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Speaker 1: On the show today.

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Speaker 2: Well, what a show about you, mister boasty pants.

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Speaker 1: Yes, you, sir, hands to you.

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Speaker 2: I read a statistic that said, I think it's something

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Speaker 2: like one in seventy men think they can outrun a

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Speaker 2: race horse.

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Speaker 1: You know, they're saying out for one hundred meters, there's

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Speaker 1: no way any man could do that.

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Speaker 2: Well, they say they can, And you said, I just

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Speaker 2: speculated that you could outrun a horse out of the

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Speaker 2: blocks over ten meters. I don't even think I might.

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Speaker 1: Say that might. What I might do, though, is I

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Speaker 1: might distract the horse. No, what do you mean? I'm

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Speaker 1: not the rules I am. I love what you hit

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Speaker 1: it on this before.

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Speaker 2: You can't hit it with a brew. It's a running race,

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Speaker 2: take off, it's a running run.

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Speaker 3: But I might say, hey, hey, hey, trigger, look over there,

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Speaker 3: there's a carrot.

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Speaker 2: No, that's why I never made it in the Olympics.

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Speaker 2: Imagine you are you saying there's a carrot? We put

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Speaker 2: True Crime as entertainment to the pub test A psychologists

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Speaker 2: said hey, you freaks, what are you doing? But lots

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Speaker 2: of people, particularly women, love them.

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Speaker 3: Mark Fanell has a new show on SPS. It's about

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Speaker 3: your DNA.

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Speaker 2: Yeah, he swapped your seat on the way. I don't

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Speaker 2: know what that means.

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Speaker 1: I just gave me and.

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Speaker 2: It's all coming up and thanks.

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Speaker 3: Can you provide me some eyeball wash for the videos?

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Speaker 3: It made me wash from Usher and Neil Diamond.

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Speaker 2: Not passion of each other, but being very hands on

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Speaker 2: with people in their audiences. Come on, Tribal Drum is

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Speaker 2: going to beat for cringe at the concert.

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Speaker 1: Enjoy the podcast.

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Speaker 4: That a miracle of recording.

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Speaker 1: We have so many requests for them to do it again.

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Speaker 5: Mistress Amanda's mis Amanda doesn't work alone.

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Speaker 1: Friend making the tools of the train.

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Speaker 3: I've heard them describe him as a drunken idiot.

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Speaker 1: The legendary poet Jonesy Amanda the actress wis congratulations Murder.

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Speaker 2: We're right now, Amanda.

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Speaker 1: You're doing a great job for anyone.

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Speaker 2: Biggest sealky giants.

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Speaker 6: Good radio.

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Speaker 7: Sorry but it's a tongue twist set Amanda's shoot, Timy, we're.

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Speaker 2: On the are.

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Speaker 1: Some of the wording to you, Amanda, It's so great.

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Speaker 2: Outside of great. I know it's not just me who's

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Speaker 2: still adjusting to daylight saving. This would normally be seven

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Speaker 2: o'clock and yet look how dark it is it?

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Speaker 3: Yeah, I wake up at two thirty this morning because

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Speaker 3: it's usually three point thirty.

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Speaker 2: Did you have to see a dentist at two point thirty?

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Speaker 8: No?

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Speaker 1: I didn't.

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Speaker 3: Okay, there was no dentist to state even the twenty

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Speaker 3: four hour dentists really isn't open at that time, Amanda

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Speaker 3: four dentist and I've already just seen my dentist.

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Speaker 1: So your joke is mood is it? It's a moot joke?

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Speaker 2: Did you have to do it per.

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Speaker 3: Oh no, no, no, no, no no, that's the worst

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Speaker 3: thing when you have to do that?

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Speaker 1: Was the midnight perce? Yeah, it's for it's a whole operation,

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Speaker 1: do you hope? So it's not like a midnight wi

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Speaker 1: You've got midoight Wii. You can just go to the toy.

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Speaker 2: You don't. You don't open your eyes. You walk like

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Speaker 2: a zombie to the loop wall.

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Speaker 1: You don't have to wear any lights on.

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Speaker 2: No, but you know it's full.

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Speaker 1: It's a whole cabaret when it should be. It's a show.

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Speaker 3: All your senses are, lights are on, and people get concerned,

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Speaker 3: are you all right?

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Speaker 1: What's going on? It's okay? How long are you in there?

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Speaker 1: Just to deal with whatever I have to deal with,

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Speaker 1: that's all. I don't know how we got to this.

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Speaker 3: I went to bed very satisfied last night, though you

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Speaker 3: know what happened. I fixed the dishwasher. There was this

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Speaker 3: noise in the dishwasher. And Alen said, oh, the dishwasher.

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Speaker 3: I think it's cactus. And it's an old dishwasher. It's

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Speaker 3: an old school Melee one. But this mile a guy

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Speaker 3: said to me years ago, the old school one's last forever.

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Speaker 1: It's making this noise. And I thought, poor, old smoky,

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Speaker 1: I think that's it. So I started pulling it apart.

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Speaker 3: And there's nothing more satisfying when you've got your wife

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Speaker 3: over your should again. And I pulled it A heart

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Speaker 3: got into the impeller and there was two bits of

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Speaker 3: broken china in there. I'll plate porcelain something, pull it out.

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Speaker 3: Dishwasher is running like a peach. She had her number

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Speaker 3: resting over the appliance online speed dial.

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Speaker 1: And you know the replacement meal UF is for. It's

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Speaker 1: three and a half thousand dollars for a dishwasher. Well

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Speaker 1: tell a wife at so anyway that I was quite satisfied,

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Speaker 1: but fair enough.

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Speaker 2: I'm happy for you. Brandan actually pact shat today? Is

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Speaker 2: this other things you'd like to boast about. I made

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Speaker 2: an enormous birthday cake for a friend of mine the

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Speaker 2: other day. You didn't hear me boast about that.

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Speaker 1: I saw that picture of the cake, and I get

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Speaker 1: Normally it.

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Speaker 2: Would be over how many how much was your dishwasher worth?

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Speaker 2: Three thousand? Normally this cake would cost three thousand dollars

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Speaker 2: to make. To make it, it was just a jam sponge.

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Speaker 2: I was going to buy it, but I made it

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Speaker 2: in my own home. But you don't hear me talking

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Speaker 2: about that.

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Speaker 1: I love you, boyfoot.

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Speaker 3: You always talk about when you make a cake and

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Speaker 3: I sit there and I say, good on you, good work.

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Speaker 2: Men's Actually we're going to talk about that on the

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Speaker 2: show today because you know what I read this? Where

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Speaker 2: is it here? Something like one in seven men think

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Speaker 2: they can outrun a.

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Speaker 3: Horse off the block, off the blocks? Yes, in four gallus?

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Speaker 2: You run?

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Speaker 1: Hang on what I run? Well?

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Speaker 2: You think you can outrun a horse?

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Speaker 3: I run like a cross between Tom Cruise and Mel Gibson.

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Speaker 3: And Mel Gibson runs like you know, he's always getting chased,

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Speaker 3: but not like Bill Short.

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Speaker 2: Bill Short ran by putting his heels down first, he

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Speaker 2: looked like a monster was chasing.

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Speaker 1: Remember he got along set on our show.

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Speaker 3: When we questioned him about his running, I was worried

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Speaker 3: about his arches. He said, maybe you've got some good

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Speaker 3: support there.

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Speaker 2: We will talk about the things that men boast about

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Speaker 2: a little bit later.

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Speaker 1: On Horse at the Blocks.

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Speaker 3: I reckon I could be Oh, come on, I reckon,

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Speaker 3: I could beat it. Instagram makes us return today also

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Speaker 3: one thousand dollars thanks to Amanda's brand new show, Airborn.

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Speaker 3: Everyone's talking about that. They particularly the intro recorded for you.

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Speaker 3: People are loving it, are they?

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Speaker 1: Hell?

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Speaker 2: Are they? I'm going to narrate a song. See if

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Speaker 2: you can guess what it is. But first up, let's

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Speaker 2: do magnificence. Yes, it is question number one, Which fruit

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Speaker 2: crows on an apple tree?

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Speaker 3: We have for you the magnificent seven seven questions. Can

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Speaker 3: you go all away and answer all seven questions correctly?

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Speaker 3: If you do that, Amanda will say.

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Speaker 2: I'll say live in Levida Loca, because if you're a

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Speaker 2: man of the match, you have to see Ricky Martin.

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Speaker 1: Ricky Ricky Ricky and he's in Quakers Hill?

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Speaker 2: Is he and He's in Quaker's Hill?

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Speaker 1: Annie is in Quakers Hill.

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Speaker 2: Hello, Annie, Hey, guys, I thought Ricky martin Quakers Hill?

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Speaker 2: Is he living with you? Annie espefinitely not.

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Speaker 9: I don't know my husband would go for that.

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Speaker 1: No, he might.

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Speaker 10: Might more interested in my husband.

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Speaker 2: Yes, you never know. Well Annie, that's if we can

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Speaker 2: get you those tickets. Question number one, which fruit was

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Speaker 2: on an apple tree? Apple? That's it?

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Speaker 1: What does a botanist study? Annie plan?

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Speaker 2: Yes, it's still lyrical? Assassin, how what are you brandan?

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Speaker 1: I thought you'd be.

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Speaker 3: Okay with this because you've got airborne you new segment

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Speaker 3: coming up on the show with each gam narration. But

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Speaker 3: Amanda does have trouble doing this because we quote the

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Speaker 3: lyrics to a song, Annie in a compecial fashion, and

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Speaker 3: you have to work out where the lyrics are from.

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Speaker 1: You ready to go? Go for it? So you or me? Annie?

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Speaker 2: You do it.

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Speaker 3: All the cops are in the doughnut shop. They say

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Speaker 3: wao wao, oh way wayo.

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Speaker 10: Oh, it's familiar, but so it happened, and I'm sorry.

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Speaker 2: So hot is the key?

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Speaker 1: Your husband? Thank you? Annie? Chris is in weather or Park. Hello, Chris.

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Speaker 11: Warn all, No, you got me on that one too.

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Speaker 2: Well, you don't everyone have a crack, added Cross, I

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Speaker 2: wouldn't know at all.

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Speaker 1: I'll do it again for you. Give up, Chris. All

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Speaker 1: the cops in the doughnut shop say, wao wao, oh way.

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Speaker 2: I get desperate, want to put a tune behind it,

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Speaker 2: and you won't let me.

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Speaker 1: That was then then that would be singing back to me.

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Speaker 1: It was a different Kettles.

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Speaker 2: All right, Well, did you Chris any ideas?

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Speaker 12: I love your word?

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Speaker 2: Guys, you got me? He said he didn't know, and

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Speaker 2: he knew himself.

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Speaker 1: Podcast The Magnificent Seven. Let's talk on question three, lyrical assassin.

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Speaker 2: See, this is why it's tricky, Brendan, I think it

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Speaker 2: needs a tune. This one's hard. Hello, Monty and Orang Park,

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Speaker 2: how are you very well?

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Speaker 1: Randy's a smart man, aren't you.

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Speaker 2: Brenda's rubbing his face. Okay, that's for those who just

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Speaker 2: joined us. You have to do there.

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Speaker 3: You you ruined it for everyone by saying it's too hard,

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Speaker 3: and Monty, being a man.

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Speaker 1: Capable, we'll read out the words.

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Speaker 3: All the cops in the donut shop say wao wao

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Speaker 3: oh way wayo, and Monty was correct.

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Speaker 1: Mighty people like money should be running the world.

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Speaker 3: You should take over the dopes that run this country, Monty.

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Speaker 2: That's good to question number four, the word could you

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Speaker 2: send any older? Brendan? The word caterpillar is of old

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Speaker 2: French origin, But what does it mean? Is it a

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Speaker 2: hairy cat? Be small dragon or see leaf eater?

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Speaker 1: That's mighty laz is in bargo, Hi laz.

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Speaker 2: Verra, Well, thank you. The word caterpillar French? Is it

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Speaker 2: harry cat or small dragon?

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Speaker 1: I'll go with harry cat a cat, thought.

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Speaker 2: Small dragon, but it's harry cat, true or false.

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Speaker 3: Michelangelo painted the Sistine Chapel using paint mixed with his

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Speaker 3: own blood. Remember he did the ceiling, Remember the columbiersial.

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Speaker 2: Remember, yeah, is paint like everyone else?

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Speaker 1: Kiss actually used their own blood in their comic book.

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Speaker 2: Then what comic book thing?

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Speaker 1: Kiss comics? You be kept away from Jean's blood? Wuldn't

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Speaker 1: you don't know what you get.

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Speaker 2: From what you're getting? Question six. Jonesy used this term yesterday,

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Speaker 2: devon patch. It's a slang term for what he said.

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Speaker 2: It looks like the top of his head, like a

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Speaker 2: piece of devon on it.

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Speaker 13: I guess the actual Yeah, sorry, bake, Hi, Brendan, do

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Speaker 13: you know what the term Devon patch means in slang

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Speaker 13: in Jonesy slang, yes.

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Speaker 4: I do.

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Speaker 11: It's going board.

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Speaker 3: Remember Cameron Smith n r L player, Remember that statue

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Speaker 3: of him outside Amy Park down in Melbourne. Someone wouldn't

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Speaker 3: be slabber Devon patch, slice of Devon on the baby sculpture.

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Speaker 1: That was very funny question s I thought, I wish

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Speaker 1: I'd come.

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Speaker 2: Up with that add envy for the Devon patch. You

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Speaker 2: don't need to envy here, Brendan his question number seven

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Speaker 2: during Daylight savings did our clocks this last weekend? Did

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Speaker 2: our clocks go forward or back?

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Speaker 11: They went back?

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Speaker 2: They went back.

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Speaker 3: Congratulations to you, Brendan, You've won the jam packets all

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Speaker 3: coming away, Double past to Ricky Martin, Tag Dainty and

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Speaker 3: Tag Dainty Live Presents Ricky Martin Live Australia twenty twenty five,

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Speaker 3: A superpast cables and Acques Park Penrith the most fun

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Speaker 3: you can have in and on the water and Jonesy

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Speaker 3: and Amanda character she was fear the coloring and some

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Speaker 3: staler pencils.

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Speaker 1: Brendan, anything you'd like to add to this.

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Speaker 11: We also sous that'd be good.

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Speaker 2: Good on your Brandon.

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Speaker 9: Jonesy and Amanda podcast and a man.

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Speaker 1: Those with great sadness that I announced this no great.

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Speaker 3: Coming through the Jamanak, our Big book of musical facts

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Speaker 3: on this day.

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Speaker 1: In nineteen eighty nine.

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Speaker 3: Do you remember where you were when Cher released her

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Speaker 3: hit If I could turn back time?

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Speaker 2: The film clip was so iconic. I think everyone remembers.

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Speaker 2: I mean, she broke the internet before the internet was invented.

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Speaker 2: She did straddling a cannon. And I'm not even a

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Speaker 2: religious person, but I thought that was weird.

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Speaker 1: It was a big deal.

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Speaker 3: And recently she's paid tribute to the recently deceased act

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Speaker 3: of Val Kilner.

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Speaker 2: They were partners.

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Speaker 3: Yeah, and in the past she said on how It

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Speaker 3: Stern Show that Valkulma actually dumped her.

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Speaker 1: I was madly in love with Val Kilmer and he left.

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Speaker 2: Sometimes you're only meant to stay with someone so long.

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Speaker 1: That's what my wife says to me.

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Speaker 2: What have you upstairs? You're welcome? You know, sometimes you just.

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Speaker 1: Not meant to be together. I'm missing some beginning, I know.

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Speaker 2: No, No, is that why you fixed the dishwasher? You

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Speaker 2: thought I better earn my Keith.

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Speaker 1: Let's straddle the cannon together.

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Speaker 2: Let's do it. GM When we started the show. You

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Speaker 2: were telling me about how you fix the dishwasher, and

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Speaker 2: guys like to boast about I can do things. I

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Speaker 2: was reading a story just last night. One in fifty

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Speaker 2: men think they could beat a horse, could outrun a horse,

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Speaker 2: and one hundred meters sprint?

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Speaker 1: Oh, in one hundred meters sprint. Yeah, I wouldn't think

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Speaker 1: that that's a long way.

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Speaker 2: Well, how far you said you could probably out out.

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Speaker 1: Of the blocks.

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Speaker 3: We're in the gate. I'm in the gate. Horses there

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Speaker 3: far laps next to me.

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Speaker 2: You know how far?

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Speaker 3: Just the first bit, because I'm smarter.

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Speaker 1: Than a horse.

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Speaker 2: What's the first bit?

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Speaker 1: First? Be the first few furlongs whatever they are.

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Speaker 2: It's probably one hundred meters.

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Speaker 1: No, one hundred meters. You're not going to beat a horse. There,

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Speaker 1: there's no way.

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Speaker 2: Well, how about this. Twenty seven percent of men think

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Speaker 2: they could outpace a crocodile.

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Speaker 9: The horse is.

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Speaker 2: Faster than a crocodile.

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Speaker 1: Crocodiles are very fast, so are horses.

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Speaker 2: Have you ever seen one? And I've seen you run?

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Speaker 1: No slagh am I running.

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Speaker 2: I'm slagging it. I'm being practical. I'm trying to save

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Speaker 2: you from humiliation.

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Speaker 1: If in case we set.

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Speaker 2: Up a competition where you go to Randwick Racecourse and

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Speaker 2: out of the box you're racing a horse. Actually, Jennay,

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Speaker 2: can we get onto that? Yeah, thumbs up.

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Speaker 3: It's not going to do anything about this. It's racing

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Speaker 3: gay waterhouse.

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Speaker 2: Twenty percent of men think they could outrun elephants. Yeah,

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Speaker 2: what do you think they're I reckon?

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Speaker 1: Yeah?

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Speaker 2: Eleven percent of men think they could out sprint a

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Speaker 2: house cat over ten meters.

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Speaker 3: Now I'm trying to chase a cat.

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Speaker 2: It's very what about this one? A third of all

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Speaker 2: men think they could safely land a plane in an emergency.

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Speaker 1: Easy, easy, easy?

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Speaker 2: You men have watched too many of those films all day.

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Speaker 2: If so, everyone's had the fish in the cockpit, everyone's

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Speaker 2: carct it and you have to come in and land

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Speaker 2: a plane.

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Speaker 1: Easy.

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Speaker 2: It's not like flying high.

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Speaker 1: I could do it.

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Speaker 10: You know.

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Speaker 1: You just look at your vertical horizon. You you know.

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Speaker 2: What if a haul is running alongside, what's there?

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Speaker 1: I could do that easy.

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Speaker 2: It's funny, isn't it, because women just go no?

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Speaker 1: Is that? It is that all the questions?

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Speaker 6: No?

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Speaker 2: What do you want more?

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Speaker 1: Well, there's something different than running out against animals? What

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Speaker 1: about like?

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Speaker 2: But what else do you think you can do. I've

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Speaker 2: got a list of everything men boast about. There's not

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Speaker 2: that much paper in the world. Seriously, I'd like what

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Speaker 2: would you like us to set up a competition where

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Speaker 2: you straight out of the blocks if you can beat

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Speaker 2: a horse.

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Speaker 1: Yeah, I do that, would you?

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Speaker 2: I've seen you run and I stopped.

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Speaker 1: Saying my running. It's it's good running.

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Speaker 3: I run like Mel Gibson in Lethal Weapon and in

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Speaker 3: Mad Max. Now he runs, I really put effort in.

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Speaker 2: Yeah, but you your arms go very short, like you're

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Speaker 2: a t ring.

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Speaker 3: Now I run like a charits of fire, right, and

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Speaker 3: not in slow motion.

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Speaker 1: Well, we are going to the fighting words. We're going

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Speaker 1: to running stuff.

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Speaker 2: We're going to arrange it where you bill short and

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Speaker 2: got upset with us. You will run out of the

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Speaker 2: box and see if you can outrun a horse.

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Speaker 1: Easy. But it's not one hundred meters.

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Speaker 3: It's in the first bang gay Saban, they're racing and no.

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Speaker 2: No, it's not that. It's not please, it's a speed race.

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Speaker 2: It's not a sign aps race. It's a race. So

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Speaker 2: I reckon it be fifty meters.

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Speaker 1: No horse will beat me in fifty meters.

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Speaker 2: At what point can you beat a horse? How many meters?

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Speaker 1: I reckon, I'm good for the first ten, first ten meters?

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Speaker 1: Lock it in? What does that?

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Speaker 2: True?

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Speaker 1: True bloody plenty crimes are going?

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Speaker 2: Yeah, right on ten meters? What kind of woozy challenges that?

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00:16:41,600 --> 00:16:43,560
Speaker 2: Beat a spider? If it's in another country?

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Speaker 1: Make it happen, Jenna, get onto it, Off the blocks,

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Speaker 1: off the blocks. Yes, in four gallony you run. Let's

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Speaker 1: get on down to the Jonesy de Man of Arms

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Speaker 1: for the pub test.

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Speaker 3: True crime as entertainment to pass the pub test. I've

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Speaker 3: never understood when they advertise true crime and they say, oh,

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Speaker 3: I watch this is so good, and then it's a horrible,

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Speaker 3: grisly murder.

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Speaker 2: I'm not into it either, though I did you know?

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Speaker 2: I love the podcast Teachers Pet, but I stepped away

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Speaker 2: after that. Lots of people, particularly women, are listening to

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00:17:14,440 --> 00:17:17,359
Speaker 2: true crime or watching too true crime and reading about

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00:17:17,359 --> 00:17:20,040
Speaker 2: it just before they go to bed. And a psychologist

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00:17:20,119 --> 00:17:22,680
Speaker 2: has said, you have to look at yourself and think,

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00:17:22,720 --> 00:17:28,120
Speaker 2: why is trauma relaxing to me? Because some big implications

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Speaker 2: from this. It makes people feel scared all the time.

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00:17:30,160 --> 00:17:33,800
Speaker 2: It makes you scared in your own home. It's said

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00:17:33,840 --> 00:17:36,320
Speaker 2: here that some people who grew up in high stress

382
00:17:36,640 --> 00:17:41,159
Speaker 2: mistake peace for boring. Some people like to live vicariously

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00:17:41,200 --> 00:17:44,439
Speaker 2: by looking at stuff that's happening to other people. But

384
00:17:44,760 --> 00:17:48,880
Speaker 2: so many people are devoted Forty five percent of Australians

385
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Speaker 2: are devoted to true crime content. It's the most popular

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Speaker 2: category on any of our devices. Wow, interesting, isn't it? So?

387
00:17:57,800 --> 00:17:59,919
Speaker 2: How do you feel relaxing to true crime?

388
00:18:00,119 --> 00:18:03,560
Speaker 1: It just sounds it is the world crazy? How is

389
00:18:03,600 --> 00:18:04,320
Speaker 1: that entertainment?

390
00:18:04,400 --> 00:18:05,760
Speaker 2: It's like going on a roller coaster.

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00:18:06,040 --> 00:18:08,560
Speaker 1: Well, that's fun, but this is a safe.

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00:18:08,280 --> 00:18:12,399
Speaker 2: Way of exploring the underbelly of life. And maybe that's human.

393
00:18:12,440 --> 00:18:16,320
Speaker 3: But I'd rather just watch underbelly dramatized crime because you're

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Speaker 3: watching that and you know, well, you know it's based loosely.

395
00:18:20,160 --> 00:18:22,920
Speaker 2: No, but I think it's something about the reality. It's

396
00:18:23,080 --> 00:18:27,560
Speaker 2: about the reality of these absolutely gruesome things some but

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Speaker 2: it's interesting that it's the genre that women are turning to.

398
00:18:31,119 --> 00:18:33,960
Speaker 2: True crime. Is entertainment or relaxing to true crime? Does

399
00:18:33,960 --> 00:18:38,200
Speaker 2: it past the pub test?

400
00:18:41,520 --> 00:18:46,760
Speaker 1: Great names?

401
00:18:46,800 --> 00:18:54,639
Speaker 2: Well, Brendan the finale Last Night, Wife's Lotus series Tree

402
00:18:56,000 --> 00:18:59,639
Speaker 2: are because I know you haven't seen it. I've seen it,

403
00:19:00,200 --> 00:19:00,920
Speaker 2: seen the finale.

404
00:19:01,040 --> 00:19:03,280
Speaker 3: No, but stupid Married at First sight, and now my

405
00:19:03,320 --> 00:19:04,200
Speaker 3: mother in law is in town.

406
00:19:04,320 --> 00:19:05,920
Speaker 1: I can't watch White Laders with my mom.

407
00:19:06,000 --> 00:19:07,320
Speaker 2: Did you watch Married at First.

408
00:19:07,720 --> 00:19:08,199
Speaker 1: I learned that?

409
00:19:08,320 --> 00:19:08,359
Speaker 5: No.

410
00:19:08,560 --> 00:19:10,960
Speaker 1: I learned that with Entrapman years ago. May and I

411
00:19:11,080 --> 00:19:13,760
Speaker 1: everyone else gone to bed, and then Entrapman came on.

412
00:19:14,280 --> 00:19:16,280
Speaker 1: It's got Sean Connery and Catherine Cita Joanes.

413
00:19:16,320 --> 00:19:17,960
Speaker 2: They didn't have it often she does.

414
00:19:18,440 --> 00:19:21,000
Speaker 1: It's just so awkward. You can't watch any sort of

415
00:19:21,200 --> 00:19:21,960
Speaker 1: You can't watch anything.

416
00:19:21,960 --> 00:19:23,520
Speaker 2: But I wouldn't watch maps with anyone.

417
00:19:23,640 --> 00:19:26,760
Speaker 3: You watch maths because you can commentate on what's going on.

418
00:19:26,800 --> 00:19:29,000
Speaker 1: The White Ladys see, I'm not watching that with my

419
00:19:29,040 --> 00:19:32,200
Speaker 1: mother in law. Well, well, but she just got to

420
00:19:32,280 --> 00:19:33,080
Speaker 1: keep storm.

421
00:19:33,359 --> 00:19:35,360
Speaker 2: I know how long we have to keep storm? How

422
00:19:35,400 --> 00:19:36,920
Speaker 2: long does a spoiler alert have to lie?

423
00:19:36,920 --> 00:19:40,280
Speaker 1: She's staying until next Tuesday? So can you wait?

424
00:19:40,680 --> 00:19:44,160
Speaker 2: Oh god, no? Should I have to wait till next Tuesday?

425
00:19:44,200 --> 00:19:47,760
Speaker 2: This is like when Harley on a say, a Saturday night,

426
00:19:47,840 --> 00:19:49,879
Speaker 2: we'd go to a charity event and he'd say to

427
00:19:49,960 --> 00:19:52,840
Speaker 2: everyone at the table, don't tell me who's in the bledderslope,

428
00:19:52,960 --> 00:19:55,359
Speaker 2: don't tell me who's winning tonight. And it's not private

429
00:19:55,400 --> 00:19:57,880
Speaker 2: information and someone to get up at the very and say, hey,

430
00:19:57,920 --> 00:19:58,800
Speaker 2: weld Don Australian.

431
00:19:58,880 --> 00:20:01,200
Speaker 1: God damn it and that was you.

432
00:20:01,560 --> 00:20:04,400
Speaker 2: But how can you keep some information quiet? How long

433
00:20:04,440 --> 00:20:06,480
Speaker 2: do I have to wait for you to see the finale?

434
00:20:07,280 --> 00:20:09,639
Speaker 1: We'll just talk around it.

435
00:20:09,760 --> 00:20:12,000
Speaker 2: The whole series isn't just talk around It's not like.

436
00:20:12,040 --> 00:20:13,879
Speaker 2: It's not like married at first night. That's leading to

437
00:20:13,920 --> 00:20:15,560
Speaker 2: a climax as it were.

438
00:20:15,920 --> 00:20:17,400
Speaker 1: This the whole series.

439
00:20:17,160 --> 00:20:19,280
Speaker 2: Is someone's died at the beginning. Who is it? And

440
00:20:19,320 --> 00:20:20,520
Speaker 2: now I can't even talk to you about it?

441
00:20:20,560 --> 00:20:21,480
Speaker 1: But don't tell me who died.

442
00:20:22,400 --> 00:20:26,800
Speaker 2: Well, that's what it's about. Interestingly, Duke University, because there's

443
00:20:26,800 --> 00:20:30,280
Speaker 2: a Punsi family, the ratlifts in it, and the character

444
00:20:30,280 --> 00:20:31,960
Speaker 2: one of the sons last night says, I can read

445
00:20:31,960 --> 00:20:33,440
Speaker 2: a book. You know I did go to Duke Unville.

446
00:20:33,440 --> 00:20:36,639
Speaker 1: When I just ask about the Dad prosthesis.

447
00:20:36,640 --> 00:20:38,960
Speaker 2: Definitely wasn't it When he flashed his organ.

448
00:20:38,840 --> 00:20:41,200
Speaker 1: Yeah, when he had his gapye gown on.

449
00:20:41,520 --> 00:20:43,400
Speaker 2: It says more about you than anyone. If you think

450
00:20:43,400 --> 00:20:44,439
Speaker 2: that was fake, I don't know.

451
00:20:44,600 --> 00:20:45,560
Speaker 1: I don't you think it was real?

452
00:20:45,760 --> 00:20:45,840
Speaker 5: No?

453
00:20:45,920 --> 00:20:47,400
Speaker 2: I thought it was fake only because I thought he's

454
00:20:47,400 --> 00:20:51,080
Speaker 2: a famous actor. Would he flash his area and he's

455
00:20:51,080 --> 00:20:53,399
Speaker 2: refused to comment on it. I've asked him many times,

456
00:20:54,119 --> 00:20:57,720
Speaker 2: but apparently he last night he was the father was

457
00:20:58,119 --> 00:21:01,640
Speaker 2: who's spiraling out of control because he's Empires about to collapse.

458
00:21:02,400 --> 00:21:05,080
Speaker 2: He was and this is no secret in the series.

459
00:21:05,160 --> 00:21:07,560
Speaker 2: It's terrible. It's contemplating if I lose all my money,

460
00:21:07,640 --> 00:21:11,600
Speaker 2: my family all have been brought up to be big riches.

461
00:21:12,040 --> 00:21:14,480
Speaker 2: What happens when it all goes away? Do I kill

462
00:21:14,520 --> 00:21:17,199
Speaker 2: us all? Is kind of what he's thinking. And so

463
00:21:17,760 --> 00:21:20,679
Speaker 2: he's wearing a Duke T shirt, a Duke University T

464
00:21:20,800 --> 00:21:24,200
Speaker 2: shirt while he's thinking some dark thoughts, and Duke University

465
00:21:24,240 --> 00:21:27,080
Speaker 2: isn't happy they as they say it was a troubling

466
00:21:27,480 --> 00:21:28,960
Speaker 2: scene and they have declared they don't want to be

467
00:21:29,000 --> 00:21:31,680
Speaker 2: associated with the series as that does not reflect our venues.

468
00:21:31,840 --> 00:21:37,040
Speaker 2: I mean, you can't just you can't own Duke University

469
00:21:37,080 --> 00:21:39,520
Speaker 2: can own how their image is used in that regard.

470
00:21:39,680 --> 00:21:41,720
Speaker 3: Well maybe they can pixel it out, like when someone

471
00:21:41,760 --> 00:21:42,919
Speaker 3: gets busted on RBT.

472
00:21:44,480 --> 00:21:47,919
Speaker 2: But I know, but this is a dramatization and it's

473
00:21:47,960 --> 00:21:51,280
Speaker 2: a very deliberate moment, this big entitled family at the

474
00:21:51,359 --> 00:21:56,480
Speaker 2: end of everything. I don't know it's like you're wearing

475
00:21:56,480 --> 00:21:59,160
Speaker 2: a Max roly T shirt when you race a horse

476
00:21:59,200 --> 00:22:01,639
Speaker 2: as you said you're going to do. Earlier, you claimed

477
00:22:02,040 --> 00:22:03,359
Speaker 2: you could beat a horse.

478
00:22:03,800 --> 00:22:06,560
Speaker 3: The story was, don't bring my mind one in Fintal

479
00:22:06,680 --> 00:22:09,160
Speaker 3: or the late great Max Rowley into this.

480
00:22:09,280 --> 00:22:13,240
Speaker 2: Well it media One in fifty men think they could

481
00:22:13,240 --> 00:22:16,080
Speaker 2: beat a horse in one hundred meters sprint. You've narrowed

482
00:22:16,080 --> 00:22:17,920
Speaker 2: down your level of it after saying yes, of course

483
00:22:17,960 --> 00:22:20,439
Speaker 2: I could, because now you're saying straight out of the

484
00:22:20,440 --> 00:22:21,879
Speaker 2: blocks you could beat it over.

485
00:22:21,800 --> 00:22:25,560
Speaker 3: Tens me I said, straight out of the blocks ten meters.

486
00:22:25,600 --> 00:22:27,920
Speaker 3: No man would say that they could beat a horse

487
00:22:27,920 --> 00:22:29,640
Speaker 3: over a one hundred one in fifty hals were they

488
00:22:29,880 --> 00:22:30,920
Speaker 3: deluded idiots?

489
00:22:30,960 --> 00:22:33,520
Speaker 1: But out of ten meters, I'd give it a fin.

490
00:22:34,040 --> 00:22:36,159
Speaker 2: I don't know if I think we should talk to

491
00:22:36,200 --> 00:22:39,080
Speaker 2: someone who knows that horse. I use my humans to

492
00:22:39,200 --> 00:22:41,199
Speaker 2: know we wouldn't let you. We wouldn't let you, of

493
00:22:41,200 --> 00:22:44,080
Speaker 2: course that would no, of course you would. But I

494
00:22:44,119 --> 00:22:46,080
Speaker 2: would have to talk to someone from the horse world

495
00:22:46,840 --> 00:22:50,440
Speaker 2: to say, maybe talk to Chris Brown that maybe horses

496
00:22:50,480 --> 00:22:53,120
Speaker 2: it's not natural for them to be fast over ten meters.

497
00:22:53,359 --> 00:22:57,480
Speaker 2: It's maybe that's not even a competition. You know, maybe

498
00:22:57,480 --> 00:22:58,880
Speaker 2: horses need a bit longer to get gone.

499
00:22:58,960 --> 00:23:02,080
Speaker 1: No, my problem, that's the horse. What's this problem you've.

500
00:23:01,880 --> 00:23:03,960
Speaker 2: Claimed you can beat over to me because maybe anyone could,

501
00:23:04,160 --> 00:23:05,200
Speaker 2: maybe a tortoise could.

502
00:23:06,040 --> 00:23:08,080
Speaker 1: That's what you know. You're talking rubbish.

503
00:23:09,280 --> 00:23:16,000
Speaker 2: Well and watch White Loaders, gem Jam Nasa God right

504
00:23:16,040 --> 00:23:19,560
Speaker 2: now now your windows.

505
00:23:20,480 --> 00:23:21,960
Speaker 7: Stick your head on a gel.

506
00:23:27,240 --> 00:23:29,280
Speaker 1: Down to the Jonty demand arounds to the pub test.

507
00:23:29,480 --> 00:23:30,240
Speaker 1: I don't quite.

508
00:23:30,119 --> 00:23:32,919
Speaker 3: Understand relaxing to too true crime.

509
00:23:33,280 --> 00:23:36,000
Speaker 2: It's not you, but it is a lot of people. Apparently.

510
00:23:36,200 --> 00:23:39,720
Speaker 2: This is the true crime content is the most popular

511
00:23:39,760 --> 00:23:44,120
Speaker 2: category in all devices, and forty five percent of Australians

512
00:23:44,119 --> 00:23:45,959
Speaker 2: are devoted to the genre. And a lot of them

513
00:23:45,960 --> 00:23:50,320
Speaker 2: are women. A lot of women watching, listening reading about

514
00:23:50,400 --> 00:23:53,400
Speaker 2: true crime just before they go to bed. A psychologist

515
00:23:53,400 --> 00:23:56,000
Speaker 2: here has said, how to think about why trauma is

516
00:23:56,040 --> 00:23:58,560
Speaker 2: relaxing you? What does it say about you? Because it

517
00:23:58,600 --> 00:24:01,159
Speaker 2: can make you frightened in your own home, weary of

518
00:24:01,160 --> 00:24:04,439
Speaker 2: other people, get your heart rate racing, all those things.

519
00:24:04,840 --> 00:24:08,520
Speaker 2: Other people say that you know, it's like living vicariously

520
00:24:08,600 --> 00:24:11,320
Speaker 2: through others, that that's the worst that can happen, and

521
00:24:11,359 --> 00:24:13,760
Speaker 2: it's not happening. To you and maybe that's just relevant.

522
00:24:14,080 --> 00:24:16,960
Speaker 2: So how do you feel true crime as entertainment? Does

523
00:24:17,000 --> 00:24:19,320
Speaker 2: it pass the pub test? It absolutely does.

524
00:24:19,359 --> 00:24:21,959
Speaker 10: It's not about the crime, it's about the science behind

525
00:24:22,200 --> 00:24:26,240
Speaker 10: catching the perpetrator and the cops and everyone that investigates it.

526
00:24:26,520 --> 00:24:30,359
Speaker 10: That's the most interesting bit the crime, unfortunately, just the

527
00:24:30,440 --> 00:24:33,960
Speaker 10: side effect. So no, true crime definitely passes the pup test.

528
00:24:34,119 --> 00:24:36,679
Speaker 11: As a podcast, they're interesting, but it's the true crime

529
00:24:36,760 --> 00:24:37,600
Speaker 11: bit that I sort of.

530
00:24:37,520 --> 00:24:39,320
Speaker 12: Balk at and go, I don't think it does.

531
00:24:39,680 --> 00:24:42,359
Speaker 5: I'm against it because I don't think it's as true

532
00:24:42,400 --> 00:24:43,639
Speaker 5: as we like to think it is.

533
00:24:43,880 --> 00:24:44,480
Speaker 12: Of course I do.

534
00:24:44,680 --> 00:24:47,240
Speaker 14: There's nothing better than reading about as straight and true

535
00:24:47,280 --> 00:24:48,120
Speaker 14: crime and.

536
00:24:48,080 --> 00:24:50,240
Speaker 10: Trying to get into the head of the person that's

537
00:24:50,280 --> 00:24:51,119
Speaker 10: doun this crime.

538
00:24:51,720 --> 00:24:54,200
Speaker 4: I've been enjoying it for probably thirty forty years.

539
00:24:54,320 --> 00:24:57,920
Speaker 15: As a teacher, I'm trying to connect with as many students.

540
00:24:57,520 --> 00:24:59,480
Speaker 12: As I can in whatever way it takes.

541
00:24:59,240 --> 00:25:01,960
Speaker 15: To make sure I can ed occasion, and a young

542
00:25:02,040 --> 00:25:05,119
Speaker 15: lady in particular was very interested in through crime and

543
00:25:05,160 --> 00:25:07,199
Speaker 15: it was the connection I was able to make for

544
00:25:07,240 --> 00:25:09,480
Speaker 15: her to have a successful year eleven and twelve.

545
00:25:09,760 --> 00:25:14,280
Speaker 5: I'm actually against it because I've personally been touched by murder,

546
00:25:14,520 --> 00:25:18,560
Speaker 5: and I find it a sort of sickening attachment that

547
00:25:18,680 --> 00:25:22,080
Speaker 5: society has now to get entertainment out of murders and

548
00:25:22,200 --> 00:25:24,600
Speaker 5: be done it, because when you're on the other side

549
00:25:24,640 --> 00:25:28,840
Speaker 5: and you're exposed to it, it's actually a very traumatic experience.

550
00:25:28,960 --> 00:25:31,320
Speaker 5: So I don't think it past the post test at all.

551
00:25:31,880 --> 00:25:35,440
Speaker 1: I can see that absolutely. What about it? True fashion crimes.

552
00:25:36,440 --> 00:25:38,080
Speaker 2: We've been on the receiving end of some of that

553
00:25:38,119 --> 00:25:39,960
Speaker 2: credits to criticism yourself. How does it feel?

554
00:25:40,320 --> 00:25:45,399
Speaker 1: Jersey Amanda Podcast? Hello there, it's Jersey Demanda. While the

555
00:25:45,440 --> 00:25:49,680
Speaker 1: Cranberry's wailed away, we're talking about Airborne. Everyone's talking about it.

556
00:25:49,680 --> 00:25:52,399
Speaker 1: Amanda's brand new TV show. It's gone from.

557
00:25:52,280 --> 00:25:57,880
Speaker 3: Wednesday night prime time to prime prime time on Friday night.

558
00:25:58,359 --> 00:25:59,120
Speaker 1: What a big deal.

559
00:25:59,400 --> 00:26:02,320
Speaker 3: The think for you to conquer now is the coveted

560
00:26:02,880 --> 00:26:03,840
Speaker 3: golden spot?

561
00:26:04,160 --> 00:26:05,960
Speaker 2: Is that two am on a Sunday.

562
00:26:05,880 --> 00:26:06,960
Speaker 1: No Saturday night.

563
00:26:07,680 --> 00:26:12,639
Speaker 3: That's where Dalel and Ossie trod the feted grounds for years.

564
00:26:13,840 --> 00:26:15,359
Speaker 2: I don't think Ossie did much trotting.

565
00:26:15,480 --> 00:26:19,280
Speaker 3: They rain supreme and now you're going to be like them? Well,

566
00:26:19,440 --> 00:26:20,440
Speaker 3: you show hair Boy.

567
00:26:20,640 --> 00:26:23,320
Speaker 2: There's four episodes. We've already had one episode, so the

568
00:26:23,320 --> 00:26:27,080
Speaker 2: next one is Friday Night. It's a beautiful nature documentary.

569
00:26:27,119 --> 00:26:29,800
Speaker 2: The footage is just extraordinary. It's not about me, although

570
00:26:29,840 --> 00:26:31,439
Speaker 2: let's pretend it is for the next minute so you

571
00:26:31,440 --> 00:26:32,480
Speaker 2: can win a thousand dollars.

572
00:26:32,560 --> 00:26:34,280
Speaker 1: It's about you and your narration.

573
00:26:35,200 --> 00:26:40,160
Speaker 2: A male intrigued it decides to take a closer look.

574
00:26:43,680 --> 00:26:48,560
Speaker 2: And while she usually prefers solitude, right now she's keen

575
00:26:48,600 --> 00:26:52,960
Speaker 2: to make friends. She's happy to share her food. Then,

576
00:26:53,080 --> 00:26:57,600
Speaker 2: with her belly full, she invites him in, giving him

577
00:26:57,600 --> 00:27:01,159
Speaker 2: one come on, That's what I got out of that,

578
00:27:01,600 --> 00:27:06,800
Speaker 2: giving him one phote. It was an hour long, incredible documentary,

579
00:27:06,920 --> 00:27:10,760
Speaker 2: and there's water cam and that's that's all you've gleaned

580
00:27:10,760 --> 00:27:13,480
Speaker 2: from that? Is your Is that bit of Benny Hill

581
00:27:13,840 --> 00:27:14,320
Speaker 2: very good?

582
00:27:15,280 --> 00:27:17,560
Speaker 1: Thirteen ninety seven thirty six If you would like to play.

583
00:27:17,440 --> 00:27:19,199
Speaker 2: What we're going to do with calling it jam narration,

584
00:27:19,400 --> 00:27:20,120
Speaker 2: I'm going.

585
00:27:19,960 --> 00:27:22,040
Speaker 1: To well, we'll explain a little of that after Helen's

586
00:27:22,119 --> 00:27:22,600
Speaker 1: us all right.

587
00:27:22,600 --> 00:27:24,000
Speaker 2: Put one thousand dollars is on the line.

588
00:27:24,520 --> 00:27:27,640
Speaker 9: Jonesy and Amanda.

589
00:27:26,800 --> 00:27:33,960
Speaker 16: Podcast, Amanda Killen narrates the groundbreaking new series Airborne seven

590
00:27:34,040 --> 00:27:35,560
Speaker 16: thirty Friday on ten.

591
00:27:36,600 --> 00:27:39,480
Speaker 1: Sing It Works wow Bus wore bus.

592
00:27:39,680 --> 00:27:43,439
Speaker 2: Now that there's mates, wow bus, wow moos wow boots.

593
00:27:43,680 --> 00:27:46,960
Speaker 2: Now an adult, he has just a few hours to

594
00:27:47,040 --> 00:27:48,040
Speaker 2: find a mate.

595
00:27:48,080 --> 00:27:51,720
Speaker 7: And reproduces wow mus.

596
00:27:51,800 --> 00:27:55,480
Speaker 2: Then, with her belly full, she invites him wow.

597
00:27:57,840 --> 00:28:04,080
Speaker 3: Way give me should have won Australian idol last night

598
00:28:04,520 --> 00:28:05,919
Speaker 3: instead of old mate, who won't it?

599
00:28:06,040 --> 00:28:08,400
Speaker 2: Do you think that David Attenborough ever had to put

600
00:28:08,480 --> 00:28:10,800
Speaker 2: up with this? Because that's what I am. I'm a

601
00:28:10,840 --> 00:28:13,600
Speaker 2: fat and brough, I'm a female. Attenboro're very good for

602
00:28:13,640 --> 00:28:17,080
Speaker 2: the new series Airborne. If you'd like to win a

603
00:28:17,119 --> 00:28:19,320
Speaker 2: thousand dollars, give us a call right now, thirteen ninety

604
00:28:19,320 --> 00:28:21,080
Speaker 2: seven thirty six. What we're going to do is I'm

605
00:28:21,080 --> 00:28:23,879
Speaker 2: going to narrate lyrics to a song and if you

606
00:28:23,880 --> 00:28:25,359
Speaker 2: can tell us what the song is, you win a

607
00:28:25,400 --> 00:28:26,000
Speaker 2: thousand dollars.

608
00:28:26,080 --> 00:28:30,760
Speaker 1: Easy peasy. Lisa is in Reesebe Hello Lisa, Hello.

609
00:28:31,119 --> 00:28:33,400
Speaker 2: Hello Lisa. Well we're going to start. You get one

610
00:28:33,440 --> 00:28:34,919
Speaker 2: line and if you don't get it, we'll move on

611
00:28:34,920 --> 00:28:36,560
Speaker 2: to the next person and the light. The person who

612
00:28:36,640 --> 00:28:37,919
Speaker 2: gets it wins the grand.

613
00:28:37,680 --> 00:28:39,880
Speaker 4: Okay, okay, alrighty here we go.

614
00:28:39,960 --> 00:28:44,760
Speaker 2: Let me get my Fattenberg going go hook me up

615
00:28:45,040 --> 00:28:49,800
Speaker 2: a new revolution because this one is a lie. We

616
00:28:49,840 --> 00:28:55,040
Speaker 2: sat around laughing and watched the last one. Die Lisa,

617
00:28:55,520 --> 00:28:58,040
Speaker 2: any idea, Lisa larent it?

618
00:28:58,560 --> 00:29:06,880
Speaker 10: Fly By the Food Fighter I my favorite man.

619
00:29:07,240 --> 00:29:09,480
Speaker 3: Well, we love them too, Lisa, And it's paid off

620
00:29:09,560 --> 00:29:10,320
Speaker 3: nicely for you.

621
00:29:10,440 --> 00:29:13,080
Speaker 2: Congratulations, Thank you so much.

622
00:29:13,480 --> 00:29:15,400
Speaker 1: Thousand dollars thanks to air Born.

623
00:29:15,520 --> 00:29:17,600
Speaker 3: You must be stoked that Amanda has now been moved

624
00:29:17,640 --> 00:29:18,720
Speaker 3: to prime primetime.

625
00:29:19,840 --> 00:29:20,800
Speaker 10: I love the show.

626
00:29:21,360 --> 00:29:23,480
Speaker 4: I've watched the first episode and it's amazing.

627
00:29:23,720 --> 00:29:26,200
Speaker 2: List thank you. The next one's Friday Night, so I

628
00:29:26,280 --> 00:29:29,760
Speaker 2: seven thirty watch out for that. Thank you Lisa so much,

629
00:29:29,840 --> 00:29:32,240
Speaker 2: and we play it again tomorrow. Thousand dollars on the.

630
00:29:32,280 --> 00:29:35,600
Speaker 1: Line, twenty two to eight Goldamnation. Why would I want

631
00:29:35,600 --> 00:29:36,080
Speaker 1: to watch it?

632
00:29:36,280 --> 00:29:37,600
Speaker 2: We're going to make you watch something's going to make

633
00:29:37,600 --> 00:29:39,960
Speaker 2: you feel very uncomfortable. Actually, I've seen these memes go

634
00:29:39,960 --> 00:29:43,080
Speaker 2: around lately of people posting really ugly photos of themselves

635
00:29:43,080 --> 00:29:45,880
Speaker 2: as teenagers with braces and bad perms, saying, you know,

636
00:29:45,960 --> 00:29:47,880
Speaker 2: one person saying I was the audience of a Michael

637
00:29:47,920 --> 00:29:50,360
Speaker 2: Jackson concert and hoping you'd look at me and fall

638
00:29:50,400 --> 00:29:53,440
Speaker 2: in love with me. Well, I've got some really cringey

639
00:29:53,520 --> 00:29:56,080
Speaker 2: footage of some concert footage.

640
00:29:56,080 --> 00:29:59,160
Speaker 1: You said Neil Diamond and Usher, Well not together.

641
00:29:59,560 --> 00:30:03,000
Speaker 2: First of all, this is a concert, a Neil Diamond concert.

642
00:30:03,960 --> 00:30:07,880
Speaker 2: And he's singing, girl, you'll be a woman now. I

643
00:30:07,880 --> 00:30:14,160
Speaker 2: mean it's a creepy song. But have a look what happens.

644
00:30:14,400 --> 00:30:17,360
Speaker 1: He's singing, he's lying down on his stomach.

645
00:30:17,520 --> 00:30:19,760
Speaker 2: On the stage, and he calls a woman out, middle

646
00:30:19,800 --> 00:30:20,280
Speaker 2: aged woman.

647
00:30:20,800 --> 00:30:25,120
Speaker 1: She's looking to okay, she's looking into his eyes and

648
00:30:25,160 --> 00:30:26,840
Speaker 1: now he's stroking her face.

649
00:30:28,080 --> 00:30:31,280
Speaker 2: And when he's not fining, his tongue can't be two

650
00:30:31,360 --> 00:30:33,840
Speaker 2: places at one time, kissing. He can't be in his

651
00:30:33,920 --> 00:30:37,760
Speaker 2: mouth and hers. So he gives he holds her face

652
00:30:38,320 --> 00:30:41,560
Speaker 2: and lying like pretty much. He's dressed as a middle

653
00:30:41,600 --> 00:30:43,320
Speaker 2: aged man. He's got his you know, like he's off

654
00:30:43,320 --> 00:30:45,959
Speaker 2: to the office in his pipe pants. He's lying on

655
00:30:46,120 --> 00:30:50,560
Speaker 2: stage on his stomach. He's leaning down, she's leaning up

656
00:30:50,560 --> 00:30:52,760
Speaker 2: from the bottom of the from the floor, and he's

657
00:30:52,840 --> 00:30:55,560
Speaker 2: tongue pashing her. And then she skips back as she

658
00:30:55,640 --> 00:30:58,440
Speaker 2: can to her friends in the audience.

659
00:30:58,640 --> 00:31:01,080
Speaker 3: You know, you gotta appreciate his diaphragm because he's lying

660
00:31:01,080 --> 00:31:04,000
Speaker 3: on he's stomach. That would be hard to singpe She.

661
00:31:03,960 --> 00:31:07,920
Speaker 2: Had one end two. Next up, I've got another example.

662
00:31:08,000 --> 00:31:12,520
Speaker 2: So I said, Michael what was his name, Neil Diamond.

663
00:31:12,080 --> 00:31:12,920
Speaker 1: Not Michael Aisher.

664
00:31:15,080 --> 00:31:19,040
Speaker 3: He's a newsreader right seven. I don't know about he's diaphragm.

665
00:31:19,040 --> 00:31:20,360
Speaker 3: You're about Asher, the singer.

666
00:31:20,480 --> 00:31:22,440
Speaker 2: So we've started with Neil Diamond.

667
00:31:22,600 --> 00:31:28,680
Speaker 1: Yes to Usher. Now it's it's not Michael Asher, Michael Aisher.

668
00:31:28,800 --> 00:31:32,040
Speaker 2: It's the singer Usher. He let me paint the picture

669
00:31:32,080 --> 00:31:36,160
Speaker 2: for you before you hear the audio. So he comes

670
00:31:36,200 --> 00:31:37,720
Speaker 2: up to Well, maybe he does this all the time,

671
00:31:37,760 --> 00:31:39,720
Speaker 2: I don't know. He goes up to this woman in

672
00:31:39,760 --> 00:31:43,600
Speaker 2: the crowd. She looks amazonian compared to him. I don't

673
00:31:43,640 --> 00:31:45,560
Speaker 2: know whether he's short or she's standing on a step.

674
00:31:45,600 --> 00:31:48,040
Speaker 2: I don't know what's happened, but she's big, and she's

675
00:31:48,160 --> 00:31:50,880
Speaker 2: looking into his face. He's looking into hers. I've never

676
00:31:50,920 --> 00:31:53,959
Speaker 2: seen a woman wanting to devour someone as much as

677
00:31:54,000 --> 00:31:56,040
Speaker 2: the way he's She's looking at him, but he's looking

678
00:31:56,040 --> 00:31:58,280
Speaker 2: straight back at her. Pretty much. The two of them

679
00:31:58,280 --> 00:31:59,640
Speaker 2: are just thinking. You know, if you saw that in

680
00:31:59,680 --> 00:32:01,960
Speaker 2: a club, you think, get a room, But everyone else

681
00:32:02,040 --> 00:32:04,120
Speaker 2: was in the room. It was a concerts concert hall.

682
00:32:04,720 --> 00:32:07,720
Speaker 2: So he comes right up to her. Well, look through

683
00:32:07,840 --> 00:32:10,000
Speaker 2: the look, okay, let's let's have a look. I'm going

684
00:32:10,040 --> 00:32:10,680
Speaker 2: to make you look at this.

685
00:32:10,880 --> 00:32:16,760
Speaker 3: I'm okay, Well she looks proportionately bigger than him, not larger,

686
00:32:16,800 --> 00:32:17,960
Speaker 3: but proportionately bigger.

687
00:32:18,040 --> 00:32:18,560
Speaker 2: Well look at the way.

688
00:32:18,640 --> 00:32:21,160
Speaker 1: So when you stand next to Tracy Bartie, look how.

689
00:32:21,080 --> 00:32:24,200
Speaker 2: She's looking at him, and look how he's looking at her.

690
00:32:24,720 --> 00:32:28,640
Speaker 2: Then what happens next is he gets out some cherries

691
00:32:29,680 --> 00:32:33,400
Speaker 2: and dangles them above her mouth, and look what she

692
00:32:33,480 --> 00:32:34,040
Speaker 2: does to them.

693
00:32:34,480 --> 00:32:36,600
Speaker 1: Yeah, devouring, the devouring.

694
00:32:37,440 --> 00:32:39,800
Speaker 2: Oh yeah, she's rolling her tongue around them. There, and

695
00:32:39,840 --> 00:32:44,080
Speaker 2: the whole crowd's going, it's the nice, intimately weird thing.

696
00:32:44,160 --> 00:32:46,280
Speaker 1: Okay, yeah, that's enough. That's enough for that.

697
00:32:46,360 --> 00:32:48,800
Speaker 2: I saw that a week ago, and then I saw

698
00:32:48,840 --> 00:32:52,560
Speaker 2: this yesterday, breaking news. A forty five year old man

699
00:32:52,600 --> 00:32:55,480
Speaker 2: has filed for divorce from his wife after she allowed

700
00:32:55,560 --> 00:32:59,040
Speaker 2: Grammy winning singer Usher Raiment to seduce her on stage.

701
00:33:00,240 --> 00:33:03,239
Speaker 2: Claims the woman has never kissed him in public, and

702
00:33:03,280 --> 00:33:05,840
Speaker 2: he was shocked that she could do that with quote

703
00:33:05,840 --> 00:33:09,160
Speaker 2: a complete stranger in the presence of twenty thousand people.

704
00:33:10,840 --> 00:33:14,320
Speaker 2: Maybe he didn't get out the cherries and Michael Lusher

705
00:33:15,040 --> 00:33:16,880
Speaker 2: rest easy, this isn't abaut you.

706
00:33:18,160 --> 00:33:23,000
Speaker 1: Michael ash is going, you got something to do?

707
00:33:23,560 --> 00:33:25,280
Speaker 2: I mean you got to see a concert. You don't expect,

708
00:33:25,400 --> 00:33:27,080
Speaker 2: you don't expect, you do not expect that.

709
00:33:27,120 --> 00:33:33,200
Speaker 1: I don't expect cringe you to concert? Jonesy podcast, Well.

710
00:33:32,920 --> 00:33:35,040
Speaker 2: It wasn't that long ago that Mark Fanell was chatting

711
00:33:35,080 --> 00:33:38,200
Speaker 2: to us about stuff the British stole. This time he's

712
00:33:38,240 --> 00:33:40,240
Speaker 2: putting a stamp on a new show, a first of

713
00:33:40,240 --> 00:33:44,240
Speaker 2: its kind series called The Secret DNA of Us. Mark High,

714
00:33:44,720 --> 00:33:46,920
Speaker 2: I love the investigation music. It's good, isn't it.

715
00:33:46,960 --> 00:33:51,200
Speaker 7: Who sighting down some sunglasses and like making some quip

716
00:33:51,200 --> 00:33:52,040
Speaker 7: about a dead body.

717
00:33:52,400 --> 00:33:54,160
Speaker 2: Well, we were talking about this a bit earlier and

718
00:33:54,240 --> 00:33:56,280
Speaker 2: Jones he was saying, do you imagine the papers you'd

719
00:33:56,320 --> 00:33:58,640
Speaker 2: have to sign for this? But so a variety of

720
00:33:58,920 --> 00:34:01,240
Speaker 2: entire towns to give over their DNA.

721
00:34:01,440 --> 00:34:04,360
Speaker 7: Yes, we have four episodes, four different towns across Australia,

722
00:34:04,360 --> 00:34:06,520
Speaker 7: and we rock up and we offer mass DNA tests,

723
00:34:06,600 --> 00:34:10,040
Speaker 7: We offer people volunteer and then what you do is

724
00:34:10,120 --> 00:34:13,520
Speaker 7: you unravel the DNA that holds the town together. We

725
00:34:13,600 --> 00:34:17,720
Speaker 7: uncover incredible family mysteries. So in one town we discovered

726
00:34:17,719 --> 00:34:19,759
Speaker 7: a woman who just lived above the poverty line.

727
00:34:19,760 --> 00:34:20,600
Speaker 1: For her entire life.

728
00:34:20,640 --> 00:34:23,920
Speaker 7: It turns out spoiler alert, she is related to royalty

729
00:34:24,000 --> 00:34:27,520
Speaker 7: and she's never known. There's another family that think that

730
00:34:27,520 --> 00:34:30,080
Speaker 7: they've had this family story for years that their great

731
00:34:30,120 --> 00:34:31,760
Speaker 7: grandfather was a French count.

732
00:34:31,880 --> 00:34:33,319
Speaker 2: Everyone tells that story, but.

733
00:34:33,360 --> 00:34:36,520
Speaker 7: This story, the reality of it, is ten times weirder.

734
00:34:36,560 --> 00:34:39,439
Speaker 7: It ends up going via New Caledonia back on hundred

735
00:34:39,520 --> 00:34:41,640
Speaker 7: years of Australia's history. And I think the thing that's

736
00:34:41,640 --> 00:34:44,440
Speaker 7: amazing is like, when you actually dig into people's DNA,

737
00:34:44,520 --> 00:34:47,600
Speaker 7: you realize that hiding within all of us is this saga, right,

738
00:34:47,640 --> 00:34:49,840
Speaker 7: because we all trace back our stories all around the

739
00:34:49,840 --> 00:34:53,279
Speaker 7: world and all of that story is contained within our DNA.

740
00:34:53,360 --> 00:34:55,319
Speaker 7: But it's also how you tell the story of Australia, right,

741
00:34:55,320 --> 00:34:58,279
Speaker 7: because we bring everyone together and at the end of

742
00:34:58,640 --> 00:35:00,919
Speaker 7: the week we're in the town and then we bring

743
00:35:00,960 --> 00:35:03,040
Speaker 7: these people up together and they don't know what connects them,

744
00:35:03,040 --> 00:35:04,920
Speaker 7: and then you get to reveal actually you are all

745
00:35:04,960 --> 00:35:08,440
Speaker 7: a little bit Indian, and for some people it reveals

746
00:35:08,480 --> 00:35:10,919
Speaker 7: parts about their family history that they've never heard seen before.

747
00:35:10,920 --> 00:35:13,160
Speaker 7: It's honestly, I remember standing there when we shot the

748
00:35:13,200 --> 00:35:17,120
Speaker 7: first episode in this with hundreds of people revealing their

749
00:35:17,200 --> 00:35:19,160
Speaker 7: DNA connections, and I just remember thinking, I don't know

750
00:35:19,200 --> 00:35:20,680
Speaker 7: if this is the best show I've ever worked on,

751
00:35:20,719 --> 00:35:21,920
Speaker 7: but it's definitely the weirdest.

752
00:35:22,080 --> 00:35:24,160
Speaker 2: Well, but some of the towns, like for example, Bathists,

753
00:35:24,160 --> 00:35:26,480
Speaker 2: there may be families that have been in the same community.

754
00:35:26,600 --> 00:35:28,440
Speaker 2: But you also do it in Surrey Hills. What a

755
00:35:28,480 --> 00:35:29,759
Speaker 2: disparate community that is.

756
00:35:30,040 --> 00:35:32,680
Speaker 7: Well, it's so interesting because I thought that too. But

757
00:35:32,760 --> 00:35:35,480
Speaker 7: then when everyone's together and they're realizing they have these

758
00:35:35,560 --> 00:35:39,719
Speaker 7: DNA connections. We do a thing called cousin matching where

759
00:35:39,760 --> 00:35:41,200
Speaker 7: we bring a person up and then we got a.

760
00:35:41,239 --> 00:35:43,759
Speaker 2: Dating show it should be and like they look.

761
00:35:43,640 --> 00:35:45,439
Speaker 7: At a room one hundred people go, do you think

762
00:35:45,480 --> 00:35:47,799
Speaker 7: you're related to anyone here? And they're like, I don't

763
00:35:47,800 --> 00:35:49,480
Speaker 7: know anyone in this room. And then you bring up

764
00:35:49,520 --> 00:35:51,400
Speaker 7: some random person and you said the next you are

765
00:35:51,440 --> 00:35:53,560
Speaker 7: actually second cousin.

766
00:35:53,320 --> 00:35:53,799
Speaker 2: Right, wow.

767
00:35:54,000 --> 00:35:56,080
Speaker 7: And you can do that anywhere in Australia, but in

768
00:35:56,120 --> 00:35:58,279
Speaker 7: Surrey Hills, you're right. You don't think of it as

769
00:35:58,360 --> 00:36:00,880
Speaker 7: like a tight knitz community, like a town, but actually

770
00:36:00,880 --> 00:36:03,920
Speaker 7: there are all of these connections there that people didn't realize.

771
00:36:04,000 --> 00:36:06,160
Speaker 7: But it's also you also learn a lot about how

772
00:36:06,280 --> 00:36:09,760
Speaker 7: Australia was built because when you realize those DNA connections,

773
00:36:09,800 --> 00:36:12,040
Speaker 7: it actually tells you about these waves of migration that

774
00:36:12,080 --> 00:36:15,000
Speaker 7: have created Australia. So on the one hand, I joke

775
00:36:15,080 --> 00:36:15,960
Speaker 7: it is who do you think you are?

776
00:36:16,000 --> 00:36:16,440
Speaker 1: On crack?

777
00:36:16,840 --> 00:36:18,960
Speaker 7: But he also kind of who do you think you are?

778
00:36:18,960 --> 00:36:24,600
Speaker 7: For Australia as well. It's amazing. Has any unsavory stuff

779
00:36:24,640 --> 00:36:25,040
Speaker 7: come out?

780
00:36:25,080 --> 00:36:28,440
Speaker 3: Like Ben Affleck style, you know, he discovered we've discovered

781
00:36:28,440 --> 00:36:31,759
Speaker 3: that he was his dad was a slaver and well not.

782
00:36:31,800 --> 00:36:34,480
Speaker 1: His dad, but his dad's dad would be late in

783
00:36:34,520 --> 00:36:39,880
Speaker 1: the game. He's not well, it.

784
00:36:39,800 --> 00:36:44,280
Speaker 3: Was back his heritage was from slavery totally.

785
00:36:44,880 --> 00:36:46,800
Speaker 1: As an owner, we there.

786
00:36:46,680 --> 00:36:49,160
Speaker 7: Are some unsavory stories. We're very careful with how we

787
00:36:49,200 --> 00:36:50,839
Speaker 7: do it right because you're dealing with, you know, how

788
00:36:51,239 --> 00:36:53,600
Speaker 7: people feel about their family, how people feel about themselves

789
00:36:53,719 --> 00:36:55,320
Speaker 7: is very sensitive, so we walked through it in a

790
00:36:55,440 --> 00:36:58,719
Speaker 7: very careful way. There's this one woman, absolutely lovely new mum,

791
00:36:58,880 --> 00:37:02,360
Speaker 7: who has always this story that there were bushrangers in

792
00:37:02,360 --> 00:37:05,680
Speaker 7: her family history, and we, bit by bit lay the

793
00:37:05,680 --> 00:37:08,440
Speaker 7: pieces out and it turns out it's much more complicated

794
00:37:08,480 --> 00:37:10,840
Speaker 7: than that. But when you reveal that there's crime in

795
00:37:10,840 --> 00:37:13,239
Speaker 7: people's history, that you don't quite know how they're going

796
00:37:13,280 --> 00:37:17,280
Speaker 7: to react and often what people's particularly think, particularly in Australia.

797
00:37:17,320 --> 00:37:18,640
Speaker 7: I don't know if it worked this way in any

798
00:37:18,640 --> 00:37:20,520
Speaker 7: other country, but in Australia, when you tell people that

799
00:37:20,520 --> 00:37:23,520
Speaker 7: they have a criminal in their past, usually they're a

800
00:37:23,600 --> 00:37:24,040
Speaker 7: bit proud.

801
00:37:24,239 --> 00:37:26,799
Speaker 2: Yeah right, I did. Who do you think you are?

802
00:37:26,880 --> 00:37:29,160
Speaker 2: And they came round to interview the family before we started,

803
00:37:29,200 --> 00:37:31,719
Speaker 2: and my son Jack was probably eight or nine, and

804
00:37:31,760 --> 00:37:33,799
Speaker 2: they said, what are you hoping you'll discover? And he

805
00:37:33,800 --> 00:37:35,879
Speaker 2: said he was big into basketball. He was hoping we'd

806
00:37:35,880 --> 00:37:37,520
Speaker 2: be related to Michael Jordans.

807
00:37:37,560 --> 00:37:40,200
Speaker 7: How did that guy might have to go back and reap.

808
00:37:41,360 --> 00:37:43,600
Speaker 2: We didn't find anything of those connections.

809
00:37:44,239 --> 00:37:45,799
Speaker 1: Well, Margaret's always great to talk to you.

810
00:37:45,840 --> 00:37:48,840
Speaker 3: The secret DNA of you, of us, not the US,

811
00:37:49,080 --> 00:37:51,120
Speaker 3: because that's a whole different kettle of fish.

812
00:37:50,920 --> 00:37:53,120
Speaker 1: Yeah, that one needs a bigger budget, a lot of

813
00:37:53,120 --> 00:37:53,839
Speaker 1: in breeding there.

814
00:37:54,080 --> 00:37:56,319
Speaker 3: Premier is at seven point thirty eight Pril seventeen on

815
00:37:56,440 --> 00:37:57,600
Speaker 3: SPS and SBS.

816
00:37:57,640 --> 00:37:59,880
Speaker 1: Demand Marke Fanell, thank you for joining us, love it

817
00:38:00,000 --> 00:38:00,479
Speaker 1: see you both.

818
00:38:00,560 --> 00:38:02,240
Speaker 2: Nice to see you, jacious.

819
00:38:02,760 --> 00:38:07,160
Speaker 16: Amanda Killer narrates the groundbreaking new series Airborne seven thirty

820
00:38:07,200 --> 00:38:08,480
Speaker 16: Friday on ten.

821
00:38:11,080 --> 00:38:12,000
Speaker 12: What's free more.

822
00:38:12,040 --> 00:38:19,399
Speaker 3: Instance and Amanda's Prime Prime Time.

823
00:38:19,640 --> 00:38:22,160
Speaker 2: Thanks to that show, we are giving away or five

824
00:38:22,200 --> 00:38:22,920
Speaker 2: thousand dollars a.

825
00:38:23,280 --> 00:38:24,440
Speaker 1: Thousand dollars Friday.

826
00:38:24,640 --> 00:38:26,000
Speaker 2: That's happening with Instagram.

827
00:38:26,239 --> 00:38:28,399
Speaker 3: Ten questions, sixty seconds of the clock. You can pass

828
00:38:28,400 --> 00:38:30,160
Speaker 3: if you don't know an answer. We'll come back to

829
00:38:30,200 --> 00:38:32,439
Speaker 3: that question if time permits. You get all the questions right,

830
00:38:32,640 --> 00:38:33,839
Speaker 3: you win one thousand dollars.

831
00:38:33,800 --> 00:38:36,520
Speaker 2: You can make it two thousand dollars. But it's a

832
00:38:36,560 --> 00:38:38,120
Speaker 2: bonus question and it's double or not.

833
00:38:38,280 --> 00:38:41,240
Speaker 3: This is your moot to Crystal of a crane Brook.

834
00:38:41,520 --> 00:38:42,879
Speaker 3: But Crystal, you could do it here.

835
00:38:43,120 --> 00:38:47,120
Speaker 2: Hello Crystal, Hi, Let's see what we can do for you.

836
00:38:47,360 --> 00:38:49,359
Speaker 2: Let's see if we can get you moot across here.

837
00:38:49,880 --> 00:38:52,560
Speaker 2: We have ten questions, We've got sixty seconds. As Brendan said,

838
00:38:52,560 --> 00:38:54,680
Speaker 2: if you're not sure, say passed, because we usually have

839
00:38:54,719 --> 00:38:57,719
Speaker 2: time to come back. Okay, all right, Crystal, good luck

840
00:38:57,760 --> 00:39:00,120
Speaker 2: because here we go. He comes. Question number one? What

841
00:39:00,280 --> 00:39:01,200
Speaker 2: animal quacks?

842
00:39:02,440 --> 00:39:02,640
Speaker 11: Doc?

843
00:39:02,880 --> 00:39:07,359
Speaker 2: Question two? What's the capital of South Australia Adelaide? Question three?

844
00:39:07,440 --> 00:39:11,399
Speaker 2: In what card game? Do you say? Uno? Question four?

845
00:39:11,480 --> 00:39:14,640
Speaker 2: Hubba Bubba is a brand of what Bubble gum. Question

846
00:39:14,760 --> 00:39:17,160
Speaker 2: five true or false? Lightning can strike in the same

847
00:39:17,200 --> 00:39:21,480
Speaker 2: place twice true? Question six? What animal represents a zodiac

848
00:39:21,520 --> 00:39:22,320
Speaker 2: sign Scorpio?

849
00:39:23,239 --> 00:39:23,920
Speaker 11: A scorpio?

850
00:39:24,160 --> 00:39:27,480
Speaker 2: Question seven? Who did Elton John originally originally write Candle

851
00:39:27,480 --> 00:39:27,960
Speaker 2: in the Wind?

852
00:39:28,040 --> 00:39:28,120
Speaker 8: For?

853
00:39:29,080 --> 00:39:31,520
Speaker 11: Since on Merril Monroe?

854
00:39:31,640 --> 00:39:35,000
Speaker 2: Question eight? What sea creature is used to make calamari.

855
00:39:36,040 --> 00:39:36,440
Speaker 4: Squid?

856
00:39:36,840 --> 00:39:41,919
Speaker 2: Question nine? Who is Luke Skywalker's father sarth Vader? Question ten?

857
00:39:42,000 --> 00:39:46,040
Speaker 2: What does a sommelier specialize in wine? You know you

858
00:39:46,080 --> 00:39:47,719
Speaker 2: went as them all like they would like you.

859
00:39:47,920 --> 00:39:50,319
Speaker 1: Why didn't we just roam the clock down? Crystal? There

860
00:39:50,360 --> 00:39:52,200
Speaker 1: you had eighteen seconds to go.

861
00:39:52,360 --> 00:39:55,200
Speaker 2: It sounded almost offended, and how easy those questions were?

862
00:39:55,400 --> 00:39:56,239
Speaker 1: So easy?

863
00:39:58,440 --> 00:40:01,760
Speaker 3: Scorpio, I don't know make my day will be wasting

864
00:40:01,800 --> 00:40:02,640
Speaker 3: your time, Crystal.

865
00:40:02,640 --> 00:40:05,000
Speaker 1: I feel that you were saying, come, I.

866
00:40:05,120 --> 00:40:07,439
Speaker 11: Just talk into my school. I'm about to start work

867
00:40:07,520 --> 00:40:09,879
Speaker 11: for the day school tea day I am.

868
00:40:09,960 --> 00:40:15,240
Speaker 1: I'm look at you so I have no doubt, no doubt.

869
00:40:15,480 --> 00:40:16,920
Speaker 2: Don't lead the witness, Brandon.

870
00:40:16,960 --> 00:40:18,680
Speaker 1: You know what, I'm not even going to put the

871
00:40:18,680 --> 00:40:21,200
Speaker 1: pants on. Let's talk you.

872
00:40:21,160 --> 00:40:23,680
Speaker 2: Through what happens here. You have a thousand dollars, you

873
00:40:23,680 --> 00:40:25,600
Speaker 2: can go into school and all the kids going, you're.

874
00:40:25,480 --> 00:40:28,480
Speaker 11: Amazing, miss They did that anyway.

875
00:40:28,280 --> 00:40:32,280
Speaker 2: Well as they should. Or you can go in having

876
00:40:32,280 --> 00:40:35,200
Speaker 2: won two thousand dollars and okay, you're even more amazing, miss.

877
00:40:35,400 --> 00:40:37,520
Speaker 2: Or they could say you didn't get anything. Which way

878
00:40:37,520 --> 00:40:38,040
Speaker 2: do you want to go?

879
00:40:39,239 --> 00:40:41,200
Speaker 11: I'm about to go on a really big holiday at

880
00:40:41,239 --> 00:40:44,280
Speaker 11: the next school holidays, and a thousand dollars is paying

881
00:40:44,280 --> 00:40:45,319
Speaker 11: for all my fast past.

882
00:40:45,400 --> 00:40:49,480
Speaker 1: Yeah, but Chrystal, two thousand dollars, you'll be here. It's

883
00:40:49,520 --> 00:40:51,400
Speaker 1: a small world after all, forever.

884
00:40:52,360 --> 00:40:55,160
Speaker 11: No, Because honestly, if I go in there knowing I've

885
00:40:55,200 --> 00:40:58,080
Speaker 11: messed up on one question, I'd be knowing so bad it, Crystal,

886
00:40:58,160 --> 00:41:02,080
Speaker 11: I'm going to take a thousand to get the pants.

887
00:41:02,280 --> 00:41:04,960
Speaker 1: Come on, get him out of Crystal.

888
00:41:05,000 --> 00:41:07,960
Speaker 3: I know it's inappropriate for doing this environment school teacher.

889
00:41:09,440 --> 00:41:11,719
Speaker 11: I know, I know I'd probably have a good chance

890
00:41:11,719 --> 00:41:12,480
Speaker 11: of knowing the answer.

891
00:41:12,480 --> 00:41:12,520
Speaker 5: You.

892
00:41:12,680 --> 00:41:13,319
Speaker 1: I will do it.

893
00:41:14,239 --> 00:41:15,680
Speaker 2: Freend and stop, You'll get it.

894
00:41:15,760 --> 00:41:16,440
Speaker 1: This will happen.

895
00:41:16,520 --> 00:41:20,320
Speaker 2: Hands off, Stop. They go back to the Linden Press.

896
00:41:20,440 --> 00:41:21,920
Speaker 1: Crystal, you get this.

897
00:41:22,200 --> 00:41:28,399
Speaker 2: No, Stop still has said no, Crystal, you have it. Congratulations,

898
00:41:28,440 --> 00:41:30,399
Speaker 2: You've won a thousand dollars, and you walk away from

899
00:41:30,400 --> 00:41:33,000
Speaker 2: our love and best wishes. I'm going to tort you

900
00:41:33,040 --> 00:41:35,279
Speaker 2: for a moment by making you. I'm going to ask

901
00:41:35,320 --> 00:41:37,480
Speaker 2: you the question anyway, but the deal's off the table.

902
00:41:37,520 --> 00:41:41,040
Speaker 2: You've got a thousand dollars. Well done. Here's the bonus question.

903
00:41:41,920 --> 00:41:44,480
Speaker 2: Cool Runnings was a film about which Olympic sport.

904
00:41:45,960 --> 00:41:49,160
Speaker 1: You've no I told you, I told you, Crystal.

905
00:41:49,520 --> 00:41:54,720
Speaker 2: Can you not scold the teacher? End by saying congratulations Brendon.

906
00:41:54,880 --> 00:41:56,440
Speaker 1: Yeah, Well, the kids are going to be looking at you.

907
00:41:56,480 --> 00:42:00,480
Speaker 1: Take missay. You could have done it, You could it all.

908
00:42:01,000 --> 00:42:03,320
Speaker 2: I'm sorry, sorry, christ I'm sorry for pay.

909
00:42:03,640 --> 00:42:05,520
Speaker 11: They can have a nice, easy morning instead.

910
00:42:05,800 --> 00:42:06,600
Speaker 2: You are a winner.

911
00:42:09,080 --> 00:42:11,720
Speaker 11: Thank you so much. Right, Oh, that's just I slowly

912
00:42:11,760 --> 00:42:13,520
Speaker 11: made my made my week, made.

913
00:42:13,320 --> 00:42:15,040
Speaker 2: My path brilliant.

914
00:42:15,719 --> 00:42:17,000
Speaker 1: Get on Space Mountain.

915
00:42:16,719 --> 00:42:18,640
Speaker 11: For us, Absolutely, that's the plan.

916
00:42:21,480 --> 00:42:24,520
Speaker 2: I knew someone who once took her parents onto Space

917
00:42:24,560 --> 00:42:26,919
Speaker 2: Mountain thinking it was like a nice little quiet ride,

918
00:42:27,200 --> 00:42:31,120
Speaker 2: and one of them past the kidney start. The force

919
00:42:31,160 --> 00:42:32,080
Speaker 2: of it pushed it out.

920
00:42:32,280 --> 00:42:36,600
Speaker 3: That's now a ride these days, past.

921
00:42:36,320 --> 00:42:37,040
Speaker 2: The kidney start.

922
00:42:37,120 --> 00:42:41,600
Speaker 3: It'll be back again tomorrow, Sah podcast.

923
00:42:41,719 --> 00:42:43,200
Speaker 1: There's things you just can't unsee.

924
00:42:43,360 --> 00:42:45,839
Speaker 2: I know, and I've shocked you this morning by showing

925
00:42:45,880 --> 00:42:49,640
Speaker 2: you two pieces of footage from concerts. The first one

926
00:42:50,280 --> 00:42:52,400
Speaker 2: was New York Diamond and he's singing.

927
00:42:52,120 --> 00:42:55,880
Speaker 3: This and this is from a few years ago, but

928
00:42:56,000 --> 00:43:00,720
Speaker 3: not enough years ago. He's lying face down on the stage,

929
00:43:01,640 --> 00:43:04,719
Speaker 3: leaning over it, ring to a middle aged woman.

930
00:43:04,480 --> 00:43:05,800
Speaker 2: Who came out from the audience.

931
00:43:07,560 --> 00:43:09,480
Speaker 1: It looks very average by the way. She's like, you know,

932
00:43:09,520 --> 00:43:10,480
Speaker 1: average middle aged woman.

933
00:43:11,640 --> 00:43:15,799
Speaker 3: And then he goes yeah, and then he's given a

934
00:43:15,800 --> 00:43:16,800
Speaker 3: big kiss on the mouth.

935
00:43:17,320 --> 00:43:20,239
Speaker 2: He cups her face, he's crooning to her and then

936
00:43:20,400 --> 00:43:22,240
Speaker 2: slips the tongue in pretty much right.

937
00:43:22,120 --> 00:43:25,120
Speaker 1: Big pa is their tongue. I don't think a big pash.

938
00:43:25,160 --> 00:43:27,960
Speaker 2: It's horrendous and he feels sweaty and you know, die mouth.

939
00:43:30,080 --> 00:43:33,839
Speaker 2: But then we had then we had usher who goes

940
00:43:33,920 --> 00:43:36,160
Speaker 2: up to this woman in the crowd. She looks like

941
00:43:36,200 --> 00:43:38,240
Speaker 2: she's about to eat him alive. It's like you're watching

942
00:43:38,239 --> 00:43:39,720
Speaker 2: a private bedroom moment.

943
00:43:39,800 --> 00:43:41,600
Speaker 1: And she looks proportionately bigger.

944
00:43:41,880 --> 00:43:42,720
Speaker 2: That seems to be worried.

945
00:43:42,760 --> 00:43:44,719
Speaker 3: But she looks like it doesn't look right. So it's

946
00:43:44,760 --> 00:43:46,200
Speaker 3: not like I'm saying she's fat or anything.

947
00:43:46,200 --> 00:43:48,640
Speaker 2: She's proportionately I think she might have been on a step.

948
00:43:48,640 --> 00:43:50,040
Speaker 2: I'm not sure but either.

949
00:43:49,840 --> 00:43:51,440
Speaker 3: Wise, the Guinness Book of Records, when they have the

950
00:43:51,480 --> 00:43:52,960
Speaker 3: tallest man in the world and they put him with

951
00:43:52,960 --> 00:43:56,280
Speaker 3: an average human, you go, okay, well that's proportionately bigger,

952
00:43:56,520 --> 00:43:57,239
Speaker 3: even if you went up.

953
00:43:57,200 --> 00:43:59,120
Speaker 2: And shook her hand and be one thing. But he

954
00:43:59,320 --> 00:44:03,719
Speaker 2: croons to her. She comes in looking like she's going

955
00:44:03,719 --> 00:44:07,520
Speaker 2: to eat him alive, and cherries above her head and

956
00:44:07,560 --> 00:44:10,960
Speaker 2: she does it a trick, and her husband has now

957
00:44:11,000 --> 00:44:15,319
Speaker 2: filed for divorce. But you see lots of cree things.

958
00:44:15,320 --> 00:44:17,600
Speaker 1: I wouldn't say that he was just looking for any excuse.

959
00:44:18,160 --> 00:44:18,880
Speaker 5: That guy.

960
00:44:20,160 --> 00:44:22,160
Speaker 2: He had said he was shocked she could do that

961
00:44:22,160 --> 00:44:24,200
Speaker 2: with a complete stranger in the presence of two twenty

962
00:44:24,239 --> 00:44:27,480
Speaker 2: thousand people, because he said she never even kisses him alone,

963
00:44:27,520 --> 00:44:28,480
Speaker 2: plays with the cherry.

964
00:44:29,880 --> 00:44:31,960
Speaker 3: On term marriage. You don't want to take him off

965
00:44:31,960 --> 00:44:34,440
Speaker 3: in any way. He didn't buy milk divorce.

966
00:44:35,560 --> 00:44:38,880
Speaker 2: I think that's more than not buying the milk. Remember

967
00:44:38,920 --> 00:44:41,000
Speaker 2: that concert we went to, And this isn't a saucy

968
00:44:41,080 --> 00:44:43,840
Speaker 2: story by any means. It's about my brother. That was

969
00:44:43,960 --> 00:44:45,080
Speaker 2: we were hosting it.

970
00:44:45,280 --> 00:44:48,520
Speaker 1: I a pure Gold live and my brother.

971
00:44:48,320 --> 00:44:51,359
Speaker 2: Had come down from Brisbane with his wife and we'd

972
00:44:51,360 --> 00:44:53,359
Speaker 2: invited some friends along it was a great, great night,

973
00:44:53,400 --> 00:44:53,920
Speaker 2: had the best.

974
00:44:53,840 --> 00:44:56,200
Speaker 3: And we were seeing the whole thing and each band

975
00:44:56,560 --> 00:44:58,400
Speaker 3: would perform, there'd be like roast tattoo.

976
00:44:58,480 --> 00:45:01,720
Speaker 1: There was the Radiators a thing and my sex.

977
00:45:01,880 --> 00:45:04,080
Speaker 2: It was an amazing nice a bunch of bands, and

978
00:45:04,280 --> 00:45:06,799
Speaker 2: my brother Cameron was sort of hanging around backstage and

979
00:45:06,800 --> 00:45:08,839
Speaker 2: we've all had a few drinks and he was having

980
00:45:08,880 --> 00:45:09,840
Speaker 2: the time of his life.

981
00:45:09,880 --> 00:45:11,960
Speaker 3: And you know what, we work in this stream factory

982
00:45:11,960 --> 00:45:13,920
Speaker 3: all the time, and you know I hang around bands

983
00:45:13,920 --> 00:45:14,960
Speaker 3: and I have for a long time.

984
00:45:15,040 --> 00:45:17,160
Speaker 1: So to me, it's no big deal. You know, there's

985
00:45:17,239 --> 00:45:19,560
Speaker 1: Doc Nison over there. That's fine, that's all well and

986
00:45:19,640 --> 00:45:21,920
Speaker 1: good o Barns. He said, okay, good, good good.

987
00:45:21,440 --> 00:45:25,120
Speaker 2: He was going there was an original member of Ace

988
00:45:25,200 --> 00:45:26,359
Speaker 2: and there he.

989
00:45:26,360 --> 00:45:29,279
Speaker 3: Said, can you introduce me to Angry And I said, yeah, Ango,

990
00:45:29,400 --> 00:45:30,080
Speaker 3: come over here.

991
00:45:30,280 --> 00:45:32,520
Speaker 2: Next minute. I don't know what happened. Cameron had him

992
00:45:32,520 --> 00:45:33,120
Speaker 2: in a headline.

993
00:45:33,120 --> 00:45:34,719
Speaker 1: Well then he got a bit over for me after.

994
00:45:34,920 --> 00:45:37,759
Speaker 1: At first he was like, I'm miss ter Anderson, nice

995
00:45:37,760 --> 00:45:39,560
Speaker 1: to meet you. How are you. I'm a big fan

996
00:45:39,719 --> 00:45:41,359
Speaker 1: and Anger Angry just so.

997
00:45:41,360 --> 00:45:43,040
Speaker 2: You got on your man and then I don't know

998
00:45:43,080 --> 00:45:43,560
Speaker 2: what happened, but.

999
00:45:43,640 --> 00:45:46,000
Speaker 1: Fracet forward with about eight bottles of wine. Later, he's

1000
00:45:46,000 --> 00:45:47,200
Speaker 1: got angry head.

1001
00:45:47,280 --> 00:45:49,320
Speaker 2: And everyone's trying to relax where they go on stage

1002
00:45:49,360 --> 00:45:51,960
Speaker 2: and get do their prep and Cameron and then he

1003
00:45:52,000 --> 00:45:54,319
Speaker 2: went up onto the stage. He asked me here, he said,

1004
00:45:54,320 --> 00:45:55,959
Speaker 2: can I go up into the stage And you said sure.

1005
00:45:56,239 --> 00:45:57,880
Speaker 1: So he's got so you go anywhere.

1006
00:45:57,880 --> 00:45:59,839
Speaker 2: It's got a big cup of red wine. And he's

1007
00:46:00,160 --> 00:46:03,000
Speaker 2: out onto the stage dangling the one over everyone's guitars.

1008
00:46:03,160 --> 00:46:05,640
Speaker 2: They're all set up. It was just, you know, that

1009
00:46:05,760 --> 00:46:07,920
Speaker 2: was And then he made his way to tell his

1010
00:46:07,960 --> 00:46:10,280
Speaker 2: wife Kerry where he was, as if she couldn't see

1011
00:46:10,320 --> 00:46:13,520
Speaker 2: where he was up on stage. So he goes back

1012
00:46:13,560 --> 00:46:16,000
Speaker 2: through the crowd, puts his bum in everyone's face, goes

1013
00:46:16,040 --> 00:46:18,560
Speaker 2: all the way to this scene and says, I'm up there,

1014
00:46:18,920 --> 00:46:20,799
Speaker 2: and then walks all the way back again. It was

1015
00:46:20,840 --> 00:46:22,440
Speaker 2: just dreadful.

1016
00:46:22,640 --> 00:46:25,400
Speaker 1: It's concert cringe or cringe at the concert.

1017
00:46:26,120 --> 00:46:27,000
Speaker 2: Concert cringe.

1018
00:46:27,200 --> 00:46:27,920
Speaker 1: Yeah, I like it.

1019
00:46:28,080 --> 00:46:28,920
Speaker 2: Concert cringe.

1020
00:46:28,960 --> 00:46:31,840
Speaker 1: You've gone to a concept. Here's mining your own business.

1021
00:46:31,840 --> 00:46:43,320
Speaker 3: The next minute, Neil Diamond.

1022
00:46:36,040 --> 00:46:41,040
Speaker 2: Kiss it or maybe you left your bag behind you

1023
00:46:41,040 --> 00:46:41,600
Speaker 2: went to pick.

1024
00:46:41,480 --> 00:46:45,400
Speaker 3: It up and she's up at the stage kissing Neil Diamond.

1025
00:46:45,640 --> 00:46:48,400
Speaker 2: And you come back and you see something inappropriate. What's happened?

1026
00:46:49,680 --> 00:46:52,800
Speaker 3: The tribal drama is beating cringe at the concept.

1027
00:46:53,960 --> 00:46:56,480
Speaker 2: Did you see Neil Diamond tongue passioned? Middle aged woman?

1028
00:46:57,680 --> 00:46:58,520
Speaker 1: Is there? Tongue man?

1029
00:46:59,000 --> 00:47:02,799
Speaker 2: Did you see Usher be seduced and seduced back a

1030
00:47:02,840 --> 00:47:06,240
Speaker 2: woman twice his size and then produced some cherries.

1031
00:47:06,600 --> 00:47:09,680
Speaker 3: We're not fat shaming this warm, No, it's just proportionately

1032
00:47:09,880 --> 00:47:10,839
Speaker 3: she's bigger.

1033
00:47:10,560 --> 00:47:12,319
Speaker 2: And her husband has since divorced her.

1034
00:47:12,760 --> 00:47:13,799
Speaker 1: Paul's joined us.

1035
00:47:13,880 --> 00:47:17,320
Speaker 12: Hello, Paul, Good morning, Jamesy and Amanda.

1036
00:47:16,920 --> 00:47:17,319
Speaker 5: How are you?

1037
00:47:17,520 --> 00:47:18,200
Speaker 1: We're good?

1038
00:47:18,239 --> 00:47:20,160
Speaker 2: What'd you see at the concert that was cringey?

1039
00:47:21,400 --> 00:47:21,600
Speaker 5: Yep?

1040
00:47:22,000 --> 00:47:24,719
Speaker 12: I was at a Jelo Biafra and Guntanamo School of

1041
00:47:24,840 --> 00:47:28,360
Speaker 12: Medicine concert at the Cambridge Hotel at Newcastle. This is

1042
00:47:28,360 --> 00:47:31,800
Speaker 12: our Jelo Bifra, who was the singer of legendary seventies

1043
00:47:31,840 --> 00:47:33,560
Speaker 12: and eighties punk fans, the every day Kennedy.

1044
00:47:33,640 --> 00:47:34,040
Speaker 5: That's right.

1045
00:47:34,360 --> 00:47:35,840
Speaker 12: He's own record label and everything.

1046
00:47:35,960 --> 00:47:36,200
Speaker 15: Yep.

1047
00:47:36,320 --> 00:47:40,960
Speaker 12: And so the crowd there obviously is quite middle aged

1048
00:47:41,160 --> 00:47:43,560
Speaker 12: as well, I guess, you know. And there was a

1049
00:47:43,840 --> 00:47:47,560
Speaker 12: middle aged woman on the back of her partner, I'm guessing,

1050
00:47:47,560 --> 00:47:49,680
Speaker 12: and she decided to with her tea.

1051
00:47:50,360 --> 00:47:51,720
Speaker 1: Yeah, yeah, she was on the shoulders.

1052
00:47:52,600 --> 00:47:54,920
Speaker 12: Yeah, that's right. And she decided to lift the T

1053
00:47:55,040 --> 00:47:58,879
Speaker 12: shirt to show what was underneath, and Jello's reached out,

1054
00:47:58,880 --> 00:48:01,160
Speaker 12: you know, while you're singing, and grabbed her on the

1055
00:48:01,160 --> 00:48:04,440
Speaker 12: bird and this Fellow's been like literally you know, at

1056
00:48:04,480 --> 00:48:06,920
Speaker 12: that stage, she would have been like your early sixties

1057
00:48:06,920 --> 00:48:09,160
Speaker 12: to mid sixties. And I just felt like, grand dad,

1058
00:48:09,160 --> 00:48:09,759
Speaker 12: what are you doing?

1059
00:48:10,960 --> 00:48:12,200
Speaker 2: Jell Oh.

1060
00:48:14,320 --> 00:48:16,240
Speaker 1: It is it is the dead Kennedy's front.

1061
00:48:16,440 --> 00:48:18,399
Speaker 2: But when you hear about stories like that, you picture

1062
00:48:18,440 --> 00:48:19,000
Speaker 2: haven't been young.

1063
00:48:19,160 --> 00:48:22,320
Speaker 1: Ju Yeah, you're looking at You're not looking You're.

1064
00:48:22,160 --> 00:48:26,680
Speaker 2: Looking at mass stock. And and did she enjoy the experience?

1065
00:48:27,680 --> 00:48:29,719
Speaker 12: I think she did. I think she did.

1066
00:48:29,800 --> 00:48:31,520
Speaker 2: Yeah, And did you by the sound of it, Paul,

1067
00:48:31,560 --> 00:48:32,239
Speaker 2: You're not so sure.

1068
00:48:33,440 --> 00:48:35,520
Speaker 12: I was a bit mortified. It's just like one of

1069
00:48:35,520 --> 00:48:38,000
Speaker 12: my childhood heroes, you know, all the teenage here. Yeah,

1070
00:48:38,040 --> 00:48:41,480
Speaker 12: I should say it's quite a left wing liberal and

1071
00:48:41,480 --> 00:48:44,160
Speaker 12: all the stuff he's singing about in most of these

1072
00:48:44,320 --> 00:48:46,600
Speaker 12: music And then Recha and did something like that. I

1073
00:48:46,640 --> 00:48:49,759
Speaker 12: thought seemed a bit in a like country to what

1074
00:48:49,840 --> 00:48:50,920
Speaker 12: he normally preaches.

1075
00:48:51,040 --> 00:48:53,000
Speaker 1: That is true, Yeah, that's true.

1076
00:48:53,440 --> 00:48:55,040
Speaker 2: Maybe he's trying to lend her some support.

1077
00:48:57,120 --> 00:48:57,960
Speaker 1: Just middle aged.

1078
00:49:00,120 --> 00:49:03,640
Speaker 3: He's being across pretending to be a plateext across your heart.

1079
00:49:03,680 --> 00:49:05,920
Speaker 2: Brah. It's all thank you.

1080
00:49:06,600 --> 00:49:13,160
Speaker 9: Jonesy and Amanda Podcast.

1081
00:49:14,520 --> 00:49:16,440
Speaker 1: What have you done? Have we got to lay on

1082
00:49:16,480 --> 00:49:17,440
Speaker 1: in case Amanda sweat?

1083
00:49:18,880 --> 00:49:21,120
Speaker 3: We're talking about cringe at the concert. I remember the

1084
00:49:21,120 --> 00:49:25,400
Speaker 3: Countdown Music Spectacular, remember that. And I was very excited

1085
00:49:25,440 --> 00:49:27,520
Speaker 3: about seeing Rick Springfield because he was going to do.

1086
00:49:27,600 --> 00:49:30,080
Speaker 1: Jesse's Girl, which everyone has heard, but I knew he

1087
00:49:30,160 --> 00:49:32,160
Speaker 1: was going to do I've done everything for you, you know,

1088
00:49:32,200 --> 00:49:34,719
Speaker 1: You've done nothing for me. So I was very excited.

1089
00:49:35,120 --> 00:49:37,960
Speaker 3: And I was just waiting for the Motels Martha's Davis

1090
00:49:38,000 --> 00:49:40,680
Speaker 3: to finish, and I thought she'd wrapped it up with

1091
00:49:40,880 --> 00:49:43,000
Speaker 3: take the l Out of Love and It's over, you

1092
00:49:43,040 --> 00:49:45,040
Speaker 3: know that song, And I ran down to the.

1093
00:49:45,000 --> 00:49:45,720
Speaker 1: Front of the stage.

1094
00:49:45,760 --> 00:49:46,280
Speaker 2: I was there.

1095
00:49:46,520 --> 00:49:47,279
Speaker 1: I ran down to the.

1096
00:49:47,239 --> 00:49:50,239
Speaker 3: Front of the stage and she had one more song

1097
00:49:50,280 --> 00:49:51,480
Speaker 3: to do. It's total control.

1098
00:49:51,960 --> 00:49:54,160
Speaker 1: So I ran straight to the front of the stage.

1099
00:49:54,200 --> 00:49:57,920
Speaker 3: And then she thought that I'd come to see her,

1100
00:49:58,800 --> 00:50:00,040
Speaker 3: and then so she started.

1101
00:49:59,760 --> 00:50:01,359
Speaker 2: Seeing the whole awkward song.

1102
00:50:01,440 --> 00:50:03,960
Speaker 3: And that song goes for five minutes and I'm.

1103
00:50:03,760 --> 00:50:05,400
Speaker 1: Just going, oh, I know, and then I had to

1104
00:50:05,400 --> 00:50:07,680
Speaker 1: pretend I was into it. She's looking at me, and

1105
00:50:07,680 --> 00:50:10,960
Speaker 1: I'm looking at those cherries. I'm coming.

1106
00:50:11,680 --> 00:50:13,480
Speaker 2: I know it was longest. A few minutes ago, it.

1107
00:50:13,440 --> 00:50:13,920
Speaker 1: Was the longest.

1108
00:50:13,960 --> 00:50:16,640
Speaker 3: Fine, it's my life and my mother thing, and I'm

1109
00:50:16,680 --> 00:50:17,759
Speaker 3: on with this young fellow here.

1110
00:50:18,080 --> 00:50:23,279
Speaker 1: I've still got it.

1111
00:50:23,280 --> 00:50:26,080
Speaker 2: It's even sadder that you ran down like I want

1112
00:50:26,080 --> 00:50:30,600
Speaker 2: to see watching and I got Mother Davis crooning at me. Yes,

1113
00:50:30,680 --> 00:50:34,439
Speaker 2: tribal drummers beating for cringe at the concert. Hello, there's

1114
00:50:34,440 --> 00:50:38,880
Speaker 2: a real diamond. Was lying on his stomach on the

1115
00:50:38,920 --> 00:50:43,320
Speaker 2: stage so he could reach someone off stage and pash them. Please, Kylie, Hello,

1116
00:50:43,400 --> 00:50:47,120
Speaker 2: what did you see it at the concert? That was cringey? Hi, guys.

1117
00:50:48,160 --> 00:50:50,680
Speaker 14: Back in probably the nineteen nineties, I went to the

1118
00:50:50,800 --> 00:50:54,279
Speaker 14: Metallica into Salmon concert at the Entertainment Center and I

1119
00:50:54,400 --> 00:50:55,480
Speaker 14: was so in love.

1120
00:50:55,280 --> 00:50:56,200
Speaker 15: With the drummer Lave.

1121
00:50:58,120 --> 00:51:00,880
Speaker 14: At the end of the concert, Ils came down and

1122
00:51:00,920 --> 00:51:03,760
Speaker 14: so did the rest of the band to say thanks

1123
00:51:03,760 --> 00:51:07,680
Speaker 14: for coming, and I screamed out to love, marry me Love,

1124
00:51:08,360 --> 00:51:09,480
Speaker 14: and he screamed.

1125
00:51:09,080 --> 00:51:13,800
Speaker 11: Out and I was bars.

1126
00:51:14,000 --> 00:51:16,920
Speaker 14: The entire crowd was just pointing at me, and I

1127
00:51:17,120 --> 00:51:19,759
Speaker 14: was broken, a broken teenager.

1128
00:51:19,840 --> 00:51:23,719
Speaker 2: I was, Oh, Kylie, that's really harsh in the world

1129
00:51:23,760 --> 00:51:28,560
Speaker 2: of Metallica. Maybe that's maybe that's a homage that's loved.

1130
00:51:28,640 --> 00:51:30,200
Speaker 2: How long did it take you to get over that?

1131
00:51:30,200 --> 00:51:31,400
Speaker 2: That would have killed me forever.

1132
00:51:32,640 --> 00:51:34,360
Speaker 14: I actually bought a whole heap of merch on the

1133
00:51:34,360 --> 00:51:36,160
Speaker 14: way in, and I sold it to my cousin on

1134
00:51:36,200 --> 00:51:36,680
Speaker 14: the way out.

1135
00:51:36,719 --> 00:51:39,120
Speaker 1: I would go upset. Yeah, did you make a profit?

1136
00:51:40,440 --> 00:51:44,640
Speaker 1: I did, Kylie? You won, You've won ky fans of

1137
00:51:44,880 --> 00:51:47,279
Speaker 1: their bandits for merch. I love the merch.

1138
00:51:47,600 --> 00:51:51,120
Speaker 2: Thank you, Kylie. Helen's worse seeing me, Oh, Helen, what

1139
00:51:51,160 --> 00:51:52,200
Speaker 2: did you see at the concept?

1140
00:51:53,200 --> 00:51:53,359
Speaker 13: Oh?

1141
00:51:53,440 --> 00:51:53,600
Speaker 1: Hi?

1142
00:51:54,600 --> 00:51:57,440
Speaker 4: I took my seventy five year old mother, who loves

1143
00:51:57,480 --> 00:52:01,080
Speaker 4: Michael Boublade. She wanted to see him in the neighbor.

1144
00:52:01,120 --> 00:52:03,000
Speaker 4: Happened to get a ticket, so we thought we'd be

1145
00:52:03,080 --> 00:52:04,680
Speaker 4: up at the very back, and we were actually in

1146
00:52:04,719 --> 00:52:08,759
Speaker 4: the second row when he came out. He comes to

1147
00:52:08,800 --> 00:52:10,840
Speaker 4: the front of the stage does he's, you know, dancing

1148
00:52:10,840 --> 00:52:12,960
Speaker 4: and everything. He leans down to all the people at

1149
00:52:12,960 --> 00:52:17,000
Speaker 4: the front. Mum runs up, she bends over, He bends

1150
00:52:17,000 --> 00:52:20,520
Speaker 4: over and she strokes his thigh. I could have died.

1151
00:52:21,239 --> 00:52:23,759
Speaker 4: Oh my god, I got a photo of it. But

1152
00:52:23,920 --> 00:52:27,640
Speaker 4: oh my god, I was absolutely dying with laughter. I

1153
00:52:27,640 --> 00:52:30,520
Speaker 4: couldn't believe it. She was just in awe of it.

1154
00:52:30,640 --> 00:52:33,520
Speaker 4: She just thought it was the best thing ever. So

1155
00:52:33,560 --> 00:52:34,759
Speaker 4: it was really fun.

1156
00:52:34,680 --> 00:52:36,640
Speaker 1: Awkward the boot.

1157
00:52:40,360 --> 00:52:44,000
Speaker 4: Seventy five year old woman stroke in the thigh.

1158
00:52:44,040 --> 00:52:45,520
Speaker 2: The closer I get to that age.

1159
00:52:45,360 --> 00:52:47,920
Speaker 1: I think you get away with that. I can't wait

1160
00:52:47,960 --> 00:52:49,799
Speaker 1: till I turned seventy five, because you just get away

1161
00:52:49,800 --> 00:52:50,320
Speaker 1: with everything.

1162
00:52:50,440 --> 00:52:57,080
Speaker 2: Oh, dear me. We had an interesting conversation earlier this morning,

1163
00:52:57,080 --> 00:52:58,919
Speaker 2: and it went a little bit like this was one

1164
00:52:58,960 --> 00:53:01,399
Speaker 2: in seven. Men think they can outrun a.

1165
00:53:01,360 --> 00:53:06,319
Speaker 3: Horse off the blocks, off the blocks. Yes, I've seen

1166
00:53:06,360 --> 00:53:06,759
Speaker 3: you run.

1167
00:53:06,840 --> 00:53:09,200
Speaker 1: Stop saying my running. I run like Mel Gibson in

1168
00:53:09,280 --> 00:53:11,640
Speaker 1: Lethal Weapon. I really put effort in.

1169
00:53:11,760 --> 00:53:13,879
Speaker 2: Yeah, but you your arms go very short, like you're

1170
00:53:13,880 --> 00:53:16,680
Speaker 2: a tea res Now, I run like a chart's of fire,

1171
00:53:16,920 --> 00:53:19,480
Speaker 2: right and not in slow motion?

1172
00:53:21,480 --> 00:53:24,200
Speaker 3: You have said, could I have more eighties references from

1173
00:53:24,239 --> 00:53:24,799
Speaker 3: movies there?

1174
00:53:24,840 --> 00:53:28,359
Speaker 2: You have said that over we whittled it down because

1175
00:53:28,360 --> 00:53:33,920
Speaker 2: he's one hundred meters no way out of the blocks. Over. I, well,

1176
00:53:33,920 --> 00:53:35,719
Speaker 2: we've put it to a pole. Here's the picture that

1177
00:53:35,800 --> 00:53:37,840
Speaker 2: Jenner's used of your head on a.

1178
00:53:38,080 --> 00:53:40,120
Speaker 1: Horse's body, where's my genitalia?

1179
00:53:40,560 --> 00:53:49,600
Speaker 2: Until the horse said, it's the worst of all worlds

1180
00:53:49,600 --> 00:53:56,040
Speaker 2: for everyone. Ken Jones the outrun a race and one

1181
00:53:56,040 --> 00:53:59,640
Speaker 2: of the people say eighty percent say no, And you're

1182
00:53:59,680 --> 00:54:01,640
Speaker 2: not good at maths, so you probably think that how

1183
00:54:01,640 --> 00:54:04,800
Speaker 2: many said yes? Thirteen percent. Here's some of the comments

1184
00:54:05,120 --> 00:54:07,480
Speaker 2: from Kelly Ferrett. A horse in the first few strides

1185
00:54:07,560 --> 00:54:10,600
Speaker 2: easy if the horse this is Monique said, if the

1186
00:54:10,600 --> 00:54:12,480
Speaker 2: horse was walking and not running, you might have a

1187
00:54:12,600 --> 00:54:16,040
Speaker 2: chance a horse would win. But people would like to

1188
00:54:16,080 --> 00:54:18,520
Speaker 2: see you do it and have a laugh. Now this

1189
00:54:18,640 --> 00:54:21,640
Speaker 2: is Matthews said, a horse with a jockey a dollar

1190
00:54:21,680 --> 00:54:27,160
Speaker 2: to one, Jones ten to one. Horse without a jockey.

1191
00:54:27,200 --> 00:54:31,360
Speaker 2: I can't read odds. One dollar and four you eighty

1192
00:54:31,400 --> 00:54:34,440
Speaker 2: one dollars. Jones doesn't compete the race due to an

1193
00:54:34,440 --> 00:54:36,320
Speaker 2: injury or too tired one dollar thirty.

1194
00:54:37,280 --> 00:54:41,160
Speaker 3: They bring the curtain out.

1195
00:54:39,760 --> 00:54:41,920
Speaker 2: The curtain because of the horse's shame about.

1196
00:54:41,680 --> 00:54:44,399
Speaker 3: The people are doubt as in this town.

1197
00:54:44,800 --> 00:54:48,000
Speaker 1: Look you know, I just know well I just say it,

1198
00:54:48,040 --> 00:54:49,200
Speaker 1: I just you know, I feel it.

1199
00:54:49,320 --> 00:54:51,560
Speaker 2: I don't you feel it? And we might try and

1200
00:54:51,640 --> 00:54:54,840
Speaker 2: stage it to actually see whether you can out of

1201
00:54:54,840 --> 00:54:56,719
Speaker 2: the blocks beat a horse over ten.

1202
00:54:57,120 --> 00:54:58,880
Speaker 1: Just take me as my word. If I say that,

1203
00:54:59,120 --> 00:54:59,640
Speaker 1: Just believe me.

1204
00:55:00,680 --> 00:55:03,479
Speaker 2: You know, I think we might put you to the test.

1205
00:55:03,600 --> 00:55:05,839
Speaker 1: Well, there's no need for Maybe there is no need

1206
00:55:05,880 --> 00:55:06,160
Speaker 1: for test.

1207
00:55:06,200 --> 00:55:08,160
Speaker 2: All right, We're coming up next. Get to my Goolies,

1208
00:55:08,200 --> 00:55:10,279
Speaker 2: twenty thousand dollars for our favorite goolie of the year,

1209
00:55:11,640 --> 00:55:23,759
Speaker 2: Sham Notion podcast time. Imagine we need twenty thousand dollars

1210
00:55:23,800 --> 00:55:25,840
Speaker 2: just for having a wine. That's what we encourage you

1211
00:55:25,880 --> 00:55:29,800
Speaker 2: to do with Get my goolies. Go to the iHeartRadio

1212
00:55:29,840 --> 00:55:32,560
Speaker 2: app Gold one on one seven. Press the microphone records

1213
00:55:32,560 --> 00:55:33,000
Speaker 2: your goolie.

1214
00:55:33,160 --> 00:55:34,200
Speaker 1: What have we got today?

1215
00:55:35,000 --> 00:55:37,239
Speaker 8: What gets my goolies is people who want to have

1216
00:55:37,360 --> 00:55:40,239
Speaker 8: long conversations in work bathrooms. I just want to get

1217
00:55:40,280 --> 00:55:42,480
Speaker 8: in and get out and have a moment's peace on

1218
00:55:42,480 --> 00:55:45,200
Speaker 8: my own. I don't want to hear any stories goth

1219
00:55:45,360 --> 00:55:47,760
Speaker 8: and especially I don't want to hear any work updates

1220
00:55:47,840 --> 00:55:50,200
Speaker 8: or meeting info while we're sitting in a cubicle or

1221
00:55:50,239 --> 00:55:52,640
Speaker 8: even at the sink. It's just weird and it's just

1222
00:55:52,680 --> 00:55:55,040
Speaker 8: awkward to talk about work while we hear every sound

1223
00:55:55,080 --> 00:55:57,160
Speaker 8: someone makes, all the flashing of a toilet.

1224
00:55:57,719 --> 00:56:01,000
Speaker 2: Just chat outside. It makes it nicer for everyone. Fair enough,

1225
00:56:01,560 --> 00:56:02,799
Speaker 2: Tell that to the funds.

1226
00:56:02,480 --> 00:56:04,799
Speaker 1: What a business gets.

1227
00:56:04,200 --> 00:56:06,480
Speaker 2: I had entire office in there. None of us thought

1228
00:56:06,480 --> 00:56:07,000
Speaker 2: it was weird.

1229
00:56:07,000 --> 00:56:07,920
Speaker 1: Everyone went into.

1230
00:56:07,719 --> 00:56:10,399
Speaker 2: The Finns I never read and washed their hands.

1231
00:56:10,400 --> 00:56:11,319
Speaker 1: I never loved him.

1232
00:56:11,960 --> 00:56:15,040
Speaker 17: What else have we got, hey, James Amander, What gets

1233
00:56:15,040 --> 00:56:17,920
Speaker 17: my ghoulies is how people flash their hazards now to

1234
00:56:18,000 --> 00:56:21,239
Speaker 17: thank you for doing something nice in traffic, instead of

1235
00:56:21,239 --> 00:56:24,160
Speaker 17: waving their hand. So it probably takes as much effort

1236
00:56:24,200 --> 00:56:26,680
Speaker 17: to put your hazards on as to give you a wave.

1237
00:56:26,880 --> 00:56:29,799
Speaker 17: So yeah, but I mean, I appreciate the hazards, but.

1238
00:56:29,920 --> 00:56:32,279
Speaker 1: Give us a wave. That gets my goolies to the

1239
00:56:32,280 --> 00:56:34,040
Speaker 1: trucky flash. What's that you? You know?

1240
00:56:34,080 --> 00:56:36,440
Speaker 3: You indicate left and then right, you dink and then

1241
00:56:36,520 --> 00:56:38,560
Speaker 3: dink like two flash left, two flash right?

1242
00:56:38,880 --> 00:56:41,160
Speaker 2: Could that be more complicated? Smaphore?

1243
00:56:41,280 --> 00:56:42,800
Speaker 1: Well, you just follow your car and it looks like

1244
00:56:42,840 --> 00:56:43,760
Speaker 1: you're thanking everyone.

1245
00:56:45,360 --> 00:56:48,160
Speaker 3: It's like a disco with the bad with the good.

1246
00:56:48,160 --> 00:56:49,759
Speaker 3: If you did that, you can always contact us via

1247
00:56:49,800 --> 00:56:51,879
Speaker 3: the iHeartRadio app. It's four to nine.

1248
00:56:53,719 --> 00:56:56,439
Speaker 2: My favorite Rory mother Facebook friend wins a family pass

1249
00:56:56,480 --> 00:56:58,400
Speaker 2: to the Sydney Royalist to show a Jones. It made

1250
00:56:58,400 --> 00:57:01,080
Speaker 2: a showbag and take us to the Dodgems. There's a

1251
00:57:01,120 --> 00:57:03,279
Speaker 2: happy place for everyone at the Sydney Royal Is to show.

1252
00:57:03,360 --> 00:57:05,759
Speaker 2: It's April eleven to twenty two, not long ago. Now

1253
00:57:06,080 --> 00:57:08,560
Speaker 2: grab early bird Tigers today and save at Easter show

1254
00:57:08,560 --> 00:57:08,839
Speaker 2: dot com.

1255
00:57:08,880 --> 00:57:11,160
Speaker 1: Tody, you have the josey amount of tetel and keyring

1256
00:57:11,200 --> 00:57:11,640
Speaker 1: as well.

1257
00:57:11,800 --> 00:57:15,440
Speaker 2: We saw two very cringey videos recently. Neil Diamond a

1258
00:57:15,480 --> 00:57:18,280
Speaker 2: number of years ago, lying on his stomach as he's singing,

1259
00:57:18,720 --> 00:57:22,000
Speaker 2: leaning over the stage so we can push somebody beak.

1260
00:57:22,560 --> 00:57:33,280
Speaker 2: And then it was Usher's turn. Yep, there's Neil right, okay,

1261
00:57:33,320 --> 00:57:37,120
Speaker 2: creepy song, creepy act. Then there was Usher who yeah,

1262
00:57:37,240 --> 00:57:39,240
Speaker 2: came up to a woman. She she wanted to devour him.

1263
00:57:39,240 --> 00:57:41,240
Speaker 2: He put some cherries in front of her face, which

1264
00:57:41,320 --> 00:57:46,120
Speaker 2: good things to them. Subsequently divorced. Tribal Drum was beating

1265
00:57:46,160 --> 00:57:47,920
Speaker 2: four cringe at the concert.

1266
00:57:47,800 --> 00:57:49,000
Speaker 1: Poor from Newcastle.

1267
00:57:49,280 --> 00:57:51,960
Speaker 2: He went to see Jello Biafra from the Dead Kennedy's

1268
00:57:51,960 --> 00:57:53,560
Speaker 2: Fame and this is what happened.

1269
00:57:54,680 --> 00:57:57,720
Speaker 12: Was a middle aged woman on the back of the

1270
00:57:57,880 --> 00:58:00,360
Speaker 12: partner I'm guessing and she deserves to lift it Asia

1271
00:58:00,480 --> 00:58:03,320
Speaker 12: to show what we're underneath. Joello's reached out, you know,

1272
00:58:03,560 --> 00:58:06,280
Speaker 12: while you're singing and grabbed her on the b and

1273
00:58:06,360 --> 00:58:09,600
Speaker 12: it so like literally in the early sixties to miss

1274
00:58:09,640 --> 00:58:12,200
Speaker 12: sixties and brand Dad, what are you doing?

1275
00:58:12,920 --> 00:58:15,640
Speaker 2: You felt like he was offering us some support right

1276
00:58:15,680 --> 00:58:18,200
Speaker 2: at you. Two, that's an answer to the name of

1277
00:58:18,240 --> 00:58:23,880
Speaker 2: platexs well one seven Famous five continues with Rob Duckworth,

1278
00:58:23,920 --> 00:58:26,800
Speaker 2: Bon Jovi, Madonna, Robbie Williams, John Farm Pink, We Pay

1279
00:58:26,840 --> 00:58:28,000
Speaker 2: when they play Nice.

1280
00:58:28,160 --> 00:58:29,920
Speaker 1: We'll be back from six tonight for jam Nation.

1281
00:58:30,040 --> 00:58:30,400
Speaker 2: Are you then?

1282
00:58:30,480 --> 00:58:31,360
Speaker 1: Good day to you?

1283
00:58:31,480 --> 00:58:36,720
Speaker 15: Well, thank God that's over, good Bye, good bye, wipe

1284
00:58:36,760 --> 00:58:37,040
Speaker 15: the two.

1285
00:58:38,920 --> 00:58:42,280
Speaker 6: Catch Jonesy and Amanda's podcast on the iHeartRadio app or

1286
00:58:42,280 --> 00:58:48,960
Speaker 6: wherever you get your podcasts.

1287
00:58:49,000 --> 00:58:56,960
Speaker 2: Good Bye Jones, Shut up on what You've missed on

1288
00:58:57,000 --> 00:58:58,640
Speaker 2: the free iHeartRadio app.