1 00:00:03,160 --> 00:00:06,320 Speaker 1: Everybody, man has gotten real, flo. 2 00:00:10,440 --> 00:00:11,480 Speaker 2: Has gotten real flat. 3 00:00:11,840 --> 00:00:13,400 Speaker 3: It's the tiny real food. 4 00:00:18,239 --> 00:00:21,120 Speaker 1: Has got real real fight. 5 00:00:24,680 --> 00:00:26,320 Speaker 2: On the cutting room floor today. 6 00:00:26,560 --> 00:00:30,800 Speaker 3: Well, apparently Karen is no more, you know Karen. This 7 00:00:30,920 --> 00:00:36,640 Speaker 3: is the expression for the boom abating manager requesting bob 8 00:00:36,760 --> 00:00:38,440 Speaker 3: sporting older. 9 00:00:38,159 --> 00:00:39,840 Speaker 2: Woman, a fourth right woman. 10 00:00:39,760 --> 00:00:42,720 Speaker 3: A fourth right woman woman, and the term Karen particularly. 11 00:00:42,720 --> 00:00:44,320 Speaker 3: I think there's a lot of stuff during COVID, but 12 00:00:44,479 --> 00:00:46,680 Speaker 3: wanted to see the manager and complaining about masks and 13 00:00:46,680 --> 00:00:49,680 Speaker 3: all this kind of stuff. A lot of people call Karen. 14 00:00:49,680 --> 00:00:51,959 Speaker 3: Weren't happy with that, and I saw an interesting thing 15 00:00:52,000 --> 00:00:56,200 Speaker 3: that said, women who opinions and being forthright are now 16 00:00:56,280 --> 00:00:58,400 Speaker 3: being labeled, whereas men have always been that and have 17 00:00:58,480 --> 00:00:59,320 Speaker 3: never had a label. 18 00:00:59,320 --> 00:01:00,160 Speaker 2: Put strap and. 19 00:01:00,200 --> 00:01:03,720 Speaker 4: A man, isn't it Juby's fourth right af. 20 00:01:03,800 --> 00:01:07,360 Speaker 3: Well, move over Karen. Apparently Karen is canceled. It's like 21 00:01:07,440 --> 00:01:12,280 Speaker 3: move over Barbie when Skipper came to town. Because Karen 22 00:01:12,400 --> 00:01:15,200 Speaker 3: is canceled. And now we have her younger Sassi, a 23 00:01:15,360 --> 00:01:19,800 Speaker 3: cousin who's entitled abrasive and also wants to speak to 24 00:01:19,840 --> 00:01:25,119 Speaker 3: the manager. And her name is Jessica. So Jessica is 25 00:01:25,280 --> 00:01:29,920 Speaker 3: the new Karen, the younger version of the Karen. Yeah right, 26 00:01:29,959 --> 00:01:33,640 Speaker 3: And you know who's not happy with this? Jessica's. Of course, 27 00:01:34,040 --> 00:01:35,560 Speaker 3: listen to this, Jessica. 28 00:01:35,880 --> 00:01:38,760 Speaker 1: Hey, gen Z, it's jess Jessica. 29 00:01:39,520 --> 00:01:41,680 Speaker 3: What seems to be the problem. I feel attacked. 30 00:01:43,000 --> 00:01:45,679 Speaker 1: Obviously, gen Z, if you haven't heard, has declared that 31 00:01:45,880 --> 00:01:48,200 Speaker 1: Jessica is the new Karen. 32 00:01:48,760 --> 00:01:52,480 Speaker 3: No, I don't think so. One. 33 00:01:52,600 --> 00:01:56,040 Speaker 1: It's two urges, like three syllables, Jessica. No one has 34 00:01:56,080 --> 00:02:00,840 Speaker 1: time for that. And Jessica's don't act like Karen's. I've 35 00:02:00,920 --> 00:02:02,760 Speaker 1: never asked for a manager. I've never gone to a 36 00:02:02,800 --> 00:02:05,480 Speaker 1: sporting event and taken a baseball out of a child's hand. 37 00:02:05,720 --> 00:02:07,880 Speaker 1: There's no Karen in us, Jessica's. 38 00:02:08,160 --> 00:02:10,440 Speaker 3: And by the way, who decides that we're going to 39 00:02:10,520 --> 00:02:11,000 Speaker 3: change his name? 40 00:02:11,080 --> 00:02:13,480 Speaker 1: Karen is now eight years old, and you're like, you 41 00:02:13,520 --> 00:02:15,720 Speaker 1: know what, Karen, we're gonna call you Jessica. 42 00:02:16,040 --> 00:02:20,000 Speaker 3: Doesn't work that way. So thank you for considering. 43 00:02:20,320 --> 00:02:24,480 Speaker 1: But all as Jessica's deny the opportunity to be called 44 00:02:24,480 --> 00:02:25,240 Speaker 1: the new Karen. 45 00:02:25,760 --> 00:02:29,919 Speaker 3: Although now I do realize as I'm making this video. 46 00:02:31,600 --> 00:02:31,919 Speaker 2: It is. 47 00:02:34,040 --> 00:02:36,400 Speaker 3: It's kind of it's kind of Karen. 48 00:02:36,720 --> 00:02:38,880 Speaker 2: You know, she's become Karen doing it. 49 00:02:38,919 --> 00:02:42,080 Speaker 3: The first comment was this is very Jessica, Jessica and 50 00:02:42,080 --> 00:02:46,919 Speaker 3: other people saying calm down, Jessica, keep it right, keep 51 00:02:46,960 --> 00:02:48,440 Speaker 3: it in your pie hold, Jessic. Kah. 52 00:02:48,560 --> 00:02:54,320 Speaker 4: What about Amanda's Oh it is bad. If you want 53 00:02:54,320 --> 00:02:57,800 Speaker 4: to go back to Melro's place, Amanda was bad. 54 00:02:58,960 --> 00:02:59,960 Speaker 2: There was a lot of a. 55 00:02:59,840 --> 00:03:03,760 Speaker 3: Man Amandas are usually slightly bitchy and bad. And the 56 00:03:03,800 --> 00:03:06,480 Speaker 3: one there in Melrose Place was always interesting. Heather, which 57 00:03:06,600 --> 00:03:09,080 Speaker 3: was the Heathers? Was it? Heather Lockleier was in the 58 00:03:09,160 --> 00:03:10,880 Speaker 3: year after year after He was always seen as the 59 00:03:10,880 --> 00:03:13,120 Speaker 3: special guest star, as if she's only just turning up 60 00:03:13,120 --> 00:03:15,040 Speaker 3: for that day but happened to stay there for it. 61 00:03:15,120 --> 00:03:17,880 Speaker 4: It's like you're on the show Jonesy with special guest 62 00:03:17,880 --> 00:03:19,120 Speaker 4: star Amanda. 63 00:03:19,280 --> 00:03:21,160 Speaker 3: Is that how you justify my name coming second? 64 00:03:21,320 --> 00:03:23,120 Speaker 2: Yeah? And that's how we get it through accounts. 65 00:03:23,520 --> 00:03:24,120 Speaker 5: She's just a. 66 00:03:24,120 --> 00:03:28,799 Speaker 3: Casual I'm on casual rates. That's why I can't work 67 00:03:28,840 --> 00:03:30,880 Speaker 3: on long weekends because they just can't afford me. But 68 00:03:31,000 --> 00:03:34,839 Speaker 3: you know what, you're not forth right, that's right, sir. 69 00:03:35,040 --> 00:03:41,800 Speaker 4: Whatever you say, it's time. 70 00:03:41,760 --> 00:03:45,040 Speaker 2: For Chelsea and Amanda's. 71 00:03:44,520 --> 00:03:48,320 Speaker 3: Punning room on the cutting room floor today, actually on 72 00:03:48,400 --> 00:03:52,400 Speaker 3: the cutting room Floridaday, I've got a story from Tasmania, Tasmania. 73 00:03:52,560 --> 00:03:56,000 Speaker 4: What is it? Local news? I guess so, well, what 74 00:03:56,120 --> 00:03:57,840 Speaker 4: area in Tasmania. It's a big island. 75 00:03:58,560 --> 00:04:00,360 Speaker 3: Well, let me have a look at so what place? 76 00:04:00,560 --> 00:04:04,160 Speaker 3: White Beach at New Beina, No Bina. Oh, don't do 77 00:04:04,200 --> 00:04:06,240 Speaker 3: an intro. I don't do an intro. 78 00:04:07,280 --> 00:04:11,480 Speaker 2: Local news and happening now in u Beena. 79 00:04:11,240 --> 00:04:15,119 Speaker 6: And wonderful privacy where you don't even know the neighbors 80 00:04:15,160 --> 00:04:16,240 Speaker 6: are here locally? 81 00:04:17,160 --> 00:04:20,200 Speaker 3: Are you ready for the story to commence? Children, I 82 00:04:20,279 --> 00:04:22,440 Speaker 3: let's read you the story. This is from the Pulse 83 00:04:22,560 --> 00:04:29,200 Speaker 3: Tazzy website. Police locate dog seen driving ute on Tazzy Beach. 84 00:04:30,279 --> 00:04:32,800 Speaker 3: Everything I love is in this story. I'm going to 85 00:04:32,839 --> 00:04:35,280 Speaker 3: read you the story as it is. Police are investigating 86 00:04:35,320 --> 00:04:37,600 Speaker 3: reports that a dog was allegedly driving a ute on 87 00:04:37,640 --> 00:04:41,320 Speaker 3: a Tasmanian beach. Witnesses and there's more than one, said 88 00:04:41,320 --> 00:04:44,080 Speaker 3: the ute had been driving along White Beach at Nebina 89 00:04:44,160 --> 00:04:46,320 Speaker 3: at nine thirty am on Saturday with a dog in 90 00:04:46,320 --> 00:04:50,640 Speaker 3: the driver's seat. This is a quote. Witnesses reported that 91 00:04:50,680 --> 00:04:54,040 Speaker 3: a white Mitsubishi Triton was being driven on the beach 92 00:04:54,320 --> 00:04:56,680 Speaker 3: with a dog in the driver's seat and a man 93 00:04:56,720 --> 00:05:01,760 Speaker 3: in the passenger seat, A police spokesperson told officers later 94 00:05:01,839 --> 00:05:05,120 Speaker 3: located the vehicle, the man, and the dog at a 95 00:05:05,160 --> 00:05:09,440 Speaker 3: nearby property, with police confirming multiple reports being made about 96 00:05:09,480 --> 00:05:11,400 Speaker 3: the incident. I meaning it wasn't just one person officer, 97 00:05:11,400 --> 00:05:15,560 Speaker 3: the chops going either dog driving a car. Police are 98 00:05:15,600 --> 00:05:18,160 Speaker 3: calling for witnesses or footage, including dash cam footage, as 99 00:05:18,200 --> 00:05:20,200 Speaker 3: investigations continue. 100 00:05:22,200 --> 00:05:23,320 Speaker 2: Maybe he's a new Uber. 101 00:05:23,240 --> 00:05:28,080 Speaker 3: Driver, Maybe Brendan he was driving a land Rover. I've 102 00:05:28,120 --> 00:05:29,360 Speaker 3: got parns. Do you want to hear them? 103 00:05:29,440 --> 00:05:29,800 Speaker 5: Go on? 104 00:05:30,000 --> 00:05:33,960 Speaker 3: I hope you didn't drive over the border. Collie. He 105 00:05:34,040 --> 00:05:38,320 Speaker 3: had his paws up on the dash down. He was 106 00:05:38,400 --> 00:05:44,080 Speaker 3: driving a Porsche Boxer. That's fake. And I've got one 107 00:05:44,080 --> 00:05:47,960 Speaker 3: more excuse that that's quality material. And how about this one? 108 00:05:48,080 --> 00:05:53,560 Speaker 3: He should have taken the GREYHOUNDO. Come on, that's quality material. 109 00:05:53,720 --> 00:05:56,280 Speaker 2: I think that's just a shit story. Not a shit zoo. 110 00:05:56,760 --> 00:05:59,120 Speaker 3: That's not even a pun. That's a shit story, not 111 00:05:59,160 --> 00:06:02,240 Speaker 3: a shit zoo. That's the worst told pun or joke 112 00:06:02,279 --> 00:06:02,720 Speaker 3: of all time. 113 00:06:03,000 --> 00:06:04,119 Speaker 2: I like my intro better. 114 00:06:04,160 --> 00:06:09,360 Speaker 4: Of course, she did local news happening now in Uveda. 115 00:06:09,080 --> 00:06:12,920 Speaker 6: And wonderful privacy where you don't even know the neighbors 116 00:06:12,960 --> 00:06:14,520 Speaker 6: are here locally. 117 00:06:14,760 --> 00:06:18,120 Speaker 3: It's not Clever Brendan. 118 00:06:18,560 --> 00:06:23,440 Speaker 5: It's John's and the men that's cutting new floor. It's 119 00:06:23,520 --> 00:06:26,479 Speaker 5: John's here and the men that's cutting mean floor. Yeah, 120 00:06:28,000 --> 00:06:30,120 Speaker 5: it's John's here and the men that's cutting. 121 00:06:30,120 --> 00:06:34,080 Speaker 4: Floor on the cutting room floor today. You like going 122 00:06:34,120 --> 00:06:36,840 Speaker 4: out on the town, don't you. You like going to clubs. 123 00:06:37,160 --> 00:06:39,080 Speaker 4: You go to clubs and people go okay, and the 124 00:06:39,160 --> 00:06:41,320 Speaker 4: velvet rope comes up and in you go. 125 00:06:41,760 --> 00:06:43,719 Speaker 3: I can't remember the last time I was in a club. 126 00:06:43,760 --> 00:06:45,240 Speaker 3: Do you go to clubs? 127 00:06:45,279 --> 00:06:45,359 Speaker 6: Not? 128 00:06:45,560 --> 00:06:47,800 Speaker 3: Really? Do you go to clubs where you order the 129 00:06:47,880 --> 00:06:49,920 Speaker 3: crystal and sit in the corner and pay women to 130 00:06:50,040 --> 00:06:50,599 Speaker 3: dance for you. 131 00:06:51,000 --> 00:06:52,680 Speaker 4: If I'm in a club and I'm not getting paid 132 00:06:52,680 --> 00:06:55,880 Speaker 4: money for being there, there's no point. I used to 133 00:06:56,000 --> 00:06:58,080 Speaker 4: years ago, and I say that without any sort of 134 00:06:58,279 --> 00:07:01,080 Speaker 4: hint of arrogance years ago, to work as a DJ 135 00:07:01,160 --> 00:07:03,640 Speaker 4: in nightclubs. So you'd go along there and you'd get 136 00:07:03,640 --> 00:07:05,000 Speaker 4: paid to play the records. 137 00:07:05,040 --> 00:07:06,520 Speaker 3: And what kind of music were you're playing in the 138 00:07:06,920 --> 00:07:09,000 Speaker 3: back then? The big song was the floor fillers. 139 00:07:09,080 --> 00:07:11,640 Speaker 2: You know, the big floor filler was You're the voice, 140 00:07:11,720 --> 00:07:12,480 Speaker 2: John Farnham. 141 00:07:12,640 --> 00:07:14,000 Speaker 3: No, you can't dance today. 142 00:07:14,360 --> 00:07:17,240 Speaker 4: It was the thing and at the time I was 143 00:07:17,320 --> 00:07:20,400 Speaker 4: working at a club down the snow the song had 144 00:07:20,440 --> 00:07:24,000 Speaker 4: come out and because we didn't have the connectivity that 145 00:07:24,040 --> 00:07:26,920 Speaker 4: we have now, people started coming up to the DJ 146 00:07:27,000 --> 00:07:29,440 Speaker 4: with have you got John Farnum's latest one? I went, 147 00:07:29,480 --> 00:07:34,000 Speaker 4: what Johnny Farnham, what Sadie and they said, no, he's 148 00:07:34,000 --> 00:07:36,040 Speaker 4: got a song. It's this huge one. It's called You're 149 00:07:36,080 --> 00:07:37,880 Speaker 4: the Voice and I said, I've never heard of it. 150 00:07:38,040 --> 00:07:40,560 Speaker 4: And then I had to actually go into Kuma to 151 00:07:40,600 --> 00:07:43,840 Speaker 4: the records store and have you got John Farnham's You're 152 00:07:43,880 --> 00:07:45,840 Speaker 4: the Voice? I went, yeah, it's a big record and 153 00:07:45,880 --> 00:07:47,480 Speaker 4: I put it on Because we didn't even have radio 154 00:07:47,560 --> 00:07:48,000 Speaker 4: down there. 155 00:07:48,320 --> 00:07:50,600 Speaker 2: It was just the ABC so you got. 156 00:07:50,520 --> 00:07:54,800 Speaker 3: Two sticks together to messages the money. 157 00:07:54,840 --> 00:07:56,360 Speaker 2: I'll say this. As soon as I heard it, I went, 158 00:07:56,360 --> 00:07:58,000 Speaker 2: oh my god, this is brilliant. 159 00:07:58,120 --> 00:08:00,360 Speaker 3: Well that was I guess the Horses of the day, 160 00:08:00,360 --> 00:08:02,400 Speaker 3: because you can't really dance to horses either, but that 161 00:08:02,520 --> 00:08:03,200 Speaker 3: fills a dance. 162 00:08:03,640 --> 00:08:04,520 Speaker 2: It's anthemic. 163 00:08:05,320 --> 00:08:08,120 Speaker 4: There is a club though over in London doesn't have 164 00:08:08,160 --> 00:08:11,040 Speaker 4: anything to do with being a fan of Farnam or not. 165 00:08:11,560 --> 00:08:16,520 Speaker 2: You have to be Braithwaite. I think we're moving further away. 166 00:08:16,600 --> 00:08:19,840 Speaker 3: Your fans of anthemic. Anthemic's a great drag name. 167 00:08:21,920 --> 00:08:25,440 Speaker 4: A London club where men must be six feet tall 168 00:08:25,760 --> 00:08:26,480 Speaker 4: to enter out. 169 00:08:26,520 --> 00:08:30,160 Speaker 2: They're going to be over six feet tall for what purpose? 170 00:08:30,760 --> 00:08:33,400 Speaker 2: Not too sure just what. It goes along Mere. It's 171 00:08:33,440 --> 00:08:36,520 Speaker 2: called the Land of the Giants Party. I don't know. 172 00:08:36,679 --> 00:08:38,559 Speaker 2: Like I'm six foot right on the knocker. Are you 173 00:08:39,120 --> 00:08:39,959 Speaker 2: what you didn't think I was? 174 00:08:40,080 --> 00:08:40,880 Speaker 3: No, I didn't think you were. 175 00:08:40,920 --> 00:08:41,679 Speaker 2: What did you think I was? 176 00:08:41,800 --> 00:08:43,360 Speaker 3: I don't know. But you wear those big high heel 177 00:08:43,400 --> 00:08:45,679 Speaker 3: booths every day. I thought you had some issues, you know. 178 00:08:45,800 --> 00:08:47,920 Speaker 3: But at six foot do you have to duck to 179 00:08:47,960 --> 00:08:48,800 Speaker 3: get under doorways? 180 00:08:49,040 --> 00:08:50,480 Speaker 2: Some doorways you do in England? 181 00:08:50,559 --> 00:08:52,880 Speaker 3: You would if you ever go to medieval England you 182 00:08:52,920 --> 00:08:54,720 Speaker 3: can do some of them. It shows you how small 183 00:08:54,840 --> 00:08:55,599 Speaker 3: people used to be. 184 00:08:55,720 --> 00:08:57,520 Speaker 4: Well, I don't know if that's true. I think that 185 00:08:57,720 --> 00:08:59,560 Speaker 4: might be a bit of an urban myth. I think 186 00:08:59,600 --> 00:09:01,880 Speaker 4: it was more about keeping heat in rooms. 187 00:09:02,280 --> 00:09:05,199 Speaker 3: Having said that, I think we are taller and broader 188 00:09:05,320 --> 00:09:07,080 Speaker 3: Chester than our previous generations. 189 00:09:07,440 --> 00:09:09,520 Speaker 2: Yeah, have you seen that thing that's going around? 190 00:09:10,400 --> 00:09:13,360 Speaker 4: It's a meme at the moment on the socials, and 191 00:09:13,800 --> 00:09:16,880 Speaker 4: it was came out in the nineteen hundred, nineteen twenty, 192 00:09:17,240 --> 00:09:19,959 Speaker 4: and it said the last child will be born in 193 00:09:20,080 --> 00:09:21,320 Speaker 4: twenty twelve. 194 00:09:21,800 --> 00:09:23,360 Speaker 2: And this is what I'll look like like. 195 00:09:23,400 --> 00:09:26,360 Speaker 4: Some big headed alien, big headed alien with the big 196 00:09:26,440 --> 00:09:27,080 Speaker 4: barrel chest. 197 00:09:27,160 --> 00:09:30,439 Speaker 3: As you say, yeah, killer in the birth canal, some 198 00:09:30,559 --> 00:09:33,000 Speaker 3: of the murder on the dance floor and killer in the. 199 00:09:33,360 --> 00:09:36,880 Speaker 2: In the birth canal. But you better not kill the groove. 200 00:09:37,080 --> 00:09:39,320 Speaker 3: No, those women were sitting on earrings for years. 201 00:09:39,440 --> 00:09:42,760 Speaker 2: That'll be playing in my club and anyone can enter, 202 00:09:42,920 --> 00:09:45,679 Speaker 2: thank you. Yeah ye this sounds and a man has 203 00:09:45,679 --> 00:09:49,120 Speaker 2: got room for yeah, yeah yeah, on the cutting room 204 00:09:49,160 --> 00:09:49,760 Speaker 2: floor today. 205 00:09:50,760 --> 00:09:53,400 Speaker 3: Do you love your bikes? I love my bikes, as 206 00:09:53,480 --> 00:09:56,160 Speaker 3: in really love your bikes. 207 00:09:56,240 --> 00:09:58,199 Speaker 2: Now, I like polish um, I like to shine them. 208 00:09:58,679 --> 00:10:02,439 Speaker 3: Do you have romantic sexual attraction to Well, it's no. 209 00:10:02,600 --> 00:10:04,880 Speaker 3: I just wonder if you had objective feilia. 210 00:10:05,120 --> 00:10:05,880 Speaker 2: Oh no, no. 211 00:10:06,480 --> 00:10:08,520 Speaker 3: This is people who fall in love with the Eiffel Tower, 212 00:10:08,679 --> 00:10:11,760 Speaker 3: people who fall in love with local merry go rounds. 213 00:10:12,080 --> 00:10:14,240 Speaker 3: And it's not just liking to go on them. It's 214 00:10:14,280 --> 00:10:18,080 Speaker 3: actually having feelings and sexual attraction to these things. 215 00:10:18,120 --> 00:10:20,679 Speaker 2: Well, I guess you know wherever you know, you'd always 216 00:10:20,720 --> 00:10:21,880 Speaker 2: know where the Eiffel Tower was. 217 00:10:22,080 --> 00:10:24,479 Speaker 3: But let me tell you this, it's not as straightforward 218 00:10:24,600 --> 00:10:26,600 Speaker 3: as you think you'd think. It'd be. Like loving someone 219 00:10:26,640 --> 00:10:29,160 Speaker 3: who's in jail. You know where they are, and it's 220 00:10:29,200 --> 00:10:33,760 Speaker 3: an easy bet that they're in their beds, maybe every night, 221 00:10:35,800 --> 00:10:37,520 Speaker 3: but not so. What about this woman? 222 00:10:37,960 --> 00:10:39,920 Speaker 2: I'm still thinking about the Merry go Round person? How 223 00:10:39,960 --> 00:10:40,160 Speaker 2: do you. 224 00:10:42,160 --> 00:10:44,440 Speaker 3: Well, how do you let the carnes touch him? 225 00:10:45,200 --> 00:10:48,240 Speaker 2: Well? How do you even what part of these I. 226 00:10:48,240 --> 00:10:49,839 Speaker 3: Don't think you. I think you just hold it and 227 00:10:49,920 --> 00:10:51,679 Speaker 3: kiss it and things like that. But what do you 228 00:10:51,800 --> 00:10:56,080 Speaker 3: hold against it? Well, the pylons and things. Right, Okay, 229 00:10:56,880 --> 00:10:59,040 Speaker 3: this story here and I've read about this woman over 230 00:10:59,080 --> 00:10:59,360 Speaker 3: the year. 231 00:10:59,480 --> 00:11:01,439 Speaker 2: Any questions there, but please. 232 00:11:01,280 --> 00:11:03,160 Speaker 3: Oh I'm not their therapist. That's up to them to 233 00:11:03,200 --> 00:11:07,559 Speaker 3: tell you the story. This woman, Mary Vian Mariez is 234 00:11:07,640 --> 00:11:10,199 Speaker 3: from Brazil, thirty seven year old woman and have you 235 00:11:10,280 --> 00:11:12,439 Speaker 3: may have seen these pictures over the years. She's married 236 00:11:12,480 --> 00:11:15,920 Speaker 3: to a life size rag doll named Machell. Yes, we've 237 00:11:16,000 --> 00:11:18,280 Speaker 3: done this, We've talked about it, we've talked about her before. 238 00:11:18,760 --> 00:11:22,240 Speaker 3: Her story I find quite fascinating. Her journey began when 239 00:11:22,280 --> 00:11:25,880 Speaker 3: her mother made a life size rag doll named Marcello 240 00:11:26,000 --> 00:11:28,679 Speaker 3: when she said she was struggling with loneliness and had 241 00:11:28,720 --> 00:11:31,600 Speaker 3: trouble finding a partner. I don't know if the mother 242 00:11:31,720 --> 00:11:34,719 Speaker 3: expected what happened next to it to happen, because she 243 00:11:34,840 --> 00:11:37,679 Speaker 3: fell in love with Marcello at first sight, leading to 244 00:11:37,920 --> 00:11:40,760 Speaker 3: a wedding ceremony attended by two hundred and fifty people, 245 00:11:41,960 --> 00:11:45,600 Speaker 3: well all not rag doll people, real people. And since 246 00:11:45,640 --> 00:11:49,400 Speaker 3: then they've welcomed three rag doll children, a son named 247 00:11:49,679 --> 00:11:55,720 Speaker 3: Maceelino and twin daughters, Marcello and Amelia. Right, but you'd think, 248 00:11:55,960 --> 00:11:59,439 Speaker 3: as we said, having feelings for an inanimate object means 249 00:11:59,440 --> 00:12:02,199 Speaker 3: as an element control somehow, but it can still be 250 00:12:02,280 --> 00:12:06,160 Speaker 3: a rocky road to love. Brendan, they've had some parenting challenges, 251 00:12:06,200 --> 00:12:10,600 Speaker 3: as she says. She said that Marcello's pretty good, she said, 252 00:12:10,640 --> 00:12:13,280 Speaker 3: despite him being a doll, she portrays him as an 253 00:12:13,280 --> 00:12:16,679 Speaker 3: active participant in their family life. She updates their followers 254 00:12:16,720 --> 00:12:21,760 Speaker 3: on their daily activities, etc. However, the family faced some difficulties, 255 00:12:21,800 --> 00:12:28,840 Speaker 3: had financial pressures and allegations of infidelity. He was playing up. Really, 256 00:12:29,200 --> 00:12:32,280 Speaker 3: this is the quote at the time, not once but twice, what. 257 00:12:32,440 --> 00:12:35,280 Speaker 2: With some fuzzy felt well I was reading. 258 00:12:35,000 --> 00:12:37,120 Speaker 3: The information to see who he's having it off with 259 00:12:39,200 --> 00:12:42,360 Speaker 3: a bunch of towels. I don't know, but she said, 260 00:12:42,360 --> 00:12:45,400 Speaker 3: I'm angry and sad by his cheating. And don't tell 261 00:12:45,440 --> 00:12:47,960 Speaker 3: me he's just a doll, she said, because if there's 262 00:12:48,000 --> 00:12:50,200 Speaker 3: one thing he knows, it's how to manipulate. He may 263 00:12:50,240 --> 00:12:52,200 Speaker 3: be made of cloth, but he's not stupid. 264 00:12:53,240 --> 00:12:54,640 Speaker 2: He didn't have it off with a pufftity. 265 00:12:59,280 --> 00:13:02,319 Speaker 3: So anyway, that has been very challenging for them. And 266 00:13:02,440 --> 00:13:04,520 Speaker 3: then remember their son was kidnapped. Do you remember that 267 00:13:05,800 --> 00:13:08,280 Speaker 3: their son they found. The family faced a distressing incident 268 00:13:08,320 --> 00:13:11,240 Speaker 3: when her son was reportedly kidnapped, and that led to 269 00:13:11,280 --> 00:13:13,400 Speaker 3: her putting out a public plea for help. He was 270 00:13:13,480 --> 00:13:17,640 Speaker 3: found safe, relacks everyone, but the incident highlighted the unusual 271 00:13:17,679 --> 00:13:22,480 Speaker 3: and challenging nature of their family dynamics. Well, recently more 272 00:13:22,520 --> 00:13:25,400 Speaker 3: exciting news. So they've got three children, she's pregnant with 273 00:13:25,440 --> 00:13:27,319 Speaker 3: a fourth. I think she's given birth to him now. 274 00:13:27,600 --> 00:13:30,840 Speaker 3: But she was on social media with the gender reveal 275 00:13:34,520 --> 00:13:37,800 Speaker 3: what they did. She hears the two of them standing 276 00:13:37,880 --> 00:13:40,880 Speaker 3: next to the toilet and they had a toilet flush. 277 00:13:41,000 --> 00:13:43,680 Speaker 3: Gender reveal that she shared with her eight hundred plus 278 00:13:43,760 --> 00:13:50,280 Speaker 3: TikTok followers. The thing. They're expecting a boy because half 279 00:13:50,320 --> 00:13:54,040 Speaker 3: big plush mattic only comes in blue, So yes, there's 280 00:13:54,080 --> 00:13:55,320 Speaker 3: no such thing as a pink flush. 281 00:13:55,440 --> 00:13:56,640 Speaker 2: They were expecting a duck. 282 00:13:57,800 --> 00:14:02,000 Speaker 3: So she had a baby, the rob sue. So now 283 00:14:02,040 --> 00:14:05,079 Speaker 3: there are four children. And if he hasn't learned his lesson, 284 00:14:05,240 --> 00:14:07,600 Speaker 3: I tell you what, he might go get the snip, 285 00:14:10,720 --> 00:14:11,280 Speaker 3: teach him. 286 00:14:11,559 --> 00:14:12,920 Speaker 2: Not run off with a ton teine. 287 00:14:13,320 --> 00:14:15,240 Speaker 3: Well, you never know. Good luck to them all. 288 00:14:15,400 --> 00:14:19,240 Speaker 2: What okay, kids, step it for today, come back tomorrow 289 00:14:19,280 --> 00:14:21,640 Speaker 2: for more. Jonesy and the Man's Got Room for