1 00:00:00,960 --> 00:00:05,200 Speaker 1: Howured by the iHeartRadio Waffle from ninety six AIRFM to 2 00:00:05,240 --> 00:00:09,959 Speaker 1: whereever you're listening today, This is Clearsy and Lisa's podcast. 3 00:00:10,280 --> 00:00:12,840 Speaker 1: Coming up on the podcast talking about The Gray Man 4 00:00:12,920 --> 00:00:14,960 Speaker 1: with a beautiful cast, ben o'shet. 5 00:00:15,080 --> 00:00:17,919 Speaker 2: We farewell Neighbors with Ryan Tody Maloney. 6 00:00:18,160 --> 00:00:20,000 Speaker 1: We asked you about the movie you Can't Resist, even 7 00:00:20,000 --> 00:00:21,680 Speaker 1: if it's halfway through, you have to watch. 8 00:00:21,480 --> 00:00:23,840 Speaker 3: A Alin to Chindsey tells us about Mulin Rouge which 9 00:00:23,920 --> 00:00:24,680 Speaker 3: just coming to town. 10 00:00:26,560 --> 00:00:34,440 Speaker 1: The Sure Report on ninety six AIRFM. 11 00:00:31,720 --> 00:00:34,720 Speaker 2: Clarsy stoppelganger Hugh Jackman is said. 12 00:00:34,560 --> 00:00:37,879 Speaker 3: To stay, it's true, and you know what, the older 13 00:00:38,040 --> 00:00:41,000 Speaker 3: that you both get, the more you're morphing into one person. 14 00:00:41,159 --> 00:00:43,560 Speaker 1: I'll take it. But he's still dreaman. 15 00:00:43,760 --> 00:00:46,080 Speaker 2: It's true, isn't that Susie? Anyway? 16 00:00:46,680 --> 00:00:48,720 Speaker 3: He is set to star in a new show called 17 00:00:48,840 --> 00:00:51,879 Speaker 3: Kowala Man. It's being made by Justin Royland, the co 18 00:00:52,000 --> 00:00:53,320 Speaker 3: creator of Rick and Morty. 19 00:00:53,479 --> 00:00:54,400 Speaker 1: Did you say Kahala Man? 20 00:00:54,480 --> 00:00:55,120 Speaker 2: Kohala Man? 21 00:00:55,440 --> 00:00:59,280 Speaker 3: The animated adult comedy will follow Kevin, who's being voiced 22 00:00:59,280 --> 00:01:02,800 Speaker 3: by show creat Michael Cusack, a divorced dad trapped in 23 00:01:02,840 --> 00:01:05,240 Speaker 3: a tedious job at the council by day, who turns 24 00:01:05,240 --> 00:01:07,920 Speaker 3: into Kohala Man at night to fight crime in the 25 00:01:07,959 --> 00:01:11,320 Speaker 3: New South Wales town of Dapto. H will be the 26 00:01:11,400 --> 00:01:14,200 Speaker 3: voice of Big Greg, the most well liked man in 27 00:01:14,280 --> 00:01:17,639 Speaker 3: Dapto and head of the town council. Apparently, Kevin feels 28 00:01:17,680 --> 00:01:20,959 Speaker 3: extremely inadequate about being a provider and a man because 29 00:01:21,000 --> 00:01:23,080 Speaker 3: of Big Greg. This won't be the first time the 30 00:01:23,160 --> 00:01:25,920 Speaker 3: character of Kohala Man has graced the silver screen. Back 31 00:01:25,959 --> 00:01:29,120 Speaker 3: in twenty eighteen during ABC's Fresh Blood, which is a 32 00:01:29,160 --> 00:01:32,959 Speaker 3: comedy anthology series which has potential pilots for future TV shows, 33 00:01:33,240 --> 00:01:36,679 Speaker 3: Kevin made his on screen debut and Royland was clearly 34 00:01:36,800 --> 00:01:39,840 Speaker 3: charmed because he ordered the whole Kohala Man series. 35 00:01:40,160 --> 00:01:40,880 Speaker 2: You go now. 36 00:01:40,880 --> 00:01:43,600 Speaker 3: You know some celebrities give their poor kids the most 37 00:01:43,840 --> 00:01:46,880 Speaker 3: ridiculous names. Well we have a new front runner for 38 00:01:46,959 --> 00:01:51,360 Speaker 3: most ridiculous. Nick Cannon, who has kids with Mariah Carey 39 00:01:51,360 --> 00:01:54,120 Speaker 3: along with a couple of dozen other women, has just 40 00:01:54,240 --> 00:01:57,680 Speaker 3: become no, I exaggerate, but he has just become father 41 00:01:57,720 --> 00:01:58,280 Speaker 3: to number eight. 42 00:01:58,400 --> 00:02:01,080 Speaker 1: He spread it far and wide, you certainly. 43 00:02:02,600 --> 00:02:05,120 Speaker 3: Around like no one's business. And I think they're all 44 00:02:05,120 --> 00:02:09,919 Speaker 3: different ladies. He has another one, a baby boy, and 45 00:02:09,960 --> 00:02:17,760 Speaker 3: they've called him legendary, legendary love, legendary love Cannon. 46 00:02:18,120 --> 00:02:20,000 Speaker 2: No, the poor little thing. 47 00:02:20,200 --> 00:02:22,120 Speaker 1: Well, he's got a legendary love Cannon himself. 48 00:02:22,440 --> 00:02:28,799 Speaker 3: Yes, more more Lisa More podcasts soon ninety six. 49 00:02:33,000 --> 00:02:36,240 Speaker 4: Break the Flick with Benoche. 50 00:02:35,440 --> 00:02:40,280 Speaker 3: On m All right, it's already been commissioned for a sequel. 51 00:02:40,440 --> 00:02:45,279 Speaker 2: Yes, so that says something. Yeah man on Netflix. 52 00:02:45,720 --> 00:02:49,400 Speaker 5: So, as you mentioned earlier, it does have a ridiculously 53 00:02:49,480 --> 00:02:54,000 Speaker 5: good looking cast. You've got Ryan Gosling, You've got Chris Evans. 54 00:02:54,440 --> 00:02:57,840 Speaker 5: Although I will warn people that Chris Evans has one 55 00:02:57,880 --> 00:03:00,760 Speaker 5: of the worst mustachers ever committed. It's a film like 56 00:03:01,000 --> 00:03:03,400 Speaker 5: it makes a porn star mustache look classy, like it 57 00:03:03,520 --> 00:03:07,120 Speaker 5: is one of the one of the most heinous soups 58 00:03:07,160 --> 00:03:11,760 Speaker 5: trainers you'll ever see. Straight away, you know he's the villain, right, Like, 59 00:03:11,880 --> 00:03:13,920 Speaker 5: no one brings no one brings a mustache like that 60 00:03:14,000 --> 00:03:16,480 Speaker 5: to the movies unless you're the bad guy. And then 61 00:03:16,480 --> 00:03:20,639 Speaker 5: you've got Annada mass like ben Afflecks x j Lo. 62 00:03:21,400 --> 00:03:22,920 Speaker 1: She is so ridiculous and beautiful. 63 00:03:23,000 --> 00:03:27,640 Speaker 5: Yeah, and then of course uh reggaege aka the bloke 64 00:03:27,680 --> 00:03:32,519 Speaker 5: from bridget and Well it doesn't get the only way 65 00:03:32,520 --> 00:03:35,040 Speaker 5: this film could get more attractive is if George Clooney 66 00:03:35,120 --> 00:03:38,000 Speaker 5: was directing it, but unfortunately he's not. It's the Russo 67 00:03:38,080 --> 00:03:42,960 Speaker 5: Brothers who they gave us Avengers Infinity War and Avengers Endgame. 68 00:03:43,040 --> 00:03:45,520 Speaker 5: So between those two movies probably like the highest grossing 69 00:03:45,560 --> 00:03:48,560 Speaker 5: two films in the history of cinema. So and then 70 00:03:48,600 --> 00:03:51,720 Speaker 5: Netflix gives these guys two hundred million dollars to like, Hey, 71 00:03:51,840 --> 00:03:54,000 Speaker 5: let's cast cast the best looking actors you can find 72 00:03:54,120 --> 00:03:57,560 Speaker 5: make an action blockbuster. What's not to love about that? Right, Well, 73 00:03:57,600 --> 00:03:59,080 Speaker 5: it turns out there's a few things not to love 74 00:03:59,120 --> 00:04:02,840 Speaker 5: about it. Okay, So look, it's based on a series 75 00:04:02,880 --> 00:04:05,960 Speaker 5: of books that, like I would say, based on the film, 76 00:04:06,120 --> 00:04:09,680 Speaker 5: probably sit below the quality of an airport novel, you 77 00:04:09,760 --> 00:04:11,320 Speaker 5: know what I mean. You know, there's kind of trashy, 78 00:04:11,640 --> 00:04:15,080 Speaker 5: polp fiction airport kind of books. So I'd say based 79 00:04:15,080 --> 00:04:17,040 Speaker 5: on the storyline, it's kind of along those lines, like 80 00:04:17,080 --> 00:04:21,520 Speaker 5: a poor man's James Bond, a poor man's Jason Bourne 81 00:04:21,640 --> 00:04:24,000 Speaker 5: kind of a film. And like if you think of 82 00:04:24,040 --> 00:04:26,600 Speaker 5: this film as one of the worst Bond movies you've 83 00:04:26,640 --> 00:04:29,080 Speaker 5: ever seen, so it's like it's it still meets a 84 00:04:29,120 --> 00:04:32,360 Speaker 5: certain bar, like a threshold that the dudes out there 85 00:04:32,400 --> 00:04:34,120 Speaker 5: will be like, you know what, a bad Bond movie 86 00:04:34,200 --> 00:04:36,479 Speaker 5: is still a good movie. So there'll be people who 87 00:04:36,600 --> 00:04:40,880 Speaker 5: appreciate this roller coaster of action and like it is 88 00:04:41,360 --> 00:04:44,200 Speaker 5: break neck pacing from go to Woe or not. The 89 00:04:44,240 --> 00:04:46,800 Speaker 5: first scene, the first scene is a digitally de aged 90 00:04:46,960 --> 00:04:51,960 Speaker 5: Billy Bob Thornton and Ryan Gosling. It's a flashback like 91 00:04:52,040 --> 00:04:54,799 Speaker 5: eighteen years before the events of the film, when Ryan 92 00:04:54,800 --> 00:04:58,080 Speaker 5: Gosling is this is this kid who's in jail for 93 00:04:58,720 --> 00:05:01,000 Speaker 5: knocking off his old man because he's old man was abusive, 94 00:05:01,240 --> 00:05:04,320 Speaker 5: and along comes Billy Bob Thornton, looking freaky as anything 95 00:05:04,400 --> 00:05:09,440 Speaker 5: because the digital the digital d aging is yes, it's scary, 96 00:05:09,520 --> 00:05:12,480 Speaker 5: it's uncanny valley stuff. So you have to get over 97 00:05:12,520 --> 00:05:14,120 Speaker 5: that to start off with. And he says, he says 98 00:05:14,120 --> 00:05:16,120 Speaker 5: to Ryan Gosling's character, Hey, you're going to be in 99 00:05:16,200 --> 00:05:18,200 Speaker 5: jail for the next ten years, but I totally understand 100 00:05:18,200 --> 00:05:19,719 Speaker 5: why you knocked off your old man. He was a 101 00:05:19,720 --> 00:05:22,240 Speaker 5: bit of a you know, you know what, And so 102 00:05:22,320 --> 00:05:25,760 Speaker 5: I'll give you the opportunity to join the CIA because 103 00:05:26,000 --> 00:05:28,200 Speaker 5: you're a kid who's killed his dad and so we 104 00:05:28,240 --> 00:05:29,920 Speaker 5: think that you're going to be a perfect assassin. 105 00:05:30,000 --> 00:05:33,040 Speaker 1: Oh you're a killer now, and we don't even have to. 106 00:05:32,960 --> 00:05:36,680 Speaker 5: Train you very much. Does that make sense. That's the 107 00:05:36,720 --> 00:05:40,320 Speaker 5: first of many weeks. It's the first of many things 108 00:05:40,360 --> 00:05:42,560 Speaker 5: about this film that don't really bear a lot of scrutiny. 109 00:05:43,320 --> 00:05:44,960 Speaker 5: And so they go, Okay, from now on, we're going 110 00:05:45,000 --> 00:05:48,080 Speaker 5: to call you number six, number six. So for the 111 00:05:48,080 --> 00:05:52,520 Speaker 5: rest of the movie he never quite gets to double seven. 112 00:05:52,640 --> 00:05:53,360 Speaker 2: He's double six. 113 00:05:53,640 --> 00:05:55,680 Speaker 5: And so for the rest of the movie, Ryan Gosling 114 00:05:55,760 --> 00:05:58,160 Speaker 5: just gets called six, ay, six six. So that's kind 115 00:05:58,160 --> 00:05:58,840 Speaker 5: of you know. 116 00:05:59,400 --> 00:06:01,280 Speaker 1: Eleven now yea, like a boy band. 117 00:06:02,000 --> 00:06:04,440 Speaker 5: It's really really big number two, that's what we were 118 00:06:04,480 --> 00:06:08,480 Speaker 5: talking about it. But and so along the way he 119 00:06:08,520 --> 00:06:11,320 Speaker 5: gets involved in of course, because it's a spy espionage 120 00:06:11,400 --> 00:06:13,840 Speaker 5: kind of deal, like he runs a foul of the 121 00:06:13,880 --> 00:06:16,280 Speaker 5: CIA and the government that hired him, and then they're 122 00:06:16,279 --> 00:06:18,800 Speaker 5: out to get him Jason Bourne style, and like every 123 00:06:18,800 --> 00:06:21,400 Speaker 5: Bond movie where you know, somehow the government, his own 124 00:06:21,440 --> 00:06:24,120 Speaker 5: government wants to you know, rub him out. And so 125 00:06:24,160 --> 00:06:28,120 Speaker 5: then they hire Chris Evans's character, Lloyd, who is a 126 00:06:28,200 --> 00:06:32,480 Speaker 5: kind of a private kind a private contractor to the CIA, 127 00:06:32,640 --> 00:06:35,560 Speaker 5: and he's this you know, unscrupulous bloke. He doesn't care 128 00:06:35,600 --> 00:06:38,080 Speaker 5: how many fingernails he has to pull off to, you know, 129 00:06:38,240 --> 00:06:40,200 Speaker 5: or how many kids he has to knock off to 130 00:06:40,200 --> 00:06:42,840 Speaker 5: to get the you know, to complete the mission. And 131 00:06:42,880 --> 00:06:47,320 Speaker 5: so his job is to catch Ryan Gosling's character, and 132 00:06:47,440 --> 00:06:50,320 Speaker 5: Ryan goslings only help is really you know Ana dear 133 00:06:50,360 --> 00:06:52,800 Speaker 5: Mass who's a CIA agent with with a sort of 134 00:06:52,800 --> 00:06:56,560 Speaker 5: a moral code romance. Well, no, there's not really any romance. 135 00:06:56,560 --> 00:06:58,559 Speaker 5: If anything, it's kind of like this. Do you remember 136 00:06:58,600 --> 00:07:01,800 Speaker 5: Mister and Missus Smith, which is another film with a 137 00:07:01,880 --> 00:07:05,680 Speaker 5: ridiculously good looking cast, Brad Pitt, Angelina Jolie husband and wife. 138 00:07:05,760 --> 00:07:09,200 Speaker 5: They didn't realize each other was a spy, and then 139 00:07:09,240 --> 00:07:11,200 Speaker 5: they kind of at one point when they realize have 140 00:07:11,280 --> 00:07:14,960 Speaker 5: this kind of sexy fight, which is the film is 141 00:07:15,000 --> 00:07:17,280 Speaker 5: not amazing, but that's the one notable thing. And I 142 00:07:17,320 --> 00:07:19,120 Speaker 5: think ever since that film came out, who knows how 143 00:07:19,120 --> 00:07:22,120 Speaker 5: long ten years ago or so, there have been plenty 144 00:07:22,120 --> 00:07:24,640 Speaker 5: of couples out there who maybe had a few Shardi's 145 00:07:24,640 --> 00:07:26,360 Speaker 5: and thought, hey, do you want to mister and Missus 146 00:07:26,360 --> 00:07:27,000 Speaker 5: Smith each other? 147 00:07:27,640 --> 00:07:29,120 Speaker 1: Which is I don't recommend it. 148 00:07:29,120 --> 00:07:32,280 Speaker 3: It hasn't ended well for Brad. 149 00:07:31,240 --> 00:07:34,400 Speaker 5: And so if you can imagine that sort of mister 150 00:07:34,440 --> 00:07:37,200 Speaker 5: and missus Smith scene, but with Ryan Gosling and Chris Evans, 151 00:07:37,400 --> 00:07:38,800 Speaker 5: and there'll be a lot of people out there going, 152 00:07:39,440 --> 00:07:40,960 Speaker 5: do you know what I'm here for? 153 00:07:41,000 --> 00:07:41,080 Speaker 4: That? 154 00:07:41,160 --> 00:07:43,920 Speaker 5: Not that there's a romantic angle, but you know it's 155 00:07:43,920 --> 00:07:44,800 Speaker 5: a bit home erotic. 156 00:07:45,080 --> 00:07:47,560 Speaker 1: Oh really, okay, can I tell you I did see 157 00:07:47,600 --> 00:07:49,280 Speaker 1: in that. I saw a bit of the trailer and 158 00:07:49,320 --> 00:07:51,120 Speaker 1: there's a bit with the two go to punch each 159 00:07:51,120 --> 00:07:53,520 Speaker 1: other and it's like Rocky Belboa and Breed. 160 00:07:53,680 --> 00:07:57,200 Speaker 5: Yeah, it looks the same, and so you know, they 161 00:07:57,240 --> 00:07:59,200 Speaker 5: try and throw in some of the humor that the 162 00:07:59,240 --> 00:08:02,440 Speaker 5: Russo brothers with the Avengers movie. And the actors are 163 00:08:02,440 --> 00:08:06,080 Speaker 5: all fine actors, but you know, the dialogue is really 164 00:08:06,280 --> 00:08:10,080 Speaker 5: pretty average. The setups don't make a lot of sense. 165 00:08:10,080 --> 00:08:12,360 Speaker 5: Some of the action sequences are actually amazingly shot. Like 166 00:08:12,400 --> 00:08:15,960 Speaker 5: two hundred million dollars buys you a lot of movie. Yeah, Unfortunately, 167 00:08:16,000 --> 00:08:18,000 Speaker 5: they should have spent some of that money on the scriptwriters. 168 00:08:18,440 --> 00:08:21,000 Speaker 5: They must have got you know, sack of beans or 169 00:08:21,000 --> 00:08:23,400 Speaker 5: something because they didn't put it in an amazing job. 170 00:08:23,760 --> 00:08:27,600 Speaker 2: Free petrol, thank you for confirming my suspicion, and get 171 00:08:27,640 --> 00:08:29,280 Speaker 2: ready for my own personal. 172 00:08:29,360 --> 00:08:34,400 Speaker 5: Franchise, franchise coming of gray Man movie already committed. Really 173 00:08:34,679 --> 00:08:38,720 Speaker 5: yeah so and came out of Netflix. You know they 174 00:08:38,880 --> 00:08:40,560 Speaker 5: need judge it based on people who tune in for 175 00:08:40,559 --> 00:08:43,440 Speaker 5: the first fifteen minutes. Say so when they say this 176 00:08:43,520 --> 00:08:45,800 Speaker 5: is the most streamed movie on the planet, doesn't really 177 00:08:45,840 --> 00:08:46,280 Speaker 5: mean anything. 178 00:08:46,559 --> 00:08:49,120 Speaker 1: So we expect lots of shades of gray. That's a worry. Yeah, 179 00:08:49,400 --> 00:08:49,959 Speaker 1: what a worry? 180 00:08:50,040 --> 00:08:50,079 Speaker 5: What? 181 00:08:50,480 --> 00:08:56,239 Speaker 2: How are you giving it? Two stars? 182 00:08:56,559 --> 00:08:58,679 Speaker 1: Maybe less? Thanks? 183 00:08:58,760 --> 00:09:01,760 Speaker 3: Man, see you guys man it is here. The Neighbors 184 00:09:01,800 --> 00:09:06,400 Speaker 3: finale as tonight on ten at seven thirty thirty seven 185 00:09:06,520 --> 00:09:11,040 Speaker 3: years Nellie, nine thousand episodes, sixty three weddings, twenty births, 186 00:09:11,040 --> 00:09:13,480 Speaker 3: and sixty eight deaths. More than a couple of bounces 187 00:09:13,520 --> 00:09:17,520 Speaker 3: and one Tody, Ryan Maloney, good morning. 188 00:09:18,080 --> 00:09:19,120 Speaker 4: Good morning God. 189 00:09:19,280 --> 00:09:22,200 Speaker 2: How are you very well? Ryan? What year did you 190 00:09:22,360 --> 00:09:23,080 Speaker 2: join the show? 191 00:09:24,600 --> 00:09:28,120 Speaker 4: In ninety five when I was fifteen years old? 192 00:09:28,160 --> 00:09:30,200 Speaker 1: You were a baby, just a little baby. 193 00:09:31,400 --> 00:09:34,520 Speaker 4: No, thanks God, I am apparently Yeah. 194 00:09:35,040 --> 00:09:38,679 Speaker 3: What's been of your favorite storylines over the years? 195 00:09:40,080 --> 00:09:42,199 Speaker 4: Favorite story probably the one that is closer to my 196 00:09:42,240 --> 00:09:46,760 Speaker 4: heart is Sonya's death storyline. I just absolutely loved working 197 00:09:46,760 --> 00:09:49,360 Speaker 4: with Eve Maury and you know, we had such a 198 00:09:49,400 --> 00:09:52,679 Speaker 4: beautiful time together, and that storyline will be forever in 199 00:09:52,679 --> 00:09:54,800 Speaker 4: my heart. But the thing that will be forever in 200 00:09:54,840 --> 00:09:59,160 Speaker 4: my brain is the six thousand episode where Tody has 201 00:09:59,200 --> 00:10:04,000 Speaker 4: a nude lunch and yeah, and and Carl has a 202 00:10:04,000 --> 00:10:07,880 Speaker 4: winning scratchy ticket that is lost in Tody's house, and 203 00:10:07,920 --> 00:10:10,840 Speaker 4: in order to get that scratchy ticket back, he has 204 00:10:10,880 --> 00:10:15,040 Speaker 4: to strip off and come into the lunch. So it's 205 00:10:15,120 --> 00:10:20,520 Speaker 4: just the image of Alan Fletcher running around my house nude. 206 00:10:20,120 --> 00:10:22,319 Speaker 2: Episodes ago, and you haven't forgotten how bizarre? 207 00:10:22,520 --> 00:10:26,000 Speaker 4: No, No, that's it forever. I'm emotionally scaring. Yeah. 208 00:10:26,040 --> 00:10:28,040 Speaker 1: Yeah, the therapy after that one man, Well, I was 209 00:10:28,080 --> 00:10:29,600 Speaker 1: going to ask you when you know how many times 210 00:10:30,040 --> 00:10:31,640 Speaker 1: over the years did you see a script and go 211 00:10:31,760 --> 00:10:34,120 Speaker 1: we're doing what? But that's one of them right there? 212 00:10:34,200 --> 00:10:35,079 Speaker 1: Or two of them? Oh? 213 00:10:35,679 --> 00:10:37,440 Speaker 4: You know, but that sofa, isn't it. That's that's the 214 00:10:37,520 --> 00:10:40,280 Speaker 4: joy of sofa? Is there to kind of go, let's 215 00:10:40,360 --> 00:10:43,200 Speaker 4: let's go down this avenue, let's take the viewers on 216 00:10:43,240 --> 00:10:45,120 Speaker 4: this kind of ride. And I think that's you know 217 00:10:45,120 --> 00:10:48,119 Speaker 4: what people kind of really love is that that fanciful 218 00:10:48,679 --> 00:10:51,000 Speaker 4: you know kind of right. 219 00:10:51,760 --> 00:10:55,040 Speaker 3: There's one thing that I've really never heard of happening 220 00:10:55,080 --> 00:10:58,960 Speaker 3: before in all of television. Is all of these incredible 221 00:10:59,000 --> 00:11:02,800 Speaker 3: people coming back for the final week. What was it 222 00:11:02,920 --> 00:11:05,800 Speaker 3: like on Ramsey Street when you were filming that those 223 00:11:05,920 --> 00:11:09,520 Speaker 3: kind of you know, there's Kylie's there and there's Guy Pierson. 224 00:11:10,000 --> 00:11:10,640 Speaker 2: Incredible. 225 00:11:11,240 --> 00:11:13,480 Speaker 4: It was absolutely amazing to have all these you know, 226 00:11:13,520 --> 00:11:16,960 Speaker 4: these amazing people come back. And I think there's something like, 227 00:11:17,000 --> 00:11:20,760 Speaker 4: you know, sixty people in the last scene. It's absolutely huge. 228 00:11:21,120 --> 00:11:24,760 Speaker 4: But I think it probably just points to how important 229 00:11:24,800 --> 00:11:28,800 Speaker 4: Neighbors has been within you know, the television landscape, and 230 00:11:29,080 --> 00:11:31,240 Speaker 4: you know kind of how dear it holds in people's 231 00:11:31,240 --> 00:11:33,440 Speaker 4: heart that all of these people you know, who have 232 00:11:33,480 --> 00:11:36,240 Speaker 4: gone off and done quite well overseas have gone well. 233 00:11:36,360 --> 00:11:39,840 Speaker 4: Yet absolutely, I'm coming back to pay our honor and 234 00:11:39,880 --> 00:11:41,679 Speaker 4: respect to this fantastic show. 235 00:11:41,880 --> 00:11:45,520 Speaker 3: Two favorites were definitely the bishops Harold and Madge and. 236 00:11:47,520 --> 00:11:50,600 Speaker 4: Madge standing on the rocks going old. 237 00:11:53,080 --> 00:11:56,280 Speaker 3: Is it true that Tom Madge is making some sort 238 00:11:56,320 --> 00:11:56,960 Speaker 3: of appearance. 239 00:11:58,040 --> 00:12:07,280 Speaker 1: Well, look say to Okay, Ryan, be honest, mate, Paul 240 00:12:07,280 --> 00:12:09,360 Speaker 1: Hogan can't walk down the street without that's not a knife. 241 00:12:09,360 --> 00:12:11,280 Speaker 1: The knife thing. You know, all those years later, how 242 00:12:11,360 --> 00:12:13,040 Speaker 1: often can you give us a percentage of how often 243 00:12:13,080 --> 00:12:15,319 Speaker 1: people call out Ryan or Tody when. 244 00:12:15,120 --> 00:12:19,880 Speaker 4: They see of course. But the thing that I really 245 00:12:19,880 --> 00:12:22,720 Speaker 4: love is that when people are really trying to be 246 00:12:22,800 --> 00:12:25,760 Speaker 4: polite and trying to call me by my real name 247 00:12:26,080 --> 00:12:32,679 Speaker 4: and they go, Hi, Jared, he you, Jared, Jared Moione, Vincenzo, Rebeccy. 248 00:12:32,760 --> 00:12:36,880 Speaker 2: That's that's funny. 249 00:12:37,600 --> 00:12:39,640 Speaker 4: It's so nice. So it's so cute. 250 00:12:40,280 --> 00:12:43,680 Speaker 3: That is cute, Ryan, What is what is the plan 251 00:12:43,880 --> 00:12:44,480 Speaker 3: post show? 252 00:12:46,440 --> 00:12:48,600 Speaker 4: Look, I'm open to its the way I kind of 253 00:12:48,600 --> 00:12:50,960 Speaker 4: look at you that Over the years, I've seen everybody 254 00:12:51,440 --> 00:12:54,440 Speaker 4: leave the show, and when they leave, I think, look, 255 00:12:54,480 --> 00:12:58,280 Speaker 4: they're off on their adventure. So now I actually feel like, 256 00:12:58,440 --> 00:13:02,440 Speaker 4: you know, my adventure is actually us starting. So I'm 257 00:13:02,480 --> 00:13:04,640 Speaker 4: literally open to everything. And in fact, if you've got 258 00:13:04,640 --> 00:13:07,480 Speaker 4: a spot on your radio show on there, absolutely yeah, 259 00:13:08,040 --> 00:13:09,280 Speaker 4: throwing your bone. I'm out of work. 260 00:13:09,320 --> 00:13:20,120 Speaker 1: I need it. That sounds. 261 00:13:17,760 --> 00:13:17,920 Speaker 4: Right. 262 00:13:18,000 --> 00:13:19,839 Speaker 1: It is time to fly. But you can actually fly. 263 00:13:20,440 --> 00:13:22,720 Speaker 1: That's pretty cool. You'll be the guy's a bit more. 264 00:13:23,280 --> 00:13:27,360 Speaker 4: Yeah, I got my commercial pilot's license. But you know 265 00:13:27,480 --> 00:13:29,720 Speaker 4: then obviously with COVID and I got that, you know, 266 00:13:29,800 --> 00:13:31,839 Speaker 4: just in case I got fired off Neighbors, which has 267 00:13:31,880 --> 00:13:35,520 Speaker 4: happened eventually, but you know, COVID is hitting now. There's 268 00:13:35,520 --> 00:13:38,360 Speaker 4: all these really skilled young pilots out there who are 269 00:13:38,400 --> 00:13:40,480 Speaker 4: out of work. So the no way I'm getting a job. 270 00:13:42,080 --> 00:13:45,280 Speaker 4: I've actually just started a civil construction course, So I'm 271 00:13:45,280 --> 00:13:47,160 Speaker 4: going to do what every every little boy dreams of, 272 00:13:47,200 --> 00:13:49,319 Speaker 4: and I'm going to go and you know, learn how 273 00:13:49,320 --> 00:13:51,320 Speaker 4: to drive some big machines and dig some big holes. 274 00:13:52,280 --> 00:13:56,720 Speaker 3: And I think your fame in the UK probably even 275 00:13:56,920 --> 00:13:58,880 Speaker 3: seds what goes on in the streets here. 276 00:13:58,960 --> 00:14:03,160 Speaker 4: Yes, yeah, yeah, Look, you know I'm also open for 277 00:14:03,280 --> 00:14:05,920 Speaker 4: you know, going over to the UK. Yeah, I wouldn't 278 00:14:05,920 --> 00:14:07,920 Speaker 4: even mind, you know, having a crack of directing as well. 279 00:14:07,960 --> 00:14:09,920 Speaker 4: I mean we kind of get that a lot when 280 00:14:10,280 --> 00:14:13,960 Speaker 4: working on neighbors. Is that's probably the thing that happens 281 00:14:13,960 --> 00:14:15,920 Speaker 4: the most within neighbors is that we're all there to 282 00:14:15,920 --> 00:14:18,640 Speaker 4: help each other out. So we're you know, like the 283 00:14:18,720 --> 00:14:22,880 Speaker 4: older kind of more experienced actors are always there to 284 00:14:23,040 --> 00:14:25,360 Speaker 4: help the younger ones out and you know, help other 285 00:14:25,440 --> 00:14:27,800 Speaker 4: directors out and all that kind of jazz. And you know, 286 00:14:27,920 --> 00:14:31,360 Speaker 4: quite often were will kind of Alma directs the scenes 287 00:14:31,480 --> 00:14:33,800 Speaker 4: from from you know, from the set. 288 00:14:34,200 --> 00:14:37,800 Speaker 3: Well, I bet you've made some contact contacts over the years, Ryan, 289 00:14:37,920 --> 00:14:42,400 Speaker 3: So whatever you do next, we wish you well and 290 00:14:42,920 --> 00:14:46,480 Speaker 3: we look forward sadly to the final episode tonight on 291 00:14:46,520 --> 00:14:47,560 Speaker 3: ten at seven thirty. 292 00:14:47,600 --> 00:14:49,880 Speaker 2: It is going to be huge. 293 00:14:50,160 --> 00:14:51,360 Speaker 1: Thanks for all the memories over the year. 294 00:14:51,640 --> 00:14:54,920 Speaker 3: Thanks thanks Ryan, Thanks Tony, Thanks Jared, thanks as well. 295 00:14:56,480 --> 00:14:58,920 Speaker 4: Thank you to everybody you know who has just given 296 00:14:58,960 --> 00:15:01,760 Speaker 4: so much the thought. You know, we are definitely feeling 297 00:15:01,760 --> 00:15:04,320 Speaker 4: the love you knows as we finish up. So thank 298 00:15:04,360 --> 00:15:09,480 Speaker 4: you now, all the best, Thanks Ryan, Cheers, Moor Lisa. 299 00:15:09,680 --> 00:15:14,880 Speaker 1: More podcasts soon ninety six. Look, we started talking about 300 00:15:14,920 --> 00:15:16,240 Speaker 1: something ridiculous yesterday. 301 00:15:16,840 --> 00:15:18,280 Speaker 2: I don't even know how it came up. 302 00:15:18,360 --> 00:15:22,440 Speaker 1: I have no idea, but it rained true when the 303 00:15:22,480 --> 00:15:25,120 Speaker 1: words fantastic Voyage came out of one of our nows. 304 00:15:25,200 --> 00:15:28,200 Speaker 3: Yes, yes, Now, back in the day, you know, when 305 00:15:28,200 --> 00:15:30,440 Speaker 3: the great movies had been on Saturday and Sunday afternoon. 306 00:15:31,000 --> 00:15:33,880 Speaker 3: I used to get so excited when I saw that 307 00:15:34,000 --> 00:15:37,680 Speaker 3: the upcoming Saturday afternoon movie was going to be Fantastic Voyage. 308 00:15:37,720 --> 00:15:41,920 Speaker 2: Fantastic with the likes of Raquel Welsh, Yes, Stephen Boyd 309 00:15:42,200 --> 00:15:44,960 Speaker 2: very handsome, Steven Pleasant played the bad guy. 310 00:15:45,360 --> 00:15:47,400 Speaker 3: Now, this was a movie for those of you who 311 00:15:47,480 --> 00:15:50,880 Speaker 3: don't know about what happened. In the plot is that 312 00:15:50,920 --> 00:15:54,520 Speaker 3: there's this amazing scientist and he's he's worked out how 313 00:15:54,520 --> 00:16:00,000 Speaker 3: to shrink matter honey, including people well before sunk kids. 314 00:16:00,520 --> 00:16:03,440 Speaker 3: And he gets there's an assassination attempt and it leaves 315 00:16:03,520 --> 00:16:06,160 Speaker 3: him with a blood clot on his brain and it 316 00:16:06,240 --> 00:16:08,320 Speaker 3: can't be dealt with from the outside. 317 00:16:08,720 --> 00:16:09,800 Speaker 2: So they take a leaf. 318 00:16:09,640 --> 00:16:12,840 Speaker 3: From his own book and they shrink a team of 319 00:16:13,520 --> 00:16:14,600 Speaker 3: you know, top of the. 320 00:16:14,520 --> 00:16:15,360 Speaker 2: Waz of doctors. 321 00:16:15,640 --> 00:16:18,720 Speaker 3: They put the best down, the best of the best, yeah, 322 00:16:18,800 --> 00:16:21,840 Speaker 3: led by Stephen Boyd and Rachel Welsh. They shrink them 323 00:16:21,880 --> 00:16:25,120 Speaker 3: down to a teeny tiny little size. In their teeny 324 00:16:25,160 --> 00:16:28,520 Speaker 3: tiny little looks like a spaceship, but it's it's then 325 00:16:28,520 --> 00:16:32,960 Speaker 3: injected into this guy and they have to make their 326 00:16:33,000 --> 00:16:35,960 Speaker 3: way to his brain in their little spaceship inside his 327 00:16:36,040 --> 00:16:37,720 Speaker 3: body to deal with the blood clutch. 328 00:16:37,760 --> 00:16:40,040 Speaker 1: It's nineteen sixty six and it sounds like an acid trip, 329 00:16:40,040 --> 00:16:40,400 Speaker 1: doesn't it. 330 00:16:40,440 --> 00:16:43,320 Speaker 2: The road to his brain is a rocky one. All 331 00:16:43,360 --> 00:16:43,800 Speaker 2: sorts of. 332 00:16:43,760 --> 00:16:46,400 Speaker 1: Things go wrong by core puzzles. 333 00:16:46,080 --> 00:16:48,920 Speaker 3: And eventually they get there and they fix it and 334 00:16:48,960 --> 00:16:50,040 Speaker 3: then they come. 335 00:16:49,880 --> 00:16:50,560 Speaker 2: Out on a tier. 336 00:16:51,600 --> 00:16:54,440 Speaker 1: Well that was the poster there's a little tear drop. 337 00:16:54,240 --> 00:16:57,560 Speaker 3: With it, splashing around with the tears, and he goes 338 00:16:57,600 --> 00:16:59,480 Speaker 3: here they are if he brings them out just in 339 00:16:59,480 --> 00:17:01,720 Speaker 3: the nick of because I failed to mention they only 340 00:17:01,720 --> 00:17:02,080 Speaker 3: have an. 341 00:17:01,960 --> 00:17:05,680 Speaker 2: Hour in the bonnets. Oh okay, sixty minutes to get 342 00:17:05,680 --> 00:17:06,400 Speaker 2: this done. 343 00:17:06,720 --> 00:17:10,080 Speaker 3: To this day, it is one of my favorite films ever. 344 00:17:10,200 --> 00:17:13,920 Speaker 2: And yes, yes it was nineteen sixty six. 345 00:17:14,480 --> 00:17:16,480 Speaker 3: I spent all yester afternoon trying to find out where 346 00:17:16,480 --> 00:17:19,439 Speaker 3: I could watch it. I find it on. I couldn't 347 00:17:19,440 --> 00:17:22,240 Speaker 3: find it on any of the strictions that we were 348 00:17:22,240 --> 00:17:22,879 Speaker 3: both looking for it. 349 00:17:22,960 --> 00:17:23,400 Speaker 1: Yesterday. 350 00:17:23,480 --> 00:17:25,800 Speaker 2: I so badly want to watch Fantasticage again. 351 00:17:25,880 --> 00:17:26,040 Speaker 4: Now. 352 00:17:26,200 --> 00:17:29,800 Speaker 1: Yeah, Stephen Void, very Stephen Boyd, very handsome Irish actor. 353 00:17:29,880 --> 00:17:33,000 Speaker 2: But our pointed rack our works was beautiful. Point is 354 00:17:33,119 --> 00:17:33,560 Speaker 2: we're going to. 355 00:17:33,640 --> 00:17:38,240 Speaker 3: Ask you on thirteen ten sixty five, what is the 356 00:17:38,400 --> 00:17:40,800 Speaker 3: movie that you just can't resist when it comes on 357 00:17:40,880 --> 00:17:41,200 Speaker 3: the telly? 358 00:17:41,400 --> 00:17:44,359 Speaker 1: Yep, that's the one. If it's not Fantastic Voice for me, 359 00:17:44,400 --> 00:17:45,240 Speaker 1: it's Apollo thirteen. 360 00:17:45,359 --> 00:17:48,280 Speaker 2: Okay, I've watched that four hundred times, very similar story. 361 00:17:50,080 --> 00:17:51,200 Speaker 1: The space was a little different. 362 00:17:51,200 --> 00:17:53,520 Speaker 2: They had a problem, ye Houston both times. 363 00:17:53,640 --> 00:17:55,760 Speaker 1: Yeah, I would love to hear from you. They had 364 00:17:55,800 --> 00:17:57,119 Speaker 1: more than an hour though to go. 365 00:17:57,480 --> 00:18:00,320 Speaker 2: They Tom Hanks that was also it was also time, 366 00:18:00,720 --> 00:18:00,879 Speaker 2: you know. 367 00:18:01,119 --> 00:18:01,880 Speaker 1: Yeah, you're right. 368 00:18:03,760 --> 00:18:05,959 Speaker 2: Restraints Shane and Bentley. What's yours? 369 00:18:07,200 --> 00:18:10,840 Speaker 1: Mine's Ice Station Zebra the sixties film. 370 00:18:11,200 --> 00:18:12,960 Speaker 4: Yeah, yeah, yeah, I love it. 371 00:18:13,840 --> 00:18:17,000 Speaker 1: But I love Fantastic Voyage that I've got that on DVD. 372 00:18:17,280 --> 00:18:18,040 Speaker 4: That's a great movie. 373 00:18:18,920 --> 00:18:24,520 Speaker 1: You really haven't got a DVD play. We'll watching the 374 00:18:24,560 --> 00:18:25,280 Speaker 1: work one day. 375 00:18:26,840 --> 00:18:27,399 Speaker 4: In the computer. 376 00:18:27,520 --> 00:18:29,920 Speaker 1: It was a nice station. There was a Rock Hudson movie, 377 00:18:30,000 --> 00:18:30,200 Speaker 1: wasn't it. 378 00:18:30,640 --> 00:18:36,320 Speaker 4: Yeah, yeah, Rock Hutson, Patrick McGowan and nine. 379 00:18:36,480 --> 00:18:39,560 Speaker 1: Yeah, I think that's the one that. 380 00:18:40,880 --> 00:18:41,320 Speaker 5: The was it. 381 00:18:41,440 --> 00:18:43,080 Speaker 4: The richest man in the world at the time, he 382 00:18:43,240 --> 00:18:47,159 Speaker 4: just watched that for months on end. Yeah yeah, in 383 00:18:47,280 --> 00:18:48,400 Speaker 4: his little studio there. 384 00:18:48,840 --> 00:18:52,479 Speaker 1: What's his name, Hughes, Yeah, the man with the tissues 385 00:18:52,480 --> 00:18:56,720 Speaker 1: and the handwipes. Yeah, he watched apparently watched that for months. 386 00:18:57,440 --> 00:18:58,480 Speaker 1: He's a gene Yeah. 387 00:18:59,160 --> 00:18:59,360 Speaker 6: Yeah. 388 00:18:59,640 --> 00:19:05,320 Speaker 1: But the Fantastic Voyage that was lauded for its medical. 389 00:19:05,720 --> 00:19:08,960 Speaker 2: Yes at the time, it was for sure. 390 00:19:09,840 --> 00:19:11,680 Speaker 1: Yeah, yeah, I love it. 391 00:19:11,760 --> 00:19:12,400 Speaker 4: This great movie. 392 00:19:12,520 --> 00:19:14,879 Speaker 1: Yeah, man was in it. 393 00:19:15,840 --> 00:19:17,640 Speaker 4: But I'm serious about the If you want to borrow 394 00:19:17,680 --> 00:19:17,879 Speaker 4: the d. 395 00:19:18,760 --> 00:19:19,320 Speaker 1: We're up for that. 396 00:19:19,440 --> 00:19:21,480 Speaker 2: That is so kind of a fantastic botch party. 397 00:19:24,200 --> 00:19:26,120 Speaker 1: Jamie, which which movie. 398 00:19:26,040 --> 00:19:27,000 Speaker 2: Is it for you when it's on? 399 00:19:27,880 --> 00:19:31,000 Speaker 4: Probably not the most intimates are probably the most meaningful. 400 00:19:31,119 --> 00:19:34,639 Speaker 4: But National Lampoon's Christmas Vacation what a movie? 401 00:19:36,560 --> 00:19:36,760 Speaker 5: Yeah? 402 00:19:36,840 --> 00:19:40,600 Speaker 1: Better than better than better. 403 00:19:43,359 --> 00:19:46,440 Speaker 3: That's the thing though about these movies quite after, not 404 00:19:46,640 --> 00:19:50,800 Speaker 3: the most you know, groundbreaking in terms of they probably 405 00:19:50,800 --> 00:19:54,080 Speaker 3: didn't win a lot of Oscars perhaps, but they're just resistible. 406 00:19:54,680 --> 00:19:56,840 Speaker 4: Yeah, they are any time of the year too. 407 00:19:58,320 --> 00:20:00,359 Speaker 1: And Jamie, you can't beat Clacker as well, trying to 408 00:20:00,440 --> 00:20:02,080 Speaker 1: think he's going to get the Christmas bonus and put 409 00:20:02,119 --> 00:20:03,720 Speaker 1: the pool in and getting let down, can you. 410 00:20:04,560 --> 00:20:06,439 Speaker 6: Yeah, well we all know what happened to. 411 00:20:08,840 --> 00:20:12,880 Speaker 4: The sea, that's right. 412 00:20:14,680 --> 00:20:14,920 Speaker 1: Yep. 413 00:20:15,880 --> 00:20:20,920 Speaker 2: You tried to find a way around it. 414 00:20:21,200 --> 00:20:24,720 Speaker 4: Well, there's no way around it. 415 00:20:25,800 --> 00:20:33,680 Speaker 1: Yep, it was thanks mate, Well we do exactly what 416 00:20:33,760 --> 00:20:37,960 Speaker 1: he's talking about. Money Rise and welcome, Thank you, good morning. 417 00:20:38,960 --> 00:20:42,320 Speaker 2: What what is the movie you can't resist when it's on? 418 00:20:43,680 --> 00:20:45,160 Speaker 6: Hocus Pocus. 419 00:20:47,160 --> 00:20:47,560 Speaker 1: Pocus? 420 00:20:47,720 --> 00:20:52,120 Speaker 2: Now they're making another one, I believe. Yes, it's supposed 421 00:20:52,160 --> 00:20:53,919 Speaker 2: to be out next year, I believe. 422 00:20:54,080 --> 00:20:55,720 Speaker 4: So we're all pretty excited about that. 423 00:20:56,080 --> 00:20:56,320 Speaker 2: Yeah. 424 00:20:56,680 --> 00:20:58,480 Speaker 1: Yeah, Well for those who are like me and don't 425 00:20:58,480 --> 00:20:59,160 Speaker 1: know howcus pocus? 426 00:20:59,240 --> 00:21:01,919 Speaker 2: What are two words for you? Bette Middler? 427 00:21:02,119 --> 00:21:03,240 Speaker 1: Okay, do you need. 428 00:21:04,840 --> 00:21:05,320 Speaker 2: To know more? 429 00:21:09,480 --> 00:21:10,920 Speaker 4: And Sarah Jessica Parker. 430 00:21:12,680 --> 00:21:15,560 Speaker 1: Yeah, I don't normally like her, but she just is. 431 00:21:16,400 --> 00:21:19,760 Speaker 2: She's brilliant in this. She's I'm really young, so will 432 00:21:19,840 --> 00:21:20,560 Speaker 2: you on that rolls? 433 00:21:21,560 --> 00:21:24,320 Speaker 6: She hams it up and she just saw my steels 434 00:21:24,400 --> 00:21:24,760 Speaker 6: the show. 435 00:21:24,880 --> 00:21:28,600 Speaker 4: She's skipping and carrying on and spiders out of bushes 436 00:21:28,640 --> 00:21:31,120 Speaker 4: and crunching the spiders them. 437 00:21:31,080 --> 00:21:31,159 Speaker 5: And. 438 00:21:33,320 --> 00:21:35,639 Speaker 2: Definitely watch it. Bet Middler is just one of my 439 00:21:35,720 --> 00:21:36,960 Speaker 2: favorite favorite. 440 00:21:40,600 --> 00:21:41,720 Speaker 1: Education. Appreciate it. 441 00:21:42,600 --> 00:21:44,800 Speaker 4: There's a scene, there's a scene in the movie where 442 00:21:44,800 --> 00:21:46,240 Speaker 4: Bett Middler throws open. 443 00:21:46,080 --> 00:21:48,840 Speaker 1: Some shutters and looks out and she goes and to 444 00:21:48,960 --> 00:21:50,280 Speaker 1: the sunrise and she goes. 445 00:21:50,520 --> 00:21:54,000 Speaker 6: Oh, look at that another gloriest morning. 446 00:21:54,480 --> 00:22:00,720 Speaker 4: It makes me sick. Our entire family, that is our catch. 447 00:22:00,600 --> 00:22:06,159 Speaker 2: Fright all the time. Well, it's safely a b like 448 00:22:06,240 --> 00:22:07,960 Speaker 2: that this morning. Thanks. 449 00:22:10,160 --> 00:22:12,440 Speaker 1: Thanks. You know I've heard the title of seeing the 450 00:22:12,560 --> 00:22:15,480 Speaker 1: cover of the DVD, but never, no, no, it's good fun. 451 00:22:15,960 --> 00:22:18,360 Speaker 3: Last call for the movie you Can't resist when it's 452 00:22:18,400 --> 00:22:21,760 Speaker 3: on Richard Lou Hello, are you good? 453 00:22:23,520 --> 00:22:25,520 Speaker 1: I remember I can watch over and over again. It's 454 00:22:25,600 --> 00:22:30,960 Speaker 1: Blazing Saddles, Blaze great, mel Brooks genius. 455 00:22:32,280 --> 00:22:33,440 Speaker 4: I can recite that whole movie. 456 00:22:34,920 --> 00:22:37,320 Speaker 1: Yeah, no one does fart gags like he does so 457 00:22:37,440 --> 00:22:38,119 Speaker 1: much more, doesn't he? 458 00:22:38,640 --> 00:22:42,119 Speaker 4: Ye great, I'll still I'll still watch it over again. 459 00:22:42,359 --> 00:22:42,800 Speaker 2: I love that. 460 00:22:42,880 --> 00:22:44,399 Speaker 3: A big part of the plot is something that you 461 00:22:44,560 --> 00:22:50,080 Speaker 3: never see in movies these days, and that's Quicksand were 462 00:22:50,200 --> 00:22:54,920 Speaker 3: kids Quicksand in every movie I was terrified of quicksand 463 00:22:55,160 --> 00:22:57,119 Speaker 3: I wouldn't look in anything that looked a bit loose. 464 00:22:57,080 --> 00:23:01,120 Speaker 2: Even in all the time. 465 00:23:01,240 --> 00:23:05,040 Speaker 1: Quick said, yeah, you're doing it. Thanks Richard, Thanks, thank yeah, 466 00:23:05,119 --> 00:23:08,040 Speaker 1: Thanks Blazing Saddles. There are a few examples here I 467 00:23:08,080 --> 00:23:10,639 Speaker 1: want to see now, Yes, for a while, that is 468 00:23:10,680 --> 00:23:10,960 Speaker 1: a gym. 469 00:23:11,080 --> 00:23:13,919 Speaker 2: Thanks to your calls. There will en Rouge. 470 00:23:14,000 --> 00:23:16,280 Speaker 3: The musical is going to be at Crown Theater from 471 00:23:16,440 --> 00:23:19,760 Speaker 3: February twenty two next year. Tickets are available as of 472 00:23:20,000 --> 00:23:24,639 Speaker 3: today through Ticketmaster. Stepping into the role of Satine is 473 00:23:24,800 --> 00:23:27,200 Speaker 3: a Linta Chids and she's joining us now. Good morning 474 00:23:27,240 --> 00:23:27,600 Speaker 3: at Linta. 475 00:23:28,680 --> 00:23:30,200 Speaker 6: Hi, thanks for having. 476 00:23:30,320 --> 00:23:32,400 Speaker 3: Speaking to us from Sydney, where you are currently doing 477 00:23:32,480 --> 00:23:33,640 Speaker 3: the Sydney run of the show. 478 00:23:33,640 --> 00:23:37,359 Speaker 6: I believe, yes, it is going bananas here and we 479 00:23:37,440 --> 00:23:38,760 Speaker 6: can't wait to bring it to Perth. 480 00:23:39,560 --> 00:23:43,520 Speaker 3: Well, it certainly was a huge success, you know, the 481 00:23:43,560 --> 00:23:46,440 Speaker 3: first time around with Nicole Kidman. Of course, what was 482 00:23:46,720 --> 00:23:52,520 Speaker 3: the audition process like for getting involved in this, Well, first. 483 00:23:52,320 --> 00:23:54,720 Speaker 6: Of all, it was a year long and in that 484 00:23:54,920 --> 00:23:59,240 Speaker 6: time I felt pregnant. Oh wow, So I was thirty 485 00:23:59,280 --> 00:24:03,520 Speaker 6: seven weeks for in the audition room, uh, dancing and 486 00:24:03,600 --> 00:24:06,280 Speaker 6: singing all the material from the show. So that was 487 00:24:06,920 --> 00:24:09,359 Speaker 6: quite hilarious to be going entering the room with a 488 00:24:09,440 --> 00:24:12,960 Speaker 6: huge belly and you know, and then we did a 489 00:24:13,000 --> 00:24:18,280 Speaker 6: lot of zoom calls and you know, auditions over on zoom, 490 00:24:18,400 --> 00:24:22,240 Speaker 6: so we were literally sending in tapes or doing it live. 491 00:24:22,720 --> 00:24:23,920 Speaker 4: You know, in my living room. 492 00:24:24,080 --> 00:24:26,760 Speaker 6: So it was quite a process. So to get that 493 00:24:26,960 --> 00:24:28,640 Speaker 6: in the end was phenomenal. 494 00:24:28,720 --> 00:24:31,679 Speaker 3: Well it is, but I mean clearly they had huge 495 00:24:31,800 --> 00:24:34,320 Speaker 3: faith in you that everything would fall into place. 496 00:24:34,359 --> 00:24:37,440 Speaker 2: And by fall into place, I mean in the costume. 497 00:24:38,840 --> 00:24:41,119 Speaker 6: I know, physically I was like, oh gosh, how am 498 00:24:41,160 --> 00:24:43,440 Speaker 6: I going to do this? And you know they probably 499 00:24:43,480 --> 00:24:44,280 Speaker 6: believed it more than I. 500 00:24:46,119 --> 00:24:48,600 Speaker 1: Well, let's be honest. Let's be honest. You'd love a 501 00:24:48,720 --> 00:24:51,119 Speaker 1: challenge because if you think about Velma in Chicago and 502 00:24:51,320 --> 00:24:53,760 Speaker 1: Nita in Westside Story. Could you get any more iconic 503 00:24:54,200 --> 00:24:55,639 Speaker 1: vocal roles to tackle? 504 00:24:55,720 --> 00:25:00,199 Speaker 6: That's that's quite a completely completely blessed and honor then, 505 00:25:00,359 --> 00:25:04,080 Speaker 6: and this particular show really fills my heart. It's just 506 00:25:04,240 --> 00:25:07,680 Speaker 6: got all the incredible songs like you know, come what 507 00:25:07,880 --> 00:25:12,240 Speaker 6: made your song? I've seen, you know, Katy Perry's firework, 508 00:25:12,520 --> 00:25:15,160 Speaker 6: Beyonce se Living like bestop. 509 00:25:14,840 --> 00:25:15,600 Speaker 4: Bever really. 510 00:25:17,160 --> 00:25:20,320 Speaker 2: And can we talk about those costumes? I mean it's 511 00:25:20,400 --> 00:25:21,000 Speaker 2: like another. 512 00:25:22,760 --> 00:25:27,399 Speaker 6: Yeah, there's all designed by Captain Martin, Captain Zuber. 513 00:25:27,840 --> 00:25:27,879 Speaker 4: So. 514 00:25:28,000 --> 00:25:30,600 Speaker 6: Captain Martin did the film, Captain Zeuber did be the 515 00:25:30,680 --> 00:25:34,159 Speaker 6: stage show costumes and she won a Tony Award for 516 00:25:34,920 --> 00:25:38,360 Speaker 6: so is the design for it. And I wear sixteen 517 00:25:38,400 --> 00:25:41,920 Speaker 6: costumes in the show, which is epic because I literally 518 00:25:42,000 --> 00:25:44,600 Speaker 6: don't have a breath on stage or off stage. I'm 519 00:25:44,680 --> 00:25:46,840 Speaker 6: literally changing probably every five minutes. 520 00:25:47,400 --> 00:25:48,879 Speaker 2: Yeah, and it would have been easy to get in 521 00:25:48,960 --> 00:25:52,000 Speaker 2: and out of either. It's not like, you know, check your. 522 00:25:53,880 --> 00:25:58,600 Speaker 6: Bracelets. There's ear rings, there's corsets, there's you know, dressing. 523 00:25:58,359 --> 00:26:03,480 Speaker 1: Gowns set up on like a dressing room, like a 524 00:26:03,560 --> 00:26:06,200 Speaker 1: table in order like a military operations would. 525 00:26:06,600 --> 00:26:09,280 Speaker 6: Oh yeah, it's all choreographed. I have a weak person. 526 00:26:09,400 --> 00:26:11,920 Speaker 6: I have a dresser. I think I've had three different 527 00:26:11,920 --> 00:26:15,560 Speaker 6: people there like wow, yeah, actually just to get on 528 00:26:15,680 --> 00:26:16,800 Speaker 6: stage again, put. 529 00:26:16,720 --> 00:26:18,600 Speaker 1: The ties back on close. 530 00:26:18,680 --> 00:26:22,320 Speaker 3: It already mentioned your roles in Chicago. You know another 531 00:26:22,440 --> 00:26:27,479 Speaker 3: incredible stage show, West Side Story, my favorite next to Ladies. 532 00:26:28,480 --> 00:26:31,320 Speaker 3: Is there any show that you think, Oh, I haven't 533 00:26:31,359 --> 00:26:34,600 Speaker 3: done that yet, and I'd really really like to see those? 534 00:26:34,840 --> 00:26:37,160 Speaker 6: Well, I would love to do. I would actually love 535 00:26:37,240 --> 00:26:40,720 Speaker 6: to do a movie musical like like muln Rouge, like Chicago, 536 00:26:41,000 --> 00:26:43,840 Speaker 6: like West Side Story, like all those funny enough, but 537 00:26:43,880 --> 00:26:45,600 Speaker 6: I coun't believe that all of them have been films 538 00:26:45,640 --> 00:26:48,440 Speaker 6: as well, which are hilarious. But that's something I'd love 539 00:26:48,520 --> 00:26:51,439 Speaker 6: to do. You know, I've worked with Hugh Jackman I Grimper. 540 00:26:51,680 --> 00:26:55,320 Speaker 6: We came a while back with him, and you know, 541 00:26:55,520 --> 00:26:57,800 Speaker 6: doing things like what he's doing, I would love to 542 00:26:57,920 --> 00:27:00,320 Speaker 6: do as well. So I'm putting that out there and 543 00:27:00,400 --> 00:27:01,600 Speaker 6: hopefully that can come true. 544 00:27:02,119 --> 00:27:04,040 Speaker 1: I just wish he was a nicer bloke and had more, 545 00:27:04,280 --> 00:27:05,160 Speaker 1: you know, more things than he's. 546 00:27:06,400 --> 00:27:10,320 Speaker 3: You know, he is as nice as he comes across, 547 00:27:10,440 --> 00:27:11,560 Speaker 3: isn't he. 548 00:27:12,240 --> 00:27:15,160 Speaker 6: Yes, he truly is one of the best leading men ever? 549 00:27:15,560 --> 00:27:16,439 Speaker 2: Did it not ever have. 550 00:27:16,600 --> 00:27:19,359 Speaker 3: Even just one little tiny dva moment backstage that you 551 00:27:19,800 --> 00:27:20,680 Speaker 3: can tell us about. 552 00:27:21,160 --> 00:27:24,360 Speaker 6: No, say, he's the most incredible gentleman ever. 553 00:27:24,880 --> 00:27:25,640 Speaker 2: He's a unicorn. 554 00:27:25,880 --> 00:27:27,639 Speaker 1: The only time I've seing Hugh Jackman angry was that 555 00:27:27,720 --> 00:27:31,360 Speaker 1: paparazzi who bumped one of his children once. That's completely 556 00:27:31,400 --> 00:27:31,800 Speaker 1: fair enough. 557 00:27:33,000 --> 00:27:36,320 Speaker 3: Do you have you know there's a great from the movie. 558 00:27:36,440 --> 00:27:39,000 Speaker 3: I always remember the Nicole on a swing. 559 00:27:39,440 --> 00:27:41,240 Speaker 2: Yes, is the swing on the stage? What kind of 560 00:27:41,280 --> 00:27:42,399 Speaker 2: what's the stage? Seven? 561 00:27:42,760 --> 00:27:46,480 Speaker 6: More than the swing? Like, there's two hundreds of many 562 00:27:46,520 --> 00:27:47,600 Speaker 6: killing elephants in. 563 00:27:47,640 --> 00:27:49,040 Speaker 4: The room, Windmill. 564 00:27:49,680 --> 00:27:53,040 Speaker 6: There is a hopeous amount of set, two hundred costumes, 565 00:27:53,680 --> 00:27:56,159 Speaker 6: you know, two kilometers of best lie. I think like 566 00:27:56,280 --> 00:27:59,359 Speaker 6: this's just it is bigger than than her. One of 567 00:27:59,440 --> 00:28:01,720 Speaker 6: those things is like a film onn steroids. 568 00:28:01,840 --> 00:28:03,960 Speaker 2: Well, yeah, no, wonder it's not until February. It's going 569 00:28:04,040 --> 00:28:05,440 Speaker 2: to take that long to get everything here. 570 00:28:05,520 --> 00:28:07,359 Speaker 1: We'll get on stuff on stage. 571 00:28:08,160 --> 00:28:09,160 Speaker 2: We cannot wait. 572 00:28:09,440 --> 00:28:13,399 Speaker 3: Mulin Rouge the Musical from February twenty second at Crown 573 00:28:13,520 --> 00:28:17,760 Speaker 3: Theater next year. Tickets available as of today through Ticketmaster. 574 00:28:17,880 --> 00:28:18,720 Speaker 2: Lovely to chat with you. 575 00:28:18,760 --> 00:28:21,080 Speaker 6: Or Linda look forward to seeing you there. 576 00:28:21,200 --> 00:28:24,000 Speaker 1: All right, I'm here. The crowd once again here in Perth, 577 00:28:24,040 --> 00:28:26,400 Speaker 1: on their feet, which would be wonderful. Lind All the best, 578 00:28:27,119 --> 00:28:29,880 Speaker 1: Thank you so much for having me. Buys ninety six 579 00:28:30,000 --> 00:28:31,959 Speaker 1: AFM I'm Crazy and Lisa