1 00:00:00,560 --> 00:00:04,280 Speaker 1: Quest. Yeah, welcome friends to the Christian O'Connell Show podcast. 2 00:00:04,440 --> 00:00:06,680 Speaker 2: Let's find out who is on the line now on 3 00:00:06,720 --> 00:00:09,760 Speaker 2: Who's Calling Christian? We went to our last four days on 4 00:00:09,840 --> 00:00:13,520 Speaker 2: the final week, Good morning, Who's calling Christian? Who's this? 5 00:00:14,280 --> 00:00:16,840 Speaker 3: Good morning Christian? This is Matt Gost. You might know 6 00:00:16,920 --> 00:00:18,360 Speaker 3: me from the singer Bross. 7 00:00:19,160 --> 00:00:21,160 Speaker 2: Matt Goss, No way, where in the world are you 8 00:00:23,520 --> 00:00:25,919 Speaker 2: and how are you calling the show? Who's asked you 9 00:00:25,960 --> 00:00:26,480 Speaker 2: to give us a call? 10 00:00:26,520 --> 00:00:29,960 Speaker 3: Matt, I'm actually calling on behalf of Late the Night 11 00:00:30,080 --> 00:00:31,280 Speaker 3: for Hoshins and a Fumia. 12 00:00:32,080 --> 00:00:34,879 Speaker 2: Oh great charity do very very important work for a 13 00:00:34,920 --> 00:00:38,199 Speaker 2: table condition. Thanks for supporting their work of course, hell 14 00:00:38,240 --> 00:00:41,880 Speaker 2: are you? Yeah, I'm good so Matt Goss. Honestly right, 15 00:00:43,120 --> 00:00:45,400 Speaker 2: it's hard for able to understand, right, Patsy. I know. Patsy, 16 00:00:45,440 --> 00:00:47,920 Speaker 2: who does the show with us, was a massive fan 17 00:00:47,960 --> 00:00:50,360 Speaker 2: of yours, as was many many people around the world. 18 00:00:50,400 --> 00:00:52,680 Speaker 2: But Matt, I remember coming to see you guys. I 19 00:00:52,800 --> 00:00:55,280 Speaker 2: had to take my younger sister, who was the bigger 20 00:00:55,360 --> 00:00:58,640 Speaker 2: Bross fan back in bros Mania and you played Southampton 21 00:00:58,640 --> 00:01:01,120 Speaker 2: Mayflower and there were thousands of screaming kids, right, it 22 00:01:01,160 --> 00:01:04,679 Speaker 2: was like Beatlemania. My sister fainted and she was right 23 00:01:04,680 --> 00:01:06,600 Speaker 2: at the front by the crash barriers got pulled out. 24 00:01:07,000 --> 00:01:10,000 Speaker 2: She missed the missed your entire show made it to 25 00:01:10,000 --> 00:01:12,639 Speaker 2: her front page news of the local newspaper. She still 26 00:01:12,680 --> 00:01:15,200 Speaker 2: regrets it to this day. I got to see you guys. 27 00:01:15,200 --> 00:01:17,839 Speaker 2: I have to say you were You were amazing live. 28 00:01:18,000 --> 00:01:19,240 Speaker 2: You guys could really sing. 29 00:01:19,560 --> 00:01:21,920 Speaker 3: Ah, thank you Matt. Yeah, I mean we got discovered 30 00:01:21,920 --> 00:01:22,360 Speaker 3: as a band. 31 00:01:22,440 --> 00:01:22,560 Speaker 2: You know. 32 00:01:22,640 --> 00:01:24,360 Speaker 3: It was like I think, because when you get screened up, 33 00:01:24,400 --> 00:01:26,560 Speaker 3: people kind of like to get shop. But it was 34 00:01:26,760 --> 00:01:28,520 Speaker 3: some of the best years of my life with some 35 00:01:28,560 --> 00:01:31,480 Speaker 3: of the certainly in Australia as well. We turned up 36 00:01:31,520 --> 00:01:33,679 Speaker 3: to Sydney and there were ten thousand people at Sydney 37 00:01:33,680 --> 00:01:38,399 Speaker 3: Airport and incredible, incredible experiences globally. 38 00:01:37,959 --> 00:01:42,160 Speaker 2: Really and also moments say, heyday of sort of the tabloids, newspapers. 39 00:01:42,160 --> 00:01:44,200 Speaker 2: This was back when they would just make stories up. 40 00:01:44,240 --> 00:01:45,880 Speaker 2: I remember, and I actually believed this for a while. 41 00:01:46,240 --> 00:01:49,120 Speaker 2: Wasn't there a story going round that you and your 42 00:01:49,120 --> 00:01:53,360 Speaker 2: brother were genetically modified? Do you remember that? Yeah? 43 00:01:53,720 --> 00:01:56,559 Speaker 3: Apparently they said that we had we had our cheek 44 00:01:56,600 --> 00:01:58,880 Speaker 3: bones inserted so we looked more alike and we were 45 00:01:58,880 --> 00:02:01,240 Speaker 3: twins anyway, but they just just in case we weren't 46 00:02:01,240 --> 00:02:05,680 Speaker 3: twins enough, apparently that we were genetically kind of like modified, 47 00:02:06,480 --> 00:02:09,200 Speaker 3: which is she always fun. You should try it. 48 00:02:10,160 --> 00:02:12,240 Speaker 2: The thing is, I feel embarrassed saying this. I actually 49 00:02:12,240 --> 00:02:14,240 Speaker 2: believed it because as back when, you thought, well, if 50 00:02:14,240 --> 00:02:17,040 Speaker 2: the newspapers saying this, it's obviously the truth. And I 51 00:02:17,120 --> 00:02:21,080 Speaker 2: actually thought, make it. They looked genetically modified. That's why 52 00:02:21,120 --> 00:02:23,880 Speaker 2: they're too good looking. They've been GM modified. 53 00:02:25,639 --> 00:02:26,560 Speaker 3: GBM AI. 54 00:02:27,919 --> 00:02:30,799 Speaker 2: You were early AI, you and your brother and so 55 00:02:30,960 --> 00:02:34,760 Speaker 2: I know you did a big residency for years in Vegas. 56 00:02:34,800 --> 00:02:37,040 Speaker 2: How was that? Didn't you do like ten twelve years? 57 00:02:37,080 --> 00:02:38,840 Speaker 2: I saw in the documentary a couple of years ago that. 58 00:02:38,880 --> 00:02:42,600 Speaker 3: Yeah, we just well COVID really is the reason I stopped, 59 00:02:42,600 --> 00:02:45,360 Speaker 3: because all the shows came to a close. Yeah, but 60 00:02:45,360 --> 00:02:49,200 Speaker 3: it was long one of the longest running male residences 61 00:02:48,880 --> 00:02:52,080 Speaker 3: in Vegas history, so that Caesar's Palace ten years and 62 00:02:52,280 --> 00:02:55,160 Speaker 3: just over a year ago I stopped and then started 63 00:02:55,160 --> 00:02:57,480 Speaker 3: a new record. But it was something that was incredible, 64 00:02:58,080 --> 00:03:01,080 Speaker 3: incredible experiences. It was an incredible being the headliner on 65 00:03:01,120 --> 00:03:06,040 Speaker 3: the strip and alongside Celine Dion and Elton Jon and stuff. 66 00:03:06,080 --> 00:03:08,840 Speaker 2: It was incredible, one amazing experience. And how many shows 67 00:03:08,840 --> 00:03:09,680 Speaker 2: were you doing a year? 68 00:03:10,240 --> 00:03:12,600 Speaker 3: About it got up to about one hundred and twenty 69 00:03:12,680 --> 00:03:14,640 Speaker 3: shows a year. So if you think the average world 70 00:03:14,680 --> 00:03:17,079 Speaker 3: tour is eighty, so we were doing one hundred and 71 00:03:17,120 --> 00:03:18,880 Speaker 3: twenty a year, so it's pretty crazy. 72 00:03:19,240 --> 00:03:21,480 Speaker 2: Wow. Wait, and how many years did you keep that up? 73 00:03:21,520 --> 00:03:26,560 Speaker 3: For just under eleven years? So yeah, we did the decade? 74 00:03:27,200 --> 00:03:28,920 Speaker 2: And how did you keep going? There must have been 75 00:03:28,960 --> 00:03:30,839 Speaker 2: on us, right, There must have been some nights when 76 00:03:31,040 --> 00:03:33,160 Speaker 2: I can't do it, I cannot go out there again. 77 00:03:33,680 --> 00:03:35,920 Speaker 3: Yeah, to real to you, it was just it was 78 00:03:36,160 --> 00:03:38,240 Speaker 3: it got to the point at the end of the regidency, 79 00:03:38,280 --> 00:03:40,200 Speaker 3: I was just like I was just starting to feel 80 00:03:40,240 --> 00:03:41,920 Speaker 3: that exact way. I was just like, I need to 81 00:03:41,920 --> 00:03:44,560 Speaker 3: get out to the world. I need to see you know, 82 00:03:44,760 --> 00:03:48,920 Speaker 3: Melbourne and you know, Paris and Berlin and Tokyo and London, 83 00:03:48,960 --> 00:03:50,440 Speaker 3: and I just need to get out. And that's why 84 00:03:50,480 --> 00:03:53,680 Speaker 3: I really was. It was almost like have been sent 85 00:03:53,720 --> 00:03:55,240 Speaker 3: in a weird way. I just was like, I have 86 00:03:55,400 --> 00:03:57,720 Speaker 3: to really look at my life and just get back 87 00:03:57,720 --> 00:04:00,280 Speaker 3: to the world and write a record that we will 88 00:04:00,360 --> 00:04:02,880 Speaker 3: enable me to do that exact thing, you know, and. 89 00:04:02,800 --> 00:04:04,840 Speaker 2: You obviously still love singing live because you've got I 90 00:04:04,840 --> 00:04:06,040 Speaker 2: know you've got a new song, haven't you. 91 00:04:06,440 --> 00:04:09,920 Speaker 3: I do. It's called Somewhere to Fall and work with 92 00:04:09,960 --> 00:04:13,240 Speaker 3: everyone from baby Face to you know, Jay Rustling, read 93 00:04:13,280 --> 00:04:16,200 Speaker 3: David Daily, some great great producers and just it was 94 00:04:16,279 --> 00:04:18,520 Speaker 3: it was. It's a diary, kind of a snapshot into 95 00:04:18,520 --> 00:04:21,279 Speaker 3: the last couple of years of my life. Are you 96 00:04:21,360 --> 00:04:23,679 Speaker 3: really really proud of it? Going back to pop? 97 00:04:24,320 --> 00:04:24,560 Speaker 4: Really? 98 00:04:24,560 --> 00:04:27,599 Speaker 3: Really? You know? Bangers, real bangers on this on this album? 99 00:04:27,760 --> 00:04:29,840 Speaker 2: Do you know what? I moved here from the UK 100 00:04:30,040 --> 00:04:32,240 Speaker 2: all right three years ago and I've been trying to 101 00:04:32,240 --> 00:04:34,760 Speaker 2: get Australians to say the word bangers, and our listeners 102 00:04:34,760 --> 00:04:35,560 Speaker 2: now say it back to me. 103 00:04:35,600 --> 00:04:36,200 Speaker 3: Bang. Yeah. 104 00:04:36,279 --> 00:04:39,520 Speaker 2: Yeah, it's great to hear the word bangers again. It's 105 00:04:39,520 --> 00:04:41,200 Speaker 2: a kind of fish thing. Isn't the phrase for a 106 00:04:41,240 --> 00:04:42,360 Speaker 2: good song? It's a banger. 107 00:04:42,680 --> 00:04:45,320 Speaker 3: It's a banger. Yeah. It's like you know, anyone listening 108 00:04:45,320 --> 00:04:48,520 Speaker 3: in Australia, there are there are worse options than bangers. 109 00:04:51,000 --> 00:04:53,640 Speaker 2: You need to bring out the great cross cross bangers, 110 00:04:54,640 --> 00:04:55,440 Speaker 2: cross bangers. 111 00:04:55,520 --> 00:05:00,000 Speaker 3: Yeah, calling Christians, calling Kinson and cross bangers. I feel 112 00:05:00,040 --> 00:05:01,120 Speaker 3: are you going with this? I like it? 113 00:05:02,240 --> 00:05:03,920 Speaker 2: And so were you hoping that you'll be able to 114 00:05:03,920 --> 00:05:05,920 Speaker 2: get on the road again and go and come over 115 00:05:06,000 --> 00:05:07,800 Speaker 2: to Australia and go and tour the world with the 116 00:05:07,839 --> 00:05:08,360 Speaker 2: new stuff. 117 00:05:09,960 --> 00:05:13,200 Speaker 3: I am, without question next year going to Australia. Some 118 00:05:13,240 --> 00:05:16,120 Speaker 3: of the greatest memories of my life is touring was 119 00:05:16,200 --> 00:05:19,920 Speaker 3: in Australia. I mean, they said have hundreds of shows 120 00:05:19,920 --> 00:05:22,279 Speaker 3: and around the world, but I've not been able to 121 00:05:22,279 --> 00:05:25,000 Speaker 3: get back to OZ and I just truly some of 122 00:05:25,000 --> 00:05:26,920 Speaker 3: the best memories of my life. It was some of 123 00:05:26,920 --> 00:05:28,520 Speaker 3: the craziest memories for sure. 124 00:05:29,120 --> 00:05:29,839 Speaker 2: What amazing. 125 00:05:29,920 --> 00:05:31,360 Speaker 3: I'm coming back next year to that doubt. 126 00:05:31,839 --> 00:05:34,200 Speaker 2: And when you do live stuff, do you do any unusual 127 00:05:34,320 --> 00:05:38,000 Speaker 2: cover versions? I remember you guys doing an amazing version 128 00:05:38,080 --> 00:05:41,719 Speaker 2: of Stevie Wonder's Superstition. Do you remember doing that on 129 00:05:41,839 --> 00:05:44,000 Speaker 2: I think it was Jonathan Ross's TV show? 130 00:05:44,480 --> 00:05:48,520 Speaker 3: No, no, no, it was a higher ground Superstition. You're 131 00:05:48,640 --> 00:05:52,159 Speaker 3: a massive stee Under fan, so I always I always 132 00:05:52,200 --> 00:05:54,760 Speaker 3: loved doing Stevie Wonder and just you know, we get 133 00:05:54,839 --> 00:05:56,760 Speaker 3: in the band always love it, so we just I mean, 134 00:05:57,279 --> 00:05:59,239 Speaker 3: it's crazy for me to get back on the stage. 135 00:05:59,240 --> 00:06:02,200 Speaker 3: I think most of this, even listening more will relate 136 00:06:02,320 --> 00:06:05,080 Speaker 3: to just wanting to get back on stage and just 137 00:06:05,200 --> 00:06:07,080 Speaker 3: feeling the energy that you get from a live audience. 138 00:06:07,800 --> 00:06:09,159 Speaker 3: I can't wait to get back on stage. 139 00:06:09,600 --> 00:06:11,560 Speaker 2: And how do you think it be now touring in 140 00:06:12,200 --> 00:06:14,320 Speaker 2: you know? I hope you don't mind me asking you this, 141 00:06:14,440 --> 00:06:16,360 Speaker 2: but I feel like we bonded over the word banger. 142 00:06:16,839 --> 00:06:19,960 Speaker 2: You must be like me, who's in your middle ages? Now? 143 00:06:20,000 --> 00:06:21,600 Speaker 2: How do you think it be touring the world as 144 00:06:21,640 --> 00:06:23,840 Speaker 2: a middle aged early middle aged gentlemen? 145 00:06:24,000 --> 00:06:26,680 Speaker 3: Well, go on my Instagram and if you tell me 146 00:06:26,720 --> 00:06:28,880 Speaker 3: I look my age, then I will call back again, 147 00:06:29,120 --> 00:06:30,400 Speaker 3: and not to the proper chat. 148 00:06:33,120 --> 00:06:34,680 Speaker 2: I'm looking at a picture of you right now on 149 00:06:34,720 --> 00:06:36,680 Speaker 2: your Instagram feed. You are a banger. 150 00:06:38,200 --> 00:06:41,920 Speaker 3: And a banger. You're not bad yourself, you know what. 151 00:06:41,920 --> 00:06:44,080 Speaker 2: I'm a couple of British bangers just hanging out. 152 00:06:44,160 --> 00:06:46,680 Speaker 3: If I was, if I was a bird, I mean, 153 00:06:46,680 --> 00:06:52,640 Speaker 3: I'm being honest. If no, whole Winter's evening, you never know, 154 00:06:53,480 --> 00:06:53,839 Speaker 3: you don't. 155 00:06:53,839 --> 00:06:57,320 Speaker 2: It's true. Now everyone who gives us a call, we 156 00:06:57,480 --> 00:07:00,760 Speaker 2: are asking what song is like a guilty player for them, 157 00:07:00,920 --> 00:07:03,240 Speaker 2: a song they secretly love. What is it for you? 158 00:07:03,400 --> 00:07:03,919 Speaker 2: Matt Goss? 159 00:07:05,360 --> 00:07:08,200 Speaker 3: Well, I have to be wearing the right trousers for this. 160 00:07:08,640 --> 00:07:10,160 Speaker 3: I have to be wearing the right trousers for it, 161 00:07:10,840 --> 00:07:13,360 Speaker 3: and I just walk around my house and it's got 162 00:07:13,480 --> 00:07:16,360 Speaker 3: to be staying alive by the beaches. 163 00:07:16,840 --> 00:07:21,240 Speaker 2: What a song banger? 164 00:07:21,400 --> 00:07:24,720 Speaker 3: Right, poper banger? 165 00:07:27,080 --> 00:07:28,000 Speaker 2: You ever done this live? 166 00:07:28,920 --> 00:07:28,960 Speaker 5: No? 167 00:07:29,160 --> 00:07:30,880 Speaker 3: But I would like to break it down like hip 168 00:07:30,920 --> 00:07:32,600 Speaker 3: hop hip hop groove, do you know what I mean? 169 00:07:32,680 --> 00:07:33,960 Speaker 3: Just a bit of a hip hop beat with it. 170 00:07:34,400 --> 00:07:36,920 Speaker 3: Slow it down a bit, make it a bit more central. Yeah, 171 00:07:37,800 --> 00:07:40,720 Speaker 3: it's in there, it's in mind. Now I'm gonna I'll 172 00:07:40,720 --> 00:07:41,720 Speaker 3: try and get it down to time I. 173 00:07:41,720 --> 00:07:43,440 Speaker 2: Gets words, please, please do? Do you know what? The 174 00:07:43,520 --> 00:07:46,239 Speaker 2: more I look through your Instagram feed, you are definitely 175 00:07:46,280 --> 00:07:51,320 Speaker 2: one hundred percent genetically modified. I'm calling it now. It's 176 00:07:51,360 --> 00:07:54,000 Speaker 2: not normal to be that age to be that good looking. 177 00:07:54,280 --> 00:07:56,480 Speaker 2: You're getting as you get younger, you're getting more and 178 00:07:56,600 --> 00:07:58,200 Speaker 2: more good looking. What are you going to be that 179 00:07:58,240 --> 00:07:59,600 Speaker 2: when you're ate it? You'd be too hot. 180 00:08:00,080 --> 00:08:02,680 Speaker 3: My old man is sire and he still looks like 181 00:08:02,800 --> 00:08:05,840 Speaker 3: James Bond. He was actually is a detective of Scotland Yard. 182 00:08:07,160 --> 00:08:08,360 Speaker 3: My old man I'll be doing all right. 183 00:08:08,560 --> 00:08:10,920 Speaker 2: Yeah, he should be the next James Bond. He should 184 00:08:10,920 --> 00:08:13,000 Speaker 2: take over from Daniel Craid. Bond banger. 185 00:08:13,400 --> 00:08:15,080 Speaker 3: Let me ask you one thing. I've got a few 186 00:08:15,120 --> 00:08:17,880 Speaker 3: A question. So you have a dog, and I think 187 00:08:18,120 --> 00:08:19,840 Speaker 3: I think we both called our dogs Reggie. 188 00:08:20,120 --> 00:08:22,360 Speaker 2: Yes, our little dog is called Reggie. Yeah, is really 189 00:08:22,400 --> 00:08:22,960 Speaker 2: called Reggie. 190 00:08:24,280 --> 00:08:26,200 Speaker 3: Mine's called Reggie after Reggie Craane. 191 00:08:27,520 --> 00:08:30,160 Speaker 2: Come on, they think us s British people are obsessed 192 00:08:30,200 --> 00:08:33,360 Speaker 2: with the grave. You can't go around naming it one 193 00:08:33,400 --> 00:08:33,920 Speaker 2: of the grave. 194 00:08:34,280 --> 00:08:37,199 Speaker 3: What is wrong with being you know? Ready used to 195 00:08:37,240 --> 00:08:39,880 Speaker 3: call me from prison every every every morning and read 196 00:08:39,920 --> 00:08:40,920 Speaker 3: me poetry to journey. 197 00:08:41,520 --> 00:08:44,440 Speaker 2: Of course I didn't know that. Are you winding me up? 198 00:08:44,559 --> 00:08:45,080 Speaker 2: Is this for real? 199 00:08:46,600 --> 00:08:47,080 Speaker 3: Is it honest? 200 00:08:47,200 --> 00:08:47,440 Speaker 4: True? 201 00:08:47,840 --> 00:08:50,439 Speaker 3: Reggie gave me you call me and reading poetry from 202 00:08:50,520 --> 00:08:52,240 Speaker 3: from her Majestyes, every morning? 203 00:08:52,480 --> 00:08:54,800 Speaker 2: What is its one phone call of the day. Hang on, guys, 204 00:08:54,800 --> 00:08:57,480 Speaker 2: I'll be offered a minute. I just called it Matt, Matt, Matt. 205 00:08:58,000 --> 00:09:00,160 Speaker 2: What was it poetry that he'd written that day or 206 00:09:00,200 --> 00:09:01,160 Speaker 2: just classic poems? 207 00:09:01,400 --> 00:09:01,600 Speaker 1: Yeah? 208 00:09:01,679 --> 00:09:04,000 Speaker 3: He was like he wanted to be a clothing designer. 209 00:09:04,120 --> 00:09:07,000 Speaker 3: He read poetry. So I feel like I'm getting out 210 00:09:07,000 --> 00:09:08,319 Speaker 3: of door. Got call him running? 211 00:09:08,480 --> 00:09:11,240 Speaker 2: Yeah, and how did you become friends with one of 212 00:09:11,280 --> 00:09:11,800 Speaker 2: the graze? 213 00:09:12,400 --> 00:09:14,000 Speaker 3: Well, he told me out But I was had in sushi. 214 00:09:14,160 --> 00:09:15,880 Speaker 3: I was having sushi. He was just and I got 215 00:09:15,920 --> 00:09:20,640 Speaker 3: a phone calls a Matt and I went, hello, Reggie, 216 00:09:20,679 --> 00:09:21,960 Speaker 3: really pray I love your book. 217 00:09:24,320 --> 00:09:26,440 Speaker 2: So he's calling from inside prison. 218 00:09:26,960 --> 00:09:29,040 Speaker 3: Yeah, And I was like, you're right, are we good? 219 00:09:31,520 --> 00:09:33,640 Speaker 3: And he goes, yeah, I just love your books, you know, 220 00:09:33,760 --> 00:09:34,760 Speaker 3: So we became man. 221 00:09:35,400 --> 00:09:38,199 Speaker 2: That is an unbelievable story. I did not know that. 222 00:09:38,400 --> 00:09:40,280 Speaker 2: What a life, What a life you've had. 223 00:09:42,120 --> 00:09:44,560 Speaker 3: You still we're still in, You're still here crushing up. 224 00:09:44,679 --> 00:09:46,839 Speaker 2: All right, Well listen, I really hope you get to 225 00:09:46,920 --> 00:09:49,440 Speaker 2: come here next year to Australia and come to Melbourne. 226 00:09:49,480 --> 00:09:50,719 Speaker 2: You have to come in on the show. If you do, 227 00:09:50,840 --> 00:09:54,000 Speaker 2: come out Matt and lovely chating you love good luck 228 00:09:54,080 --> 00:09:56,079 Speaker 2: with the new singer as well. I'm still glad you're 229 00:09:56,080 --> 00:09:58,360 Speaker 2: doing great work as well. Matt Gosh, thank you very 230 00:09:58,400 --> 00:10:00,120 Speaker 2: much for giving us a cool take care. Hopefully see 231 00:10:00,160 --> 00:10:03,120 Speaker 2: you next year. Much to you, and you're listening all right, 232 00:10:03,200 --> 00:10:03,880 Speaker 2: Thanks banger. 233 00:10:04,320 --> 00:10:06,280 Speaker 1: Christian O'Connell show podcast. 234 00:10:07,200 --> 00:10:08,880 Speaker 2: Last person we spoke to you on this was about 235 00:10:08,920 --> 00:10:13,839 Speaker 2: twenty minutes ago. Matt Goss from Ross It from a 236 00:10:14,160 --> 00:10:16,199 Speaker 2: Let's find out who's on the line right now? Good morning. 237 00:10:16,280 --> 00:10:17,400 Speaker 2: Who's calling Christian? 238 00:10:18,320 --> 00:10:22,640 Speaker 4: Good morning Christian. Tim Ferguson calling. 239 00:10:23,120 --> 00:10:25,440 Speaker 2: Tim, Welcome to the show. Thanksgiving us a call. 240 00:10:26,080 --> 00:10:27,800 Speaker 4: Hey, no, how are you going? 241 00:10:28,080 --> 00:10:29,839 Speaker 2: Yeah, we doing very well. And who's asked you to 242 00:10:29,840 --> 00:10:30,320 Speaker 2: give us a call? 243 00:10:30,360 --> 00:10:30,560 Speaker 3: Note? 244 00:10:31,400 --> 00:10:37,439 Speaker 4: Oh Jeredy Beavers my phone on longtime phone. Jobby Beavers said, 245 00:10:37,480 --> 00:10:40,839 Speaker 4: you've got to do it, and you know you've just 246 00:10:40,960 --> 00:10:42,880 Speaker 4: got to do whatever people tell you. 247 00:10:43,440 --> 00:10:45,840 Speaker 2: Well, Tim Ferguson, thank you very much for giving us 248 00:10:45,880 --> 00:10:48,959 Speaker 2: a call. I I remember you called some Doug Anthony 249 00:10:49,040 --> 00:10:52,160 Speaker 2: Allstars right, uh yeah, yeah. 250 00:10:52,040 --> 00:10:59,640 Speaker 4: That's one of my guilty pleasures. That's who Hi, Thank 251 00:10:59,679 --> 00:11:03,920 Speaker 4: you sir. Yeah, that's what I was doing against the 252 00:11:05,240 --> 00:11:08,040 Speaker 4: In fact, we did quite a few sort of little 253 00:11:08,160 --> 00:11:11,640 Speaker 4: gigs together. There was such a huge noise at the time. 254 00:11:12,559 --> 00:11:14,480 Speaker 2: I think you just broke up there on your phone there. 255 00:11:14,760 --> 00:11:17,600 Speaker 2: Did you say you guys did a show with Matt Goss? 256 00:11:18,520 --> 00:11:22,160 Speaker 4: Yeah, yeah, I remember. The first one was some big 257 00:11:22,440 --> 00:11:27,319 Speaker 4: Jamaican hurricane thing that we did at one of the 258 00:11:27,400 --> 00:11:30,200 Speaker 4: big theaters at the Odeon I think and Bross were 259 00:11:30,280 --> 00:11:35,280 Speaker 4: there and the whole place was going Banala's So in 260 00:11:35,400 --> 00:11:39,040 Speaker 4: Jamaica or in the UK. No, they just had one 261 00:11:39,240 --> 00:11:43,000 Speaker 4: in Jamaica and so everybody got together along with his 262 00:11:43,200 --> 00:11:47,600 Speaker 4: Pitch and the ut get there and you know, Brian 263 00:11:47,840 --> 00:11:52,200 Speaker 4: Palmer and Banana Rama. It was. It was so cool. 264 00:11:52,280 --> 00:11:56,120 Speaker 4: Every time you walked out of your dressing room there 265 00:11:56,160 --> 00:11:57,599 Speaker 4: were more people to suck up to. 266 00:12:00,679 --> 00:12:01,280 Speaker 5: Oh, I love you. 267 00:12:03,960 --> 00:12:06,400 Speaker 2: I remember seeing you guys dug into the All Stars. 268 00:12:06,480 --> 00:12:08,840 Speaker 2: Do do you remember Edinard Festival? It must have been 269 00:12:08,920 --> 00:12:11,559 Speaker 2: the early nineties doing Late and Live. Used to do 270 00:12:11,600 --> 00:12:13,440 Speaker 2: a lot of the late Live shows when they're really wild, 271 00:12:13,640 --> 00:12:15,280 Speaker 2: like one or do you remember those? 272 00:12:16,320 --> 00:12:16,520 Speaker 3: Yeah? 273 00:12:16,640 --> 00:12:19,400 Speaker 4: Yeah, look, I'm sorry that the mess we made. Did 274 00:12:19,480 --> 00:12:22,520 Speaker 4: you see the one where we had roved? We'd start 275 00:12:22,679 --> 00:12:30,120 Speaker 4: that purpose literally the video had to say. It's okay 276 00:12:30,200 --> 00:12:33,679 Speaker 4: if it happenspontaneously with the crowd, but you know, if 277 00:12:33,720 --> 00:12:37,079 Speaker 4: you just start throwing beer, you know what they're. 278 00:12:37,080 --> 00:12:39,520 Speaker 2: Like, Yeah, two am in Scotland, good luck with that. 279 00:12:40,200 --> 00:12:42,080 Speaker 4: Yeah yeah, I mean you know we're in the middle 280 00:12:42,120 --> 00:12:42,720 Speaker 4: of nowhere. 281 00:12:42,800 --> 00:12:43,079 Speaker 2: It was. 282 00:12:43,600 --> 00:12:46,240 Speaker 4: There were great days. We made a very big mess. 283 00:12:47,720 --> 00:12:51,640 Speaker 2: And what is the name of the charity that you're supporting, tim, Oh, the. 284 00:12:51,760 --> 00:12:57,719 Speaker 4: Cambodian Children's Fun You do fantastic work. They're people who 285 00:12:59,000 --> 00:13:03,640 Speaker 4: go to the garbage tips and find kids and send 286 00:13:03,720 --> 00:13:06,800 Speaker 4: them to school. And they've been doing it for a 287 00:13:06,880 --> 00:13:10,199 Speaker 4: long time now, so they've got kids they found who 288 00:13:10,240 --> 00:13:14,240 Speaker 4: have now you know, they're at university and doing great things, 289 00:13:14,360 --> 00:13:18,079 Speaker 4: kicking great girls. And also they have one that I do, 290 00:13:18,240 --> 00:13:22,960 Speaker 4: which is sponsor a granny because the lot of single 291 00:13:23,160 --> 00:13:27,360 Speaker 4: older women in Cambodia because of the you know, the 292 00:13:27,520 --> 00:13:32,480 Speaker 4: Vietnam War, and so you can sponsor your room single granny. 293 00:13:32,600 --> 00:13:33,960 Speaker 4: It's a great charity. 294 00:13:34,520 --> 00:13:37,680 Speaker 2: Awesome. Well thanks for letting us know about that. Sounds incredible. Now, Tim, 295 00:13:37,720 --> 00:13:39,520 Speaker 2: everyone who gives us a call, we're asking them, what 296 00:13:39,679 --> 00:13:41,640 Speaker 2: song is there? Guilty Pleasure? 297 00:13:41,720 --> 00:13:44,800 Speaker 4: What is it for you? Oh my god? Well, I 298 00:13:44,880 --> 00:13:48,360 Speaker 4: mean for mem for a lot of the guys out there, 299 00:13:48,480 --> 00:13:51,439 Speaker 4: Tears for fears shout. You know, it's just one of 300 00:13:51,480 --> 00:13:53,319 Speaker 4: those things when it comes on you've just got to 301 00:13:53,400 --> 00:13:53,920 Speaker 4: tunnel up. 302 00:13:56,679 --> 00:13:59,840 Speaker 2: This is a great song, Tim, No, man. 303 00:13:59,800 --> 00:14:01,520 Speaker 4: It's just going. 304 00:14:04,320 --> 00:14:06,079 Speaker 2: That's a great thing. Everyone loves about it. It's a 305 00:14:06,160 --> 00:14:08,440 Speaker 2: shouting and we know that shouting is called shout. 306 00:14:09,320 --> 00:14:13,640 Speaker 4: Sure. Yeah, yeah, so show me Boddy for God's sake. 307 00:14:13,800 --> 00:14:16,920 Speaker 2: Oh keep it quiet, Tim, all right, Tim, thank you 308 00:14:17,160 --> 00:14:18,840 Speaker 2: very much for giving us a call. And telling us 309 00:14:18,840 --> 00:14:21,200 Speaker 2: about a great charity. I hope you will really loved 310 00:14:21,200 --> 00:14:22,000 Speaker 2: hearing from you today. 311 00:14:22,800 --> 00:14:25,360 Speaker 4: Thanks Chrystal, Thanks everyone, Take care Tim. 312 00:14:25,760 --> 00:14:30,080 Speaker 1: Well Christian Connell's show podcast that's has. 313 00:14:30,000 --> 00:14:32,880 Speaker 2: Gone off for who's calling Christian? Let's find out who's 314 00:14:32,880 --> 00:14:35,280 Speaker 2: there now to talk to us? Good morning? Who is this? 315 00:14:36,080 --> 00:14:40,120 Speaker 5: Good morning Christian? This is comedian Deil Rob Jay singer speaking. 316 00:14:40,440 --> 00:14:40,920 Speaker 5: How are you? 317 00:14:41,240 --> 00:14:43,840 Speaker 2: You don't need to chuck in the comedian, We know who. 318 00:14:43,800 --> 00:14:44,320 Speaker 3: You are with you. 319 00:14:45,360 --> 00:14:47,640 Speaker 5: This is where I'm insecure because it's been such a 320 00:14:47,760 --> 00:14:51,600 Speaker 5: flex already, buzzly. The song that was playing is Backshit Boys, 321 00:14:51,640 --> 00:14:53,720 Speaker 5: and I know AJ is already called in right it's 322 00:14:53,760 --> 00:14:56,840 Speaker 5: bad enough Olivia and Newton, Johnny's in the mix. How 323 00:14:56,920 --> 00:14:58,200 Speaker 5: am I meant to break them? 324 00:14:58,280 --> 00:14:58,320 Speaker 2: Like? 325 00:14:58,440 --> 00:15:00,600 Speaker 5: What a flex by AJ? First of all? And then 326 00:15:00,640 --> 00:15:03,280 Speaker 5: I'm assuming Christian, this is just a pure coincidence that 327 00:15:03,400 --> 00:15:07,360 Speaker 5: my intro song was a song called immigrant song talk 328 00:15:07,400 --> 00:15:10,480 Speaker 5: about being on the back foot one of bloody Tuesday 329 00:15:10,560 --> 00:15:15,080 Speaker 5: Morning feeling paranoid. My god, mate, here here I am. 330 00:15:15,200 --> 00:15:16,760 Speaker 5: I know we've met a couple of times. I'm like, 331 00:15:16,800 --> 00:15:18,920 Speaker 5: I'm pretty sure he knows me. But I'm telling you, 332 00:15:19,360 --> 00:15:22,040 Speaker 5: I mean, come on, like, surely, surely I'm in with 333 00:15:22,120 --> 00:15:24,400 Speaker 5: a chance somehow the underdog story, right, Yeah. 334 00:15:25,280 --> 00:15:29,160 Speaker 2: I follow you on Instagram and always get inspired because 335 00:15:29,200 --> 00:15:31,440 Speaker 2: obviously your story of the last couple of years. I 336 00:15:31,480 --> 00:15:34,720 Speaker 2: think I saw earlier this year. I think it was 337 00:15:34,840 --> 00:15:37,800 Speaker 2: July or something you celebrate five years sober as well. 338 00:15:38,080 --> 00:15:39,960 Speaker 5: There was actually a couple of weeks ago, five years 339 00:15:40,000 --> 00:15:43,360 Speaker 5: of sobriety. Yeah exactly, because let's say, coming from Sri 340 00:15:43,480 --> 00:15:45,880 Speaker 5: Lanka and my parents, you know, well, it was made 341 00:15:45,920 --> 00:15:47,600 Speaker 5: sure that I, you know, hit the books and then 342 00:15:47,640 --> 00:15:49,960 Speaker 5: sertainly they send me to a country like Australia and 343 00:15:50,120 --> 00:15:53,040 Speaker 5: turns out I can scull a painting in four seconds, 344 00:15:53,160 --> 00:15:55,320 Speaker 5: and then all of a sudden I was made national 345 00:15:55,440 --> 00:16:04,080 Speaker 5: hero at the university Arge. Yeah, exactly, exactly, but no, 346 00:16:04,240 --> 00:16:06,520 Speaker 5: it is. It is really lovely to call. And it 347 00:16:06,680 --> 00:16:09,920 Speaker 5: was Mary Antigus on Instagram hit me up. You fleeted 348 00:16:09,960 --> 00:16:11,800 Speaker 5: my DMS and said can you do this? And I 349 00:16:11,840 --> 00:16:14,840 Speaker 5: was like absolutely. And the charity that I'm calling in 350 00:16:15,000 --> 00:16:17,880 Speaker 5: for is Shake it Up Australia. It is a charity 351 00:16:17,920 --> 00:16:20,560 Speaker 5: setup for Parkinson's research and they do a lot of 352 00:16:20,600 --> 00:16:23,040 Speaker 5: great work with the Michael Jay Fox Foundation as well, 353 00:16:23,080 --> 00:16:25,320 Speaker 5: and I've worked with them a few times now, and 354 00:16:26,240 --> 00:16:28,880 Speaker 5: you know, why not also something else to do right 355 00:16:29,240 --> 00:16:32,080 Speaker 5: in the morning, given that live comedian there's not much 356 00:16:32,120 --> 00:16:32,680 Speaker 5: else going on. 357 00:16:33,520 --> 00:16:36,040 Speaker 2: Thank your making it feel like you're kicking something off 358 00:16:36,120 --> 00:16:37,800 Speaker 2: to do during day giving us a call deal. 359 00:16:37,720 --> 00:16:40,360 Speaker 5: Rook mate, because straight up this, I'm going back into 360 00:16:40,440 --> 00:16:44,360 Speaker 5: an anxiety attack of watching Succession. I've been watching Succession 361 00:16:44,400 --> 00:16:48,120 Speaker 5: and I honestly it It's so addictive, but I'm in 362 00:16:48,200 --> 00:16:51,600 Speaker 5: a panic mode the whole time. Who knew corporate meetings 363 00:16:51,600 --> 00:16:53,080 Speaker 5: were going to be that exciting? Like I used to 364 00:16:53,120 --> 00:16:55,960 Speaker 5: be an accountant and I got fired from my accounting 365 00:16:55,960 --> 00:16:58,040 Speaker 5: to jobs because I fell asleep so many times at 366 00:16:58,080 --> 00:16:58,400 Speaker 5: the desk. 367 00:16:59,680 --> 00:17:01,720 Speaker 2: I do you like Succession? Its great, isn't it? 368 00:17:01,760 --> 00:17:02,040 Speaker 4: Were? 369 00:17:02,240 --> 00:17:04,840 Speaker 2: We love that show. It's back next month the new season. 370 00:17:05,280 --> 00:17:05,800 Speaker 5: Oh my god. 371 00:17:05,880 --> 00:17:06,080 Speaker 2: Yeah. 372 00:17:06,080 --> 00:17:07,520 Speaker 5: So that's why I'm doing a big catch up. And 373 00:17:07,600 --> 00:17:09,560 Speaker 5: it's a bit too much to watch back to back. 374 00:17:10,480 --> 00:17:13,119 Speaker 5: And you know, I suppose it's the thing as so 375 00:17:13,160 --> 00:17:16,600 Speaker 5: many different little things to do well around in our lockdown, 376 00:17:16,600 --> 00:17:19,360 Speaker 5: because I'm here in Melbourne as well, and I heard 377 00:17:19,400 --> 00:17:23,120 Speaker 5: you guys giving little shout outs to non human shout 378 00:17:23,160 --> 00:17:25,800 Speaker 5: outs before. Would you permit me to do one for 379 00:17:25,920 --> 00:17:28,439 Speaker 5: me please as well. Of course i'd love to shout 380 00:17:28,520 --> 00:17:32,600 Speaker 5: out I haven't been Christian called a puzzle board, which 381 00:17:32,720 --> 00:17:36,080 Speaker 5: is basically Now that I'm thirty six, apparently I'm prone 382 00:17:36,119 --> 00:17:38,879 Speaker 5: to back injury, so I can't do jigsaw puzzles on 383 00:17:38,920 --> 00:17:41,720 Speaker 5: a regular table anymore. And I had a winger about 384 00:17:41,760 --> 00:17:44,320 Speaker 5: it on Instagram, and someone's a friend of mine. She said, 385 00:17:44,359 --> 00:17:47,000 Speaker 5: her stepdad makes this table. There's only three that he's 386 00:17:47,040 --> 00:17:48,920 Speaker 5: ever made, and I have one of them, which is 387 00:17:49,000 --> 00:17:52,760 Speaker 5: basically like a if you can imagine a musician sort 388 00:17:52,800 --> 00:17:55,360 Speaker 5: of yea, you know the sheet music where they place 389 00:17:55,440 --> 00:17:58,240 Speaker 5: it on that, Yeah, the version of that. But it's 390 00:17:58,320 --> 00:18:01,160 Speaker 5: really low and it's sort of rolled over into the couch. 391 00:18:01,280 --> 00:18:03,040 Speaker 5: You can lean on back in the couch and it 392 00:18:03,160 --> 00:18:05,560 Speaker 5: just comes over you like a trade table on an airplane. 393 00:18:06,000 --> 00:18:08,320 Speaker 2: Isn't the sort of thing that someone who's like a 394 00:18:08,520 --> 00:18:09,560 Speaker 2: hundred might use? 395 00:18:10,040 --> 00:18:12,480 Speaker 5: I know exactly, man, this is what this is like, 396 00:18:12,680 --> 00:18:16,120 Speaker 5: I thought, Maastu was grim right there being a single man, 397 00:18:16,600 --> 00:18:18,840 Speaker 5: a single man in a one bedroom apartment for one 398 00:18:18,920 --> 00:18:21,879 Speaker 5: hundred and eleven days straight right this year. I have 399 00:18:21,960 --> 00:18:25,760 Speaker 5: a girlfriend, but she's in wa so obviously Mark McGowan 400 00:18:25,840 --> 00:18:28,160 Speaker 5: has been you know, sea blocking us for the light. 401 00:18:30,880 --> 00:18:33,200 Speaker 2: You're the real victim of this. You are the real 402 00:18:33,320 --> 00:18:35,280 Speaker 2: victim genitals. 403 00:18:40,040 --> 00:18:42,560 Speaker 5: I suddenly remember what time flood we're on, when I 404 00:18:42,680 --> 00:18:47,080 Speaker 5: was about to my rand, so thanks for covering me there. 405 00:18:50,280 --> 00:18:53,320 Speaker 2: I can't start thinking about this puzzle board. At first, 406 00:18:53,320 --> 00:18:55,120 Speaker 2: when you said it was because of the bad back, 407 00:18:55,160 --> 00:18:56,800 Speaker 2: I thought you meant it was a puzzle board where 408 00:18:57,160 --> 00:18:59,240 Speaker 2: you know, when you're lying face down through that doughnut 409 00:18:59,280 --> 00:19:03,240 Speaker 2: hole on a massage table, you did it through that little. 410 00:19:06,280 --> 00:19:08,760 Speaker 5: That actually seems a lot makes more, lot more. 411 00:19:10,119 --> 00:19:10,960 Speaker 2: Take that on Shark. 412 00:19:13,440 --> 00:19:17,440 Speaker 5: How can I be the model? You know, don't worry 413 00:19:17,480 --> 00:19:19,000 Speaker 5: about it means an out of work comedian. 414 00:19:21,560 --> 00:19:27,000 Speaker 2: You're a comedian there, So what are you doing other 415 00:19:27,080 --> 00:19:28,800 Speaker 2: than your What is the puzzle that you're doing, by 416 00:19:28,840 --> 00:19:29,919 Speaker 2: the way at the moment, because if you. 417 00:19:29,960 --> 00:19:32,719 Speaker 5: Got the puzzle, actually it's even sad. The puzzle I'm 418 00:19:32,760 --> 00:19:36,480 Speaker 5: doing is a is a the World Atlas because I 419 00:19:36,560 --> 00:19:38,600 Speaker 5: can't travel the world. 420 00:19:40,040 --> 00:19:41,080 Speaker 2: And sad about that. 421 00:19:41,600 --> 00:19:43,680 Speaker 5: Yeah, so many things a blink about it. It's fifteen 422 00:19:43,760 --> 00:19:47,000 Speaker 5: hundred pieces and the majority of it is just oceans, 423 00:19:47,240 --> 00:19:49,760 Speaker 5: and it's not like it's like different shades of ocean. 424 00:19:49,840 --> 00:19:51,119 Speaker 3: It's just like a blue. 425 00:19:51,760 --> 00:19:54,879 Speaker 5: And also they've got the entire border is blank white, 426 00:19:54,920 --> 00:19:56,880 Speaker 5: So I'm at the moment. I spent the last three 427 00:19:56,920 --> 00:19:59,040 Speaker 5: hours of the last few days just trying to get 428 00:19:59,080 --> 00:20:00,879 Speaker 5: the border right because it's your all white pieces. 429 00:20:01,920 --> 00:20:04,560 Speaker 2: This is this is how was a four over the 430 00:20:04,640 --> 00:20:07,479 Speaker 2: border control? So be careful. You could start an international incident. 431 00:20:07,960 --> 00:20:09,359 Speaker 3: Yeah, yeah, yeah, exactly. 432 00:20:09,400 --> 00:20:11,600 Speaker 5: There's a lot of exciting things happening. I'm actually waiting 433 00:20:11,600 --> 00:20:13,479 Speaker 5: for my Australian story very shortly. 434 00:20:13,560 --> 00:20:17,120 Speaker 2: I'm sure once I've heard all this, they'll be called 435 00:20:17,160 --> 00:20:20,480 Speaker 2: in today. Deal. Don't you worry about that now? And 436 00:20:20,600 --> 00:20:22,640 Speaker 2: what I se you doing them? Because obviously you must 437 00:20:22,680 --> 00:20:25,320 Speaker 2: be missing live because till Rook if you ever get 438 00:20:25,320 --> 00:20:26,760 Speaker 2: the chance to see him live and we can and 439 00:20:26,840 --> 00:20:29,000 Speaker 2: we will get out of this. But you aren't amazing. 440 00:20:29,040 --> 00:20:31,800 Speaker 2: You can a stand up deal with really really great style. 441 00:20:31,840 --> 00:20:34,800 Speaker 5: Now, thank you, guys. I appreciate that it is. Actually 442 00:20:34,800 --> 00:20:37,040 Speaker 5: it's so funny that you have Jack post on the 443 00:20:37,600 --> 00:20:41,200 Speaker 5: over the High Jack, because I think there was a 444 00:20:41,240 --> 00:20:42,920 Speaker 5: time when I actually called in on you know, his 445 00:20:43,680 --> 00:20:47,639 Speaker 5: his hobby show that he does sometimes that I was 446 00:20:47,680 --> 00:20:50,040 Speaker 5: actually an accountant at the time when I called in 447 00:20:50,119 --> 00:20:51,600 Speaker 5: and I hid under the desk when I called in 448 00:20:51,680 --> 00:20:53,480 Speaker 5: on that show, and uh, I think it was a 449 00:20:53,560 --> 00:20:55,359 Speaker 5: three four months later that I got inspired to do 450 00:20:55,400 --> 00:20:57,680 Speaker 5: a stand up. So I think I partly have Jack 451 00:20:57,760 --> 00:20:59,719 Speaker 5: to thank for it, because hearing his love cone through 452 00:20:59,720 --> 00:21:01,520 Speaker 5: the four line was like, I'm okay, maybe I can 453 00:21:01,640 --> 00:21:01,840 Speaker 5: do that. 454 00:21:02,560 --> 00:21:04,760 Speaker 2: Yeah, Deal sent me the audio of that he called 455 00:21:04,800 --> 00:21:06,720 Speaker 2: Haimshnani probably more than ten years ago. 456 00:21:06,840 --> 00:21:08,880 Speaker 5: Now, hey, yeah, it was twenty ten. 457 00:21:08,960 --> 00:21:10,800 Speaker 2: Yeah, and when he called it in, you say, Deale 458 00:21:10,840 --> 00:21:11,640 Speaker 2: rock accountant. 459 00:21:12,400 --> 00:21:14,240 Speaker 5: Well, actually no, I think the whole gag was the 460 00:21:14,320 --> 00:21:16,000 Speaker 5: fact I said Dylan. They thought I was Bill, and 461 00:21:16,160 --> 00:21:18,280 Speaker 5: then I just kind of, you know, went in a 462 00:21:18,320 --> 00:21:20,560 Speaker 5: whole rant about the difference between Dill and Bill and 463 00:21:20,680 --> 00:21:22,800 Speaker 5: how the phone line should be clearer. 464 00:21:24,000 --> 00:21:26,639 Speaker 2: Well, everyone, we're asking who calls him, right, We're asking 465 00:21:26,720 --> 00:21:29,400 Speaker 2: what song is their kind of guilty pleasure? The song 466 00:21:29,440 --> 00:21:31,080 Speaker 2: I listened to when there's no one else around? 467 00:21:31,359 --> 00:21:32,080 Speaker 4: What is it for you? 468 00:21:32,880 --> 00:21:36,040 Speaker 5: So I'm a massive, massive eminem fan, like I'm obsessed 469 00:21:36,119 --> 00:21:37,920 Speaker 5: like with you know, I watch YouTube clips about his 470 00:21:38,040 --> 00:21:41,560 Speaker 5: lyric breakdown, So obviously my guilty pleasure is calm Chameleon 471 00:21:41,600 --> 00:21:50,560 Speaker 5: by culture cops makes sense. I mean, listen to that, 472 00:21:51,240 --> 00:21:54,080 Speaker 5: I dare anyone. Okay, if you're in a bad mood, 473 00:21:54,119 --> 00:21:55,840 Speaker 5: obviously not a seriously bad mood, but if you're in 474 00:21:55,880 --> 00:21:58,600 Speaker 5: a little bit of a mental fun what's that song on? 475 00:21:58,840 --> 00:22:01,240 Speaker 5: And it's so hard to it's so hard to, like, 476 00:22:01,480 --> 00:22:03,800 Speaker 5: you know, not not not push yourself in a good one. 477 00:22:03,840 --> 00:22:05,520 Speaker 5: I had to preface that by saying, you know, not 478 00:22:05,600 --> 00:22:10,200 Speaker 5: in a seriously psychologists officer playing com a chamelion in 479 00:22:10,280 --> 00:22:10,920 Speaker 5: a waiting room. 480 00:22:12,760 --> 00:22:15,160 Speaker 2: Ah. Dearrek, you know what, you can kill the show anytime. 481 00:22:15,280 --> 00:22:18,080 Speaker 2: It has been a joy hearing from you this morning. Seriously, 482 00:22:18,160 --> 00:22:19,720 Speaker 2: you really really would have made a lot of people 483 00:22:19,760 --> 00:22:21,800 Speaker 2: smile this morning. We've loved having you on the show. 484 00:22:22,480 --> 00:22:24,520 Speaker 5: Thank you so much for having me, Oliver, thank you 485 00:22:24,600 --> 00:22:24,920 Speaker 5: so much. 486 00:22:25,000 --> 00:22:26,280 Speaker 2: And are you a comedian? I didn't know. 487 00:22:30,440 --> 00:22:32,560 Speaker 1: Christian Connell's show podcast