WEBVTT - Live Show Diaries - Flex Mami

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<v Speaker 1>Hey guys, and welcome back to another episode of Life

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<v Speaker 1>Fun Card. I'm producer Keisha and I'm filling in at

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<v Speaker 1>the moment for Britain Laura while they take a bit

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<v Speaker 1>of a summer break. And we decided this year that

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<v Speaker 1>we wanted to bring you some of the absolutely incredible

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<v Speaker 1>conversations that we had from our live shows back in

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<v Speaker 1>October when we got to fly all around the country.

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<v Speaker 1>We visited seven cities and we had some amazing guests

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<v Speaker 1>joining us on stage, so we wanted to bring them

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<v Speaker 1>to you so that you could enjoy them over this

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<v Speaker 1>summer period. Joining us today is the weapon of a woman,

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<v Speaker 1>Flex Marmy. Now, if you haven't met Flex, or if

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<v Speaker 1>you haven't heard Flex speak before, she's a person that's

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<v Speaker 1>actually quite hard to put into words because she can

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<v Speaker 1>take these really deep, complex topics and she can just

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<v Speaker 1>make them so light and so funny to listen to.

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<v Speaker 1>I find Flex such an engaging person because she's able

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<v Speaker 1>to do that so well. In this conversation, the girls

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<v Speaker 1>speak about where the name Flex Mammy comes from, because

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<v Speaker 1>believe it or not, that is not her birth name.

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<v Speaker 1>They speak about personal branding and when that becomes a

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<v Speaker 1>business They also spoke about the concept of performative authenticity

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<v Speaker 1>and whether being authentic online and being openly vulnerable is

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<v Speaker 1>always a good thing, or whether people could have different

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<v Speaker 1>motives for why they actually act that way online, whether

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<v Speaker 1>it could be for followers, for engagement, for a multitude

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<v Speaker 1>of reasons. And that led into another conversation that I

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<v Speaker 1>found very very interesting, particularly for Flex's perspective, and that

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<v Speaker 1>is on the idea of businesses increasing their diversity, so

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<v Speaker 1>whether that be that they're catering for different sizes or

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<v Speaker 1>colors or whatever it could be, and when that advertising

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<v Speaker 1>is actually quite tokenistic. I think you're really gonna love

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<v Speaker 1>this chat, so let's get into it with Flex mummy.

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<v Speaker 2>All right, everyone, this takes us to our second half

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<v Speaker 2>of the show, where we're going to introduced to you

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<v Speaker 2>some of our absolutely phenomenal guests that we have who

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<v Speaker 2>have come here to be with you guys tonight.

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<v Speaker 3>Now, the first guest off.

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<v Speaker 2>The ranks is someone who so many of you might

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<v Speaker 2>know across social media, but she is like the entrepreneur

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<v Speaker 2>of entrepreneurs. She is a DJ, she is a podcaster,

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<v Speaker 2>she is a radio host. She is a TV presenter,

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<v Speaker 2>She is a jewelry designer. She is an influencer. Honestly,

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<v Speaker 2>Flex Mammy is everything. She can do everything, jack of

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<v Speaker 2>all trades and master of everything. This woman Flex get

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<v Speaker 2>on out here.

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<v Speaker 3>Looking fine. I might say, I love it. Hi, take

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<v Speaker 3>the hot seat. Flex.

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<v Speaker 4>If that is even your real name, we'll get to that.

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<v Speaker 3>Thanks for coming today.

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<v Speaker 4>We're going to kick start with and accidentally unfiltered because

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<v Speaker 4>we make everyone do an embarrassing story.

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<v Speaker 5>I thought really long and hard about this, and I

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<v Speaker 5>was tossing up between the time I was robbed at

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<v Speaker 5>a hotel, but I thought I would do something lighter.

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<v Speaker 5>I was thinking about, like, I don't know, it's not

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<v Speaker 5>just me, because I'm not deranged on my own, but

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<v Speaker 5>the kind of mental illness that happens when you're in

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<v Speaker 5>a new relationship and all you are is like horny

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<v Speaker 5>and excited, horny and excited to that moving to a

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<v Speaker 5>new city extra horny, extra excited. I feel alive. So

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<v Speaker 5>I move into this amazing new apartment complex. It's bougie.

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<v Speaker 5>They don't have a gym, it's a health club. What's

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<v Speaker 5>the day? They don't have just like a space for

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<v Speaker 5>you to go and eat. It's an outdoor area. With

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<v Speaker 5>a habachi grill. They don't have an area for you

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<v Speaker 5>to just do work. It's a coworking space, so you

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<v Speaker 5>can only imagine what's going on. There's staff and everything.

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<v Speaker 5>So I invite my new boyfriend to my apartment. I'm

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<v Speaker 5>feeling I was gonna say Horney, but I've said it

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<v Speaker 5>too much, so I'm like, let's go.

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<v Speaker 3>To the spa. There's a spa. It's gonna be amazing.

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<v Speaker 5>So it's like maybe eleven pm on a Friday, there's

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<v Speaker 5>nobody there. Was I going to do anything. No, I'm

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<v Speaker 5>a sensible woman with a public profile. I wouldn't do anything.

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<v Speaker 5>So I get into this spa. It's PG, guys, it's

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<v Speaker 5>almost g rated. I had thought to myself, are there cameras?

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<v Speaker 3>Surely not.

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<v Speaker 5>Surely in a place where you pay this amount of rent,

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<v Speaker 5>they wouldn't document you without you knowing.

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<v Speaker 3>Boy, it was I wrong.

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<v Speaker 5>I don't think I did anything particularly inappropriate. But when

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<v Speaker 5>you wake up on a Monday morning nine am with

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<v Speaker 5>a building wide bulletin that says we respect and condone

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<v Speaker 5>anything that adults want to do in their spare time, honeymooners, beware,

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<v Speaker 5>there are cameras.

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<v Speaker 3>You are being watched.

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<v Speaker 5>Do what you want to the offending participants. They referred

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<v Speaker 5>to me as, we will be directly emailing you if

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<v Speaker 5>you make this mistake twice. Just know you were being watched.

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<v Speaker 5>Tell me why. I was like, sure, it couldn't be me,

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<v Speaker 5>because I didn't really say it was Friday A or whatever.

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<v Speaker 5>I had gotten a response after I'd opened the email

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<v Speaker 5>ten minutes later, directly to me, Hi Miss Lilian, government names, say, Hi,

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<v Speaker 5>Miss Lilian, just letting you know that that email was

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<v Speaker 5>for you. In particular, I didn't do anything, though I could.

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<v Speaker 3>Have and I wanted to.

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<v Speaker 4>Also, I love the way you move, But also do you.

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<v Speaker 5>Think in that instance, like I was now thinking about

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<v Speaker 5>privacy and security like that it's their fault.

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<v Speaker 3>Well that's what I need and exposure that they witnessed.

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<v Speaker 3>But that's what I was saying.

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<v Speaker 5>But babes, I didn't actually do anything anyway, that's what

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<v Speaker 5>they all say. I think I've been on probation because

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<v Speaker 5>they are on to me. I come to the reception,

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<v Speaker 5>they smiled cheekily. How's it going, they say, how's the relationship?

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<v Speaker 5>No comment, you're in I'm but a victim and a

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<v Speaker 5>pretty girl.

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<v Speaker 2>Flex I mean obviously, Lilian, I would love to know,

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<v Speaker 2>and I think so many of the people who follow

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<v Speaker 2>you would love to know.

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<v Speaker 3>Where did Flex come from. I wish it was a

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<v Speaker 3>good story, and it's just not.

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<v Speaker 5>And I've thought about lying. I've had the name for

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<v Speaker 5>ten years. I really thought about lying, but it's not

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<v Speaker 5>a good one. I was nineteen and I was working

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<v Speaker 5>in pr and I was really burnt out, and I

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<v Speaker 5>thought the solution would be to get another job, but

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<v Speaker 5>a fun job and a cool job. So I became

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<v Speaker 5>a door girl, which was like the height of.

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<v Speaker 3>Excitement at nineteen.

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<v Speaker 5>But then through that I became a DJ, and like,

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<v Speaker 5>I like music, but I didn't think the criteria of

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<v Speaker 5>being a DJ was just liking music. It was that

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<v Speaker 5>easy at the time. So I went to my friends,

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<v Speaker 5>I'm like, I want to be a DJ. Let's do

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<v Speaker 5>a round table, let's make a name. And so, literally,

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<v Speaker 5>like you have to be on the internet ten years

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<v Speaker 5>ago to know how not cool flex is.

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<v Speaker 3>It's like lit on sleek or whatever we used to

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<v Speaker 3>say to it.

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<v Speaker 4>I literally still say that it's like yolo.

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<v Speaker 2>I think it's one of those words. Though that's now

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<v Speaker 2>it's been so long it's come back around and now

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<v Speaker 2>you've made it cool again, yea talking to.

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<v Speaker 5>Someone that says volcano, and so I was like, yeah,

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<v Speaker 5>it would be flex, it would be great. So I'm

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<v Speaker 5>like trying to buy, trying to secure the Facebook account

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<v Speaker 5>or whatever, and naturally Flex is taken up by Chiropractice

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<v Speaker 5>and yoga Instructure and everybody else. And I was like, guys,

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<v Speaker 5>like quick, I've got my first gig on Friday. I

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<v Speaker 5>need a name, and then Flexmami it became. Howd I

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<v Speaker 5>have known it would be something that would be tied

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<v Speaker 5>to me for this long?

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<v Speaker 3>I would have done it differently, But DJ Lillian was

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<v Speaker 3>never gonna work. It was never gonna work. It doesn't

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<v Speaker 3>Land doesn't. It doesn't like DJ Lily Lilia. Okay. The

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<v Speaker 3>thing that I.

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<v Speaker 2>Find so interesting though, is is like you say you

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<v Speaker 2>stumbled across this, but like I look at you on

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<v Speaker 2>social media and I see someone who is so good

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<v Speaker 2>at branding. I'm like, you are so clever at the

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<v Speaker 2>way that you brand yourself, and you brand all the

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<v Speaker 2>different types of things that are a part of your

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<v Speaker 2>Flex empire. So then how if you think, oh it

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<v Speaker 2>just kind of happened, I just across this, how intentional,

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<v Speaker 2>then is your branding when it comes to your business?

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<v Speaker 3>It was a trauma rest bot. I'm telling you it was.

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<v Speaker 5>There's something about you have to imagine what like the

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<v Speaker 5>music landscape was like ten years ago. You weren't just

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<v Speaker 5>like a DJ, like a female DJ, and everybody had

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<v Speaker 5>opinions about what your intention was.

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<v Speaker 3>To be a musician. You couldn't just like music.

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<v Speaker 5>And so the only reason why I became intentional about

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<v Speaker 5>branding is because people would say the most deranged things.

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<v Speaker 5>I used to write in all caps no reason. Thought

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<v Speaker 5>it was aesthetic, thought it was fun. So tell me

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<v Speaker 5>why I open up my browser because I had Google

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<v Speaker 5>alerts on myself.

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<v Speaker 3>I do.

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<v Speaker 5>And so I see this article by a youth broadcaster

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<v Speaker 5>that will not be named, that has written like a

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<v Speaker 5>feature on me.

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<v Speaker 3>I'm like, this is sick. I feel like a celebrity.

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<v Speaker 5>Why do they lead with flex mummy right in all

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<v Speaker 5>caps as a way to creatively express what it's like

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<v Speaker 5>to take up space in a male dominated industry? I said, babe,

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<v Speaker 5>shut it down, deleted, Like that's what happens. People curate

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<v Speaker 5>and craft these really convincing ideas about who you are

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<v Speaker 5>and why you say things and so I feel like

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<v Speaker 5>if it seems like I'm intentional about my brand, but

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<v Speaker 5>I'm paranoid.

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<v Speaker 2>I honestly like you could not have led into the

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<v Speaker 2>conversation that we're having better and that was such an

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<v Speaker 2>unintentional setup. But what we wanted to talk to you

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<v Speaker 2>about is this idea of like authenticity on social media

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<v Speaker 2>and online and verse performative, you know, and so where

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<v Speaker 2>does that line see it? Especially in how people who

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<v Speaker 2>have public profiles use it? And I think it's so

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<v Speaker 2>interesting that you say so much of the brand that's

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<v Speaker 2>being created, part of it's been intentional, but part of

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<v Speaker 2>it's being created around you. Yeah, So then how do

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<v Speaker 2>you think in terms of when it comes to being

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<v Speaker 2>authentic online?

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<v Speaker 3>What does that look like for you? It's really tricky.

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<v Speaker 5>I was thinking the other day, I like to ask

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<v Speaker 5>people questions that aren't small talk because I think I

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<v Speaker 5>get bought easily. But I was saying to a friend

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<v Speaker 5>of mine, what's a misconception people make about you constantly

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<v Speaker 5>that you use your advantage? Because I think about that

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<v Speaker 5>so often, like we're so paranoid about like are we

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<v Speaker 5>being perceived the right way? And do I come across well?

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<v Speaker 5>But when we don't. What do you do about it?

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<v Speaker 5>If someone's like, oh my gosh, you come across so gentle.

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<v Speaker 5>I love that you were color often you must be

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<v Speaker 5>so bold. What are you gonna say you read me wrong?

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<v Speaker 3>No, you know, I mean like, thank you. That like

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<v Speaker 3>works for me.

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<v Speaker 5>So when people were saying because I wrote in all

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<v Speaker 5>caps and wore color and I'm overweight, she's a buddy

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<v Speaker 5>positivity pritaincess, like, I was like, so, whatever you want

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<v Speaker 5>to do, I'm just a yes.

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<v Speaker 1>Yeah.

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<v Speaker 3>And at the.

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<v Speaker 5>Time, especially like the Internet was like visuals first, visuals first,

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<v Speaker 5>So whatever the visual was saying, it didn't matter that

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<v Speaker 5>I had an alternate narrative because everyone's like, but we

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<v Speaker 5>get it, like we know this vibe, say no more.

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<v Speaker 5>And so now when I think about authenticity and I'm like,

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<v Speaker 5>this we trajectory on the internet, because you know, I

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<v Speaker 5>didn't intend to be an influencer or anything. Because I

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<v Speaker 5>was saying to you earlier that if I reflect on

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<v Speaker 5>who I was when I was like a high schooler,

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<v Speaker 5>I was so inarticulate, empty headed, ditsy, dreamy. I could

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<v Speaker 5>never get finish's sentence out. I literally have such strong

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<v Speaker 5>memories of trying to tell my friend's stories and watching

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<v Speaker 5>like the light fade from their eyes?

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<v Speaker 3>Do you know what I'm saying? Like you're like, okay,

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<v Speaker 3>let me start again. I'll start from the top because

0:11:30.960 --> 0:11:32.319
<v Speaker 3>I can get missing my point. I start from the

0:11:32.320 --> 0:11:36.560
<v Speaker 3>st that's your mind. And so then so I.

0:11:36.760 --> 0:11:41.720
<v Speaker 5>I think about, like what that felt like, and it

0:11:41.760 --> 0:11:44.400
<v Speaker 5>to be articulate was a trauma response. I was like,

0:11:44.440 --> 0:11:47.600
<v Speaker 5>oh my god, nobody listens to me, nobody cares. And

0:11:47.640 --> 0:11:52.120
<v Speaker 5>so when I started DJing at nineteen and I suddenly

0:11:52.160 --> 0:11:55.280
<v Speaker 5>had to create a brand, I was like, oh, I

0:11:55.320 --> 0:11:58.640
<v Speaker 5>have to start like knowing who I am and saying

0:11:58.679 --> 0:11:59.320
<v Speaker 5>what I like.

0:11:59.840 --> 0:12:02.160
<v Speaker 3>And I think now people are like, oh, this is

0:12:02.200 --> 0:12:03.800
<v Speaker 3>so cool. You're so confident.

0:12:04.200 --> 0:12:07.200
<v Speaker 5>Back then, everybody was like, why are you so obnoxious?

0:12:07.240 --> 0:12:09.160
<v Speaker 5>Why do you always talk about how you feel? Why

0:12:09.200 --> 0:12:11.160
<v Speaker 5>do you think it's important that people know what you think?

0:12:11.320 --> 0:12:12.040
<v Speaker 3>Just shut up?

0:12:12.679 --> 0:12:15.079
<v Speaker 5>And to that, I said, I am the youngest sibling

0:12:15.120 --> 0:12:16.199
<v Speaker 5>of two older brothers.

0:12:16.400 --> 0:12:19.000
<v Speaker 3>I deserve space to speak. I earned this.

0:12:20.120 --> 0:12:23.720
<v Speaker 5>So now when it comes to authenticity, I try really

0:12:23.760 --> 0:12:25.960
<v Speaker 5>hard to be myself. But the older I get, the

0:12:26.000 --> 0:12:29.080
<v Speaker 5>more sensitive I get, and I'm like, oh, it's really

0:12:29.160 --> 0:12:32.880
<v Speaker 5>hard to be yourself and have everything about you come

0:12:32.920 --> 0:12:36.880
<v Speaker 5>across as conceptual and therefore critiqued. I think people really

0:12:36.920 --> 0:12:40.920
<v Speaker 5>struggle to conceptualize how hard it is for people to

0:12:41.640 --> 0:12:44.320
<v Speaker 5>not only see you, but make assumptions about you and

0:12:44.360 --> 0:12:46.839
<v Speaker 5>then tell them to you. It could be little things

0:12:46.880 --> 0:12:49.319
<v Speaker 5>like I remember not too long ago, I got this

0:12:49.640 --> 0:12:52.720
<v Speaker 5>comment from someone that was like, I just love that

0:12:53.000 --> 0:12:56.199
<v Speaker 5>every time like you wear an outfit, your stretch marks

0:12:56.240 --> 0:12:58.679
<v Speaker 5>poke through, because it makes me feel so confident. I said,

0:12:58.840 --> 0:12:59.440
<v Speaker 5>which ones?

0:13:00.640 --> 0:13:00.960
<v Speaker 3>I don't.

0:13:01.280 --> 0:13:03.000
<v Speaker 5>I don't know which one are you talking about. I

0:13:03.760 --> 0:13:06.880
<v Speaker 5>don't think I noticed those. So in this instance, if

0:13:06.960 --> 0:13:10.720
<v Speaker 5>I was being authentic, i'd say, shut up, you freak.

0:13:10.640 --> 0:13:13.480
<v Speaker 3>Like, why would you say that? That's weird?

0:13:14.240 --> 0:13:19.199
<v Speaker 5>But to perform authenticity, I have to reward that open.

0:13:18.960 --> 0:13:20.840
<v Speaker 3>Display of co vulnerability.

0:13:21.080 --> 0:13:23.280
<v Speaker 5>Yep, Because to shut you down in a moment where

0:13:23.320 --> 0:13:27.280
<v Speaker 5>you felt like you were connecting something, I'm the bad guy.

0:13:28.040 --> 0:13:32.600
<v Speaker 4>It's a real balance between people wanting authenticity from the

0:13:32.600 --> 0:13:35.160
<v Speaker 4>people that they follow and the people online. But then

0:13:35.200 --> 0:13:40.800
<v Speaker 4>there's this balance on too much authenticity, like when the

0:13:40.880 --> 0:13:46.319
<v Speaker 4>crossover to performative authenticity. When something traumatic's happening in someone's

0:13:46.320 --> 0:13:48.920
<v Speaker 4>life and the first thing they've thought of. I don't

0:13:48.960 --> 0:13:50.960
<v Speaker 4>know about you, guys, but when I watch someone that's

0:13:51.000 --> 0:13:53.360
<v Speaker 4>like almost died in a car accident and the first

0:13:53.400 --> 0:13:55.200
<v Speaker 4>thing they've done is get their phone out to film

0:13:55.240 --> 0:13:57.600
<v Speaker 4>themselves crying that they almost died, I'm like, why is

0:13:57.640 --> 0:13:58.480
<v Speaker 4>that your response?

0:13:58.520 --> 0:13:59.640
<v Speaker 3>There's a part of me that's.

0:13:59.480 --> 0:14:02.440
<v Speaker 4>Like, why did you just jump online to share that?

0:14:03.880 --> 0:14:06.240
<v Speaker 4>And that's where I struggle with people that I'm like,

0:14:06.280 --> 0:14:09.560
<v Speaker 4>I don't believe that. And I'm sure for you you've

0:14:09.559 --> 0:14:12.800
<v Speaker 4>had a lot of virtue signaling, like you're seeing a

0:14:12.840 --> 0:14:13.600
<v Speaker 4>lot of people do that.

0:14:13.960 --> 0:14:14.959
<v Speaker 3>What's your view on that?

0:14:15.480 --> 0:14:18.280
<v Speaker 5>I don't think it's a fine line between authenticity and

0:14:18.360 --> 0:14:22.600
<v Speaker 5>performing authenticity. I think the reason why authenticity online doesn't

0:14:22.640 --> 0:14:27.080
<v Speaker 5>work is because everything about documenting yourself is contrived. Even

0:14:27.080 --> 0:14:29.240
<v Speaker 5>the fact that you get a chance to decide how

0:14:29.280 --> 0:14:31.160
<v Speaker 5>you want to show up on a device, where you

0:14:31.200 --> 0:14:34.080
<v Speaker 5>decide the angle and the lighting and the context and

0:14:34.160 --> 0:14:36.040
<v Speaker 5>the time you post it and the reason why you

0:14:36.080 --> 0:14:40.120
<v Speaker 5>post it, it's all contrived. It's inauthentic in its very being.

0:14:40.560 --> 0:14:44.200
<v Speaker 5>The concept can never be authentic. So to bypass that

0:14:44.640 --> 0:14:48.400
<v Speaker 5>and to pretend that everything in this moment is authentic

0:14:48.440 --> 0:14:51.560
<v Speaker 5>because I'm coming across well doesn't make sense. And I

0:14:51.680 --> 0:14:55.160
<v Speaker 5>also think, you know, he was authentic, Ted Bundy. He

0:14:55.400 --> 0:14:58.240
<v Speaker 5>was being authentic, that's a a turn. Was being true

0:14:58.320 --> 0:15:02.400
<v Speaker 5>to himself, and nobody was like, oh, I love authentic characters.

0:15:02.480 --> 0:15:06.960
<v Speaker 5>There's also this like misconception about what you're saying when

0:15:07.000 --> 0:15:10.880
<v Speaker 5>you say you like authenticity, because when your feed is

0:15:10.920 --> 0:15:14.920
<v Speaker 5>full of people with like really harmful views, suddenly it's

0:15:14.960 --> 0:15:17.000
<v Speaker 5>not okay anymore and I'm not gonna be a country

0:15:17.000 --> 0:15:20.000
<v Speaker 5>And he's like, don't say how you feel. But I

0:15:20.040 --> 0:15:22.440
<v Speaker 5>think the difficulty with social media is that we're all

0:15:22.480 --> 0:15:26.760
<v Speaker 5>in denial about how real and not real it is.

0:15:26.840 --> 0:15:30.000
<v Speaker 5>It amplifies all the ways that we're contrived in real life,

0:15:30.000 --> 0:15:33.160
<v Speaker 5>but just in a digital space. Like I think about

0:15:33.200 --> 0:15:37.240
<v Speaker 5>like fundamental social norms and politics. I can't go in

0:15:37.280 --> 0:15:40.200
<v Speaker 5>a room when I'm feeling pissed off and act the

0:15:40.240 --> 0:15:42.440
<v Speaker 5>way that I want to act because it's inappropriate. I'm

0:15:42.440 --> 0:15:46.080
<v Speaker 5>being inauthentic every time someone says, hey, how are you going,

0:15:46.480 --> 0:15:49.640
<v Speaker 5>and I'm like, I'm dead parised in my brain, but

0:15:49.680 --> 0:15:52.840
<v Speaker 5>I'm like, hey, that's so fine, nic see meet it's inauthentic.

0:15:53.280 --> 0:15:56.240
<v Speaker 5>I promise you. I always tell my friends. People don't

0:15:56.320 --> 0:15:59.320
<v Speaker 5>want you to be authentic. They want to be entertained,

0:15:59.680 --> 0:16:02.720
<v Speaker 5>they want to be validated, or they want to be educated,

0:16:02.960 --> 0:16:05.240
<v Speaker 5>and if it doesn't fit between that, suddenly you come

0:16:05.240 --> 0:16:06.560
<v Speaker 5>across as inauthentic.

0:16:07.000 --> 0:16:08.320
<v Speaker 2>Do you know what I think is so interesting as

0:16:08.360 --> 0:16:10.800
<v Speaker 2>this of this conversation as well, and it's something I've

0:16:10.840 --> 0:16:14.360
<v Speaker 2>witnessed on social media over the years, is that as

0:16:14.720 --> 0:16:17.560
<v Speaker 2>people become more and it's a very different thing between

0:16:17.600 --> 0:16:21.000
<v Speaker 2>authenticity and vulnerability, right, they're different, two different conversations, but

0:16:21.080 --> 0:16:24.880
<v Speaker 2>as people become more vulnerable, they can sometimes be rewarded

0:16:24.920 --> 0:16:28.320
<v Speaker 2>for that vulnerability by more followers, more likes, more comments.

0:16:28.360 --> 0:16:30.280
<v Speaker 2>You know, you see the post of someone crying about

0:16:30.320 --> 0:16:33.440
<v Speaker 2>something that is a touch point, and then that's when

0:16:33.480 --> 0:16:36.400
<v Speaker 2>it can grow into using it as a tool, I

0:16:36.440 --> 0:16:39.680
<v Speaker 2>think as well. And that is a very gray area

0:16:39.680 --> 0:16:41.720
<v Speaker 2>because there's obviously and I mean we're talking about it

0:16:41.760 --> 0:16:45.320
<v Speaker 2>from podcast perspective, We've done it for years, but there

0:16:45.400 --> 0:16:47.520
<v Speaker 2>is definitely a gray area where it comes from a

0:16:47.560 --> 0:16:51.080
<v Speaker 2>point of sharing for a purpose and sharing for a motive.

0:16:51.120 --> 0:16:51.800
<v Speaker 3>There are two.

0:16:51.600 --> 0:16:55.480
<v Speaker 2>Different aspects I think that social media can portray, and

0:16:55.520 --> 0:16:57.120
<v Speaker 2>they both have different incentives behind them.

0:16:57.160 --> 0:16:58.880
<v Speaker 3>As well, I also.

0:16:58.640 --> 0:17:00.400
<v Speaker 4>Think we need to do a disclaimer that we do

0:17:00.520 --> 0:17:02.360
<v Speaker 4>not support Ted Bundy.

0:17:05.720 --> 0:17:07.160
<v Speaker 3>Like you were.

0:17:08.240 --> 0:17:10.120
<v Speaker 4>On a serious note, you were such a touch point

0:17:10.200 --> 0:17:12.680
<v Speaker 4>for a lot of people during the Black Lives Matter.

0:17:12.840 --> 0:17:15.879
<v Speaker 4>I don't want to say movement because that's you know,

0:17:16.000 --> 0:17:18.840
<v Speaker 4>it just doesn't feel right like the movement it was,

0:17:18.880 --> 0:17:19.680
<v Speaker 4>but it should trend.

0:17:20.200 --> 0:17:22.760
<v Speaker 2>Yeah, it was a conversation that was and it was

0:17:22.880 --> 0:17:25.440
<v Speaker 2>really in the limelight there for a moment. And it's

0:17:25.480 --> 0:17:27.480
<v Speaker 2>not that it's not now, but it was really front

0:17:27.520 --> 0:17:31.480
<v Speaker 2>and center on everyone's minds as the way Instagram works.

0:17:31.680 --> 0:17:33.080
<v Speaker 3>But how do you feel.

0:17:32.720 --> 0:17:37.479
<v Speaker 4>Like the landscape has changed since we all started speaking

0:17:37.520 --> 0:17:39.280
<v Speaker 4>more openly about Black Lives Matter?

0:17:39.359 --> 0:17:40.760
<v Speaker 3>Have you noticed a difference?

0:17:41.359 --> 0:17:44.000
<v Speaker 5>I think it's ironic because I try to explain to

0:17:44.080 --> 0:17:47.720
<v Speaker 5>people that it's as good as it is worse in

0:17:47.800 --> 0:17:51.280
<v Speaker 5>the same way that you know when you give context

0:17:51.320 --> 0:17:54.240
<v Speaker 5>to someone who's hurt you about the ways that they've

0:17:54.320 --> 0:17:56.360
<v Speaker 5>hurt you, and they're like, can you explain it differently?

0:17:56.760 --> 0:17:59.320
<v Speaker 5>Can you explain it better? Can you see it from

0:17:59.359 --> 0:18:01.520
<v Speaker 5>my perspective? And then sudden you're like, wait, I thought

0:18:01.560 --> 0:18:03.600
<v Speaker 5>I was the one who was hurt at the moment,

0:18:03.600 --> 0:18:04.680
<v Speaker 5>I thought I was the one who needed to be

0:18:04.760 --> 0:18:08.240
<v Speaker 5>listened to that, so that conversation felt like it started

0:18:08.280 --> 0:18:11.280
<v Speaker 5>in this really helpful place where it's like, oh, these

0:18:12.359 --> 0:18:16.000
<v Speaker 5>all these experiences that felt really subjective are now being

0:18:16.040 --> 0:18:17.879
<v Speaker 5>put in a very objective lens.

0:18:17.920 --> 0:18:18.879
<v Speaker 3>Like it's happening.

0:18:19.000 --> 0:18:22.240
<v Speaker 5>It's it's tricky, it's uncomfortable. But the way that I

0:18:22.280 --> 0:18:25.919
<v Speaker 5>trickled down in conversation became really conceptual. And then I

0:18:26.000 --> 0:18:29.680
<v Speaker 5>also felt like it turned out to be like kind

0:18:29.680 --> 0:18:31.760
<v Speaker 5>of like the way that feminism is positioned. I think

0:18:31.800 --> 0:18:33.760
<v Speaker 5>a lot of people are like, oh, no, I say

0:18:33.800 --> 0:18:35.639
<v Speaker 5>I'm a feminist, so you think I'm not a bigot.

0:18:35.920 --> 0:18:39.640
<v Speaker 5>Not because I'm like trying to me myself make sure

0:18:39.640 --> 0:18:41.199
<v Speaker 5>that there's a quality of the sexes. That's just a

0:18:41.200 --> 0:18:42.639
<v Speaker 5>bit much like I just want you know I'm not

0:18:42.680 --> 0:18:45.359
<v Speaker 5>a bad person. That's what it felt like at the time.

0:18:45.800 --> 0:18:50.800
<v Speaker 5>And it's so strange because like, I don't feel like

0:18:51.680 --> 0:18:53.800
<v Speaker 5>in the audience now I don't have to like respond,

0:18:53.840 --> 0:18:56.800
<v Speaker 5>But how often are you actually thinking about your skin color?

0:18:57.880 --> 0:19:01.040
<v Speaker 5>Whether that's like I'm tanning, I'm not tanning, I'm not burnt.

0:19:01.280 --> 0:19:04.520
<v Speaker 5>But when the whole world is authorizing you for this thing,

0:19:04.520 --> 0:19:08.080
<v Speaker 5>you're like, damn, I could be all these things, and

0:19:08.119 --> 0:19:10.000
<v Speaker 5>then at the end of the day, someone's like, oh,

0:19:10.560 --> 0:19:13.240
<v Speaker 5>but you're black first. And then even if I am

0:19:13.400 --> 0:19:15.720
<v Speaker 5>black first, I'm like, if this is the way that

0:19:15.760 --> 0:19:18.320
<v Speaker 5>it comes across, everyone's like, well, don't say that.

0:19:18.480 --> 0:19:21.280
<v Speaker 3>Like they're making everyone feel weird. So I don't know.

0:19:21.359 --> 0:19:22.040
<v Speaker 3>I just think.

0:19:23.359 --> 0:19:26.879
<v Speaker 5>It was an interesting time for to see the world

0:19:26.960 --> 0:19:29.600
<v Speaker 5>change in that way. But I also just felt like

0:19:29.640 --> 0:19:33.840
<v Speaker 5>it gave people the language to justify their behavior. So

0:19:33.920 --> 0:19:38.080
<v Speaker 5>when we're having these private conversations in public, people are saying, well,

0:19:38.119 --> 0:19:40.000
<v Speaker 5>I believe in anti racism.

0:19:40.080 --> 0:19:41.120
<v Speaker 3>I don't even know what that is.

0:19:41.280 --> 0:19:45.800
<v Speaker 4>Do you still experience racism now in the day to day?

0:19:45.960 --> 0:19:50.119
<v Speaker 5>I think I experienced more like microaggressions, you know, like

0:19:50.359 --> 0:19:52.160
<v Speaker 5>one that comes across so well is like.

0:19:52.640 --> 0:19:55.160
<v Speaker 3>When did you get here? Like when did you were

0:19:55.200 --> 0:19:59.120
<v Speaker 3>you born here? How? That's crazy? Yeah, your family must

0:19:59.119 --> 0:20:00.439
<v Speaker 3>be well off. How did you do? How did you

0:20:00.520 --> 0:20:02.480
<v Speaker 3>how did you? How about how'd that happen? And you're

0:20:02.520 --> 0:20:05.919
<v Speaker 3>so articulate, like you can read and write.

0:20:06.160 --> 0:20:08.160
<v Speaker 5>Yeah, And so I'm like, and so I don't want

0:20:08.200 --> 0:20:10.479
<v Speaker 5>to have to challenge that idea in someone that's not

0:20:10.480 --> 0:20:13.119
<v Speaker 5>not hours in a day. But that's how it comes across.

0:20:13.160 --> 0:20:17.320
<v Speaker 5>It's this veiled compliment in an insult, you know, like.

0:20:17.200 --> 0:20:17.960
<v Speaker 3>Oh, that's so great.

0:20:18.000 --> 0:20:21.160
<v Speaker 5>I don't usually get along with black people, but you're different.

0:20:21.600 --> 0:20:22.240
<v Speaker 3>I like you.

0:20:22.520 --> 0:20:24.639
<v Speaker 5>And because you want to take the compliment, you're like,

0:20:24.680 --> 0:20:27.480
<v Speaker 5>thank you. I like my personality as well, but also

0:20:27.920 --> 0:20:29.240
<v Speaker 5>don't say that, you freak.

0:20:31.680 --> 0:20:33.800
<v Speaker 2>You mentioned something really interesting when we were talking about

0:20:33.840 --> 0:20:37.400
<v Speaker 2>this backstage, and you said that in terms of how

0:20:37.520 --> 0:20:40.040
<v Speaker 2>things have changed in media and in your profession, that

0:20:40.119 --> 0:20:42.919
<v Speaker 2>things have changed. There's there's more, there's more jobs, like

0:20:42.920 --> 0:20:45.639
<v Speaker 2>brands are being more open and they're trying to book

0:20:45.680 --> 0:20:48.640
<v Speaker 2>more diversity quote unquote, but it hasn't the needle hasn't

0:20:48.640 --> 0:20:51.280
<v Speaker 2>shifted in terms of the preparation for that. Can you

0:20:51.320 --> 0:20:52.840
<v Speaker 2>explain a little bit of what that looks like.

0:20:53.119 --> 0:20:55.960
<v Speaker 5>So what I was saying is like, I feel like

0:20:56.119 --> 0:20:59.320
<v Speaker 5>people are like, well, because you're in all the campaigns

0:20:59.359 --> 0:21:02.040
<v Speaker 5>and because you're booking these amazing jobs, that must mean

0:21:02.080 --> 0:21:04.639
<v Speaker 5>things are changing. I'm like you would think so, but

0:21:05.000 --> 0:21:06.480
<v Speaker 5>I'll still go to a shoot and like, well, we

0:21:06.480 --> 0:21:09.800
<v Speaker 5>don't really have anyone who can do your hair and makeup,

0:21:10.119 --> 0:21:13.080
<v Speaker 5>so so it's like, oh, I'm the talent and I'm

0:21:13.119 --> 0:21:16.000
<v Speaker 5>here to represent myself, but no one can do my hair,

0:21:16.160 --> 0:21:18.560
<v Speaker 5>no one can do my makeup, the clothes don't fit,

0:21:19.000 --> 0:21:23.840
<v Speaker 5>and but the whole article is about inclusivity and diversity. Geez.

0:21:24.560 --> 0:21:26.479
<v Speaker 2>But then you're in the situation where if you call

0:21:26.560 --> 0:21:29.240
<v Speaker 2>that out, then you're making it uncomfortable when everyone's trying

0:21:29.440 --> 0:21:31.000
<v Speaker 2>to do the right thing. So then how do you

0:21:31.040 --> 0:21:32.399
<v Speaker 2>then navigate that situation?

0:21:33.119 --> 0:21:36.399
<v Speaker 5>And it's so boring in my heart of hearts, I

0:21:36.440 --> 0:21:39.080
<v Speaker 5>don't want to be a nark, I really don't. But

0:21:39.160 --> 0:21:42.680
<v Speaker 5>when things don't click, when are we gonna say it?

0:21:42.680 --> 0:21:44.640
<v Speaker 3>It feels strange to say while we're.

0:21:44.440 --> 0:21:47.040
<v Speaker 2>On the shoot, especially when you have people there and

0:21:47.119 --> 0:21:50.400
<v Speaker 2>no one's taking responsibility because it's like, oh, the samples

0:21:50.400 --> 0:21:52.320
<v Speaker 2>didn't come in that size, and you.

0:21:52.240 --> 0:21:52.960
<v Speaker 3>Know we didn't.

0:21:53.040 --> 0:21:54.960
<v Speaker 2>I didn't know, so like, you know, what, how do

0:21:55.040 --> 0:21:56.160
<v Speaker 2>you normally do your makeup?

0:21:56.680 --> 0:21:58.840
<v Speaker 3>How many black people are in a showlike anyway? Like

0:21:59.000 --> 0:22:01.000
<v Speaker 3>how was? I know? Like you know how it is,

0:22:01.040 --> 0:22:02.639
<v Speaker 3>and we don't really have models here, and if they

0:22:02.640 --> 0:22:04.880
<v Speaker 3>do get hear them, they really tell you about their hair.

0:22:04.920 --> 0:22:07.680
<v Speaker 5>And sometime I'm like, I get it, but you asked

0:22:07.720 --> 0:22:09.919
<v Speaker 5>me to be I don't really know what's going on.

0:22:10.160 --> 0:22:10.960
<v Speaker 3>It's just it's a.

0:22:10.880 --> 0:22:15.120
<v Speaker 5>Strange time because also I can acknowledge that I am

0:22:15.400 --> 0:22:18.840
<v Speaker 5>grateful to be able to have opportunities, but I also

0:22:18.880 --> 0:22:21.440
<v Speaker 5>don't want to be the vehicle of a false narrative

0:22:21.520 --> 0:22:24.800
<v Speaker 5>that only affects me poorly, because that's the other thing.

0:22:25.000 --> 0:22:28.359
<v Speaker 5>Like I can recognize when I'm being tokenized, right, and

0:22:28.400 --> 0:22:30.800
<v Speaker 5>I can say, if there's a check to be made,

0:22:30.960 --> 0:22:34.240
<v Speaker 5>I'll take it as green. But in the same vein,

0:22:34.880 --> 0:22:37.320
<v Speaker 5>I'm like, at what cost? You know what I'm saying,

0:22:37.440 --> 0:22:41.119
<v Speaker 5>Like it's what it's not. It's not just about me, Like,

0:22:41.160 --> 0:22:43.320
<v Speaker 5>it's not about the individual check that I get to

0:22:43.359 --> 0:22:47.919
<v Speaker 5>make or the individual isolated experience. It's all representative of

0:22:47.920 --> 0:22:51.560
<v Speaker 5>a greater issue that people feel like they're doing enough of.

0:22:51.920 --> 0:22:56.120
<v Speaker 5>Because but wasn't flex in Vogue how we beat racism?

0:22:56.400 --> 0:23:00.119
<v Speaker 3>We beat it? She was a page spread. What's the issue?

0:23:00.200 --> 0:23:02.600
<v Speaker 4>So do you feel like because I feel like and

0:23:02.960 --> 0:23:04.719
<v Speaker 4>we shouldn't say it, we shouldn't think it. But I

0:23:04.760 --> 0:23:07.480
<v Speaker 4>reckon everyone has at some point. Sometimes you see big

0:23:07.480 --> 0:23:10.639
<v Speaker 4>campaigns or big brands and it's amazing that they're so inclusive,

0:23:11.560 --> 0:23:13.200
<v Speaker 4>But I reckon, there's a lot of times you say

0:23:13.240 --> 0:23:16.040
<v Speaker 4>to yourself, Oh, looks like they've ticked the boxes. Or

0:23:16.040 --> 0:23:18.560
<v Speaker 4>there are companies that hire because they're like, well, we

0:23:18.600 --> 0:23:20.600
<v Speaker 4>need a person of color because we haven't ticked that

0:23:20.640 --> 0:23:23.240
<v Speaker 4>box yet. Do you feel like you've been in that

0:23:23.280 --> 0:23:25.200
<v Speaker 4>position where you've been a box to tick?

0:23:25.720 --> 0:23:29.640
<v Speaker 5>I could count on one and a half hands how

0:23:29.680 --> 0:23:32.800
<v Speaker 5>many times I've gone to a makeup shoe to be

0:23:33.240 --> 0:23:35.480
<v Speaker 5>the face of a makeup brand or to be a

0:23:35.600 --> 0:23:39.040
<v Speaker 5>lead in the campaign shoe, get there, get really excited,

0:23:39.080 --> 0:23:41.679
<v Speaker 5>and haven't been like, we're going to actually use another

0:23:41.800 --> 0:23:45.160
<v Speaker 5>brand because we don't have your shade. But it won't

0:23:45.160 --> 0:23:48.879
<v Speaker 5>matter because eventually it'll be coming out. I've signed the contract,

0:23:48.920 --> 0:23:51.879
<v Speaker 5>everyone like, and you know what it says in contracts

0:23:52.080 --> 0:23:55.400
<v Speaker 5>you cannot bring the company's name into disrepute Otherwise you're

0:23:55.440 --> 0:23:56.720
<v Speaker 5>in breach and we can sue you.

0:23:57.560 --> 0:24:01.359
<v Speaker 3>That feels like dress And I'm not a lawyer, do

0:24:01.400 --> 0:24:02.200
<v Speaker 3>you know what I'm saying?

0:24:02.640 --> 0:24:02.880
<v Speaker 2>Yeah?

0:24:03.080 --> 0:24:05.840
<v Speaker 5>And again it's like as an individual, I remember I

0:24:05.920 --> 0:24:08.719
<v Speaker 5>used to make it my problem. I would go and

0:24:08.760 --> 0:24:12.119
<v Speaker 5>meet with the heads of these really big Australian beauty

0:24:12.160 --> 0:24:16.199
<v Speaker 5>department stores and say like, Hey, what's happening what's going on, babes.

0:24:17.160 --> 0:24:20.000
<v Speaker 5>If to get a social post on an Instagram page,

0:24:20.000 --> 0:24:22.080
<v Speaker 5>it has to go to forty five people. You think

0:24:22.080 --> 0:24:24.960
<v Speaker 5>it's not a conscious decision to exclude a whole demographic

0:24:25.240 --> 0:24:26.200
<v Speaker 5>and have time.

0:24:26.840 --> 0:24:28.320
<v Speaker 3>I don't known where foundation anymore.

0:24:29.119 --> 0:24:33.160
<v Speaker 5>Some might say it was a trauma response.

0:24:34.400 --> 0:24:34.720
<v Speaker 3>Flex.

0:24:34.800 --> 0:24:37.680
<v Speaker 2>We think you are phenomenal, everything that you have achieved,

0:24:37.720 --> 0:24:41.000
<v Speaker 2>everything that you do. One thing that has been said

0:24:41.000 --> 0:24:42.639
<v Speaker 2>to us by someone that we interviewed in the past

0:24:42.640 --> 0:24:47.480
<v Speaker 2>who I really really understood this. She said, you walk

0:24:47.520 --> 0:24:50.480
<v Speaker 2>into the room as someone who's Caucasian and you represent yourself.

0:24:50.640 --> 0:24:52.560
<v Speaker 2>But when you're someone of color, you walk into a

0:24:52.640 --> 0:24:54.639
<v Speaker 2>room and you speak, but you also then speak on

0:24:54.680 --> 0:24:58.200
<v Speaker 2>plf of everyone of your nationality or everyone that you're representing.

0:24:59.400 --> 0:25:02.040
<v Speaker 2>Do you feel feel that it is a burden? And

0:25:02.119 --> 0:25:03.639
<v Speaker 2>I mean, it's a joy for us that we get

0:25:03.680 --> 0:25:06.040
<v Speaker 2>to share these conversations with you. But I can only

0:25:06.320 --> 0:25:10.040
<v Speaker 2>I can only imagine that it must be a constant

0:25:10.119 --> 0:25:11.200
<v Speaker 2>education piece for people.

0:25:11.440 --> 0:25:15.119
<v Speaker 5>Absolutely, But I recognize I'm compensated for it. Imagine the

0:25:15.119 --> 0:25:18.040
<v Speaker 5>times where I wasn't you know, it's so strange. I

0:25:18.520 --> 0:25:21.000
<v Speaker 5>would remember going to like corporate job interviews when I

0:25:21.000 --> 0:25:23.400
<v Speaker 5>worked in pr and I would get to these jobs,

0:25:23.400 --> 0:25:26.280
<v Speaker 5>they'd be like, oh, I thought you were German. Doesn't

0:25:26.320 --> 0:25:29.159
<v Speaker 5>sound like an African last time. Anyway, my friend was

0:25:29.200 --> 0:25:30.840
<v Speaker 5>telling me she's from Kenya, by the way, do you

0:25:30.840 --> 0:25:31.080
<v Speaker 5>know her?

0:25:31.600 --> 0:25:33.760
<v Speaker 3>Anyway, she was telling.

0:25:33.480 --> 0:25:36.840
<v Speaker 5>Me that, you guys, that's not your real hair, and

0:25:36.920 --> 0:25:38.879
<v Speaker 5>I was saying, why would they put fake care in

0:25:38.920 --> 0:25:39.360
<v Speaker 5>their real hair?

0:25:39.480 --> 0:25:41.480
<v Speaker 3>Anyway? I don't know how you people do it, but

0:25:41.800 --> 0:25:42.840
<v Speaker 3>I was saying, you know.

0:25:42.840 --> 0:25:45.240
<v Speaker 5>And it's like, okay, So I don't understand how we've

0:25:45.280 --> 0:25:47.960
<v Speaker 5>gotten to this point, and I would just like to

0:25:48.000 --> 0:25:50.639
<v Speaker 5>go back to this Lilian Hankin. It's it is an

0:25:50.640 --> 0:25:54.439
<v Speaker 5>African name, it's not German anyway, That's what it becomes like.

0:25:54.520 --> 0:25:57.840
<v Speaker 5>And then I get really, I don't know what the

0:25:57.880 --> 0:26:01.720
<v Speaker 5>word is. I'm mindful because I have a lot of

0:26:01.760 --> 0:26:04.439
<v Speaker 5>opinions and I really believe in you aren't and like,

0:26:04.720 --> 0:26:06.159
<v Speaker 5>you know, a couple of years ago, I used to

0:26:06.160 --> 0:26:09.760
<v Speaker 5>host a philosophy and psychology podcast with a fellow black woman,

0:26:09.840 --> 0:26:13.800
<v Speaker 5>and she's South African and lives in America and I'm

0:26:13.960 --> 0:26:16.919
<v Speaker 5>African like Ghani and I live in Australia. People assume

0:26:17.040 --> 0:26:19.879
<v Speaker 5>we're the same because I give back, black whatever, very different.

0:26:19.920 --> 0:26:22.199
<v Speaker 5>That's a lot of what the podcast was about. But

0:26:22.560 --> 0:26:26.040
<v Speaker 5>through doing that, I was like, even even the audience

0:26:26.080 --> 0:26:29.399
<v Speaker 5>that we curated kept on homogenizing, up was kept on saying,

0:26:29.480 --> 0:26:33.000
<v Speaker 5>but how do you guys think so differently? Why don't

0:26:33.000 --> 0:26:35.520
<v Speaker 5>you guys have the same experience? And I was like,

0:26:36.480 --> 0:26:40.160
<v Speaker 5>I don't really feel like you're pushing fording that frontal

0:26:40.240 --> 0:26:45.040
<v Speaker 5>lobe developed, Like I don't understand how to simplify this

0:26:45.160 --> 0:26:49.520
<v Speaker 5>topic to a point where it makes sense to explain

0:26:49.560 --> 0:26:53.080
<v Speaker 5>to people, Like it sounds like I would be infantilizing

0:26:53.160 --> 0:26:56.640
<v Speaker 5>someone to be like, hey, just because I'm this way

0:26:56.720 --> 0:26:59.720
<v Speaker 5>and this person is this way, where different people.

0:27:00.040 --> 0:27:01.760
<v Speaker 4>And we've just asked you to do it in twenty minutes.

0:27:02.600 --> 0:27:06.080
<v Speaker 5>Yeah, you're all complicit. I don't know, Like, I just

0:27:06.119 --> 0:27:07.280
<v Speaker 5>like to have fun with it. I like to have

0:27:07.320 --> 0:27:09.520
<v Speaker 5>a good time. But I think it's a discussion worth

0:27:09.600 --> 0:27:12.960
<v Speaker 5>having because in the same vein, I'm not privy to

0:27:13.000 --> 0:27:17.440
<v Speaker 5>a bunch of conversations about different ethnic experience, different sexual experience,

0:27:17.480 --> 0:27:20.639
<v Speaker 5>different socioeconomic experiences. And I would hate for someone to

0:27:21.840 --> 0:27:24.239
<v Speaker 5>demean me or degrade me for not knowing what I

0:27:24.280 --> 0:27:27.160
<v Speaker 5>could know if I had access to but I also

0:27:27.200 --> 0:27:29.879
<v Speaker 5>feel like the world is a farked place, Like the

0:27:29.920 --> 0:27:32.639
<v Speaker 5>world is such a scary place, and we have so

0:27:32.760 --> 0:27:37.080
<v Speaker 5>much individual responsibility to ensure it's different, and we can't

0:27:37.119 --> 0:27:39.760
<v Speaker 5>just fall back on I didn't know, because you can

0:27:39.800 --> 0:27:42.760
<v Speaker 5>tell me all the people Taylor Swift as dated and

0:27:42.840 --> 0:27:45.720
<v Speaker 5>all the little easter eggs in her songs and all

0:27:45.800 --> 0:27:48.560
<v Speaker 5>of these meanings you pull out of these arbitrary things.

0:27:48.920 --> 0:27:51.639
<v Speaker 5>But there are real people with real life consequences, and

0:27:51.680 --> 0:27:55.440
<v Speaker 5>we fall back on ignorance too often. And I'm all

0:27:55.480 --> 0:27:58.600
<v Speaker 5>cool with not knowing, but I feel like we've been

0:27:58.640 --> 0:27:59.800
<v Speaker 5>in a really fortunate time.

0:28:00.080 --> 0:28:00.960
<v Speaker 3>People are given a lot.

0:28:00.880 --> 0:28:03.439
<v Speaker 5>Of grace for not knowing, but the world is getting

0:28:03.520 --> 0:28:07.440
<v Speaker 5>really angry and really violent and really dismissive of people

0:28:07.440 --> 0:28:10.000
<v Speaker 5>who don't know. And I'm really fearful for well, what

0:28:10.040 --> 0:28:13.360
<v Speaker 5>happened to those people who were coasting on ambiguity, who

0:28:13.359 --> 0:28:15.080
<v Speaker 5>were kind of hoping that, like, oh, I'm going to

0:28:15.119 --> 0:28:16.320
<v Speaker 5>get it in five years time.

0:28:16.400 --> 0:28:18.560
<v Speaker 3>I don't know if people are going to be that accommodating.

0:28:19.920 --> 0:28:23.000
<v Speaker 4>Flex, we could talk to you forever, but unfortunately we

0:28:23.040 --> 0:28:26.800
<v Speaker 4>can't live. But we will be doing a podcast with

0:28:26.920 --> 0:28:28.760
<v Speaker 4>Flex soon. She doesn't know that she knows. Now we're

0:28:28.760 --> 0:28:30.280
<v Speaker 4>going to be doing a podcast on this.

0:28:30.800 --> 0:28:36.280
<v Speaker 3>Is that cool? Thank you for the consent, the false consent,

0:28:37.960 --> 0:28:38.959
<v Speaker 3>in form consent.

0:28:42.200 --> 0:28:46.160
<v Speaker 1>She is such an interesting girl. I just love flex mummy.

0:28:46.440 --> 0:28:48.040
<v Speaker 1>Now I know that we're taking a break and we're

0:28:48.040 --> 0:28:51.960
<v Speaker 1>bringing you some episodes of our live show Conversations. But

0:28:52.080 --> 0:28:53.840
<v Speaker 1>where we are not taking a break is the Life

0:28:53.880 --> 0:28:56.400
<v Speaker 1>on Cut discussion group. It is the Facebook group. It's

0:28:56.520 --> 0:29:00.400
<v Speaker 1>like sevy five ish thousand friends in there and we

0:29:00.520 --> 0:29:02.560
<v Speaker 1>chat all day long. If you're not a part of it,

0:29:02.640 --> 0:29:04.400
<v Speaker 1>I will put a link in the show notes, but

0:29:04.400 --> 0:29:06.200
<v Speaker 1>if you want to search on Facebook, it is called

0:29:06.200 --> 0:29:08.920
<v Speaker 1>the Life Uncut Discussion Group. And you know the drill,

0:29:09.040 --> 0:29:10.400
<v Speaker 1>Tell you mum, tell your dad, tell your dog, tell

0:29:10.400 --> 0:29:13.280
<v Speaker 1>your friends, and share the love because we love love