1 00:00:01,320 --> 00:00:05,440 Speaker 1: And Amanda jam Nation, bad Element. That's all anyone can 2 00:00:05,480 --> 00:00:06,400 Speaker 1: talk about right now. 3 00:00:06,480 --> 00:00:06,960 Speaker 2: Is that true? 4 00:00:07,040 --> 00:00:10,760 Speaker 1: It's so true. This is a band that you were 5 00:00:10,760 --> 00:00:13,680 Speaker 1: in when you were eighteen or nineteen. You played the drums. 6 00:00:14,000 --> 00:00:17,840 Speaker 1: You're a co songwriter, You're a singer, a backup singer. 7 00:00:18,000 --> 00:00:20,520 Speaker 1: You were everything, Brenda, you are a lot of things 8 00:00:20,520 --> 00:00:22,840 Speaker 1: in that band. You found your old cassette, you spliced 9 00:00:22,840 --> 00:00:25,200 Speaker 1: it back together. There are four songs you say, we've 10 00:00:25,200 --> 00:00:26,880 Speaker 1: only been able to hear too, one of which is 11 00:00:26,920 --> 00:00:34,800 Speaker 1: this no lies here we go. Let me just say this. 12 00:00:34,960 --> 00:00:37,800 Speaker 1: I'm someone. I'm someone who loves a lyric. If I 13 00:00:37,840 --> 00:00:42,800 Speaker 1: love poetry, I love the words to a song funnily enough. 14 00:00:43,320 --> 00:00:46,440 Speaker 1: And I've asked Meg to listen to the cassette because 15 00:00:46,479 --> 00:00:47,720 Speaker 1: you just said you didn't have a copy of the 16 00:00:47,760 --> 00:00:49,360 Speaker 1: words and couldn't remember a lot of us. 17 00:00:49,400 --> 00:00:52,199 Speaker 2: You couldn't listen to the cassette because the cassette we 18 00:00:52,320 --> 00:00:53,080 Speaker 2: don't have one. Here. 19 00:00:53,080 --> 00:00:55,480 Speaker 3: I fix the tape, but the cassette player that I 20 00:00:55,520 --> 00:00:58,320 Speaker 3: have at home, the dual cassette player is busted. 21 00:00:58,720 --> 00:01:01,160 Speaker 2: But Meg's mum has come to the rescue. She's going 22 00:01:01,240 --> 00:01:02,720 Speaker 2: to drop the cassette player. 23 00:01:02,520 --> 00:01:05,280 Speaker 1: In so tomorrow we can hear them other two missing songs. 24 00:01:06,560 --> 00:01:08,600 Speaker 2: So what we've got is one and a half songs. 25 00:01:08,720 --> 00:01:11,320 Speaker 1: Well, let me read the lyrics. She's tried to transcribe them. 26 00:01:11,360 --> 00:01:14,760 Speaker 1: This is no lies, no lies. You're telling me what 27 00:01:14,840 --> 00:01:17,440 Speaker 1: to do, no lies, you're telling me what to be, 28 00:01:17,920 --> 00:01:19,800 Speaker 1: no lies. I'm gonna see it swing. 29 00:01:20,200 --> 00:01:20,959 Speaker 2: Let's see it through. 30 00:01:21,319 --> 00:01:24,360 Speaker 1: I'll see it through. No lies, no lies, no lies, 31 00:01:24,400 --> 00:01:27,280 Speaker 1: no lies. Yeah, you could lie to a priest, you 32 00:01:27,280 --> 00:01:29,480 Speaker 1: could lie to a nun, a little white nye never 33 00:01:29,520 --> 00:01:34,399 Speaker 1: heard anyone. Sorry, sorry, Brendan. Well then also there's some 34 00:01:34,480 --> 00:01:37,280 Speaker 1: question marks here because of course she's saying here she 35 00:01:37,319 --> 00:01:39,759 Speaker 1: can't understand what you're saying, because she's got so take 36 00:01:39,760 --> 00:01:42,880 Speaker 1: this racket out of here. I'm not listening to question mark, 37 00:01:42,920 --> 00:01:45,800 Speaker 1: question Marke, question mark. What's it saying? 38 00:01:46,000 --> 00:01:49,480 Speaker 2: Take this rap? Get out of here. I'm not going 39 00:01:49,560 --> 00:01:51,800 Speaker 2: to listen to no more of your lies. 40 00:01:52,320 --> 00:01:54,440 Speaker 1: Doreesn't even rhyme. And what's the rap? 41 00:01:55,160 --> 00:01:56,160 Speaker 2: It was before rap? 42 00:01:57,040 --> 00:01:58,120 Speaker 1: And then there's no lies, no lies. 43 00:01:58,520 --> 00:01:59,120 Speaker 2: Ahead of time. 44 00:01:59,520 --> 00:02:01,600 Speaker 1: How about let's have a listen now to a snippet 45 00:02:01,600 --> 00:02:13,040 Speaker 1: of Forgetful Night. There's even more torture. See I can 46 00:02:13,120 --> 00:02:14,840 Speaker 1: understand a single word that's being sung there. 47 00:02:14,960 --> 00:02:15,480 Speaker 2: That's I know. 48 00:02:16,120 --> 00:02:18,760 Speaker 1: Well he needs another go in the washing machine. 49 00:02:19,680 --> 00:02:20,240 Speaker 2: Here we go. 50 00:02:20,480 --> 00:02:23,200 Speaker 1: These are the lyrics according to Meg for Forgetful Night. 51 00:02:23,919 --> 00:02:25,720 Speaker 1: I got out of my bed and shook my head, 52 00:02:25,760 --> 00:02:28,640 Speaker 1: scratched my head. Well that's not what she heard. My 53 00:02:28,760 --> 00:02:33,200 Speaker 1: eyes were stinging, my ears were ringing. Oh I was lost. 54 00:02:33,240 --> 00:02:36,040 Speaker 1: I couldn't remember what i'd been, or what i'd seen. 55 00:02:36,680 --> 00:02:39,720 Speaker 1: Where i'd been, or what i'd seen. The sun is crisp. 56 00:02:40,760 --> 00:02:41,840 Speaker 1: The birds were singing. 57 00:02:41,880 --> 00:02:43,560 Speaker 2: The sun is shining. 58 00:02:43,960 --> 00:02:46,560 Speaker 1: The birds were singing. Question mark, question, Question. Were in 59 00:02:46,600 --> 00:02:47,359 Speaker 1: my walls. 60 00:02:47,360 --> 00:02:51,200 Speaker 3: A lawn mower echoes through the walls. It's the lament 61 00:02:51,320 --> 00:02:54,160 Speaker 3: of the young person coming home on a Friday night, 62 00:02:54,440 --> 00:02:57,200 Speaker 3: had a big night the night before, and they wake 63 00:02:57,280 --> 00:02:59,080 Speaker 3: up in suburbia on a Saturday morning. 64 00:02:59,120 --> 00:03:02,160 Speaker 1: The world outside focused on me. They all wondered where 65 00:03:02,160 --> 00:03:04,840 Speaker 1: the hell I've been. It's just another one of those. 66 00:03:05,240 --> 00:03:07,639 Speaker 1: She's written here Unforgetful Nights, and she's written next to 67 00:03:07,680 --> 00:03:11,080 Speaker 1: the extremely off tune. Then she said, you better, you 68 00:03:11,160 --> 00:03:14,040 Speaker 1: better stick to that when your face turns white. And 69 00:03:14,040 --> 00:03:18,519 Speaker 1: she says, I think he's referring to drugs. Is that right, 70 00:03:21,800 --> 00:03:22,200 Speaker 1: there was. 71 00:03:22,440 --> 00:03:26,200 Speaker 2: We were you know, we used to partake, explains. 72 00:03:25,800 --> 00:03:26,919 Speaker 1: The lyrics and the voice. 73 00:03:27,639 --> 00:03:30,960 Speaker 3: Well, I'm looking forward to do it again. 74 00:03:31,800 --> 00:03:34,720 Speaker 1: You'd better stick to that. It's another one of those 75 00:03:34,960 --> 00:03:38,520 Speaker 1: unforgetful nights. You better stick to that. When your face 76 00:03:38,560 --> 00:03:39,440 Speaker 1: turns white. 77 00:03:39,280 --> 00:03:42,080 Speaker 3: When your face, when you're when your eyes are sticking in, 78 00:03:42,120 --> 00:03:45,600 Speaker 3: your face turns when your bed, when your bed is 79 00:03:45,680 --> 00:03:49,400 Speaker 3: spinning and your face turns white. Your bed is spinning 80 00:03:49,440 --> 00:03:50,440 Speaker 3: and your face turns white. 81 00:03:50,480 --> 00:03:53,960 Speaker 1: That makes sense, you understand the night before you. 82 00:03:54,080 --> 00:03:55,200 Speaker 2: I get it, you get it. 83 00:03:55,280 --> 00:03:55,840 Speaker 1: I get it. 84 00:03:56,240 --> 00:03:58,520 Speaker 2: Bloody brilliant. It is bloody brilliant. 85 00:04:00,000 --> 00:04:02,480 Speaker 1: Maybe could write one of those, well, I look forward 86 00:04:02,520 --> 00:04:04,680 Speaker 1: to tomorrow. Were two more songs. 87 00:04:04,400 --> 00:04:06,240 Speaker 2: When missus Meg brings the tape, When she. 88 00:04:06,200 --> 00:04:07,680 Speaker 1: Brings the tape in and we can do you not 89 00:04:07,800 --> 00:04:09,960 Speaker 1: in the names of the other two songs. 90 00:04:09,720 --> 00:04:12,120 Speaker 2: There was too Young, Too Pretty, Yeah. 91 00:04:13,480 --> 00:04:17,320 Speaker 1: And what's the other one? Okay, Well, I can't wait 92 00:04:17,360 --> 00:04:20,760 Speaker 1: till tomorrow at Brendan Stay tuned Australia. Here it comes.