1 00:00:00,320 --> 00:00:04,400 Speaker 1: Last King of the Cross is streaming now on Paramount Plus. 2 00:00:04,480 --> 00:00:07,120 Speaker 1: The star of the show, Lincoln Yunus, is joining a 3 00:00:07,160 --> 00:00:11,360 Speaker 1: SnO Good Morning, Lincoln Good. Last King of the Cross 4 00:00:11,400 --> 00:00:14,280 Speaker 1: is Paramount Plus is most watched Aussie series to date. 5 00:00:14,920 --> 00:00:16,680 Speaker 2: Lincoln plays John Ibrahim. 6 00:00:16,800 --> 00:00:20,840 Speaker 1: The show is inspired by John Ibrahim's autobiography And can 7 00:00:20,880 --> 00:00:22,479 Speaker 1: I say congratulations? 8 00:00:22,520 --> 00:00:25,840 Speaker 2: It is a really good show. I'm loving every minute 9 00:00:25,840 --> 00:00:26,040 Speaker 2: of it. 10 00:00:26,640 --> 00:00:28,120 Speaker 3: Oh that's so kind. Thank you? 11 00:00:28,360 --> 00:00:28,600 Speaker 4: Are you? 12 00:00:28,960 --> 00:00:31,160 Speaker 2: Are you all happy with the reviews of the show. 13 00:00:32,080 --> 00:00:34,240 Speaker 3: Yeah, I mean I don't tend to read reviews, something 14 00:00:34,280 --> 00:00:37,480 Speaker 3: that's always a dangerous thing, but I kind of, because 15 00:00:37,479 --> 00:00:39,159 Speaker 3: I've been doing this for so long, I kind of 16 00:00:39,200 --> 00:00:41,840 Speaker 3: just if I watch it and I'm kind of proud 17 00:00:41,880 --> 00:00:44,200 Speaker 3: of it, then that kind of the thing. And also 18 00:00:44,920 --> 00:00:47,879 Speaker 3: if my mom and my brother approved, they're fairly blunt and. 19 00:00:47,840 --> 00:00:50,240 Speaker 2: On it, especially your brother. 20 00:00:50,560 --> 00:00:53,159 Speaker 3: Especially my brother, because he does not care. 21 00:00:54,480 --> 00:00:55,560 Speaker 2: Thank you you grounded. 22 00:00:56,040 --> 00:00:59,800 Speaker 3: Yeah, if he's show, then I'm like, okay, that's better 23 00:00:59,840 --> 00:01:00,480 Speaker 3: than an Oscar. 24 00:01:01,200 --> 00:01:02,800 Speaker 4: So has he given the thumbs up for this one? 25 00:01:03,480 --> 00:01:06,480 Speaker 3: He did? He did. My mom gave the thumbs up 26 00:01:06,560 --> 00:01:09,600 Speaker 3: until she watched the sex scene in the second episode. 27 00:01:09,600 --> 00:01:12,360 Speaker 3: And now can you warm me next time. 28 00:01:15,120 --> 00:01:18,480 Speaker 5: Spoiler, Yeah, now it is. 29 00:01:18,560 --> 00:01:22,800 Speaker 1: It is based on John Ibrahim's autobiography. How much research 30 00:01:23,000 --> 00:01:26,520 Speaker 1: did you do with John himself? 31 00:01:27,560 --> 00:01:28,039 Speaker 4: Look, I did. 32 00:01:28,080 --> 00:01:30,640 Speaker 3: I did a lot of research by myself and then 33 00:01:30,760 --> 00:01:33,800 Speaker 3: obviously met up with John because he's a consultant and 34 00:01:33,800 --> 00:01:37,200 Speaker 3: a producer on it. And essentially what I look through 35 00:01:37,200 --> 00:01:40,679 Speaker 3: a lot of old kind of newspaper clippings and articles 36 00:01:40,840 --> 00:01:44,520 Speaker 3: the time, which he had because I really like, away 37 00:01:44,520 --> 00:01:47,920 Speaker 3: from anything, I just needed to understand the business of 38 00:01:48,000 --> 00:01:50,720 Speaker 3: how it worked back then, because you know, like we've 39 00:01:50,720 --> 00:01:53,720 Speaker 3: all been to nightclubs, we've all been rejected from nightclubs, 40 00:01:53,720 --> 00:01:58,280 Speaker 3: but none of us have really owned one. So there's 41 00:01:58,320 --> 00:02:01,760 Speaker 3: a big there's a big mental difference between you know, 42 00:02:01,960 --> 00:02:03,520 Speaker 3: he and I in that way. So I just needed 43 00:02:03,520 --> 00:02:07,840 Speaker 3: to understand kind of how things worked. Yeah, we spent 44 00:02:07,920 --> 00:02:10,480 Speaker 3: a lot of time kind of teaching me that. So 45 00:02:10,960 --> 00:02:12,560 Speaker 3: you know, if I ever't want to open a nightclub, 46 00:02:12,600 --> 00:02:13,720 Speaker 3: I think I know a bit man. 47 00:02:13,840 --> 00:02:14,600 Speaker 4: You think you'll be all right. 48 00:02:15,520 --> 00:02:18,280 Speaker 3: Definitely good game. 49 00:02:19,000 --> 00:02:20,680 Speaker 5: So much of what you do for your craft, mate 50 00:02:20,800 --> 00:02:22,840 Speaker 5: is about telling stories, and you know you're getting that 51 00:02:22,919 --> 00:02:23,560 Speaker 5: character across. 52 00:02:23,560 --> 00:02:25,160 Speaker 4: But these are great stories. There's a lot of meat 53 00:02:25,200 --> 00:02:26,240 Speaker 4: to these bones. 54 00:02:26,639 --> 00:02:29,040 Speaker 3: Yeah, it's really wonderful, and it's wonderful to have an 55 00:02:29,120 --> 00:02:32,239 Speaker 3: Elebaneze Australian story on screen. 56 00:02:31,200 --> 00:02:37,640 Speaker 1: So the you really feel like you're in King's Cross 57 00:02:37,639 --> 00:02:40,960 Speaker 1: in late seventies, early eighties. The vibe is amazing. But 58 00:02:41,000 --> 00:02:44,480 Speaker 1: can we talk about the cast? Incredible? I mean Damien Walsh, 59 00:02:44,560 --> 00:02:48,880 Speaker 1: Howling and Matt Nabel who I love, Callen mulvey, but Tim. 60 00:02:48,720 --> 00:02:52,560 Speaker 3: Roth what a get Yeah yeah, yeah, No, we were 61 00:02:52,639 --> 00:02:55,000 Speaker 3: very fortunate to kind of have the Colbo we had 62 00:02:55,880 --> 00:02:58,760 Speaker 3: and he brings a bit of a kind of unpredictable 63 00:02:58,760 --> 00:03:01,880 Speaker 3: spice to the show. So yeah, it all kind of 64 00:03:02,080 --> 00:03:05,440 Speaker 3: blended together and we just have this ensemble, which you know, 65 00:03:05,600 --> 00:03:07,240 Speaker 3: no matter who we had in the scene, there was 66 00:03:07,280 --> 00:03:08,440 Speaker 3: an amazing dynamic. 67 00:03:09,320 --> 00:03:11,840 Speaker 5: So you're putting together a great body of work yourself 68 00:03:11,880 --> 00:03:14,680 Speaker 5: now may but Tim Roth in one and Ben Mendelssohn entangle, 69 00:03:14,720 --> 00:03:16,160 Speaker 5: these are pretty good people to be hanging with and 70 00:03:16,280 --> 00:03:16,640 Speaker 5: working with. 71 00:03:17,200 --> 00:03:17,480 Speaker 1: Yeah. 72 00:03:17,560 --> 00:03:21,519 Speaker 3: Yeah, I've been very fortunate. Mendo has been an idol 73 00:03:21,520 --> 00:03:25,639 Speaker 3: of mine since I started working, So I just kind 74 00:03:25,639 --> 00:03:30,799 Speaker 3: of it's always in terms of experience. If you can 75 00:03:30,919 --> 00:03:34,720 Speaker 3: just not be the most experienced in the room, then 76 00:03:34,720 --> 00:03:37,040 Speaker 3: that means you can observe and you can kind of silently, 77 00:03:37,320 --> 00:03:39,680 Speaker 3: you know, taking things by osmosis. So I've been very 78 00:03:39,720 --> 00:03:41,200 Speaker 3: fortunate with the people I've worked with. 79 00:03:41,760 --> 00:03:45,240 Speaker 1: Now, I don't want to sound creepy, but you're very 80 00:03:46,640 --> 00:03:50,920 Speaker 1: let's just say you're very fitch in this, and so 81 00:03:50,320 --> 00:03:53,480 Speaker 1: so is Claude Taburi Place Sam. 82 00:03:53,920 --> 00:03:57,040 Speaker 2: What was involved in Did you get some tips from Mattabel? 83 00:03:57,080 --> 00:04:00,280 Speaker 1: He knows his way around to workout and you do 84 00:04:00,560 --> 00:04:03,520 Speaker 1: all your own stunts as well, because there's a you know, 85 00:04:03,560 --> 00:04:04,960 Speaker 1: there's a lot a lot going on. 86 00:04:05,480 --> 00:04:05,880 Speaker 4: I did. 87 00:04:05,960 --> 00:04:09,520 Speaker 3: Look, I come from like a sporting background, so anything 88 00:04:09,600 --> 00:04:14,080 Speaker 3: where there's a physical element, I'm really excited to kind 89 00:04:14,120 --> 00:04:18,080 Speaker 3: of get into. And for my mental health, I've always 90 00:04:18,480 --> 00:04:21,080 Speaker 3: actually it's the same with Mabel when we've chatted. I 91 00:04:21,160 --> 00:04:24,200 Speaker 3: find if you know your mental health isn't in a 92 00:04:24,240 --> 00:04:26,440 Speaker 3: great place, you kind of attend to your physical health 93 00:04:26,480 --> 00:04:30,760 Speaker 3: and it helps, you know, each helps the other. Yeah, 94 00:04:30,800 --> 00:04:33,440 Speaker 3: But for this, I mean, stunts are so much fun, 95 00:04:33,640 --> 00:04:37,080 Speaker 3: so kind of you know, for a dude to be 96 00:04:37,080 --> 00:04:40,600 Speaker 3: able to, you know, learn a fight choreography and then 97 00:04:40,640 --> 00:04:42,320 Speaker 3: look cool on screen, that's the ultimate. 98 00:04:42,600 --> 00:04:43,120 Speaker 4: Yeah. 99 00:04:43,120 --> 00:04:45,000 Speaker 5: Although we're starting to hear some Hollywood starts going, oh, 100 00:04:45,040 --> 00:04:48,400 Speaker 5: we're starting to regret some of those things when I 101 00:04:48,440 --> 00:04:49,719 Speaker 5: was younger with a few of the injuries. 102 00:04:49,760 --> 00:04:51,279 Speaker 4: Now you haven't caught any bad injuries. 103 00:04:52,240 --> 00:04:54,400 Speaker 3: I haven't caught any bad injuries. But it was very 104 00:04:54,400 --> 00:04:58,279 Speaker 3: funny some of those five sequences, because you know, you 105 00:04:58,360 --> 00:05:00,800 Speaker 3: get into it and then about two we did an 106 00:05:00,880 --> 00:05:05,279 Speaker 3: eight hour fight sequence. Oh my god, and we have 107 00:05:05,360 --> 00:05:09,200 Speaker 3: these amazing stunt men kind of all in the fight 108 00:05:09,320 --> 00:05:11,240 Speaker 3: and stuff, and they'd be very funny because you know, 109 00:05:11,680 --> 00:05:15,400 Speaker 3: about four hours in you'd start improvising or they would, 110 00:05:15,920 --> 00:05:20,119 Speaker 3: and then you'd realize very quickly that they're completely letting 111 00:05:20,160 --> 00:05:24,120 Speaker 3: you win the fight. So yeah, it's a different circumstance. 112 00:05:24,160 --> 00:05:29,640 Speaker 3: You'd be quite screwed. So you get a false sense 113 00:05:29,680 --> 00:05:30,799 Speaker 3: of your own copy. 114 00:05:31,880 --> 00:05:35,280 Speaker 1: There was always going to be I guess some Underbelly comparisons, 115 00:05:35,320 --> 00:05:37,920 Speaker 1: and I mean, obviously it is an Underbelly sort of story. 116 00:05:38,720 --> 00:05:41,719 Speaker 2: This is like the original, brilliant Underbelly. 117 00:05:41,920 --> 00:05:44,359 Speaker 1: I also feel like there's a little element of my 118 00:05:44,440 --> 00:05:49,160 Speaker 1: other favorite Australian drama Blue Murder. But we have stories 119 00:05:49,200 --> 00:05:51,160 Speaker 1: in this country that come under the heading if you 120 00:05:51,200 --> 00:05:54,800 Speaker 1: just can't write this stuff is a good fun retelling 121 00:05:54,920 --> 00:05:57,840 Speaker 1: some of this stuff totally. 122 00:05:58,040 --> 00:06:01,000 Speaker 3: And I'm glad you mentioned Blue Murder because Richard Rosbrow 123 00:06:01,120 --> 00:06:05,880 Speaker 3: was the reason I got into acting years and years 124 00:06:05,880 --> 00:06:09,200 Speaker 3: ago at the launch of Romulus. My father, my mum 125 00:06:09,279 --> 00:06:14,120 Speaker 3: was at the time, so she me and he was 126 00:06:14,160 --> 00:06:17,000 Speaker 3: so kind and he gave me the confidence to start acting. 127 00:06:17,120 --> 00:06:20,560 Speaker 3: So he's actually a big inspiration in mine. But in 128 00:06:20,680 --> 00:06:23,039 Speaker 3: terms of you know, telling stories that are kind of 129 00:06:23,200 --> 00:06:26,080 Speaker 3: stranger than the truth, stranger than fiction, all that stuff, 130 00:06:27,080 --> 00:06:30,479 Speaker 3: it's wonderful because I mean, we have so many stories 131 00:06:30,480 --> 00:06:34,760 Speaker 3: here that don't get told, and you know, Underbelly did 132 00:06:34,800 --> 00:06:38,840 Speaker 3: an amazing thing with creating a format and what we're 133 00:06:39,160 --> 00:06:42,680 Speaker 3: here is we've kind of leant into the minutia of 134 00:06:42,720 --> 00:06:45,240 Speaker 3: it and the actual story and having John as a 135 00:06:45,279 --> 00:06:50,720 Speaker 3: consultant has been really interesting because it leans heavily into 136 00:06:50,760 --> 00:06:53,680 Speaker 3: the brotherhood of the two of them and the eleven 137 00:06:53,720 --> 00:06:56,200 Speaker 3: Australian kind of element which we don't get to tell 138 00:06:56,320 --> 00:07:00,560 Speaker 3: very often here. And yeah, I just than anything, I 139 00:07:00,640 --> 00:07:06,000 Speaker 3: just opens the door for the bigger budget, more ambitious 140 00:07:06,200 --> 00:07:09,560 Speaker 3: Australian stories being told here rather than having to outsource. 141 00:07:09,640 --> 00:07:12,320 Speaker 2: You know, you've got to you've got to google Claude avert. 142 00:07:12,440 --> 00:07:14,760 Speaker 1: See what a gentle looking guy here is because in 143 00:07:15,560 --> 00:07:17,720 Speaker 1: the show he's always got such a mean look on 144 00:07:17,760 --> 00:07:18,120 Speaker 1: his face. 145 00:07:18,480 --> 00:07:18,840 Speaker 4: Ready to go. 146 00:07:19,080 --> 00:07:22,760 Speaker 2: He's always ready to go. It's always on that edge. 147 00:07:22,440 --> 00:07:27,640 Speaker 3: He he is the complete opportunity, isn't it. He's extremely 148 00:07:27,720 --> 00:07:32,800 Speaker 3: funny and very very He's got this amazing ability to 149 00:07:32,960 --> 00:07:34,880 Speaker 3: kind of furrow his brow and change. 150 00:07:35,520 --> 00:07:38,600 Speaker 4: So he gets the whateline fever, well he does. 151 00:07:38,640 --> 00:07:40,440 Speaker 3: He sees red and he completely changes. 152 00:07:40,800 --> 00:07:43,680 Speaker 1: There's a couple of episodes to go. It's on paramount plus. 153 00:07:44,160 --> 00:07:47,360 Speaker 1: It is, it is gritty, it is superbly acted, and 154 00:07:47,400 --> 00:07:50,560 Speaker 1: it is a really riveting story. Lincoln, thanks for joining 155 00:07:50,640 --> 00:07:51,240 Speaker 1: us this morning. 156 00:07:52,120 --> 00:07:53,280 Speaker 3: Thanks so much. Hoping enjoyed that. 157 00:07:53,640 --> 00:07:56,520 Speaker 5: And I'm sure that you to crowded pretty happy with 158 00:07:56,560 --> 00:07:59,360 Speaker 5: you el crew that. 159 00:07:58,200 --> 00:08:00,760 Speaker 4: Yeah, they'd be stoked. 160 00:08:00,840 --> 00:08:01,640 Speaker 3: Thank you, Lincoln. 161 00:08:01,680 --> 00:08:01,920 Speaker 4: Thanks. 162 00:08:02,560 --> 00:08:05,960 Speaker 5: See it is funny when you see these Yeah, and 163 00:08:05,960 --> 00:08:07,960 Speaker 5: Matt Mabel, how angry can he look on screen? 164 00:08:08,000 --> 00:08:09,520 Speaker 2: He's directed a couple of the aps too. 165 00:08:09,520 --> 00:08:11,520 Speaker 4: When the camera camera loves him to brillant