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Speaker 1: Fish to try.

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Speaker 2: This is Will and Woody.

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Speaker 3: Yeah, it's Willem Woody on a Friday. I got a

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Speaker 3: banger of a Friday show to get you guys into

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Speaker 3: the weekend. But let's just crack right in everyone, thurday

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Speaker 3: and one I sixty five The Princess of Prediction. The

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Speaker 3: Nouveau Nostradamus are back. We'll tell you what your job is,

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Speaker 3: based purely on what's in your glove box. If you

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Speaker 3: want to play, you know the deal thirteen one oh

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Speaker 3: sixty five. All you need is a phone and a

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Speaker 3: glove box, and well also a radio, given that you're

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Speaker 3: listening to this, But that will all become very self

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Speaker 3: evident shortly. I've said too much. It's fun.

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Speaker 1: It's up next toasting.

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Speaker 4: Now let's do it.

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Speaker 3: We just get better and better at this.

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Speaker 5: You tell us what is in your glove box, and

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Speaker 5: we tell you what your occupation is.

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Speaker 4: Zoe, welcome to the show. What's in that glove box

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Speaker 4: of yours?

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Speaker 6: A bra?

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Speaker 3: WHOA? Sorry sorry go on, sure, sorry about most women

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Speaker 3: wear them. She's not wearing that's in her glove box. Yeah,

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Speaker 3: but like you know, it's not that much of a

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Speaker 3: scandalous thing. It's fine, What else have you got there? O?

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Speaker 1: Calculator a calculator?

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Speaker 3: Perfect? Perfect? What else have we got?

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Speaker 7: Hod?

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Speaker 8: I'm the eldio at the moment, but I'm a pair

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Speaker 8: of tree string.

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Speaker 3: Go again?

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Speaker 7: There?

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Speaker 3: So that was the third one?

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Speaker 9: A pair of string?

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Speaker 3: What by a.

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Speaker 5: Pair of G strings? Do you mean the G string

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Speaker 5: comes in two parts? A pair of socks? Is you

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Speaker 5: know it's it's it's a pair. What do you mean

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Speaker 5: there's because there's.

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Speaker 1: Two of them.

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Speaker 3: There's just two of them. There's two songs. There's a

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Speaker 3: pair of socks. So she's always got two g strings.

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Speaker 4: Two strings. Very good, thanks for terrifying.

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Speaker 5: Okay, Brah, A couple of G strings and a calculator.

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Speaker 3: The G strings a couple of bangers in a calculator.

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Speaker 5: Words, Oh, deary, deary, deary, okay, will what are we thinking?

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Speaker 5: I mean underwear saleswoman pops to head, PEPs to mind.

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Speaker 3: The tongue tied. But it works on the Calculator's what

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Speaker 3: it's calculator? Calculator, Zoe.

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Speaker 5: Ask your questions, Zoe, the bra and G strings are

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Speaker 5: they are they brand new with labels on?

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Speaker 3: Or are they like old? Depends?

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Speaker 7: No?

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Speaker 8: No, Then you do sexy buy them every week?

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Speaker 3: So to are you sorry too? Are sexy and you

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Speaker 3: buy them every week?

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Speaker 10: Yes, I'll buy them every week.

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Speaker 3: You buy sexy g strings every week?

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Speaker 1: Yeah?

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Speaker 8: But I have the same calculator.

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Speaker 3: That's the strangest question I've ever asked you.

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Speaker 9: Calculator.

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Speaker 4: Yes, he's obviously doing sums.

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Speaker 3: She's acounting how many g strings you? I don't know selling,

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Speaker 3: she's selling g strings?

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Speaker 4: Ere they selling g strings?

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Speaker 3: Or like? Just moving on, mate, I think we just

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Speaker 3: need to move on. Zoey. We think you're an accountant.

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Speaker 8: Pretty close.

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Speaker 3: But that's fine, that's fine.

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Speaker 5: We'll take a We'll take a lot of closer, zoe

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Speaker 5: What are you a dancer? A dancer, very respectable dancer, Zoey,

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Speaker 5: thank you so much for calling.

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Speaker 3: We're gonna go again.

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Speaker 6: Six.

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Speaker 3: Haven't been colder? Tell us what's in your glove box?

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Speaker 3: We will try and tell you what your job is

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Speaker 3: when you have a little bit of a red rope posting.

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Speaker 3: We're telling you what your job is based on what's

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Speaker 3: in your glove box.

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Speaker 7: What?

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Speaker 4: Oh, well, we are colder than an Eskima's bottle.

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Speaker 3: Right now, we've been bad. Let's go to Josephine, it's

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Speaker 3: not that belt buckle wood, because I reckon. I've got

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Speaker 3: Josephine on toast here, Josephine, how are you good?

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Speaker 6: Thank you?

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Speaker 10: How are you boys?

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Speaker 3: Yeah? Pretty good? Pretty good? What have you got in

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Speaker 3: a glovebox, Josephine, All right, in my glove box.

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Speaker 8: I have a twenty five percent off voucher for the

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Speaker 8: coffee club.

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Speaker 3: Yep.

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Speaker 10: I have a packet of hair tied, a.

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Speaker 8: Flick knife yep, and a retractable ID badge.

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Speaker 3: Okay, hey, flick knife yep. What's that? Correct? Like a

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Speaker 3: pocket knife?

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Speaker 8: Oh right, one of those army nice things.

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Speaker 3: Yeah yeah, okay, Woods, let me take you to the

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Speaker 3: Promised Land here, because twenty five percent off coffee club voucher.

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Speaker 3: She works at coffee club? No, incorrect, Got a friend

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Speaker 3: of mine, Got a friend of mine. She's a nurse

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Speaker 3: and she's been getting discounted vouchers from restaurants and stuff

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Speaker 3: as a healthcare worker during COVID nineteen. Will you've been

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Speaker 3: flying around? Plus she's got a retractable I do hold

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Speaker 3: up one of the zippy things. Have got them for days,

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Speaker 3: Joseph And you're a nurse. Correct, light, let's light it up.

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Speaker 3: That's the one. Just have a great Friday. Thanks for

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Speaker 3: all your work during COVID as well. Of course, good

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Speaker 3: team effort.

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Speaker 4: Let's go to Shanaia Shania.

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Speaker 3: What's in your glove box?

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Speaker 11: Hey, guys, I have a face mask.

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Speaker 1: A great I have bird feather.

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Speaker 3: A singular A singular bird feather.

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Speaker 11: Oh there's probably more than one in there, but from

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Speaker 11: what I can see at the moment, I can see one.

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Speaker 4: An a portable phone charger.

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Speaker 11: Yeah, I just like one of those ones you're charge

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Speaker 11: of growing.

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Speaker 3: With anyway, It's pretty generic, but it is generic.

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Speaker 5: So face mask do you mean like one of those

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Speaker 5: like cosmetic sort of hydrating face masks.

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Speaker 3: COVID. You're bringing this down, bro, I've gott to bring

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Speaker 3: is down. I've got a hydro. You are currently your

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Speaker 3: dead at the moment. I'm gonna be honest, thank you,

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Speaker 3: shand I you're dead. I believes in me. I'm reading

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Speaker 3: this way. Pete Helly would be doing a much better job.

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Speaker 5: Peter Hellier wanted to do Cante build a pergola. So

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Speaker 5: stop bringing up Hellier because that was a crap ide. Okay, now,

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Speaker 5: three bird fellas, I mean, where are you at?

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Speaker 3: Will Well? They're feathers, not fellas. I'm not gonna act

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Speaker 3: like I didn't hear that. She said. Look, here's she

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Speaker 3: did give something away there which I thinks really doesn't

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Speaker 3: do well. I said, is a singular bird feather? And

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Speaker 3: she said, the only one I can see right now.

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Speaker 3: There's probably a lot more of them. Who has heaps

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Speaker 3: of bird feathers in their car?

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Speaker 4: Someone who likes tickling people.

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Speaker 3: Yes, very and I loved it. But again you're annoying me,

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Speaker 3: and you take us on attend and here we go.

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Speaker 4: We're thinking like a bird handler, yeah, yeah.

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Speaker 3: If that was a job. Yeah, I'm thinking I'm thinking vet,

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Speaker 3: that animal worker sort of a thing, Yeah, zoo, zoo keeper,

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Speaker 3: maybe something like that. Zoologists could be I reckon face

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Speaker 3: mask as well.

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Speaker 4: Yeah yeah, So what are we thinking? Like, works at

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Speaker 4: a vet?

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Speaker 3: I'm thinking, I think, well, if you work at a vet,

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Speaker 3: do you have a heap of bird feathers in your car?

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Speaker 3: Probably not.

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Speaker 4: They wouldn't think so they specializing birds.

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Speaker 3: Well we're not. You're not. You're not taking the birds

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Speaker 3: from place to place. You know, you get to the vet,

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Speaker 3: they bring the dog. Yeah, of course, I reckon. It's

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Speaker 3: got to be hectic. I reckon, it's like a I reckon, Like, yeah,

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Speaker 3: okan zoologist, zoo keeper, that sort of gear. I reckon.

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Speaker 3: That's that's the biz or bird handler if you want

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Speaker 3: to go with bird handler. No, she's a bird handler

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Speaker 3: at a zoo. Okay, let's not go that specific. Okay,

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Speaker 3: let's just go You're going to win. Should I we

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Speaker 3: reckon you're working a zoo?

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Speaker 7: Yes?

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Speaker 3: Should I have a wonderful Friday? Be glad? You can't

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Speaker 3: be glad. You can't say this, love your term mate,

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Speaker 3: have a great weekend.

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Speaker 1: So we'll sting Now.

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Speaker 3: China and India and are in a bitter border dispute,

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Speaker 3: which you know you can only you can only read

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Speaker 3: these sorts of stories and correlate them to your own life.

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Speaker 3: My partner, Semini are also currently in a bitter border

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Speaker 3: dispute over our over our bed right, specifically speaking the doner. Oh, Jesus,

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Speaker 3: I just realized that could have been good? What's that?

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Speaker 3: This is why you know we should have better pre

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Speaker 3: show meetings. I'm blaming all the producers here. What's happened? Well,

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Speaker 3: I've been playing Madonna borderline Yeah, yeah, because there's a

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Speaker 3: song parody there in Madonna borderline, which I could have.

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Speaker 5: Not used hilarious. That would have been really funny and

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Speaker 5: good gear. And I'm glad we've you know, covered what

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Speaker 5: we didn't do. It's always good to do anyway, saves

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Speaker 5: the feedback for lady.

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Speaker 3: We know thee and we're talking about sharing board anyway,

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Speaker 3: someone someone's writing that down feverishly somewhere for a great

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Speaker 3: stand up routine.

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Speaker 4: Anyway.

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Speaker 5: I think Seinfeld's, you know, sprinting to the wire is

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Speaker 5: to go on the world's greatest joke.

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Speaker 3: Seinfeld listens to us mates. So anyway, so let's get

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Speaker 3: let's get back to this. So we've got this big

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Speaker 3: issue over the bed at the moment, specifically the doner.

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Speaker 4: And well, here's the thing I want.

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Speaker 3: I want to have it. I want to have a

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Speaker 3: doner that covers the whole bed. Of course, obviously you're

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Speaker 3: well you Scot sorry, yeah, you and your high single

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Speaker 3: tower with your single person in a double bed. It's amazing.

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Speaker 3: It's we've got split diners. Now, we've got two single doners,

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Speaker 3: one for each of us.

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Speaker 6: What.

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Speaker 3: Yeah, because because because we essentially we couldn't compromise on

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Speaker 3: how we were sharing the donner. That's what it came to.

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Speaker 5: What happens when you want to give a smooch or

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Speaker 5: a little cuddle or something. The five mission to get into.

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Speaker 3: Redtina scan and not approach. No, it's shocking, mate. You

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Speaker 3: there's a five minute window before you fall as leave it.

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Speaker 3: There's a five minute winno when you wake up, before

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Speaker 3: you make a coffee. It's tight, but five minutes sometimes

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Speaker 3: all you need. So so, But what I realized in

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Speaker 3: talking about this though, is that it's really interesting that

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Speaker 3: in relationships, I feel like everywhere else you can compromise, right,

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Speaker 3: you can compromise in most places in a relationship because

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Speaker 3: you've got room, you've got space. Right when it comes

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Speaker 3: to issues in the bedroom, I don't think I don't

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Speaker 3: think that you you compromise anymore. It's just bedroom sacrifices

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Speaker 3: that you have to make when you start sleeping next

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Speaker 3: to somebody permanently, because because you can't compromise, because it's

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Speaker 3: so tight, it's so enclosed, it has to be one

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Speaker 3: person's way or the other. And the real tragedy here

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Speaker 3: is woods that it's often the person who's the better

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Speaker 3: sleeper who has to sacrifice something. Yeah, No, you're right,

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Speaker 3: I'm a better sleep Sam, and I realized that. And

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Speaker 3: so she's like, well I can't sleep, and there we've

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Speaker 3: got separate turners. So you know, sounds like she just

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Speaker 3: doesn't want to. Yeah.

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Speaker 5: Well, I mean blind Freddie can see that. But here's

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Speaker 5: another one for me though. Okay, I had to make

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Speaker 5: this sacrifice for specifically about bedroom sacrifice.

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Speaker 4: Specifically bedroom. I don't like having phones in the bedroom.

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Speaker 3: Oh, she had to get rid of it.

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Speaker 4: I hate for no. Well, she she won, She won

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Speaker 4: most of our disputes.

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Speaker 6: Yeah.

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Speaker 5: Yeah, so I was the one who had to sacrifice

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Speaker 5: because her phone was allowed to be in the bedroom.

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Speaker 3: It's an interesting area and I wouldn't mind hearing from

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Speaker 3: people that are willing to moan and groan like me

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Speaker 3: on the radio right now. Thirty and one oh six

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Speaker 3: five is our phone number. Just bedroom sacrifices, Like what

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Speaker 3: did you have to give up because of the person

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Speaker 3: that you're now sleeping next to, whether it was your

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Speaker 3: you know, your Spiderman sheets or sit whatever it was.

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Speaker 3: I'd love to hear from you right now, because there

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Speaker 3: are lots of us who are good sleepers out there

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Speaker 3: who give it up a lot. I had a doll

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Speaker 3: I have this doll in my Yeah, I should just

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Speaker 3: start there.

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Speaker 1: Podcasting.

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Speaker 3: Now we're talking bedroom sacrifices. Isn't it the case that

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Speaker 3: in every single relationship, one of you has to give

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Speaker 3: up one of your sleeping habits so that the other

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Speaker 3: one can sleep comfortably. I had to get rid of

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Speaker 3: a doll. Yeah, thought, I thought.

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Speaker 5: We tried to clarify because people might have thought it

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Speaker 5: was a naughty doll, a shy doll in the corner

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Speaker 5: of our own billy.

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Speaker 3: Yeah, it'll just leave, just leave it reckon. Anyway. Bedrooms

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Speaker 3: are this shared space. I don't think you can compromise.

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Speaker 3: And as I said to you before, the real tragedy here,

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Speaker 3: the real tragedy here was is it the better, the

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Speaker 3: better sleeper, arguably the better person has to sacrifice their

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Speaker 3: sleeping habit because the other one's like, oh my god,

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Speaker 3: I'm not going to sure.

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Speaker 4: We got Maddie here on thirteen one oh six ' five.

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Speaker 11: Maddie, Hi, So, actually I'm the worst sleeper in the relationship,

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Speaker 11: and I so I have a queen size bed and

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Speaker 11: my boyfriend sleeps like a starfish.

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Speaker 6: So I.

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Speaker 12: Yeah, I gave it my whole territory.

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Speaker 11: I sleep right next to the wall like a tiny

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Speaker 11: stick while he just spreads himself out and just takes.

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Speaker 10: Up all through.

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Speaker 3: Bloody starfishes. Is he a starfish in the other area? No,

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Speaker 3: I don't answer that question.

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Speaker 5: Shucking question's got a Natalie's torch.

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Speaker 3: It wasn't fair he starfish. He hogs the whole bed.

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Speaker 3: He know, you just gotta just reveal what her boyfriend

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Speaker 3: was like in bed stand down. I stood stood Natalie.

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Speaker 3: Now that sucks for Maddie because she's the worst She's

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Speaker 3: she's the worst sleeper. Just there's poor negotiation on her part.

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Speaker 3: I think, if you're the poor sleeper you've got you've

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Speaker 3: got all the room in the world. Natalie, what's your

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Speaker 3: what was your bedroom sacrifice?

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Speaker 10: Okay, guys, my problem is actually threefold. So first problem

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Speaker 10: is he can't sleep about the TV.

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Speaker 3: On, so that that is not again this is this

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Speaker 3: is one of those things you can't compromise on that

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Speaker 3: you're either watching a show together or you're not one

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Speaker 3: person watching her laptop. That is that is not fair.

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Speaker 4: Sure, go on with car shows.

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Speaker 10: So I have to hear about as well.

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Speaker 3: Classic male behavior.

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Speaker 8: Exactly, he's so wide because he's this big islander that

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Speaker 8: I can't see over his shoulders.

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Speaker 10: I can't see the teating anyway.

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Speaker 3: You can't see it, you can just hear it.

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Speaker 1: This is awful.

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Speaker 3: What's not just here, it's not ambient noise, it's just cars.

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Speaker 3: What's the third what's the third thing, Natalie?

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Speaker 13: The third thing is I am so close to the

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Speaker 13: heat event and his mom keeps the heater on all night,

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Speaker 13: so he literally peels off me in the morning.

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Speaker 3: That is in an awful situation. You didn't leave him,

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Speaker 3: and you need to leave him soon. Well that's not

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Speaker 3: how to go with the last girl friend. But geez no,

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Speaker 3: come on, she's sleeping on a heater, listening to car

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Speaker 3: sounds while she goes.

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Speaker 5: Asleep, and she's also reveal they're still living at home

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Speaker 5: with his mother. Just got to getud like a hell hole.

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Speaker 5: It's got a Jess, Jess, are you the person who

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Speaker 5: sacrifices in the bedroom?

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Speaker 8: Oh, my god, I sacrifice sorry out. First of all,

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Speaker 8: I have to sleep with the damn light on. I

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Speaker 8: have the TV going, and I can relate sadly because

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Speaker 8: I'm sick of watching damn car shows. Oh it's ridiculous.

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Speaker 8: I can't blame it.

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Speaker 6: So do you know what?

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Speaker 8: I came up with the perfect solution.

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Speaker 12: Guess what I did?

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Speaker 3: What did you do?

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Speaker 10: I kicked him out to the dam land room.

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Speaker 3: How did he take that?

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Speaker 11: Well? You know, it's a bit of a fussy subject.

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Speaker 8: I mean, I still from every now and then.

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Speaker 3: But now Woods, Yeah, amazing story today. Lots more great

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Speaker 3: gar to come in the show. Before we get to that,

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Speaker 3: I just wanted to point out very quickly that there

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Speaker 3: was a trigger fish. Triggerfish as tropical fish, as a

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Speaker 3: tropical fish, is it? Is it the one fish they

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Speaker 3: refer to as a sweet lip. Yeah, they've got big lips, Yes, yes,

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Speaker 3: big lips. Triggerfish was born with human lips. Did you

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Speaker 3: see this? Yes? Absolutely wild naturally got me thinking as

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Speaker 3: I was on my way into work, geez, I can't

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Speaker 3: wait to ask Woods if you could have any animal

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Speaker 3: body part? What would be great question? And you can't

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Speaker 3: say vulgar?

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Speaker 1: Why?

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Speaker 3: Why why would you even say that?

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Speaker 5: Because now everyone the cars is thinking, oh, he's such

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Speaker 5: a sicko, you know, off air, because for you to

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Speaker 5: think that I would go a vulgar because I'm not.

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Speaker 3: I'm not that kind of guy. Anyway.

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Speaker 5: I think I've cleared my name, can I use extinct

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Speaker 5: creatures or the feet?

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Speaker 3: They great? Great, it's increased my raine even mind by

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Speaker 3: the way, within this hypothetical that you keep your own

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Speaker 3: body as well.

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Speaker 5: So is it we're asking for a substitution here, like

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Speaker 5: nose for someone else's funny, hilarious?

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Speaker 3: Gon't be your worst feature already? One example, what do

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00:17:08,800 --> 00:17:11,160
Speaker 3: you want to trade it with? No? No, no, no, no,

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Speaker 3: that's not my decision. A beak would be nice, though, No, no,

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Speaker 3: too far from what you've already got. What are you thinking?

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Speaker 3: Actually that hurts?

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Speaker 5: So, I mean, I'm going to just explain the way

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Speaker 5: I'm thinking right now, because obviously you've got a way

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Speaker 5: up the practical benefits of something.

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Speaker 3: So when something like a wing, like I want wings.

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Speaker 5: Instead of my latismous door size or my lats on

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Speaker 5: my back, and then I can fly. Problem for me

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Speaker 5: is I don't know about the look of wings. Practically,

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Speaker 5: I love it because I can fly place. That's so

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Speaker 5: that's why I'm not landing on wings. I'm just letting

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Speaker 5: everyone know my train of thought. There is a lot

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Speaker 5: more boring gills than what it was a little bit

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Speaker 5: of No one take these questions. Gills you can breathe underwater,

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Speaker 5: but again bit rank to look at.

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Speaker 4: Yeah, but surely you take that, Nahna, not for me.

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Speaker 3: They close up, they close up. Who are you worried about? Well,

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Speaker 3: get a tattoo over the top of them.

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Speaker 5: No, you can't tattoo over gills. There's still like holes

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Speaker 5: and they flap and stuff. You've seen the fishes skills.

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Speaker 3: I want to be cleaning there the gills.

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Speaker 5: So will the answer, I'm gonna land on the if

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Speaker 5: I get a little bit of a drum roll here,

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Speaker 5: here we go, there we go, after all that, after

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Speaker 5: all that fault, William, I think you will fine my.

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Speaker 3: Answer of chameleon's skin. Wow, yeah, I didn't see that coming. Yeah.

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Speaker 3: So then any environment, I've become that environment. That's what

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Speaker 3: a chameleon does. Yeah, yeah it does. Yeah. Where would

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Speaker 3: you use that?

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Speaker 5: Like in the car and then people look in my

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Speaker 5: car and go, who the hell's driving that car? And

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Speaker 5: then I'm like, got your guys have about chameleon skin?

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Speaker 3: So you would rather just a confirm not fly nope,

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Speaker 3: or breathe underwater nope, because you would rather trick people

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Speaker 3: and your cars.

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Speaker 5: Cheap gag or you know, if you're staying next to someone.

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Speaker 5: They can't see it because you've got chameleon skin on.

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Speaker 5: You know, you did make a little fart noise.

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Speaker 3: Someone goes, do what there was that? And I'm staying

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Speaker 3: there going got him again. Meanwhile, with eagles wings, if.

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00:19:10,119 --> 00:19:12,560
Speaker 5: You're soaring, i'd call you on the mobile and go back.

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Speaker 5: Have I meet the heir And you go, yeah, sure,

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Speaker 5: just fly over, you fly over?

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Speaker 3: Where the hell are you, mate? I'm standing right here.

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Speaker 5: I've got my chameleon skin and I'm like, will be

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Speaker 5: near the whole time, dicken. And also, I haven't had

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Speaker 5: pants on because you wouldn't be able to see that

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Speaker 5: I'm nude because I've got chameleon skin on.

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Speaker 3: Ye, I've won this.

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Speaker 1: Podcasting.

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Speaker 2: Now this is Will and Woody.

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Speaker 3: Hate Kiss Will and Muddy Friday afternoon. I hope you

402
00:19:49,640 --> 00:19:52,080
Speaker 3: guys are having a great drive home or wherever you

403
00:19:52,119 --> 00:19:54,480
Speaker 3: are in the country. Look a bit of a turn ship.

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00:19:54,600 --> 00:19:56,920
Speaker 3: Right up next for the boys, here are Will and

405
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Speaker 3: Woody because you know, like we're all having a good time.

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00:19:59,480 --> 00:20:01,080
Speaker 3: And then right up next we're going to be talking

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Speaker 3: about the fact that some babies are ugly and hard.

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Speaker 2: Yeah.

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00:20:05,960 --> 00:20:07,520
Speaker 3: Look, it is a big tode shift. It's a hard

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Speaker 3: thing to have to come to terms with, particularly for

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Speaker 3: parents of the ugly baby. I'm asking for candidacy right

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Speaker 3: up next, which is going to be tough to say,

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Speaker 3: probably tough to course. Thirty one of six five, I

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00:20:17,880 --> 00:20:19,560
Speaker 3: that is you, you've realized you've got an ugly kid.

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00:20:19,720 --> 00:20:21,520
Speaker 3: I'd love to hear from you up next, because it

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Speaker 3: should be a laugh for everyone.

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Speaker 1: Else podcasting now.

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Speaker 3: Thirty and one or six fives a phone number right now?

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Speaker 3: Is anybody willing, Look, I don't think they're willing to

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Speaker 3: currently admit that they have an ugly baby, because I think, well,

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Speaker 3: I'd be happily surprised woods, but thirty one or six wives,

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Speaker 3: anybody willing to admit or admit that they have had

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Speaker 3: an ugly baby?

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Speaker 9: Now, this doesn't mean that the kid is going to

425
00:20:48,880 --> 00:20:50,840
Speaker 9: turn out to be an ugly kid, just you know,

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00:20:50,960 --> 00:20:52,960
Speaker 9: babies and babies and sometimes you look at them and

427
00:20:53,000 --> 00:20:54,880
Speaker 9: you're stuck between a rock and a hard place because

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00:20:54,880 --> 00:20:56,159
Speaker 9: you want to say the kid's good, but you know,

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00:20:56,160 --> 00:20:59,119
Speaker 9: the kid's not that cute and the parent and my

430
00:20:59,200 --> 00:21:02,680
Speaker 9: thought in that moment is, surely the parent.

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00:21:02,520 --> 00:21:06,040
Speaker 3: Knows, well I have to they've got eyes. But you know,

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00:21:06,080 --> 00:21:08,359
Speaker 3: they've got rose colored glasses on obviously woods.

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Speaker 5: But even through the rosiest of glasses, will you would

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Speaker 5: have known that I was an ugly baby? And if

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00:21:13,000 --> 00:21:14,560
Speaker 5: you want to see us, you want to see evidence

436
00:21:14,560 --> 00:21:16,919
Speaker 5: of usot our Instagram story. I was just messaging my

437
00:21:16,960 --> 00:21:18,920
Speaker 5: mom though, to say, can you come on her mum

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Speaker 5: and say that I was an ugly baby?

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00:21:20,600 --> 00:21:22,160
Speaker 4: To this day she's like, no, you weren't.

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00:21:22,640 --> 00:21:24,439
Speaker 3: You're adorable. Just remarkable, isn't it.

441
00:21:24,600 --> 00:21:26,080
Speaker 4: What was the furthest thing from adorable?

442
00:21:26,119 --> 00:21:26,280
Speaker 3: Mom?

443
00:21:26,400 --> 00:21:28,800
Speaker 5: They people would go to the other side of the

444
00:21:28,840 --> 00:21:31,360
Speaker 5: street when they saw me in her hands?

445
00:21:31,560 --> 00:21:36,200
Speaker 3: What is that thing? Is it a human? Well, look're

446
00:21:36,240 --> 00:21:38,679
Speaker 3: talking about this on side fellows watching the other night

447
00:21:38,760 --> 00:21:39,000
Speaker 3: of this.

448
00:21:39,640 --> 00:21:40,119
Speaker 1: Is it me?

449
00:21:40,520 --> 00:21:45,359
Speaker 5: Or was that the ugliest baby you have ever seen?

450
00:21:46,160 --> 00:21:47,800
Speaker 3: And you know the thing is Bill never know.

451
00:21:48,000 --> 00:21:50,359
Speaker 4: No one's ever going to tell oh, you have to lie.

452
00:21:50,520 --> 00:21:53,640
Speaker 3: Oh it's a much light situation. Yes, we've got Tory,

453
00:21:53,680 --> 00:21:55,760
Speaker 3: who's called on thirty one and six five. So, Tory,

454
00:21:56,040 --> 00:21:57,880
Speaker 3: you were the ugly baby.

455
00:21:58,280 --> 00:21:59,520
Speaker 8: I believe I was.

456
00:22:00,359 --> 00:22:04,320
Speaker 3: You were going to be a girl. I'm honest, Tory.

457
00:22:07,760 --> 00:22:11,359
Speaker 3: Because people introduced years ago, I wanted to.

458
00:22:11,359 --> 00:22:15,040
Speaker 5: Stop going Corey from now yeah, a good choice.

459
00:22:15,320 --> 00:22:18,080
Speaker 3: Sorry, Tory. Did your parents say you were ugly? Did

460
00:22:18,160 --> 00:22:19,240
Speaker 3: they do they open about it?

461
00:22:20,040 --> 00:22:20,200
Speaker 1: Oh?

462
00:22:20,240 --> 00:22:21,080
Speaker 10: Yeah, we got it down.

463
00:22:21,320 --> 00:22:24,480
Speaker 3: Oh okay, all right. Interesting. So you say they've dealt

464
00:22:24,520 --> 00:22:24,639
Speaker 3: with you.

465
00:22:26,240 --> 00:22:29,960
Speaker 6: Well, when I was born, the photographer come around and

466
00:22:30,040 --> 00:22:32,280
Speaker 6: actually said, I went to take the photo and said,

467
00:22:32,560 --> 00:22:33,720
Speaker 6: can we come back next week?

468
00:22:36,680 --> 00:22:39,240
Speaker 3: Oh that's great? Yeah amazing. I feel like we're only

469
00:22:39,320 --> 00:22:42,160
Speaker 3: just tapping the tim of the iceberg here that we've

470
00:22:42,160 --> 00:22:44,040
Speaker 3: got Ben, it's called now Ben, you're a parent.

471
00:22:44,880 --> 00:22:46,440
Speaker 11: Yeah, so I got two little girls?

472
00:22:46,680 --> 00:22:47,920
Speaker 3: Okay, how old?

473
00:22:49,119 --> 00:22:49,399
Speaker 6: Uh?

474
00:22:49,720 --> 00:22:52,120
Speaker 1: One's nine and a half now, the other one is born.

475
00:22:52,400 --> 00:22:55,680
Speaker 3: Okay, So the beautiful now, I'm sure when they were babies.

476
00:22:56,040 --> 00:22:58,040
Speaker 5: Yeah, extremely unattractive?

477
00:22:59,240 --> 00:23:01,840
Speaker 4: So why been What were their bad features?

478
00:23:02,720 --> 00:23:02,880
Speaker 9: Oh?

479
00:23:03,080 --> 00:23:03,639
Speaker 10: You name it.

480
00:23:03,760 --> 00:23:06,040
Speaker 8: There wasn't much going on in to be.

481
00:23:06,000 --> 00:23:09,920
Speaker 3: Honest, And so when you show them to people, this

482
00:23:09,960 --> 00:23:12,280
Speaker 3: is the moment like what would people say? What would

483
00:23:12,320 --> 00:23:12,840
Speaker 3: people say?

484
00:23:13,520 --> 00:23:13,600
Speaker 7: What?

485
00:23:13,720 --> 00:23:14,560
Speaker 8: Normal people say?

486
00:23:14,600 --> 00:23:16,200
Speaker 1: Oh, they're so cute, look at them?

487
00:23:16,280 --> 00:23:18,399
Speaker 12: But me and my partner knew they weren't.

488
00:23:18,480 --> 00:23:19,680
Speaker 11: Weren't so special, to be.

489
00:23:19,640 --> 00:23:22,680
Speaker 3: Honest, Yeah, of course, of course I want you for more.

490
00:23:22,920 --> 00:23:25,840
Speaker 3: More parents that know it or have known that they've

491
00:23:25,840 --> 00:23:27,720
Speaker 3: had an ugly kid. They didn't want to six miles

492
00:23:27,760 --> 00:23:29,760
Speaker 3: and find out thanks to the call Ben where I'm

493
00:23:29,760 --> 00:23:30,640
Speaker 3: cracking this nut.

494
00:23:30,480 --> 00:23:33,200
Speaker 1: Up next to podcasting now.

495
00:23:33,359 --> 00:23:35,880
Speaker 3: We know what I mean. Chatted earlier about ugly babies.

496
00:23:36,160 --> 00:23:39,399
Speaker 3: There's a moment in Seinfeld where when they're talking about it,

497
00:23:39,440 --> 00:23:43,000
Speaker 3: obviously from the from the perspective of somebody who meets

498
00:23:43,040 --> 00:23:45,879
Speaker 3: a new baby. And you, guys, you obviously know as

499
00:23:45,920 --> 00:23:48,359
Speaker 3: soon as you meet the baby, you're like, jeez, maybe's

500
00:23:48,359 --> 00:23:50,520
Speaker 3: pretty ugly? Is it me?

501
00:23:50,880 --> 00:23:55,800
Speaker 5: Or was that the ugliest baby you have ever seen?

502
00:23:56,560 --> 00:23:58,199
Speaker 3: And you know, the thing is they'll never know.

503
00:23:58,400 --> 00:24:01,040
Speaker 4: No one's ever going to tell them, have to lie. Oh,

504
00:24:01,040 --> 00:24:02,200
Speaker 4: it's a much light situation.

505
00:24:02,359 --> 00:24:05,520
Speaker 3: Yes, So that's the interesting part. Words is you're on

506
00:24:05,560 --> 00:24:07,639
Speaker 3: the outside. Note you and I asking right now, he's

507
00:24:07,680 --> 00:24:09,720
Speaker 3: in the power of the radio show as a parent.

508
00:24:09,800 --> 00:24:12,480
Speaker 3: Do you know? Do you have to know? Or do

509
00:24:12,560 --> 00:24:15,760
Speaker 3: the rose colored glasses blind you? Michelle's called on thirty

510
00:24:15,800 --> 00:24:17,719
Speaker 3: one and sixty five, Michelle, you were the baby?

511
00:24:18,359 --> 00:24:21,440
Speaker 10: Yeah, I was the ugly baby and.

512
00:24:20,760 --> 00:24:23,199
Speaker 3: Ugly are we talking? Michelle, Let's run through it.

513
00:24:23,600 --> 00:24:25,720
Speaker 10: I look on a sliding scale at one to ten,

514
00:24:25,800 --> 00:24:27,640
Speaker 10: ten being ugly ten out of ten.

515
00:24:28,160 --> 00:24:33,400
Speaker 3: Wow, wow, yeah, what to mind? It was the head thing?

516
00:24:33,920 --> 00:24:34,760
Speaker 3: Was it a brow?

517
00:24:34,920 --> 00:24:35,160
Speaker 4: No?

518
00:24:36,119 --> 00:24:39,120
Speaker 10: When I was born, I was nearly twelve pounds, which

519
00:24:39,160 --> 00:24:42,560
Speaker 10: is nearly double beside of the normal baby. My grandfather

520
00:24:42,680 --> 00:24:45,960
Speaker 10: saw me in the in the hospital and he said,

521
00:24:46,320 --> 00:24:48,600
Speaker 10: my gosh, she looks like the michelin man because I

522
00:24:48,640 --> 00:24:52,199
Speaker 10: had rolls at that and that is why they called

523
00:24:52,240 --> 00:24:58,119
Speaker 10: me Michelle.

524
00:24:58,760 --> 00:24:59,640
Speaker 3: It brings it home.

525
00:25:00,440 --> 00:25:02,879
Speaker 10: Yeah, look, it looked like i'd didn't given birth to

526
00:25:02,880 --> 00:25:04,760
Speaker 10: one of those sharp eight rollie dogs.

527
00:25:07,640 --> 00:25:10,879
Speaker 3: Oh my god, Michelle, I love the honesty. Thank you

528
00:25:10,960 --> 00:25:14,320
Speaker 3: with a call amazing gear. We've got Louisa who's called

529
00:25:14,320 --> 00:25:16,520
Speaker 3: on thirty one or six five? Loisa, you're a parent?

530
00:25:17,440 --> 00:25:22,119
Speaker 3: I am, yes, Okay, Now your baby Leo was ugly.

531
00:25:22,880 --> 00:25:26,800
Speaker 7: He was He was hideous. He looked like Arnie from Twins,

532
00:25:26,880 --> 00:25:31,879
Speaker 7: connected to Danny DeVito, his big lumping. He has his

533
00:25:32,440 --> 00:25:34,560
Speaker 7: fair head, you know, a bit of a red head,

534
00:25:34,560 --> 00:25:36,879
Speaker 7: so he has no eyebrow. So he constantly looked like

535
00:25:37,119 --> 00:25:38,119
Speaker 7: a cartoon character.

536
00:25:38,400 --> 00:25:41,679
Speaker 3: So I no eyebrow. Danny DeVito, he was.

537
00:25:41,680 --> 00:25:44,080
Speaker 7: Annie, he was.

538
00:25:44,119 --> 00:25:47,600
Speaker 3: Robert was balding. Wow, and Louis, you'd obviously keep this

539
00:25:47,600 --> 00:25:49,040
Speaker 3: from him as much as you cured.

540
00:25:50,320 --> 00:25:52,560
Speaker 10: Not now, No, I openly tell him so.

541
00:25:52,600 --> 00:25:53,240
Speaker 8: He was ugly.

542
00:25:53,800 --> 00:25:56,720
Speaker 5: The producers are actually telling me that I believe Leo

543
00:25:56,840 --> 00:25:58,280
Speaker 5: is actually in the car with you right now.

544
00:25:58,320 --> 00:25:58,760
Speaker 3: Is that right?

545
00:25:58,880 --> 00:25:59,920
Speaker 12: He's right, he's right.

546
00:26:01,640 --> 00:26:02,760
Speaker 3: Can you actually hand the phone?

547
00:26:04,560 --> 00:26:05,280
Speaker 7: Yep? No worries.

548
00:26:05,320 --> 00:26:08,400
Speaker 12: Hey, le how.

549
00:26:08,320 --> 00:26:09,880
Speaker 3: Do you feel about the fact that your mum thinks

550
00:26:09,880 --> 00:26:17,720
Speaker 3: you're an ugly baby? Leo sing well to Hydro this

551
00:26:17,760 --> 00:26:20,920
Speaker 3: to you mate, But during the song you were saying

552
00:26:21,160 --> 00:26:27,320
Speaker 3: that this tune by Nellie's Potato got your feeling pretty good,

553
00:26:27,359 --> 00:26:29,600
Speaker 3: got you in the mood. In fact, you even admitted

554
00:26:29,600 --> 00:26:31,040
Speaker 3: that you might have got a bit down and dirty

555
00:26:31,040 --> 00:26:32,800
Speaker 3: to that tune.

556
00:26:33,960 --> 00:26:36,520
Speaker 5: It's a sexy song, man, it's a sexy song from

557
00:26:36,520 --> 00:26:41,520
Speaker 5: Miscuous Girl Timberland's sexist men in music entertainment.

558
00:26:42,760 --> 00:26:44,560
Speaker 3: It's gorgeous. What do you think it's hilarious that you

559
00:26:44,600 --> 00:26:49,760
Speaker 3: play promiscuous girl. Whilst doing that with a girl, it's

560
00:26:49,760 --> 00:26:51,520
Speaker 3: almost like telling her that that's what she is.

561
00:26:52,040 --> 00:26:55,600
Speaker 5: No, well, you're really reading between the lines there, No, not,

562
00:26:55,400 --> 00:26:56,919
Speaker 5: I'm reading the lines.

563
00:26:57,040 --> 00:26:58,920
Speaker 3: No, No, I think it's the beat.

564
00:26:59,280 --> 00:27:02,679
Speaker 5: It's not necessarily the lyrics per se will And to

565
00:27:02,680 --> 00:27:04,600
Speaker 5: be fair, I actually didn't put it on when when.

566
00:27:05,920 --> 00:27:10,200
Speaker 3: Else put it on? Wow? Interesting? Well, that's why I

567
00:27:10,240 --> 00:27:13,400
Speaker 3: want to talk about now, because a survey released what

568
00:27:13,600 --> 00:27:18,600
Speaker 3: people listen to most whilst hopping on the good foot

569
00:27:18,600 --> 00:27:19,360
Speaker 3: and doing the bad thing.

570
00:27:20,080 --> 00:27:24,080
Speaker 4: You you're a big music yep guy, Yes, I like music.

571
00:27:24,280 --> 00:27:27,000
Speaker 5: You often glowed about the fact that you did both

572
00:27:27,040 --> 00:27:32,600
Speaker 5: sides of Al Green when one sitting, which was I

573
00:27:32,720 --> 00:27:35,080
Speaker 5: never got you do you bring it up almost every week?

574
00:27:35,359 --> 00:27:38,600
Speaker 5: That's forty four minutes of audio. Guys, I'm like, okay,

575
00:27:38,640 --> 00:27:40,800
Speaker 5: stop ubbing it, in mate, I can only dream of

576
00:27:40,840 --> 00:27:41,520
Speaker 5: forty four seconds.

577
00:27:41,600 --> 00:27:45,600
Speaker 3: No, No, we've flipped a record once, We've what are

578
00:27:45,640 --> 00:27:51,080
Speaker 3: you Superman? Yeah, we flipped a record once. But look

579
00:27:51,240 --> 00:27:53,439
Speaker 3: al Green, by the way, wonderful person to have on

580
00:27:53,480 --> 00:27:55,960
Speaker 3: in the background while engaging in a bit of horizontal tango.

581
00:27:56,440 --> 00:27:59,440
Speaker 3: Couldn't recommend it more. But I think it's really interesting

582
00:27:59,560 --> 00:28:04,240
Speaker 3: that we've got playlists on iHeart radio or music streaming

583
00:28:04,480 --> 00:28:06,879
Speaker 3: four where you know, you've got your running playlist, your

584
00:28:06,920 --> 00:28:11,680
Speaker 3: chill playlist, you're cooking playlists all these things. But music

585
00:28:12,400 --> 00:28:15,800
Speaker 3: while you are squat jumping in a cucumber patch can

586
00:28:15,920 --> 00:28:19,639
Speaker 3: be amazing. Of course, it can be phenomenal, but just

587
00:28:19,680 --> 00:28:23,040
Speaker 3: not something that you ever sit down and share, is it. No,

588
00:28:23,080 --> 00:28:25,359
Speaker 3: it's not. So I thought what we could do now if, anyway,

589
00:28:25,440 --> 00:28:27,159
Speaker 3: if people are filling up to it, if you want to,

590
00:28:27,200 --> 00:28:28,600
Speaker 3: I mean, if you want to be open and honest

591
00:28:28,800 --> 00:28:32,080
Speaker 3: and a bit vulnerable with us. Thirteen one oh six five.

592
00:28:32,800 --> 00:28:36,199
Speaker 3: I thought we could put together a bit of a

593
00:28:36,280 --> 00:28:37,600
Speaker 3: parallel parking playlist.

594
00:28:38,000 --> 00:28:39,480
Speaker 4: Can we actually put it on iHeartRadio?

595
00:28:40,080 --> 00:28:42,840
Speaker 3: I think so, I'm getting I'm going, I'm getting nobs.

596
00:28:42,960 --> 00:28:47,480
Speaker 5: So we come outside Willam Woody playtime playlists, a playtime playlist.

597
00:28:48,600 --> 00:28:51,760
Speaker 3: I quite like that, so people will actually have something

598
00:28:51,800 --> 00:28:54,160
Speaker 3: that we can put together as a group of us.

599
00:28:54,200 --> 00:28:55,760
Speaker 3: So thirty one oh six five, if you've got a

600
00:28:55,840 --> 00:28:58,800
Speaker 3: song that really works for you when you're you know,

601
00:28:58,840 --> 00:29:01,120
Speaker 3: getting all six ins instead with your partner, then we'd

602
00:29:01,120 --> 00:29:02,920
Speaker 3: absolutely love to hear from you. I've got a couple

603
00:29:02,920 --> 00:29:05,240
Speaker 3: of throw into the mix right now. This one for

604
00:29:05,400 --> 00:29:08,760
Speaker 3: example of Nina Simone.

605
00:29:09,080 --> 00:29:10,480
Speaker 4: Hello, Nina Baltimore.

606
00:29:10,640 --> 00:29:13,400
Speaker 3: That's a great chun. Yeah, throw that around. It's slow

607
00:29:13,480 --> 00:29:15,560
Speaker 3: for mine. Okay, I've got another one for you. I've

608
00:29:15,560 --> 00:29:22,080
Speaker 3: got another one, oh yeah that I can group to

609
00:29:22,160 --> 00:29:22,520
Speaker 3: you like that.

610
00:29:22,720 --> 00:29:25,320
Speaker 4: Yeah, that's nice, Okay, that's just suffers.

611
00:29:25,360 --> 00:29:26,120
Speaker 3: That's a great chune.

612
00:29:26,160 --> 00:29:29,160
Speaker 4: No, I will be suffering and I'm listening to okay.

613
00:29:29,880 --> 00:29:31,360
Speaker 3: And I've got this one as well, a little bit

614
00:29:31,360 --> 00:29:35,120
Speaker 3: of bozz skang throw Oh no, that's an ad on YouTube.

615
00:29:37,760 --> 00:29:42,000
Speaker 4: So listening out there ads sometimes interesting.

616
00:29:42,320 --> 00:29:42,440
Speaker 7: You know.

617
00:29:42,680 --> 00:29:46,520
Speaker 3: Let's come back away commercial dogs, all right. So look

618
00:29:46,720 --> 00:29:48,720
Speaker 3: thirty one six five years. If I know you guys,

619
00:29:48,800 --> 00:29:50,760
Speaker 3: have you have you got a song from from field

620
00:29:50,800 --> 00:29:51,440
Speaker 3: that you want to share?

621
00:29:51,520 --> 00:29:53,960
Speaker 5: I get sexy to one song and one song only

622
00:29:54,240 --> 00:29:57,360
Speaker 5: when Gil Farrell agrees with me, we're gonna schedule one song,

623
00:29:57,440 --> 00:30:01,360
Speaker 5: one song or Lady the Black Edy, What do you gonna.

624
00:30:01,160 --> 00:30:03,920
Speaker 3: Do with all the junk? All the junk inside my truck?

625
00:30:05,440 --> 00:30:08,240
Speaker 3: It's good, you love that's pretty good. No one knows

626
00:30:08,240 --> 00:30:10,240
Speaker 3: what it means, but it's provocative. I get it, all right.

627
00:30:10,280 --> 00:30:12,120
Speaker 3: So they're one on six five. If you want to

628
00:30:12,160 --> 00:30:14,320
Speaker 3: help us out with our playtime playlist, if you've got

629
00:30:14,360 --> 00:30:16,600
Speaker 3: a recommendation for us, and I suppose the rest of Australia,

630
00:30:16,640 --> 00:30:17,960
Speaker 3: I'm sure there's loads of people with a pen and

631
00:30:17,960 --> 00:30:19,920
Speaker 3: paper out right now. Give us a call and we'll

632
00:30:19,960 --> 00:30:22,320
Speaker 3: get it going up next for podcasting.

633
00:30:22,680 --> 00:30:23,440
Speaker 1: Wow, there was.

634
00:30:23,440 --> 00:30:26,480
Speaker 3: An article released about the number one artist that we

635
00:30:26,600 --> 00:30:28,920
Speaker 3: listen to when we like to do a little bit

636
00:30:28,920 --> 00:30:35,440
Speaker 3: of interior decorating, so to speak. And I think it's interesting.

637
00:30:35,720 --> 00:30:38,560
Speaker 3: I'll tell you it is that the Weekend is the

638
00:30:38,600 --> 00:30:42,280
Speaker 3: guy who takes the cake for the most listened to artists.

639
00:30:42,320 --> 00:30:48,160
Speaker 3: While people are introducing Charlie and not what I expected, No,

640
00:30:48,280 --> 00:30:50,560
Speaker 3: the Weekend, No, no, no, And he's very sick. I

641
00:30:50,560 --> 00:30:53,080
Speaker 3: mean his new gear in your in your eyes, behind

642
00:30:53,080 --> 00:30:54,720
Speaker 3: your eyes, whatever that is with the saxophone at the

643
00:30:54,760 --> 00:30:57,680
Speaker 3: end there. I mean, that's delish stuff. Oh, pretty sexy gear.

644
00:30:58,280 --> 00:31:00,200
Speaker 3: But look, in the meantime, what we thought we do

645
00:31:00,680 --> 00:31:04,320
Speaker 3: is because you're not saying on on iHeartRadio or whatever

646
00:31:04,360 --> 00:31:06,560
Speaker 3: other streaming service you might use when you listen to

647
00:31:06,600 --> 00:31:09,360
Speaker 3: your music. You've got your running playlist, you've got your

648
00:31:09,440 --> 00:31:12,160
Speaker 3: chill playlists, you've got all these different players listen to,

649
00:31:12,280 --> 00:31:17,720
Speaker 3: but there isn't a playtime playlist until now. Let's go

650
00:31:17,760 --> 00:31:21,280
Speaker 3: to Marie to kick it off. Marie, what what what

651
00:31:21,440 --> 00:31:23,200
Speaker 3: song do you like to listen to when you're you know,

652
00:31:23,280 --> 00:31:24,200
Speaker 3: doing the jingle jangle?

653
00:31:24,880 --> 00:31:27,480
Speaker 12: Yeah, old sent candy Shop.

654
00:31:29,880 --> 00:31:33,640
Speaker 2: Really that's the one.

655
00:31:34,440 --> 00:31:34,680
Speaker 10: Yeah?

656
00:31:35,640 --> 00:31:38,680
Speaker 3: Interesting, all right, Marie, all right, that really gets your going.

657
00:31:40,640 --> 00:31:42,120
Speaker 3: Let's go. It's on the playlist.

658
00:31:42,440 --> 00:31:45,280
Speaker 5: It's on the playlist, Amanda, what's the song that you

659
00:31:45,360 --> 00:31:48,880
Speaker 5: like to play when your will metaphor knocking boots?

660
00:31:49,800 --> 00:31:53,200
Speaker 13: Amanda, A smooth operator?

661
00:31:58,400 --> 00:32:02,440
Speaker 3: Any any shutdow? It's amazing. Yeah.

662
00:32:02,520 --> 00:32:04,719
Speaker 5: Can I ask you, Amanda, when you're playing that, do

663
00:32:04,760 --> 00:32:07,320
Speaker 5: you think of yourself as the smooth operator? Or is

664
00:32:07,360 --> 00:32:09,240
Speaker 5: your man or woman the smooth operator.

665
00:32:09,400 --> 00:32:11,080
Speaker 10: I'm definitely the smooth operator.

666
00:32:11,320 --> 00:32:15,280
Speaker 3: Oh, yeah, you are nice one. Yeah, Shad couldn't recommend

667
00:32:15,280 --> 00:32:17,040
Speaker 3: it any more to anybody who's into that sort of gear.

668
00:32:17,120 --> 00:32:19,600
Speaker 3: I've got Ashley here on thirty one O sixty five. Actually,

669
00:32:19,680 --> 00:32:22,720
Speaker 3: all these songs do go onto our iHeartRadio, will and

670
00:32:22,720 --> 00:32:24,760
Speaker 3: would you play time playlist? What have you got for us?

671
00:32:25,320 --> 00:32:25,480
Speaker 7: All?

672
00:32:25,600 --> 00:32:25,719
Speaker 3: Right?

673
00:32:25,880 --> 00:32:29,360
Speaker 13: Well, ever since my boyfriend and I got together, he

674
00:32:29,480 --> 00:32:33,200
Speaker 13: has insisted on playing the same song every time we

675
00:32:33,680 --> 00:32:36,240
Speaker 13: like make coitus. I don't know what to sun the radio,

676
00:32:36,320 --> 00:32:40,840
Speaker 13: but sure we've gotten together, he's insisted and I hated

677
00:32:40,880 --> 00:32:42,880
Speaker 13: it at first, but it's grown on me and now

678
00:32:43,320 --> 00:32:46,680
Speaker 13: I literally can't get intimate with him without hearing it.

679
00:32:47,240 --> 00:32:50,280
Speaker 13: And the song is Highway to Hell by ac DC.

680
00:32:54,320 --> 00:33:00,480
Speaker 3: What so many questions both of you, What do you

681
00:33:00,520 --> 00:33:02,000
Speaker 3: get out of that ash? What is it? I mean,

682
00:33:02,360 --> 00:33:04,560
Speaker 3: is it it's just you know, you're doing something that

683
00:33:04,840 --> 00:33:07,400
Speaker 3: sending you to straight to hell? Or like, what's the story?

684
00:33:08,120 --> 00:33:11,360
Speaker 13: Because I think the first time we got together he

685
00:33:11,440 --> 00:33:14,520
Speaker 13: played it, and so now we're deeper into the relationship,

686
00:33:14,760 --> 00:33:17,480
Speaker 13: it takes me right back to the the fire we had.

687
00:33:17,320 --> 00:33:20,080
Speaker 4: That again that makes sense, does it now?

688
00:33:20,200 --> 00:33:20,360
Speaker 7: Yeah?

689
00:33:20,720 --> 00:33:22,920
Speaker 4: Well the song is still super weird, but I get there.

690
00:33:23,240 --> 00:33:26,680
Speaker 3: All right, Thanks for the cool ash. Whatever works for you. Unfortunately,

691
00:33:26,680 --> 00:33:28,160
Speaker 3: that has to go on the playlist, so maybe just

692
00:33:28,160 --> 00:33:30,920
Speaker 3: shuffle past that one. We've got Georgia George, which we're

693
00:33:30,920 --> 00:33:34,000
Speaker 3: making a bit of a playtime playlist for everybody on iHeartRadio.

694
00:33:34,600 --> 00:33:36,320
Speaker 3: What song of you, what song do you recommend?

695
00:33:37,400 --> 00:33:48,320
Speaker 6: It's gotta It's gotta be sexual healing, Marvin gate Boy,

696
00:33:50,520 --> 00:33:51,120
Speaker 6: nice Jeorge.

697
00:33:51,120 --> 00:33:53,240
Speaker 3: And the funny thing is, though, like think about all

698
00:33:53,400 --> 00:33:56,320
Speaker 3: the blokes since Marvin Gaye did that song that have

699
00:33:56,400 --> 00:33:58,920
Speaker 3: gone over to the stereo and gone, don't worry baby,

700
00:33:58,920 --> 00:34:02,040
Speaker 3: I've got a tune view and chuck that on expecting

701
00:34:02,080 --> 00:34:05,360
Speaker 3: to get some It would be a comical highlights tape

702
00:34:06,120 --> 00:34:08,640
Speaker 3: MM of the men putting it on and turning around

703
00:34:09,120 --> 00:34:12,200
Speaker 3: and then not getting any We've got Shirley, who was

704
00:34:12,200 --> 00:34:14,960
Speaker 3: called on thirty one and sixty five Shirley Playtime Playlist.

705
00:34:14,960 --> 00:34:16,920
Speaker 3: What do you want to add to it? Hi?

706
00:34:17,000 --> 00:34:21,319
Speaker 12: Guys. So I've got Usher and Beyonce loving this club.

707
00:34:21,360 --> 00:34:22,400
Speaker 12: The remix.

708
00:34:26,520 --> 00:34:27,759
Speaker 3: I don't know.

709
00:34:27,880 --> 00:34:31,360
Speaker 5: I don't know the remix Shirley, let's just tick it.

710
00:34:31,800 --> 00:34:34,280
Speaker 12: I've met, to be honest, it's not with my partner.

711
00:34:34,320 --> 00:34:36,480
Speaker 3: It was with one of my ex geez.

712
00:34:36,520 --> 00:34:38,440
Speaker 12: And never it never ever happened in the club. It

713
00:34:38,480 --> 00:34:39,719
Speaker 12: was always in the back of a car.

714
00:34:41,719 --> 00:34:43,880
Speaker 3: And there you see what you're hearing.

715
00:34:44,080 --> 00:34:47,320
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