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Speaker 1: This is the Will and Woody podcast Sad.

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Speaker 2: Made the fourth Woods International Star Wars Day and that

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Speaker 2: might not mean a lot to a lot of you,

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Speaker 2: but it does mean a lot too some very very

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Speaker 2: weird people, and we want to tap into that right now.

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Speaker 2: It's awesome, Like, you've got to love how obsessed people

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Speaker 2: can get with something, and Star Wars is one of

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Speaker 2: those things that people truly fall over themselves for. So

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Speaker 2: we had to think about this and we were like, right,

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Speaker 2: how are we going to lure people to our Star

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Speaker 2: Wars bit? We threw around money, and then we threw

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Speaker 2: around the idea just it'd be great if we.

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Speaker 3: Had some Star Wars stuff.

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Speaker 2: And then we saw that Ross Noble had posted on

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Speaker 2: his Instagram that he actually just got sent and an

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Speaker 2: allotment of Star Wars memorabilia from Disney. So we were like,

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Speaker 2: why use our own gear when we can steal it

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Speaker 2: from Ross Noble? Who joins us right now?

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Speaker 1: Hello, now listen, can we just can we just check

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Speaker 1: one thing? Have you got me on here because of

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Speaker 1: the Star Wars thing? Or is it just the fact

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Speaker 1: that Woody is missing speaking to a Jordie and he's

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Speaker 1: missing me and he's just gone. Who else do we

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Speaker 1: know that Scott to see him voice?

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Speaker 4: I think of my bit of Colin bay Ross.

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Speaker 2: I was going to say one of our producers is

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Speaker 2: obviously is obviously a Jordy as well. Mate, So we're

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Speaker 2: good to go in that.

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Speaker 1: You're right, all right, I don't feel so about to. Yeah,

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Speaker 1: Disney very kindly sent me some a big box of

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Speaker 1: Star Wars stuff. And but the problem is is what

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Speaker 1: it's not a problem. It's a delightful problem. Have I've

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Speaker 1: bought so much Star Wars my wife create that they've

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Speaker 1: sent you all this stuff. But we've got too much

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Speaker 1: in the house, right, We've got literally there are more

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Speaker 1: pictures of Gruel in our house, and there are of

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Speaker 1: our own children, you know. And when she goes, do

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Speaker 1: you want to go and pick the child up from school?

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Speaker 1: I'm like, this is the lay and the mandalories. So

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Speaker 1: I've got I've got this. So there's a few bits

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Speaker 1: and bogs. And there's one thing they've sent me, right,

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Speaker 1: which is which I'd already bought, which is you know

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Speaker 1: the game Bothet you know bost where.

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Speaker 2: You as in the hit it bob twisted.

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Speaker 1: Twisted one of those but with grow gu and it's

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Speaker 1: it's the funnest game, but also very disconcerting when you're

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Speaker 1: holding the child and it's like twisted and he's twisting thea.

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Speaker 1: But you know he's got power, so it's fine. So

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Speaker 1: I've got all this stuff and I was going to

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Speaker 1: give it.

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Speaker 3: I was going to give it to the bullet.

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Speaker 1: I was gonna I was going to hit blow it,

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Speaker 1: stop it. I was going to give it.

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Speaker 2: Roll it, get weird, drownded. You're like, oh, come on.

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Speaker 1: It, I've got so I've got a bag of Star

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Speaker 1: Wars stuff, which I was going to give it to

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Speaker 1: somebody who you know, maybe maybe he's a young Star

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Speaker 1: Wars fan, you know who would love. So I've got

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Speaker 1: this bag. There's like a there's a bospet grgu in there,

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Speaker 1: there's a there's like a heart and bagage and a

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Speaker 1: Mandalorian cushion. So yeah, so I thought, why not give

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Speaker 1: it to somebody who deserves.

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Speaker 4: So we've taken that good gesture and effectively made a

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Speaker 4: radio game. We're going to put people to the test

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Speaker 4: as opposed to has giving it away. So the word's

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Speaker 4: going to work Ross if you're out for it. Thirteen

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Speaker 4: one sixty five is our number. People call us right

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Speaker 4: now and they've got to try and stump you ross

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Speaker 4: noble with a question.

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Speaker 1: So I'm a but I'm not that really. I mean, look,

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Speaker 1: I don't claim to be like a full nerd. I

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Speaker 1: just very much enjoyed. So this, this could be the

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Speaker 1: shortest read your cluse ever.

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Speaker 2: It involves you, mate, So I guarantee it. If you

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Speaker 2: would like a swipe at Rasa's treasure trove of Star

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Speaker 2: Wars gear third one and six five, ask him a

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Speaker 2: Star Wars question if you can stamp him.

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Speaker 3: We're playing. This is like a radio version of Giants Treasure.

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Speaker 2: If they can get past you, they have access to

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Speaker 2: the treasure trove you're sitting in, which is a case

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Speaker 2: of Star Wars gear which Disney have sent you.

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Speaker 1: Yeah, yeah, that's exactly right. So but you know, like

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Speaker 1: I say, I don't claim to be the biggest. If

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Speaker 1: I'm going up against these nerds, you know, then you

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Speaker 1: know it's just going to take it. So to be honest,

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Speaker 1: I'll see if the person is too much of a nerd,

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Speaker 1: then I'll probably just keep it and take it down

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Speaker 1: the get it down the children's hospital.

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Speaker 2: Okay, they're gonna have okay, so so, but just keep

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Speaker 2: in mind, mate, the last time we spoke to you,

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Speaker 2: I'm pretty sure we spoke to you for about half

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Speaker 2: an hour about an ice cream maker which somebody had

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Speaker 2: tucked under their arm as they were evacuating Lando's ship.

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Speaker 1: So I forgot about that. Yeah, yeah, yeah, well that's

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Speaker 1: that could be the first question it Who knows who

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Speaker 1: was the person who? Yeah said it.

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Speaker 2: I don't think they're going to ask that now, but

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Speaker 2: who was who was the person running off with the

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Speaker 2: ice cream maker from Lando's ship?

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Speaker 4: That was Will real hood there you go, I think

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Speaker 4: you are.

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Speaker 2: That's not that's the actor's name, that's the extra's name.

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Speaker 4: I think you're showing you more of a than you're

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Speaker 4: making out, Rosco. Let's put you to the test. We've

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Speaker 4: got Daniel, Daniel, you're going to try and stump ross

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Speaker 4: Nola with a Star Wars question far away, Daniel.

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Speaker 5: What powers a white saber?

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Speaker 2: Oh?

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Speaker 1: You know what, that's the absolute, that's the absolute basic,

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Speaker 1: and it is I can't remember, You've got me. It's

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Speaker 1: the no, go on, it's the crystal.

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Speaker 2: Is the crystals when they're.

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Speaker 1: Well, hang on a second, I knew it was a

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Speaker 1: crystal but what's the name of the crystal? Like, you

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Speaker 1: can't have that. Go on, what's the name of it?

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Speaker 1: You see straight away like a lot of people would go, oh,

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Speaker 1: I knew it was a crystal. In my head went oh,

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Speaker 1: dilettium crystals. But that's star trek. So yeah, yeah, it's

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Speaker 1: a crystal. What's it? What's it called? Daniel, No, I

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Speaker 1: don't actually know.

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Speaker 4: That's not a stumping. That's not a stumping that Michael, Michael.

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Speaker 4: We're going to move on to Michael.

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Speaker 2: We're going to called Kaiber crystals. By the way.

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Speaker 1: There you go, yeah, Kiber.

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Speaker 4: Okay, so you've kept your merch the Roscoe. Let's go

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Speaker 4: to Michael. Now, hello, Michael, Hello, and Michael, what's your

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Speaker 4: question for Ross?

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Speaker 6: How many languages can say threep you speak?

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Speaker 1: Oh? Yeah, now that's that's a good one. Now he

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Speaker 1: does claim to be what he calls himself. He calls him,

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Speaker 1: he calls himself a human relations Yeah, it was it

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Speaker 1: human relationship translator android. He can I'm going to say

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Speaker 1: complete guests, I'm going to say two thousand.

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Speaker 2: Two thousand, wrong, how man does he speak?

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Speaker 3: Michael?

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Speaker 6: It was six thousand, six.

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Speaker 2: Millions oversee million Michael Bye. Now, Michael's nine years old.

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Speaker 2: Does he get access to any of the Star Wars

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Speaker 2: mertrom Disney?

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Speaker 1: Oh, he see, I mean he did get me. He

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Speaker 1: did get me there, I mean that's that is Okay?

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Speaker 1: What here we go on? You see three on, you

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Speaker 1: see three per knowledge?

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Speaker 5: Right?

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Speaker 1: Is C three pure? Is he all one color? Is

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Speaker 1: C three pure? Is he all one color?

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Speaker 4: No?

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Speaker 7: He wasn't.

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Speaker 1: No, what what bit of him is a different color?

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Speaker 8: Is?

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Speaker 1: Is?

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Speaker 8: What was red?

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Speaker 1: No? His leg is his legs?

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Speaker 2: Wow, now we're gonna move on. Michael's hung up.

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Speaker 3: He's living.

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Speaker 2: He's just been he's just been out out false spy,

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Speaker 2: an adult. That's not what they take him in school,

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Speaker 2: give him.

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Speaker 3: They were giving.

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Speaker 1: A child.

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Speaker 2: You're the child here made and he tried to take

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Speaker 2: something off you.

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Speaker 1: And we learned that.

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Speaker 3: Listen, let's go to uh, let's go to Anthony.

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Speaker 2: Anthony, Anthony. You've got Ross Noble. You want to you

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Speaker 2: want want some of the Star Wars treasure tracks.

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Speaker 5: I love some of his stole stuf.

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Speaker 2: Okay, what's your question for him?

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Speaker 5: The director of Return of the Jedi, what role did

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Speaker 5: he also play in the film.

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Speaker 1: Oh, that's a good one. That is a very good one.

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Speaker 1: In Jedi? Was he.

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Speaker 2: Was he?

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Speaker 1: In the was he was he? The parilot wanted to

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Speaker 1: scout Walker?

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Speaker 5: What scout Walker's Nobles close?

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Speaker 2: Nobles close.

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Speaker 1: Close, There's no, there's a lot of the fun that

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Speaker 1: The follow up questions, wait.

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Speaker 2: Hang on hand, Hannah, before we go on here? What

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Speaker 2: what is the scout Walker in this situation? In Return

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Speaker 2: of the Jedi, what is it?

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Speaker 5: It's the machine that they drive around in on and

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Speaker 5: or the forest Moon?

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Speaker 3: Okay, okay?

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Speaker 2: And the director the director played one of them.

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Speaker 5: Yes, but because Ross Noble know the name of the

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Speaker 5: vehicle what he goes by in the credits, Oh.

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Speaker 1: My god, my god, oh this is Oh well, I

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Speaker 1: can't just get away with Apparently.

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Speaker 2: You are the one who made a nine year oldest

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Speaker 2: stickler for a body part before.

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Speaker 1: So it's not so it's not a scout Walker and

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Speaker 1: Speeder Bake? Was he a Speeder Bake?

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Speaker 9: No?

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Speaker 5: Would you like the the correct answer?

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Speaker 1: Yeah? Go on?

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Speaker 5: Then he was the A T S T driver?

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Speaker 1: Oh the vehicle? Which one on? Which one is that?

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Speaker 8: Which?

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Speaker 1: Which spicule is that?

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Speaker 5: That's the walker with the two legs he hologrammed in

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Speaker 5: at the end.

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Speaker 1: The scout walker with the two legs.

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Speaker 2: The two legged was like, have to put that down, sorry, Roscoe, but.

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Speaker 1: It's not that's a skate walk.

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Speaker 2: No, sorry, mate, I'll bet you and Anthony sorted out

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Speaker 2: off there, and yeah from.

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Speaker 3: F he's done well there, Well done, Anthony, great stuff.

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Speaker 2: Have he made the fourth day everybody. I'm sure most

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Speaker 2: people didn't understand what was going on there, but.

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Speaker 4: I certainly lost it.

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Speaker 2: No, I lost it at the end there as well.

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Speaker 2: But it was nice to hear a very wealthy man

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Speaker 2: with a bunch of treasure have it pride from him

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Speaker 2: from a punter over a director's hologram credits. That's what

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Speaker 2: you just heard there.

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Speaker 3: I want to talk about this beautiful man, right.

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Speaker 2: Darren Hayes, beautiful man no longer wants to bathe in

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Speaker 2: the sea with his now ex Richard Cullen, Yes, split

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Speaker 2: from his husband of seventeen years and look wrote a

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Speaker 2: beautiful statement online where he basically said, the real tragedy

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Speaker 2: here is that you guys are all going to look

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Speaker 2: for He said, let me answer the ugly questions to

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Speaker 2: get them out of out of the way. No, there's

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Speaker 2: no scandal, no infidelity, no guilty or no third party.

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Speaker 2: It's just life. We adore each other and we always will.

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Speaker 3: Now.

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Speaker 2: I read that, and I was like, the first thing

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Speaker 2: that came to my head was why can't you be

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Speaker 2: best friends with your ex?

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Speaker 4: Oh?

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Speaker 2: Straightaway, Well, let's just like remove timelines for a second,

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Speaker 2: because if you think about it, I mean apart from

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Speaker 2: if you know you've changed your locks or something and

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Speaker 2: you physically can't see.

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Speaker 4: Them, sure, yeah if if good random example, it doesn't

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Speaker 4: apply to either of us.

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Speaker 2: If you if you if you think about it, like

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Speaker 2: you've loved them, you've lived with them, you've been with

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Speaker 2: them for such a long time. I mean, ultimately you

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Speaker 2: were compatible at some stage. Ultimately you shared everything with

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Speaker 2: that person at once stage. On paper, it makes I'm saying,

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Speaker 2: I know why this is the case, But on paper

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Speaker 2: it makes total sense that you should continue to get

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Speaker 2: along with that person.

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Speaker 4: So get along with I agree with, but be best

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Speaker 4: friends with Yeah, I just don't know if you can

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Speaker 4: get to particularly if you've.

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Speaker 2: Been with someone for a really long time, like why

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Speaker 2: just because the relationship doesn't continue. And I'm not saying

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Speaker 2: that I do this necessarily. I am friends with very

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Speaker 2: good friends with some of myxes.

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Speaker 1: But.

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Speaker 2: I know the feeling as well. I know the feeling

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Speaker 2: when some relationships end, you're like, I can't stand to

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Speaker 2: be within a kilometer of you. Sure that's it, at

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Speaker 2: least you've got a restraining order or something.

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Speaker 3: But like, but I know that feeling.

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Speaker 2: But why is that?

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Speaker 3: What do you think woulds well?

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Speaker 4: Because more often than not, unlike in this case of

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Speaker 4: Darren Hayes and Richards, it ends badly. And it's such

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Speaker 4: a shame that I feel like sometimes the memory of

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Speaker 4: a relationship, and I've had this as well, my memory

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Speaker 4: of it is unfortunately that last few weeks where things

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Speaker 4: got a bit nasty, And it's a shame that you

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Speaker 4: don't remember that time where it was like, no, we

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Speaker 4: were so close, got on and we were a big

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Speaker 4: part of each other's lives. But I think it's really

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Speaker 4: hard to ignore or take out of the picture that

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Speaker 4: last little nasty.

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Speaker 2: Do you think that sometimes people deliberately make the last

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Speaker 2: bit nasty because they can't deal with the fact that

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Speaker 2: if it does end well, then that they will have

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Speaker 2: to have that other person in their life, and they

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Speaker 2: can't stand that person being in their life in a

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Speaker 2: in a non romantic sense.

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Speaker 3: Do you know what I mean, Like I do.

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Speaker 2: It's almost like anger is always such an easy get

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Speaker 2: out in a breakup, Like if you're breaking up with someone,

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Speaker 2: it's almost like you're looking for a reason. Well, I

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Speaker 2: know that's what my mind does. If I'm falling out

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Speaker 2: of love with someone, I will often look for ways

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Speaker 2: to be angry at them, create because they're like, it's

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Speaker 2: easier for me rather than going, oh no, no, no, I'm

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Speaker 2: just ending my current status with that person, and I

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Speaker 2: just want to continue on with them.

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Speaker 4: You want to find the reason as to why you're

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Speaker 4: breaking up because you.

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Speaker 2: Want to you want to throw them away at a distance.

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Speaker 4: Because because when you've got no reason, which is actually

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Speaker 4: the beautiful thing about Darren and Richard, right, you know

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Speaker 4: they have they haven't felt the need to find a reason.

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Speaker 4: But sometimes when you're getting broken up with you just

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Speaker 4: want to know why. Yeah, and if you don't have

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Speaker 4: the reason, then it's like, well, what's what's going on?

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Speaker 3: So I agree, and that's that's my question.

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Speaker 2: Yeah, yeah, why can't you be best friends with your ex? Look,

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Speaker 2: this is just a hypothesis though, So I've actually asked

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Speaker 2: people to call thirteen one and six five who have

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Speaker 2: had really messy breakups with their X on third end

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Speaker 2: one and six five. I'd love to hear from you.

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Speaker 2: I've got to Anthony because he's called first and foremost.

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Speaker 2: I've got one hundred bucks at Red Ruster. It's been

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Speaker 2: here because I realized that you guys are lab rats,

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Speaker 2: and you know everyone knows. You got to pay the rats,

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Speaker 2: Anthony On, No, you don't. You don't have to pay them,

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Speaker 2: but they should be paid. I'm sure that the rat

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Speaker 2: Union's sphere is about the faith.

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Speaker 3: They don't get any money, but they get tested on.

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Speaker 2: Anthony, you're a concrete are Yeah, that's not relevant at all.

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Speaker 3: Just stop reading off the screen. I just read the screen.

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Speaker 2: You had a messy break You had an you break up?

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Speaker 7: Yeah, well probably uch five years ago now, mate, we

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Speaker 7: had an anniversary that I organized a restaurant to meet

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Speaker 7: obviously my partner back then, and I ended up getting

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Speaker 7: to the restaurant first.

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Speaker 5: She come in pretty much pulled the pink.

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Speaker 3: So what would it take for you to be friends

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Speaker 3: with her again?

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Speaker 1: Not a chance?

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Speaker 3: Right?

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Speaker 4: So why not a chance? Just just because of what

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Speaker 4: happened there.

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Speaker 1: And just the way it ended.

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Speaker 7: It was just yeah, it was she walked into.

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Speaker 2: A room right now and was like, Anthony, mate, you know,

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Speaker 2: we had five years together I met you. Do you

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Speaker 2: have some good times in that five years? Oh? Not really, girl,

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Speaker 2: you have to have a good relationship to callah. But

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Speaker 2: maybe you're right, maybe it goes through that filter. It

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Speaker 2: was a crap finish.

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Speaker 3: The whole thing was.

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Speaker 4: Because we're there for five years, there must have been

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Speaker 4: good times. Stopping himself remembering the good suck it out.

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Speaker 2: I want to get into the head of somebody who

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Speaker 2: has just split up with someone.

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Speaker 4: We got Molly here, Molly, you've just gone through a breakup.

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Speaker 5: Yeah, and absolutely couldn't be friends.

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Speaker 4: Okay, so that was the breakup really nasty, Moly. Don't

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Speaker 4: have to go into specifics if you don't want to.

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Speaker 5: But not nasty, but really sad and hurtful.

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Speaker 10: So to be friends is just too painful and we'd

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Speaker 10: never be able to move on.

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Speaker 1: We're still friends?

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Speaker 3: Is that because one of you is still in love

348
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Speaker 3: with the other one?

349
00:17:22,119 --> 00:17:22,439
Speaker 4: Oh?

350
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Speaker 8: I saw, it's a little bit complicated.

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Speaker 3: I think that's yes, all right, interesting, okay, okay, thanks?

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Speaker 2: Well painful yeah, okay, too painful?

353
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Speaker 3: Too much pain all right?

354
00:17:33,720 --> 00:17:33,800
Speaker 4: No?

355
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Speaker 2: And I think and we were just discussing in the

356
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Speaker 2: song there. I'll accept that as one of the reasons

357
00:17:39,000 --> 00:17:41,200
Speaker 2: you can't be friends if one of you is I

358
00:17:41,200 --> 00:17:43,720
Speaker 2: think one of the clean reasons are yes, one of

359
00:17:43,760 --> 00:17:46,320
Speaker 2: you is clearly has more feelings than the other one.

360
00:17:46,760 --> 00:17:49,879
Speaker 2: The other option here is geologically, if you move apart

361
00:17:49,920 --> 00:17:53,600
Speaker 2: and you leave each other's friendship group, you know, it's

362
00:17:53,640 --> 00:17:56,480
Speaker 2: just too hard to rekindle that. Sure, but if you're

363
00:17:56,520 --> 00:17:59,720
Speaker 2: still in each other's lives, I think you should be

364
00:17:59,760 --> 00:18:01,840
Speaker 2: able to carry on, just like just on the on

365
00:18:02,000 --> 00:18:03,720
Speaker 2: the on the value, because I'll give it on a

366
00:18:03,760 --> 00:18:06,760
Speaker 2: theory here as a philosopher, a guy called Alain de

367
00:18:06,800 --> 00:18:08,480
Speaker 2: boat On who runs the School of Life. And I've

368
00:18:08,480 --> 00:18:11,800
Speaker 2: said this on air before, but his theory is that

369
00:18:12,040 --> 00:18:15,159
Speaker 2: the site of your ex the reason that you can't

370
00:18:15,200 --> 00:18:16,320
Speaker 2: stand the site of.

371
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Speaker 4: Your ex let me imagine one, go on.

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00:18:18,960 --> 00:18:25,840
Speaker 2: Yeah up, is because it reminds you of the fact

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Speaker 2: that they will want everything to you and they're now nothing,

374
00:18:30,280 --> 00:18:34,919
Speaker 2: and that that pure fact is everything. So when you

375
00:18:34,960 --> 00:18:37,320
Speaker 2: see them, you go, oh my god, that's really scary.

376
00:18:37,359 --> 00:18:39,199
Speaker 2: I used to think you're the world, and then in

377
00:18:39,240 --> 00:18:41,960
Speaker 2: a day it evaporated, and it reminds you of the

378
00:18:42,000 --> 00:18:44,280
Speaker 2: fact that that could happen with your current partner.

379
00:18:44,440 --> 00:18:47,520
Speaker 3: Oh and that is too scary to face. That's what

380
00:18:47,560 --> 00:18:50,040
Speaker 3: he says. So that's why he thinks.

381
00:18:50,160 --> 00:18:52,880
Speaker 2: That's why he thinks he can't be friends with your ex. Melissa,

382
00:18:52,920 --> 00:18:57,080
Speaker 2: Am I going to Melissa? Yes, Melissa, Hey, Emily, how

383
00:18:57,119 --> 00:18:58,120
Speaker 2: long ago was the breakup?

384
00:18:58,160 --> 00:18:58,800
Speaker 3: Let's start with that.

385
00:18:58,840 --> 00:19:00,400
Speaker 2: We're talking ago.

386
00:19:00,480 --> 00:19:02,760
Speaker 6: It was sixteen years ago, because I'm with my partner

387
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Speaker 6: now ten years.

388
00:19:03,760 --> 00:19:06,040
Speaker 5: But okay, it was a messy.

389
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Speaker 6: Breakup of family and thrown out the door and all

390
00:19:11,680 --> 00:19:12,560
Speaker 6: that stuff.

391
00:19:12,680 --> 00:19:14,320
Speaker 4: Okay, but a lot of water under the bridge over

392
00:19:14,359 --> 00:19:16,760
Speaker 4: sixteen years. Are your mates with them?

393
00:19:16,840 --> 00:19:17,119
Speaker 2: Yes?

394
00:19:17,320 --> 00:19:22,480
Speaker 6: We will make afterwards. The new partner didn't like us

395
00:19:22,520 --> 00:19:23,720
Speaker 6: being friends.

396
00:19:23,440 --> 00:19:28,240
Speaker 4: And okay, okay, that's another blurry area.

397
00:19:28,280 --> 00:19:29,160
Speaker 2: Isn't probably fair enough?

398
00:19:29,160 --> 00:19:31,560
Speaker 4: And your current partner we put in that ex subsection

399
00:19:31,680 --> 00:19:34,000
Speaker 4: D I think. So there's a lot of reasons now.

400
00:19:36,160 --> 00:19:40,600
Speaker 2: Rule they're coming in far. I have to accept that

401
00:19:40,640 --> 00:19:41,120
Speaker 2: one as well.

402
00:19:41,240 --> 00:19:41,800
Speaker 4: I think that's fair.

403
00:19:41,840 --> 00:19:41,919
Speaker 1: Eno.

404
00:19:41,960 --> 00:19:44,320
Speaker 4: Okay, if your current partner goes I'm uncomfortable with you

405
00:19:44,680 --> 00:19:46,280
Speaker 4: seeking out catchups with your ex.

406
00:19:46,600 --> 00:19:49,400
Speaker 2: You got to go totally fair or do you go, hey, mate,

407
00:19:49,440 --> 00:19:50,439
Speaker 2: that's your issue don't you.

408
00:19:50,560 --> 00:19:51,679
Speaker 3: Why are you jealous about that?

409
00:19:52,280 --> 00:19:54,920
Speaker 2: Like, trust in the fact that we've that this relationship

410
00:19:54,960 --> 00:19:57,280
Speaker 2: is strong enough. There's nothing going on.

411
00:19:57,200 --> 00:19:59,680
Speaker 4: There, your current partner involved, I'd say, what.

412
00:20:01,640 --> 00:20:02,040
Speaker 3: Like that?

413
00:20:02,280 --> 00:20:03,920
Speaker 4: I'm saying going if you're if you're going to catch

414
00:20:03,960 --> 00:20:05,560
Speaker 4: up with your ex, go, hey, I want my current

415
00:20:05,560 --> 00:20:06,200
Speaker 4: partner to car.

416
00:20:07,680 --> 00:20:08,639
Speaker 2: That has to happen.

417
00:20:08,680 --> 00:20:11,160
Speaker 4: And if one thing leads to another thing, no, no, let's.

418
00:20:10,960 --> 00:20:15,800
Speaker 2: Go to it's absolute perfection. On thirteen one and six

419
00:20:15,880 --> 00:20:18,560
Speaker 2: five were talking you should be able to be friends

420
00:20:18,560 --> 00:20:19,080
Speaker 2: with your ex?

421
00:20:19,119 --> 00:20:19,800
Speaker 3: What do you think?

422
00:20:20,960 --> 00:20:24,359
Speaker 1: Wow? I mean that was a very good segue because

423
00:20:24,359 --> 00:20:28,880
Speaker 1: we introduced a third party to the relationship. She ran

424
00:20:28,920 --> 00:20:31,040
Speaker 1: away with the third party?

425
00:20:31,720 --> 00:20:33,520
Speaker 3: Oh no, she why she?

426
00:20:33,760 --> 00:20:35,439
Speaker 2: Why she's I was going to say she snatched her,

427
00:20:35,440 --> 00:20:39,439
Speaker 2: which works on a number of metals.

428
00:20:40,280 --> 00:20:43,879
Speaker 4: More after this, it's Will and Woody.

429
00:20:44,119 --> 00:20:46,240
Speaker 2: Do you feel strongly about this? Love you to call?

430
00:20:46,320 --> 00:20:54,920
Speaker 2: What's the worst flavor or chocolate in a Cadbury Favorites box? Now,

431
00:20:55,840 --> 00:21:00,119
Speaker 2: sadly this isn't just a moot point, because whilst it

432
00:21:00,160 --> 00:21:04,240
Speaker 2: would be a cracking phone topic on its own, there

433
00:21:04,359 --> 00:21:06,720
Speaker 2: is actually a reason we're doing this. So they have

434
00:21:06,920 --> 00:21:11,240
Speaker 2: booted two flavors, and I will get to what they are.

435
00:21:11,400 --> 00:21:16,240
Speaker 2: But I think you're not happy, furious, Yeah, to be honest,

436
00:21:16,960 --> 00:21:19,439
Speaker 2: To be honest, I think they've taken out two of

437
00:21:19,480 --> 00:21:21,240
Speaker 2: the best. No again, I'm not gonna tell you what

438
00:21:21,240 --> 00:21:24,160
Speaker 2: they are, just I do. I really do, because if

439
00:21:24,160 --> 00:21:27,920
Speaker 2: you look at it, if you look at it, there

440
00:21:28,520 --> 00:21:30,679
Speaker 2: are two of them that have to go. As far

441
00:21:30,720 --> 00:21:32,760
Speaker 2: as I'm concerned, they've chosen the wrong too. So in

442
00:21:32,800 --> 00:21:34,840
Speaker 2: the first instance, picnic.

443
00:21:35,400 --> 00:21:37,840
Speaker 4: Oh, hang on, no picnic is a very popular bar.

444
00:21:37,920 --> 00:21:38,880
Speaker 4: Will you a picnic?

445
00:21:38,960 --> 00:21:42,760
Speaker 2: A picnic for me is the Camilla Parker bowls of

446
00:21:42,800 --> 00:21:46,400
Speaker 2: a box of Cadbury Favorites. You go there, it's there

447
00:21:46,560 --> 00:21:50,520
Speaker 2: for convenience. It's there because obviously someone in the factory

448
00:21:50,640 --> 00:21:52,480
Speaker 2: likes it. Nobody else does.

449
00:21:52,600 --> 00:21:54,639
Speaker 4: It's very nutty. The picnics are very.

450
00:21:54,520 --> 00:21:58,360
Speaker 2: Different, and by association, I'll extend the metaphor here. If

451
00:21:58,400 --> 00:22:01,720
Speaker 2: the picnic's the Parker Bowls of the Favorites box, the

452
00:22:01,760 --> 00:22:03,320
Speaker 2: old gold is the Prince Andrew.

453
00:22:03,840 --> 00:22:06,760
Speaker 3: No one likes it. Okay, it's only there because.

454
00:22:06,480 --> 00:22:09,280
Speaker 2: It's an old member of the family and that's the

455
00:22:09,320 --> 00:22:12,800
Speaker 2: only reason. So to get out. It's a legacy bar, right,

456
00:22:13,960 --> 00:22:16,920
Speaker 2: very people that like it, it should probably be in jail.

457
00:22:17,400 --> 00:22:19,800
Speaker 2: So what we're going to do is we're going to

458
00:22:19,840 --> 00:22:22,640
Speaker 2: find out from other people who.

459
00:22:25,000 --> 00:22:26,359
Speaker 4: I'll put it down, and I'm going to say, you

460
00:22:26,440 --> 00:22:29,160
Speaker 4: need to relate your bar to a royal as well.

461
00:22:29,080 --> 00:22:33,359
Speaker 3: Just as you Okay, kay, all right, Let's go to Caitlyn. Caitlyn,

462
00:22:33,440 --> 00:22:33,840
Speaker 3: which bar?

463
00:22:34,119 --> 00:22:36,119
Speaker 2: Which bar would you take out?

464
00:22:36,520 --> 00:22:36,680
Speaker 8: Hi?

465
00:22:36,800 --> 00:22:39,480
Speaker 6: Guys, I'm a passionate chocolate eater, like I can go

466
00:22:39,560 --> 00:22:41,960
Speaker 6: to a whole lot of favorites in one sitting, but

467
00:22:42,080 --> 00:22:43,520
Speaker 6: I refuse to eat the flake.

468
00:22:44,560 --> 00:22:49,080
Speaker 2: Okay, interesting, okay, okay, And if you could, okay, if

469
00:22:49,080 --> 00:22:51,760
Speaker 2: you get okay, all right, can you equate it to

470
00:22:51,760 --> 00:22:52,840
Speaker 2: a member of the royal family?

471
00:22:52,920 --> 00:22:54,160
Speaker 3: Caitlyn, are you want to put that down?

472
00:22:54,359 --> 00:22:56,800
Speaker 9: I'm going to say Kate Middleton? That was the first

473
00:22:56,840 --> 00:22:57,360
Speaker 9: name that Kate.

474
00:22:59,280 --> 00:23:00,600
Speaker 3: People love Caate Middleton.

475
00:23:01,359 --> 00:23:05,880
Speaker 4: That's Caitlyn's point. People love the flake and she can't understand, right, Okay,

476
00:23:06,200 --> 00:23:07,080
Speaker 4: that's really interesting.

477
00:23:07,200 --> 00:23:09,920
Speaker 2: Well, Caitly, Caitlyn, I'm literally you know, and everybody else.

478
00:23:09,960 --> 00:23:17,679
Speaker 2: The flake's gone. They've booted baseless, Caitlyn. There's something so

479
00:23:17,720 --> 00:23:21,440
Speaker 2: they've replaced it. They've replaced a flake with a twelve,

480
00:23:21,520 --> 00:23:24,720
Speaker 2: which is really similar, which is effectively replacing Kate Middleton

481
00:23:24,880 --> 00:23:27,600
Speaker 2: with Pipper Middleton. It's just sexier. So they just put

482
00:23:27,600 --> 00:23:29,040
Speaker 2: a little bit of chocolate around the outside.

483
00:23:29,240 --> 00:23:33,040
Speaker 3: We've got I'm going to keep this up if I can.

484
00:23:34,280 --> 00:23:35,400
Speaker 2: Chevelle, Is that right?

485
00:23:36,520 --> 00:23:36,680
Speaker 1: Hi?

486
00:23:36,760 --> 00:23:37,119
Speaker 2: Chevelle?

487
00:23:37,160 --> 00:23:37,400
Speaker 3: Okay?

488
00:23:37,800 --> 00:23:39,800
Speaker 2: Least so I've still got one that I haven't revealed

489
00:23:39,880 --> 00:23:42,359
Speaker 2: yet that's still in the that has been removed from

490
00:23:42,400 --> 00:23:44,200
Speaker 2: the Cabri favorites. But which one do you think should

491
00:23:44,200 --> 00:23:51,000
Speaker 2: have gone? That's outrageous. That's that's for me. That's that

492
00:23:51,119 --> 00:23:53,399
Speaker 2: for me is the best A lot of people is

493
00:23:53,400 --> 00:23:53,800
Speaker 2: the best.

494
00:23:54,320 --> 00:23:57,440
Speaker 4: Yeah, across the board, Chevelle. People love the Turkish You're like,

495
00:23:57,480 --> 00:23:59,919
Speaker 4: why don't you like it? And when? What royal men

496
00:24:00,280 --> 00:24:01,240
Speaker 4: would you relate it to?

497
00:24:03,200 --> 00:24:06,879
Speaker 6: I'd relate it to Meghan problems probably wow.

498
00:24:06,800 --> 00:24:09,840
Speaker 2: Wow to Megan Laurel too much.

499
00:24:10,840 --> 00:24:13,800
Speaker 6: I don't know, it's too gooey to did you just.

500
00:24:13,720 --> 00:24:19,600
Speaker 2: Call did you just call a Turkish delight? Moral Laurel

501
00:24:19,960 --> 00:24:23,200
Speaker 2: Laurel tol right.

502
00:24:23,240 --> 00:24:26,840
Speaker 4: I'd say you either love the Turkish or hate the Turkish,

503
00:24:26,960 --> 00:24:29,880
Speaker 4: which is very Meghan market. He's a really good job.

504
00:24:29,920 --> 00:24:31,960
Speaker 3: The Turkish delights the queen.

505
00:24:32,000 --> 00:24:35,359
Speaker 2: For me, it's regal. Look at the coloring. It's the

506
00:24:35,359 --> 00:24:37,640
Speaker 2: best of the best. I don't think you could ever

507
00:24:37,640 --> 00:24:40,240
Speaker 2: get rid of it. It's the legacy chocolate anyway. Still,

508
00:24:40,280 --> 00:24:41,919
Speaker 2: I'll still tell you what the final one is. If

509
00:24:42,080 --> 00:24:43,840
Speaker 2: once we got a Diana, Diana, you have to get

510
00:24:43,880 --> 00:24:45,760
Speaker 2: rid of one cat to get rid of one cab

511
00:24:45,800 --> 00:24:50,080
Speaker 2: we favorite which one? Which one would be?

512
00:24:51,040 --> 00:24:52,560
Speaker 1: Definitely old goal?

513
00:24:52,800 --> 00:24:55,400
Speaker 2: Yeah, No, we've done that with Canvas. Prince Andrew had

514
00:24:55,400 --> 00:24:58,800
Speaker 2: to go. Now, let's go to let's one.

515
00:24:58,840 --> 00:25:00,960
Speaker 4: I'm going to fight for the old gold very briefly,

516
00:25:01,440 --> 00:25:02,760
Speaker 4: the only one that's dark chocolate.

517
00:25:02,880 --> 00:25:05,840
Speaker 2: Yeah, Cherry, you're cherry wipe in there as well, So

518
00:25:06,960 --> 00:25:08,680
Speaker 2: it's not as long as.

519
00:25:08,800 --> 00:25:11,040
Speaker 4: Long as you get one dark chocolate in there. Yeah,

520
00:25:11,040 --> 00:25:13,320
Speaker 4: I think I'm okay. So that's the cherry white.

521
00:25:13,240 --> 00:25:15,920
Speaker 2: Cherry wipe still in there. So the other one that's

522
00:25:15,960 --> 00:25:20,480
Speaker 2: gone is to be replaced by Karra milk.

523
00:25:21,800 --> 00:25:24,360
Speaker 3: Dream the white chocolate go on.

524
00:25:24,400 --> 00:25:25,600
Speaker 4: And where do you sit with Dream?

525
00:25:26,800 --> 00:25:29,480
Speaker 3: I liked it. Nice bit of a nice little mix up,

526
00:25:29,640 --> 00:25:30,359
Speaker 3: nice change up.

527
00:25:30,440 --> 00:25:33,679
Speaker 4: Yeah, no, true, similar argument to the dark chocolate. You know,

528
00:25:33,680 --> 00:25:35,720
Speaker 4: it's nice to have the white choky, it's nice to

529
00:25:35,760 --> 00:25:38,680
Speaker 4: have it in there is Karen Milk is a Karen

530
00:25:38,680 --> 00:25:39,560
Speaker 4: Milk better than dream.

531
00:25:39,880 --> 00:25:42,080
Speaker 2: I haven't had a lot of milk, to be honest,

532
00:25:42,119 --> 00:25:44,080
Speaker 2: I think I think it's a poor man's dream, Like

533
00:25:44,119 --> 00:25:46,320
Speaker 2: I think I think dream is a statement. I do

534
00:25:46,359 --> 00:25:48,080
Speaker 2: you know what I think this is. I feel like

535
00:25:48,240 --> 00:25:50,320
Speaker 2: dream is Prince Philip when he was allowed to say

536
00:25:50,320 --> 00:25:52,560
Speaker 2: what he wanted and Karen Milks when he's censored.

537
00:25:53,800 --> 00:25:54,879
Speaker 4: I'm not going to comment on that.

538
00:25:55,400 --> 00:25:58,080
Speaker 2: You know, it's like a little bit bold when out

539
00:25:58,080 --> 00:26:00,240
Speaker 2: there did whatever you wanted, and now Karen Milk's kind

540
00:26:00,240 --> 00:26:03,080
Speaker 2: of like a weird, not so good halfway house. That's

541
00:26:03,080 --> 00:26:04,520
Speaker 2: how I SITKA.

542
00:26:05,680 --> 00:26:06,520
Speaker 3: Yeah, beautiful.

543
00:26:06,520 --> 00:26:08,320
Speaker 2: I think I think we actually avoided a lot of

544
00:26:08,440 --> 00:26:10,399
Speaker 2: hurdles there. I was a bit worried when we're making

545
00:26:10,400 --> 00:26:13,639
Speaker 2: it equating chocolate to Megan Michael, But I think we

546
00:26:13,680 --> 00:26:16,439
Speaker 2: did really really well. Did not get served for anything,

547
00:26:16,480 --> 00:26:21,479
Speaker 2: And their reasoning was actually, I'd love to hear from

548
00:26:21,520 --> 00:26:24,000
Speaker 2: you guys right now, one six or five. We're talking

549
00:26:24,119 --> 00:26:31,959
Speaker 2: backpacking horror stories from when you were young and fun

550
00:26:32,280 --> 00:26:34,720
Speaker 2: and you thought you'd just take a bag to Europe

551
00:26:34,920 --> 00:26:39,560
Speaker 2: or South America or Asia and then life hit you

552
00:26:39,600 --> 00:26:43,199
Speaker 2: in the face or in the ass, or you know,

553
00:26:43,280 --> 00:26:45,320
Speaker 2: anywhere else that life can tend to hit you when

554
00:26:45,320 --> 00:26:47,520
Speaker 2: you're by yourself traveling overseas for the first time.

555
00:26:47,600 --> 00:26:51,720
Speaker 4: Absolutely, your brash and I would say ignorant at times.

556
00:26:51,720 --> 00:26:54,760
Speaker 4: But luckily at junior producer Analyse, who is about to

557
00:26:54,800 --> 00:26:56,400
Speaker 4: go on her first jaunt.

558
00:26:56,119 --> 00:26:57,720
Speaker 2: She's brash, she's ignorant.

559
00:26:57,800 --> 00:27:00,760
Speaker 4: She's her first solo jaunt to Europe to be backpacking

560
00:27:00,800 --> 00:27:02,400
Speaker 4: through there. So where about to see you going?

561
00:27:02,960 --> 00:27:06,080
Speaker 10: So I'm going to Croatia first and doing a sale

562
00:27:06,080 --> 00:27:08,560
Speaker 10: Croatia trip for a week, and that's.

563
00:27:08,400 --> 00:27:10,280
Speaker 2: Gonna be amazing, the height of culture.

564
00:27:10,359 --> 00:27:11,080
Speaker 4: Yeah, yeah, just.

565
00:27:11,040 --> 00:27:12,800
Speaker 10: Really going to get into it, meet some people because

566
00:27:12,800 --> 00:27:15,840
Speaker 10: I am going by myself, like you said, Then from there,

567
00:27:15,880 --> 00:27:17,280
Speaker 10: I'm going to travel to Pari.

568
00:27:17,680 --> 00:27:21,600
Speaker 2: Paris, well said, very good. Yea like a local, like

569
00:27:21,600 --> 00:27:22,879
Speaker 2: a local already.

570
00:27:23,080 --> 00:27:25,400
Speaker 10: Pretty much a local. So I have a few begets

571
00:27:25,400 --> 00:27:28,000
Speaker 10: there beautiful before I head down.

572
00:27:27,880 --> 00:27:29,680
Speaker 3: To You're going to go to any galleries or anything

573
00:27:29,680 --> 00:27:30,159
Speaker 3: in Paris?

574
00:27:30,480 --> 00:27:32,040
Speaker 10: Maybe maybe I would feel a little.

575
00:27:31,840 --> 00:27:33,479
Speaker 3: Bit like, which one would you go to?

576
00:27:34,280 --> 00:27:34,760
Speaker 4: The loof?

577
00:27:35,080 --> 00:27:35,520
Speaker 2: Is that one?

578
00:27:35,760 --> 00:27:35,960
Speaker 1: Yeah?

579
00:27:37,080 --> 00:27:37,639
Speaker 2: That's a muster?

580
00:27:37,800 --> 00:27:39,120
Speaker 10: Yeah, that's the only one I know at the moment.

581
00:27:39,240 --> 00:27:42,879
Speaker 10: So that's right, taking recommendations before I head down to

582
00:27:42,960 --> 00:27:46,080
Speaker 10: Nice and then i'll you know, go to Monaco and

583
00:27:46,080 --> 00:27:50,480
Speaker 10: hopefully find myself a rich husband.

584
00:27:47,920 --> 00:27:51,320
Speaker 2: Oh, Charlotte Clerk.

585
00:27:52,040 --> 00:27:53,560
Speaker 10: Yeah, I'm into F one now, so that's where all

586
00:27:53,600 --> 00:27:55,840
Speaker 10: the drivers live, so hopefully might get one of those

587
00:27:55,880 --> 00:27:56,520
Speaker 10: on my way.

588
00:27:57,800 --> 00:28:00,439
Speaker 4: Go over to Europe for this solo jawn. Do you

589
00:28:00,480 --> 00:28:02,720
Speaker 4: get on the dating apps when you're like moving around

590
00:28:02,760 --> 00:28:04,480
Speaker 4: to different places or is it I've.

591
00:28:04,359 --> 00:28:06,000
Speaker 10: Heard this is a thing you've got to get on.

592
00:28:06,680 --> 00:28:09,240
Speaker 10: Some are preparing early and changing their location now just

593
00:28:09,240 --> 00:28:11,560
Speaker 10: so that they're ahead, so that before it gets too

594
00:28:11,640 --> 00:28:14,840
Speaker 10: big touristy, or they're in with all the locals before

595
00:28:14,840 --> 00:28:16,119
Speaker 10: they all turn and you're.

596
00:28:15,960 --> 00:28:18,240
Speaker 2: Gonna have people lined up, have an F one driver

597
00:28:18,320 --> 00:28:21,040
Speaker 2: in every city if you are huge. Yeah, yeah, that's

598
00:28:21,600 --> 00:28:24,040
Speaker 2: what are you worried about, ab like, because you know

599
00:28:24,240 --> 00:28:26,120
Speaker 2: I will I'll tell.

600
00:28:25,960 --> 00:28:29,639
Speaker 3: A what I'm worried about. First of all, are your bag?

601
00:28:30,080 --> 00:28:34,120
Speaker 2: So I overheard you talking before with digital producer kV

602
00:28:34,280 --> 00:28:37,000
Speaker 2: about the fact that you were going to vacuum pack

603
00:28:37,560 --> 00:28:40,640
Speaker 2: individual outfits into plastic boxes.

604
00:28:40,880 --> 00:28:44,200
Speaker 10: Yeah, you can get little packing cubes they're called and

605
00:28:44,240 --> 00:28:46,080
Speaker 10: they have a zip on them. So it makes all

606
00:28:46,120 --> 00:28:47,920
Speaker 10: your clothes smaller so you can pack more.

607
00:28:47,960 --> 00:28:50,200
Speaker 3: How many outfits would you take for three weeks.

608
00:28:49,920 --> 00:28:55,320
Speaker 10: And you're three weeks probably maybe twenty twenty garments, maybe

609
00:28:55,400 --> 00:28:56,520
Speaker 10: thirty gusments?

610
00:28:56,880 --> 00:28:59,080
Speaker 4: Does that make it to pack a vacuum cleaner with

611
00:28:59,120 --> 00:28:59,680
Speaker 4: you as well?

612
00:28:59,880 --> 00:29:01,719
Speaker 10: I think you can use a hair dryer at places,

613
00:29:01,720 --> 00:29:03,920
Speaker 10: but the ones I'm getting won't involve that. Well, I

614
00:29:03,920 --> 00:29:05,480
Speaker 10: haven't brought them yet, so who knows. I could get

615
00:29:05,480 --> 00:29:07,040
Speaker 10: the ones that need the hair dryer.

616
00:29:07,120 --> 00:29:09,800
Speaker 4: But but so while you're backpacking around, you'll need to

617
00:29:10,760 --> 00:29:13,880
Speaker 4: unvack your clothes and then back them back up every

618
00:29:13,880 --> 00:29:14,480
Speaker 4: time you move.

619
00:29:14,840 --> 00:29:16,880
Speaker 10: Yeah, yeah, but like it's all for the outfit got

620
00:29:16,960 --> 00:29:23,160
Speaker 10: to look hot, you know, right summer round two.

621
00:29:21,880 --> 00:29:24,200
Speaker 3: When it was round one in January? Oh right, yes,

622
00:29:25,400 --> 00:29:27,200
Speaker 3: it's just been all right.

623
00:29:27,560 --> 00:29:29,239
Speaker 2: Okay, look, I want to hear some other people here,

624
00:29:29,240 --> 00:29:32,680
Speaker 2: because everyone else listening. I imagine unless you are AB's

625
00:29:32,720 --> 00:29:36,320
Speaker 2: age in your very early twenties, has been backpacking solo

626
00:29:37,120 --> 00:29:41,760
Speaker 2: somewhere in the world thirty one six five. What is

627
00:29:41,800 --> 00:29:45,160
Speaker 2: your horror story from when you went backpacking by yourself?

628
00:29:46,280 --> 00:29:48,840
Speaker 2: A few cautionary tales for her, I think would be great.

629
00:29:49,400 --> 00:29:52,040
Speaker 4: I almost got kidnapped in Tri Lanka and then had

630
00:29:52,080 --> 00:29:54,720
Speaker 4: to buy what they told me was Princess Diana's old diameter.

631
00:29:55,320 --> 00:29:56,280
Speaker 4: You've definitely bought them.

632
00:29:57,640 --> 00:30:00,720
Speaker 2: Taking your calls about backpacking horror stories, your mind back

633
00:30:00,720 --> 00:30:04,800
Speaker 2: to the time that you went around a continent in

634
00:30:04,920 --> 00:30:08,680
Speaker 2: let's say, three weeks on a shoe string, and you

635
00:30:08,720 --> 00:30:11,160
Speaker 2: had this weird idea in your head that you do

636
00:30:11,240 --> 00:30:13,960
Speaker 2: a country in two days. That was always the vibe

637
00:30:14,000 --> 00:30:18,440
Speaker 2: right grease for two days, then we'll do Italy for

638
00:30:18,480 --> 00:30:20,680
Speaker 2: two days, and then we'll do France for three days.

639
00:30:20,720 --> 00:30:24,320
Speaker 2: And you don't actually ever stop and like enjoy anywhere

640
00:30:24,360 --> 00:30:26,400
Speaker 2: because you're always jet lagged and you're always moving and

641
00:30:26,440 --> 00:30:28,160
Speaker 2: you're always thinking about the next place you need to be.

642
00:30:28,280 --> 00:30:30,920
Speaker 3: But you send it every night.

643
00:30:31,640 --> 00:30:33,440
Speaker 4: Oh you get drunk on the first night and you're

644
00:30:33,440 --> 00:30:35,240
Speaker 4: sleeping because you're jet lagged, and then at three or

645
00:30:35,240 --> 00:30:36,440
Speaker 4: four o'clock you got to check out.

646
00:30:37,800 --> 00:30:43,880
Speaker 2: Great, we're talking about Junior produced Roundalys is about to

647
00:30:43,920 --> 00:30:46,320
Speaker 2: head over for three weeks. She's doing a Soel Croatia.

648
00:30:46,400 --> 00:30:46,800
Speaker 2: Can I see?

649
00:30:46,840 --> 00:30:47,320
Speaker 3: I excited?

650
00:30:47,320 --> 00:30:50,080
Speaker 2: Soel Croasia ab And one of the things I remember

651
00:30:50,120 --> 00:30:53,040
Speaker 2: they used to tell us was the boat leaves in

652
00:30:53,080 --> 00:30:56,120
Speaker 2: the morning at a certain time, and it's like clockwork,

653
00:30:56,160 --> 00:30:58,000
Speaker 2: the boat leaves at six am. If you missed the boat,

654
00:30:58,040 --> 00:31:01,320
Speaker 2: then you missed the boat and you're effectively off South Croatia.

655
00:31:01,720 --> 00:31:03,840
Speaker 2: So if you got up early enough or if you're

656
00:31:03,880 --> 00:31:07,040
Speaker 2: out late enough, there was always this great moment at

657
00:31:07,080 --> 00:31:11,280
Speaker 2: like five point fifty five where you would look to

658
00:31:11,320 --> 00:31:13,800
Speaker 2: the horizon as the sun came up, and you would

659
00:31:13,800 --> 00:31:18,840
Speaker 2: always just see like a stampede of usually young men

660
00:31:18,880 --> 00:31:22,200
Speaker 2: with their shirts off, just running through the streets barefoot

661
00:31:22,240 --> 00:31:25,640
Speaker 2: because they've stayed somewhere somewhere or passed out somewhere, and

662
00:31:25,680 --> 00:31:27,920
Speaker 2: they were all running to make their boat before they

663
00:31:27,960 --> 00:31:30,360
Speaker 2: took off. So that's something to look forward to.

664
00:31:30,480 --> 00:31:31,280
Speaker 3: That was fun.

665
00:31:31,680 --> 00:31:34,480
Speaker 2: Something not to look forward to. My corsery in tail

666
00:31:34,520 --> 00:31:38,880
Speaker 2: for you would be not to drink anything that you

667
00:31:39,040 --> 00:31:41,600
Speaker 2: don't know exactly what it is. That's probably great advice

668
00:31:41,640 --> 00:31:42,080
Speaker 2: in general.

669
00:31:42,120 --> 00:31:44,600
Speaker 4: Actually, don't let any strangers buy you a drink. Always

670
00:31:44,640 --> 00:31:45,560
Speaker 4: get your own drink.

671
00:31:45,720 --> 00:31:47,840
Speaker 2: That's a great one in general, because I did get

672
00:31:47,840 --> 00:31:51,560
Speaker 2: off at a herbal tea when I was in Lao,

673
00:31:52,440 --> 00:31:54,200
Speaker 2: which I thought was fairly innocuous for.

674
00:31:54,320 --> 00:31:56,400
Speaker 4: The time of the day, where you offered a herbal tea.

675
00:31:56,760 --> 00:32:02,840
Speaker 2: It was late, I can know him, and I went

676
00:32:02,880 --> 00:32:04,600
Speaker 2: to bed. I was sharing a bed because you know,

677
00:32:04,760 --> 00:32:06,360
Speaker 2: you always just share a bed, you share a bed

678
00:32:06,400 --> 00:32:08,520
Speaker 2: with somebody, like one of your mates, because it's cheaper.

679
00:32:08,560 --> 00:32:10,920
Speaker 2: So we were sitting lying in this double bed and

680
00:32:11,040 --> 00:32:14,160
Speaker 2: I I don't know what was in the tea, but

681
00:32:14,240 --> 00:32:16,840
Speaker 2: I I woke up next to my best friend. Would

682
00:32:16,840 --> 00:32:20,320
Speaker 2: have been likeing five centimeters from another guy at full attention.

683
00:32:20,720 --> 00:32:24,360
Speaker 3: Oh at yeah, yeah, and I couldn't get rid of it.

684
00:32:24,720 --> 00:32:26,320
Speaker 2: Oh yeah, yeah.

685
00:32:26,320 --> 00:32:26,800
Speaker 3: And I just.

686
00:32:26,960 --> 00:32:31,640
Speaker 2: Remember rolling over and saying to him, don't move, don't drink,

687
00:32:32,560 --> 00:32:33,640
Speaker 2: don't don't touch me.

688
00:32:33,760 --> 00:32:35,520
Speaker 4: That's for you. Nunless if you're out one night and

689
00:32:35,560 --> 00:32:38,560
Speaker 4: someone offers you a herbal tea, maybe say no. All right,

690
00:32:38,600 --> 00:32:42,960
Speaker 4: that's good advice, Rihanna. And what's your cautionary tail? What's

691
00:32:43,000 --> 00:32:44,400
Speaker 4: your backpacking horror story?

692
00:32:45,560 --> 00:32:50,040
Speaker 9: Hi? Yeah, I was backpacking in America and we were

693
00:32:50,080 --> 00:32:53,760
Speaker 9: in Albuquerque and I went on a hot air balloon

694
00:32:54,520 --> 00:32:58,880
Speaker 9: and the pilot landed us in a military base and

695
00:32:58,920 --> 00:33:00,720
Speaker 9: we were just hanging question.

696
00:33:03,600 --> 00:33:06,560
Speaker 1: God, yeah, how long?

697
00:33:06,600 --> 00:33:06,960
Speaker 4: How long?

698
00:33:07,040 --> 00:33:07,520
Speaker 2: Four Rian?

699
00:33:08,680 --> 00:33:10,720
Speaker 9: I think that's about two hours, which, to be honest,

700
00:33:10,800 --> 00:33:14,240
Speaker 9: was not too bad. But yeah, they actually are passports

701
00:33:14,280 --> 00:33:16,200
Speaker 9: and everything. And i' like I didn't even have mine

702
00:33:16,240 --> 00:33:17,960
Speaker 9: on me because I was in a hot air balloon.

703
00:33:18,000 --> 00:33:19,800
Speaker 9: I wasn't really expecting to be idea.

704
00:33:19,640 --> 00:33:24,600
Speaker 2: Nos insane great story.

705
00:33:24,400 --> 00:33:27,920
Speaker 4: Yeah great, I think another caution retale for you, a

706
00:33:28,080 --> 00:33:30,440
Speaker 4: b Are you going to be staying in hostels?

707
00:33:30,560 --> 00:33:30,760
Speaker 1: Yeah?

708
00:33:30,800 --> 00:33:31,880
Speaker 10: Hostels the whole time?

709
00:33:32,320 --> 00:33:33,800
Speaker 4: So big, big dorm rooms.

710
00:33:34,040 --> 00:33:36,920
Speaker 10: Yeah, there's one twelve bed I think at one point. Yeah,

711
00:33:36,960 --> 00:33:41,440
Speaker 10: maybe a twenty four bed room another point two. Yeah,

712
00:33:41,560 --> 00:33:42,520
Speaker 10: I needed to go cheap.

713
00:33:42,600 --> 00:33:44,880
Speaker 4: I was running and I get that, okay, but when

714
00:33:44,880 --> 00:33:46,960
Speaker 4: you get into these dorm rooms, make sure you get

715
00:33:46,960 --> 00:33:49,360
Speaker 4: the top bunk. And the reason I say this, I

716
00:33:49,720 --> 00:33:52,200
Speaker 4: was once on the bottom bunk and a little bit

717
00:33:52,200 --> 00:33:54,400
Speaker 4: of action was happening on the bunk on top of me,

718
00:33:54,880 --> 00:33:58,520
Speaker 4: to the point where a condom dropped down onto my

719
00:33:58,560 --> 00:34:00,760
Speaker 4: bed when they were in the middle of Oh my god.

720
00:34:00,800 --> 00:34:02,400
Speaker 4: And all I could do at that point was just

721
00:34:02,440 --> 00:34:04,320
Speaker 4: slowly hand the condom.

722
00:34:04,160 --> 00:34:07,640
Speaker 2: Get back to them, up to them more.

723
00:34:07,480 --> 00:34:13,200
Speaker 1: Willan Woody Goodness after this It's the Woman Woody Podcasts.

724
00:34:13,440 --> 00:34:17,280
Speaker 4: The famous actor who has claimed that he can remember

725
00:34:17,440 --> 00:34:18,640
Speaker 4: being in the womb.

726
00:34:18,640 --> 00:34:21,920
Speaker 2: Is Nick Woa.

727
00:34:21,080 --> 00:34:25,200
Speaker 4: Cage Nicholas Cage, as you said before, the song no

728
00:34:25,360 --> 00:34:28,719
Speaker 4: Surprises there. It was on the Light Light Show, Light

729
00:34:28,800 --> 00:34:32,040
Speaker 4: Light Show with Stephen Colbert, and well, yeah, he said this.

730
00:34:32,760 --> 00:34:35,320
Speaker 11: Sometimes I think I could go all the way back

731
00:34:35,360 --> 00:34:39,520
Speaker 11: to in Utero and feeling like I could like see

732
00:34:39,560 --> 00:34:42,120
Speaker 11: faces in the dark or something. I know that sounds

733
00:34:42,160 --> 00:34:47,080
Speaker 11: powerfully abstract, but that somehow seems like maybe it happens,

734
00:34:47,120 --> 00:34:54,919
Speaker 11: perhaps vocal vibrations resonating to me in that state that's

735
00:34:54,920 --> 00:34:55,759
Speaker 11: going way back.

736
00:34:56,960 --> 00:34:58,520
Speaker 3: Oh, Stephen Colbert, there.

737
00:34:59,160 --> 00:35:08,839
Speaker 4: Sure, Yeah, memories, So I mean there is a.

738
00:35:08,760 --> 00:35:11,680
Speaker 2: Few that babies can remember that though, did you know that?

739
00:35:12,080 --> 00:35:13,799
Speaker 4: Okay, Now I want to I want to hone in

740
00:35:13,800 --> 00:35:16,760
Speaker 4: on this because I'm terrified after hearing this that maybe

741
00:35:16,800 --> 00:35:20,520
Speaker 4: there's a world where Remy, my almost seven month old daughter, yeah,

742
00:35:20,719 --> 00:35:24,160
Speaker 4: can remember the things that she's see. Now, Yeah, because

743
00:35:24,160 --> 00:35:27,719
Speaker 4: I've been living this life of it doesn't matter about

744
00:35:27,760 --> 00:35:30,200
Speaker 4: the stuff that she sees because she won't remember it.

745
00:35:30,680 --> 00:35:33,160
Speaker 4: For example, don't need to give context here, but she

746
00:35:33,239 --> 00:35:35,560
Speaker 4: recently watched me take a pool in a bush. Okay,

747
00:35:35,719 --> 00:35:37,920
Speaker 4: I'm not going into context, but she recently watched that,

748
00:35:38,080 --> 00:35:39,680
Speaker 4: and the only reason I was okay with that is

749
00:35:39,680 --> 00:35:42,680
Speaker 4: because I was like, it's fine, she won't remember daddy

750
00:35:42,719 --> 00:35:42,960
Speaker 4: doing it.

751
00:35:43,000 --> 00:35:45,600
Speaker 2: Not about her memory, and that it's about yours.

752
00:35:45,880 --> 00:35:48,839
Speaker 4: I'm fine with that, you know, no shame there There

753
00:35:48,920 --> 00:35:49,880
Speaker 4: is no shame for me.

754
00:35:50,600 --> 00:35:53,400
Speaker 2: What about her not remembering about that? It's that you

755
00:35:53,520 --> 00:35:55,319
Speaker 2: put in a bush in front of her like you're

756
00:35:55,320 --> 00:35:55,840
Speaker 2: an adult.

757
00:35:56,040 --> 00:35:57,719
Speaker 4: Yeah, no, fair course, do you know what I mean?

758
00:35:57,880 --> 00:35:59,480
Speaker 4: I do know what you mean. But least at least

759
00:35:59,520 --> 00:36:02,400
Speaker 4: she won't be traumatized by it, because I like to

760
00:36:02,440 --> 00:36:05,400
Speaker 4: think but she can't remember that, and all of a sudden,

761
00:36:05,480 --> 00:36:09,080
Speaker 4: Nicholas Cage is going I remember being in the womb.

762
00:36:09,440 --> 00:36:11,880
Speaker 4: So there is a world that Remy is going to

763
00:36:11,880 --> 00:36:14,520
Speaker 4: remember seeing daddy no pants are I'm taking a pup

764
00:36:14,560 --> 00:36:15,080
Speaker 4: in a bush.

765
00:36:15,320 --> 00:36:17,920
Speaker 2: Maybe she won't like because Cage goes on to say

766
00:36:17,920 --> 00:36:20,400
Speaker 2: that he can't he can't remember like words and stuff

767
00:36:20,400 --> 00:36:21,360
Speaker 2: because he's in utero.

768
00:36:21,440 --> 00:36:23,080
Speaker 3: It's just noises and vibrations.

769
00:36:23,120 --> 00:36:26,839
Speaker 2: Maybe they'll just be the the vibe for rem as well.

770
00:36:26,880 --> 00:36:28,480
Speaker 2: She won't be able to describe it.

771
00:36:28,320 --> 00:36:31,480
Speaker 4: But she can see and hear now she's seven months old.

772
00:36:31,480 --> 00:36:33,640
Speaker 4: It's very different to being inside a womb. Of course,

773
00:36:33,680 --> 00:36:36,480
Speaker 4: you know, of course, of course, so I am terrified.

774
00:36:36,760 --> 00:36:38,480
Speaker 4: So what I'd like to do right now is just

775
00:36:38,480 --> 00:36:38,920
Speaker 4: a little to.

776
00:36:38,960 --> 00:36:41,160
Speaker 2: Sit in front of a psychologist when she's like twenty

777
00:36:41,200 --> 00:36:43,960
Speaker 2: five and be like, you know, figure out that the

778
00:36:44,000 --> 00:36:51,080
Speaker 2: core of all her problems is that.

779
00:36:48,120 --> 00:36:51,120
Speaker 4: That's my fear. She's gonna have this like mortal fear

780
00:36:51,160 --> 00:36:52,240
Speaker 4: of doing number twos.

781
00:36:52,040 --> 00:36:54,920
Speaker 3: Or something, just shrubbery of it.

782
00:36:54,960 --> 00:36:56,680
Speaker 4: Can't be in the wild, can't be in the wild.

783
00:36:56,760 --> 00:36:58,480
Speaker 4: And then all of a sudden, this suppressed memory of

784
00:36:58,520 --> 00:37:00,480
Speaker 4: Daddy taking a poop in a bush. He's going to

785
00:37:00,520 --> 00:37:02,200
Speaker 4: come out. But look, I wouldn't mind doing a test

786
00:37:02,280 --> 00:37:04,759
Speaker 4: right now with the help of our audience. Thirteen one

787
00:37:04,800 --> 00:37:09,960
Speaker 4: oh sixty five is our number. What's your earliest awful memory?

788
00:37:11,520 --> 00:37:15,279
Speaker 4: How far back can you remember? Because I tried to

789
00:37:15,280 --> 00:37:18,920
Speaker 4: do it with myself. I could walk, so that puts

790
00:37:18,960 --> 00:37:23,200
Speaker 4: me at at least two or three. And my first

791
00:37:23,239 --> 00:37:29,000
Speaker 4: awful memory was getting my nappy changed at like a center,

792
00:37:29,120 --> 00:37:32,879
Speaker 4: some sort of childcare center. Realizing that mum was leading

793
00:37:32,960 --> 00:37:34,960
Speaker 4: must be the first day she dropped me off, So

794
00:37:35,040 --> 00:37:37,960
Speaker 4: I did an escape from the change room change table,

795
00:37:38,960 --> 00:37:43,200
Speaker 4: snuck under their arms, so pants down, going for it

796
00:37:43,320 --> 00:37:46,320
Speaker 4: the door, and then getting clotheslined by one of the

797
00:37:46,440 --> 00:37:47,360
Speaker 4: childcare center.

798
00:37:47,440 --> 00:37:47,720
Speaker 1: People.

799
00:37:48,719 --> 00:37:52,600
Speaker 4: Wow, that's that's it. I can between two and three. Wow,

800
00:37:52,680 --> 00:37:53,560
Speaker 4: that I've remembered that.

801
00:37:54,239 --> 00:37:54,879
Speaker 3: It feels like.

802
00:37:54,840 --> 00:37:58,799
Speaker 2: I've seen it like X Men two Wolverine trying to

803
00:37:58,920 --> 00:38:01,120
Speaker 2: escape the Wow.

804
00:38:01,239 --> 00:38:02,920
Speaker 3: Okay, that's what it sounds like.

805
00:38:02,920 --> 00:38:05,120
Speaker 4: Though pretty full on. And that's a pretty early memory.

806
00:38:05,160 --> 00:38:07,120
Speaker 4: So thirteen one oh six five child.

807
00:38:07,000 --> 00:38:08,480
Speaker 3: Care center and they clothesline.

808
00:38:08,600 --> 00:38:10,960
Speaker 2: Yeah, wow, yeah, explains a lot.

809
00:38:11,520 --> 00:38:12,200
Speaker 4: What does explain?

810
00:38:13,320 --> 00:38:13,480
Speaker 8: Oh?

811
00:38:13,640 --> 00:38:14,080
Speaker 1: Just a lot.

812
00:38:14,440 --> 00:38:17,759
Speaker 4: Anyway, we don't need to unpack this now, that's my

813
00:38:17,840 --> 00:38:18,480
Speaker 4: therapist to do.

814
00:38:20,400 --> 00:38:23,319
Speaker 2: What his daughter's first memory is probably gonna be shocking.

815
00:38:23,520 --> 00:38:25,960
Speaker 4: Well, hopefully not. She's only seven months old, so I'm

816
00:38:26,000 --> 00:38:28,000
Speaker 4: living in this world where you know, no way will

817
00:38:28,040 --> 00:38:31,279
Speaker 4: she remember. Well, the thing that you'd referring to is

818
00:38:31,400 --> 00:38:34,160
Speaker 4: me taking a pill in a bush in Africa, Like

819
00:38:37,719 --> 00:38:39,080
Speaker 4: I don't want to talk about it too much, gets

820
00:38:39,080 --> 00:38:40,919
Speaker 4: a bit gross, But it happened, and she made eyes

821
00:38:40,920 --> 00:38:42,680
Speaker 4: with me, like she was making eye contact with me

822
00:38:42,760 --> 00:38:44,800
Speaker 4: while I was doing it. I'm terrified she remember it

823
00:38:44,800 --> 00:38:46,040
Speaker 4: and then get some sort of trauma.

824
00:38:46,080 --> 00:38:49,439
Speaker 2: Did you make any attempt to sort of conceal things.

825
00:38:49,320 --> 00:38:51,120
Speaker 4: Or it all happened so fast?

826
00:38:51,160 --> 00:38:51,279
Speaker 2: Oh?

827
00:38:51,880 --> 00:38:53,960
Speaker 4: No, she was trapped. She was strapped to me when

828
00:38:54,000 --> 00:38:56,080
Speaker 4: it started anyway, shepped.

829
00:38:56,200 --> 00:38:57,520
Speaker 3: That's what happened on the level.

830
00:38:57,560 --> 00:39:00,319
Speaker 2: That's why they say smell is the most you know,

831
00:39:00,400 --> 00:39:02,280
Speaker 2: triggering memory recaller.

832
00:39:03,520 --> 00:39:06,600
Speaker 4: Anyway, the reason I'm scared all of a sudden today

833
00:39:06,719 --> 00:39:09,040
Speaker 4: is because Nicholas Cage claims that he can remember being

834
00:39:09,080 --> 00:39:11,719
Speaker 4: in the womb. I'm not gonna play as audio games.

835
00:39:11,719 --> 00:39:12,439
Speaker 4: It goes for too long.

836
00:39:12,560 --> 00:39:14,920
Speaker 2: Nick whoa Cage?

837
00:39:15,200 --> 00:39:17,839
Speaker 4: But he is claiming that he can remember the vibrations

838
00:39:18,280 --> 00:39:18,680
Speaker 4: in there.

839
00:39:18,880 --> 00:39:20,840
Speaker 2: So they're saying, you know that they do say, I

840
00:39:20,920 --> 00:39:22,840
Speaker 2: don't think it's signed to only has proven and certainly

841
00:39:22,880 --> 00:39:24,160
Speaker 2: not followed in this country. But you know, we had

842
00:39:24,200 --> 00:39:27,279
Speaker 2: quite a hectic birth, and there is research to say

843
00:39:27,280 --> 00:39:30,759
Speaker 2: that the child doesn't remember it, is it like cognitively

844
00:39:30,800 --> 00:39:34,360
Speaker 2: can't conjure the memory of it, But the trauma of

845
00:39:34,400 --> 00:39:37,720
Speaker 2: the birth can be remembered on like a cellular level,

846
00:39:37,880 --> 00:39:42,239
Speaker 2: which can impact their personality. Certain theories that say that.

847
00:39:42,320 --> 00:39:44,279
Speaker 2: So it's fascinating to me that he says he.

848
00:39:44,239 --> 00:39:46,360
Speaker 3: Can remember being in the womb.

849
00:39:47,000 --> 00:39:49,920
Speaker 2: Because there are treatments overseas where you can treat babies

850
00:39:50,000 --> 00:39:53,480
Speaker 2: if they've had a really difficult birth. Sometimes they think

851
00:39:53,480 --> 00:39:56,120
Speaker 2: that sometimes that can that can explain their personality because

852
00:39:56,120 --> 00:39:57,920
Speaker 2: if you think about it's comfortably.

853
00:39:57,520 --> 00:39:59,439
Speaker 3: With the most hectic things that anyone could ever go through,

854
00:39:59,560 --> 00:39:59,879
Speaker 3: well for.

855
00:39:59,840 --> 00:40:04,120
Speaker 4: The for the woman and the husband. Occasionally like that

856
00:40:04,280 --> 00:40:06,319
Speaker 4: is such a traumatic experience that stays with you as well.

857
00:40:06,360 --> 00:40:07,480
Speaker 3: No, but I mean like for the baby.

858
00:40:07,600 --> 00:40:10,320
Speaker 2: Yeah, like because if you think you're in this beautiful, warm,

859
00:40:10,440 --> 00:40:13,279
Speaker 2: dark environment where nothing's touching you, Yeah, and then you

860
00:40:13,280 --> 00:40:16,000
Speaker 2: you know, if that happens hectically the bird, it's not

861
00:40:16,080 --> 00:40:17,160
Speaker 2: surprising that that can.

862
00:40:17,040 --> 00:40:19,520
Speaker 3: Impact Yeah, a child. So have you remembered that?

863
00:40:20,040 --> 00:40:22,520
Speaker 2: Yeah, I wouldn't want to remember it, That's all I'm saying.

864
00:40:22,600 --> 00:40:25,520
Speaker 4: Yeah, fair enough, it's got iras here though. Iris. What's

865
00:40:25,600 --> 00:40:28,120
Speaker 4: your earliest memory? Thirty one O six five.

866
00:40:29,280 --> 00:40:33,440
Speaker 6: My earliest memory, I swear when I couldn't even walk.

867
00:40:33,520 --> 00:40:35,400
Speaker 6: I was holding on to the side of the couch

868
00:40:35,719 --> 00:40:37,200
Speaker 6: and a proved fell out of my nappy.

869
00:40:38,880 --> 00:40:40,360
Speaker 4: How how did it get out of your appy?

870
00:40:40,560 --> 00:40:42,480
Speaker 6: No? I don't know where I was.

871
00:40:43,200 --> 00:40:44,720
Speaker 9: I just have this memory.

872
00:40:45,960 --> 00:40:46,319
Speaker 6: I don't know.

873
00:40:46,360 --> 00:40:47,440
Speaker 2: I don't know if it was a dream.

874
00:40:47,560 --> 00:40:48,680
Speaker 6: I've got no story, but it.

875
00:40:48,840 --> 00:40:51,800
Speaker 2: Sound like I made You're a toddler, absolute poor Denny,

876
00:40:51,840 --> 00:40:55,160
Speaker 2: all right, thanks for that, Sonya thirty one and six

877
00:40:55,280 --> 00:40:57,320
Speaker 2: five talking about early memories, was yours? Hectic?

878
00:40:58,400 --> 00:41:04,640
Speaker 8: I tried saying The Godfather Yeah on the big screen, Yeah,

879
00:41:04,680 --> 00:41:05,200
Speaker 8: and the.

880
00:41:05,280 --> 00:41:08,439
Speaker 6: Horse is hit and my father a calling.

881
00:41:08,200 --> 00:41:10,160
Speaker 3: Me, oh his eyeball.

882
00:41:10,560 --> 00:41:12,719
Speaker 4: So you were watching the movie? You remember watching the

883
00:41:12,840 --> 00:41:15,239
Speaker 4: movie The Godfather? And how old were you?

884
00:41:16,640 --> 00:41:21,000
Speaker 2: I reckon it a months old? Oh wow, yes, eighteen

885
00:41:21,080 --> 00:41:21,959
Speaker 2: months is young.

886
00:41:22,280 --> 00:41:24,359
Speaker 4: That's that scares me because I'm still at that point

887
00:41:24,400 --> 00:41:26,160
Speaker 4: where you can just put anything on the TV, right,

888
00:41:28,880 --> 00:41:30,120
Speaker 4: remember wearing TV?

889
00:41:31,080 --> 00:41:32,799
Speaker 3: Yeah, well, not anything on the TV.

890
00:41:33,520 --> 00:41:36,719
Speaker 2: Because even if that again again, you're just running with

891
00:41:36,760 --> 00:41:39,960
Speaker 2: this really whack theory that just because they don't remember it,

892
00:41:40,080 --> 00:41:42,879
Speaker 2: that means it's okay. Yeah I am, which I'm reading

893
00:41:43,160 --> 00:41:48,800
Speaker 2: I don't think is the way to do it a

894
00:41:48,800 --> 00:41:52,279
Speaker 2: little bit. And that's a bit strange when you put

895
00:41:52,320 --> 00:41:54,600
Speaker 2: that down, like just because they don't remember it doesn't

896
00:41:54,640 --> 00:41:55,440
Speaker 2: mean it's okay.

897
00:41:55,719 --> 00:41:56,560
Speaker 4: I'm learning a lot here.

898
00:41:56,600 --> 00:41:58,560
Speaker 2: Well, it's like if someone put you under an anesthetic

899
00:41:58,600 --> 00:42:00,879
Speaker 2: and they go, oh, well he's under anesthetic. Just because

900
00:42:00,880 --> 00:42:03,319
Speaker 2: he doesn't remember it means it's okay. Well, one time

901
00:42:03,320 --> 00:42:06,239
Speaker 2: it'd all be in trouble. We'd all all be in

902
00:42:06,280 --> 00:42:07,359
Speaker 2: trouble if that was the case.

903
00:42:07,360 --> 00:42:10,440
Speaker 4: And put that down. Let's go to another remy here,

904
00:42:10,480 --> 00:42:12,720
Speaker 4: which is exciting, and you share the name of my daughter.

905
00:42:13,000 --> 00:42:15,120
Speaker 4: What's your earliest memory, Remy.

906
00:42:15,960 --> 00:42:18,640
Speaker 8: Well, Woody, I've got to say, mate, from one remy

907
00:42:18,640 --> 00:42:20,600
Speaker 8: to another, don't let her see you ring gong?

908
00:42:21,680 --> 00:42:24,839
Speaker 4: Really no, surely she can see my my ding dong

909
00:42:24,920 --> 00:42:28,759
Speaker 4: until I'm going to say four, yeah, four or five?

910
00:42:30,239 --> 00:42:33,360
Speaker 4: Body body positivity is good. I think being nude around

911
00:42:34,200 --> 00:42:35,520
Speaker 4: your own child.

912
00:42:36,160 --> 00:42:38,319
Speaker 8: It was six months and it scarred me for life.

913
00:42:38,320 --> 00:42:41,400
Speaker 8: And I don't even shower around my kids. It's creepy.

914
00:42:41,760 --> 00:42:46,600
Speaker 2: You remember your dad's womb broom from six months old?

915
00:42:47,280 --> 00:42:50,239
Speaker 8: Yeah, I was on the bed and it just it

916
00:42:50,360 --> 00:42:52,960
Speaker 8: scarred me for life. Oh maybe I was dreaming it,

917
00:42:53,000 --> 00:42:55,000
Speaker 8: but no, no. He showed me his genitals later on

918
00:42:55,040 --> 00:42:56,479
Speaker 8: in life and they still look the same.

919
00:42:57,440 --> 00:42:59,160
Speaker 4: I'm going to leave that one there. I was going

920
00:42:59,239 --> 00:43:04,319
Speaker 4: to put that one down. I'm probably gonna start wearing

921
00:43:04,600 --> 00:43:05,279
Speaker 4: no Will no more.

922
00:43:08,120 --> 00:43:10,800
Speaker 2: We're done right now. It's Will and Woody.

923
00:43:13,000 --> 00:43:16,439
Speaker 4: Actually, one thing I wouldn't mind talking more about, because

924
00:43:16,440 --> 00:43:18,719
Speaker 4: it's a genuine concern, is this whole how much can

925
00:43:18,760 --> 00:43:23,680
Speaker 4: Remy remember thing because the final call scared the bejbis

926
00:43:23,719 --> 00:43:26,160
Speaker 4: out of me, which was a guy called Remy, which

927
00:43:26,200 --> 00:43:28,640
Speaker 4: was even stranger because it's just like that's the same

928
00:43:28,719 --> 00:43:31,400
Speaker 4: name as my daughter. Obviously, was like, I remember seeing

929
00:43:31,440 --> 00:43:34,879
Speaker 4: my dad's todder at like was it five months old?

930
00:43:35,120 --> 00:43:37,759
Speaker 4: He remembers seeing his dad's Todjer and then later on

931
00:43:37,800 --> 00:43:41,279
Speaker 4: in life in a medical procedure, his dad was having

932
00:43:41,280 --> 00:43:43,160
Speaker 4: a medical procedure and he was like, oh my god,

933
00:43:43,239 --> 00:43:46,120
Speaker 4: I didn't make that up. That's the exact Todda that

934
00:43:46,200 --> 00:43:47,640
Speaker 4: I saw when I was five months old, or I

935
00:43:47,640 --> 00:43:49,440
Speaker 4: have a memory of that. So now are you still

936
00:43:49,520 --> 00:43:52,279
Speaker 4: naked in front of Max? Like I still shower with Remy? Oh,

937
00:43:52,440 --> 00:43:55,200
Speaker 4: I'll hold her in the shower, and it's impossible to

938
00:43:55,239 --> 00:43:58,320
Speaker 4: try and do that and avert her eyes from my groin.

939
00:43:59,000 --> 00:44:01,120
Speaker 2: Well, if you're showering with so you're holding her, so

940
00:44:01,160 --> 00:44:02,640
Speaker 2: she's probably not looking at it then.

941
00:44:02,600 --> 00:44:04,840
Speaker 4: But within the whole process of getting in the shower,

942
00:44:04,840 --> 00:44:07,080
Speaker 4: it's very hard to try.

943
00:44:06,480 --> 00:44:13,160
Speaker 2: My philosophy is that she hasn't clocked it yet, you know,

944
00:44:13,160 --> 00:44:15,840
Speaker 2: like I haven't had a moment where I'm like, you're looking.

945
00:44:15,600 --> 00:44:16,520
Speaker 4: At it, haven't you?

946
00:44:16,719 --> 00:44:19,080
Speaker 3: I definitely, like she's not interested.

947
00:44:19,560 --> 00:44:21,600
Speaker 4: I'm not saying she's interested, but I'm saying she's looked

948
00:44:21,680 --> 00:44:22,359
Speaker 4: right at it before.

949
00:44:22,440 --> 00:44:24,760
Speaker 2: Yeah, but like at it and then like being interested

950
00:44:24,800 --> 00:44:26,279
Speaker 2: in it in the way like she would look at

951
00:44:26,320 --> 00:44:29,479
Speaker 2: like a rattle or a piece of food. Oh no, no, no,

952
00:44:29,880 --> 00:44:33,280
Speaker 2: because as soon as that happens, that's when I reckon.

953
00:44:34,040 --> 00:44:35,040
Speaker 3: But right now it's just.

954
00:44:35,040 --> 00:44:39,200
Speaker 2: Like other body part couldn't care as soon as as

955
00:44:39,200 --> 00:44:42,520
Speaker 2: soon as she's giving it the same look that she

956
00:44:42,640 --> 00:44:46,200
Speaker 2: gives a strawberry, for example, which is her favorite fruit,

957
00:44:46,280 --> 00:44:49,360
Speaker 2: and starts holding her hand out. That's the end of

958
00:44:49,360 --> 00:44:49,760
Speaker 2: the line.

959
00:44:49,840 --> 00:44:51,719
Speaker 4: Okay, so are you swearing in front of Max?

960
00:44:51,719 --> 00:44:54,000
Speaker 2: Still I'm trying to get better at it.

961
00:44:54,320 --> 00:44:55,759
Speaker 3: Yeah, yeah, yeah.

962
00:44:56,000 --> 00:44:57,400
Speaker 2: I'm also particularly aware of.

963
00:44:57,400 --> 00:44:59,960
Speaker 3: It when I'm like when I'm driving with her in the.

964
00:45:00,320 --> 00:45:04,120
Speaker 2: Because like I can be quite aggressive, not like outwardly,

965
00:45:04,160 --> 00:45:05,319
Speaker 2: but inwardly on the road.

966
00:45:05,560 --> 00:45:05,759
Speaker 4: Yeah.

967
00:45:06,000 --> 00:45:07,839
Speaker 2: So yeah, Like the other day, I was trying to

968
00:45:07,880 --> 00:45:10,880
Speaker 2: park somewhere and then this person took my park and

969
00:45:10,920 --> 00:45:15,239
Speaker 2: I said, quite loudly, I think everybody else in the

970
00:45:15,280 --> 00:45:18,200
Speaker 2: world is a pack of And then I was like, whoops,

971
00:45:18,680 --> 00:45:19,440
Speaker 2: I can't say that.

972
00:45:20,200 --> 00:45:22,319
Speaker 4: Yeah, button pushes just making a note there to add

973
00:45:22,320 --> 00:45:25,400
Speaker 4: a beep, so you guys won't hear that where but

974
00:45:25,440 --> 00:45:28,040
Speaker 4: that is that is a wand they are they're a

975
00:45:28,040 --> 00:45:31,400
Speaker 4: pack of oh and a second note there two beeps.

976
00:45:32,920 --> 00:45:34,080
Speaker 2: But you know, when you are on the road and

977
00:45:34,080 --> 00:45:36,080
Speaker 2: you're looking around and it's just kind of annoying because

978
00:45:36,120 --> 00:45:37,960
Speaker 2: people keep cutting you off and you can't help but

979
00:45:38,000 --> 00:45:38,960
Speaker 2: think that, like, you know.

980
00:45:39,920 --> 00:45:43,560
Speaker 4: So try this. I whenever that happens to me, I

981
00:45:43,920 --> 00:45:46,200
Speaker 4: make the assumption that they must be in a rush

982
00:45:46,200 --> 00:45:49,120
Speaker 4: to go somewhere really really important. And then straight away

983
00:45:49,120 --> 00:45:50,719
Speaker 4: you're like, oh, I'm glad they cut in. I hope

984
00:45:50,760 --> 00:45:51,480
Speaker 4: they get there on time.

985
00:45:51,560 --> 00:45:51,759
Speaker 1: Yeah.

986
00:45:51,800 --> 00:45:53,040
Speaker 3: No, that's that's a good idea.

987
00:45:53,200 --> 00:45:55,759
Speaker 2: That's a really nice idea, up until the point that

988
00:45:56,760 --> 00:46:02,160
Speaker 2: they flick you the bird time stolen into it and

989
00:46:02,200 --> 00:46:07,560
Speaker 2: you're like, you know, like I'm sorry about that, but.

990
00:46:07,400 --> 00:46:09,440
Speaker 4: You're saying someone has stolen your card back and then

991
00:46:09,520 --> 00:46:10,400
Speaker 4: given you the finger.

992
00:46:10,680 --> 00:46:13,560
Speaker 2: No, no, no, no, well I took them aggressively. Well

993
00:46:13,600 --> 00:46:16,879
Speaker 2: don't do that, I horn them aggressively. No. Well, if

994
00:46:16,920 --> 00:46:19,880
Speaker 2: you if you're coming up to like a parallel park

995
00:46:20,000 --> 00:46:22,480
Speaker 2: and you've got your indicator on, this is what happened,

996
00:46:23,440 --> 00:46:26,600
Speaker 2: I'll go back to the incident, and I had my

997
00:46:26,680 --> 00:46:28,120
Speaker 2: indicator on and.

998
00:46:28,080 --> 00:46:30,440
Speaker 4: You wanted to back into it, right, you've gone past it.

999
00:46:30,520 --> 00:46:32,719
Speaker 3: No, I haven't gone past it and coming up.

1000
00:46:32,600 --> 00:46:34,040
Speaker 4: To it, and you've got your indicator.

1001
00:46:34,040 --> 00:46:36,200
Speaker 2: I've got my indicator on this. The person in front

1002
00:46:36,239 --> 00:46:39,120
Speaker 2: of me has gone past it and gone quite clearly

1003
00:46:39,160 --> 00:46:42,279
Speaker 2: past it. They're not going up to come back. They've

1004
00:46:42,320 --> 00:46:46,320
Speaker 2: gone past it. They've gone past it significantly. They've obviously

1005
00:46:46,360 --> 00:46:48,880
Speaker 2: looked ahead and realized there's nothing else ahead of them

1006
00:46:48,920 --> 00:46:51,520
Speaker 2: which is going to satisfy them, so they put their

1007
00:46:51,520 --> 00:46:53,960
Speaker 2: indicator on and then reversed fast.

1008
00:46:55,200 --> 00:46:58,880
Speaker 4: This is interesting though, because has kept me out. I

1009
00:46:58,920 --> 00:47:01,520
Speaker 4: do think reverse has right, not not once.

1010
00:47:01,280 --> 00:47:04,600
Speaker 2: You've gone a certain distance past the park. So they've

1011
00:47:04,600 --> 00:47:07,799
Speaker 2: gone a car's length more than a car not they're

1012
00:47:07,800 --> 00:47:10,919
Speaker 2: not in because if they're in reversing territory and that's

1013
00:47:11,040 --> 00:47:11,960
Speaker 2: that's their park.

1014
00:47:11,800 --> 00:47:13,560
Speaker 4: And I think as long as you're within car length,

1015
00:47:13,600 --> 00:47:16,440
Speaker 4: so even if it's just their boot that's hanging over

1016
00:47:16,480 --> 00:47:17,480
Speaker 4: the front of the car in.

1017
00:47:17,480 --> 00:47:20,520
Speaker 2: Front, No, they've gone back, but they've seen me coming

1018
00:47:20,560 --> 00:47:23,120
Speaker 2: up and I'm probably a car I'm not within a

1019
00:47:23,160 --> 00:47:25,640
Speaker 2: car length of the park, but I know they've missed it,

1020
00:47:25,680 --> 00:47:27,400
Speaker 2: and that's my park and I've got my indicator on.

1021
00:47:27,640 --> 00:47:28,759
Speaker 4: So wait, who got there first?

1022
00:47:28,760 --> 00:47:31,920
Speaker 2: Then, because if he reversed hard to beat me to

1023
00:47:32,040 --> 00:47:34,560
Speaker 2: it and then kept me out of it because he

1024
00:47:34,800 --> 00:47:37,759
Speaker 2: took the front space and then rehearsed into it, at

1025
00:47:37,760 --> 00:47:40,279
Speaker 2: which point I held down the horn, called him and

1026
00:47:40,320 --> 00:47:42,040
Speaker 2: then sorry about.

1027
00:47:41,800 --> 00:47:45,160
Speaker 3: That, and then and then I held him.

1028
00:47:45,040 --> 00:47:46,799
Speaker 2: The bird and then he burted me back and that

1029
00:47:46,920 --> 00:47:49,040
Speaker 2: was it. And then I turned to Max and I said, Max,

1030
00:47:49,239 --> 00:47:52,800
Speaker 2: turns out everyone in the world's back of day. Sorry,

1031
00:47:52,840 --> 00:47:54,920
Speaker 2: but like that, I'm just trying to relay the story.

1032
00:47:54,960 --> 00:47:56,799
Speaker 2: I'm sorry about the beeps. I am, but I know

1033
00:47:56,840 --> 00:47:58,040
Speaker 2: if I don't put them in there, you're just going

1034
00:47:58,080 --> 00:47:59,799
Speaker 2: to delete the whole story. Poop pants, And you can't

1035
00:47:59,800 --> 00:48:02,200
Speaker 2: now because you know it's the majority of the podcast.

1036
00:48:02,719 --> 00:48:04,920
Speaker 4: You did you just drop in a seed on there? No?

1037
00:48:05,000 --> 00:48:07,920
Speaker 3: I didn't. I didn't did I put in there?

1038
00:48:08,040 --> 00:48:09,640
Speaker 4: I can't even turn It's like breathing for you at

1039
00:48:09,640 --> 00:48:10,279
Speaker 4: the moment saying the.

1040
00:48:10,239 --> 00:48:13,560
Speaker 2: Sea, Well, that was just that person that had known me, okay,

1041
00:48:13,680 --> 00:48:16,359
Speaker 2: because you know, baby's hungry and they're like crying as

1042
00:48:17,160 --> 00:48:18,480
Speaker 2: they're like mate.

1043
00:48:18,520 --> 00:48:22,000
Speaker 4: And that's a hard mindset to stay patient.

1044
00:48:23,719 --> 00:48:26,319
Speaker 3: I didn't say, you've been away for it for a while. Man,

1045
00:48:26,640 --> 00:48:27,799
Speaker 3: when your patience is.

1046
00:48:27,760 --> 00:48:30,960
Speaker 2: On the edge, just give me the park anyway. So

1047
00:48:31,000 --> 00:48:32,960
Speaker 2: what he's back for the first time in the studio

1048
00:48:33,000 --> 00:48:35,320
Speaker 2: and we've just talked about you having a park.

1049
00:48:35,600 --> 00:48:37,680
Speaker 3: Well, he did ask me, why didn't.

1050
00:48:37,480 --> 00:48:40,000
Speaker 2: We talk about like some juicies behind the scenes got something.

1051
00:48:40,360 --> 00:48:43,120
Speaker 2: I feel like we've probed him pretty significantly for Jungle,

1052
00:48:43,640 --> 00:48:45,160
Speaker 2: but he was down a line he didn't want to

1053
00:48:45,160 --> 00:48:49,560
Speaker 2: say anything. Yeah, oh mate, juicy behind the scene again.

1054
00:48:50,440 --> 00:48:51,400
Speaker 4: You have asked me any questions.

1055
00:48:51,400 --> 00:48:56,600
Speaker 2: If you're on, tell me, please tell us the story

1056
00:48:56,600 --> 00:49:00,120
Speaker 2: about pulling your pants, the full story of Man, you

1057
00:49:00,120 --> 00:49:01,280
Speaker 2: didn't tell the full story.

1058
00:49:01,880 --> 00:49:05,520
Speaker 4: I mean it's pretty much there. But so, I've really

1059
00:49:05,560 --> 00:49:07,080
Speaker 4: struggled with the run since I got out of the

1060
00:49:07,120 --> 00:49:09,040
Speaker 4: Jungle because I'm just not used to eating so much food,

1061
00:49:09,160 --> 00:49:11,400
Speaker 4: so which is frustrating because all you want to do

1062
00:49:11,520 --> 00:49:13,640
Speaker 4: is eat food. I'm like, I want to eat eight eggs.

1063
00:49:13,640 --> 00:49:15,440
Speaker 4: I've missed out and it for so long, but I can't.

1064
00:49:15,480 --> 00:49:16,719
Speaker 4: I just keeps making me want to go to the

1065
00:49:16,760 --> 00:49:20,840
Speaker 4: tour and spray the duney. So I'm having one particular.

1066
00:49:20,800 --> 00:49:21,359
Speaker 3: You've gone here.

1067
00:49:21,680 --> 00:49:24,320
Speaker 4: I was having one particular day where I was a

1068
00:49:24,320 --> 00:49:26,200
Speaker 4: buffet lunch and I can't you know, I can't hold

1069
00:49:26,200 --> 00:49:28,920
Speaker 4: back at a buffet, Wilber. So I've really gone to town. Anyway.

1070
00:49:28,960 --> 00:49:30,680
Speaker 4: I've got Remy on my chest and I walk up

1071
00:49:30,719 --> 00:49:33,440
Speaker 4: to Mim, who's who's flown over and she's there and

1072
00:49:33,440 --> 00:49:35,400
Speaker 4: she's watched me at the buffet doing my thing. And

1073
00:49:35,440 --> 00:49:36,960
Speaker 4: I've walked over to Mem and I've gone, Mim, we've

1074
00:49:36,960 --> 00:49:38,200
Speaker 4: got a code red. We've got to go back to

1075
00:49:38,239 --> 00:49:43,320
Speaker 4: the room. Yeah, go brown. So I said that to me,

1076
00:49:43,520 --> 00:49:49,000
Speaker 4: and we're we're on a game reserve. So the animals ran.

1077
00:49:49,080 --> 00:49:51,760
Speaker 4: So you're supposed to get cars to your accommodations, otherwise

1078
00:49:51,760 --> 00:49:54,040
Speaker 4: you could ge attacked by hippos and stuff. I was like,

1079
00:49:54,080 --> 00:49:55,520
Speaker 4: where code Brown, We're going for it.

1080
00:49:55,680 --> 00:49:55,879
Speaker 1: Wow.

1081
00:49:56,120 --> 00:49:58,160
Speaker 4: So I ran back to the room and then got

1082
00:49:58,160 --> 00:49:59,120
Speaker 4: to the door and I was like, mm, have you

1083
00:49:59,200 --> 00:50:01,799
Speaker 4: got the key? And she was like no, And I

1084
00:50:01,840 --> 00:50:04,319
Speaker 4: was like, we are. We are right there the.

1085
00:50:04,719 --> 00:50:06,480
Speaker 3: Key back at the buffet.

1086
00:50:06,840 --> 00:50:08,440
Speaker 4: So Mim goes, well, I'm gonna have to wait for

1087
00:50:08,440 --> 00:50:10,160
Speaker 4: a car because now I'm by myself, and I get

1088
00:50:10,160 --> 00:50:11,719
Speaker 4: eaten by a hippo, and I was like, you are

1089
00:50:11,880 --> 00:50:14,279
Speaker 4: not waiting for a car. You will risk your life

1090
00:50:14,320 --> 00:50:16,920
Speaker 4: for me? Good back to there. So she runs to

1091
00:50:16,960 --> 00:50:20,000
Speaker 4: go and get the key, and unfortunately, in the period

1092
00:50:20,000 --> 00:50:21,960
Speaker 4: where she's running back to get the key, she what

1093
00:50:22,080 --> 00:50:23,840
Speaker 4: she says that she I'll get it. From her perspective, now,

1094
00:50:23,920 --> 00:50:25,799
Speaker 4: she runs back to the room, going, Woody, Woody, I've

1095
00:50:25,840 --> 00:50:28,120
Speaker 4: got the key, Woody, where are you? And she looks

1096
00:50:28,160 --> 00:50:30,719
Speaker 4: out over to the back out and there, I am,

1097
00:50:30,880 --> 00:50:33,120
Speaker 4: I've got shorts and undies are gone, but I've still

1098
00:50:33,120 --> 00:50:35,520
Speaker 4: got my T shirt on. Remy is on a chair,

1099
00:50:35,800 --> 00:50:39,440
Speaker 4: sort of pretty precariously. I had to I had had

1100
00:50:39,480 --> 00:50:41,440
Speaker 4: to put it on the deck. I prob, yeah, I

1101
00:50:41,440 --> 00:50:42,600
Speaker 4: should have put it on the ground. And she's sort

1102
00:50:42,600 --> 00:50:46,359
Speaker 4: of precariously propped on a chair and I'm squatting over

1103
00:50:46,640 --> 00:50:51,360
Speaker 4: the garden and it's all okay, and Remy like squaked

1104
00:50:51,440 --> 00:50:54,560
Speaker 4: me in the eyes for the entire time as well.

1105
00:50:54,600 --> 00:50:59,520
Speaker 4: It was, so it's pretty much as low as it gets, actually, yeah,

1106
00:50:59,560 --> 00:51:01,960
Speaker 4: And then I washed myself down in the swimming pool,

1107
00:51:02,200 --> 00:51:08,520
Speaker 4: which is obviously at my point was four years of shower.

1108
00:51:08,960 --> 00:51:11,240
Speaker 4: I just I didn't. I was so disgusted with myself

1109
00:51:11,320 --> 00:51:14,040
Speaker 4: and getting deserve the shower, and I was like this

1110
00:51:14,080 --> 00:51:15,680
Speaker 4: is so and even getting inside it.

1111
00:51:15,840 --> 00:51:17,640
Speaker 3: Like yeah, he's everywhere in there.

1112
00:51:20,080 --> 00:51:21,880
Speaker 2: I'm glad you've done this, Tom.

1113
00:51:23,120 --> 00:51:24,399
Speaker 4: I put myself this morning as well.

1114
00:51:24,680 --> 00:51:25,080
Speaker 2: Beautiful.

1115
00:51:25,080 --> 00:51:28,040
Speaker 4: I want to go get morning going to The problem

1116
00:51:28,120 --> 00:51:31,120
Speaker 4: is remy strapped to my chest. So every time in

1117
00:51:31,120 --> 00:51:32,920
Speaker 4: an emergent situation, you've got to unstrapped.

1118
00:51:33,000 --> 00:51:35,120
Speaker 3: Why don't you just take her on in there? Yeah,

1119
00:51:35,440 --> 00:51:36,239
Speaker 3: just take her in there.

1120
00:51:36,640 --> 00:51:39,280
Speaker 4: But I just why would she care? She probably wouldn't.

1121
00:51:39,400 --> 00:51:40,919
Speaker 4: I would care because she's sitting there.

1122
00:51:41,040 --> 00:51:50,200
Speaker 2: She'd be facing out or in out. You wouldn't know

1123
00:51:50,239 --> 00:51:50,760
Speaker 2: any better.

1124
00:51:52,000 --> 00:51:52,440
Speaker 10: Let me do you?

1125
00:51:52,520 --> 00:51:55,160
Speaker 2: Right now, I'd rather be I'd rather be strapped to

1126
00:51:55,200 --> 00:52:00,640
Speaker 2: the person facing away from them than propped up staring

1127
00:52:00,680 --> 00:52:04,239
Speaker 2: at them. Yeah, that must have been the lesser of

1128
00:52:04,280 --> 00:52:08,719
Speaker 2: two evils. There is no visuals and sound. She had

1129
00:52:08,840 --> 00:52:13,000
Speaker 2: visual sound and probably smell you. She had the trifector

1130
00:52:13,000 --> 00:52:13,520
Speaker 2: in Africa.

1131
00:52:13,680 --> 00:52:16,239
Speaker 4: Never took her eyes off me. Yeah, it's just the

1132
00:52:16,239 --> 00:52:17,880
Speaker 4: next morning. By the way, they would know if she's.

1133
00:52:17,760 --> 00:52:19,200
Speaker 2: Got you in the mirror, like if you're in a

1134
00:52:19,360 --> 00:52:22,080
Speaker 2: in a cube with a mirror, that would also be

1135
00:52:22,200 --> 00:52:22,680
Speaker 2: very hard.

1136
00:52:23,480 --> 00:52:25,280
Speaker 4: But cheer watching the whole thing was horrific.

1137
00:52:25,760 --> 00:52:25,960
Speaker 3: Yeah.

1138
00:52:26,040 --> 00:52:28,919
Speaker 4: Next morning though, twenty baboons just like outside our door,

1139
00:52:29,239 --> 00:52:31,840
Speaker 4: so in the poop. Well they must have been around it,

1140
00:52:32,120 --> 00:52:38,920
Speaker 4: I think. Yeah, yeah, really brought him in.

1141
00:52:41,640 --> 00:52:43,440
Speaker 2: Right now, it's Will and Woody