watching The Greatest Night in Pop History.

1053
00:46:57,880 --> 00:47:01,880
Speaker 2: This is an incredible documentary about the night. It was

1054
00:47:02,239 --> 00:47:04,960
Speaker 2: a night of the American Music Awards. Lionel Richie, along

1055
00:47:04,960 --> 00:47:08,040
Speaker 2: with Quincy Jones and Michael Jackson, thought that's the night

1056
00:47:08,120 --> 00:47:11,600
Speaker 2: to record this iconic song for Africa when all the

1057
00:47:11,640 --> 00:47:14,439
Speaker 2: stars are in one room. So they got them all there,

1058
00:47:14,800 --> 00:47:17,400
Speaker 2: all these different egos, all these different people look at

1059
00:47:17,400 --> 00:47:19,480
Speaker 2: each other thinking what is this? How will this go?

1060
00:47:19,960 --> 00:47:22,040
Speaker 3: Yeah, and on the back of band Aid's success with

1061
00:47:22,360 --> 00:47:25,719
Speaker 3: Do They Know It Christmas, Quincy Jones thought he'd get

1062
00:47:25,760 --> 00:47:28,280
Speaker 3: Bob gelled Off in to talk to all the artists,

1063
00:47:28,560 --> 00:47:29,200
Speaker 3: which would.

1064
00:47:29,040 --> 00:47:30,640
Speaker 1: Have been kind of surreal.

1065
00:47:31,239 --> 00:47:33,960
Speaker 3: I didn't know that this because Quincy hadn't passed away

1066
00:47:33,960 --> 00:47:36,200
Speaker 3: when I was watching this. But it's kind of a

1067
00:47:36,239 --> 00:47:38,160
Speaker 3: feeding that we have Bob Geldof on the show today.

1068
00:47:38,160 --> 00:47:39,040
Speaker 1: But this is how it went down.

1069
00:47:40,880 --> 00:47:43,359
Speaker 14: First, I would like you to meet Bob Geldof, who

1070
00:47:43,920 --> 00:47:47,600
Speaker 14: is really the inspiration for this whole thing, this thinking show.

1071
00:47:49,840 --> 00:47:51,560
Speaker 14: We just being back to me Ethiopia, and he'd like

1072
00:47:51,640 --> 00:47:53,080
Speaker 14: to talk to you, would like to.

1073
00:47:56,040 --> 00:48:00,480
Speaker 7: Well, maybe to put you in the mood of the

1074
00:48:00,560 --> 00:48:05,440
Speaker 7: song you're about to sing, which hopefully will save minions

1075
00:48:05,480 --> 00:48:06,040
Speaker 7: of lives.

1076
00:48:06,160 --> 00:48:08,080
Speaker 15: I think it's best to remember that the price for

1077
00:48:08,239 --> 00:48:11,440
Speaker 15: life this year is a piece of plastic seven inches

1078
00:48:11,480 --> 00:48:15,280
Speaker 15: wide with a hole in the middle. And it's that

1079
00:48:15,280 --> 00:48:17,239
Speaker 15: that we're here for. And I don't want to bring

1080
00:48:17,320 --> 00:48:20,240
Speaker 15: anybody down, but maybe it's the best way of making

1081
00:48:20,400 --> 00:48:23,480
Speaker 15: what you really feel, why you're really here tonight, come

1082
00:48:23,520 --> 00:48:25,960
Speaker 15: out through this song. So thanks a lot, everybody. Let's

1083
00:48:26,000 --> 00:48:26,520
Speaker 15: hope it worse.

1084
00:48:28,800 --> 00:48:31,480
Speaker 3: That's a cutdown version of what he said, but nonetheless

1085
00:48:31,520 --> 00:48:34,400
Speaker 3: he certainly converted that crowd because they're all there a

1086
00:48:34,440 --> 00:48:36,920
Speaker 3: little bit sort of amused, but there was.

1087
00:48:37,239 --> 00:48:38,560
Speaker 1: A light energy in the room.

1088
00:48:38,600 --> 00:48:41,160
Speaker 3: But it needs to have that gravitas of what they

1089
00:48:41,160 --> 00:48:42,520
Speaker 3: were actually doing, what we're.

1090
00:48:42,440 --> 00:48:46,040
Speaker 2: There, find them all to pull your ego out and

1091
00:48:46,080 --> 00:48:48,880
Speaker 2: do this for all the right reasons. Extraordinary. We're going

1092
00:48:48,960 --> 00:48:50,840
Speaker 2: to be talking to Sir Bob himself next.

1093
00:48:53,280 --> 00:48:53,760
Speaker 1: Podcast.

1094
00:48:54,120 --> 00:48:56,880
Speaker 2: Forty years ago, Bob Geldoff hit the stage for one

1095
00:48:56,920 --> 00:49:00,239
Speaker 2: of the largest live shows that world ever seen and

1096
00:49:00,320 --> 00:49:04,279
Speaker 2: his empathetic heart changed the world. He's coming down under

1097
00:49:04,280 --> 00:49:06,960
Speaker 2: to share stories from his extraordinary life through an evening

1098
00:49:06,960 --> 00:49:09,680
Speaker 2: with Bob Geldoff. We've managed to catch him in the morning,

1099
00:49:09,920 --> 00:49:11,279
Speaker 2: So Bob, hello, here he is.

1100
00:49:11,640 --> 00:49:13,960
Speaker 1: That's pretty extraordinary to catch me in the morning.

1101
00:49:15,320 --> 00:49:15,799
Speaker 2: Doing well.

1102
00:49:15,880 --> 00:49:19,759
Speaker 1: Quincy Jones passed away yesterday.

1103
00:49:19,160 --> 00:49:21,880
Speaker 3: And the story I was just watching the greatest night

1104
00:49:21,920 --> 00:49:26,640
Speaker 3: in pop history and you when Quincy introduced you to

1105
00:49:26,719 --> 00:49:30,040
Speaker 3: explain to all those artists that must have been so surreal.

1106
00:49:30,120 --> 00:49:33,440
Speaker 3: Michael Jackson, Huey Lewis, a Cidy Law of Bruce Springsteen,

1107
00:49:33,480 --> 00:49:35,760
Speaker 3: all in that room and you had to get their attention.

1108
00:49:35,640 --> 00:49:37,759
Speaker 22: Well to do the song. I mean they were the

1109
00:49:37,880 --> 00:49:44,080
Speaker 22: least intimidating. Let's go through the list, Ray Charles, Smokey Robinson,

1110
00:49:44,280 --> 00:49:48,800
Speaker 22: got Paul Simon, Bob Dylan, Willie Nelson.

1111
00:49:49,080 --> 00:49:49,319
Speaker 8: You know.

1112
00:49:49,400 --> 00:49:54,280
Speaker 22: So I'm this dufus from Ireland who's pitched up because

1113
00:49:54,760 --> 00:49:57,799
Speaker 22: Michael Jackson, Lionel Richie and Harry Belafonte asked me to

1114
00:49:57,840 --> 00:50:01,759
Speaker 22: come because we don't band it and this was going

1115
00:50:01,800 --> 00:50:05,359
Speaker 22: to be the American version, and it's one thing being

1116
00:50:05,400 --> 00:50:09,240
Speaker 22: in a room with you know, kids like boy, George

1117
00:50:09,280 --> 00:50:12,400
Speaker 22: and George Michael, and they were the generation could after me.

1118
00:50:13,040 --> 00:50:18,720
Speaker 22: It's another walking into a room which is your entire culture,

1119
00:50:18,880 --> 00:50:24,759
Speaker 22: our entire culture in front of you. And Quincy was

1120
00:50:24,800 --> 00:50:27,560
Speaker 22: sort of like the headmaster. Everyone did what Quincy said

1121
00:50:27,560 --> 00:50:30,680
Speaker 22: because he was clearly a genius anyway. But he stood

1122
00:50:30,760 --> 00:50:32,840
Speaker 22: there at his rostrum. He had a sort of rostrum

1123
00:50:32,880 --> 00:50:35,840
Speaker 22: there like like a schoolmaster, and he banged his bathtom

1124
00:50:36,239 --> 00:50:39,360
Speaker 22: like his conductor in everyone, please pay attention, come on,

1125
00:50:39,840 --> 00:50:43,080
Speaker 22: And they're standing there on these steps like school choir.

1126
00:50:43,960 --> 00:50:48,719
Speaker 22: You know this massed talent. And he says, right, everybody

1127
00:50:49,080 --> 00:50:55,080
Speaker 22: pay attention. Dylan, please stop. So he's doing this and

1128
00:50:55,120 --> 00:50:59,080
Speaker 22: he says, right, you all know Bob Geldoff. No nobody

1129
00:50:59,360 --> 00:51:02,880
Speaker 22: you Bob Off. So like Bob's here to tell you

1130
00:51:02,920 --> 00:51:05,120
Speaker 22: what it's all about, why we're here, et cetera. So

1131
00:51:05,160 --> 00:51:08,160
Speaker 22: I had to kind of go into my thing, and

1132
00:51:09,360 --> 00:51:11,719
Speaker 22: it was daunting. I haven't seen that film because I

1133
00:51:12,360 --> 00:51:14,600
Speaker 22: don't like watching sort of anything mean in it.

1134
00:51:14,640 --> 00:51:17,759
Speaker 3: But were you convinced them? You got two minutes, and

1135
00:51:18,239 --> 00:51:18,880
Speaker 3: you convinced them.

1136
00:51:19,000 --> 00:51:20,759
Speaker 22: They were on a high because they'd come out of

1137
00:51:21,080 --> 00:51:24,640
Speaker 22: very very cleverly, you know, they'd arranged it around the

1138
00:51:24,640 --> 00:51:27,040
Speaker 22: American Music Awards, so they were all going to be there.

1139
00:51:27,400 --> 00:51:29,440
Speaker 22: And after these shows, there's not much to do. You

1140
00:51:29,719 --> 00:51:33,840
Speaker 22: maybe there's a pre useless party or something. So Quincy

1141
00:51:33,880 --> 00:51:37,120
Speaker 22: and if Quincy summons them, you know, he produced all

1142
00:51:37,239 --> 00:51:39,520
Speaker 22: everything you know that had just come off of Thriller

1143
00:51:39,600 --> 00:51:43,480
Speaker 22: and all those records they'd come and and so that

1144
00:51:43,600 --> 00:51:46,560
Speaker 22: was it. That's how he got them all there, and

1145
00:51:47,280 --> 00:51:50,919
Speaker 22: my job was to sort of take them down from

1146
00:51:50,960 --> 00:51:54,280
Speaker 22: the party high almost and I just come from Africa.

1147
00:51:54,280 --> 00:51:55,040
Speaker 2: I'd just been.

1148
00:51:54,880 --> 00:52:00,680
Speaker 22: Trolling through the horror and it was to somehow if

1149
00:52:00,719 --> 00:52:06,040
Speaker 22: I could, in my sort of fandom, if I could

1150
00:52:06,080 --> 00:52:09,400
Speaker 22: get through that to translate what I'd just seen and

1151
00:52:09,520 --> 00:52:11,880
Speaker 22: to informed, And that's what they were there for, to

1152
00:52:11,960 --> 00:52:13,560
Speaker 22: give meaning to that evening.

1153
00:52:14,680 --> 00:52:17,280
Speaker 2: I love the idea of sliding doors in people's lives.

1154
00:52:17,840 --> 00:52:20,200
Speaker 2: You walk past your television in nineteen eighty four and

1155
00:52:20,280 --> 00:52:23,880
Speaker 2: you see a news story about civil war in Ethiopia

1156
00:52:24,239 --> 00:52:28,320
Speaker 2: and the millions that are dying from starvation. You watching

1157
00:52:28,360 --> 00:52:33,120
Speaker 2: that story being galvanized by it, changed Africa changed you.

1158
00:52:33,920 --> 00:52:35,640
Speaker 2: Do you ever think of the sliding doors and the

1159
00:52:35,680 --> 00:52:39,600
Speaker 2: what ifs you hadn't What if you hadn't seen that story,

1160
00:52:40,160 --> 00:52:42,400
Speaker 2: so many things would be so different.

1161
00:52:44,600 --> 00:52:48,080
Speaker 22: Yeah, I didn't change Africa, but thank you for the suggestion.

1162
00:52:48,440 --> 00:52:52,240
Speaker 22: Certainly what happened was there are and this is weird,

1163
00:52:52,800 --> 00:52:56,200
Speaker 22: and it sounds immodest to say it because it's not

1164
00:52:56,320 --> 00:53:00,239
Speaker 22: down to be anyway. There are hundreds of thousands and

1165
00:53:00,239 --> 00:53:05,439
Speaker 22: probably millions alive today because of watching that, coming home

1166
00:53:05,480 --> 00:53:08,160
Speaker 22: early and seeing the news that night. In fact, I've

1167
00:53:08,239 --> 00:53:12,440
Speaker 22: just come from Montreal where there's a play about all

1168
00:53:12,480 --> 00:53:16,040
Speaker 22: of this called Just for One Day, which is in

1169
00:53:16,080 --> 00:53:20,760
Speaker 22: the West End and it's huge and it's opening in Montreal.

1170
00:53:20,800 --> 00:53:24,080
Speaker 22: It's opening in Canada in January, and band Aid get

1171
00:53:24,200 --> 00:53:27,120
Speaker 22: ten percent because we still do it every day, it

1172
00:53:27,120 --> 00:53:28,879
Speaker 22: gets ten percent of the money. So I was there

1173
00:53:28,880 --> 00:53:36,520
Speaker 22: to plug that and the I was ordering breakfast in

1174
00:53:36,560 --> 00:53:38,799
Speaker 22: the room because I didn't have to get up early

1175
00:53:38,840 --> 00:53:45,240
Speaker 22: too early borning bloody radio. And the phone came through

1176
00:53:45,480 --> 00:53:48,399
Speaker 22: and my wife answered, and he says, do you mind

1177
00:53:48,400 --> 00:53:50,879
Speaker 22: if I come up and give you your breakfast? It's

1178
00:53:50,920 --> 00:53:53,680
Speaker 22: not my job. I'm on the mantra tow. I said, yeah,

1179
00:53:53,719 --> 00:53:56,560
Speaker 22: we you know. Says I'd just like to meet Bob

1180
00:53:56,640 --> 00:53:59,080
Speaker 22: if I can. I said, yeah, yeah, come up. Anyway,

1181
00:53:59,239 --> 00:54:02,959
Speaker 22: this guy came up, suited, small guy. He had been

1182
00:54:03,320 --> 00:54:11,279
Speaker 22: two in those fields of horror, as I said, and

1183
00:54:11,480 --> 00:54:14,399
Speaker 22: his parents had died and he did no idea where

1184
00:54:14,440 --> 00:54:18,239
Speaker 22: he came from. But he had his sister who was four,

1185
00:54:18,840 --> 00:54:21,600
Speaker 22: and so the two of them were together, and they

1186
00:54:22,000 --> 00:54:25,759
Speaker 22: because of that record and that concert, they were kept

1187
00:54:25,800 --> 00:54:28,280
Speaker 22: alive or brought up in the orphanages that were built

1188
00:54:28,320 --> 00:54:31,759
Speaker 22: and stuff like that. So I came up and he

1189
00:54:31,880 --> 00:54:35,280
Speaker 22: was there, and I was, you know, in my undies

1190
00:54:35,360 --> 00:54:38,440
Speaker 22: and T shirt and groggy and just wanting my coffee.

1191
00:54:38,719 --> 00:54:40,440
Speaker 22: And he came over and he said, can I give

1192
00:54:40,440 --> 00:54:42,839
Speaker 22: you a hug? And he just said, thank you very

1193
00:54:42,920 --> 00:54:43,680
Speaker 22: much for my life.

1194
00:54:44,719 --> 00:54:48,760
Speaker 3: Wow, and with your what your show that you're doing.

1195
00:54:48,920 --> 00:54:51,239
Speaker 3: So this is pretty much it. Do you have a plan,

1196
00:54:51,320 --> 00:54:53,520
Speaker 3: do you get up on stage or look, there's.

1197
00:54:53,280 --> 00:54:56,359
Speaker 22: So many you're on stage, there's so many stories. Yeah,

1198
00:54:56,480 --> 00:54:58,520
Speaker 22: I mean next year, as I said, is full on.

1199
00:54:58,719 --> 00:55:02,600
Speaker 22: It's the Rats fifty so tours, the big festivals. It's

1200
00:55:02,640 --> 00:55:05,400
Speaker 22: live aid. So the BBC are doing three one hours

1201
00:55:05,440 --> 00:55:08,160
Speaker 22: then showing the concerts. CNN are doing four forty five

1202
00:55:08,160 --> 00:55:11,360
Speaker 22: minutes showing the concert. There's stuff happening in Australia. But

1203
00:55:11,760 --> 00:55:16,000
Speaker 22: I need to park off. I need to distance myself somewhat,

1204
00:55:16,000 --> 00:55:18,319
Speaker 22: even though it's every single day of the week. So

1205
00:55:18,840 --> 00:55:21,759
Speaker 22: someone suggested, you know, stop telling us the stories in

1206
00:55:21,800 --> 00:55:23,759
Speaker 22: the pub. You know, why don't you go out and

1207
00:55:23,800 --> 00:55:26,840
Speaker 22: tell them because they're not known. And there's so many films.

1208
00:55:26,840 --> 00:55:29,480
Speaker 22: There's so much film, there's so much, so many pictures,

1209
00:55:29,520 --> 00:55:32,000
Speaker 22: there's so many stories. And the only way I can

1210
00:55:32,080 --> 00:55:35,680
Speaker 22: do that is by playing tunes around the story. So

1211
00:55:35,880 --> 00:55:39,080
Speaker 22: you know, I'll play some of the songs they just

1212
00:55:39,120 --> 00:55:42,000
Speaker 22: played there in the background and all those other ones,

1213
00:55:42,040 --> 00:55:45,359
Speaker 22: but plus other songs that you know, relate to the

1214
00:55:45,400 --> 00:55:48,680
Speaker 22: events of that life, you know, which I saw when

1215
00:55:48,719 --> 00:55:51,239
Speaker 22: I came here with something these stories of an extraordinary

1216
00:55:51,280 --> 00:55:56,200
Speaker 22: life or something. Again that sounds modest, but it's true.

1217
00:55:56,280 --> 00:55:58,080
Speaker 22: I haven't a clue what's going on. I don't know

1218
00:55:58,080 --> 00:56:00,000
Speaker 22: what the hell happened to me, you know, I really

1219
00:56:00,560 --> 00:56:03,800
Speaker 22: so I've called it life WTF, you know, that's what

1220
00:56:03,920 --> 00:56:05,680
Speaker 22: I changed it to. It's a bit like your calls

1221
00:56:05,680 --> 00:56:07,080
Speaker 22: on WSF, you know.

1222
00:56:10,000 --> 00:56:10,640
Speaker 1: But it's true.

1223
00:56:10,719 --> 00:56:14,080
Speaker 3: Your life is and it's almost like a forest gump

1224
00:56:14,200 --> 00:56:16,840
Speaker 3: existed in the world. Like when you look and you

1225
00:56:16,880 --> 00:56:19,320
Speaker 3: should watch that one night in pop Pop podcast.

1226
00:56:20,040 --> 00:56:22,480
Speaker 1: But you just watch it and how that actually happened?

1227
00:56:22,480 --> 00:56:23,480
Speaker 1: How does stuff happen?

1228
00:56:24,040 --> 00:56:27,160
Speaker 22: Well, it's it's like, sorry, I got this think you're

1229
00:56:27,160 --> 00:56:28,040
Speaker 22: all drinking water?

1230
00:56:28,360 --> 00:56:29,800
Speaker 3: What would you like to sit from our gi my

1231
00:56:29,840 --> 00:56:30,440
Speaker 3: water bottles?

1232
00:56:30,480 --> 00:56:33,440
Speaker 22: They've got their hydro power lintin and cans. You know,

1233
00:56:36,200 --> 00:56:39,480
Speaker 22: it's weird. I mean, the weirdest thing I think was

1234
00:56:39,680 --> 00:56:43,520
Speaker 22: things were never great. I was growing up, a mother

1235
00:56:43,640 --> 00:56:47,200
Speaker 22: died at seven. Dad's old towels around the countryside of

1236
00:56:47,280 --> 00:56:50,839
Speaker 22: rural Ireland in the fifties and sixties. So he left

1237
00:56:50,840 --> 00:56:53,160
Speaker 22: on Monday, came back on Friday, no money, so me

1238
00:56:53,200 --> 00:56:55,680
Speaker 22: and my sisters were kind of left to our own devices.

1239
00:56:57,440 --> 00:57:00,600
Speaker 22: And you know, I didn't think was crap then. It's

1240
00:57:00,600 --> 00:57:03,400
Speaker 22: only retrospectively. I feel sad for that kid, you know,

1241
00:57:03,520 --> 00:57:05,320
Speaker 22: but I didn't then. I was just getting on with that.

1242
00:57:05,880 --> 00:57:10,480
Speaker 22: But those things tend to make you organize yourself and

1243
00:57:10,680 --> 00:57:14,120
Speaker 22: independence and very dogmatic in your points of view. And

1244
00:57:14,280 --> 00:57:17,640
Speaker 22: rock and roll was beginning to really happen, you know,

1245
00:57:17,800 --> 00:57:21,080
Speaker 22: with the Beatles and stuff like that. So we didn't

1246
00:57:21,120 --> 00:57:22,520
Speaker 22: have money, so we didn't ever tell you or a

1247
00:57:22,520 --> 00:57:24,000
Speaker 22: fridge or a phone of that. So the only thing

1248
00:57:24,000 --> 00:57:25,760
Speaker 22: we had was a radio, no one at home to

1249
00:57:25,800 --> 00:57:28,000
Speaker 22: make me do homework. I read the books from the

1250
00:57:28,000 --> 00:57:31,440
Speaker 22: school library, went into school. Didn't understand why they were

1251
00:57:31,480 --> 00:57:33,880
Speaker 22: allowed to beat me. Yes, there was no authority at home.

1252
00:57:34,280 --> 00:57:34,640
Speaker 1: I didn't.

1253
00:57:34,720 --> 00:57:38,080
Speaker 22: I never grew up with that understanding of the parameters

1254
00:57:38,120 --> 00:57:40,720
Speaker 22: within which you must live your life. And then I

1255
00:57:40,880 --> 00:57:43,800
Speaker 22: bumped into the police and that wasn't good. And you know,

1256
00:57:43,880 --> 00:57:47,960
Speaker 22: so all the time is this authority thing. And the

1257
00:57:48,000 --> 00:57:52,760
Speaker 22: only way out, really inevitably retrospectively, was going to be music.

1258
00:57:53,080 --> 00:57:55,440
Speaker 22: And then what do you do with that? So fame

1259
00:57:55,560 --> 00:57:58,840
Speaker 22: is a currency, It's like any type of currency. How

1260
00:57:58,840 --> 00:58:02,000
Speaker 22: do you spend it? And arsa. We came in the

1261
00:58:02,000 --> 00:58:05,560
Speaker 22: punk period, the rats we want to Change. All the

1262
00:58:05,640 --> 00:58:08,880
Speaker 22: songs were about that. So when I saw something that

1263
00:58:09,080 --> 00:58:15,160
Speaker 22: was put any problem I had into a towering pathetic perspective.

1264
00:58:15,840 --> 00:58:18,720
Speaker 22: Then luckily I could write tunes. I was in a band,

1265
00:58:18,920 --> 00:58:21,720
Speaker 22: I had mates in rock and roll, and this required

1266
00:58:21,760 --> 00:58:24,400
Speaker 22: something of the self. Rather than putting a quid in

1267
00:58:24,440 --> 00:58:27,600
Speaker 22: the ox VAM bucket or something, I could write a tune.

1268
00:58:28,040 --> 00:58:30,920
Speaker 22: It's guaranteed to be a hit if the stars of

1269
00:58:31,000 --> 00:58:33,360
Speaker 22: the moment do it so one thing for the other

1270
00:58:33,480 --> 00:58:37,120
Speaker 22: one night. Then that becomes a phenomenon. Millions are raised.

1271
00:58:37,160 --> 00:58:40,200
Speaker 22: I thought we'd get one hundred thousand one night Harry

1272
00:58:40,200 --> 00:58:42,080
Speaker 22: Belafonte and Michael Jackson Corby.

1273
00:58:42,120 --> 00:58:42,880
Speaker 1: That's not normal.

1274
00:58:43,480 --> 00:58:46,360
Speaker 22: And Harry Belafonte, for those who don't remember him, was

1275
00:58:46,400 --> 00:58:47,080
Speaker 22: a hero to me.

1276
00:58:47,200 --> 00:58:49,400
Speaker 1: He was this beautiful black.

1277
00:58:49,160 --> 00:58:51,840
Speaker 22: Man, the first black guy to have a networked American

1278
00:58:51,880 --> 00:58:54,120
Speaker 22: television show. They didn't notice he was black because he

1279
00:58:54,160 --> 00:58:57,240
Speaker 22: was so pretty, like ma'am tally really. And he also

1280
00:58:57,280 --> 00:59:00,160
Speaker 22: took slave songs from the Islands, Come mister tally Man.

1281
00:59:00,200 --> 00:59:01,200
Speaker 1: I put them number one.

1282
00:59:01,080 --> 00:59:03,000
Speaker 22: Of the charts, but nobody knew they were slave songs.

1283
00:59:03,000 --> 00:59:06,520
Speaker 22: He was a Marxist and he backed this young preacher,

1284
00:59:06,600 --> 00:59:09,280
Speaker 22: Martin Luther King. When Martin Luther King was a kid,

1285
00:59:09,360 --> 00:59:11,840
Speaker 22: he took Frank Sinatra to the Southern States to say,

1286
00:59:11,880 --> 00:59:14,080
Speaker 22: this is why there aren't black people in your audience.

1287
00:59:14,200 --> 00:59:16,760
Speaker 22: And Frank wouldn't play anymore if there weren't black people.

1288
00:59:17,040 --> 00:59:20,080
Speaker 22: This guy was a dude. And so when Harry Belafonte

1289
00:59:20,120 --> 00:59:24,400
Speaker 22: calls me, goes, is there Bob Gildorf And I say yeah,

1290
00:59:24,440 --> 00:59:27,560
Speaker 22: and he goes, we're fucking embarrassed by what you grit

1291
00:59:27,680 --> 00:59:28,240
Speaker 22: kids did.

1292
00:59:28,360 --> 00:59:31,720
Speaker 1: I said, I'm Irish, Harry, same thing, so.

1293
00:59:31,800 --> 00:59:35,120
Speaker 22: Much from Marcus dialectic so and then he goes.

1294
00:59:35,000 --> 00:59:38,560
Speaker 1: I got my clear, Hi, Bob, you know. So So

1295
00:59:38,720 --> 00:59:41,000
Speaker 1: Michael was there, Harry Bellafantee, and they're both on the

1296
00:59:41,040 --> 00:59:41,400
Speaker 1: same fight.

1297
00:59:41,720 --> 00:59:43,160
Speaker 22: So I'm going to follow him.

1298
00:59:43,160 --> 00:59:44,040
Speaker 2: My missy, I'm going.

1299
00:59:45,920 --> 00:59:47,959
Speaker 1: She's sort of jumping up.

1300
00:59:47,880 --> 00:59:50,880
Speaker 22: And down, and she says, come over, we're going to

1301
00:59:50,960 --> 00:59:53,280
Speaker 22: do your thing. Come over and you know, help us.

1302
00:59:53,800 --> 00:59:54,280
Speaker 1: So I did.

1303
00:59:54,320 --> 00:59:56,160
Speaker 22: And then it was logical, you know, put these two

1304
00:59:56,200 --> 00:59:59,920
Speaker 22: things together. The Canadians did theirs. Brian Adams wrote it,

1305
01:00:00,400 --> 01:00:02,480
Speaker 22: and Neli Young and Joni Mitchell showed up in a

1306
01:00:02,560 --> 01:00:05,240
Speaker 22: taxi and did it. The French did their thing chan

1307
01:00:05,240 --> 01:00:08,480
Speaker 22: San san Fontier. The Germans mentioned for mention the Dutch

1308
01:00:08,600 --> 01:00:12,880
Speaker 22: that so I just thought, bang them all together and

1309
01:00:13,040 --> 01:00:15,960
Speaker 22: make a concert. There must be enough satellites, has to be,

1310
01:00:16,040 --> 01:00:16,400
Speaker 22: you know.

1311
01:00:17,400 --> 01:00:18,520
Speaker 1: To speak to everyone.

1312
01:00:18,800 --> 01:00:23,520
Speaker 22: And so one thing follows the other. But the biggest

1313
01:00:24,600 --> 01:00:28,080
Speaker 22: what did you call a passing window sliding? The biggest one.

1314
01:00:28,160 --> 01:00:32,920
Speaker 22: I talked to my mate, who's here with me, come back.

1315
01:00:32,960 --> 01:00:34,880
Speaker 22: I was thrown out of Canto. I was an illegal

1316
01:00:34,920 --> 01:00:37,280
Speaker 22: and I was working on the underground newspaper there and

1317
01:00:37,320 --> 01:00:39,120
Speaker 22: become a bit of a smart ars, you know. My

1318
01:00:39,240 --> 01:00:42,560
Speaker 22: name was getting around by things, and the mountains got

1319
01:00:42,560 --> 01:00:44,840
Speaker 22: their man and threw me out. So I went back

1320
01:00:44,880 --> 01:00:47,320
Speaker 22: to Ireland. I was going to apply for full citizenship,

1321
01:00:47,560 --> 01:00:51,640
Speaker 22: you know, because I loved in Vancouver. And one day

1322
01:00:52,200 --> 01:00:56,840
Speaker 22: I was so bored it wasn't happening spring evening. I

1323
01:00:56,960 --> 01:00:58,880
Speaker 22: decided I'd go to the pub. Now I never went

1324
01:00:58,920 --> 01:01:01,000
Speaker 22: to the pub and arn I just didn't like pub life.

1325
01:01:01,080 --> 01:01:03,400
Speaker 22: You know, people talked up at night and then there's

1326
01:01:03,480 --> 01:01:06,440
Speaker 22: closing time. The ideas evaporated. There was nowhere to go anyway,

1327
01:01:06,480 --> 01:01:09,840
Speaker 22: it was zero economy. So I decided i'd walk just

1328
01:01:09,880 --> 01:01:12,040
Speaker 22: in a lovely spring evening, I walk along the rail

1329
01:01:12,120 --> 01:01:15,120
Speaker 22: cuttings to the village beside where I lived in Dunleary,

1330
01:01:15,200 --> 01:01:18,959
Speaker 22: sat Dublin called Glasshole, and I went to a pub

1331
01:01:18,960 --> 01:01:21,800
Speaker 22: I wouldn't anyway normally go to. And I walked in

1332
01:01:22,560 --> 01:01:24,320
Speaker 22: and there were two guys from down the road and

1333
01:01:24,360 --> 01:01:26,880
Speaker 22: they were talking about starting a band with an acoustic

1334
01:01:26,920 --> 01:01:30,520
Speaker 22: guitar and upright piano. I was just saying, if i'd

1335
01:01:30,560 --> 01:01:34,480
Speaker 22: been five minutes later, you know I'd have walked in,

1336
01:01:34,600 --> 01:01:38,440
Speaker 22: been by myself, had a pint, gone home if I

1337
01:01:38,640 --> 01:01:41,640
Speaker 22: decided not to go to that unusual pub and that

1338
01:01:41,760 --> 01:01:45,560
Speaker 22: unusual town. Any decision there was slightly left or right

1339
01:01:45,600 --> 01:01:49,600
Speaker 22: of that. Then you don't get the band. You don't

1340
01:01:49,640 --> 01:01:52,919
Speaker 22: get the hits, you don't get the stadiums, you don't

1341
01:01:52,960 --> 01:01:55,400
Speaker 22: get the live age, you don't get you don't get this,

1342
01:01:56,600 --> 01:01:58,160
Speaker 22: and you don't get you don't get a lot of

1343
01:01:58,200 --> 01:02:02,280
Speaker 22: people alive. That's that's the weirdest thing, you know. And

1344
01:02:02,360 --> 01:02:05,320
Speaker 22: I woke up this morning again to eleven ten emails

1345
01:02:05,400 --> 01:02:10,160
Speaker 22: describing the new horrors in the Sudan. I mean, we're

1346
01:02:10,480 --> 01:02:13,240
Speaker 22: we're all stuck with Ukraine and Palestine, but what's going

1347
01:02:13,280 --> 01:02:17,240
Speaker 22: on there is unbelievable. So it's you described it already

1348
01:02:17,280 --> 01:02:20,360
Speaker 22: and talking about Ethiopia eighty four, but over there it's grim.

1349
01:02:20,400 --> 01:02:23,320
Speaker 22: So Bandaid goes on and we do it every day,

1350
01:02:23,560 --> 01:02:26,840
Speaker 22: and I do the music every day, and then I

1351
01:02:26,960 --> 01:02:29,800
Speaker 22: just need a break ready to sort of almost download

1352
01:02:29,840 --> 01:02:32,280
Speaker 22: it and see it in context. So that's why I'll

1353
01:02:32,280 --> 01:02:33,360
Speaker 22: be pitching up here in March.

1354
01:02:33,400 --> 01:02:36,040
Speaker 1: In April. Well, you're going to take a breeze, That's

1355
01:02:36,040 --> 01:02:37,040
Speaker 1: what it is. Bob.

1356
01:02:37,280 --> 01:02:38,960
Speaker 3: We could talk to you all day. I will give

1357
01:02:38,960 --> 01:02:40,439
Speaker 3: you a horse for a Melbourne cap.

1358
01:02:40,480 --> 01:02:41,040
Speaker 1: Can we do that?

1359
01:02:41,080 --> 01:02:41,360
Speaker 2: Are you?

1360
01:02:41,720 --> 01:02:44,720
Speaker 1: I'm going, you're going, I'm so we're giving I've got

1361
01:02:44,920 --> 01:02:45,800
Speaker 1: our horse for sir Bob.

1362
01:02:45,840 --> 01:02:46,560
Speaker 2: What are we going to do?

1363
01:02:46,600 --> 01:02:46,880
Speaker 8: Are you?

1364
01:02:46,880 --> 01:02:48,800
Speaker 2: We're going to give you the map with the map

1365
01:02:48,920 --> 01:02:50,280
Speaker 2: like from how sweet Well.

1366
01:02:50,160 --> 01:02:53,800
Speaker 3: It's paying fifty one dollars and likes Flemington. But I

1367
01:02:53,840 --> 01:02:55,240
Speaker 3: just don't think he's going well enough.

1368
01:02:55,480 --> 01:02:58,640
Speaker 1: This preparation, this preparation, I don't know.

1369
01:02:58,680 --> 01:03:00,000
Speaker 2: That's what said.

1370
01:03:00,200 --> 01:03:01,360
Speaker 1: That's what the pandas are saying.

1371
01:03:01,440 --> 01:03:03,080
Speaker 2: Don't give that horse talking to Okay.

1372
01:03:03,160 --> 01:03:07,360
Speaker 22: So we used to have this Spanish teacher priest, and

1373
01:03:07,600 --> 01:03:12,800
Speaker 22: he'd come in every day to Spanish class and I'd say, Geldof,

1374
01:03:12,960 --> 01:03:16,280
Speaker 22: get up and do your declensions. And I'd say me Corrathon.

1375
01:03:16,400 --> 01:03:21,640
Speaker 22: He'd say, what me, Carrathon, father? What's wrong with your voice? Nothing?

1376
01:03:21,800 --> 01:03:25,560
Speaker 22: He goes, why are you saying, Carson? But they say

1377
01:03:25,640 --> 01:03:29,200
Speaker 22: Carrathon and Spain father, We're not in Spain, Gelda, We're

1378
01:03:29,200 --> 01:03:33,520
Speaker 22: in Ireland. And so on Wednesdays he'd say, sit down,

1379
01:03:33,600 --> 01:03:36,160
Speaker 22: sit down, open your open your copy box. We'd open

1380
01:03:36,200 --> 01:03:38,520
Speaker 22: our stays, now take it down the three o'clock at

1381
01:03:38,560 --> 01:03:42,560
Speaker 22: Doncaster looking good, you know, five to one so and

1382
01:03:42,600 --> 01:03:44,840
Speaker 22: so and he'd give us tips. And on Friday we're

1383
01:03:44,880 --> 01:03:47,280
Speaker 22: I have to report whether we'd want or not, you know,

1384
01:03:47,520 --> 01:03:50,160
Speaker 22: like other thing. So that was the education I received.

1385
01:03:50,200 --> 01:03:52,240
Speaker 1: Guys. You know all.

1386
01:03:52,280 --> 01:03:54,640
Speaker 3: Right, it's been an education for us to tickets to

1387
01:03:54,680 --> 01:03:57,360
Speaker 3: see Sir Bob Geldoff go and sale today in that

1388
01:03:57,480 --> 01:03:59,840
Speaker 3: Thursday at take danety dot com.

1389
01:04:00,120 --> 01:04:01,680
Speaker 1: So Bob, thank you for joining us.

1390
01:04:01,840 --> 01:04:06,360
Speaker 13: Thanks guys, Pleasure Jonesy and Amanda.

1391
01:04:05,560 --> 01:04:18,880
Speaker 17: Podcast before you what makes such a sweet guards Lame?

1392
01:04:25,000 --> 01:04:28,080
Speaker 3: WSFM presents iHeart Live with Paul Kelly every day this

1393
01:04:28,120 --> 01:04:30,320
Speaker 3: week we've got tickets for you and three friends to

1394
01:04:30,400 --> 01:04:34,520
Speaker 3: see Paul Kelly. Yesterday we asked who's making the gravy today?

1395
01:04:34,680 --> 01:04:37,640
Speaker 2: And give us a call right now thirteen WSFM. We

1396
01:04:37,680 --> 01:04:41,560
Speaker 2: want to know who's at her doors at her series

1397
01:04:41,640 --> 01:04:44,960
Speaker 2: of cunning sound effects. We'll give you some clues.

1398
01:04:45,280 --> 01:04:47,400
Speaker 3: And do we have any horses left in our Melbourne

1399
01:04:47,560 --> 01:04:47,840
Speaker 3: s week?

1400
01:04:47,840 --> 01:04:48,320
Speaker 2: I don't know.

1401
01:04:49,280 --> 01:04:52,120
Speaker 3: I'm sure we've got people working outside.

1402
01:04:52,160 --> 01:04:53,840
Speaker 1: I'm sure one of them will come up with something.

1403
01:04:53,600 --> 01:04:54,400
Speaker 2: That we'll get something.

1404
01:04:54,720 --> 01:04:56,680
Speaker 1: And yes, all you got to do is get put

1405
01:04:56,680 --> 01:04:57,400
Speaker 1: these clues together.

1406
01:04:57,440 --> 01:05:01,640
Speaker 3: Paul Kelly performing in our new and improved breakout room downstairs.

1407
01:05:01,640 --> 01:05:03,920
Speaker 2: It's going to be amazing. It's an iHeart Live event.

1408
01:05:03,960 --> 01:05:05,760
Speaker 2: We'd love you and three friends to join us. We're

1409
01:05:05,760 --> 01:05:08,440
Speaker 2: doing this every day this week. As we said today's song,

1410
01:05:09,600 --> 01:05:13,120
Speaker 2: who or to her door? Whose door we turned up at?

1411
01:05:13,160 --> 01:05:16,720
Speaker 1: We're about to open the door. You don't have a

1412
01:05:16,760 --> 01:05:17,920
Speaker 1: sound effect of a door.

1413
01:05:17,840 --> 01:05:26,000
Speaker 2: Right, I'm okay, okay, okay, there's no sound effects.

1414
01:05:26,000 --> 01:05:28,400
Speaker 3: Well, there's no sound effects. Go to the page or it,

1415
01:05:28,440 --> 01:05:31,480
Speaker 3: says Paul Kelly. We'll get Julia of riesbeyond there.

1416
01:05:31,760 --> 01:05:35,479
Speaker 2: Hello Julie, Julie, good morning. How are we very well?

1417
01:05:35,560 --> 01:05:36,880
Speaker 2: Thank you, Julie.

1418
01:05:36,920 --> 01:05:39,080
Speaker 1: Let's get your busy first up, you've.

1419
01:05:38,880 --> 01:05:42,040
Speaker 2: Got oh thank you. Vou baan vow ba vow ba.

1420
01:05:42,240 --> 01:05:44,400
Speaker 3: Well, what do you know about that horse that is

1421
01:05:44,400 --> 01:05:46,440
Speaker 3: a winner that is going to do fantastically?

1422
01:05:47,000 --> 01:05:48,840
Speaker 1: Is vow band? That's good?

1423
01:05:48,920 --> 01:05:51,600
Speaker 2: Having said that, only one winner out of only how

1424
01:05:51,640 --> 01:05:57,000
Speaker 2: many eighteen winners eating favorites? So I'm thrown now. Yeah, congratulations,

1425
01:05:57,120 --> 01:05:57,720
Speaker 2: what's happened?

1426
01:05:57,880 --> 01:06:00,280
Speaker 1: No nothing, it's all okay, okay, our.

1427
01:06:00,200 --> 01:06:03,400
Speaker 2: Band all right, So let's get this started. Let's open

1428
01:06:03,440 --> 01:06:03,760
Speaker 2: the door.

1429
01:06:03,920 --> 01:06:04,760
Speaker 1: Our door is open.

1430
01:06:05,240 --> 01:06:07,680
Speaker 2: Ah, well wow, look at this. Yeah, there's a lot

1431
01:06:07,720 --> 01:06:08,400
Speaker 2: of neighbors on.

1432
01:06:08,360 --> 01:06:11,000
Speaker 1: The street, the neighbors on the street, lots of people there.

1433
01:06:12,360 --> 01:06:15,440
Speaker 2: Yeah, lots of neighbors are hanging around this person's door.

1434
01:06:15,640 --> 01:06:17,200
Speaker 1: Yeah, atually, any idea.

1435
01:06:17,000 --> 01:06:18,360
Speaker 2: Who it might be?

1436
01:06:18,840 --> 01:06:19,520
Speaker 11: Crowing the name?

1437
01:06:20,240 --> 01:06:24,560
Speaker 1: No, not Dannielle is in Bengal. We'll have to go further.

1438
01:06:24,640 --> 01:06:28,640
Speaker 2: A horse for Dannyel, circle of fire for Dannyel. That's

1439
01:06:28,640 --> 01:06:29,840
Speaker 2: what I'm not wishing upon you.

1440
01:06:30,120 --> 01:06:32,680
Speaker 1: Circle of fire that is going to win the race?

1441
01:06:32,920 --> 01:06:33,680
Speaker 2: Is that what they're saying.

1442
01:06:33,800 --> 01:06:34,680
Speaker 1: That's what I'm saying.

1443
01:06:35,000 --> 01:06:38,720
Speaker 2: Great Dannielle for this woman is an adult. But there's

1444
01:06:38,720 --> 01:06:40,960
Speaker 2: lots of barbies lying around. What's that about?

1445
01:06:41,920 --> 01:06:42,760
Speaker 1: Whose door? Is it?

1446
01:06:42,800 --> 01:06:42,840
Speaker 13: No?

1447
01:06:42,960 --> 01:06:45,080
Speaker 1: This is an that Saint Claire?

1448
01:06:46,680 --> 01:06:47,480
Speaker 2: Do we have in mind?

1449
01:06:47,880 --> 01:06:53,400
Speaker 1: Timmy? What's going on? For God's sake? And how are

1450
01:06:53,440 --> 01:06:56,360
Speaker 1: you this is? Anne? Isn't it all?

1451
01:06:56,920 --> 01:06:59,880
Speaker 3: They're all gone, goody over subomb Kilnoff and fair enough.

1452
01:07:00,120 --> 01:07:02,520
Speaker 2: Well, okay, and now we know that this person has

1453
01:07:02,520 --> 01:07:04,680
Speaker 2: a lot of neighbors in the street. There's a lot

1454
01:07:04,680 --> 01:07:06,880
Speaker 2: of barbies lying around. Whose door? Do you think we

1455
01:07:06,960 --> 01:07:09,040
Speaker 2: might be at?

1456
01:07:09,120 --> 01:07:09,400
Speaker 16: Robbie?

1457
01:07:09,640 --> 01:07:16,640
Speaker 2: It's of course, Wow, congratulations, you and three friends are

1458
01:07:16,680 --> 01:07:19,480
Speaker 2: going to be joining us for our iHeart Live show

1459
01:07:20,000 --> 01:07:23,320
Speaker 2: when WSFM presents I Heeart Live with Paul Kelly thanks

1460
01:07:23,360 --> 01:07:24,240
Speaker 2: to tire Power.

1461
01:07:24,640 --> 01:07:28,120
Speaker 3: Paul Kelly's new album, Fever Longing Still is out now. WFMM.

1462
01:07:28,240 --> 01:07:31,280
Speaker 3: As you say presenting him tire Power, your safety is

1463
01:07:31,320 --> 01:07:34,040
Speaker 3: their priority. They're open now for safety checks and of

1464
01:07:34,080 --> 01:07:36,480
Speaker 3: course tire Powers great race sale.

1465
01:07:36,800 --> 01:07:38,560
Speaker 1: And if we were to play a Paul Kelly song,

1466
01:07:38,600 --> 01:07:39,240
Speaker 1: what would it be?

1467
01:07:41,240 --> 01:07:42,160
Speaker 2: I can't think of anything.

1468
01:07:42,240 --> 01:07:44,720
Speaker 1: Well, let's just think about it for a minute.

1469
01:07:46,200 --> 01:07:52,920
Speaker 2: Someone's daughter song and good.

1470
01:07:53,320 --> 01:07:56,360
Speaker 1: DJ and is in the House.

1471
01:07:57,400 --> 01:08:03,880
Speaker 5: Podcast.

1472
01:08:06,320 --> 01:08:09,080
Speaker 2: In a month, we will be giving away twenty thousand

1473
01:08:09,160 --> 01:08:11,520
Speaker 2: dollars for our favorite goolie of the year.

1474
01:08:11,800 --> 01:08:12,720
Speaker 1: What if we got today?

1475
01:08:13,280 --> 01:08:16,600
Speaker 4: Hi, Amanda and Josie. What really gets my goolies is

1476
01:08:16,640 --> 01:08:19,160
Speaker 4: buying fruit. You get it home, you go to.

1477
01:08:19,200 --> 01:08:21,719
Speaker 10: Use it the next day, and half of the punnits

1478
01:08:21,760 --> 01:08:22,240
Speaker 10: that you have.

1479
01:08:22,280 --> 01:08:23,400
Speaker 1: Bought are rotten.

1480
01:08:23,520 --> 01:08:26,880
Speaker 2: Now that really gets my gooies. That happens a lot.

1481
01:08:26,920 --> 01:08:28,639
Speaker 2: You check them when you buy them, take them home,

1482
01:08:28,880 --> 01:08:30,559
Speaker 2: all moldy and soft on.

1483
01:08:30,479 --> 01:08:31,960
Speaker 1: The mold on your berries.

1484
01:08:32,600 --> 01:08:34,200
Speaker 2: What else what.

1485
01:08:34,280 --> 01:08:38,160
Speaker 20: Gets my goolies are Instagram posts now where everything starts

1486
01:08:38,200 --> 01:08:43,040
Speaker 20: with POV. POV waking up and going for a walk, POV, oh,

1487
01:08:43,120 --> 01:08:46,519
Speaker 20: best breakfast, POV, look at what my coffee is doing?

1488
01:08:46,880 --> 01:08:52,120
Speaker 20: POV getting to go on holidays, POV wish you were here. Honestly, guys,

1489
01:08:52,320 --> 01:08:56,479
Speaker 20: POV off, please stop. It's getting boring. And that's my POV.

1490
01:08:57,000 --> 01:09:02,160
Speaker 1: B IQ to be out with the bannon with the good.

1491
01:09:02,160 --> 01:09:03,960
Speaker 3: If you do debt, you can always contact us fire

1492
01:09:04,000 --> 01:09:05,680
Speaker 3: the iHeartRadio.

1493
01:09:05,000 --> 01:09:10,640
Speaker 2: App, our favorite caller email of Facebook friend. When's two

1494
01:09:10,680 --> 01:09:13,720
Speaker 2: tickets to see Casey Chambers live. She's going to be

1495
01:09:13,720 --> 01:09:15,400
Speaker 2: with Vicka and Linda at the Sydney Opera House.

1496
01:09:16,120 --> 01:09:19,680
Speaker 3: Team the bull Sisters, Well they will be at the

1497
01:09:19,720 --> 01:09:24,080
Speaker 3: Sydney Opera House. You're going also in Jonesy demand detail

1498
01:09:24,160 --> 01:09:24,799
Speaker 3: and keyring.

1499
01:09:25,040 --> 01:09:27,360
Speaker 2: Look they say it's the racist stops the nation? Well

1500
01:09:27,479 --> 01:09:29,639
Speaker 2: is it still? I don't know. Stop some people more

1501
01:09:29,680 --> 01:09:32,519
Speaker 2: than others. We actually actually let's just do this. We

1502
01:09:32,600 --> 01:09:36,519
Speaker 2: have three four horses left? Will we div you them up? Now?

1503
01:09:37,479 --> 01:09:39,080
Speaker 2: We don't do it at the very end, but.

1504
01:09:39,600 --> 01:09:40,160
Speaker 1: What do it now?

1505
01:09:40,320 --> 01:09:40,840
Speaker 2: Do it now?

1506
01:09:40,880 --> 01:09:41,760
Speaker 1: Okay? What have you got?

1507
01:09:42,560 --> 01:09:44,600
Speaker 2: Circle of fire? I think we tried to give that

1508
01:09:44,640 --> 01:09:45,599
Speaker 2: away but someone hung.

1509
01:09:45,520 --> 01:09:47,559
Speaker 1: Up ideal cup horse.

1510
01:09:47,640 --> 01:09:49,920
Speaker 2: They say, Wow, that's me. I'm taking on paper.

1511
01:09:49,920 --> 01:09:52,040
Speaker 1: He's been awful in three runs back.

1512
01:09:54,080 --> 01:09:56,760
Speaker 2: Jones has got interpretation. What's your interpretation?

1513
01:09:57,160 --> 01:09:59,320
Speaker 1: He's gonna win? What a sexy horse?

1514
01:09:59,400 --> 01:10:00,679
Speaker 2: That's not what the that's what it says.

1515
01:10:00,760 --> 01:10:03,639
Speaker 1: Let's not say that. I think he might be right

1516
01:10:03,680 --> 01:10:05,720
Speaker 1: in there. Okay, I think he's about me.

1517
01:10:06,040 --> 01:10:08,160
Speaker 2: Ryan has got Sea King's.

1518
01:10:08,000 --> 01:10:12,439
Speaker 3: Sea King, Sea King. I'm not sure about that bendy

1519
01:10:12,720 --> 01:10:15,120
Speaker 3: cup form. But he did win with his head on

1520
01:10:15,160 --> 01:10:16,080
Speaker 3: his chest.

1521
01:10:16,400 --> 01:10:17,080
Speaker 4: What does that mean?

1522
01:10:17,080 --> 01:10:17,439
Speaker 1: I don't know.

1523
01:10:17,920 --> 01:10:21,920
Speaker 2: And the producing team have got man's voice today. He

1524
01:10:21,920 --> 01:10:27,640
Speaker 2: pronounced that man's voice. I'm sure that's not that's pronounced.

1525
01:10:28,160 --> 01:10:31,120
Speaker 2: What's man's voice when it's at home and they looking

1526
01:10:31,160 --> 01:10:34,679
Speaker 2: in the road? Nineteen? It's got nineteen. Next man, here

1527
01:10:34,680 --> 01:10:38,840
Speaker 2: we go. Yeah, come onri.

1528
01:10:39,200 --> 01:10:40,960
Speaker 3: I was just lacking a little desire at the moment.

1529
01:10:41,000 --> 01:10:42,240
Speaker 3: But you know who trains him?

1530
01:10:42,320 --> 01:10:42,639
Speaker 2: Who?

1531
01:10:42,760 --> 01:10:43,280
Speaker 1: I don't know.

1532
01:10:44,840 --> 01:10:47,240
Speaker 2: If any of those horses throughout the day. Good luck

1533
01:10:47,240 --> 01:10:49,720
Speaker 2: everybody with the sweep. We've had five hundred dollars in

1534
01:10:49,760 --> 01:10:53,559
Speaker 2: the first place. Well, let's continue here we are the

1535
01:10:53,560 --> 01:10:56,400
Speaker 2: tribal dramas beating for nuts for the cut clearly we

1536
01:10:56,520 --> 01:11:01,000
Speaker 2: are so. Greg from Blacktown is today is a man

1537
01:11:01,040 --> 01:11:03,519
Speaker 2: of the match. He's in for a big day.

1538
01:11:04,040 --> 01:11:06,280
Speaker 11: I just have a few drinks and just move around.

1539
01:11:06,320 --> 01:11:08,960
Speaker 11: Ten Wi people coming up to me yesterday. Can you

1540
01:11:09,000 --> 01:11:11,040
Speaker 11: put some bets on for us for the camp and

1541
01:11:11,080 --> 01:11:13,320
Speaker 11: this is the day before. It's speaker than the everestire

1542
01:11:13,360 --> 01:11:14,200
Speaker 11: weatherb for Moline.

1543
01:11:14,280 --> 01:11:16,320
Speaker 3: Can you give us an idea of where you'll be today?

1544
01:11:16,320 --> 01:11:16,599
Speaker 1: Greg?

1545
01:11:17,760 --> 01:11:18,920
Speaker 11: My local workers club?

1546
01:11:19,000 --> 01:11:20,439
Speaker 1: Yes, backtown Workers?

1547
01:11:20,560 --> 01:11:21,320
Speaker 2: Is that where you watch them?

1548
01:11:21,720 --> 01:11:24,200
Speaker 11: That's true? Right now, I'll watch it. I'll watch it

1549
01:11:24,240 --> 01:11:26,200
Speaker 11: at home. It's two packed as you get out. You

1550
01:11:26,200 --> 01:11:28,519
Speaker 11: don't want crowns that much. I'll have a few drinks

1551
01:11:28,520 --> 01:11:31,280
Speaker 11: and something here at home and it's three o'clock. Fain,

1552
01:11:31,400 --> 01:11:32,080
Speaker 11: I'll be laughing.

1553
01:11:32,400 --> 01:11:35,240
Speaker 2: That sounds like it you've put on. He's taken the

1554
01:11:35,320 --> 01:11:36,920
Speaker 2: day off and takes it down every year.

1555
01:11:36,960 --> 01:11:39,000
Speaker 1: Thing says. He's moving around the town.

1556
01:11:40,080 --> 01:11:42,000
Speaker 2: He's going his local club and then going home because't

1557
01:11:42,040 --> 01:11:47,000
Speaker 2: like the crowds. Bridau two. That's well, ugly. Feel's next

1558
01:11:47,040 --> 01:11:49,640
Speaker 2: another chance to win everything you need for Christmas with

1559
01:11:49,840 --> 01:11:52,120
Speaker 2: WSFMS Christmas Free, Christmas Free.

1560
01:11:52,120 --> 01:11:53,760
Speaker 1: We'll be back from six to night for jam Nation.

1561
01:11:53,800 --> 01:11:54,160
Speaker 2: I see you.

1562
01:11:54,160 --> 01:11:57,000
Speaker 1: Then good day to you. Well, thank god that's over.

1563
01:11:57,160 --> 01:12:00,840
Speaker 11: Good bite, good bite, wipe the two.

1564
01:12:01,040 --> 01:12:02,400
Speaker 2: Baby, you're right.

1565
01:12:02,439 --> 01:12:05,440
Speaker 23: You can catch Jonesy and Amanda's podcast on the iHeartRadio

1566
01:12:05,520 --> 01:12:17,880
Speaker 23: app or wherever you get your podcasts.

1567
01:12:17,920 --> 01:12:20,640
Speaker 13: Catch up on what you've missed on the free iHeartRadio

1568
01:12:20,720 --> 01:12:20,960
Speaker 13: app