1 00:00:00,480 --> 00:00:03,320 Speaker 1: This is the Will and Woody Podcast. 2 00:00:05,920 --> 00:00:07,640 Speaker 2: I've got a bit of a strange question for you, 3 00:00:07,680 --> 00:00:09,160 Speaker 2: but I'd love for you to if you can answer 4 00:00:09,200 --> 00:00:10,920 Speaker 2: it at third and one I six five, please give 5 00:00:11,000 --> 00:00:12,760 Speaker 2: us a call. I'll explain why in a second. But 6 00:00:13,160 --> 00:00:15,320 Speaker 2: third and one I six five. If you could have 7 00:00:15,440 --> 00:00:20,200 Speaker 2: one conversation with your baby or your pet where they 8 00:00:20,360 --> 00:00:25,360 Speaker 2: actually understood what you said. Oh, what would that conversation be? 9 00:00:25,640 --> 00:00:30,000 Speaker 2: You're only allowed one. Happy to hear lots of suggestion. Now, 10 00:00:30,040 --> 00:00:32,040 Speaker 2: the reason the reason I'm bringing this up is because 11 00:00:32,440 --> 00:00:35,519 Speaker 2: my partner Sem and my little girl Max back from 12 00:00:35,560 --> 00:00:37,479 Speaker 2: the Netherlands, which is which is epic. They got back 13 00:00:37,479 --> 00:00:40,559 Speaker 2: on Monday night. I had three weeks a line. It was, 14 00:00:40,640 --> 00:00:43,800 Speaker 2: it was, It was grim. But anyway, there's only so 15 00:00:43,880 --> 00:00:47,000 Speaker 2: much you can eat. They're back. The issue, the only 16 00:00:47,040 --> 00:00:49,560 Speaker 2: issue is about them being back is that Max is 17 00:00:49,680 --> 00:00:52,800 Speaker 2: jet lagged. So my daughter's jet laged. She's five months old. 18 00:00:53,159 --> 00:00:57,280 Speaker 2: She has no idea what the hell is going on right, 19 00:00:57,520 --> 00:01:01,040 Speaker 2: So and we have to try and get her back 20 00:01:01,040 --> 00:01:04,000 Speaker 2: in a rhythm, get her circadian rhythm working again. So 21 00:01:04,040 --> 00:01:06,880 Speaker 2: when it gets dark, we obviously put her in bed, 22 00:01:07,040 --> 00:01:10,520 Speaker 2: but her body clock is telling her she's up right, 23 00:01:10,920 --> 00:01:12,720 Speaker 2: so we put her to bed and she's like, guys, 24 00:01:12,959 --> 00:01:17,080 Speaker 2: I am wide awake. It's daytime, which means yeah, she 25 00:01:17,120 --> 00:01:21,240 Speaker 2: thinks nighttime is daytime. Last night was literally just this 26 00:01:21,319 --> 00:01:29,080 Speaker 2: with me and her daytime daytime, having a game in 27 00:01:29,160 --> 00:01:32,600 Speaker 2: nighttime daytime? Do you want to play the next box? 28 00:01:32,680 --> 00:01:34,000 Speaker 2: So it was it was intense. 29 00:01:34,040 --> 00:01:34,480 Speaker 3: What did you do? 30 00:01:34,600 --> 00:01:36,800 Speaker 2: Did you like try We just had to do shifts. 31 00:01:37,880 --> 00:01:39,920 Speaker 2: She was she'd sleep because she the most she's going 32 00:01:40,000 --> 00:01:42,480 Speaker 2: to sleep is like a standard nap, so it's like 33 00:01:42,520 --> 00:01:44,400 Speaker 2: forty five minutes an hour, and then she's up. Did 34 00:01:44,480 --> 00:01:46,039 Speaker 2: you think and then you'd be like, all right, you're 35 00:01:46,120 --> 00:01:48,640 Speaker 2: up for half a back to bed and she's like 36 00:01:49,520 --> 00:01:50,800 Speaker 2: it's daytime. 37 00:01:50,960 --> 00:01:52,480 Speaker 1: Did you think about just trying to like make it 38 00:01:52,560 --> 00:01:54,280 Speaker 1: daytime for you, like play her game and just go 39 00:01:54,360 --> 00:01:55,720 Speaker 1: like yeah and duck down the macas there. 40 00:01:55,640 --> 00:01:58,680 Speaker 2: Up coming to work to working for you and I 41 00:01:58,720 --> 00:01:59,960 Speaker 2: going to mid dawns up. 42 00:02:00,080 --> 00:02:02,639 Speaker 3: Of audio or something. No, I'm not coming in baby's sleeping. 43 00:02:02,680 --> 00:02:04,800 Speaker 1: Fine, no, but did you think about it, like you 44 00:02:04,840 --> 00:02:06,720 Speaker 1: going and get a coffee or something to tell yourself 45 00:02:06,720 --> 00:02:08,720 Speaker 1: like yeah it is day No, No. 46 00:02:09,840 --> 00:02:13,280 Speaker 2: It doesn't make any sense. You make yourself more tired. 47 00:02:13,760 --> 00:02:16,440 Speaker 2: Doesn't make any sense at all. So I just love 48 00:02:16,480 --> 00:02:18,440 Speaker 2: the chance to be able to just just have one 49 00:02:18,520 --> 00:02:21,639 Speaker 2: conversation with her where I can just go Maxie, Okay, 50 00:02:21,760 --> 00:02:23,720 Speaker 2: here's the deal. You're on the other side of the world. 51 00:02:23,840 --> 00:02:26,880 Speaker 2: Your body clocks adjusted to their time. That's why you 52 00:02:26,880 --> 00:02:29,680 Speaker 2: think it's daytime when it's nighttime. Mommy and Daddy are 53 00:02:29,720 --> 00:02:31,640 Speaker 2: just trying to get you to lie down so you 54 00:02:31,680 --> 00:02:35,240 Speaker 2: can be quiet. Just let them sleep, You can be quiet. 55 00:02:35,360 --> 00:02:37,160 Speaker 2: This will be over. You'll be tired again at this 56 00:02:37,200 --> 00:02:40,639 Speaker 2: time in a few days. Conversation over, I go back 57 00:02:40,639 --> 00:02:42,960 Speaker 2: to speaking gibberish, she goes back to going and. 58 00:02:42,960 --> 00:02:43,960 Speaker 3: Gay, and then she gets it. 59 00:02:44,040 --> 00:02:45,840 Speaker 2: That's it. That's the only conversation I want. Then my 60 00:02:45,880 --> 00:02:48,120 Speaker 2: week can go back to normal. Woods. But as soon 61 00:02:48,160 --> 00:02:51,480 Speaker 2: as I started opening this door in my mind, I 62 00:02:51,520 --> 00:02:53,560 Speaker 2: was like, geez, there are so many other conversations I 63 00:02:53,560 --> 00:02:54,680 Speaker 2: would love to have with her. 64 00:02:54,919 --> 00:02:55,280 Speaker 3: I'd say. 65 00:02:55,280 --> 00:02:57,520 Speaker 1: The one chat that I want to have with Remy 66 00:02:58,240 --> 00:03:00,760 Speaker 1: is so Daddy gets a little bit distracted when he 67 00:03:00,800 --> 00:03:03,720 Speaker 1: goes for his morning walk with Remy, and Mummy gives 68 00:03:03,800 --> 00:03:05,040 Speaker 1: us quite a strict You've got to be. 69 00:03:05,040 --> 00:03:07,160 Speaker 2: Going yourself, Daddy there just confirring. 70 00:03:07,240 --> 00:03:11,120 Speaker 3: Yeah, I'm Daddy and Mummy. That's Mimi in this story. 71 00:03:11,240 --> 00:03:12,880 Speaker 3: She's always like, well, we've got to be back in 72 00:03:12,919 --> 00:03:13,800 Speaker 3: like three and a half. 73 00:03:13,680 --> 00:03:15,960 Speaker 1: Hours to four hours, because four hours, like that's when 74 00:03:16,000 --> 00:03:16,760 Speaker 1: I need to defeat again. 75 00:03:16,800 --> 00:03:19,400 Speaker 3: For four hours is really pushing it. Obviously. 76 00:03:19,720 --> 00:03:22,079 Speaker 1: Now Daddy still loses track of time because I'm trying 77 00:03:22,080 --> 00:03:23,320 Speaker 1: to do this thing at the moment with Remy. 78 00:03:23,560 --> 00:03:24,639 Speaker 3: We're doing this challenge. 79 00:03:24,680 --> 00:03:26,320 Speaker 1: We're going to try and walk every single street in 80 00:03:26,360 --> 00:03:29,799 Speaker 1: the suburb and we're sort of slowly crossing them off anyway. 81 00:03:29,400 --> 00:03:30,800 Speaker 2: So what's the chet you want to have with Remy? 82 00:03:30,840 --> 00:03:33,240 Speaker 2: So the chat I want I have with it healing you. No, 83 00:03:33,240 --> 00:03:33,639 Speaker 2: no, no no. 84 00:03:33,680 --> 00:03:35,960 Speaker 1: When we've gone too far and I realized that we're 85 00:03:35,960 --> 00:03:37,800 Speaker 1: three and a half to four hours into our walk 86 00:03:37,920 --> 00:03:40,480 Speaker 1: and I and we're like kilometers away, and she starts 87 00:03:40,480 --> 00:03:42,640 Speaker 1: crying for milk, I just love to be able to 88 00:03:42,640 --> 00:03:45,400 Speaker 1: say to her, like, you're really far from the boop. 89 00:03:46,200 --> 00:03:49,080 Speaker 1: We need to get through this together, okay, and please 90 00:03:49,120 --> 00:03:51,320 Speaker 1: don't cry when we walk through the door, because then 91 00:03:51,360 --> 00:03:52,320 Speaker 1: Mummy gets angry at it. 92 00:03:52,400 --> 00:03:56,440 Speaker 4: Ah, if you can just just win it in, because 93 00:03:56,480 --> 00:03:58,360 Speaker 4: then if you're crying when I walk in the door. 94 00:03:58,720 --> 00:03:59,760 Speaker 3: Daddy's in the bad box. 95 00:04:00,120 --> 00:04:02,520 Speaker 2: Sounds like both conversations that you and I want to 96 00:04:02,520 --> 00:04:06,400 Speaker 2: have with our daughters. Can you just shut up? Yeah? 97 00:04:06,240 --> 00:04:09,640 Speaker 3: Yeah, just stop crying, Please stop crying? 98 00:04:09,640 --> 00:04:12,080 Speaker 2: Why would you do that? All right? One and six? Five? 99 00:04:12,120 --> 00:04:14,040 Speaker 2: If you can have one conversation with your baby or 100 00:04:14,080 --> 00:04:16,640 Speaker 2: your pet where they understand everything you said, what would 101 00:04:16,640 --> 00:04:18,480 Speaker 2: it be? I'd love to some pet ones as well, 102 00:04:18,560 --> 00:04:20,400 Speaker 2: because I would love to tell my dog when I'm 103 00:04:20,480 --> 00:04:22,960 Speaker 2: leaving the house, I'm not just going to the park. Yes, 104 00:04:23,480 --> 00:04:25,560 Speaker 2: if you could have one conversation with your baby or 105 00:04:25,640 --> 00:04:27,840 Speaker 2: pet where they understand everything you say, what would it be. 106 00:04:27,960 --> 00:04:29,800 Speaker 2: I've thought of a bit of a cruel one. A 107 00:04:29,839 --> 00:04:34,640 Speaker 2: cruel one I thought pet, it's actually pet. If you 108 00:04:34,640 --> 00:04:37,240 Speaker 2: had a goldfish, you know how they forget everything Every 109 00:04:37,279 --> 00:04:40,120 Speaker 2: three seconds goldfish lives in a bowl. You walk over 110 00:04:40,160 --> 00:04:42,840 Speaker 2: to the goldfish, one conversation with it. Yeah, you live 111 00:04:42,880 --> 00:04:45,480 Speaker 2: in a bowl. Uh huh, Because they don't know they 112 00:04:45,520 --> 00:04:47,680 Speaker 2: live in a bowl. Every three seconds it resets for them. 113 00:04:48,000 --> 00:04:50,640 Speaker 2: Hang on what every goldfish don't know they live in 114 00:04:50,640 --> 00:04:52,760 Speaker 2: a bowl because every three seconds their memory recep. 115 00:04:52,839 --> 00:04:53,000 Speaker 1: Yeah. 116 00:04:53,040 --> 00:04:55,039 Speaker 2: Yeah, So you go over them and you tell him, mate, 117 00:04:55,040 --> 00:04:55,720 Speaker 2: you live in a bowl. 118 00:04:55,800 --> 00:04:56,960 Speaker 3: Oh, it'd be devastated. 119 00:04:57,040 --> 00:04:58,680 Speaker 2: Yeah, but only for three seconds and then he's back. 120 00:04:59,000 --> 00:05:00,080 Speaker 3: It's still a bit cruel, mate, you. 121 00:05:00,040 --> 00:05:02,440 Speaker 2: See with that three seconds like oh my god and 122 00:05:02,480 --> 00:05:06,440 Speaker 2: then water. Wow, all right, Haley's called, oh my god. 123 00:05:06,440 --> 00:05:09,479 Speaker 3: That is such a mind f They forget in three. 124 00:05:09,320 --> 00:05:14,320 Speaker 2: Seconds, Hailey, Hailey. He's a conversation you'd have with your baby. 125 00:05:15,279 --> 00:05:19,039 Speaker 5: I would ask my son what he needs from me 126 00:05:19,279 --> 00:05:21,080 Speaker 5: or what I could do to be better? 127 00:05:21,400 --> 00:05:23,200 Speaker 3: Yeah, that is very sweet, Haley. 128 00:05:23,520 --> 00:05:24,520 Speaker 2: How needs your son? Hale? 129 00:05:25,720 --> 00:05:25,800 Speaker 6: Hi? 130 00:05:25,920 --> 00:05:27,760 Speaker 5: He's not just ten nine months old? 131 00:05:27,880 --> 00:05:31,200 Speaker 2: Yeah? Right? So yeah right you similar situation of Woods 132 00:05:31,200 --> 00:05:32,960 Speaker 2: and I are you. There's a lot of guessing going on, 133 00:05:33,040 --> 00:05:33,479 Speaker 2: isn't there? 134 00:05:33,560 --> 00:05:33,800 Speaker 7: Yeah? 135 00:05:34,000 --> 00:05:36,200 Speaker 3: Absolutely every parent would love to have that chill. 136 00:05:36,279 --> 00:05:39,040 Speaker 2: Let's go to jack O here from me? Yeah, I 137 00:05:39,040 --> 00:05:41,760 Speaker 2: don't know. Yeah, what do you think it would be? Well? 138 00:05:42,920 --> 00:05:43,400 Speaker 2: Mind much? 139 00:05:43,440 --> 00:05:45,800 Speaker 1: Don't take me on four hour walks and then take 140 00:05:45,839 --> 00:05:46,640 Speaker 1: me away from the boop. 141 00:05:47,160 --> 00:05:47,960 Speaker 3: Just leave me. 142 00:05:48,360 --> 00:05:51,839 Speaker 2: Next to the essential nourish. I need, Jackson on thirty 143 00:05:51,880 --> 00:05:54,000 Speaker 2: one or six five? What conversation would you have with 144 00:05:54,040 --> 00:05:59,480 Speaker 2: your dog if you could? One conversation? Jackson Wacko Jacker 145 00:05:59,720 --> 00:06:03,320 Speaker 2: come to me. Dogs go wacko single thing I buy. 146 00:06:05,400 --> 00:06:07,480 Speaker 3: I feel like I don't know what happened there. 147 00:06:09,120 --> 00:06:11,040 Speaker 2: Jacob will come back to you, mate, I'll let them 148 00:06:11,040 --> 00:06:12,120 Speaker 2: sort out your phone line. 149 00:06:14,320 --> 00:06:16,280 Speaker 3: It's like he's start to be story halfway through it. 150 00:06:16,440 --> 00:06:20,599 Speaker 2: Yeah, the silencer on Hailey, He's like bombed just with 151 00:06:20,640 --> 00:06:24,839 Speaker 2: the silencer Hailey, Hailey, good mate. What conversation would you 152 00:06:24,839 --> 00:06:25,920 Speaker 2: have with your dog if your kid? 153 00:06:26,360 --> 00:06:29,080 Speaker 5: Look, I think we need to have a really serious conversation. 154 00:06:29,160 --> 00:06:32,000 Speaker 5: I've got a three year old husky and he has 155 00:06:32,040 --> 00:06:33,360 Speaker 5: a serious. 156 00:06:32,920 --> 00:06:34,640 Speaker 6: Issue with unwanted humping. 157 00:06:35,560 --> 00:06:39,440 Speaker 5: Yes, it's not okay, we need to sort it out. 158 00:06:40,720 --> 00:06:41,560 Speaker 3: So what's the chat though? 159 00:06:41,560 --> 00:06:44,400 Speaker 1: I'm your dog, Hailey. I love a good old random hump. 160 00:06:44,400 --> 00:06:46,560 Speaker 1: I mum humping everyone's leg. What's your chat with me? 161 00:06:46,640 --> 00:06:49,640 Speaker 1: I can understand you. I can understand you, Hailey hit me. 162 00:06:50,480 --> 00:06:52,479 Speaker 5: I think you'll go on the lines of Look when 163 00:06:52,520 --> 00:06:55,240 Speaker 5: I say I want to have a cuddle, I want 164 00:06:55,279 --> 00:06:59,120 Speaker 5: to have a cuddle. I don't want to be experiencing 165 00:06:59,120 --> 00:07:01,200 Speaker 5: that kind of motion from my animal. 166 00:07:01,480 --> 00:07:05,360 Speaker 2: Yeah okay, I think that, Harry. So any response there? 167 00:07:05,440 --> 00:07:08,400 Speaker 3: Can I still hump your mum? I'm the dog, the dog. 168 00:07:08,600 --> 00:07:14,600 Speaker 3: I'm the dog, a dog I get sick. I'm the dog. 169 00:07:17,480 --> 00:07:19,600 Speaker 2: I was thinking something I'd like to say to my 170 00:07:19,720 --> 00:07:22,680 Speaker 2: dog before you asked if you can sleep with Haley's mum. 171 00:07:22,880 --> 00:07:27,120 Speaker 2: I'm the dog. I know, I know, chill out, I need. 172 00:07:27,160 --> 00:07:29,680 Speaker 2: I would love to tell my dog that the possums 173 00:07:29,720 --> 00:07:35,360 Speaker 2: are not a threat. Oh, it's all calm down, I'm 174 00:07:35,440 --> 00:07:36,280 Speaker 2: not going to get you. 175 00:07:36,480 --> 00:07:39,240 Speaker 3: Isn't it good that Stevie like protects you from the possums. 176 00:07:40,520 --> 00:07:43,240 Speaker 2: It's instinctive. It's like she it's the same as the humping. 177 00:07:43,320 --> 00:07:45,400 Speaker 2: She cannot stop herself. But I just didn't have a 178 00:07:45,440 --> 00:07:47,280 Speaker 2: chat with her. And you're not going to kill you. Yeah, 179 00:07:47,600 --> 00:07:49,400 Speaker 2: she only does it because she thinks they're a threat. 180 00:07:50,200 --> 00:07:50,920 Speaker 2: They're not a threat. 181 00:07:50,960 --> 00:07:53,320 Speaker 3: But if she leaves them, they'll all start invading your backyard. 182 00:07:54,800 --> 00:07:57,400 Speaker 2: You're out of the dog over there, a girl. It ended. 183 00:07:57,520 --> 00:08:03,120 Speaker 2: It ended a while ago. Alicia's gold. Hi, Alisha, how 184 00:08:03,200 --> 00:08:07,040 Speaker 2: are you? Yeah? Yeah, struggling. If you could have one 185 00:08:07,040 --> 00:08:10,440 Speaker 2: conversation with your baby or pitt what would it be? 186 00:08:10,720 --> 00:08:12,720 Speaker 2: Are you gone for your cat? Yeah? 187 00:08:12,800 --> 00:08:13,200 Speaker 7: My cat. 188 00:08:13,320 --> 00:08:17,000 Speaker 5: I will firstly say to her, I love you so much. 189 00:08:16,880 --> 00:08:18,840 Speaker 3: Like you with a light of my life. 190 00:08:18,960 --> 00:08:22,239 Speaker 5: But then also, please stop peeing in the shower. 191 00:08:23,360 --> 00:08:27,320 Speaker 1: Ah yeah, and your cat comes in the shower with you. 192 00:08:27,360 --> 00:08:30,400 Speaker 5: No, so the shower will be empty, but she'll go 193 00:08:30,480 --> 00:08:33,480 Speaker 5: in there to pee and instead of using the little box, 194 00:08:33,760 --> 00:08:37,000 Speaker 5: and like I've tried everything, like I've changed the litter 195 00:08:37,080 --> 00:08:39,240 Speaker 5: I've changed the position of where the litter box is, 196 00:08:39,280 --> 00:08:40,359 Speaker 5: and she just refuses. 197 00:08:41,440 --> 00:08:43,559 Speaker 1: I've done a lot of research on cats, so I'm 198 00:08:43,600 --> 00:08:46,000 Speaker 1: just trying to have some sort of connection with my cat, Lenny, 199 00:08:46,000 --> 00:08:50,400 Speaker 1: and we're getting there. But I learned that they are 200 00:08:50,440 --> 00:08:52,679 Speaker 1: quite intelligent and they watch their owner. 201 00:08:53,640 --> 00:08:57,520 Speaker 3: So Alisha, do you piss in the shower the door. 202 00:08:57,400 --> 00:09:06,480 Speaker 2: Shut, she can't see if you can hump her, mum. 203 00:09:06,520 --> 00:09:07,640 Speaker 2: And then it's another. 204 00:09:09,120 --> 00:09:11,599 Speaker 3: It's the Will and Woody podcast. 205 00:09:12,000 --> 00:09:15,440 Speaker 2: If you're catching up on our mural, our makeout mural. 206 00:09:16,160 --> 00:09:19,079 Speaker 2: Big update on that right up next, right now. Though 207 00:09:19,120 --> 00:09:26,160 Speaker 2: we are playing the headline game, it would you and 208 00:09:26,200 --> 00:09:28,920 Speaker 2: I ended up in a tussle today over and could 209 00:09:28,920 --> 00:09:31,720 Speaker 2: write the better headlines. The producers want to see it's sorted. 210 00:09:31,800 --> 00:09:35,520 Speaker 2: So LJ is in here, missus doubt fire. She's got 211 00:09:35,520 --> 00:09:38,160 Speaker 2: a she's got a story, and you and I are 212 00:09:38,160 --> 00:09:39,880 Speaker 2: trying to write the better headline. We've opened the phone 213 00:09:39,880 --> 00:09:40,720 Speaker 2: lines here because. 214 00:09:40,559 --> 00:09:48,559 Speaker 1: I think we've both realized this is really difficult. 215 00:09:48,600 --> 00:09:52,559 Speaker 2: Five if you think you have a headline for the story, 216 00:09:52,640 --> 00:09:55,199 Speaker 2: so in a nutshell, you're not reading it again, ELG because. 217 00:09:55,520 --> 00:09:57,080 Speaker 3: It's quite confusing. 218 00:09:57,920 --> 00:10:01,600 Speaker 1: There's been a phenomenon where p people are having hairstyles 219 00:10:01,920 --> 00:10:03,760 Speaker 1: to match their zodiac sign. 220 00:10:04,360 --> 00:10:05,040 Speaker 3: How about it? 221 00:10:05,360 --> 00:10:08,160 Speaker 1: Okay, great, okay, should we start cracking into what we 222 00:10:08,160 --> 00:10:08,440 Speaker 1: think the. 223 00:10:09,920 --> 00:10:11,719 Speaker 2: I'll tell you what. I'll give it award. I'll give 224 00:10:11,720 --> 00:10:13,880 Speaker 2: it two hundred dollars my gift boucher to the person 225 00:10:13,920 --> 00:10:18,280 Speaker 2: that's got the best headline for that story. It's just 226 00:10:19,320 --> 00:10:22,960 Speaker 2: look very unprofessional this year, Christians by the Bables shop 227 00:10:22,960 --> 00:10:25,000 Speaker 2: all your festive favorites at Maya my store. I'm going 228 00:10:25,080 --> 00:10:26,520 Speaker 2: to go to Ellie first, if that's all right. Oh 229 00:10:26,559 --> 00:10:27,320 Speaker 2: do you want to go first? 230 00:10:27,440 --> 00:10:32,320 Speaker 3: Yeah? Okay, sad, just harrys not mad, mad. 231 00:10:33,160 --> 00:10:36,920 Speaker 2: Very good. I had a similar one, which is people 232 00:10:37,000 --> 00:10:41,400 Speaker 2: were trying out new heroscopes. Oh nice, thank you, nice, 233 00:10:41,480 --> 00:10:43,959 Speaker 2: thank you very much. Abused. 234 00:10:46,280 --> 00:10:47,439 Speaker 3: What's your headline? 235 00:10:48,120 --> 00:10:48,240 Speaker 6: No? 236 00:10:48,280 --> 00:10:50,200 Speaker 5: I wish I'd gone first now because it sounds like 237 00:10:50,200 --> 00:10:56,320 Speaker 5: I've stolen yours. But horoscope hair horrors. 238 00:10:57,320 --> 00:10:58,400 Speaker 3: That's almost clickbaitable. 239 00:10:58,400 --> 00:11:02,480 Speaker 4: Okay, how about this one almost the go get your haircut, 240 00:11:07,120 --> 00:11:08,400 Speaker 4: Go get your haircut? 241 00:11:08,640 --> 00:11:10,800 Speaker 3: Okay about this one a queer. 242 00:11:13,160 --> 00:11:20,200 Speaker 2: Aquarious? Oh, I know he's got another one. Hang on, Ellie, 243 00:11:20,240 --> 00:11:21,960 Speaker 2: there's there's loads of other people that are calling up 244 00:11:22,000 --> 00:11:23,680 Speaker 2: with him, so I'll let them load up. See if 245 00:11:23,720 --> 00:11:25,920 Speaker 2: anyone else has got another fresh one. You have another 246 00:11:25,920 --> 00:11:33,960 Speaker 2: one here, Harry's because of a hair quer said Harry. 247 00:11:34,840 --> 00:11:37,400 Speaker 2: There's actually a lot. Yeah, yeah, very good, brilliant. All right, 248 00:11:41,400 --> 00:11:46,280 Speaker 2: Leep brare leeprare cut Lee bra cud. 249 00:11:47,720 --> 00:11:49,480 Speaker 3: I mean we could just get it into everyone. 250 00:11:50,240 --> 00:11:50,480 Speaker 6: Bad. 251 00:11:50,720 --> 00:11:53,720 Speaker 2: This is very bad. All right? What's the actual deadline 252 00:11:53,760 --> 00:11:56,920 Speaker 2: for That's the worst thing that's ever been said on 253 00:11:56,960 --> 00:12:00,000 Speaker 2: this shot? All right, what's what's the line for the store? 254 00:12:02,000 --> 00:12:02,280 Speaker 1: Sorry? 255 00:12:05,360 --> 00:12:08,400 Speaker 2: GERM and I got there and I are going what's 256 00:12:08,480 --> 00:12:12,240 Speaker 2: your headline? Sarah puts your headline, GM and I are 257 00:12:12,280 --> 00:12:15,679 Speaker 2: going to get a time. You said it. It's good, Sarah. 258 00:12:15,760 --> 00:12:17,480 Speaker 2: What do you think the story at the headline should be? 259 00:12:17,559 --> 00:12:18,599 Speaker 2: For that story? 260 00:12:19,360 --> 00:12:22,480 Speaker 5: It should absolutely be Zodiac killer. 261 00:12:22,320 --> 00:12:34,400 Speaker 2: Cut cuts, Sarah, pretty good, voucher the woods bunny. What's 262 00:12:34,440 --> 00:12:38,160 Speaker 2: the actual all right, headline for the story give us 263 00:12:38,160 --> 00:12:40,920 Speaker 2: a drying George, what's the actual headline for the story? 264 00:12:40,920 --> 00:12:43,560 Speaker 2: Would you get the twos all of my avoucher if 265 00:12:43,920 --> 00:12:46,680 Speaker 2: you beat? What the actual headline for the story was 266 00:12:46,679 --> 00:12:50,240 Speaker 2: people doing their hairstyles based on their sign of the zodiac? 267 00:12:50,280 --> 00:12:52,480 Speaker 2: How do you even do that? By the way, tours, 268 00:12:52,520 --> 00:12:53,600 Speaker 2: I can imagine where. 269 00:12:53,520 --> 00:12:55,560 Speaker 3: You cut your hair like a lion. Leo, you cut 270 00:12:55,600 --> 00:12:58,520 Speaker 3: like a mullet probably if you if you're a Leo, 271 00:12:58,600 --> 00:12:59,000 Speaker 3: you have a bit. 272 00:12:59,040 --> 00:13:00,000 Speaker 7: Matching on both side. 273 00:13:00,120 --> 00:13:04,000 Speaker 2: If you libre like scales hate, I hate this story. Yeah, ok, 274 00:13:06,720 --> 00:13:09,320 Speaker 2: sorry because you came up with so many and we'll 275 00:13:09,440 --> 00:13:10,240 Speaker 2: just add a corporal. 276 00:13:10,240 --> 00:13:13,640 Speaker 3: But will was the claosest. What's your hairs? 277 00:13:13,720 --> 00:13:13,760 Speaker 6: Go? 278 00:13:20,440 --> 00:13:26,200 Speaker 2: Two hundred dollar? Mine? About haircuts down? I wouldn't be anyway, 279 00:13:26,280 --> 00:13:26,600 Speaker 2: all right? 280 00:13:26,760 --> 00:13:28,680 Speaker 3: What about gem and I got my haircut? 281 00:13:30,360 --> 00:13:33,800 Speaker 2: How kissed mural? If you're just coming up to speed 282 00:13:33,880 --> 00:13:35,719 Speaker 2: with this, we are getting a mural of us made 283 00:13:35,720 --> 00:13:37,600 Speaker 2: by one of the great street artists in the world, 284 00:13:37,640 --> 00:13:39,920 Speaker 2: a four x four meter of our makeout. And we've 285 00:13:39,920 --> 00:13:42,520 Speaker 2: got a big update for your right up next the. 286 00:13:42,480 --> 00:13:44,720 Speaker 5: Willow Woody Podcasts. 287 00:13:44,760 --> 00:13:47,040 Speaker 2: Let's get down to the hot ticket item on this show, 288 00:13:47,120 --> 00:13:48,960 Speaker 2: and that is that you and I made out in 289 00:13:49,000 --> 00:13:50,920 Speaker 2: the studio about a week ago. If you haven't seen 290 00:13:50,920 --> 00:13:52,960 Speaker 2: it yet, you've been living under a buddy Rock. Somebody 291 00:13:53,040 --> 00:13:57,920 Speaker 2: hit us up with from someone Kelly who works down 292 00:13:57,920 --> 00:14:02,760 Speaker 2: their informations. She said, she's a friend in Sacramento, California. 293 00:14:02,920 --> 00:14:06,800 Speaker 2: You are kidding who has no affiliation? She said. She 294 00:14:06,840 --> 00:14:08,440 Speaker 2: fesced up to the fact that she doesn't even follow 295 00:14:08,520 --> 00:14:11,120 Speaker 2: us on on Facebook fair enough, and she has a 296 00:14:11,200 --> 00:14:14,600 Speaker 2: random person's feed. She said, he posted it a guy 297 00:14:14,600 --> 00:14:16,240 Speaker 2: in Sacramento. 298 00:14:15,800 --> 00:14:17,679 Speaker 1: Do you know where being well, you know how when 299 00:14:17,720 --> 00:14:20,920 Speaker 1: Will Smith slapped Chris Rock. Yeah, it became known as 300 00:14:21,080 --> 00:14:23,000 Speaker 1: giving someone a Will Smith if you if you hit 301 00:14:23,000 --> 00:14:25,680 Speaker 1: them in appropriately. Yeah, well you know. Now people are saying, 302 00:14:25,680 --> 00:14:27,840 Speaker 1: I'm not doing a Will and Woody. That happened on 303 00:14:27,880 --> 00:14:30,520 Speaker 1: a radio show. That's this radio show in Tasmania and 304 00:14:30,560 --> 00:14:33,160 Speaker 1: apparently they this, did you produce a KPE show to 305 00:14:33,160 --> 00:14:34,360 Speaker 1: to me, We're not doing it. 306 00:14:34,920 --> 00:14:35,360 Speaker 3: We're not doing it. 307 00:14:35,400 --> 00:14:37,640 Speaker 2: I'm glad that's evolved because in the past that used 308 00:14:37,680 --> 00:14:40,360 Speaker 2: to be mean something completely different. But let's talk a 309 00:14:40,400 --> 00:14:43,520 Speaker 2: little bit about it, because somebody wants to immortalize that kids. Daniel, 310 00:14:43,560 --> 00:14:46,480 Speaker 2: we're one of the great street artists in the world. Guys, 311 00:14:46,480 --> 00:14:48,520 Speaker 2: you got commissioned by Dwayne the Rock Johnson to do 312 00:14:48,560 --> 00:14:50,880 Speaker 2: her por to do his portrait. She's an absolute gun 313 00:14:51,120 --> 00:14:53,040 Speaker 2: and she's decided to turn this into a four by 314 00:14:53,160 --> 00:14:55,200 Speaker 2: four meter enormous mural. 315 00:14:57,960 --> 00:14:58,240 Speaker 7: Kids. 316 00:14:58,920 --> 00:15:01,480 Speaker 2: All right, so we're kenning. We want the kiss out 317 00:15:01,560 --> 00:15:04,240 Speaker 2: here somewhere. It was really really exciting when Daniel called 318 00:15:04,240 --> 00:15:05,760 Speaker 2: the show yesterday and told us this, or a couple 319 00:15:05,800 --> 00:15:06,280 Speaker 2: of days ago. 320 00:15:07,280 --> 00:15:09,800 Speaker 7: I knew you guys were keen about doing a mural, 321 00:15:09,840 --> 00:15:13,840 Speaker 7: and I saw the passionate kiss last week and I thought, 322 00:15:13,840 --> 00:15:16,440 Speaker 7: what better a way to celebrate the beautiful bond that 323 00:15:16,480 --> 00:15:18,840 Speaker 7: you have and plaster it on a massive wall. 324 00:15:19,280 --> 00:15:21,520 Speaker 2: So the big hurdle here has been which wall do 325 00:15:21,600 --> 00:15:22,240 Speaker 2: we put it on? 326 00:15:22,800 --> 00:15:26,040 Speaker 3: I've got a line in the water. The water have 327 00:15:26,120 --> 00:15:27,000 Speaker 3: a really good leader. 328 00:15:27,080 --> 00:15:28,880 Speaker 2: Okay, great, Well let's talk about that a little bit, 329 00:15:28,920 --> 00:15:31,400 Speaker 2: because look, we have had some suggestions of other walls. 330 00:15:31,960 --> 00:15:33,720 Speaker 2: I'm not going to play them because I just don't 331 00:15:33,720 --> 00:15:34,640 Speaker 2: think they're up to scratch. 332 00:15:34,720 --> 00:15:36,560 Speaker 1: We had a living room. Someone said, just painted in 333 00:15:36,600 --> 00:15:37,880 Speaker 1: a living room. And then she goes, and. 334 00:15:37,800 --> 00:15:39,880 Speaker 2: Then I'll own it. Yeah, get out of it. 335 00:15:39,960 --> 00:15:40,480 Speaker 3: You agree me? 336 00:15:40,760 --> 00:15:42,960 Speaker 2: And she literally said next to the crayons that my 337 00:15:43,040 --> 00:15:45,680 Speaker 2: toddler has been covering my wall in offensive. It actually 338 00:15:45,720 --> 00:15:48,680 Speaker 2: was offensive. We were pitching. Opera house rejected us. Per 339 00:15:48,760 --> 00:15:50,720 Speaker 2: Abillity House also rejected us. 340 00:15:50,760 --> 00:15:51,200 Speaker 3: No doubt. 341 00:15:51,320 --> 00:15:55,200 Speaker 2: All the houses they've said no. Yeah, So look, we 342 00:15:55,560 --> 00:15:58,160 Speaker 2: can't expect that it's going to be on a big building. 343 00:15:58,160 --> 00:15:59,280 Speaker 2: I think we need to accept that. 344 00:15:59,520 --> 00:16:01,280 Speaker 1: I called cops harbor tried to get it on the 345 00:16:01,280 --> 00:16:03,320 Speaker 1: big Banana. They are against it. 346 00:16:03,440 --> 00:16:05,160 Speaker 2: Two guys, may he out on the big Banana? You 347 00:16:05,200 --> 00:16:07,640 Speaker 2: think I think that would have been a slam dunk. 348 00:16:08,720 --> 00:16:13,200 Speaker 2: I think that would have been just like Champagne. The 349 00:16:13,200 --> 00:16:14,160 Speaker 2: Big Banana wouldn't have. 350 00:16:14,240 --> 00:16:17,320 Speaker 1: Us yeah, big, No, Okay, Anyway, I do have a 351 00:16:17,480 --> 00:16:19,280 Speaker 1: significance earlier. 352 00:16:19,520 --> 00:16:20,760 Speaker 2: You came running in here. 353 00:16:20,640 --> 00:16:23,920 Speaker 1: Today, as I said, like a four like literally a 354 00:16:23,960 --> 00:16:25,640 Speaker 1: four year old that needs to go to the toilet. 355 00:16:25,680 --> 00:16:30,560 Speaker 2: Like you've been buzzing about some wall somewhere that you 356 00:16:30,600 --> 00:16:32,000 Speaker 2: think you've clocked. 357 00:16:31,840 --> 00:16:33,920 Speaker 3: High foot traffic at this wall. 358 00:16:34,600 --> 00:16:39,080 Speaker 1: It's already been used for other murals that are like famous, 359 00:16:39,200 --> 00:16:42,400 Speaker 1: there are famous murals on this wall that I'm talking about, 360 00:16:42,880 --> 00:16:46,760 Speaker 1: But there is space for something else. And I had 361 00:16:46,800 --> 00:16:50,480 Speaker 1: a preliminary chat with the owner of the wall, the owner, 362 00:16:51,080 --> 00:16:53,760 Speaker 1: and they didn't seem to hate it. 363 00:16:54,520 --> 00:16:56,800 Speaker 2: Wow, the specs. 364 00:16:57,280 --> 00:17:01,320 Speaker 3: No, I didn't go into detail sort of your wall. 365 00:17:01,400 --> 00:17:03,600 Speaker 2: Well, effectively you missed out the fact that it was 366 00:17:03,680 --> 00:17:05,560 Speaker 2: you making out with someone on the wall. 367 00:17:05,640 --> 00:17:05,800 Speaker 6: Yeah. 368 00:17:05,840 --> 00:17:07,280 Speaker 1: I may have been a little bit misleading with the 369 00:17:07,280 --> 00:17:09,120 Speaker 1: way that I spoke to them, but I just sort 370 00:17:09,119 --> 00:17:11,880 Speaker 1: of floated to them the idea of a piece of. 371 00:17:11,920 --> 00:17:13,359 Speaker 3: Art being used on his wall. 372 00:17:13,480 --> 00:17:15,640 Speaker 1: Okay, and he seemed to be warm to it, warm 373 00:17:15,760 --> 00:17:17,640 Speaker 1: enough to the point where he's given me his mobile number. 374 00:17:17,720 --> 00:17:18,040 Speaker 2: Kidding. 375 00:17:18,160 --> 00:17:21,080 Speaker 3: So later in the show, I know when we're doing this, yep, 376 00:17:21,720 --> 00:17:24,960 Speaker 3: but we call him and call him put the heart. 377 00:17:25,040 --> 00:17:27,840 Speaker 2: Yeah, cold cold call him, but keep cold calling back. 378 00:17:27,760 --> 00:17:29,120 Speaker 3: Because I think it works. 379 00:17:29,119 --> 00:17:31,280 Speaker 2: Though he ruined a lot of relationships that way. Yeah, 380 00:17:31,280 --> 00:17:32,639 Speaker 2: but Natalie Bassing's way. 381 00:17:33,000 --> 00:17:35,160 Speaker 3: Hates the boys maddal and West and West. 382 00:17:35,160 --> 00:17:37,560 Speaker 2: We could keep naming Anthony Colea. You can't cold call 383 00:17:37,600 --> 00:17:38,800 Speaker 2: people on radio. It's not cool. 384 00:17:38,840 --> 00:17:40,560 Speaker 1: But the thing is, when you do cold call them, 385 00:17:40,800 --> 00:17:43,439 Speaker 1: they feel the pressure to say yes. I mean Pete Stefanovica, 386 00:17:43,480 --> 00:17:45,000 Speaker 1: he had no issue saying no live on it. 387 00:17:45,560 --> 00:17:49,320 Speaker 2: He was brutal, but a right, So we're going to 388 00:17:49,400 --> 00:17:52,920 Speaker 2: cold call the cafe owner. Stick around for that a 389 00:17:52,960 --> 00:18:01,720 Speaker 2: little bit. We can use his wall, Yes, stick around. 390 00:18:01,640 --> 00:18:06,200 Speaker 1: Coming up next Will more Will and Woody the Will 391 00:18:06,280 --> 00:18:07,359 Speaker 1: and Woody Podcast. 392 00:18:08,119 --> 00:18:10,879 Speaker 2: And you fill a bit flat and you're after a 393 00:18:11,000 --> 00:18:15,600 Speaker 2: boost that litter up to this tin bit baby, it's 394 00:18:15,640 --> 00:18:21,320 Speaker 2: a tid bit. It's will do we a man health 395 00:18:21,480 --> 00:18:32,080 Speaker 2: t tid bit baby baby? Alrighty, so this afternoon, staying 396 00:18:32,160 --> 00:18:34,600 Speaker 2: connected during an argument? How do you do that? 397 00:18:34,920 --> 00:18:35,440 Speaker 3: Possible? 398 00:18:36,160 --> 00:18:38,879 Speaker 2: It can be, It really can be. And as always 399 00:18:38,880 --> 00:18:41,440 Speaker 2: with the tidbits, I'm not professing to be a master 400 00:18:41,520 --> 00:18:44,040 Speaker 2: of any of these things. These are just observations that 401 00:18:44,080 --> 00:18:48,000 Speaker 2: I've made. But effectively, yeah, it's it's often so important 402 00:18:48,280 --> 00:18:51,480 Speaker 2: when you are having an argument with someone because that 403 00:18:51,640 --> 00:18:54,080 Speaker 2: to not let get let your emotions get in the way. 404 00:18:54,359 --> 00:18:58,880 Speaker 2: But if we're honest and like you do they. 405 00:18:58,680 --> 00:19:03,200 Speaker 3: Do if you care, Yeah, they're there right, Yeah. 406 00:19:03,040 --> 00:19:04,199 Speaker 2: And I know it's something that you and I have 407 00:19:04,240 --> 00:19:07,480 Speaker 2: been talking about recently, Woods with parenting and like particularly 408 00:19:07,520 --> 00:19:10,120 Speaker 2: when you're tired and all these other things and you're 409 00:19:10,119 --> 00:19:13,560 Speaker 2: talking about something you care about, allah how your child's 410 00:19:13,600 --> 00:19:17,359 Speaker 2: going to be raised, totally, emotions get involved pretty quickly. Absolutely, 411 00:19:17,560 --> 00:19:20,080 Speaker 2: But at the end of the day, you still want 412 00:19:20,119 --> 00:19:23,080 Speaker 2: to work through what you're talking about because it's important 413 00:19:23,080 --> 00:19:25,879 Speaker 2: that you get to the bottom of that conversation. 414 00:19:26,119 --> 00:19:26,359 Speaker 3: Yeah. 415 00:19:26,400 --> 00:19:28,399 Speaker 2: Sure, So the question is how do you work through it? 416 00:19:29,200 --> 00:19:32,080 Speaker 2: So when I was on the Kickpod with Steph kles 417 00:19:32,080 --> 00:19:34,080 Speaker 2: Smith and Lauria Henshaw, I spoke a little bit about 418 00:19:34,119 --> 00:19:37,600 Speaker 2: this acronym which I created for how to deal with 419 00:19:37,680 --> 00:19:40,600 Speaker 2: men when they're depressed, and that was to remain soft, 420 00:19:41,680 --> 00:19:45,399 Speaker 2: which means s often when men are depressed, they're shitty, 421 00:19:45,920 --> 00:19:49,720 Speaker 2: so try and stay open with them. And then following 422 00:19:50,040 --> 00:19:52,359 Speaker 2: from there, it was reach out to their friends and 423 00:19:52,480 --> 00:19:55,000 Speaker 2: effectively try and help them into therapy if you can. 424 00:19:55,280 --> 00:19:57,199 Speaker 2: But I was wondering if Folcus on the first two letters, 425 00:19:57,280 --> 00:20:00,600 Speaker 2: if they're shitties, try and stay open. I think a 426 00:20:00,600 --> 00:20:04,879 Speaker 2: big part of your emotions getting involved is you're not open, 427 00:20:05,280 --> 00:20:09,879 Speaker 2: you close off And yeah, absolutely, yeah exactly so, And 428 00:20:09,920 --> 00:20:13,159 Speaker 2: like it's not I'm not saying anything particularly erodype By 429 00:20:13,200 --> 00:20:16,560 Speaker 2: saying that anger is the protector of fear. So when 430 00:20:16,600 --> 00:20:18,560 Speaker 2: you're in a when you're having an argument with someone, 431 00:20:18,680 --> 00:20:21,719 Speaker 2: you're scared about losing something. Let's stick with the welfare 432 00:20:21,760 --> 00:20:24,560 Speaker 2: of your child argument, you get angry. You get angry 433 00:20:24,560 --> 00:20:28,040 Speaker 2: because you're defending your position. So I started thinking because 434 00:20:28,119 --> 00:20:30,879 Speaker 2: it's as I said before, it's it's almost unavoidable that 435 00:20:30,880 --> 00:20:32,800 Speaker 2: emotions are going to get involved when you're talking about 436 00:20:32,800 --> 00:20:35,560 Speaker 2: something you care about with someone you love. So is 437 00:20:35,600 --> 00:20:38,359 Speaker 2: there a way to bypass your emotions? When do your 438 00:20:38,400 --> 00:20:40,600 Speaker 2: emotions most get involved? That's a question for you. 439 00:20:40,600 --> 00:20:42,920 Speaker 3: Woods When do they get involved most? 440 00:20:43,119 --> 00:20:46,199 Speaker 1: I'd say when you interpret what someone is saying as 441 00:20:46,200 --> 00:20:50,560 Speaker 1: an attack. Yeah, but your emotions step up to protect you. 442 00:20:50,680 --> 00:20:53,600 Speaker 1: Or I feel like your body puts the emotions in 443 00:20:53,600 --> 00:20:55,439 Speaker 1: there or the anger in there because it's going like 444 00:20:55,480 --> 00:20:57,520 Speaker 1: get your guards up, Yeah, because you're about to be 445 00:20:57,520 --> 00:20:58,879 Speaker 1: taken down if you're not just and it's just like 446 00:20:58,880 --> 00:21:01,840 Speaker 1: a protective mechanism poor body has done over its entire life. 447 00:21:01,960 --> 00:21:03,520 Speaker 2: Yeah, And I think, but I think you answered the 448 00:21:03,560 --> 00:21:06,560 Speaker 2: question in the first couple of words. You get angry 449 00:21:06,600 --> 00:21:09,520 Speaker 2: when someone's saying it to you. Yeah, The emotion comes 450 00:21:09,600 --> 00:21:12,320 Speaker 2: up when you're face to face. That's when you have 451 00:21:12,359 --> 00:21:14,320 Speaker 2: a real issue. So if we go back to how 452 00:21:14,320 --> 00:21:16,960 Speaker 2: do you stay connected doing it during an argument? Maybe 453 00:21:17,000 --> 00:21:19,840 Speaker 2: the first solution to this is not have it face 454 00:21:19,920 --> 00:21:22,760 Speaker 2: to face. So one of the things I learned when 455 00:21:22,760 --> 00:21:25,159 Speaker 2: I was doing the Shamo Mood app was that a 456 00:21:25,200 --> 00:21:28,159 Speaker 2: lot of psychologists, if they're really struggling to connect with 457 00:21:28,200 --> 00:21:32,240 Speaker 2: their patients or their clients at the time, is they 458 00:21:32,320 --> 00:21:34,560 Speaker 2: won't talk to them face to face. So sometimes they'll 459 00:21:34,560 --> 00:21:37,080 Speaker 2: get them to write down what they're thinking and what 460 00:21:37,119 --> 00:21:39,679 Speaker 2: they're feeling, and then the cycle will read that and 461 00:21:39,720 --> 00:21:42,440 Speaker 2: then they understand them without having to probe them. 462 00:21:42,640 --> 00:21:46,119 Speaker 1: If I'm mid fight, though, yeah, and I go stop 463 00:21:46,240 --> 00:21:49,400 Speaker 1: two seconds, can you write down on this piece of paper, heyfiling, 464 00:21:49,480 --> 00:21:51,119 Speaker 1: I think that piece of paper get scratched up and 465 00:21:51,119 --> 00:21:51,879 Speaker 1: thrown in my face. 466 00:21:52,840 --> 00:21:56,760 Speaker 2: So so sam my partners English is her second language, 467 00:21:56,960 --> 00:21:59,440 Speaker 2: so sometimes when we get into a really heated argument, 468 00:22:00,000 --> 00:22:02,439 Speaker 2: he physically has to tap out because you can't keep up. 469 00:22:03,160 --> 00:22:05,440 Speaker 2: So her English just gets to a point where she goes, 470 00:22:05,840 --> 00:22:08,840 Speaker 2: I can't do this this argument in your language because 471 00:22:08,840 --> 00:22:11,560 Speaker 2: I can't. I haven't got the responsiveness, and I'm going 472 00:22:11,600 --> 00:22:14,439 Speaker 2: to lose effectively. And as soon as she says to me, 473 00:22:14,520 --> 00:22:16,800 Speaker 2: I'm going to lose this argument. It's funny. What that 474 00:22:16,840 --> 00:22:20,720 Speaker 2: does to me is the arguer geez I put. 475 00:22:20,520 --> 00:22:23,720 Speaker 3: To the jugular time to really get it on the back. 476 00:22:23,520 --> 00:22:27,600 Speaker 2: Call and the camel Yeah yeah, I immediately go geez, 477 00:22:27,560 --> 00:22:29,960 Speaker 2: I'm not here to beat you. I didn't want to 478 00:22:30,000 --> 00:22:32,600 Speaker 2: do that. So I think it's funny you say that, 479 00:22:32,640 --> 00:22:34,920 Speaker 2: But I think if you can build in a mechanism. 480 00:22:35,080 --> 00:22:37,199 Speaker 2: This obviously sounds like I'm talking relationships and I am, 481 00:22:37,200 --> 00:22:39,920 Speaker 2: but it might be at work it two where you 482 00:22:39,960 --> 00:22:41,800 Speaker 2: have a safe word, but you have a moment where 483 00:22:41,840 --> 00:22:44,640 Speaker 2: you go, yo, we're arguing right now. I don't want 484 00:22:44,680 --> 00:22:48,439 Speaker 2: to stop talking about this, but can I text you 485 00:22:48,480 --> 00:22:50,760 Speaker 2: what I think about this? Can I write it down 486 00:22:50,840 --> 00:22:53,120 Speaker 2: for you? Also, when I made the Share my Mood app, 487 00:22:53,119 --> 00:22:56,199 Speaker 2: we spoke to a mutual friend of ours, Tyson, who 488 00:22:56,280 --> 00:22:58,800 Speaker 2: when he was feeling really flat and stuff, he couldn't 489 00:22:58,880 --> 00:23:01,000 Speaker 2: talk to his partner about it, so they would text 490 00:23:01,119 --> 00:23:03,399 Speaker 2: on the couch to each other. They would sit on 491 00:23:03,400 --> 00:23:05,240 Speaker 2: the same couch and they would text each other and 492 00:23:05,240 --> 00:23:06,840 Speaker 2: that was the way that he got his point across. 493 00:23:07,320 --> 00:23:09,920 Speaker 2: So there are other ways of communicating with the people 494 00:23:09,920 --> 00:23:12,080 Speaker 2: that you're with other than sitting down face to face 495 00:23:12,119 --> 00:23:13,679 Speaker 2: and just having it out with them. I don't think 496 00:23:13,720 --> 00:23:16,240 Speaker 2: it's the preferred method of communication, but in terms of 497 00:23:16,320 --> 00:23:19,200 Speaker 2: actually getting through something. I think it's a really good 498 00:23:19,240 --> 00:23:22,800 Speaker 2: idea to put down tools and actually find another way 499 00:23:22,840 --> 00:23:25,919 Speaker 2: to finish the argument without actually having an argument. Yeah right, okay, 500 00:23:26,119 --> 00:23:28,680 Speaker 2: so writing it down. The last place that I found 501 00:23:28,680 --> 00:23:30,520 Speaker 2: out about this I was listening to Hamish Blake's podcast, 502 00:23:30,600 --> 00:23:34,240 Speaker 2: How Are the Dad's Dad? Great idea for a podcast. 503 00:23:34,320 --> 00:23:37,879 Speaker 2: Absolutely wish we had to have that first, and the 504 00:23:37,880 --> 00:23:40,000 Speaker 2: most entertaining person in Australia didn't do it before us. 505 00:23:40,080 --> 00:23:43,800 Speaker 2: But he has a chat with Adam Hills and he 506 00:23:43,840 --> 00:23:47,000 Speaker 2: talks about this argument that Hamish had with his son Sonny, 507 00:23:47,160 --> 00:23:50,119 Speaker 2: and they're having this argument and Hamish ends up writing 508 00:23:50,119 --> 00:23:51,960 Speaker 2: to him because they were sending letters to each other 509 00:23:51,960 --> 00:23:52,400 Speaker 2: at the time. 510 00:23:52,520 --> 00:23:53,120 Speaker 3: Oh adorable. 511 00:23:53,160 --> 00:23:54,720 Speaker 2: It was really cute. And he wrote him a letter 512 00:23:54,760 --> 00:23:56,720 Speaker 2: about how he felt and how he was really sorry 513 00:23:56,720 --> 00:23:58,920 Speaker 2: for what had happened, and then Sonny wrote him a 514 00:23:58,960 --> 00:24:01,600 Speaker 2: note back. They didn't even talk about it afterwards, but 515 00:24:01,640 --> 00:24:05,440 Speaker 2: then resolved the conflict. Yeah, so even with your kids 516 00:24:05,560 --> 00:24:06,440 Speaker 2: might be an idea. 517 00:24:06,560 --> 00:24:08,280 Speaker 3: Okay, there you go. 518 00:24:08,920 --> 00:24:12,080 Speaker 2: That's the tidbit fit today. Yeah, the pen is mightier 519 00:24:12,160 --> 00:24:18,960 Speaker 2: than the sword, nice as Shakespeare wards. Now is the time, 520 00:24:19,040 --> 00:24:22,399 Speaker 2: because guys, one of the greatest street artists in the world. 521 00:24:22,520 --> 00:24:25,520 Speaker 2: A woman named Danielle Webbers lives in Melbourne. She was 522 00:24:25,520 --> 00:24:28,560 Speaker 2: commissioned by Dwayne the Rock Johnson to do her portrait. 523 00:24:28,600 --> 00:24:31,400 Speaker 2: That's how that's how amazing this woman is. She has 524 00:24:31,920 --> 00:24:36,200 Speaker 2: decided to immortalize the kiss that we shared with each 525 00:24:36,240 --> 00:24:43,560 Speaker 2: other in the studio and turn it into an epic mural. Kids. 526 00:24:45,640 --> 00:24:50,399 Speaker 3: So artist tick subject you and me kissing Tick. 527 00:24:51,200 --> 00:24:53,879 Speaker 1: The third thing which we haven't clarified or figured out, 528 00:24:54,040 --> 00:24:57,000 Speaker 1: is just where this mural is going. 529 00:24:57,040 --> 00:25:00,800 Speaker 3: And there's obviously issues around her me and do we. 530 00:25:00,800 --> 00:25:03,320 Speaker 2: Have permission to put it on I I'm of the 531 00:25:03,359 --> 00:25:04,840 Speaker 2: strong view is should just banksy it? 532 00:25:05,400 --> 00:25:06,000 Speaker 3: What does that mean? 533 00:25:06,080 --> 00:25:08,520 Speaker 2: Well, Banksy would just put street arts somewhere and people 534 00:25:08,520 --> 00:25:10,479 Speaker 2: would realize it was Banksy and then they just wouldn't 535 00:25:10,480 --> 00:25:10,760 Speaker 2: touch it. 536 00:25:10,800 --> 00:25:14,000 Speaker 1: Banksy wasn't on a national radio show talking about the 537 00:25:14,000 --> 00:25:15,719 Speaker 1: fact that he was about to paint something. 538 00:25:15,960 --> 00:25:20,080 Speaker 3: They'd figure it out. William then figure it out. We 539 00:25:20,200 --> 00:25:23,360 Speaker 3: don't have the anonymity, that's true that Banksy has. 540 00:25:23,680 --> 00:25:25,000 Speaker 2: But do you know what I mean? Like you know, 541 00:25:25,119 --> 00:25:28,400 Speaker 2: I don't And that was a stupid situation and it's 542 00:25:28,480 --> 00:25:30,800 Speaker 2: so good. Yeah, it doesn't matter where it is because 543 00:25:30,800 --> 00:25:32,719 Speaker 2: people just be like, oh it's so good, leave it. 544 00:25:33,080 --> 00:25:36,720 Speaker 1: Look, look, I love your enthusiasm. I think it's too risky, Okay, 545 00:25:36,960 --> 00:25:39,280 Speaker 1: and don't worry, because I do have a plan. 546 00:25:39,400 --> 00:25:41,480 Speaker 2: I am worried, so you know why I am worried. 547 00:25:43,280 --> 00:25:45,639 Speaker 2: I've got a solution. So I'm going for anything but 548 00:25:45,800 --> 00:25:46,800 Speaker 2: what you've got to offer. 549 00:25:47,080 --> 00:25:49,119 Speaker 3: It actually fell in my lap in its extraordinary. 550 00:25:49,200 --> 00:25:51,119 Speaker 1: So I went to go and have coffee at a 551 00:25:51,119 --> 00:25:55,560 Speaker 1: particular cafe, and as I was leaving the cafe, I saw, well, 552 00:25:55,560 --> 00:25:58,960 Speaker 1: effectively a wall. Okay, not just any wall like it's 553 00:25:59,000 --> 00:26:01,960 Speaker 1: in quite a high foot traffic location. I went back 554 00:26:02,000 --> 00:26:06,200 Speaker 1: into the cafe, found the owner of the cafe. Okay, 555 00:26:06,440 --> 00:26:09,560 Speaker 1: after you saw a war okay, lots of war sorry, sorry, 556 00:26:09,960 --> 00:26:13,760 Speaker 1: walls sorry, a wall with other murals on it. 557 00:26:13,760 --> 00:26:15,399 Speaker 2: It's already street. 558 00:26:15,720 --> 00:26:18,560 Speaker 1: It's a street and there's heaps of foot traffic there. 559 00:26:18,640 --> 00:26:21,040 Speaker 1: I went back into the store. I met the owner. 560 00:26:21,200 --> 00:26:23,679 Speaker 1: He's a guy called Con and I just sort of 561 00:26:23,960 --> 00:26:28,240 Speaker 1: had a preliminary chat with him, floating the idea about 562 00:26:28,359 --> 00:26:31,440 Speaker 1: us painting our mural on his wall. 563 00:26:31,600 --> 00:26:33,320 Speaker 2: How many people have you done this too recently? 564 00:26:33,359 --> 00:26:35,200 Speaker 3: No, he's my only one. He's my only one. 565 00:26:35,440 --> 00:26:37,880 Speaker 1: Okay, there were three others and they were stern nose, 566 00:26:38,119 --> 00:26:40,879 Speaker 1: but Con seemed to be somewhat receptive to it. So 567 00:26:40,920 --> 00:26:43,480 Speaker 1: Conn is the owner of the cape this morning. Yes, 568 00:26:43,600 --> 00:26:44,200 Speaker 1: he's on the phone. 569 00:26:44,280 --> 00:26:48,240 Speaker 2: Hello, Hello boy you Con. 570 00:26:48,320 --> 00:26:48,760 Speaker 3: We're good? 571 00:26:48,960 --> 00:26:51,800 Speaker 2: Were good, Con coming on the show. Con. 572 00:26:52,160 --> 00:26:55,760 Speaker 1: We had a preliminary sort of chat about us potentially 573 00:26:55,840 --> 00:26:57,960 Speaker 1: putting a mural on your beautiful wall. 574 00:26:58,440 --> 00:27:01,439 Speaker 6: Yeah, very brief chat. Yeah, what's your idea? 575 00:27:02,400 --> 00:27:05,360 Speaker 1: Oh well, it was just we want to effectively get 576 00:27:06,840 --> 00:27:08,679 Speaker 1: no no, he sort of. It was told, it's a 577 00:27:08,680 --> 00:27:11,679 Speaker 1: preliminary chat. We want to get a great artist. Her 578 00:27:11,720 --> 00:27:13,520 Speaker 1: name is Daniel Webbers. She's once done a piece of 579 00:27:13,560 --> 00:27:15,680 Speaker 1: art for Dwayne the Rock Johnson, Arnold Schwartzeneger. 580 00:27:15,760 --> 00:27:18,840 Speaker 3: So it'll look really good. Con. And the painting. 581 00:27:18,560 --> 00:27:23,080 Speaker 1: Is of Will and I making out here in the studio, 582 00:27:24,240 --> 00:27:24,720 Speaker 1: and I'm. 583 00:27:24,600 --> 00:27:26,800 Speaker 6: Thinking, is it's something you do regularly? 584 00:27:28,280 --> 00:27:29,000 Speaker 3: No? 585 00:27:29,000 --> 00:27:31,200 Speaker 2: No, no, it was a novel. 586 00:27:32,240 --> 00:27:37,680 Speaker 1: Yeah yeah yeah, which makes your mural potentially better because 587 00:27:37,680 --> 00:27:39,400 Speaker 1: this is a once in a lifetime thing that Will 588 00:27:39,400 --> 00:27:42,760 Speaker 1: and I kissed, and it will be immortalized potentially on 589 00:27:42,840 --> 00:27:44,879 Speaker 1: your wall with your permission. 590 00:27:44,920 --> 00:27:45,120 Speaker 3: Con. 591 00:27:45,880 --> 00:27:50,919 Speaker 6: Look, you know I like the idea, Yeah, but you know, 592 00:27:50,960 --> 00:27:53,320 Speaker 6: it is a prime piece of real estate. 593 00:27:53,359 --> 00:27:55,960 Speaker 1: That all it actually it actually is. There's so much 594 00:27:55,960 --> 00:27:59,320 Speaker 1: foot traffic through there. It's I mean, it's perfect. We 595 00:27:59,320 --> 00:28:01,960 Speaker 1: can't give too much, but it's perfect. It's it's iconic 596 00:28:01,960 --> 00:28:03,240 Speaker 1: in a lot of ways. 597 00:28:04,080 --> 00:28:07,199 Speaker 6: So you guys are originally in the music industry. 598 00:28:08,320 --> 00:28:11,480 Speaker 1: Uh, well, we were radio, so technically we played music. 599 00:28:11,520 --> 00:28:13,440 Speaker 2: We play music, Yeah, yeah, we played music. 600 00:28:13,520 --> 00:28:17,320 Speaker 6: Yeah yeah, So you've made a lot of celebrity way 601 00:28:17,359 --> 00:28:18,560 Speaker 6: list music people. 602 00:28:20,040 --> 00:28:22,960 Speaker 3: Yes, occasionally. We once interviewed due Leaper. 603 00:28:23,040 --> 00:28:24,320 Speaker 1: I'm mu sure what it has to do with an 604 00:28:24,400 --> 00:28:26,280 Speaker 1: art mural, but yeah, we once met Dual Leaper. 605 00:28:26,680 --> 00:28:29,359 Speaker 6: Well it's you know, one hand washes the others, you know, 606 00:28:29,400 --> 00:28:33,280 Speaker 6: the old say so, oh you've got demands. 607 00:28:34,400 --> 00:28:36,960 Speaker 2: I could smell it. Woods and I kissed. We made 608 00:28:36,960 --> 00:28:39,600 Speaker 2: out in the studio a couple of weeks ago, totally wild. 609 00:28:39,680 --> 00:28:41,440 Speaker 2: We thought that was the end of it. Sure, I've 610 00:28:41,440 --> 00:28:43,680 Speaker 2: got a few love letters from Woody afterwards, but you know, 611 00:28:44,120 --> 00:28:46,480 Speaker 2: outside of that, one of the best street artists in 612 00:28:46,520 --> 00:28:48,520 Speaker 2: the world, Daniel Webber, reached out and said that she 613 00:28:48,560 --> 00:28:51,360 Speaker 2: wanted to immortalize the kiss in a mural, which is 614 00:28:51,520 --> 00:28:54,320 Speaker 2: look very, very exciting. But we did a place for 615 00:28:54,360 --> 00:28:57,960 Speaker 2: the mural to go woods. We've been scouring Australia for 616 00:28:58,000 --> 00:29:00,760 Speaker 2: the last two weeks. Yes, lots of rejects, of course, 617 00:29:00,840 --> 00:29:03,320 Speaker 2: lots of awful suggestions. No doubt you've got one of 618 00:29:03,360 --> 00:29:04,840 Speaker 2: the lot. You've got a live one right now. 619 00:29:04,720 --> 00:29:06,640 Speaker 1: Though, absolutely this one fell in my lap. I went 620 00:29:06,680 --> 00:29:09,200 Speaker 1: for a coffee this morning at a cafe which is 621 00:29:09,440 --> 00:29:13,600 Speaker 1: it's a cafe that owns an iconic wall. Okay, there's 622 00:29:13,640 --> 00:29:16,440 Speaker 1: already a few other murals on that wall. There's high 623 00:29:16,480 --> 00:29:19,280 Speaker 1: foot traffic. It just ticks all the boxes. I got 624 00:29:19,360 --> 00:29:20,840 Speaker 1: chatting with the owner of the cafe. 625 00:29:21,000 --> 00:29:24,720 Speaker 3: His name is Con. I thought he was warming to 626 00:29:24,800 --> 00:29:25,400 Speaker 3: the idea. 627 00:29:26,160 --> 00:29:30,160 Speaker 1: He joins on the phone right now and con clearly 628 00:29:30,200 --> 00:29:31,840 Speaker 1: in the time that we were chatting this morning to 629 00:29:31,960 --> 00:29:35,440 Speaker 1: now you've decided that maybe you want your back to 630 00:29:35,480 --> 00:29:36,440 Speaker 1: be scratched a bit more. 631 00:29:37,040 --> 00:29:39,280 Speaker 6: Well, no, I just think you know. I feel like 632 00:29:39,320 --> 00:29:45,800 Speaker 6: a bit of a terrorist now. But you've got demands here. 633 00:29:47,520 --> 00:29:48,479 Speaker 6: I've got three demands. 634 00:29:48,520 --> 00:29:51,360 Speaker 2: You've got three demands. 635 00:29:50,680 --> 00:29:57,080 Speaker 6: Three demands actually three pieces I will shake off on 636 00:29:58,360 --> 00:30:04,000 Speaker 6: our walls. Yeh can brings three A list music celebs 637 00:30:04,320 --> 00:30:05,280 Speaker 6: in for a coffee and a. 638 00:30:05,840 --> 00:30:10,240 Speaker 2: Three three A list music celebs in for coffee in 639 00:30:10,280 --> 00:30:11,600 Speaker 2: your in your cafe? 640 00:30:12,480 --> 00:30:13,720 Speaker 6: Yeah, how long have. 641 00:30:13,680 --> 00:30:16,680 Speaker 2: We got to get three A list celebrities in there? Well? 642 00:30:17,160 --> 00:30:20,120 Speaker 6: Well I'll give it all next week next week. 643 00:30:20,440 --> 00:30:23,000 Speaker 1: So so sorry, canuys. I was gonna throw a name 644 00:30:23,040 --> 00:30:26,240 Speaker 1: at you right now, Con Like, what's like? What's a list? 645 00:30:26,840 --> 00:30:29,360 Speaker 3: What's a list like? If? 646 00:30:30,320 --> 00:30:32,920 Speaker 6: Well, I'm not talking P Didy, I'm talking Australian A 647 00:30:33,040 --> 00:30:34,200 Speaker 6: list music celebs. 648 00:30:34,360 --> 00:30:35,640 Speaker 3: Okay, p did. 649 00:30:37,680 --> 00:30:45,360 Speaker 2: Obviously John Yeah yeah sure all right yeah outside of 650 00:30:45,400 --> 00:30:47,040 Speaker 2: p Did, can you give us another list? 651 00:30:48,040 --> 00:30:52,080 Speaker 3: Three Carli Mino, Carl. 652 00:30:51,280 --> 00:30:57,440 Speaker 6: Absolutely, even one of the Sony I'm there, I'm. 653 00:30:57,320 --> 00:31:02,320 Speaker 2: There, Okay, bargain, but then we get the spot on 654 00:31:02,360 --> 00:31:03,400 Speaker 2: the wall for the mural. 655 00:31:04,240 --> 00:31:06,080 Speaker 3: Yes, wow, it's a deal. 656 00:31:06,200 --> 00:31:08,080 Speaker 1: It's a deal, if we if we if we also 657 00:31:08,120 --> 00:31:10,320 Speaker 1: get free coffees for a year for a year. 658 00:31:10,720 --> 00:31:13,280 Speaker 6: Yeap, you guys are funny. 659 00:31:13,720 --> 00:31:14,520 Speaker 2: What about one. 660 00:31:14,440 --> 00:31:16,080 Speaker 3: Free coffee all side? I just feel like I need 661 00:31:16,080 --> 00:31:18,240 Speaker 3: to hit your back in this negotiation. 662 00:31:21,640 --> 00:31:22,880 Speaker 6: For all your friends. 663 00:31:24,720 --> 00:31:25,880 Speaker 2: Taking it's a deal. 664 00:31:26,440 --> 00:31:27,320 Speaker 3: Deal, I'm done. 665 00:31:27,600 --> 00:31:32,120 Speaker 1: Good stuff, Thanks, Con, thank you, leg you make your 666 00:31:32,120 --> 00:31:35,600 Speaker 1: cafe soon with some with some hot. 667 00:31:35,400 --> 00:31:38,160 Speaker 2: Celebrities in a week. That gets us the spot for 668 00:31:38,320 --> 00:31:41,280 Speaker 2: the mural of the kiss. Wowie, they guy drove a 669 00:31:41,320 --> 00:31:41,760 Speaker 2: hard dug. 670 00:31:42,080 --> 00:31:43,960 Speaker 1: Yeah, I don't mind it. I don't want to respect him. 671 00:31:44,000 --> 00:31:44,680 Speaker 1: I respect Con. 672 00:31:44,720 --> 00:31:46,400 Speaker 3: It's impossible. We'll get We'll get celebs. 673 00:31:46,880 --> 00:31:48,560 Speaker 2: Are you great celebrities? Celebs. 674 00:31:48,600 --> 00:31:52,160 Speaker 1: We did Celebrity Apprentice, We did Celebrity Apprentice. We know people, man, 675 00:31:52,840 --> 00:31:55,960 Speaker 1: we will get this going. We will get this going. 676 00:31:56,000 --> 00:31:57,400 Speaker 1: Thirty one who six five though, if you have a 677 00:31:57,400 --> 00:32:00,560 Speaker 1: connection to an A grade musician, definitely reach out on 678 00:32:00,680 --> 00:32:01,680 Speaker 1: d MS because we. 679 00:32:01,680 --> 00:32:04,120 Speaker 3: Might need a little bit of help. It's will and 680 00:32:04,720 --> 00:32:06,560 Speaker 3: so I think we should just get straight down to it. 681 00:32:07,240 --> 00:32:11,320 Speaker 2: Three A grade celebrities. That's you know what three A grade? 682 00:32:11,400 --> 00:32:13,120 Speaker 2: What A grade musicians? 683 00:32:14,200 --> 00:32:17,400 Speaker 3: Musicians? Yeah, I don't think that's impossible. 684 00:32:18,240 --> 00:32:19,560 Speaker 2: Three A grade musicians. 685 00:32:19,760 --> 00:32:21,200 Speaker 3: I think, like he. 686 00:32:22,680 --> 00:32:26,200 Speaker 1: Says, A grade Australian. There's there's a few of them 687 00:32:26,320 --> 00:32:29,480 Speaker 1: that we know. Dance Joy know him. He might be 688 00:32:29,520 --> 00:32:31,360 Speaker 1: in Buffalora currently, which might. 689 00:32:31,320 --> 00:32:33,120 Speaker 2: Be difficult lived in Buffalo. 690 00:32:32,920 --> 00:32:35,480 Speaker 3: But maybe Con will accept us a zoom call. 691 00:32:35,640 --> 00:32:45,840 Speaker 2: Called fan Joy. So we're gonna get he's now Zorro. 692 00:32:47,880 --> 00:32:51,800 Speaker 3: Were good, Zorrow, Yeah, we're good, or maybe a skype 693 00:32:52,200 --> 00:32:55,160 Speaker 3: or if he's in town, get him that we know. Yeah, 694 00:32:55,160 --> 00:32:56,160 Speaker 3: we know Dean Laws. 695 00:32:56,920 --> 00:33:01,200 Speaker 1: I think well no, no, as a stretch of peaking, 696 00:33:01,560 --> 00:33:04,520 Speaker 1: we know peaking, Like I'm just like we've interviewed. 697 00:33:04,200 --> 00:33:06,760 Speaker 2: Just make a number of Look, okay, okay, I'm not. 698 00:33:06,760 --> 00:33:08,760 Speaker 3: Down to you to say, hey, John, come and get 699 00:33:08,760 --> 00:33:09,240 Speaker 3: a coffee with. 700 00:33:09,280 --> 00:33:13,640 Speaker 2: Okay, I'm not doubting that getting them. Knowing what these guys' 701 00:33:13,640 --> 00:33:16,880 Speaker 2: schedules are, like, we know lots of people. We have. 702 00:33:17,400 --> 00:33:20,640 Speaker 2: We have the the Hilltop of Hoods boys in here 703 00:33:20,680 --> 00:33:22,600 Speaker 2: all the time. We have just Mount Boy in here 704 00:33:22,640 --> 00:33:23,200 Speaker 2: all the time. 705 00:33:23,240 --> 00:33:24,800 Speaker 3: We've got just lining up the time. 706 00:33:25,000 --> 00:33:28,840 Speaker 2: She's going like, yo, can you drop into a random cafe. 707 00:33:29,240 --> 00:33:30,040 Speaker 3: No, we don't say that. 708 00:33:30,080 --> 00:33:32,400 Speaker 2: We just go like next week. Yeah, because a lot 709 00:33:32,440 --> 00:33:34,080 Speaker 2: of them are like a lot of family. I've got 710 00:33:34,160 --> 00:33:37,800 Speaker 2: kids that don't live in the city. Pick a reason. 711 00:33:37,960 --> 00:33:40,120 Speaker 2: It's really idea that these people like when they're on tour, 712 00:33:40,440 --> 00:33:41,000 Speaker 2: let alone. 713 00:33:41,520 --> 00:33:43,680 Speaker 1: But if we if we ask every one of them 714 00:33:43,720 --> 00:33:47,040 Speaker 1: that we know, surely three of them are available next 715 00:33:47,040 --> 00:33:48,840 Speaker 1: week at heart of that, because we've got we don't 716 00:33:48,840 --> 00:33:50,640 Speaker 1: have to do it at one time, Like we literally 717 00:33:50,640 --> 00:33:53,160 Speaker 1: call them and go hey, Jess my boy. For example, 718 00:33:53,320 --> 00:33:56,200 Speaker 1: during at coffee next week. I'm available every day at 719 00:33:56,200 --> 00:33:57,520 Speaker 1: every time, and. 720 00:33:58,080 --> 00:34:00,200 Speaker 2: Her, You're not available every day every time. 721 00:34:00,080 --> 00:34:03,720 Speaker 1: But okay, not four till six Monday to Friday. Everything else, Like, 722 00:34:03,800 --> 00:34:05,920 Speaker 1: we'll make room for it because this is incredibly important, 723 00:34:05,920 --> 00:34:07,680 Speaker 1: Will Yeah. So you know, even if I do have 724 00:34:07,720 --> 00:34:10,640 Speaker 1: something important like a like a dentist appointment or something, 725 00:34:11,120 --> 00:34:13,120 Speaker 1: I want a dentist appointment, I'd cancel it. 726 00:34:13,440 --> 00:34:15,840 Speaker 3: We get coffee. If we ask every single musician that 727 00:34:15,920 --> 00:34:16,279 Speaker 3: we know. 728 00:34:16,440 --> 00:34:18,120 Speaker 2: They've got to be a grade. Though that's not every 729 00:34:18,120 --> 00:34:19,919 Speaker 2: single musician we know they've got to be a grade. 730 00:34:19,960 --> 00:34:21,160 Speaker 3: Well, we only know the A grade. 731 00:34:21,160 --> 00:34:21,279 Speaker 2: Man. 732 00:34:21,320 --> 00:34:25,120 Speaker 3: We're a pop station, you know, we're not interviewing Joe Blow. 733 00:34:25,360 --> 00:34:28,760 Speaker 2: Who's gone name a non pop station person. 734 00:34:29,360 --> 00:34:32,120 Speaker 1: M Well, I don't know. And that's my point. We 735 00:34:32,160 --> 00:34:34,800 Speaker 1: only know the ones that are like household names, right, Yeah, 736 00:34:34,960 --> 00:34:38,160 Speaker 1: we don't necessarily interview Yeah, go on again, I'll go 737 00:34:38,200 --> 00:34:40,279 Speaker 1: and say Joe Blow because I don't we don't know. 738 00:34:40,400 --> 00:34:42,520 Speaker 1: We don't know who they are. We're not rocking up 739 00:34:42,520 --> 00:34:44,400 Speaker 1: with someone we don't know. Yeah, that's the point I'm 740 00:34:44,440 --> 00:34:45,400 Speaker 1: trying to make, Will. 741 00:34:48,840 --> 00:34:52,240 Speaker 3: Gone, How I don't know who this is, but apparently 742 00:34:52,280 --> 00:34:52,520 Speaker 3: they're a. 743 00:34:52,640 --> 00:34:56,239 Speaker 2: Musician anyway, issue as well, because he was like a 744 00:34:56,360 --> 00:34:59,600 Speaker 2: graders and he sounds like he's sixty, Like he's sixty's yeh, 745 00:34:59,760 --> 00:35:04,120 Speaker 2: he's six year old Greek dude. How is he on 746 00:35:04,239 --> 00:35:05,920 Speaker 2: whose metric? Is it? An a grade? 747 00:35:06,200 --> 00:35:09,040 Speaker 3: So we need to think more like Darryl Braithwaite, for example. 748 00:35:09,400 --> 00:35:11,600 Speaker 2: Yeah, but would we call Daryl and a grader? 749 00:35:11,719 --> 00:35:15,800 Speaker 1: Yes, absolutely, called Daryl's field trying to get a field 750 00:35:15,800 --> 00:35:19,960 Speaker 1: for it. Birchmore superstar of the musical stage. 751 00:35:20,120 --> 00:35:24,440 Speaker 2: Who's see, that's not gonna fly. But who is roond Birchmore? 752 00:35:24,480 --> 00:35:28,080 Speaker 1: She is like the best musician, Like she's she's the 753 00:35:28,080 --> 00:35:33,000 Speaker 1: most elite stage performer. Google Rhonda birch Any just name 754 00:35:33,040 --> 00:35:36,200 Speaker 1: a musician as a musical name one Phantom of the opera. 755 00:35:36,280 --> 00:35:37,319 Speaker 3: Birchmore was probably in it. 756 00:35:37,600 --> 00:35:38,600 Speaker 2: No, I saw it the other night. 757 00:35:38,640 --> 00:35:39,640 Speaker 7: She wasn't. 758 00:35:41,880 --> 00:35:44,359 Speaker 3: Name any other wicked she would have been in. 759 00:35:44,320 --> 00:35:49,319 Speaker 2: It, Okay, but she's not. She's not a musician. She 760 00:35:49,360 --> 00:35:51,879 Speaker 2: hasn't got a song in the top ten country songs, 761 00:35:52,080 --> 00:35:54,839 Speaker 2: a song in the top ten in the country. Never 762 00:35:54,880 --> 00:35:56,520 Speaker 2: has had a song in the top ten in the country. 763 00:35:56,520 --> 00:35:58,000 Speaker 2: And I think that's what it comes down to. 764 00:35:58,120 --> 00:36:01,760 Speaker 3: Danny Minogue lives in our managers and I. 765 00:36:01,640 --> 00:36:03,920 Speaker 2: Don't think Danny Minogue's coming for a coffee in a 766 00:36:03,920 --> 00:36:05,920 Speaker 2: cafe with us. But here's the thing, she doesn't even 767 00:36:05,920 --> 00:36:06,439 Speaker 2: come on the show. 768 00:36:06,520 --> 00:36:08,960 Speaker 1: We call Mark, our manager, and go Mark, can you 769 00:36:09,120 --> 00:36:10,640 Speaker 1: arrange a coffee with Danny? 770 00:36:10,719 --> 00:36:13,359 Speaker 2: And she will go Hi, Mark, fuck off. 771 00:36:13,760 --> 00:36:16,200 Speaker 3: No, she likes Mark, she likes I tell. 772 00:36:16,080 --> 00:36:19,520 Speaker 1: Will and Moody, but Marcus, I will meet you. Mark 773 00:36:19,600 --> 00:36:21,400 Speaker 1: will say I want to meet you for coffee, and 774 00:36:21,400 --> 00:36:21,880 Speaker 1: then we're. 775 00:36:21,719 --> 00:36:22,960 Speaker 2: Just not gonna lie to her. 776 00:36:23,200 --> 00:36:25,160 Speaker 1: It wasn't lying because he just needs to go to 777 00:36:25,200 --> 00:36:27,240 Speaker 1: the cafe. He says, can you come to this cafe 778 00:36:28,000 --> 00:36:30,440 Speaker 1: me then? And then we're there, Mark, What the hell 779 00:36:30,480 --> 00:36:32,160 Speaker 1: are you doing here? Danny Minogue? 780 00:36:32,400 --> 00:36:35,560 Speaker 3: It's true. Can't get out of here? 781 00:36:37,280 --> 00:36:39,360 Speaker 2: Right? Yeah, okay, this is I think this is the 782 00:36:39,400 --> 00:36:41,600 Speaker 2: way we have to do it. It's a birth plan actually. 783 00:36:41,640 --> 00:36:43,840 Speaker 1: Brilliant, right, and it's just get Marked to do it 784 00:36:43,840 --> 00:36:46,800 Speaker 1: for everyone, which other musicians. 785 00:36:46,800 --> 00:36:51,040 Speaker 2: Does Mark manage? Yeah, I don't think he manages. 786 00:36:50,760 --> 00:36:53,120 Speaker 3: It, but he you know, he is a man in 787 00:36:53,680 --> 00:36:54,200 Speaker 3: the industry. 788 00:36:54,280 --> 00:36:56,640 Speaker 1: So if he if he if he calls Delta Gudroum 789 00:36:57,000 --> 00:36:59,920 Speaker 1: and just says Delta. 790 00:37:02,440 --> 00:37:06,839 Speaker 2: Random cave. She's going to catch up with Danny Mike 791 00:37:07,760 --> 00:37:11,200 Speaker 2: in the round the cafe. She's gonna go, don't go. 792 00:37:11,000 --> 00:37:17,120 Speaker 2: I got a constant by Will and Woody pinned down 793 00:37:17,160 --> 00:37:21,000 Speaker 2: to all walls. They can take a photo of me. What, No, 794 00:37:21,200 --> 00:37:22,520 Speaker 2: we don't. We don't want to get that. We don't 795 00:37:22,520 --> 00:37:24,040 Speaker 2: want that getting out about us either. 796 00:37:24,600 --> 00:37:25,399 Speaker 3: I don't care that, mate. 797 00:37:25,400 --> 00:37:28,320 Speaker 2: I want to focus on people that we can actually get. 798 00:37:28,200 --> 00:37:28,359 Speaker 4: Like. 799 00:37:30,400 --> 00:37:34,239 Speaker 1: Guys of Astian doesn't mind the boys. Yep, we'll call him, 800 00:37:34,280 --> 00:37:34,960 Speaker 1: definitely call him. 801 00:37:35,080 --> 00:37:42,120 Speaker 2: We'll give I'm made with him, so I know it's 802 00:37:42,400 --> 00:37:47,359 Speaker 2: you don't have that with him yet? Not yet, not yet, 803 00:37:48,360 --> 00:37:49,120 Speaker 2: but not yet. 804 00:37:49,760 --> 00:37:51,879 Speaker 3: Who's some of the big musicians that are on the. 805 00:37:53,480 --> 00:37:59,880 Speaker 1: Okay Australian idol Kyle currently a judge with Megan Train 806 00:38:00,160 --> 00:38:05,480 Speaker 1: or Yeah, Kyle, can you arrange a coffee with Megan. 807 00:38:08,000 --> 00:38:09,200 Speaker 2: Cafe? 808 00:38:10,640 --> 00:38:11,319 Speaker 3: Meghan Train off? 809 00:38:11,360 --> 00:38:14,239 Speaker 2: Bang boo, what do you mean making Train like im? 810 00:38:14,280 --> 00:38:17,280 Speaker 2: Just you just naming someone who's successful and saying Adele 811 00:38:17,520 --> 00:38:23,600 Speaker 2: Bank boom lock her in drag she is mag Dagger 812 00:38:23,719 --> 00:38:25,600 Speaker 2: in the cafe. 813 00:38:28,920 --> 00:38:29,240 Speaker 3: Kyle. 814 00:38:29,320 --> 00:38:31,360 Speaker 2: They both did. 815 00:38:33,520 --> 00:38:36,520 Speaker 3: Kyle Kyle. We have Kyle Kyle Kyle. 816 00:38:36,920 --> 00:38:38,320 Speaker 2: We don't talk to Kyle. 817 00:38:38,560 --> 00:38:40,799 Speaker 3: True, I actually message Jackie the other day shoudn't right back? 818 00:38:42,200 --> 00:38:44,279 Speaker 2: Where did you go with? Can you meet me in 819 00:38:44,320 --> 00:38:48,200 Speaker 2: a random bring? Now? Boy? 820 00:38:49,640 --> 00:38:50,160 Speaker 3: Is this. 821 00:38:51,719 --> 00:38:51,919 Speaker 2: No? 822 00:38:51,920 --> 00:38:55,560 Speaker 3: No, it's just a message. 823 00:38:55,280 --> 00:39:00,600 Speaker 1: They Kyle and Jack earlier this week they literally a result, 824 00:39:00,840 --> 00:39:04,280 Speaker 1: which meant they are the message. 825 00:39:03,880 --> 00:39:04,560 Speaker 2: To her about that. 826 00:39:04,680 --> 00:39:06,120 Speaker 3: Yeah, like we've texted before. 827 00:39:06,200 --> 00:39:07,880 Speaker 1: Actually, the last time she texted me she just had 828 00:39:07,880 --> 00:39:09,880 Speaker 1: a gout me for fighting in her chair in the studio. 829 00:39:10,040 --> 00:39:14,320 Speaker 1: That's the only correspondent and this und like Jack just 830 00:39:14,360 --> 00:39:18,480 Speaker 1: wanted to say massive about getting the radio royalty. 831 00:39:18,800 --> 00:39:21,919 Speaker 2: Yeah, yeah, that's the second one of them. You said 832 00:39:21,920 --> 00:39:24,200 Speaker 2: he's in Hamish nanty both the message after their final 833 00:39:24,239 --> 00:39:25,000 Speaker 2: show as well. 834 00:39:25,719 --> 00:39:28,040 Speaker 1: That was I was drunk. I'm going to say it responsibly, 835 00:39:28,080 --> 00:39:30,360 Speaker 1: but I was. I'd had a few too many. Andy 836 00:39:30,440 --> 00:39:32,600 Speaker 1: rode back after four and a half weeks and said 837 00:39:32,880 --> 00:39:36,880 Speaker 1: I wrote the biggest message, and he said, cheers mate Hamish. 838 00:39:37,520 --> 00:39:39,959 Speaker 2: Still, how long. 839 00:39:39,840 --> 00:39:42,880 Speaker 3: Ago was that when they did their last show? So 840 00:39:43,040 --> 00:39:47,640 Speaker 3: what's that last radio show? Six? Yeah? Have you talked 841 00:39:47,640 --> 00:39:48,960 Speaker 3: to him since text message? 842 00:39:49,560 --> 00:39:51,560 Speaker 1: We talked about that. We still, we talked about bringing 843 00:39:51,560 --> 00:39:53,920 Speaker 1: it up with him. I don't know why we didn't 844 00:39:53,960 --> 00:39:55,680 Speaker 1: I probably shut it down. I was like, no, please, 845 00:39:55,680 --> 00:39:58,320 Speaker 1: don't just talkward for me. No, I don't want to 846 00:39:58,320 --> 00:39:59,520 Speaker 1: make him feel bad, though, don't think. 847 00:39:59,360 --> 00:40:01,520 Speaker 3: It feel bad. To be honest, woudn't feeloa. I don't 848 00:40:01,560 --> 00:40:03,520 Speaker 3: think it feel bad Hamish, Yeah, I don't. 849 00:40:03,760 --> 00:40:10,160 Speaker 1: I don't think he would give two ships that I know. 850 00:40:08,920 --> 00:40:12,200 Speaker 2: The most popular radio show has ever had they had 851 00:40:12,239 --> 00:40:14,960 Speaker 2: their final show, I reckon he would have got upwards 852 00:40:14,960 --> 00:40:17,759 Speaker 2: of ten thousand people reaching out to him. I'm going 853 00:40:17,840 --> 00:40:20,200 Speaker 2: to actually probably close it to twenty thousand probably, but 854 00:40:20,920 --> 00:40:22,919 Speaker 2: they would have had what ten million people that listen 855 00:40:23,000 --> 00:40:23,279 Speaker 2: to that. 856 00:40:23,560 --> 00:40:26,280 Speaker 3: I wrote to his mobile though, yeah, well. 857 00:40:26,120 --> 00:40:29,359 Speaker 2: Like if you think like downloads downloads plus live on air. 858 00:40:30,440 --> 00:40:32,239 Speaker 3: But I'm not even to his number. I had I 859 00:40:32,280 --> 00:40:33,520 Speaker 3: have his personal grand message. 860 00:40:33,520 --> 00:40:35,920 Speaker 2: Okay, so let's just say on his personal number he 861 00:40:36,000 --> 00:40:39,719 Speaker 2: got what one hundred, six hundred, six hundred thousand text 862 00:40:39,760 --> 00:40:42,560 Speaker 2: messages probably reckon no way, I reckon no. 863 00:40:42,640 --> 00:40:45,120 Speaker 3: Way, six hundred you gad. 864 00:40:46,320 --> 00:40:49,640 Speaker 2: It's Hamish Blake. But finishing the thing that he's most 865 00:40:49,760 --> 00:40:52,160 Speaker 2: known for, he gets a lot. 866 00:40:52,000 --> 00:40:54,040 Speaker 3: Of six hundred text messages. 867 00:40:54,080 --> 00:40:56,840 Speaker 2: You messaged him, you did, you'd met him once before? 868 00:40:56,880 --> 00:40:58,680 Speaker 2: Then think about the amount of it is. 869 00:40:58,800 --> 00:40:59,160 Speaker 1: You know. 870 00:41:02,880 --> 00:41:07,040 Speaker 2: We're going because I am sick of arguing with both 871 00:41:07,080 --> 00:41:10,120 Speaker 2: of you. You're pitching dead people and you've got no idea. 872 00:41:10,520 --> 00:41:12,800 Speaker 3: I'm saying though, from this chat, I think round it out. 873 00:41:13,200 --> 00:41:14,880 Speaker 3: We're fine. We'll definitely find. 874 00:41:14,719 --> 00:41:17,680 Speaker 2: Three three by the next week, by the next Friday, Yeah, 875 00:41:18,400 --> 00:41:20,200 Speaker 2: next Friday, a graders in a cafe. 876 00:41:20,320 --> 00:41:23,680 Speaker 3: Next week, By next friday, when's Dannielle available to start painting? 877 00:41:24,280 --> 00:41:26,360 Speaker 1: No idea, but we have we need to talk to 878 00:41:26,400 --> 00:41:29,320 Speaker 1: you about that, probably because then yeah. 879 00:41:29,120 --> 00:41:30,360 Speaker 2: The content next week. 880 00:41:31,280 --> 00:41:34,759 Speaker 1: Yeah right, yeah, okay, let me get out of you 881 00:41:34,800 --> 00:41:36,120 Speaker 1: get free water when we go there too. 882 00:41:36,360 --> 00:41:38,759 Speaker 3: You guys would have heard that little I struck at 883 00:41:38,800 --> 00:41:39,000 Speaker 3: the end. 884 00:41:39,000 --> 00:41:39,799 Speaker 2: I think that was the gag. 885 00:41:39,920 --> 00:41:41,880 Speaker 3: I'm going to go there every day and be like, everyone. 886 00:41:41,640 --> 00:41:42,800 Speaker 2: Gets free waters a cafe. 887 00:41:43,480 --> 00:41:43,760 Speaker 3: Fuck. 888 00:41:43,840 --> 00:41:45,920 Speaker 2: I've just realized we're leaving.