1 00:00:00,520 --> 00:00:03,000 Speaker 1: Great the flick with Ben Oshe. 2 00:00:03,240 --> 00:00:07,720 Speaker 2: Hello, good morning guys. Much now, it's always a challenging 3 00:00:07,840 --> 00:00:12,840 Speaker 2: thing to do a sequel many many years after the original. 4 00:00:13,240 --> 00:00:16,560 Speaker 2: In this case, we're talking about Beetlejuice. Beetlejuice, the sequel 5 00:00:16,560 --> 00:00:20,360 Speaker 2: to Beetlejuice. I've said it three times. It came out 6 00:00:20,360 --> 00:00:22,520 Speaker 2: back in nineteen eighty eight. Someone else can do the maths. 7 00:00:22,560 --> 00:00:25,279 Speaker 2: But it's a long time ago. And we saw this 8 00:00:25,320 --> 00:00:28,520 Speaker 2: thing happen recently with Maverick and Top Gun Maverick, which 9 00:00:28,560 --> 00:00:32,640 Speaker 2: turned out pretty good. Twisters and Twister, long awaited sequel 10 00:00:32,720 --> 00:00:36,479 Speaker 2: turned out okay as well. Usually they don't work out okay, 11 00:00:36,640 --> 00:00:38,320 Speaker 2: too much water has gone under the bridge. 12 00:00:39,040 --> 00:00:40,519 Speaker 1: And usually what. 13 00:00:40,560 --> 00:00:44,200 Speaker 2: Happens is the director and the writers go well, everybody 14 00:00:44,280 --> 00:00:47,120 Speaker 2: wants a return to the original. It becomes about, you know, 15 00:00:47,159 --> 00:00:49,959 Speaker 2: sort of a fan service and legacy and how can 16 00:00:50,000 --> 00:00:52,599 Speaker 2: we just basically recycle all the same jokes and all 17 00:00:52,640 --> 00:00:56,120 Speaker 2: the same characters, And it probably doesn't really offer very 18 00:00:56,240 --> 00:01:00,240 Speaker 2: much new. But with Tim Burton directing the sequel as 19 00:01:00,240 --> 00:01:02,840 Speaker 2: he did the original, you hope for more, right, because 20 00:01:02,880 --> 00:01:05,040 Speaker 2: he is a guy with a very clear aesthetic, a 21 00:01:05,120 --> 00:01:07,880 Speaker 2: clear vision for how he makes his films. To be honest, 22 00:01:08,080 --> 00:01:10,840 Speaker 2: in recent years, those films haven't been very good. Like 23 00:01:10,880 --> 00:01:12,959 Speaker 2: I think you probably go back fifteen years to find 24 00:01:12,959 --> 00:01:15,240 Speaker 2: the last Tim Burton movie that you would actually say 25 00:01:15,560 --> 00:01:16,240 Speaker 2: that's a good movie. 26 00:01:16,400 --> 00:01:18,240 Speaker 1: Tim Burton classic, Tim Burton classic. 27 00:01:18,319 --> 00:01:21,520 Speaker 2: He kind of became, you know, a caricature of himself 28 00:01:21,560 --> 00:01:24,759 Speaker 2: and just became too tim burton ish in recent years. 29 00:01:25,319 --> 00:01:27,039 Speaker 2: And you know, obviously had did a lot of films 30 00:01:27,040 --> 00:01:29,080 Speaker 2: a Johnny Depp along the way, which were you know, 31 00:01:29,200 --> 00:01:32,440 Speaker 2: probably didn't help him very much. But now he's reunited 32 00:01:32,440 --> 00:01:37,640 Speaker 2: with the great Michael Keaton, who's reprising the character of Beetlejuice. 33 00:01:37,640 --> 00:01:39,880 Speaker 2: And for people who don't remember, he's the ghost with 34 00:01:40,000 --> 00:01:43,200 Speaker 2: the most He's a ghost in the afterlife who's a 35 00:01:43,240 --> 00:01:46,119 Speaker 2: bio exorcist. You can summon him by saying his name 36 00:01:46,200 --> 00:01:48,880 Speaker 2: three times and he'll come and deal with whatever ghosts 37 00:01:48,920 --> 00:01:51,520 Speaker 2: you have haunting your house. And in the original film, 38 00:01:51,960 --> 00:01:55,000 Speaker 2: you know, you had a young Wanona rider Yea and 39 00:01:55,080 --> 00:01:59,840 Speaker 2: her parents Catherine O'Hara, the Great Catherine O'Hara and Jeffrey 40 00:01:59,880 --> 00:02:04,560 Speaker 2: jo the principal from Ferris Buela were her parents, and 41 00:02:04,600 --> 00:02:09,240 Speaker 2: they were haunted by Gina Davis and Alec Baldwin, two 42 00:02:09,960 --> 00:02:13,240 Speaker 2: recently deceased couple who didn't want these newbies in their house. 43 00:02:13,800 --> 00:02:16,520 Speaker 2: Beatlejuice comes along, but you summon him, you get more trouble, 44 00:02:16,560 --> 00:02:19,000 Speaker 2: and you know what it's worth because he was a 45 00:02:19,120 --> 00:02:23,160 Speaker 2: very politically incorrect ghost who wanted nothing more but to 46 00:02:23,200 --> 00:02:25,480 Speaker 2: marry the teenage win ownA Rider, which I. 47 00:02:25,440 --> 00:02:26,600 Speaker 1: Watched it again recently. 48 00:02:27,320 --> 00:02:30,240 Speaker 2: That aspect has an aged particularly well, I will say, 49 00:02:30,320 --> 00:02:34,200 Speaker 2: but it's it's a classic, like it is a wild, 50 00:02:34,360 --> 00:02:36,480 Speaker 2: wild film. Like you look back at it, you go, 51 00:02:37,040 --> 00:02:40,560 Speaker 2: what was Tim Burton smoking when he made this? But 52 00:02:40,800 --> 00:02:44,160 Speaker 2: it was it's a cracker. And in the new film, 53 00:02:44,400 --> 00:02:47,920 Speaker 2: Winona Rider's character, Lydia Deeks has because she can see ghosts. 54 00:02:47,919 --> 00:02:51,280 Speaker 2: She's gone on to become a celebrity spirit medium and 55 00:02:51,320 --> 00:02:53,840 Speaker 2: so she's got her own TV show called ghost House 56 00:02:53,880 --> 00:02:57,519 Speaker 2: and she has people on talking about ghosts. But when 57 00:02:58,040 --> 00:03:01,200 Speaker 2: her dad dies, so Richard Deeks was played by Jeffrey Jones, 58 00:03:01,560 --> 00:03:03,760 Speaker 2: who is not in this film because he got into 59 00:03:03,800 --> 00:03:09,600 Speaker 2: some unsavory child exploitation material charges and so Tim Burton 60 00:03:09,680 --> 00:03:13,360 Speaker 2: in the first scene basically depicts him in claymation getting 61 00:03:13,360 --> 00:03:14,720 Speaker 2: bitten in half by a Shark. 62 00:03:16,360 --> 00:03:16,920 Speaker 1: Took care of that. 63 00:03:17,320 --> 00:03:23,480 Speaker 2: Took care of that, and so that death prompts Lydia 64 00:03:23,600 --> 00:03:26,799 Speaker 2: and her mum, Delia to go back to the original 65 00:03:26,840 --> 00:03:29,720 Speaker 2: house from the first movie where they're going to have 66 00:03:29,760 --> 00:03:32,080 Speaker 2: the funeral, and of course, you know, they're going back 67 00:03:32,080 --> 00:03:36,120 Speaker 2: into into their own memories, into Lydia's childhood, and of 68 00:03:36,120 --> 00:03:38,360 Speaker 2: course Beetlejuice was a big part of that, so that's 69 00:03:38,400 --> 00:03:40,560 Speaker 2: how he kind of ends up back on the scene. 70 00:03:41,160 --> 00:03:43,640 Speaker 2: But this time there is a new teen daughter who's 71 00:03:43,680 --> 00:03:46,040 Speaker 2: got a bit of an attitude played by Jenna or 72 00:03:46,080 --> 00:03:50,560 Speaker 2: Taga from Wednesday, who is a writer's daughter, Lydia's daughter, 73 00:03:51,440 --> 00:03:55,440 Speaker 2: and she brings a really great fresh vibe. 74 00:03:55,120 --> 00:03:55,640 Speaker 1: To the film. 75 00:03:55,680 --> 00:03:59,120 Speaker 2: I think she's a really fantastic young actor. And of course, 76 00:03:59,160 --> 00:04:02,760 Speaker 2: you know, Beetlejuice get it's involved, and then it kind 77 00:04:02,800 --> 00:04:06,080 Speaker 2: of goes off the rails as you would expect. It 78 00:04:06,200 --> 00:04:09,960 Speaker 2: does honor the original movie really really nicely without going 79 00:04:10,000 --> 00:04:13,760 Speaker 2: too far into only being about that, so it does 80 00:04:13,800 --> 00:04:17,000 Speaker 2: offer a new plot. They've tried hard not to just 81 00:04:17,160 --> 00:04:20,080 Speaker 2: lean into CG effects and have done that kind of 82 00:04:20,120 --> 00:04:24,599 Speaker 2: like you know, sort of handmade claymation, old school vibe 83 00:04:24,640 --> 00:04:28,000 Speaker 2: with the special effects, which is really nice, but this 84 00:04:28,120 --> 00:04:30,840 Speaker 2: is really about Michael Keaton. He is just so fantastic. 85 00:04:31,480 --> 00:04:34,000 Speaker 2: Some great and new additions to the cast as well. 86 00:04:34,120 --> 00:04:38,799 Speaker 2: Monica Balucci plays Michael Keaton's ex wife from the Afterlife 87 00:04:38,800 --> 00:04:42,280 Speaker 2: who wants revenge on Feetle Juice, which is pretty funny 88 00:04:42,279 --> 00:04:46,560 Speaker 2: as a soul sucking witch. And you've got Willem Dafoe 89 00:04:46,600 --> 00:04:49,360 Speaker 2: who's also a ghost in the afterlife. He's a sort 90 00:04:49,360 --> 00:04:52,440 Speaker 2: of a ghost police detective because he was a B 91 00:04:52,640 --> 00:04:55,160 Speaker 2: movie actor in real life who died doing. 92 00:04:54,920 --> 00:04:56,440 Speaker 1: His own stunts. 93 00:04:56,240 --> 00:05:00,520 Speaker 2: He's playing a character called Jack Hardballer I don't know, 94 00:05:01,080 --> 00:05:03,680 Speaker 2: So there's stuff like that which is really really fun. 95 00:05:04,600 --> 00:05:08,720 Speaker 2: And justin throw is Winona Ryder's sort of boyfriend in 96 00:05:08,760 --> 00:05:11,240 Speaker 2: the film, who's just this, you know, sort of you know, 97 00:05:11,320 --> 00:05:15,360 Speaker 2: sort of new age hippie, dippy producer of her TV show, 98 00:05:15,640 --> 00:05:18,919 Speaker 2: but maybe he's got a bit of a nefarious intent 99 00:05:19,000 --> 00:05:21,240 Speaker 2: behind the scenes. So there's a bit going on in 100 00:05:21,240 --> 00:05:23,720 Speaker 2: this film. I would say overall, it probably doesn't have 101 00:05:23,800 --> 00:05:26,719 Speaker 2: that same classic feel that the original did. Like you 102 00:05:26,760 --> 00:05:28,440 Speaker 2: watch that and you go, do you know what people 103 00:05:28,480 --> 00:05:30,120 Speaker 2: are going to be talking about Beetlejuice for the next 104 00:05:30,200 --> 00:05:32,080 Speaker 2: thirty years you see someone wearing a black and white 105 00:05:32,120 --> 00:05:33,120 Speaker 2: striped jacket, you go. 106 00:05:33,320 --> 00:05:34,839 Speaker 1: Who you're supposed to be? Beetle Juice. 107 00:05:35,440 --> 00:05:36,839 Speaker 2: I don't think they're going to be talking about the 108 00:05:36,880 --> 00:05:40,160 Speaker 2: sequel in the same way in thirty years time. In 109 00:05:40,200 --> 00:05:44,520 Speaker 2: some ways it improves, but overall you'd have to say 110 00:05:44,760 --> 00:05:47,200 Speaker 2: it's probably a slight step down from the original, but 111 00:05:47,240 --> 00:05:50,600 Speaker 2: that's extremely high bar. I think overall, Tim Burton's done 112 00:05:50,600 --> 00:05:51,240 Speaker 2: a pretty good job. 113 00:05:51,400 --> 00:05:54,480 Speaker 3: All right, Well, how many beetle Juices are you hearing? 114 00:05:55,000 --> 00:05:56,760 Speaker 1: I'm going to give it three and a half? Okay, 115 00:05:58,200 --> 00:06:00,960 Speaker 1: very solid. Go watch it. It's an easy thing to 116 00:06:00,960 --> 00:06:01,960 Speaker 1: do nearly forty years later. 117 00:06:02,000 --> 00:06:08,560 Speaker 3: Absolutely your thoughts on please on film festival standing ovations 118 00:06:09,880 --> 00:06:13,680 Speaker 3: talking about this new movie got seventeen minutes yesterday. 119 00:06:14,000 --> 00:06:14,719 Speaker 1: It's out of control. 120 00:06:14,839 --> 00:06:18,279 Speaker 3: You even imagine standing there clapping, yes, seventeen minutes. 121 00:06:18,400 --> 00:06:20,520 Speaker 2: It sounds crazy, right, But the way they do it 122 00:06:20,600 --> 00:06:23,360 Speaker 2: is they have the stars coming on one at a time. Okay, 123 00:06:23,600 --> 00:06:26,240 Speaker 2: so they're going on, here comes in this case, till 124 00:06:26,279 --> 00:06:30,200 Speaker 2: the Swinter, till the Swinton comes out, and she's walking 125 00:06:30,360 --> 00:06:31,880 Speaker 2: from one side of the stage to the other show. 126 00:06:33,360 --> 00:06:36,000 Speaker 2: So it would feel like you're clapping different things. You're 127 00:06:36,000 --> 00:06:38,480 Speaker 2: not just one clapping, but it is getting out of control. 128 00:06:38,520 --> 00:06:40,680 Speaker 2: And then people said that particular movie maybe wasn't that 129 00:06:40,720 --> 00:06:44,040 Speaker 2: good anyway. So there you go and the Joker. The 130 00:06:44,120 --> 00:06:47,960 Speaker 2: Joker got eleven got eleven minutes, and us in the media, 131 00:06:48,000 --> 00:06:51,360 Speaker 2: we're judging it. We're going on eleven minutes. 132 00:06:51,200 --> 00:06:53,280 Speaker 1: Considerably less than the old motible if. 133 00:06:53,200 --> 00:06:55,440 Speaker 2: You need to get four minutes, So the movie companies 134 00:06:55,440 --> 00:07:01,120 Speaker 2: will be planting really good clapperes exactly clap us. You'd 135 00:07:01,120 --> 00:07:03,400 Speaker 2: need to stunt clap with your hands and be nearly 136 00:07:03,400 --> 00:07:05,440 Speaker 2: falling off. You couldn't just be an amateur going on 137 00:07:05,520 --> 00:07:09,440 Speaker 2: to be a professional. Thank you guys, good to say 138 00:07:09,480 --> 00:07:09,520 Speaker 2: you