1 00:00:04,559 --> 00:00:11,639 Speaker 1: The Will and Woody Podcast. Hey you, good afternoon, everyone, 2 00:00:12,240 --> 00:00:14,920 Speaker 1: Welcome to the podcast. 3 00:00:15,280 --> 00:00:17,400 Speaker 2: That might not be the afternoon when they're listening to this. 4 00:00:17,440 --> 00:00:19,800 Speaker 1: Will Yes, but we've been over that it might be. 5 00:00:19,880 --> 00:00:22,680 Speaker 1: We've been over that it might be, and I realized that, 6 00:00:23,000 --> 00:00:25,040 Speaker 1: you know this is that I mean, that's the nature 7 00:00:25,120 --> 00:00:29,160 Speaker 1: of a podcast, right. It's on demand audio, you know, 8 00:00:29,160 --> 00:00:30,840 Speaker 1: if we want to get technical with it, it's ok. 9 00:00:31,080 --> 00:00:33,000 Speaker 2: You're trying to cover your tracks of just doing auto. 10 00:00:33,880 --> 00:00:36,640 Speaker 1: I'm just explaining to everyone that I realized you could 11 00:00:36,720 --> 00:00:38,239 Speaker 1: listen to this is that the only time you're going 12 00:00:38,240 --> 00:00:40,440 Speaker 1: to turn your mike on, because you're at two and 13 00:00:40,479 --> 00:00:42,000 Speaker 1: you've got a max of three, it's. 14 00:00:41,880 --> 00:00:44,040 Speaker 3: To correct you. Every time he wants to correct, he's done. 15 00:00:44,120 --> 00:00:47,240 Speaker 1: He's done to so use your last one wisely, Choose wisely. 16 00:00:47,560 --> 00:00:50,720 Speaker 4: I'm sorry. I do have one comment to make on that. Yeah, 17 00:00:50,880 --> 00:00:52,760 Speaker 4: unlikely that people are listening in the afternoon. 18 00:00:53,159 --> 00:00:55,800 Speaker 1: I think, all right, well that's up to you. 19 00:00:55,800 --> 00:00:56,760 Speaker 3: You're probably either. 20 00:00:56,680 --> 00:00:58,760 Speaker 1: Not going to have the same time chat that we 21 00:00:58,840 --> 00:01:00,959 Speaker 1: have last time, because we've about it for a long time. 22 00:01:01,040 --> 00:01:04,479 Speaker 3: I can't remember, got some feedback on it. We speaking 23 00:01:04,480 --> 00:01:08,120 Speaker 3: of feedback, I was speaking to an avid listener of 24 00:01:08,120 --> 00:01:08,800 Speaker 3: our podcast. 25 00:01:10,800 --> 00:01:13,560 Speaker 4: You found him, you, well, not hard to find. He's 26 00:01:13,600 --> 00:01:14,880 Speaker 4: in my family. It's my dad. 27 00:01:17,000 --> 00:01:20,200 Speaker 3: And so he's obviously a big fan of the Daily. 28 00:01:19,959 --> 00:01:23,480 Speaker 1: Podcast, as in what was the daily Podcast? 29 00:01:23,480 --> 00:01:26,800 Speaker 4: Well, he'd loved to catch up on the boys through 30 00:01:26,840 --> 00:01:30,040 Speaker 4: the Daily Pod, especially when he was on the show. 31 00:01:30,720 --> 00:01:33,520 Speaker 4: So dad was on our live radio show a couple 32 00:01:33,600 --> 00:01:37,759 Speaker 4: of days ago, and naturally he wants to hear himself 33 00:01:38,600 --> 00:01:43,080 Speaker 4: and he was he can't find and he thought he 34 00:01:43,120 --> 00:01:44,720 Speaker 4: was losing his marbles. He was like, I used to 35 00:01:44,760 --> 00:01:47,000 Speaker 4: be able to access the podcast. I cannot find my 36 00:01:47,080 --> 00:01:48,520 Speaker 4: bit anywhere. 37 00:01:49,200 --> 00:01:51,320 Speaker 3: And then he was worried, like did you did you 38 00:01:51,360 --> 00:01:51,960 Speaker 3: remove it? 39 00:01:52,000 --> 00:01:54,960 Speaker 4: Like why can't I find anymore? Explained to him, we 40 00:01:55,040 --> 00:01:55,960 Speaker 4: do a weekly. 41 00:01:55,720 --> 00:02:00,000 Speaker 1: Podcast now and I mean, this is just the best 42 00:02:00,120 --> 00:02:04,400 Speaker 1: skier of the week. Did you explain that. No, he's 43 00:02:04,440 --> 00:02:06,040 Speaker 1: heard it now. He's listening to this, you bet your 44 00:02:06,040 --> 00:02:08,239 Speaker 1: bottom dollar, probably in the afternoon as well, if that 45 00:02:08,400 --> 00:02:11,200 Speaker 1: isnything else to do. But he might also he's got hope. 46 00:02:11,360 --> 00:02:13,560 Speaker 1: He's like, well, obviously it put my bit in his 47 00:02:13,639 --> 00:02:14,440 Speaker 1: best of weekly? 48 00:02:14,639 --> 00:02:16,000 Speaker 5: Was it in this week? Was it was it over 49 00:02:16,040 --> 00:02:18,000 Speaker 5: this last week? When your dad's on the show, a lot. 50 00:02:18,040 --> 00:02:20,079 Speaker 1: Obviously he is he was on two days ago. 51 00:02:20,160 --> 00:02:22,560 Speaker 5: Okay, well he'll I mean he'll find out in due course. 52 00:02:22,520 --> 00:02:24,680 Speaker 1: Over the course of this over this course is a podcast, 53 00:02:24,680 --> 00:02:27,240 Speaker 1: whether or not he used in it. Yes, absolutely, So 54 00:02:27,360 --> 00:02:29,320 Speaker 1: hang in there, Dad, you might pop up, who knows. 55 00:02:29,400 --> 00:02:30,760 Speaker 5: I don't think you need to tell your dad to 56 00:02:30,760 --> 00:02:31,120 Speaker 5: hang in. 57 00:02:32,520 --> 00:02:34,440 Speaker 3: He consumes all of our stuff. He's a big fan. 58 00:02:34,760 --> 00:02:35,440 Speaker 5: He's a big fan. 59 00:02:36,120 --> 00:02:38,960 Speaker 4: But I do think it's an interesting, you know, thing 60 00:02:39,000 --> 00:02:41,640 Speaker 4: to bring up because people like my father might be 61 00:02:41,680 --> 00:02:45,120 Speaker 4: a little bit thrown by the weekly podcast that we do. 62 00:02:45,280 --> 00:02:45,480 Speaker 3: Now. 63 00:02:45,680 --> 00:02:50,000 Speaker 4: M'd be pretty interested to hear what you think about it, 64 00:02:50,080 --> 00:02:52,399 Speaker 4: the weekly pod, I reckon. 65 00:02:52,320 --> 00:02:54,679 Speaker 1: Well, yeah, I mean it will be weekly for a 66 00:02:54,720 --> 00:02:56,880 Speaker 1: little while. Guys like we are we're going to try 67 00:02:56,880 --> 00:03:00,480 Speaker 1: this out. But obviously it's different in this and that 68 00:03:01,080 --> 00:03:03,840 Speaker 1: we're throwing two bits from the week. Yes, so you 69 00:03:03,960 --> 00:03:05,919 Speaker 1: get in this like two tone. 70 00:03:07,200 --> 00:03:07,760 Speaker 3: Sort of vibe. 71 00:03:07,760 --> 00:03:10,240 Speaker 1: It's like you're getting holiday Dad, and then you're getting 72 00:03:10,360 --> 00:03:13,119 Speaker 1: coming home from work Dad, which ones which I think 73 00:03:13,120 --> 00:03:15,799 Speaker 1: coming home from work Dad is kind of the this 74 00:03:15,960 --> 00:03:17,920 Speaker 1: vibe right now, like I'm exhausted. 75 00:03:18,320 --> 00:03:19,360 Speaker 5: We're often quite chill. 76 00:03:20,040 --> 00:03:23,360 Speaker 1: Things can get a bit loose yep, you know. But 77 00:03:23,480 --> 00:03:26,000 Speaker 1: in the radio show, we're obviously throwing to those bits 78 00:03:26,000 --> 00:03:27,760 Speaker 1: that have happened during the week while we're when we're 79 00:03:27,800 --> 00:03:34,000 Speaker 1: on that's holiday Dad. Yeah, gotcha, high energy, you know. Yeah, 80 00:03:34,000 --> 00:03:37,720 Speaker 1: he's up at six. He's holiday Dad. Is not up 81 00:03:37,720 --> 00:03:38,720 Speaker 1: at six, my friend. 82 00:03:38,640 --> 00:03:40,720 Speaker 3: You really don't know about your My holiday dad was 83 00:03:40,800 --> 00:03:41,240 Speaker 3: up at six. 84 00:03:41,720 --> 00:03:44,120 Speaker 4: Oh sorry, I'm thinking when you say holiday dad, I'm 85 00:03:44,120 --> 00:03:46,400 Speaker 4: thinking of myself. Next, I am now a dad. All right, 86 00:03:46,440 --> 00:03:49,200 Speaker 4: you're thinking of your own father. Yeah, oh, my holiday 87 00:03:49,280 --> 00:03:49,800 Speaker 4: dad for me. 88 00:03:51,480 --> 00:03:51,920 Speaker 3: Eleven. 89 00:03:52,000 --> 00:03:55,720 Speaker 1: Maybe I've totally cooked this. Then it's a bad analogy. 90 00:03:58,000 --> 00:04:01,720 Speaker 1: Forget weird my father's traction. Man, Let's go back to 91 00:04:01,800 --> 00:04:06,640 Speaker 1: two tones. There's two there's two podcast us, which is. 92 00:04:06,800 --> 00:04:07,600 Speaker 5: Which is us now? 93 00:04:07,760 --> 00:04:10,440 Speaker 4: And then we're throwing to bits when we're live on radio, 94 00:04:10,800 --> 00:04:13,200 Speaker 4: which naturally is going to be a bit higher energy. 95 00:04:14,080 --> 00:04:15,800 Speaker 3: That's right, and a good question to ask. I think 96 00:04:15,920 --> 00:04:17,320 Speaker 3: is that a bit jarring? 97 00:04:17,400 --> 00:04:21,480 Speaker 1: It's like insurgery doctor versus bedside doctor. Now, I think 98 00:04:21,480 --> 00:04:25,240 Speaker 1: I've done pretty well there one which insurgery doctor quite intense, 99 00:04:26,279 --> 00:04:30,400 Speaker 1: upbeat energy. Bedside doctor that's up A look at your chart? 100 00:04:31,040 --> 00:04:33,040 Speaker 5: How are you doing there? 101 00:04:33,120 --> 00:04:33,440 Speaker 1: Right? 102 00:04:34,000 --> 00:04:34,360 Speaker 5: Come on? 103 00:04:34,880 --> 00:04:37,920 Speaker 1: Yeap, closer, maybe you haven't nailed it. Closer, definitely closer. 104 00:04:37,960 --> 00:04:39,880 Speaker 1: There's a there's a clear distinction there. 105 00:04:39,720 --> 00:04:40,200 Speaker 5: Thank you. 106 00:04:42,520 --> 00:04:47,679 Speaker 1: So the question for you guys is do you want 107 00:04:49,880 --> 00:04:52,400 Speaker 1: We don't know. We're just trying this out and this 108 00:04:52,480 --> 00:04:54,240 Speaker 1: is this is the thing. You guys are listening to 109 00:04:54,279 --> 00:04:56,160 Speaker 1: this and we're doing it, and we kind of want 110 00:04:56,160 --> 00:04:59,360 Speaker 1: to know what you think. Are you enjoying more of 111 00:04:59,400 --> 00:05:02,880 Speaker 1: the insert dur the gotta be alogy, Okay? Are you 112 00:05:03,040 --> 00:05:05,880 Speaker 1: enduring more of the radio bits like do you want 113 00:05:05,880 --> 00:05:07,679 Speaker 1: to hear us more of the stuff from the radio 114 00:05:07,760 --> 00:05:11,200 Speaker 1: during the week, or are you enjoying this bedside chat 115 00:05:11,360 --> 00:05:11,920 Speaker 1: chill chat. 116 00:05:12,160 --> 00:05:14,200 Speaker 3: Yes, it's a good question to ask, Yeah, because we 117 00:05:14,240 --> 00:05:17,960 Speaker 3: can bedside chat until for a very long time and 118 00:05:18,080 --> 00:05:18,559 Speaker 3: we will. 119 00:05:18,640 --> 00:05:21,320 Speaker 1: And as you can hear, we've gone through holiday, Dad's 120 00:05:21,880 --> 00:05:24,800 Speaker 1: gone through afternoon listening, We've gone through surgery and bedside 121 00:05:24,880 --> 00:05:27,839 Speaker 1: chat like it's. 122 00:05:26,600 --> 00:05:28,240 Speaker 3: It's very easy for us, yes, like breathing. 123 00:05:28,360 --> 00:05:31,360 Speaker 1: So I think we're going to put a link under 124 00:05:31,400 --> 00:05:33,920 Speaker 1: the podcast so you can you can let us know 125 00:05:34,400 --> 00:05:37,320 Speaker 1: what stuff you're preferring more and it'd be good. Is 126 00:05:37,400 --> 00:05:39,640 Speaker 1: an ongoing thing, you know, it's not a dictatorship. But 127 00:05:39,640 --> 00:05:40,920 Speaker 1: I'm going to sit here and be like, this is 128 00:05:41,200 --> 00:05:43,400 Speaker 1: how it must be. I mean, obviously has to be 129 00:05:43,440 --> 00:05:46,280 Speaker 1: the two of us. The show's willing wood. Don't change 130 00:05:46,320 --> 00:05:50,600 Speaker 1: the personnel that great. Okay, Well, I think that's pretty 131 00:05:50,680 --> 00:05:52,120 Speaker 1: much all the admin. 132 00:05:52,200 --> 00:05:53,080 Speaker 3: Oh I had. 133 00:05:53,279 --> 00:05:55,720 Speaker 1: I had one more thing for you before we before 134 00:05:55,760 --> 00:05:58,120 Speaker 1: we get into the hot gear. You and I stayed 135 00:05:58,120 --> 00:06:01,080 Speaker 1: at a hotel in Sydney. 136 00:06:01,520 --> 00:06:05,000 Speaker 4: Yes, are you deliberately not saying the name of the 137 00:06:05,000 --> 00:06:06,120 Speaker 4: hotel because I remember it. 138 00:06:06,640 --> 00:06:07,960 Speaker 1: You can say the name of the hotel if you're 139 00:06:08,240 --> 00:06:10,039 Speaker 1: Changra La. We stayed at the Shangra La. 140 00:06:10,400 --> 00:06:13,120 Speaker 4: If you don't mind, If you don't mind, here, isn't 141 00:06:13,120 --> 00:06:13,760 Speaker 4: a business trip? 142 00:06:13,880 --> 00:06:17,760 Speaker 3: Is anyway? The changre La stead at the show. I'm 143 00:06:17,760 --> 00:06:18,520 Speaker 3: just at the Shangra La. 144 00:06:18,640 --> 00:06:19,400 Speaker 5: We're at the Shangri La. 145 00:06:20,520 --> 00:06:23,599 Speaker 3: Bring my Uber to the Changra La. I'm on four 146 00:06:23,640 --> 00:06:25,960 Speaker 3: thirteen of the chang. 147 00:06:26,080 --> 00:06:28,159 Speaker 1: It sounds like a like a villain in like a 148 00:06:28,160 --> 00:06:32,480 Speaker 1: Bollywood film. It does Shangri La near the changre La. 149 00:06:32,720 --> 00:06:34,360 Speaker 3: Yeah, none, at the Changra La. 150 00:06:34,360 --> 00:06:35,000 Speaker 6: He was murdered. 151 00:06:35,520 --> 00:06:37,160 Speaker 7: Shangri La, changre La. 152 00:06:38,839 --> 00:06:40,800 Speaker 5: Anyway, the Changra La Kila. 153 00:06:43,320 --> 00:06:45,120 Speaker 1: I was I got to my room and there was 154 00:06:45,200 --> 00:06:47,840 Speaker 1: a bottle of champagne in my room, bottle of verve. 155 00:06:47,920 --> 00:06:49,840 Speaker 3: I know where you're going with this. That's come on, mate. 156 00:06:49,839 --> 00:06:52,560 Speaker 4: There's some there's conversations that you and I have where 157 00:06:52,560 --> 00:06:55,080 Speaker 4: I feel like I am free of judgment and I'm 158 00:06:55,120 --> 00:06:57,600 Speaker 4: in a safe space. And I keep falling into that 159 00:06:57,600 --> 00:06:59,200 Speaker 4: trap because it's clearly not a safe space because you 160 00:06:59,240 --> 00:07:02,200 Speaker 4: keep bringing this stuff to a public platform. 161 00:07:03,240 --> 00:07:04,600 Speaker 5: There are some things that are safe. 162 00:07:05,160 --> 00:07:08,160 Speaker 3: This is one of them. 163 00:07:06,600 --> 00:07:12,040 Speaker 1: So I got to the room at the Shangri La 164 00:07:12,160 --> 00:07:16,400 Speaker 1: and and I had a bottle of verve in my room, 165 00:07:16,440 --> 00:07:18,080 Speaker 1: and I was like, jeez, that looks really nice. 166 00:07:18,640 --> 00:07:19,840 Speaker 3: Sorry, quick one real quick. 167 00:07:20,040 --> 00:07:22,440 Speaker 1: Yeah, in a nice bucket with a cloth over it. 168 00:07:22,440 --> 00:07:25,160 Speaker 1: It looked fancy. I'll show I'll show Tom so that 169 00:07:25,240 --> 00:07:27,119 Speaker 1: you guys can all get a bit of a note. 170 00:07:27,880 --> 00:07:30,480 Speaker 4: Yeah, lovely, guys, really quickly jump in. It's just a 171 00:07:30,600 --> 00:07:35,840 Speaker 4: very small side bar. You booked the rooms for the 172 00:07:35,880 --> 00:07:39,120 Speaker 4: business trip, and then we're walking to the lift and 173 00:07:39,160 --> 00:07:41,520 Speaker 4: you went, oh, I wouldn't believe it. I got an 174 00:07:41,600 --> 00:07:45,520 Speaker 4: upgrade and I was like, sounds a little bit like 175 00:07:45,560 --> 00:07:49,520 Speaker 4: you booked the room. It just gave the presidential suite 176 00:07:49,600 --> 00:07:51,440 Speaker 4: and then made it seem like, oh, you won't believe it. 177 00:07:52,080 --> 00:07:55,440 Speaker 4: I specifically got a random upgrade, so I a mean, 178 00:07:55,560 --> 00:07:56,480 Speaker 4: I am in the pen house. 179 00:07:56,960 --> 00:07:58,960 Speaker 5: No, no, I just got it, and I just got an. 180 00:07:58,880 --> 00:08:01,600 Speaker 3: Upgrade, which is really nice. I'll put that down back 181 00:08:01,600 --> 00:08:02,200 Speaker 3: to the champagne. 182 00:08:02,200 --> 00:08:04,040 Speaker 1: You know, well, you wouldn't know either because you have. 183 00:08:05,640 --> 00:08:07,040 Speaker 5: Access to a disaccount. 184 00:08:07,600 --> 00:08:10,600 Speaker 1: You get I could be I could be running a 185 00:08:10,720 --> 00:08:14,000 Speaker 1: seriously a money laundering ring right under your nose and 186 00:08:14,000 --> 00:08:14,520 Speaker 1: you would. 187 00:08:14,360 --> 00:08:16,880 Speaker 3: Have no And you were like, so I've got breakfast, 188 00:08:16,960 --> 00:08:19,160 Speaker 3: you don't. I also have a car park. 189 00:08:21,080 --> 00:08:23,240 Speaker 1: And I also had a bottle of Verve clickoat in 190 00:08:23,280 --> 00:08:27,160 Speaker 1: my room with a note on it. Anyway, it said, 191 00:08:27,560 --> 00:08:30,720 Speaker 1: dear will, welcome to the Shangri La, Sydney, wishing you 192 00:08:30,840 --> 00:08:36,040 Speaker 1: a most memorable stay. Thank you Carla at reception desk Okay, 193 00:08:37,840 --> 00:08:41,080 Speaker 1: Shangri La. Yeah, I got that. I was like, that's 194 00:08:41,080 --> 00:08:43,640 Speaker 1: really nice. I'm not really sure what I've done to 195 00:08:43,640 --> 00:08:47,360 Speaker 1: deserve that, but beautiful. Maybe because I booked the presidential scree. Anyway, 196 00:08:48,000 --> 00:08:51,120 Speaker 1: ten minutes later I get this message from you, which 197 00:08:51,160 --> 00:08:54,160 Speaker 1: is a photo of exactly the same thing, but instead 198 00:08:54,160 --> 00:08:57,480 Speaker 1: of saying mister McMahon says, Hi, mister whitelaw with the 199 00:08:57,520 --> 00:09:02,079 Speaker 1: same card, and then now I'm mean I need you 200 00:09:02,120 --> 00:09:03,959 Speaker 1: to jog my memory about a story because I think 201 00:09:03,960 --> 00:09:07,200 Speaker 1: you've been burned before and that's why you thought what 202 00:09:07,360 --> 00:09:11,760 Speaker 1: had had had had happened happened. So I get this 203 00:09:11,840 --> 00:09:15,040 Speaker 1: note from her saying this, you get exactly the same note, Okay, 204 00:09:15,240 --> 00:09:19,600 Speaker 1: I naturally just assume it's a courteous note, me too, 205 00:09:19,920 --> 00:09:23,599 Speaker 1: and story over. 206 00:09:23,600 --> 00:09:25,640 Speaker 5: You. 207 00:09:25,640 --> 00:09:26,520 Speaker 3: You're right under. 208 00:09:29,120 --> 00:09:32,840 Speaker 5: You read underneath it? Did you get this too? Or 209 00:09:32,960 --> 00:09:37,200 Speaker 5: is color a reception being a bit flirt? 210 00:09:42,640 --> 00:09:44,559 Speaker 1: Did you hear that? Prevent? What do you want to. 211 00:09:49,200 --> 00:09:49,480 Speaker 8: Now? You? 212 00:09:51,200 --> 00:09:52,840 Speaker 2: I have nothing to say, you idiots. 213 00:09:52,880 --> 00:09:54,680 Speaker 4: Yeah, I think this is one of my first like 214 00:09:55,360 --> 00:09:59,439 Speaker 4: just old dad like awkward moments. But you think you've 215 00:09:59,480 --> 00:10:01,240 Speaker 4: still got it, like it's it's one of my first 216 00:10:01,360 --> 00:10:04,480 Speaker 4: like still got it? Oh god, guys, come on, I'm married. 217 00:10:04,880 --> 00:10:06,800 Speaker 4: Because it was such a fleeting stop at the shangle 218 00:10:07,320 --> 00:10:13,040 Speaker 4: in my head. Carla had had finished her shift and 219 00:10:13,160 --> 00:10:16,600 Speaker 4: come up to my room and knocked on the door 220 00:10:17,160 --> 00:10:19,840 Speaker 4: and being it's like my fings weirdly in my life, 221 00:10:19,840 --> 00:10:21,560 Speaker 4: it's like I'm James Bond in my life. 222 00:10:21,600 --> 00:10:23,160 Speaker 3: She'd come and knocked on the door. 223 00:10:23,280 --> 00:10:26,720 Speaker 5: James Bond taking a ship never happened. 224 00:10:27,040 --> 00:10:30,000 Speaker 4: And she knocked on the door, realized I wasn't there, 225 00:10:30,080 --> 00:10:34,160 Speaker 4: and was like, ah, bugger, I'll just leave the champagne anyway. 226 00:10:34,640 --> 00:10:37,720 Speaker 3: That's that's that's what that's what happened. I'm deluded, but 227 00:10:37,760 --> 00:10:38,559 Speaker 3: that's what happened. 228 00:10:38,720 --> 00:10:41,400 Speaker 5: So she went to your room to give you. James Bond, I. 229 00:10:41,400 --> 00:10:42,960 Speaker 4: Would have had to say, oh, well, so I'm so 230 00:10:42,960 --> 00:10:44,240 Speaker 4: sorry if I've given you the wrong idea. 231 00:10:44,280 --> 00:10:44,959 Speaker 3: I'm getting more. 232 00:10:44,960 --> 00:10:45,760 Speaker 5: What was your reaction? 233 00:10:45,800 --> 00:10:48,959 Speaker 3: Because I haven't been married in November, I had. 234 00:10:48,920 --> 00:10:52,840 Speaker 1: The same woman checked me in no different. Maybe I 235 00:10:52,960 --> 00:10:56,640 Speaker 1: was hilarious, accident, I was accident. 236 00:10:57,120 --> 00:10:57,880 Speaker 5: I was brilliant in. 237 00:11:00,200 --> 00:11:01,680 Speaker 3: I think what was I wearing? Oh I was wearing 238 00:11:01,720 --> 00:11:04,079 Speaker 3: a shirt? Okay maybe yeah, I don't know. 239 00:11:04,440 --> 00:11:07,520 Speaker 1: But yeah, that that deluded. That was I think what 240 00:11:07,559 --> 00:11:08,760 Speaker 1: we really need to do is get in touch with 241 00:11:08,800 --> 00:11:11,280 Speaker 1: the Shangri La and after color and see if she 242 00:11:11,320 --> 00:11:14,160 Speaker 1: actually did have anything with it. Sounds like it sounds 243 00:11:14,200 --> 00:11:16,520 Speaker 1: like like, for example, if you're driving in a car 244 00:11:16,679 --> 00:11:19,480 Speaker 1: and a woman lets you in, it sounds like you 245 00:11:19,559 --> 00:11:22,560 Speaker 1: might yeah she's that as someone hitting on you. 246 00:11:22,640 --> 00:11:24,800 Speaker 3: Yeah, I thought that. 247 00:11:25,080 --> 00:11:27,840 Speaker 4: I mean like, okay, all right, God you can't see 248 00:11:27,880 --> 00:11:29,600 Speaker 4: my ring from the car, but out the window. 249 00:11:29,800 --> 00:11:30,280 Speaker 3: I mean he. 250 00:11:30,280 --> 00:11:32,080 Speaker 1: Actually, you actually have got a bit of you had 251 00:11:32,080 --> 00:11:33,400 Speaker 1: a bit of a habit of doing this when you 252 00:11:33,400 --> 00:11:37,240 Speaker 1: were single. When Sam's sister was here, Kiki, I remember 253 00:11:37,400 --> 00:11:39,880 Speaker 1: they caught up kick and what he would spoken for 254 00:11:39,920 --> 00:11:41,160 Speaker 1: like ten minutes, we got along very well. 255 00:11:41,160 --> 00:11:42,720 Speaker 5: What he turned around and was like, well, there's clear 256 00:11:42,760 --> 00:11:43,400 Speaker 5: a connection there. 257 00:11:43,440 --> 00:11:48,160 Speaker 1: And I was like, literally spoken over ten minutes. She's 258 00:11:48,200 --> 00:11:49,960 Speaker 1: been in a relationship for thirteen years. 259 00:11:51,480 --> 00:11:54,880 Speaker 5: He was like, well, there's such an. 260 00:11:54,640 --> 00:11:57,640 Speaker 1: Unstoppable connection there. I hate to be the home record, 261 00:11:57,880 --> 00:12:01,839 Speaker 1: but it's clearly happening. And I was like, by the way, 262 00:12:01,840 --> 00:12:04,000 Speaker 1: when I told sim that, I told Kiki that as well. 263 00:12:04,320 --> 00:12:05,600 Speaker 5: That they both cried with laughter. 264 00:12:07,160 --> 00:12:08,160 Speaker 3: And that's often the reaction. 265 00:12:08,240 --> 00:12:10,040 Speaker 4: That's often the It's amazing that I don't know how 266 00:12:10,040 --> 00:12:12,640 Speaker 4: many times I can experience this and realize I was wrong, 267 00:12:13,000 --> 00:12:14,080 Speaker 4: but I still I keep doing this. 268 00:12:14,080 --> 00:12:17,760 Speaker 3: This is optimism, just return. I want to stayed alone 269 00:12:17,800 --> 00:12:19,840 Speaker 3: at a hotel. It was one of them. 270 00:12:19,880 --> 00:12:22,800 Speaker 4: It's like an echo retreat kind of hotelly kind of thing, 271 00:12:22,960 --> 00:12:25,600 Speaker 4: and I was staying by myself and I wasn't really 272 00:12:25,679 --> 00:12:27,960 Speaker 4: leaving my room that much, and I wasn't having any 273 00:12:28,000 --> 00:12:29,880 Speaker 4: interaction with any human being. I've just sent one of 274 00:12:29,880 --> 00:12:34,040 Speaker 4: those holidays and I had all these like microwave meals 275 00:12:34,040 --> 00:12:35,800 Speaker 4: and tin food in my room, So I wasn't even 276 00:12:35,840 --> 00:12:38,480 Speaker 4: going to the like the restaurants or anything. 277 00:12:38,520 --> 00:12:39,880 Speaker 3: I was really keeping to myself. 278 00:12:39,920 --> 00:12:42,400 Speaker 1: And because you didn't want to spend any money. 279 00:12:42,240 --> 00:12:43,760 Speaker 3: I bit of that, and also I didn't want to 280 00:12:43,760 --> 00:12:44,280 Speaker 3: talk twenty one. 281 00:12:44,640 --> 00:12:48,560 Speaker 4: Unbeknownst to me, apparently the entire staff of the retreat 282 00:12:48,600 --> 00:12:49,679 Speaker 4: was like, what is the. 283 00:12:49,720 --> 00:12:53,560 Speaker 1: Deal with this guy who's he's doomsday prepper with his room? 284 00:12:54,080 --> 00:12:55,640 Speaker 3: Has anyone seen him? 285 00:12:55,720 --> 00:12:58,040 Speaker 4: Like I remember, like there's been a sighting of him, 286 00:12:58,120 --> 00:13:01,319 Speaker 4: but like he's not doing anything interacting with anyone. 287 00:13:01,320 --> 00:13:02,960 Speaker 1: So it's always like a bit of a red flag, 288 00:13:03,080 --> 00:13:04,920 Speaker 1: like what what's he doing here? 289 00:13:05,080 --> 00:13:09,120 Speaker 3: Yeah, and I think I've booked ten days big time. 290 00:13:09,160 --> 00:13:09,360 Speaker 5: Yeah. 291 00:13:09,520 --> 00:13:11,880 Speaker 4: Well, I think they're all throwing around things like I 292 00:13:11,880 --> 00:13:14,920 Speaker 4: think he's a monk and he's doing like a a 293 00:13:14,960 --> 00:13:15,920 Speaker 4: thing like he's off. 294 00:13:16,080 --> 00:13:20,360 Speaker 3: I don't think I think of that. 295 00:13:20,520 --> 00:13:23,240 Speaker 1: Nine of the guesses would have been furiously masturbating in 296 00:13:23,280 --> 00:13:26,960 Speaker 1: his room, but the other one might have been. I 297 00:13:27,000 --> 00:13:28,080 Speaker 1: think he's doing meditation. 298 00:13:28,280 --> 00:13:30,600 Speaker 4: The reason I know this is because it got to 299 00:13:30,640 --> 00:13:33,160 Speaker 4: a point where one of the women who was working 300 00:13:33,200 --> 00:13:36,560 Speaker 4: at the retreat came like got me, Like, oh my god, 301 00:13:36,559 --> 00:13:37,199 Speaker 4: I've like. 302 00:13:39,120 --> 00:13:40,959 Speaker 3: And it was like, hey, we're. 303 00:13:40,760 --> 00:13:41,960 Speaker 5: All Tasmanian Tiger. 304 00:13:42,000 --> 00:13:46,800 Speaker 4: By the way, we're all having staff drinks like you 305 00:13:46,840 --> 00:13:49,319 Speaker 4: should you should come, like you know, why don't you 306 00:13:49,320 --> 00:13:49,800 Speaker 4: come and join it? 307 00:13:49,800 --> 00:13:53,320 Speaker 1: Almost like a like a line help, like the olive branch, 308 00:13:53,440 --> 00:13:57,520 Speaker 1: totally like a pity a total pity invite anyway of 309 00:13:57,559 --> 00:13:59,640 Speaker 1: what we've been talking about in my head. 310 00:14:00,000 --> 00:14:02,880 Speaker 4: Remember I'm James Bond and I was like, God, I 311 00:14:02,920 --> 00:14:04,040 Speaker 4: can't I can't go anywhere. 312 00:14:04,040 --> 00:14:06,120 Speaker 3: I'm trying to have this song on holiday by myself. 313 00:14:07,280 --> 00:14:09,840 Speaker 3: Oh yeah, buy me to start drinking. I was even 314 00:14:09,880 --> 00:14:10,520 Speaker 3: going to be there. 315 00:14:19,000 --> 00:14:20,960 Speaker 5: Good stuff. All right, Well look the show that's going. 316 00:14:21,000 --> 00:14:23,120 Speaker 5: I'm going to get into the best things of the 317 00:14:23,200 --> 00:14:25,000 Speaker 5: week right now. 318 00:14:25,200 --> 00:14:27,600 Speaker 1: We're a guy called Shane who look, if you don't 319 00:14:27,600 --> 00:14:29,080 Speaker 1: know Ken, you hear it, Kenny do the difference between 320 00:14:29,080 --> 00:14:30,440 Speaker 1: beer and soft drink just by the sound of the 321 00:14:30,440 --> 00:14:34,160 Speaker 1: canning Shane. The current record is Hell by a guy 322 00:14:34,160 --> 00:14:37,120 Speaker 1: called Gary Barlow. He's the lead singer of Take That. 323 00:14:37,120 --> 00:14:39,400 Speaker 1: That's a mouthful to get out. Gary Barlow the lead 324 00:14:39,440 --> 00:14:40,280 Speaker 1: singer of Take That. 325 00:14:40,600 --> 00:14:41,840 Speaker 5: So it annoys. 326 00:14:41,480 --> 00:14:44,040 Speaker 3: Usually have to play a song as well because. 327 00:14:43,800 --> 00:14:46,800 Speaker 1: I have to play the take that song that everyone knows. 328 00:14:46,840 --> 00:14:49,200 Speaker 1: I mean Robbi Williams was in Take That's obviously knows it. 329 00:14:49,240 --> 00:14:52,520 Speaker 1: But to take that song, Tom, if you haven't loaded there, 330 00:14:53,680 --> 00:14:54,160 Speaker 1: he doesn't. 331 00:14:54,680 --> 00:14:56,800 Speaker 2: I deleted it off the button bar I was sick 332 00:14:56,880 --> 00:14:58,680 Speaker 2: of I was sick of playing it. 333 00:14:59,600 --> 00:15:05,400 Speaker 1: But I have we can do an a cappellare we shimat? 334 00:15:08,320 --> 00:15:10,720 Speaker 3: Yeah, he's the record holder. He was in this studio and. 335 00:15:10,680 --> 00:15:13,120 Speaker 4: He did break the record, broke Joe Jonas's record and 336 00:15:13,160 --> 00:15:14,240 Speaker 4: got seven in a row and. 337 00:15:14,280 --> 00:15:16,640 Speaker 1: Joe Jonas holding the record. Fine, everyone knows who's who 338 00:15:16,720 --> 00:15:19,520 Speaker 1: Joe Jonas is. When Gary Barlow breaks it, I mean 339 00:15:19,560 --> 00:15:22,000 Speaker 1: that lovely guy Gary got along with him famously, and 340 00:15:22,040 --> 00:15:23,800 Speaker 1: in the UK is a big deal, but in Australia 341 00:15:24,280 --> 00:15:27,680 Speaker 1: having to qualify the famous person that holds the record 342 00:15:27,800 --> 00:15:29,800 Speaker 1: is really annoying. So we've all been hanging out for 343 00:15:29,800 --> 00:15:32,000 Speaker 1: someone to break that record of seven. 344 00:15:31,840 --> 00:15:32,600 Speaker 5: Cans in a row. 345 00:15:33,240 --> 00:15:36,280 Speaker 1: And last Friday a guy called Shane called the show 346 00:15:37,080 --> 00:15:37,640 Speaker 1: and did. 347 00:15:37,480 --> 00:15:42,880 Speaker 4: This right, here we go, Shane, can one. 348 00:15:41,720 --> 00:15:43,040 Speaker 8: That is a softering gentleman. 349 00:15:43,360 --> 00:15:45,200 Speaker 5: Yes, it is shame, shamee. 350 00:15:45,960 --> 00:15:50,920 Speaker 1: That is definitely a beer. Yes, shame, that is a beer. 351 00:15:51,560 --> 00:15:54,080 Speaker 3: Yes shame bright Oh Shane, here's. 352 00:15:53,920 --> 00:16:00,560 Speaker 8: Can for that is a soldering Yes. 353 00:15:59,680 --> 00:16:01,000 Speaker 9: That is another soft drink. 354 00:16:01,200 --> 00:16:04,520 Speaker 3: Sh here's can six. Here we go. 355 00:16:04,640 --> 00:16:11,320 Speaker 1: Come on, that is a beer. Sho can is a 356 00:16:11,480 --> 00:16:12,360 Speaker 1: rare shade. 357 00:16:12,520 --> 00:16:13,480 Speaker 7: You're in rare as. 358 00:16:15,760 --> 00:16:21,080 Speaker 1: That is another beer. Oh my shiner, you've got. 359 00:16:21,520 --> 00:16:25,120 Speaker 4: So at that point we made the call to say 360 00:16:25,160 --> 00:16:28,920 Speaker 4: to Shane, hey, can you are you free on Monday? 361 00:16:29,120 --> 00:16:31,120 Speaker 3: And there's a good reason why. You had Missy Higgins 362 00:16:31,160 --> 00:16:33,400 Speaker 3: who was standing in the. 363 00:16:33,480 --> 00:16:35,720 Speaker 4: Like literally outside the studio, and you know she's obviously 364 00:16:35,720 --> 00:16:36,640 Speaker 4: got a pretty tight schedule. 365 00:16:36,760 --> 00:16:38,880 Speaker 3: Lovely person. But we were like, I don't think we 366 00:16:38,880 --> 00:16:41,640 Speaker 3: can make Missy just sit and wait and listen to 367 00:16:41,680 --> 00:16:44,280 Speaker 3: a guy I guess can can drink all. 368 00:16:44,600 --> 00:16:46,680 Speaker 1: We want to come across as like cool, new as 369 00:16:46,800 --> 00:16:49,840 Speaker 1: guys that are into music exactly, not commercial radio dickheads 370 00:16:49,880 --> 00:16:52,440 Speaker 1: that are opening cans one at a time to get 371 00:16:52,480 --> 00:16:53,200 Speaker 1: people to listen. 372 00:16:53,520 --> 00:16:55,840 Speaker 4: So not so we said a shame mate, free on 373 00:16:55,840 --> 00:16:57,880 Speaker 4: Monday on Monday, Let's build this up, you know, like 374 00:16:58,120 --> 00:17:01,920 Speaker 4: go away, go and train, listen to more cans, We'll 375 00:17:01,920 --> 00:17:03,040 Speaker 4: see you on Monday kind of thing. 376 00:17:03,920 --> 00:17:04,520 Speaker 3: So that happened. 377 00:17:04,520 --> 00:17:08,760 Speaker 4: Shane was like, I'm free boys awesome Monday, So that 378 00:17:08,800 --> 00:17:11,040 Speaker 4: was agreed to. The Other thing, which is important to note, 379 00:17:11,119 --> 00:17:12,680 Speaker 4: is that he did also tell us that he looked 380 00:17:12,680 --> 00:17:16,040 Speaker 4: a lot like Robbie Williams. At this point, this is 381 00:17:16,119 --> 00:17:18,040 Speaker 4: on the phone, so we have no idea if he 382 00:17:18,119 --> 00:17:22,040 Speaker 4: actually does look like Robbie Williams. But we did find 383 00:17:22,080 --> 00:17:25,320 Speaker 4: out that he not only like cracked a lot of 384 00:17:25,400 --> 00:17:28,399 Speaker 4: cans over the weekend to train to get the record 385 00:17:28,480 --> 00:17:31,760 Speaker 4: for the Monday, but he also gave himself a haircut, 386 00:17:32,560 --> 00:17:34,760 Speaker 4: got faked. 387 00:17:37,520 --> 00:17:43,800 Speaker 10: Got fake tattoos, bought bought a complete wardrobe, like he 388 00:17:43,960 --> 00:17:47,240 Speaker 10: bought a whole new Anthin to look to look more 389 00:17:47,400 --> 00:17:48,639 Speaker 10: like Robbie Williams. 390 00:17:48,960 --> 00:17:53,720 Speaker 3: Apparently, don't forget the haircut. Yes, yeah, his daughter's boyfriend 391 00:17:54,240 --> 00:17:56,720 Speaker 3: gave him, gave him We're in a necklace. 392 00:17:58,040 --> 00:18:00,800 Speaker 4: We didn't know that, but again, we liked the idea 393 00:18:00,880 --> 00:18:03,480 Speaker 4: that we wanted the moment on air to happen when 394 00:18:03,520 --> 00:18:05,439 Speaker 4: he you know, when we saw him for the first time, 395 00:18:05,480 --> 00:18:07,720 Speaker 4: so we were blindfolded in the studio and we're like, 396 00:18:07,880 --> 00:18:09,600 Speaker 4: you know, is he actually going to look like Robby Williams. 397 00:18:09,800 --> 00:18:11,879 Speaker 4: And I think let's take you now to the moment 398 00:18:12,359 --> 00:18:14,760 Speaker 4: this is on air on Monday. He's in the studio 399 00:18:14,800 --> 00:18:17,719 Speaker 4: and blindfolds are on. Yeah, yeah, and see him for 400 00:18:17,760 --> 00:18:18,440 Speaker 4: the first time. 401 00:18:18,920 --> 00:18:22,040 Speaker 1: What you're hearing is when we our blindfolds come off, 402 00:18:22,880 --> 00:18:25,080 Speaker 1: what we see, as you just describe words, is the 403 00:18:25,119 --> 00:18:29,760 Speaker 1: Robbie Williams haircut, the fake scorpion tattoos on his lapel, 404 00:18:30,680 --> 00:18:34,760 Speaker 1: and then he's wearing this gas man pink shirt, which 405 00:18:35,200 --> 00:18:37,000 Speaker 1: was clearly the bit he was most proud of. And 406 00:18:37,040 --> 00:18:38,840 Speaker 1: I didn't understand that. But when we took the blind 407 00:18:38,840 --> 00:18:44,800 Speaker 1: miles off, he like pulled knowingly, was subtly at the 408 00:18:44,840 --> 00:18:47,680 Speaker 1: shirt to be like, you better believe it. 409 00:18:47,840 --> 00:18:48,480 Speaker 3: I've got the shirt. 410 00:18:49,800 --> 00:18:51,680 Speaker 5: Boys angels brought me here. 411 00:18:53,400 --> 00:19:06,040 Speaker 1: No sorry, that's guy's question anyway one that he is 412 00:19:06,160 --> 00:19:10,280 Speaker 1: not bad. Wow, he's got and. 413 00:19:10,160 --> 00:19:13,879 Speaker 8: You've got the tats, you've got the tattoos, you look like, 414 00:19:16,600 --> 00:19:21,359 Speaker 8: thank you, thank you. I'm gonna put the accident for you. 415 00:19:21,680 --> 00:19:27,640 Speaker 8: Robbie Williams. Nice to make you, would you would you 416 00:19:27,800 --> 00:19:29,680 Speaker 8: like obviously your wife like she because you look like 417 00:19:29,760 --> 00:19:30,480 Speaker 8: Robbie Williams. 418 00:19:30,480 --> 00:19:34,200 Speaker 3: But when you were mate, you actually feel like Williams. 419 00:19:35,720 --> 00:19:38,840 Speaker 3: You have Robbie Williams eyes. Would you have people mistaking 420 00:19:38,880 --> 00:19:39,679 Speaker 3: you for Robbie Williams? 421 00:19:39,720 --> 00:19:41,679 Speaker 8: Yeah, I did. We were in Hamilton Island once and 422 00:19:41,720 --> 00:19:44,920 Speaker 8: apparently an A station Robbie Williams were hanging out Hamilton 423 00:19:45,000 --> 00:19:47,280 Speaker 8: Island and my wife looked like Anna Station at the time. 424 00:19:48,400 --> 00:19:50,760 Speaker 1: You're kidding at the time. What happened to her? 425 00:19:51,240 --> 00:20:00,520 Speaker 11: She looks better now. That is the first te genuinely 426 00:20:00,640 --> 00:20:01,960 Speaker 11: look like Bobby Williams. 427 00:20:04,320 --> 00:20:04,800 Speaker 5: Can eight? 428 00:20:05,359 --> 00:20:08,960 Speaker 1: I mean Woody currently showing me both cans to help 429 00:20:09,000 --> 00:20:11,120 Speaker 1: me choose with him which can to go for? 430 00:20:11,440 --> 00:20:11,920 Speaker 5: This is eight? 431 00:20:11,960 --> 00:20:12,240 Speaker 1: Shaane. 432 00:20:12,280 --> 00:20:13,000 Speaker 3: This is a big deal. 433 00:20:13,080 --> 00:20:14,359 Speaker 1: This has been a very big deal for us for 434 00:20:14,400 --> 00:20:16,159 Speaker 1: a very long time. I'm gonna be honest with you, 435 00:20:16,280 --> 00:20:18,560 Speaker 1: and everyone's listening right now. You would do us all 436 00:20:18,560 --> 00:20:21,240 Speaker 1: the favor if I had to no longer say that 437 00:20:21,320 --> 00:20:23,560 Speaker 1: the world record was held by Gary Barlow from take 438 00:20:23,640 --> 00:20:28,040 Speaker 1: that like if it was Mickey Mouse, or like Madonna 439 00:20:28,280 --> 00:20:30,200 Speaker 1: or a single you know, let you know the person 440 00:20:30,200 --> 00:20:33,040 Speaker 1: when you say the name celebrity. Totally fine, but I 441 00:20:33,080 --> 00:20:34,920 Speaker 1: am sick of saying Gary Barlow. 442 00:20:34,960 --> 00:20:35,479 Speaker 5: From Take That. 443 00:20:36,000 --> 00:20:37,879 Speaker 1: I want it to be Shane from Nary Warren. 444 00:20:38,000 --> 00:20:38,880 Speaker 5: I want it to be you. 445 00:20:39,840 --> 00:20:40,440 Speaker 1: I'm all for it. 446 00:20:40,520 --> 00:20:53,680 Speaker 7: Let's do it, Okay, don't screw the crack. 447 00:20:54,600 --> 00:21:04,760 Speaker 8: Oh god, that is a soft drink. 448 00:21:04,840 --> 00:21:17,280 Speaker 3: Gentleman, we've had forty minutes of We built it up 449 00:21:17,320 --> 00:21:23,320 Speaker 3: for forty minutes. You can take your blonde. You had 450 00:21:23,400 --> 00:21:24,639 Speaker 3: eighteen on the woodlot. 451 00:21:26,840 --> 00:21:30,960 Speaker 4: No, no, tell us who the record holder is? 452 00:21:30,960 --> 00:21:34,159 Speaker 3: Again, mate, you love doing it us. 453 00:21:37,960 --> 00:21:40,920 Speaker 1: We wanted you to win so bad, no, I know. 454 00:21:42,080 --> 00:21:44,320 Speaker 5: Quite extraordinary, amazing, absolutely amazing. 455 00:21:44,359 --> 00:21:45,960 Speaker 1: It's not very often you get forty minutes to build 456 00:21:46,000 --> 00:21:47,400 Speaker 1: up for a three second fail. 457 00:21:47,520 --> 00:21:51,760 Speaker 4: But that made it so really happened, made it so good. 458 00:21:51,880 --> 00:21:56,919 Speaker 4: Now will something also happened straight after that? So so 459 00:21:56,960 --> 00:22:00,280 Speaker 4: we go to a song. It's big laughter, great bit. 460 00:22:01,119 --> 00:22:03,520 Speaker 4: Get him right around, Shane, just like because quite you know, 461 00:22:03,600 --> 00:22:07,040 Speaker 4: he came into the studio, which from Liz, which is 462 00:22:07,040 --> 00:22:08,639 Speaker 4: forty five minutes away. He's made a big effort to 463 00:22:08,680 --> 00:22:11,720 Speaker 4: come in. So we're getting right around. Hugs, handshakes. 464 00:22:12,760 --> 00:22:14,480 Speaker 3: Now you I'm not sure if you went for a hug. 465 00:22:14,520 --> 00:22:15,119 Speaker 3: I'm a hugger. 466 00:22:15,560 --> 00:22:18,320 Speaker 4: You I think just went with the hand, shook his hand, 467 00:22:18,880 --> 00:22:20,360 Speaker 4: and then and then what did you do well? 468 00:22:20,440 --> 00:22:21,960 Speaker 3: While he was still standing there, I. 469 00:22:21,960 --> 00:22:23,800 Speaker 1: Just like to stop by saying that it's been a 470 00:22:23,880 --> 00:22:27,160 Speaker 1: very it hasn't been a very nice winter in terms 471 00:22:27,160 --> 00:22:30,720 Speaker 1: of illnesses for my family, and we've all been really sick. 472 00:22:30,800 --> 00:22:33,520 Speaker 5: Now you know that. You know that, don't you dare? 473 00:22:33,720 --> 00:22:37,280 Speaker 1: And you got and I as a result, I sit 474 00:22:37,359 --> 00:22:39,520 Speaker 1: in here with a bottle of hand sanitizing next to me, 475 00:22:39,760 --> 00:22:43,080 Speaker 1: and I would hand sanitize five times a show, like 476 00:22:43,160 --> 00:22:46,159 Speaker 1: it's number one way to stop the spread of infection 477 00:22:46,280 --> 00:22:48,640 Speaker 1: is by sanitizing your hand. So it wouldn't have mattered 478 00:22:48,640 --> 00:22:51,000 Speaker 1: if he was the fucking Queen, I would have done 479 00:22:51,480 --> 00:22:53,880 Speaker 1: what I did afterwards, And I just want to point 480 00:22:53,880 --> 00:22:56,480 Speaker 1: that out. The unfortunate thing was that it has become 481 00:22:56,560 --> 00:23:03,640 Speaker 1: so routine for me that I've forgotten that I've forgotten that. 482 00:23:05,440 --> 00:23:06,080 Speaker 3: You should keep it. 483 00:23:06,520 --> 00:23:09,080 Speaker 1: I forgotten that it might be mildly offensive. 484 00:23:08,680 --> 00:23:11,120 Speaker 3: To mildly mildly offensive to. 485 00:23:11,080 --> 00:23:14,159 Speaker 1: Shake someone's hand and then immediately sanitize afterwards, which is 486 00:23:14,320 --> 00:23:15,080 Speaker 1: which is what I did. 487 00:23:15,440 --> 00:23:18,720 Speaker 3: Five second turnaround, with three seconds it was on the way. 488 00:23:18,960 --> 00:23:20,040 Speaker 5: I was like, it's been brilliant. 489 00:23:20,080 --> 00:23:23,520 Speaker 1: Tug his hand turned on a dime, double squirt, double pump, 490 00:23:23,720 --> 00:23:25,399 Speaker 1: hands up full surgical wash. 491 00:23:27,720 --> 00:23:28,200 Speaker 5: He watched me. 492 00:23:29,359 --> 00:23:31,440 Speaker 1: He was a major away from unbelievable. 493 00:23:31,600 --> 00:23:32,359 Speaker 3: I couldn't believe it. 494 00:23:32,359 --> 00:23:34,600 Speaker 4: He's come all this way in given us his great 495 00:23:34,640 --> 00:23:36,280 Speaker 4: bit and then you as soon as you touch it, 496 00:23:36,320 --> 00:23:37,479 Speaker 4: we go better wash myself. 497 00:23:37,760 --> 00:23:39,600 Speaker 3: Anyway, let's go to add shall we tell you? 498 00:23:39,600 --> 00:23:42,240 Speaker 4: Guys got an ad when I think we should give 499 00:23:42,280 --> 00:23:45,680 Speaker 4: him an Yeah, guys, the. 500 00:23:45,640 --> 00:23:47,800 Speaker 3: Chat, but the product is selling. 501 00:23:48,160 --> 00:23:58,080 Speaker 4: Here we go, will I was telling you earlier this 502 00:23:58,160 --> 00:24:02,480 Speaker 4: week on the radio show that I. 503 00:24:01,560 --> 00:24:03,119 Speaker 5: Had hit on by someone at reception. 504 00:24:03,680 --> 00:24:07,359 Speaker 4: No, that was earlier in the podcast, nearly five minutes ago. 505 00:24:08,200 --> 00:24:12,280 Speaker 4: I was telling you days ago that I had a 506 00:24:12,400 --> 00:24:15,440 Speaker 4: romantic weekend booked. 507 00:24:15,200 --> 00:24:17,840 Speaker 3: With my beautiful fiance Mim for her birthday. 508 00:24:19,200 --> 00:24:22,560 Speaker 4: But it was a bit of an error. Well that 509 00:24:22,720 --> 00:24:26,480 Speaker 4: was just a potential issue with that weekend. But yeah, 510 00:24:26,720 --> 00:24:30,080 Speaker 4: here's me explaining it to you. What event did they 511 00:24:30,080 --> 00:24:34,879 Speaker 4: try and watch the footy at? Usually on the phone. 512 00:24:35,440 --> 00:24:38,600 Speaker 4: And the reason I'm asking that is because together with 513 00:24:38,640 --> 00:24:42,439 Speaker 4: my partner, a beautiful romantic getaway has been booked for 514 00:24:42,520 --> 00:24:43,520 Speaker 4: her for a birthday. 515 00:24:44,119 --> 00:24:47,760 Speaker 1: Beautiful keywords has been booked. That's because you can't say 516 00:24:48,400 --> 00:24:50,720 Speaker 1: I booked because you didn't. She booked her own birthday 517 00:24:50,760 --> 00:24:52,640 Speaker 1: weekend away because she knows you as grew up. 518 00:24:52,840 --> 00:24:55,120 Speaker 3: Now, that's just knowing your partner's love. 519 00:24:55,600 --> 00:24:56,080 Speaker 8: That's love. 520 00:24:56,760 --> 00:25:00,800 Speaker 4: So look and I play a role there, stuff up, Nobe. 521 00:25:00,840 --> 00:25:02,960 Speaker 4: She likes that, I mean, she likes that, caring for all. 522 00:25:03,040 --> 00:25:05,760 Speaker 1: Right, let's go to yeah, no, that that probably is true. Actually, 523 00:25:06,200 --> 00:25:08,760 Speaker 1: let's go to Ashley on the one six five. I 524 00:25:08,800 --> 00:25:10,960 Speaker 1: think there is definitely truth in that. Ashley, this was 525 00:25:10,960 --> 00:25:11,439 Speaker 1: your friend. 526 00:25:12,320 --> 00:25:18,040 Speaker 9: Hello, Yes, my friend watched The Rabbit O's semifinal at 527 00:25:18,080 --> 00:25:25,240 Speaker 9: my wedding. And there's so I found out because when 528 00:25:25,240 --> 00:25:28,440 Speaker 9: we've gotta have professional photos back, there's photos of her 529 00:25:28,560 --> 00:25:31,000 Speaker 9: hiding her phone behind the centerpieces. 530 00:25:32,320 --> 00:25:35,320 Speaker 3: Are you saying ceremony? She was watching it during the ceremony. 531 00:25:35,600 --> 00:25:37,119 Speaker 9: Yeah, like my reception. 532 00:25:39,880 --> 00:25:42,560 Speaker 5: I've watched I've watched a footy game of a reception. 533 00:25:44,080 --> 00:25:47,240 Speaker 1: Actually, follow up question, dumple all offense having to organize 534 00:25:47,240 --> 00:25:49,480 Speaker 1: your own birthday weekend, not my. 535 00:25:49,480 --> 00:25:50,520 Speaker 9: Own birthday weekend? 536 00:25:50,520 --> 00:25:50,600 Speaker 1: No? 537 00:25:50,840 --> 00:25:52,600 Speaker 9: Yeah, yeah, I think. 538 00:25:52,440 --> 00:25:54,880 Speaker 3: So you think dumb people. We're getting married in November. 539 00:25:55,640 --> 00:25:59,879 Speaker 4: It's Caprice, Hi, Caprice Hi. 540 00:26:00,200 --> 00:26:03,120 Speaker 3: Interesting, this is the story about your ex. Oh my God, damn, 541 00:26:03,320 --> 00:26:06,320 Speaker 3: your ex tried to watch the footy somewhere where he 542 00:26:06,320 --> 00:26:06,840 Speaker 3: shouldn't have. 543 00:26:07,560 --> 00:26:09,800 Speaker 12: Yeah, in the delivery room, No. 544 00:26:10,119 --> 00:26:11,480 Speaker 3: Way, No, are you? 545 00:26:11,880 --> 00:26:13,040 Speaker 5: How early on were you? 546 00:26:13,119 --> 00:26:15,080 Speaker 1: Like I was watching a bit of TV early on. 547 00:26:15,920 --> 00:26:18,399 Speaker 13: We had about twenty minutes before I went for a 548 00:26:18,480 --> 00:26:21,800 Speaker 13: C section, and at that point I was like, watch 549 00:26:21,840 --> 00:26:22,119 Speaker 13: this for what? 550 00:26:22,200 --> 00:26:22,680 Speaker 12: I don't care? 551 00:26:23,600 --> 00:26:23,840 Speaker 14: Shit? 552 00:26:24,680 --> 00:26:24,840 Speaker 8: Was that? 553 00:26:24,920 --> 00:26:26,280 Speaker 3: Was that the reason you broke up with him? Can 554 00:26:26,280 --> 00:26:26,680 Speaker 3: I say? 555 00:26:26,680 --> 00:26:28,520 Speaker 5: Because is his is it his baby? 556 00:26:29,040 --> 00:26:29,080 Speaker 15: Is? 557 00:26:29,359 --> 00:26:30,639 Speaker 3: Ba hey? 558 00:26:30,680 --> 00:26:32,480 Speaker 5: I'm sorry it's his baby? 559 00:26:32,480 --> 00:26:32,640 Speaker 6: Though? 560 00:26:32,720 --> 00:26:35,080 Speaker 5: Yeah? Yeah, I cannot Okay. 561 00:26:34,880 --> 00:26:37,119 Speaker 1: And twenty minutes does the kid know that? 562 00:26:38,320 --> 00:26:38,800 Speaker 15: Not yet? 563 00:26:38,880 --> 00:26:41,400 Speaker 12: She's only one. 564 00:26:41,040 --> 00:26:45,320 Speaker 4: Little little rabbit oz obviously what she's cooled. Thanks for 565 00:26:45,359 --> 00:26:47,239 Speaker 4: going cabreeze, And I think it's probably good that you've 566 00:26:47,240 --> 00:26:47,840 Speaker 4: broken up with him. 567 00:26:47,880 --> 00:26:48,720 Speaker 3: It's Abril. 568 00:26:48,920 --> 00:26:51,359 Speaker 4: While you have one as a blank, you have one 569 00:26:51,440 --> 00:26:54,040 Speaker 4: job there, and that is to give them your attention focused. 570 00:26:54,600 --> 00:26:57,040 Speaker 4: If I took my phone out and started watching the 571 00:26:57,040 --> 00:26:58,480 Speaker 4: foota during I would have lost a hand. 572 00:26:59,400 --> 00:27:00,000 Speaker 3: I would have lost. 573 00:27:00,320 --> 00:27:02,080 Speaker 5: Yeah, and I would have do as I said. 574 00:27:02,119 --> 00:27:05,160 Speaker 1: Though early on though, fine, we had a very quick 575 00:27:05,359 --> 00:27:07,040 Speaker 1: as was like you were in there to one hundred 576 00:27:07,119 --> 00:27:10,800 Speaker 1: very time. But yeah, yeah, no, we had ages, So 577 00:27:10,840 --> 00:27:12,399 Speaker 1: there was a bit of like chill out, you know, 578 00:27:12,480 --> 00:27:14,200 Speaker 1: try and relax, actually. 579 00:27:13,960 --> 00:27:15,040 Speaker 5: Get the oxytocin going. 580 00:27:15,080 --> 00:27:15,879 Speaker 3: But he could be a good thing. 581 00:27:15,920 --> 00:27:16,719 Speaker 5: But he was a good thing. 582 00:27:16,760 --> 00:27:17,960 Speaker 3: I was going to April here. 583 00:27:18,240 --> 00:27:21,160 Speaker 1: I've also watched foot in the room. 584 00:27:21,160 --> 00:27:22,920 Speaker 3: What happened with you? Your partner tried to watch the 585 00:27:22,920 --> 00:27:23,680 Speaker 3: footy somewhere? 586 00:27:24,080 --> 00:27:26,439 Speaker 12: No, well, it was my mum and dad were getting married, 587 00:27:26,960 --> 00:27:31,000 Speaker 12: and it's sixty three years ago on this coming Sunday, 588 00:27:31,600 --> 00:27:34,399 Speaker 12: and my mom was walking down the aisle with her 589 00:27:34,560 --> 00:27:38,200 Speaker 12: dad and so it's my pop. He had his transisor 590 00:27:38,400 --> 00:27:43,000 Speaker 12: radio because Balmaine was playing in the Grand Final. As 591 00:27:43,040 --> 00:27:45,200 Speaker 12: he walked down the aisle, he had to transit the 592 00:27:45,280 --> 00:27:47,560 Speaker 12: radio in his suit pocket and his ear piece up 593 00:27:47,600 --> 00:27:49,000 Speaker 12: into his ear like with the cord thing. 594 00:27:49,320 --> 00:27:49,959 Speaker 16: You could see it. 595 00:27:50,000 --> 00:27:51,600 Speaker 15: How wild is that he. 596 00:27:51,720 --> 00:27:55,639 Speaker 1: Brought his life good banks the call April. I mean, 597 00:27:55,680 --> 00:27:56,840 Speaker 1: I know we're joking about a boll but I had 598 00:27:56,840 --> 00:27:59,400 Speaker 1: a similar one with the ceremony thing recently last year, 599 00:28:00,160 --> 00:28:04,159 Speaker 1: very similar thing. Guy in the ceremony and you know 600 00:28:04,320 --> 00:28:06,679 Speaker 1: he did that horrific thing where he had he had 601 00:28:06,720 --> 00:28:11,160 Speaker 1: the volume on full. Yeah, the bridal party walked past, Yeah, 602 00:28:11,200 --> 00:28:13,800 Speaker 1: and it was the middle of the NBA playoffs. 603 00:28:14,480 --> 00:28:16,240 Speaker 5: So you just heard like Lebron. 604 00:28:15,920 --> 00:28:20,280 Speaker 1: Go to the room as as they walked fast and 605 00:28:20,320 --> 00:28:23,440 Speaker 1: everyone heard it was crazy. Riley's called one six five. Riley, 606 00:28:23,520 --> 00:28:25,840 Speaker 1: this was your girlfriend who was watching sport in the 607 00:28:25,840 --> 00:28:26,679 Speaker 1: place you shouldn't. 608 00:28:27,400 --> 00:28:28,240 Speaker 13: Yeah, it was my. 609 00:28:28,160 --> 00:28:30,840 Speaker 6: Mother in law's birthday and they went to the strip 610 00:28:30,840 --> 00:28:33,920 Speaker 6: club and Paramatta is a favorite team and she couldn't 611 00:28:34,200 --> 00:28:36,679 Speaker 6: miss that. So she was sitting there watching the footy 612 00:28:36,760 --> 00:28:39,000 Speaker 6: while all the strippers are up taking the clothes off. 613 00:28:39,040 --> 00:28:42,840 Speaker 1: Some shit, isn't it? The Paramatta eels yeah in more 614 00:28:42,880 --> 00:28:52,400 Speaker 1: ways than one, Guy Montgomery, I think the best act 615 00:28:52,440 --> 00:28:55,000 Speaker 1: at all the comedy festivals last year joins Us got 616 00:28:55,000 --> 00:28:58,360 Speaker 1: a brand new show on the ABC And last time, Guy, 617 00:28:58,560 --> 00:29:01,440 Speaker 1: we completely stitched you up because you have the same 618 00:29:01,520 --> 00:29:04,160 Speaker 1: name as another very famous Kiwik committee. 619 00:29:04,200 --> 00:29:05,640 Speaker 3: I tell you what, you're a great guest. 620 00:29:05,680 --> 00:29:08,840 Speaker 4: When you get nominated for the most Outstanding Show at 621 00:29:08,880 --> 00:29:10,720 Speaker 4: the Comedy Festival last year. 622 00:29:10,800 --> 00:29:12,640 Speaker 17: I will almost have to start again because I didn't 623 00:29:12,640 --> 00:29:13,760 Speaker 17: get nominated last year. 624 00:29:14,080 --> 00:29:14,400 Speaker 3: You did? 625 00:29:15,040 --> 00:29:18,520 Speaker 5: No, Okay, well let's move on, shall we. Okay, let's 626 00:29:18,800 --> 00:29:19,720 Speaker 5: we can talk about it if you like. 627 00:29:20,320 --> 00:29:21,920 Speaker 3: Oh no, I mean, I don't feel it aw cool. 628 00:29:21,960 --> 00:29:23,680 Speaker 3: I just figured this is a pre recall. 629 00:29:23,720 --> 00:29:25,280 Speaker 17: Why don't we just stop and start again, you know, 630 00:29:25,320 --> 00:29:27,800 Speaker 17: then us saying something crazy? 631 00:29:27,800 --> 00:29:29,040 Speaker 5: Why were we talking about your day job? 632 00:29:29,160 --> 00:29:31,880 Speaker 1: Because I know since you there's nineteen, you've been hosting 633 00:29:31,920 --> 00:29:33,480 Speaker 1: New Zealand today, which is awesome. 634 00:29:35,560 --> 00:29:39,760 Speaker 18: It's a bit I'm trapped inside of a bit really good? 635 00:29:43,680 --> 00:29:45,800 Speaker 19: So good? 636 00:29:45,320 --> 00:29:47,680 Speaker 3: So is your guard currently up? 637 00:29:47,720 --> 00:29:47,920 Speaker 17: Guy? 638 00:29:48,920 --> 00:29:49,040 Speaker 8: No? 639 00:29:49,120 --> 00:29:51,680 Speaker 17: I no, if anything, listening back to that moment relaxes me. 640 00:29:51,960 --> 00:29:53,080 Speaker 17: I'm cool under pressure. 641 00:29:56,480 --> 00:29:58,320 Speaker 1: So I went in saw your stand up show when 642 00:29:58,320 --> 00:30:00,800 Speaker 1: you're in Melbourne, speaking of you being all under pressure. 643 00:30:01,240 --> 00:30:04,400 Speaker 1: I had a very good laugh at a story you 644 00:30:04,440 --> 00:30:09,040 Speaker 1: were telling about getting stage fright at a large. 645 00:30:08,760 --> 00:30:09,560 Speaker 17: And the urinal. 646 00:30:11,320 --> 00:30:17,120 Speaker 1: Yeah, yeah, yeah, I think is this common? 647 00:30:17,200 --> 00:30:18,480 Speaker 3: Is this common for you guys? 648 00:30:19,840 --> 00:30:22,200 Speaker 17: No, more or less common than it is for anyone else. 649 00:30:22,440 --> 00:30:26,280 Speaker 17: I'd like to think that. I'd say, you know, you 650 00:30:26,400 --> 00:30:29,840 Speaker 17: become more associated with something if you publicly talk about it. 651 00:30:29,920 --> 00:30:33,880 Speaker 17: But I'd say everyone who's stood up at a urinal, 652 00:30:34,080 --> 00:30:36,520 Speaker 17: who's listening to the show right now, you know, got 653 00:30:36,520 --> 00:30:38,800 Speaker 17: the pants pedal going on full us out. 654 00:30:38,800 --> 00:30:40,680 Speaker 18: You still can't get it going. You know, you think 655 00:30:41,160 --> 00:30:41,880 Speaker 18: it's when you're at. 656 00:30:41,840 --> 00:30:44,040 Speaker 17: The urinal and you can't get it going, and the 657 00:30:44,040 --> 00:30:47,000 Speaker 17: guy's next to you're wrapping up. You're thinking, if these 658 00:30:47,000 --> 00:30:49,120 Speaker 17: guys go, I'm in big trouble because if I get 659 00:30:49,120 --> 00:30:51,000 Speaker 17: two new fellows on either side and they catch a 660 00:30:51,040 --> 00:30:53,560 Speaker 17: peripheral gland to this dry little flag blowing in the wind, 661 00:30:53,680 --> 00:30:55,160 Speaker 17: you know that's a crisis situation. 662 00:30:58,720 --> 00:31:00,640 Speaker 3: So when you wrap up, do you do you do? 663 00:31:00,760 --> 00:31:00,880 Speaker 1: Like? 664 00:31:01,200 --> 00:31:03,120 Speaker 3: Do you do you do a fake shake? I don't 665 00:31:03,160 --> 00:31:03,640 Speaker 3: even know who. 666 00:31:03,560 --> 00:31:06,360 Speaker 17: I'm performing for. I do a little shake as though 667 00:31:06,400 --> 00:31:10,040 Speaker 17: something's happened. I wash my hands, which I think is 668 00:31:10,080 --> 00:31:12,760 Speaker 17: just intoqate whether or not any pisons come out. 669 00:31:12,200 --> 00:31:15,520 Speaker 3: Yet you've still touched it. You've still touched it. 670 00:31:15,520 --> 00:31:18,520 Speaker 17: There was a line of thinking about this though, and 671 00:31:18,160 --> 00:31:21,680 Speaker 17: I'm not I always wash your hands, but like, is 672 00:31:21,720 --> 00:31:24,520 Speaker 17: there a cleaner body that's been untouched the rest of 673 00:31:24,520 --> 00:31:24,840 Speaker 17: the day. 674 00:31:24,920 --> 00:31:25,880 Speaker 5: Yeah, it's a good question. 675 00:31:26,240 --> 00:31:27,360 Speaker 3: Is a really good point. 676 00:31:27,480 --> 00:31:29,760 Speaker 4: Yeah, it's a good So when we wash our hands 677 00:31:29,800 --> 00:31:31,160 Speaker 4: after doing a number one, and by the way, I 678 00:31:31,200 --> 00:31:32,920 Speaker 4: also want to make it very clear that I always 679 00:31:33,000 --> 00:31:36,400 Speaker 4: wash my hands, But when we do wash our hands 680 00:31:36,440 --> 00:31:38,600 Speaker 4: after a number one, what is the funk we're trying 681 00:31:38,640 --> 00:31:39,000 Speaker 4: to get. 682 00:31:38,840 --> 00:31:39,240 Speaker 3: Off our hand. 683 00:31:39,280 --> 00:31:41,200 Speaker 1: I think it's just the idea that somebody else is 684 00:31:41,240 --> 00:31:44,440 Speaker 1: touching your penis. Effectively, it's a respect thing for them. 685 00:31:44,680 --> 00:31:48,160 Speaker 17: Oh okay, yeah, I think I've been doing it wrong. 686 00:31:48,280 --> 00:31:50,800 Speaker 17: I use the sinks to scrub the penis because the hands, 687 00:31:50,800 --> 00:31:51,600 Speaker 17: of course, the douty. 688 00:31:53,760 --> 00:31:55,600 Speaker 18: I'm just figuring this out now, and. 689 00:31:55,640 --> 00:31:59,480 Speaker 1: No wonder you're getting strange looks. 690 00:32:00,280 --> 00:32:02,000 Speaker 18: The water's flying in the sink. I feel a lot 691 00:32:02,040 --> 00:32:03,400 Speaker 18: more confident stuff. 692 00:32:05,240 --> 00:32:13,640 Speaker 3: And you're judging people. Sorry, man, you're gonna wash there. 693 00:32:14,160 --> 00:32:16,200 Speaker 1: There is actually a factor, some facts of supported. I 694 00:32:16,200 --> 00:32:19,520 Speaker 1: remember watching q I one at one point, and I 695 00:32:19,560 --> 00:32:21,840 Speaker 1: reckon the fact was around the fact that a toilet 696 00:32:21,920 --> 00:32:25,000 Speaker 1: seat had like a thousandth of the bacteria that a 697 00:32:25,040 --> 00:32:27,680 Speaker 1: dishcloth had, Like I wipe my daughter's face with the 698 00:32:27,720 --> 00:32:30,000 Speaker 1: dish cloths versatile. 699 00:32:30,160 --> 00:32:31,960 Speaker 17: I don't know there's anyone in the world who's washing 700 00:32:31,960 --> 00:32:35,240 Speaker 17: their dishcloths enough. I'm probably putting them on like a 701 00:32:35,360 --> 00:32:38,680 Speaker 17: weekly you know, a weekly laundry cycle with other bits 702 00:32:38,680 --> 00:32:39,760 Speaker 17: and bobs around the houses. 703 00:32:39,840 --> 00:32:42,480 Speaker 1: It cannot be enough, it's not there's no way I'd 704 00:32:42,520 --> 00:32:45,840 Speaker 1: be lucky to be Once a week for me is impressive, 705 00:32:45,840 --> 00:32:46,120 Speaker 1: I reckon. 706 00:32:46,160 --> 00:32:47,920 Speaker 5: I almost get to the point where I throw it out. 707 00:32:48,240 --> 00:32:49,560 Speaker 5: It gets so rank. 708 00:32:49,360 --> 00:32:51,960 Speaker 1: It gets a smell, it's unrecoverable. 709 00:32:52,120 --> 00:32:55,320 Speaker 18: It's pretty rude to fire something for working too hard. 710 00:32:55,560 --> 00:32:59,920 Speaker 1: Right, that's such a good job age. 711 00:33:01,280 --> 00:33:03,760 Speaker 18: What do you mean, No one's done more for this 712 00:33:04,280 --> 00:33:04,520 Speaker 18: than me. 713 00:33:06,200 --> 00:33:07,320 Speaker 3: Absolutely, sul. 714 00:33:08,760 --> 00:33:11,240 Speaker 5: He's a legacy employee at that stage. 715 00:33:14,320 --> 00:33:20,200 Speaker 1: Tenure, good for culture, spiritual leader of the kitchen. 716 00:33:20,560 --> 00:33:25,760 Speaker 4: That'd be lost without him. We should talk about Guy 717 00:33:25,800 --> 00:33:32,440 Speaker 4: Montgomery's Guy mont Spelling Me by It is an amazing, 718 00:33:32,640 --> 00:33:36,720 Speaker 4: amazing TV show because it also includes smelling the word 719 00:33:36,840 --> 00:33:39,160 Speaker 4: that you're trying to spell. This from the New Zealand 720 00:33:39,240 --> 00:33:42,680 Speaker 4: version of the show of Justine Smith trying to spell 721 00:33:42,760 --> 00:33:47,200 Speaker 4: what she was smelling y e A S t yeast is. 722 00:33:47,280 --> 00:33:49,120 Speaker 3: Not how you spell for cashier. 723 00:33:49,280 --> 00:33:51,000 Speaker 1: I'm so sorry. 724 00:33:51,280 --> 00:33:53,360 Speaker 17: I'd like to spell something else starting with it, but 725 00:33:54,840 --> 00:33:56,120 Speaker 17: that would be homophobic. 726 00:34:01,600 --> 00:34:04,400 Speaker 18: I will say I was pretty happy with that comy. 727 00:34:05,000 --> 00:34:09,759 Speaker 17: Sometimes most of the days you're just at work, you know, 728 00:34:10,040 --> 00:34:12,359 Speaker 17: not I mean, it's an incredible job, but like you're 729 00:34:12,400 --> 00:34:13,920 Speaker 17: punching in and out and you think I did a 730 00:34:13,920 --> 00:34:17,719 Speaker 17: good job, and then occasionally just you see it's you know, 731 00:34:17,960 --> 00:34:20,000 Speaker 17: it's been in a flow state. You see the window 732 00:34:20,000 --> 00:34:21,799 Speaker 17: of opportunity, you jump through it and you think I 733 00:34:21,840 --> 00:34:22,560 Speaker 17: got one out there. 734 00:34:22,560 --> 00:34:25,920 Speaker 1: That was nice, It was good. You'd be happy to 735 00:34:25,960 --> 00:34:28,360 Speaker 1: know that the airlock here really lit up and that 736 00:34:28,400 --> 00:34:30,399 Speaker 1: I can never three or four times now. 737 00:34:30,440 --> 00:34:35,360 Speaker 5: So vindications still good. It's still hot. 738 00:34:35,800 --> 00:34:39,160 Speaker 1: Gay Montgomery's Guy mont spelling Bee continues tomorrow night eight 739 00:34:39,160 --> 00:34:42,120 Speaker 1: point thirty, ABC TV, or you can binge all the 740 00:34:42,160 --> 00:34:45,960 Speaker 1: episodes on ABC I View. I don't want to take 741 00:34:45,960 --> 00:34:47,759 Speaker 1: you keep taking you back to your stand up show, 742 00:34:47,840 --> 00:34:50,200 Speaker 1: but I just there were so many questions I had afterwards. 743 00:34:50,840 --> 00:34:53,960 Speaker 1: I've been trying to explain to your issue with time, 744 00:34:54,360 --> 00:34:57,279 Speaker 1: which you spoke about for about fifteen minutes at the 745 00:34:57,320 --> 00:35:00,160 Speaker 1: start of the comedy show, like I wasn't s or 746 00:35:00,160 --> 00:35:03,920 Speaker 1: whether you'd started or not, because I was like, she's. 747 00:35:03,760 --> 00:35:04,919 Speaker 5: Got to drop this time thing. 748 00:35:05,120 --> 00:35:08,400 Speaker 1: Can you just try and like paraphrase, and I know 749 00:35:08,440 --> 00:35:11,200 Speaker 1: this must be hard what your issue with time was 750 00:35:11,320 --> 00:35:12,279 Speaker 1: at the start of the show. 751 00:35:12,480 --> 00:35:15,120 Speaker 17: There's no issue. It's just and to me feel what 752 00:35:15,520 --> 00:35:17,920 Speaker 17: you saw, you sort of you're seeing through. It's a 753 00:35:17,960 --> 00:35:19,319 Speaker 17: trick I like to use, and I'm sure a lot 754 00:35:19,360 --> 00:35:22,040 Speaker 17: of other comedians do, where it's sort of a run 755 00:35:22,080 --> 00:35:25,600 Speaker 17: of false starts where you're amos. It's almost a hangover 756 00:35:25,640 --> 00:35:27,680 Speaker 17: from when you're starting, when you're steering down the bowl 757 00:35:27,719 --> 00:35:29,160 Speaker 17: of heaven to go for an hour, and you. 758 00:35:29,120 --> 00:35:30,440 Speaker 3: Think that's a long time. 759 00:35:31,160 --> 00:35:34,399 Speaker 17: It's too long really to hold anyone, and so you'd 760 00:35:34,400 --> 00:35:37,080 Speaker 17: stack these little jokes or these little false starts at 761 00:35:37,080 --> 00:35:39,799 Speaker 17: the top so that all of a sudden, when you're 762 00:35:39,840 --> 00:35:41,640 Speaker 17: ten minutes in, you say, I'm going to start the 763 00:35:41,680 --> 00:35:45,360 Speaker 17: show now. Yeah, you're sort of tricking yourself in the 764 00:35:45,400 --> 00:35:48,880 Speaker 17: audience where you know you've just given them ten minutes 765 00:35:48,920 --> 00:35:51,120 Speaker 17: a show, but because you haven't described it as part 766 00:35:51,120 --> 00:35:51,600 Speaker 17: of the show. 767 00:35:51,800 --> 00:35:54,799 Speaker 4: Yeah, as an audience member, you're also like, oh my god, 768 00:35:54,800 --> 00:35:58,520 Speaker 4: the show hasn't even started, and this is hilarious. Yeah, exactly, 769 00:35:58,600 --> 00:36:00,600 Speaker 4: a great feeling as an audience man as well. 770 00:36:00,760 --> 00:36:03,279 Speaker 17: But often what happens at the start, especially when you're 771 00:36:03,280 --> 00:36:05,040 Speaker 17: in the middle of a longer run of doing the show, 772 00:36:05,160 --> 00:36:07,239 Speaker 17: is you are trying to generate moments for you to 773 00:36:07,320 --> 00:36:10,480 Speaker 17: be alive in the room. So you know, you you 774 00:36:10,520 --> 00:36:12,520 Speaker 17: wind up getting your show to a point not where 775 00:36:12,560 --> 00:36:15,760 Speaker 17: it's all wrote, but we're eighty five tonight, it's identically 776 00:36:15,760 --> 00:36:19,040 Speaker 17: every night, and so you need to kind of craft, 777 00:36:19,120 --> 00:36:23,120 Speaker 17: these opportunities where you put that, you put their energy 778 00:36:23,200 --> 00:36:25,600 Speaker 17: of every you know, like it's what makes it live. 779 00:36:25,680 --> 00:36:31,160 Speaker 17: It's watching a show and watching like a dore for similarly. 780 00:36:32,000 --> 00:36:32,480 Speaker 1: Is that right? 781 00:36:32,520 --> 00:36:34,239 Speaker 3: I thought it was fac SIMI I thought it was 782 00:36:34,239 --> 00:36:36,640 Speaker 3: fac simile shortened facts. 783 00:36:37,640 --> 00:36:38,600 Speaker 17: I thought it's a lovely one. 784 00:36:38,600 --> 00:36:40,359 Speaker 5: I also thought it was a fact that. I also 785 00:36:40,400 --> 00:36:41,040 Speaker 5: thought it was a fake. 786 00:36:41,320 --> 00:36:42,240 Speaker 3: What is a fact simile? 787 00:36:43,239 --> 00:36:43,839 Speaker 5: I'm not sure. 788 00:36:43,920 --> 00:36:47,920 Speaker 17: It's like a it's like a light serve, a copy 789 00:36:47,960 --> 00:36:51,879 Speaker 17: of something. It's like an authentic version of it, which 790 00:36:51,880 --> 00:36:53,880 Speaker 17: is I think the trip you can fall into if 791 00:36:53,880 --> 00:36:56,600 Speaker 17: you're performing the same show over and over again, you know, 792 00:36:56,680 --> 00:36:59,080 Speaker 17: an audience might not get a live experience of the show. 793 00:36:59,120 --> 00:37:01,560 Speaker 17: They might instead get to see a comedian remembering something 794 00:37:01,600 --> 00:37:06,520 Speaker 17: they've done times before. So interesting, and so you're trying 795 00:37:06,520 --> 00:37:09,040 Speaker 17: to create moments where you are in the room with 796 00:37:09,120 --> 00:37:11,520 Speaker 17: them so that it's it's for you as much as 797 00:37:11,520 --> 00:37:18,080 Speaker 17: it is there, like this is this is happening now, 798 00:37:18,120 --> 00:37:18,879 Speaker 17: this isn't just. 799 00:37:18,920 --> 00:37:22,880 Speaker 1: That's fascinating, so that it's not metronomic every time you 800 00:37:22,960 --> 00:37:23,959 Speaker 1: go back into it. 801 00:37:24,440 --> 00:37:26,160 Speaker 5: Yeah, that's really awesome. 802 00:37:26,080 --> 00:37:28,000 Speaker 17: And so up the top, what you're seeing is some 803 00:37:28,080 --> 00:37:29,480 Speaker 17: of that would have been you know, I would have 804 00:37:29,480 --> 00:37:31,680 Speaker 17: segued into material. A lot of it at the top 805 00:37:31,760 --> 00:37:34,920 Speaker 17: is just genuinely you're just trying to jolt yourself alive 806 00:37:35,040 --> 00:37:38,120 Speaker 17: so that everything is it feels precarious. 807 00:37:38,840 --> 00:37:43,680 Speaker 3: Cool man, Yeah, that feels it feels ballsy to me. 808 00:37:43,880 --> 00:37:46,839 Speaker 1: Guy, to like start your show with the moment where 809 00:37:46,880 --> 00:37:48,399 Speaker 1: you need to be on your toes, Like in my head, 810 00:37:48,440 --> 00:37:53,240 Speaker 1: I'm going get some punches in that you guarantee will work, 811 00:37:53,320 --> 00:37:55,719 Speaker 1: a couple of wins, get some confident and then get 812 00:37:55,760 --> 00:37:57,400 Speaker 1: on your toes. But you just start off and go, 813 00:37:57,480 --> 00:37:59,200 Speaker 1: you know what, I'm going to put myself straight in 814 00:37:59,239 --> 00:37:59,680 Speaker 1: the deep end. 815 00:38:00,280 --> 00:38:02,440 Speaker 18: No, I'm not going out there and stinking it up 816 00:38:02,480 --> 00:38:03,000 Speaker 18: straight away. 817 00:38:03,760 --> 00:38:06,360 Speaker 1: It didn't feel lazy. I was halfway through it and 818 00:38:06,440 --> 00:38:09,400 Speaker 1: I was like, at any point there to my partners, 819 00:38:09,480 --> 00:38:11,960 Speaker 1: I was like, this guy, trust me, he's awesome. He 820 00:38:12,040 --> 00:38:14,359 Speaker 1: was really funny on the show ten minutes and I 821 00:38:14,400 --> 00:38:16,200 Speaker 1: was like, he's fucking bombed. 822 00:38:16,120 --> 00:38:18,320 Speaker 5: And we had no joking. 823 00:38:18,400 --> 00:38:20,160 Speaker 1: Guy. It was very It was I mean, that was 824 00:38:20,160 --> 00:38:22,279 Speaker 1: the genius of it. It was so fucking funny. But 825 00:38:22,320 --> 00:38:25,880 Speaker 1: it felt as if it was still like it felt 826 00:38:25,880 --> 00:38:28,560 Speaker 1: as if it was very much improted. 827 00:38:28,960 --> 00:38:32,880 Speaker 17: I suppose also under the banner of time, you know, 828 00:38:32,960 --> 00:38:36,000 Speaker 17: which is the domestic concept that we all look by. 829 00:38:39,880 --> 00:38:42,080 Speaker 5: Guy, thank you, congratsing end of the show, mate. 830 00:38:42,120 --> 00:38:44,840 Speaker 1: It was awesome, It really was great, and he thanks 831 00:38:45,160 --> 00:38:47,080 Speaker 1: congrats on the new TV show. 832 00:38:47,080 --> 00:38:48,480 Speaker 5: It sounds like it's going really well. 833 00:38:48,520 --> 00:38:48,680 Speaker 15: Bro. 834 00:38:49,520 --> 00:38:54,120 Speaker 18: People, I'm not gonna lie. They like it and it 835 00:38:54,160 --> 00:38:54,960 Speaker 18: makes me feel good. 836 00:38:56,080 --> 00:38:58,560 Speaker 17: Also, I'm actually doing I'm touring my stand up show 837 00:38:58,600 --> 00:39:00,880 Speaker 17: a little bit around September. 838 00:39:00,920 --> 00:39:01,480 Speaker 1: You come back. 839 00:39:02,680 --> 00:39:03,600 Speaker 3: I can't get enough. 840 00:39:03,760 --> 00:39:06,440 Speaker 1: All right, where should we buy tickets? 841 00:39:07,080 --> 00:39:09,000 Speaker 17: Guy Montgomery, dot co dot in z. 842 00:39:09,760 --> 00:39:10,360 Speaker 5: It's confusing. 843 00:39:10,400 --> 00:39:12,520 Speaker 17: Someone else got that dot com. 844 00:39:13,160 --> 00:39:15,880 Speaker 1: They got that sweet got dot com action? Did they? 845 00:39:16,080 --> 00:39:20,400 Speaker 17: But I'm coming to Adelaide, Nurry Warren, you know, Okay, 846 00:39:19,960 --> 00:39:23,200 Speaker 17: I'm coming to Gold Coast, Canberra, all. 847 00:39:23,160 --> 00:39:26,640 Speaker 1: Right, so do what I can. All the hotspots, yeah. 848 00:39:26,480 --> 00:39:30,400 Speaker 17: Yeah, I looked at a sort of a forecast of 849 00:39:30,440 --> 00:39:32,160 Speaker 17: cultural hotspots in the coming time. 850 00:39:32,960 --> 00:39:34,000 Speaker 18: Melbourne's not on the map. 851 00:39:35,880 --> 00:39:38,200 Speaker 10: You've got some sort of sausage festival in Narry Warren 852 00:39:38,200 --> 00:39:42,280 Speaker 10: which is huge and you'll be there for it. 853 00:39:42,280 --> 00:39:45,000 Speaker 5: It's down to the tulip the tulip picking. 854 00:39:47,400 --> 00:39:49,839 Speaker 4: Go and see him though, Seriously, if you haven't seen him, 855 00:39:50,080 --> 00:39:52,920 Speaker 4: So the guy Montgomery dot co dot. 856 00:39:52,600 --> 00:39:54,880 Speaker 1: Nze to go and get your tickets for I'd probably 857 00:39:54,920 --> 00:39:56,360 Speaker 1: just google guy. 858 00:39:57,239 --> 00:39:58,400 Speaker 5: It seems a little bit to you. 859 00:39:58,560 --> 00:39:59,359 Speaker 18: Figure it out that way. 860 00:39:59,760 --> 00:40:02,200 Speaker 17: Yeah, yeah, don't don't tie your fingers out punching it 861 00:40:02,320 --> 00:40:05,799 Speaker 17: dot co dot in sid Lord knows those six keys 862 00:40:05,840 --> 00:40:07,600 Speaker 17: are the stickiest ones on the board. 863 00:40:08,040 --> 00:40:11,760 Speaker 1: Pull your hid and will honestly save it, save your punches, 864 00:40:11,840 --> 00:40:14,359 Speaker 1: That's what I say. You never you never know when 865 00:40:14,360 --> 00:40:15,720 Speaker 1: you're gonna need that little bit. 866 00:40:17,120 --> 00:40:17,600 Speaker 5: You might need. 867 00:40:17,680 --> 00:40:19,400 Speaker 1: Flip if you had to go and flip someone off 868 00:40:19,400 --> 00:40:22,399 Speaker 1: on the way home and you just you're just like no, 869 00:40:26,760 --> 00:40:32,120 Speaker 1: I had to just google. Oh guy, get out of here. 870 00:40:32,280 --> 00:40:34,120 Speaker 1: Good to see you, man, so good to see you. 871 00:40:34,239 --> 00:40:36,920 Speaker 1: Good luck with your show. You guys appreciate it. I'll 872 00:40:36,920 --> 00:40:38,160 Speaker 1: see you both when I see you. 873 00:40:41,880 --> 00:40:42,799 Speaker 3: Will, all right. 874 00:40:43,080 --> 00:40:45,160 Speaker 1: Yeah, I feel we're really making tracks. By the way, 875 00:40:45,280 --> 00:40:47,800 Speaker 1: like you've got to be over halfway now in the pods. 876 00:40:48,800 --> 00:40:50,520 Speaker 4: Don't make it seem like it's an effort to get 877 00:40:50,520 --> 00:40:53,839 Speaker 4: to halfway. Like you're enjoying yourself. I'd like to think 878 00:40:53,880 --> 00:40:54,279 Speaker 4: it's not like you. 879 00:40:54,360 --> 00:40:56,680 Speaker 3: Run a marathon. It's like, okay, hey, guys, only twenty. 880 00:40:56,520 --> 00:40:58,680 Speaker 1: Two k's I've made a good tendine it though, haven't 881 00:40:58,680 --> 00:41:02,640 Speaker 1: we Well kind of time we're like, look, hey, I 882 00:41:02,719 --> 00:41:04,680 Speaker 1: it does also have made it sounded a little bit 883 00:41:04,680 --> 00:41:06,200 Speaker 1: like it's a chore for you guys as well, Like 884 00:41:06,239 --> 00:41:08,880 Speaker 1: I think, well done. If you've made it to this point, 885 00:41:08,920 --> 00:41:09,880 Speaker 1: like an endurance event. 886 00:41:09,920 --> 00:41:12,040 Speaker 5: You've made to this point, you've proved yourself a true fan. 887 00:41:12,160 --> 00:41:14,799 Speaker 1: You must be bored, you must have nothing on your life. 888 00:41:14,840 --> 00:41:17,000 Speaker 1: If you're still with us, well done, you made it here. 889 00:41:17,760 --> 00:41:19,359 Speaker 4: And if you are still here, we've got some good 890 00:41:19,360 --> 00:41:21,719 Speaker 4: stuff for you right now, because plenty of good stuff. Well, 891 00:41:21,719 --> 00:41:25,239 Speaker 4: we're trying to organize an end of year celebration for well, 892 00:41:25,320 --> 00:41:29,040 Speaker 4: firstly ourselves but also our team. Yes, we like to 893 00:41:29,120 --> 00:41:32,440 Speaker 4: really responsibly rip it apart at the end of the 894 00:41:32,520 --> 00:41:35,399 Speaker 4: year to celebrate all the hard work, et cetera. But 895 00:41:36,880 --> 00:41:38,400 Speaker 4: I think we're just at a point where it's like, 896 00:41:38,600 --> 00:41:44,120 Speaker 4: you know, does the company pay for that? You know, 897 00:41:44,239 --> 00:41:46,359 Speaker 4: that's that's that's something that we would never bring up 898 00:41:46,360 --> 00:41:49,040 Speaker 4: with our bosses. But thankfully we've been toying with it 899 00:41:49,080 --> 00:41:49,799 Speaker 4: for a long time. 900 00:41:49,960 --> 00:41:51,600 Speaker 5: We've never quite out of the confidence. 901 00:41:51,760 --> 00:41:54,440 Speaker 4: We've got a whole bunch of listeners though you enjoy 902 00:41:54,480 --> 00:41:56,279 Speaker 4: our show and I'm more than happy to help us 903 00:41:56,320 --> 00:41:58,040 Speaker 4: out in a time of need. So we've got one 904 00:41:58,080 --> 00:42:01,160 Speaker 4: of our listeners, Maria, who is one, by the way. 905 00:42:01,239 --> 00:42:05,600 Speaker 1: Who is completely insane to call the woman. I don't 906 00:42:05,600 --> 00:42:06,880 Speaker 1: want to give you the context, but we were in 907 00:42:06,920 --> 00:42:08,520 Speaker 1: her house the other day and she had a light 908 00:42:08,600 --> 00:42:11,640 Speaker 1: and she had a Michael Jackson doll brilliant still in 909 00:42:11,640 --> 00:42:14,839 Speaker 1: the package in the packaging Unbeloved Collector's edition. She also 910 00:42:14,840 --> 00:42:17,120 Speaker 1: had a fart jar in her toilet, still. 911 00:42:16,880 --> 00:42:17,920 Speaker 3: Ow two bucks. 912 00:42:18,640 --> 00:42:24,000 Speaker 4: Anyway, we got her to call our big boss dB, yes, 913 00:42:24,640 --> 00:42:28,720 Speaker 4: masquerading as an assistant to our manager, just to seek 914 00:42:28,760 --> 00:42:31,800 Speaker 4: out some treats for us at the end of the year. 915 00:42:31,680 --> 00:42:33,520 Speaker 3: And I think it went pretty well. 916 00:42:35,280 --> 00:42:40,520 Speaker 15: Hello, yeah, Hi, this is Maria. I'm just a personal 917 00:42:40,600 --> 00:42:42,800 Speaker 15: assistant for Mark Clements. How are you today? 918 00:42:43,760 --> 00:42:44,839 Speaker 19: Good Maria? How are you? 919 00:42:45,480 --> 00:42:46,719 Speaker 15: Who sided to disturb you? 920 00:42:46,960 --> 00:42:47,280 Speaker 18: Now? 921 00:42:47,600 --> 00:42:50,080 Speaker 15: This is very important. I'm just going through my list 922 00:42:50,120 --> 00:42:52,520 Speaker 15: of things that need to be done now. One of 923 00:42:52,520 --> 00:42:55,759 Speaker 15: the main things that I need to discuss with you 924 00:42:55,800 --> 00:43:00,759 Speaker 15: today is Will and Woody. I need to is that okay, oh, 925 00:43:00,760 --> 00:43:04,960 Speaker 15: thank you, thank you? Now about having a day off now, 926 00:43:05,080 --> 00:43:07,160 Speaker 15: hopefully this is not a big stretch. I know it's 927 00:43:07,200 --> 00:43:09,799 Speaker 15: far down the track, but they're hoping to get the 928 00:43:09,880 --> 00:43:13,960 Speaker 15: twenty second of November off, which is the last Friday 929 00:43:14,000 --> 00:43:17,120 Speaker 15: of the year. They particularly want that day to have 930 00:43:17,120 --> 00:43:19,600 Speaker 15: a you know, a big send off. I'm thinking here, 931 00:43:19,640 --> 00:43:23,920 Speaker 15: maybe a cruise, a boat cruise, something, you know, music 932 00:43:24,080 --> 00:43:26,719 Speaker 15: DJ what have you one? I long the err or 933 00:43:27,040 --> 00:43:29,799 Speaker 15: you know Potinia or something like that. So what do 934 00:43:29,840 --> 00:43:30,200 Speaker 15: you think? 935 00:43:31,239 --> 00:43:33,720 Speaker 14: Is this like for a team event that they're thinking, 936 00:43:33,800 --> 00:43:35,480 Speaker 14: not for something or yeah, it's not. 937 00:43:35,560 --> 00:43:38,040 Speaker 15: A Christmas party for the boys and the gang. Now 938 00:43:38,040 --> 00:43:40,680 Speaker 15: I've got to ask do you have a budget set? 939 00:43:41,040 --> 00:43:43,959 Speaker 15: If not, and I sorry to intervene, I wouldn't mind 940 00:43:44,000 --> 00:43:46,520 Speaker 15: going the extra mile if you can't do the boat company, 941 00:43:46,680 --> 00:43:50,400 Speaker 15: I'm thinking maybe at a function room, possibly private function 942 00:43:50,560 --> 00:43:53,000 Speaker 15: at the casino, one of their you know, one of 943 00:43:53,040 --> 00:43:56,560 Speaker 15: their lavish rooms, you know set up. Yeah, what do 944 00:43:56,600 --> 00:43:57,560 Speaker 15: you think? So it at me? 945 00:43:58,520 --> 00:44:01,440 Speaker 14: Well, I mean, I mean I've done it a couple 946 00:44:01,440 --> 00:44:03,719 Speaker 14: of years where they've done their own private thing. I'll 947 00:44:03,719 --> 00:44:06,759 Speaker 14: be honest, Mary, I actually I was going to talk 948 00:44:06,800 --> 00:44:09,480 Speaker 14: to the boys this year about not doing that because 949 00:44:09,719 --> 00:44:14,680 Speaker 14: there is like a full full station staff event which 950 00:44:15,680 --> 00:44:18,040 Speaker 14: you know, it would be good to have them there 951 00:44:18,360 --> 00:44:21,279 Speaker 14: like with all the rest of the team members, rather 952 00:44:21,320 --> 00:44:24,040 Speaker 14: than just making it kind of exclusive to the Will 953 00:44:24,080 --> 00:44:24,960 Speaker 14: and Woody Show, if you. 954 00:44:24,880 --> 00:44:25,319 Speaker 17: Know what I mean. 955 00:44:26,000 --> 00:44:28,719 Speaker 15: Yeah, I know, but the boys work hard and you know, 956 00:44:29,160 --> 00:44:32,200 Speaker 15: and making people laugh and a good company, good value. 957 00:44:33,200 --> 00:44:33,400 Speaker 8: You know. 958 00:44:33,440 --> 00:44:35,400 Speaker 15: I'm sure you can just scratch the money tree at 959 00:44:35,440 --> 00:44:38,800 Speaker 15: the backyard and blow a couple of you know, solids 960 00:44:38,840 --> 00:44:44,200 Speaker 15: their way with a special event, you know, a boat company, 961 00:44:44,360 --> 00:44:47,279 Speaker 15: or even like huge hampers. You know, I give the 962 00:44:47,320 --> 00:44:52,279 Speaker 15: boys a huge hampers of cheese, bees and whatnot, you. 963 00:44:52,239 --> 00:44:53,760 Speaker 19: Know, I mean a hamper. 964 00:44:53,760 --> 00:44:56,040 Speaker 14: We usually do gifts for all the teams, so like 965 00:44:56,239 --> 00:44:57,560 Speaker 14: things like a small hamper, etc. 966 00:44:59,040 --> 00:45:01,200 Speaker 15: I know, but this year here from a bigger hamper, 967 00:45:01,360 --> 00:45:04,360 Speaker 15: you know, thinking of something a little bit bigger, maybe 968 00:45:04,400 --> 00:45:06,839 Speaker 15: something a little bit more extravagant for the boys, because 969 00:45:06,840 --> 00:45:08,759 Speaker 15: it's been a good year and they've worked hard, and 970 00:45:08,960 --> 00:45:11,000 Speaker 15: I'm looking at their records and the things that they've 971 00:45:11,040 --> 00:45:13,120 Speaker 15: done for the year, and I could say it's pretty impressive. 972 00:45:13,160 --> 00:45:15,520 Speaker 15: I think that they deserve a bigger you know. I'm 973 00:45:15,560 --> 00:45:18,319 Speaker 15: not trying to you know, cause anything here, but I'm 974 00:45:18,360 --> 00:45:20,960 Speaker 15: just looking after the boys. Yeah, so what do you say? 975 00:45:22,480 --> 00:45:25,279 Speaker 14: Look, leave it with me, as I say, I would 976 00:45:25,320 --> 00:45:26,920 Speaker 14: really like the boys to be involved in. 977 00:45:26,960 --> 00:45:29,360 Speaker 1: The whole hampers for the boys get around this. 978 00:45:34,239 --> 00:45:36,920 Speaker 14: And I'm like, whoever is at the other end he's talking, 979 00:45:37,080 --> 00:45:39,200 Speaker 14: just will not let me have a word. 980 00:45:43,440 --> 00:45:43,680 Speaker 12: Gate. 981 00:45:45,160 --> 00:45:46,239 Speaker 13: You wouldn't shut up, And. 982 00:45:49,719 --> 00:45:50,080 Speaker 1: I know. 983 00:45:50,239 --> 00:45:53,239 Speaker 15: I'm so sorry. Boys, it's the it's the Greek in me. 984 00:45:54,400 --> 00:45:56,880 Speaker 3: I think he secured. It's a bigger hamper though, Maria. 985 00:45:57,000 --> 00:46:01,800 Speaker 1: So well done done, Thank you dB. We washed Maria's 986 00:46:01,840 --> 00:46:03,560 Speaker 1: Jack Russell for how earlier today? 987 00:46:03,960 --> 00:46:06,839 Speaker 14: Oh right, and that was the payback, was it? 988 00:46:06,960 --> 00:46:07,920 Speaker 5: Yes? That was the bit. 989 00:46:10,520 --> 00:46:12,520 Speaker 1: That's an example of a great client bit we've done. 990 00:46:12,560 --> 00:46:14,080 Speaker 1: That's brought in a bit more cash. 991 00:46:14,280 --> 00:46:15,880 Speaker 5: So right, I love it, love it. 992 00:46:15,880 --> 00:46:17,520 Speaker 3: We could put that to the Christmas party, That's what 993 00:46:17,560 --> 00:46:18,000 Speaker 3: I was thinking. 994 00:46:18,080 --> 00:46:31,920 Speaker 19: Yep, yeah, I have it. Okay, thanksful, all right, you're 995 00:46:31,920 --> 00:46:32,760 Speaker 19: on the final straight. 996 00:46:34,719 --> 00:46:35,960 Speaker 3: I can't believe you're still here. 997 00:46:36,239 --> 00:46:38,200 Speaker 4: This is I imagine this is like when you climb 998 00:46:38,239 --> 00:46:40,719 Speaker 4: Everest and when you get to the death zone, which 999 00:46:40,719 --> 00:46:42,680 Speaker 4: is what it's called because you are slowly dying. When 1000 00:46:42,719 --> 00:46:44,880 Speaker 4: you get to that final bit, Yep, you're in the 1001 00:46:44,880 --> 00:46:47,240 Speaker 4: death zone. If you if you get past the second 1002 00:46:47,239 --> 00:46:50,879 Speaker 4: ad break, you're slowly dying. 1003 00:46:50,920 --> 00:46:52,520 Speaker 3: He must be slowly and we reserve. 1004 00:46:52,600 --> 00:46:54,719 Speaker 1: This is where we reserve the worst year as well. 1005 00:46:54,800 --> 00:46:56,759 Speaker 5: So like you know, if you make it, they're the 1006 00:46:56,840 --> 00:46:57,279 Speaker 5: last bit. 1007 00:46:58,400 --> 00:46:59,799 Speaker 3: You think you're getting a reward, but you're not. 1008 00:47:01,239 --> 00:47:03,719 Speaker 1: No, this movie keep it behind the scenes gear, which 1009 00:47:03,760 --> 00:47:05,600 Speaker 1: is you know, we put that in the death zone 1010 00:47:05,600 --> 00:47:06,880 Speaker 1: because like, if you made the death zone, you need 1011 00:47:06,920 --> 00:47:07,720 Speaker 1: a little bit of a cookie. 1012 00:47:07,880 --> 00:47:08,640 Speaker 3: Yes, give you that. 1013 00:47:08,719 --> 00:47:13,319 Speaker 1: Very shortly carrying on with the hottest gear of the week, though, 1014 00:47:13,800 --> 00:47:15,200 Speaker 1: I mean I want to give a little bit of 1015 00:47:15,239 --> 00:47:17,440 Speaker 1: context to this one woulds because I think it's important. 1016 00:47:17,920 --> 00:47:21,799 Speaker 1: On a Friday, we've got this segment called Freedom Friday. Now, 1017 00:47:21,840 --> 00:47:27,680 Speaker 1: freedom Friday is a contractually bound segment, right, we have 1018 00:47:27,760 --> 00:47:30,120 Speaker 1: to do Freedom Friday. It's in our contracts. And that's 1019 00:47:30,160 --> 00:47:33,760 Speaker 1: because every week you and I pitched thousands of ideas literally, 1020 00:47:34,400 --> 00:47:36,680 Speaker 1: and the producers have to filter them out and then 1021 00:47:36,680 --> 00:47:37,320 Speaker 1: put them into. 1022 00:47:37,200 --> 00:47:38,239 Speaker 5: A two hour radio show. 1023 00:47:38,360 --> 00:47:41,719 Speaker 4: I quickly go outside for something because I don't know 1024 00:47:41,719 --> 00:47:43,879 Speaker 4: if you have this arrangement with our fearless leader, Captain 1025 00:47:43,920 --> 00:47:46,920 Speaker 4: poop Pants, but often, well, what's been happening in the 1026 00:47:46,960 --> 00:47:49,279 Speaker 4: past is he writes back to all my emails and goes, 1027 00:47:49,320 --> 00:47:51,040 Speaker 4: this is a good idea, repitch. 1028 00:47:50,640 --> 00:47:52,799 Speaker 5: It, or this is why I don't get that. 1029 00:47:53,040 --> 00:47:53,680 Speaker 3: Oh you don't get that. 1030 00:47:53,760 --> 00:47:55,799 Speaker 5: No, he just lets me. He just lets me. 1031 00:47:55,800 --> 00:47:57,799 Speaker 1: He leaves me out in the cold. That's something I 1032 00:47:57,840 --> 00:48:00,320 Speaker 1: have discussed. You're like, oh, hang on now, poop beet, what. 1033 00:48:00,480 --> 00:48:05,360 Speaker 6: I send you an email yesterday? 1034 00:48:05,520 --> 00:48:09,640 Speaker 1: Yes, my case indpoint, he sent me one email saying 1035 00:48:09,680 --> 00:48:10,640 Speaker 1: he liked my ideas. 1036 00:48:10,680 --> 00:48:11,560 Speaker 3: Okay, well this is this. 1037 00:48:11,560 --> 00:48:13,160 Speaker 1: Is Sometimes he just sends me a photo back of 1038 00:48:13,200 --> 00:48:18,360 Speaker 1: his penish, just like this is what I think of them. 1039 00:48:18,760 --> 00:48:22,319 Speaker 1: It's disgusting, right, I tell you, I'm trying to pitch 1040 00:48:22,360 --> 00:48:25,239 Speaker 1: ideas here. And you know I'm throwing up my best gear. 1041 00:48:25,760 --> 00:48:30,080 Speaker 3: Jesus Christ, I'm throwing out my best gear. It must 1042 00:48:30,120 --> 00:48:30,480 Speaker 3: be good. 1043 00:48:30,520 --> 00:48:33,600 Speaker 1: Well it doesn't be good, yeah, or other such things. 1044 00:48:33,760 --> 00:48:36,719 Speaker 1: You know that he thinks a ten amount to the 1045 00:48:36,760 --> 00:48:38,719 Speaker 1: ideas I've sent. Take a photo a piece of shit 1046 00:48:38,800 --> 00:48:40,439 Speaker 1: on the sidewalk and be like, that's what I thought 1047 00:48:40,440 --> 00:48:40,680 Speaker 1: of them. 1048 00:48:41,320 --> 00:48:43,400 Speaker 4: Yeah, Well, anyway, reason I bring it up, And this 1049 00:48:43,440 --> 00:48:45,920 Speaker 4: is particularly interesting given that you've got an email yesterday, 1050 00:48:46,120 --> 00:48:47,879 Speaker 4: poop pants, I don't reckon I've received one of these 1051 00:48:47,920 --> 00:48:48,799 Speaker 4: emails for a week. 1052 00:48:49,080 --> 00:48:52,719 Speaker 3: What's going on there? I've been busy, clearly not you're 1053 00:48:52,719 --> 00:48:53,719 Speaker 3: sending dick pics to him. 1054 00:48:53,880 --> 00:48:56,360 Speaker 4: If you've got time to get at a good the 1055 00:48:56,360 --> 00:48:58,200 Speaker 4: good light and the good angle to send your penis 1056 00:48:58,200 --> 00:49:01,480 Speaker 4: to him, then time to at least send me a 1057 00:49:01,520 --> 00:49:03,680 Speaker 4: doodle big or what's going on? 1058 00:49:04,239 --> 00:49:05,160 Speaker 18: Do you want to do the email? 1059 00:49:05,200 --> 00:49:05,359 Speaker 6: Now? 1060 00:49:05,400 --> 00:49:06,680 Speaker 18: You can do it over the podcast if you. 1061 00:49:06,719 --> 00:49:10,960 Speaker 4: Like, which I had some bad days this week. Just 1062 00:49:10,960 --> 00:49:12,840 Speaker 4: bring up one, bring up, just bring up one. But 1063 00:49:12,960 --> 00:49:16,160 Speaker 4: maybe you felt you didn't want to respond to. 1064 00:49:17,280 --> 00:49:19,759 Speaker 1: Yeah, okay, there was one where you wanted to give 1065 00:49:19,760 --> 00:49:21,040 Speaker 1: your dad CPR. 1066 00:49:21,840 --> 00:49:22,319 Speaker 3: That's good. 1067 00:49:22,440 --> 00:49:25,040 Speaker 4: No, that's good for a number of reasons. Now, wait, 1068 00:49:25,640 --> 00:49:28,040 Speaker 4: that that is alive. I'm not even going to explain that, 1069 00:49:28,080 --> 00:49:29,680 Speaker 4: because that's that's a live. That was a good one. 1070 00:49:29,800 --> 00:49:32,359 Speaker 5: Okay, all right, well that was a good one. Then 1071 00:49:33,080 --> 00:49:33,759 Speaker 5: that says a lot. 1072 00:49:34,520 --> 00:49:36,680 Speaker 1: But the point is we pitch a lot of ideas 1073 00:49:36,840 --> 00:49:41,200 Speaker 1: and poop pans, and Tommy and LJ and analyse. They 1074 00:49:41,239 --> 00:49:43,080 Speaker 1: go through them and they tell us, you know that, 1075 00:49:43,400 --> 00:49:44,680 Speaker 1: like these are the ones that are going to fit 1076 00:49:44,719 --> 00:49:46,759 Speaker 1: in within the two hours and the radio show and 1077 00:49:46,800 --> 00:49:49,600 Speaker 1: without saying as much. The rest is shit and it's offensive. 1078 00:49:49,640 --> 00:49:51,080 Speaker 1: So we've got this little signem where we get to 1079 00:49:51,080 --> 00:49:54,400 Speaker 1: pitch whatever we want. Now, I pitched this idea. 1080 00:49:54,200 --> 00:49:54,800 Speaker 5: I've been pitching. 1081 00:49:54,800 --> 00:49:57,279 Speaker 1: I've been pitching it for three weeks and it was 1082 00:49:57,320 --> 00:50:00,000 Speaker 1: around the lights on jaffle Maker. 1083 00:50:00,680 --> 00:50:02,680 Speaker 3: Yeah. Again, when you say it like that, it isn't 1084 00:50:02,680 --> 00:50:04,719 Speaker 3: sounding good. You go like, ah, God. 1085 00:50:04,520 --> 00:50:06,760 Speaker 1: But it's their job because like when I write the email, 1086 00:50:06,880 --> 00:50:08,920 Speaker 1: I have the headline which is like lights on jaffle 1087 00:50:08,920 --> 00:50:11,960 Speaker 1: Makers obviously bolded, emboldened, and then I'll have a few 1088 00:50:11,960 --> 00:50:14,759 Speaker 1: dot points explaining why it's a good bit. Anyway, none 1089 00:50:14,760 --> 00:50:16,960 Speaker 1: of these haughty tawty pricks thought it was good. The 1090 00:50:16,960 --> 00:50:20,160 Speaker 1: only person that did was our audio producer Mark, who's 1091 00:50:20,320 --> 00:50:22,600 Speaker 1: clearly the smartest person in the room, and he was like, 1092 00:50:22,600 --> 00:50:23,239 Speaker 1: I think it's good. 1093 00:50:23,280 --> 00:50:23,640 Speaker 5: Anyway. 1094 00:50:23,680 --> 00:50:26,000 Speaker 1: These guys have been knocking it back for ages. We 1095 00:50:26,160 --> 00:50:28,000 Speaker 1: finally got to put it on the air on Freedom Friday. 1096 00:50:28,040 --> 00:50:30,360 Speaker 1: Because they can't touch the ideas for Freedom Friday, We're 1097 00:50:30,360 --> 00:50:32,680 Speaker 1: gonna we get a cart blanche to put whatever one 1098 00:50:32,719 --> 00:50:35,080 Speaker 1: on the radio in that segment. So we ended up 1099 00:50:35,080 --> 00:50:39,280 Speaker 1: putting it on the air. It absolutely exploded. 1100 00:50:43,000 --> 00:50:44,760 Speaker 5: There are two lights on a jaffle maker. 1101 00:50:45,000 --> 00:50:49,839 Speaker 1: Yeah, okay, when the green light goes on, does that 1102 00:50:49,960 --> 00:50:52,440 Speaker 1: mean that the hot plate is ready to cook the 1103 00:50:52,520 --> 00:50:55,640 Speaker 1: jaffle or does it mean that the jaffle has been cooked? 1104 00:50:55,800 --> 00:50:57,279 Speaker 3: Yeah, let's got to deal. Let's see. Let's see what 1105 00:50:57,400 --> 00:50:59,560 Speaker 3: your reckons you're it? Is it dual? 1106 00:51:00,840 --> 00:51:03,680 Speaker 15: Yes, it's still How old are you? 1107 00:51:03,800 --> 00:51:03,840 Speaker 1: Do? 1108 00:51:03,880 --> 00:51:07,400 Speaker 3: You got some strong opinions on this? 1109 00:51:07,760 --> 00:51:07,960 Speaker 9: Deal? 1110 00:51:08,040 --> 00:51:09,799 Speaker 1: First of all, this is obviously a shit hot topic. 1111 00:51:09,840 --> 00:51:10,399 Speaker 5: What do you think? 1112 00:51:11,480 --> 00:51:14,439 Speaker 12: Well, the green means that it's ready and hot enough 1113 00:51:14,480 --> 00:51:17,320 Speaker 12: to cook, and the red means that it's stopped cooking. 1114 00:51:17,880 --> 00:51:23,600 Speaker 1: It stopped cooking, like it's done. Oh hang on, So no, 1115 00:51:23,760 --> 00:51:25,600 Speaker 1: I see Tom was in here saying that the lights 1116 00:51:25,640 --> 00:51:27,440 Speaker 1: don't have any indication as to whether or not the 1117 00:51:27,480 --> 00:51:30,919 Speaker 1: jaffle's done or not. But deal, you're suggesting that once 1118 00:51:31,000 --> 00:51:33,840 Speaker 1: you put that jaffle in there and you close the lid, 1119 00:51:34,320 --> 00:51:37,280 Speaker 1: when the red light goes on, that baby is cooked. 1120 00:51:37,960 --> 00:51:41,319 Speaker 5: Yes, I agree with that. I think that she's right. 1121 00:51:41,440 --> 00:51:45,480 Speaker 1: It might be different Jaffl machines here, But my Jaffl machine. 1122 00:51:45,760 --> 00:51:47,640 Speaker 3: You've got it's red. Have you got I think it's 1123 00:51:47,640 --> 00:51:49,160 Speaker 3: a George Foreman. It's red. 1124 00:51:49,239 --> 00:51:51,360 Speaker 5: You've got a George foreman jaffl Lardie. 1125 00:51:51,560 --> 00:51:54,880 Speaker 3: Duh, it's red and then it goes green. 1126 00:51:54,960 --> 00:51:57,120 Speaker 1: I think when the hot plate's ready, and then it's 1127 00:51:57,160 --> 00:51:58,759 Speaker 1: it's a red light and a green light that's on. 1128 00:51:59,120 --> 00:52:01,480 Speaker 3: And then when I put my chaffelin yeah and close it, 1129 00:52:01,520 --> 00:52:02,799 Speaker 3: all of a sudden the lights go off. 1130 00:52:03,000 --> 00:52:05,160 Speaker 5: Both lights go off or just no, just the green 1131 00:52:05,239 --> 00:52:05,719 Speaker 5: goes off. 1132 00:52:06,000 --> 00:52:09,480 Speaker 1: Okay, maybe just the green goes off, which is what deals. 1133 00:52:10,200 --> 00:52:12,320 Speaker 3: Maybe she's not saying a red light goes on. 1134 00:52:13,280 --> 00:52:15,120 Speaker 1: Would think, I think we need a story arc. 1135 00:52:15,200 --> 00:52:16,400 Speaker 5: I think we had two weeks on this. 1136 00:52:16,520 --> 00:52:19,200 Speaker 1: I think that's what we're all thinking. Tagan's called. 1137 00:52:19,360 --> 00:52:21,600 Speaker 13: I don't think the jaffle maker is smart enough to 1138 00:52:21,600 --> 00:52:22,840 Speaker 13: tell you whether it's ready. 1139 00:52:23,040 --> 00:52:24,640 Speaker 5: Okay, so that's what That's what Tom said. 1140 00:52:25,239 --> 00:52:28,319 Speaker 13: The lights determine that the hot plate is ready to 1141 00:52:28,640 --> 00:52:33,640 Speaker 13: actually cooking sandy. Yeah, you to decide if you want 1142 00:52:33,640 --> 00:52:36,680 Speaker 13: it super hot, a super crispy, and super brown. The 1143 00:52:36,760 --> 00:52:38,759 Speaker 13: machine can't tell you. He doesn't know whether you want 1144 00:52:38,760 --> 00:52:41,320 Speaker 13: to really chose it one. But Tigan, when we're confusing, 1145 00:52:41,960 --> 00:52:44,200 Speaker 13: many confusing because there's two lights like. 1146 00:52:44,200 --> 00:52:45,680 Speaker 1: The green and red or on. And then I put 1147 00:52:45,680 --> 00:52:47,879 Speaker 1: my jaffeline and then one light goes off. What that's 1148 00:52:47,920 --> 00:52:48,960 Speaker 1: what is that signifying? 1149 00:52:49,280 --> 00:52:51,359 Speaker 13: It's telling you that it's heating up again, because now 1150 00:52:51,400 --> 00:52:53,920 Speaker 13: you've put something on the hot plate that's taken the 1151 00:52:53,920 --> 00:52:55,440 Speaker 13: heat away from the hot plate to hang on. 1152 00:52:55,600 --> 00:52:57,839 Speaker 1: Which one, but which one is telling us that it's 1153 00:52:57,840 --> 00:53:00,839 Speaker 1: heating up again because the red one the red ones. 1154 00:53:01,080 --> 00:53:04,680 Speaker 1: Can I just say, whoever's at Jaffele headquarters, whichever dickhead 1155 00:53:04,680 --> 00:53:08,760 Speaker 1: put a green and red light the two opposing light 1156 00:53:08,800 --> 00:53:12,359 Speaker 1: colors in anyone else's zitgeist on a machine and had 1157 00:53:12,360 --> 00:53:15,440 Speaker 1: them going at the same time to signify something should 1158 00:53:15,440 --> 00:53:16,520 Speaker 1: be fired immediately. 1159 00:53:16,600 --> 00:53:17,080 Speaker 3: Definitely. 1160 00:53:17,120 --> 00:53:19,680 Speaker 1: This is I think we need someone on from George 1161 00:53:19,680 --> 00:53:20,760 Speaker 1: Foreman or from Brevel. 1162 00:53:20,880 --> 00:53:21,600 Speaker 3: Let's get George. 1163 00:53:21,600 --> 00:53:24,200 Speaker 1: I'm gonna say, get the big get the big guys 1164 00:53:24,480 --> 00:53:25,640 Speaker 1: for George Master Foreman. 1165 00:53:26,120 --> 00:53:28,520 Speaker 4: So and it's funny how the newer models haven't updated 1166 00:53:28,520 --> 00:53:30,080 Speaker 4: it as well. Even the newer models have a green 1167 00:53:30,080 --> 00:53:31,520 Speaker 4: and red light, they haven't just it. 1168 00:53:31,560 --> 00:53:34,360 Speaker 3: Let's go, I've got a brand new bel Sue works 1169 00:53:34,360 --> 00:53:35,000 Speaker 3: at bing Lee. 1170 00:53:35,200 --> 00:53:38,000 Speaker 1: Who is bing Lee? They make they make jaffles, They 1171 00:53:38,040 --> 00:53:41,879 Speaker 1: make Jaffls, so they sell Jeffls that you were talking 1172 00:53:41,920 --> 00:53:44,080 Speaker 1: about being a Lee the bowler Brett. 1173 00:53:44,080 --> 00:53:46,919 Speaker 3: Sue fifty two. What do the lights mean? 1174 00:53:46,960 --> 00:53:47,000 Speaker 1: You? 1175 00:53:47,239 --> 00:53:48,960 Speaker 3: You must have explained this to someone while you were 1176 00:53:48,960 --> 00:53:49,720 Speaker 3: working at Bingley. 1177 00:53:50,040 --> 00:53:53,320 Speaker 16: So the real answer is when the light is green, 1178 00:53:53,440 --> 00:53:56,600 Speaker 16: it's ready to put in. However, when you do put 1179 00:53:56,640 --> 00:53:59,719 Speaker 16: the item in, it does call it down. So once 1180 00:53:59,760 --> 00:54:02,799 Speaker 16: you put the item in, it will turn off and 1181 00:54:02,840 --> 00:54:04,760 Speaker 16: it will go green when it's ready again. 1182 00:54:05,400 --> 00:54:08,239 Speaker 1: Well what's ready again though, like when it's hot enough again, 1183 00:54:08,320 --> 00:54:10,960 Speaker 1: or when the sandwich is ready, when it's. 1184 00:54:10,800 --> 00:54:15,239 Speaker 16: Hot enough again, But when the sandwich is ready, So. 1185 00:54:16,400 --> 00:54:17,920 Speaker 5: No, I can't have that. 1186 00:54:18,560 --> 00:54:23,080 Speaker 1: So you're telling me it goes green when the plate's ready. 1187 00:54:23,200 --> 00:54:25,319 Speaker 5: I think we all agree on that. I think, is it? 1188 00:54:25,400 --> 00:54:25,560 Speaker 15: Yes? 1189 00:54:25,880 --> 00:54:28,160 Speaker 1: First of all, why was it red before? 1190 00:54:28,200 --> 00:54:28,359 Speaker 7: Then? 1191 00:54:28,520 --> 00:54:29,799 Speaker 1: Like, just get rid of the red? 1192 00:54:30,920 --> 00:54:33,040 Speaker 3: You know that the machine is on but not hot enough. 1193 00:54:33,280 --> 00:54:36,320 Speaker 1: That's fair enough, okay, all right, well Jesus which asides quickly? 1194 00:54:36,360 --> 00:54:38,480 Speaker 3: No, no, this is where I start. 1195 00:54:38,680 --> 00:54:40,160 Speaker 5: Okay, okay, So the green comes on. 1196 00:54:40,520 --> 00:54:42,600 Speaker 1: It tells you that the plate is ready to cook. 1197 00:54:42,760 --> 00:54:45,760 Speaker 1: All right, you open it up, you put your jacklin 1198 00:54:45,960 --> 00:54:48,640 Speaker 1: because the plate's cooled down again. Now here's the bit. 1199 00:54:48,920 --> 00:54:51,520 Speaker 1: Here's here's the bit on behalf of everyone in Australia 1200 00:54:52,000 --> 00:54:54,319 Speaker 1: when the light goes green again, we're back to my 1201 00:54:54,400 --> 00:54:58,560 Speaker 1: base question. Does that mean that the plate is hot enough? 1202 00:54:58,800 --> 00:55:01,160 Speaker 1: Or does it now mean that the sandwich is done? 1203 00:55:01,360 --> 00:55:03,200 Speaker 16: That means that both of them are done. 1204 00:55:04,000 --> 00:55:06,359 Speaker 5: And I'm sorry, I can't have that. You've got too, Bob. 1205 00:55:06,360 --> 00:55:08,759 Speaker 5: Each way, we're gonna have to hang it over the 1206 00:55:08,800 --> 00:55:09,160 Speaker 5: next week. 1207 00:55:09,239 --> 00:55:10,479 Speaker 1: I'm sorry, it's got two weeks. 1208 00:55:10,680 --> 00:55:11,279 Speaker 3: Manufacturer. 1209 00:55:11,400 --> 00:55:12,479 Speaker 1: Let's get Brevel on board. 1210 00:55:12,520 --> 00:55:16,760 Speaker 3: Obviously, go to the manufacturer. We have to, because clearly. 1211 00:55:16,600 --> 00:55:19,480 Speaker 1: She they're sixes and sevens. We've just had a call 1212 00:55:19,880 --> 00:55:21,160 Speaker 1: from the horse's mouth. 1213 00:55:21,840 --> 00:55:24,160 Speaker 3: Yeah, people are being lead. I don't even know what's 1214 00:55:24,160 --> 00:55:24,520 Speaker 3: going on. 1215 00:55:24,840 --> 00:55:26,880 Speaker 1: To be honest, being lead doesn't sound like a reputable 1216 00:55:27,000 --> 00:55:38,960 Speaker 1: chapel maker. But all right, guys, now you're this far 1217 00:55:39,000 --> 00:55:39,560 Speaker 1: on the death zone. 1218 00:55:39,560 --> 00:55:40,319 Speaker 5: By the way, if you are. 1219 00:55:40,239 --> 00:55:43,160 Speaker 1: At Brevel, hit us up, because I reckon there's a 1220 00:55:43,160 --> 00:55:44,480 Speaker 1: product there that we could make. 1221 00:55:44,360 --> 00:55:46,879 Speaker 3: With you with a different light system, just a better 1222 00:55:46,960 --> 00:55:48,880 Speaker 3: light system. It should be one light anyway. 1223 00:55:49,080 --> 00:55:51,160 Speaker 1: Yeah, well it should at least not be green, which 1224 00:55:51,200 --> 00:55:53,839 Speaker 1: is the light that we all associate with something telling 1225 00:55:53,880 --> 00:55:54,600 Speaker 1: you to keep going. 1226 00:55:55,719 --> 00:55:57,399 Speaker 3: No green ready, I think is good? 1227 00:55:57,560 --> 00:55:58,480 Speaker 5: No disagree. 1228 00:55:58,520 --> 00:55:59,759 Speaker 3: I think it should be like green good. 1229 00:55:59,880 --> 00:56:02,520 Speaker 5: Go oh, I know that doesn't make sense, but. 1230 00:56:02,480 --> 00:56:06,880 Speaker 1: Any read but the red obviously there is not better 1231 00:56:07,080 --> 00:56:09,920 Speaker 1: at the same time sometimes yeah, anyway. 1232 00:56:09,520 --> 00:56:13,680 Speaker 2: And before we go, so you know the podcast feedback form. 1233 00:56:13,480 --> 00:56:14,880 Speaker 5: Is live beautiful. 1234 00:56:15,239 --> 00:56:16,759 Speaker 1: Well, I mean, and if you're in the death sign, 1235 00:56:17,200 --> 00:56:18,400 Speaker 1: then we know you're committed. 1236 00:56:18,520 --> 00:56:20,719 Speaker 2: There's five questions, but you only need to answer one. 1237 00:56:21,400 --> 00:56:22,200 Speaker 3: Okay, there's only. 1238 00:56:22,040 --> 00:56:23,880 Speaker 5: One require What are the five questions? 1239 00:56:24,920 --> 00:56:28,160 Speaker 2: Tell us your name if you want question mine? Question two, 1240 00:56:28,200 --> 00:56:31,600 Speaker 2: which is required, what do you think about the new podcast? 1241 00:56:31,920 --> 00:56:32,120 Speaker 3: Yeah? 1242 00:56:32,239 --> 00:56:33,759 Speaker 5: Open ended like textbox? 1243 00:56:33,840 --> 00:56:34,360 Speaker 3: Yeah. 1244 00:56:34,440 --> 00:56:36,560 Speaker 2: Question three do you prefer more radio bits or more 1245 00:56:36,640 --> 00:56:37,520 Speaker 2: chat around the bits? 1246 00:56:37,760 --> 00:56:38,279 Speaker 5: Chill chat? 1247 00:56:38,360 --> 00:56:40,400 Speaker 2: And that's a that's a multiple choice, so you can 1248 00:56:40,440 --> 00:56:43,200 Speaker 2: either select radio bits, podcast bits or it's the perfect mix. 1249 00:56:43,320 --> 00:56:44,120 Speaker 3: Okay, I love. 1250 00:56:44,640 --> 00:56:46,439 Speaker 2: Question four is would you change anything else? 1251 00:56:46,960 --> 00:56:47,240 Speaker 7: Great? 1252 00:56:47,320 --> 00:56:49,000 Speaker 2: And question five is do you have a message. 1253 00:56:48,680 --> 00:56:49,120 Speaker 3: For the boys? 1254 00:56:49,120 --> 00:56:50,759 Speaker 5: It seems like a lot of work, but I'm okay 1255 00:56:50,760 --> 00:56:50,960 Speaker 5: with it. 1256 00:56:51,000 --> 00:56:52,640 Speaker 2: But you only need to put well, you have to 1257 00:56:52,640 --> 00:56:55,239 Speaker 2: answer one question, which is tell us what you like? 1258 00:56:55,280 --> 00:56:57,759 Speaker 1: Can we put one more question there? What do you 1259 00:56:57,760 --> 00:57:00,000 Speaker 1: think Revel should change their lighting system too? On jaff 1260 00:57:00,040 --> 00:57:02,120 Speaker 1: formakers just gone? 1261 00:57:03,520 --> 00:57:04,440 Speaker 2: Do you want me to put that? 1262 00:57:04,680 --> 00:57:05,720 Speaker 3: I think it's one of those situations. 1263 00:57:05,760 --> 00:57:13,479 Speaker 1: We go, yeah, mate, sure, absolutely, okay, all right, it'll 1264 00:57:13,520 --> 00:57:16,040 Speaker 1: be in the link in underneath the podcast. Great, well, 1265 00:57:16,280 --> 00:57:17,880 Speaker 1: that's the fourth time you turn your mic on you. 1266 00:57:17,880 --> 00:57:19,680 Speaker 1: You were at a clean three and you've infringed. 1267 00:57:19,840 --> 00:57:22,400 Speaker 5: That was good though, thank you or what he. 1268 00:57:23,720 --> 00:57:26,080 Speaker 3: I wasn't talking to you, but way to take the compliment. 1269 00:57:26,480 --> 00:57:27,320 Speaker 5: You know, I'm good at that. 1270 00:57:27,760 --> 00:57:29,400 Speaker 1: Now, final bit, you are in the dead sign, so 1271 00:57:29,440 --> 00:57:30,840 Speaker 1: you get a bit behind the scenes. Get Now, there's 1272 00:57:30,840 --> 00:57:33,840 Speaker 1: something happens foing about woods. But I just noticed it 1273 00:57:33,880 --> 00:57:36,600 Speaker 1: the other day. Obviously, when you work in radio or 1274 00:57:36,720 --> 00:57:39,880 Speaker 1: any any audible medium, or in media in general, you 1275 00:57:39,960 --> 00:57:42,760 Speaker 1: hear yourself talk a lot, and you hear yourself laugh 1276 00:57:42,800 --> 00:57:44,920 Speaker 1: a lot. Just comes along with the cherichy, Right, I 1277 00:57:44,920 --> 00:57:49,400 Speaker 1: think something is creeping into my laugh and I don't and. 1278 00:57:49,360 --> 00:57:53,320 Speaker 5: I I don't like it. And it came up. 1279 00:57:53,640 --> 00:57:55,480 Speaker 1: We had Sean mccauliff on the show during the week 1280 00:57:56,360 --> 00:57:57,640 Speaker 1: We Love Sean, Love Sean. 1281 00:57:58,040 --> 00:57:58,240 Speaker 7: Yeah. 1282 00:57:58,320 --> 00:58:00,480 Speaker 1: An Ales actually asked him. She buzzed in while he 1283 00:58:00,520 --> 00:58:03,720 Speaker 1: was doing the interview because we're lazy. She was in 1284 00:58:03,760 --> 00:58:05,960 Speaker 1: with this question about when he was working with Lisa 1285 00:58:06,040 --> 00:58:09,640 Speaker 1: Kudrow on a title a td TV show. 1286 00:58:10,040 --> 00:58:10,720 Speaker 14: I'm just curious. 1287 00:58:10,720 --> 00:58:11,920 Speaker 20: Did you get Lisa's number? 1288 00:58:13,760 --> 00:58:17,480 Speaker 1: I did, We've corresponded. 1289 00:58:17,720 --> 00:58:20,240 Speaker 17: The photo, in fact that it's been shared was the 1290 00:58:20,240 --> 00:58:21,840 Speaker 17: one that she had arranged. 1291 00:58:22,320 --> 00:58:24,640 Speaker 5: She took that nice. 1292 00:58:24,720 --> 00:58:26,680 Speaker 3: What do you correspond about Sean? 1293 00:58:26,960 --> 00:58:27,360 Speaker 18: So far? 1294 00:58:27,480 --> 00:58:32,040 Speaker 1: Only the only that photo? 1295 00:58:32,160 --> 00:58:36,040 Speaker 18: I said, I said, thank you, very gracious. 1296 00:58:36,520 --> 00:58:38,680 Speaker 3: I love Sean funny bit. 1297 00:58:38,720 --> 00:58:40,120 Speaker 5: Did you hear my laugh at the end. 1298 00:58:40,040 --> 00:58:40,440 Speaker 8: There. 1299 00:58:42,160 --> 00:58:42,840 Speaker 15: Was again. 1300 00:58:44,320 --> 00:58:45,640 Speaker 3: A bit of chain sorry about it. 1301 00:58:48,640 --> 00:58:51,000 Speaker 1: All of a sudden I realized, and it was a 1302 00:58:51,040 --> 00:58:52,920 Speaker 1: shocking realization that happened so quickly. 1303 00:58:53,400 --> 00:58:56,680 Speaker 5: I started laughing like Peter Griffin, you did a bit. 1304 00:58:56,800 --> 00:59:06,720 Speaker 20: Go Oh my god, you have you're watching a lot 1305 00:59:06,720 --> 00:59:07,040 Speaker 20: of family. 1306 00:59:08,600 --> 00:59:09,040 Speaker 3: What happened? 1307 00:59:09,040 --> 00:59:09,800 Speaker 1: That good? 1308 00:59:14,040 --> 00:59:15,520 Speaker 3: It's exactly the same. 1309 00:59:18,440 --> 00:59:18,840 Speaker 13: I said. 1310 00:59:19,040 --> 00:59:21,120 Speaker 18: I said, thank you. 1311 00:59:23,440 --> 00:59:24,560 Speaker 3: That's a perfect swamp. 1312 00:59:25,760 --> 00:59:26,480 Speaker 16: You're doing it. 1313 00:59:26,880 --> 00:59:32,600 Speaker 3: You're doing it. Oh my god, No, you can't help that. 1314 00:59:36,880 --> 00:59:38,200 Speaker 5: All right, we're gonna get out of here. 1315 00:59:38,200 --> 00:59:40,280 Speaker 3: On that note, fill in the questionnaire if you want. 1316 00:59:40,360 --> 00:59:42,840 Speaker 2: There's a beautiful animated background of a lotus pond. 1317 00:59:43,920 --> 00:59:44,840 Speaker 3: That's nice. 1318 00:59:45,360 --> 00:59:46,400 Speaker 5: At the end of the day, you're in the dead 1319 00:59:46,440 --> 00:59:47,800 Speaker 5: zone of the podcast. I know you care about. 1320 00:59:47,840 --> 00:59:49,480 Speaker 3: One of you is going to get a girl as well, 1321 00:59:49,480 --> 00:59:51,280 Speaker 3: one of you will get a grill voucher. No, we 1322 00:59:51,320 --> 00:59:53,880 Speaker 3: don't have anymore. Pick it up. Yeah, I give them all. 1323 00:59:56,480 --> 00:59:57,960 Speaker 5: Yes, great from our hearts. 1324 00:59:58,080 --> 00:59:59,120 Speaker 3: You will pick that randomly.