1 00:00:00,160 --> 00:00:00,440 Speaker 1: Lace. 2 00:00:00,960 --> 00:00:03,360 Speaker 2: You ripped open this envelope and I was concerned by 3 00:00:03,400 --> 00:00:05,760 Speaker 2: the look on your face and what you said to me. Really, 4 00:00:05,840 --> 00:00:07,320 Speaker 2: you said to me, I only know one thing about 5 00:00:07,320 --> 00:00:07,680 Speaker 2: this band. 6 00:00:07,760 --> 00:00:10,200 Speaker 3: I know, I know, And it turns out I knew 7 00:00:10,240 --> 00:00:11,160 Speaker 3: two things about them. 8 00:00:11,440 --> 00:00:11,799 Speaker 2: You know. 9 00:00:12,080 --> 00:00:15,080 Speaker 1: We did well together. Hands, We're going to see them. 10 00:00:15,520 --> 00:00:16,360 Speaker 1: That's what bend is about. 11 00:00:16,400 --> 00:00:18,320 Speaker 2: We hold hands and get through and we fell over 12 00:00:18,360 --> 00:00:21,600 Speaker 2: the line. 13 00:00:22,280 --> 00:00:25,840 Speaker 3: An envelope contains the music topic to discuss this. 14 00:00:26,120 --> 00:00:29,080 Speaker 2: Five minutes on the clock to feel and this no 15 00:00:29,360 --> 00:00:34,040 Speaker 2: time to prep This is banter with Colezy and Lisa. 16 00:00:35,080 --> 00:00:36,840 Speaker 3: I've been handed the envelope. 17 00:00:37,880 --> 00:00:40,680 Speaker 1: It's so you didn't know she did a choice this time? 18 00:00:40,840 --> 00:00:43,800 Speaker 3: No, no, no, Well, when I was handed the choice, okay, 19 00:00:43,800 --> 00:00:44,760 Speaker 3: this is the one I picked. 20 00:00:44,920 --> 00:00:49,600 Speaker 1: Done and it is time is ready. It is the 21 00:00:49,640 --> 00:00:53,960 Speaker 1: Angel Ah the Angels. Timer starts. Now, that's five minutes, 22 00:00:55,000 --> 00:01:00,000 Speaker 1: Ah Angel, one of Australia's finest rock bands, Angels. 23 00:01:00,040 --> 00:01:02,720 Speaker 3: There's only one thing I know about the Angels. That's 24 00:01:02,960 --> 00:01:04,000 Speaker 3: how to sing the bit in the. 25 00:01:05,160 --> 00:01:07,800 Speaker 2: So if I am I ever going to see your 26 00:01:07,800 --> 00:01:08,440 Speaker 2: face again? 27 00:01:08,600 --> 00:01:12,640 Speaker 1: No way again? Well you can say it's podcast. You 28 00:01:12,680 --> 00:01:16,960 Speaker 1: could say, gee, gosh. 29 00:01:16,800 --> 00:01:19,040 Speaker 3: It seems so foreign to swear in the studio. 30 00:01:19,560 --> 00:01:23,840 Speaker 1: Sorry I can't. Well, I said it for you. I 31 00:01:23,880 --> 00:01:25,360 Speaker 1: can't do it. You can do it, I can't do it. 32 00:01:25,720 --> 00:01:29,840 Speaker 1: Might be listening to You're a Crow that's really funny. 33 00:01:30,920 --> 00:01:34,600 Speaker 3: It's okay when you do it two thousand people in 34 00:01:34,640 --> 00:01:37,520 Speaker 3: the pub yelling out and it gets last, it's all right. 35 00:01:37,600 --> 00:01:39,000 Speaker 1: But when you're on your own, it's different. 36 00:01:39,080 --> 00:01:40,800 Speaker 2: Well, the Angels sort of started off. They come out 37 00:01:40,840 --> 00:01:43,120 Speaker 2: of South Australia Adelaid. They're sort of almost like a 38 00:01:43,200 --> 00:01:46,360 Speaker 2: jug band in the early days, something you'd see in 39 00:01:46,400 --> 00:01:48,440 Speaker 2: the you know, like at a Bush music festival or something, 40 00:01:48,840 --> 00:01:51,720 Speaker 2: and evolved into one of the most consistent hard rocking 41 00:01:51,920 --> 00:01:52,920 Speaker 2: Aussie pub bands. 42 00:01:53,000 --> 00:01:57,440 Speaker 3: Oh for sure stops in the first Now, growing up, 43 00:01:57,600 --> 00:02:00,440 Speaker 3: I always sort of put them in a similar into 44 00:02:00,480 --> 00:02:04,120 Speaker 3: a C D C. Very so I was not into either, 45 00:02:04,400 --> 00:02:07,120 Speaker 3: I have to admit, as you know, I was into 46 00:02:07,200 --> 00:02:10,480 Speaker 3: Duran Durant around Ballet and Simple Minds and so ac 47 00:02:10,639 --> 00:02:14,720 Speaker 3: DC and the Angels were not really my thing. I 48 00:02:14,800 --> 00:02:18,080 Speaker 3: have learned to appreciate them in the same way I 49 00:02:18,080 --> 00:02:20,480 Speaker 3: appreciate one as I've got older. 50 00:02:21,320 --> 00:02:24,000 Speaker 2: Well, they were one of those bands who just rocked 51 00:02:24,000 --> 00:02:28,320 Speaker 2: at the pubs. You Doc Nisson with his big six 52 00:02:28,880 --> 00:02:33,080 Speaker 2: four guy with his yeah, white towel around his neck, 53 00:02:33,120 --> 00:02:36,840 Speaker 2: and very theatrical, and he's the way that he performed 54 00:02:36,880 --> 00:02:39,560 Speaker 2: a song in a very passionate, great voice, you know, 55 00:02:39,639 --> 00:02:43,240 Speaker 2: like at his very best. And sadly we lost him, 56 00:02:43,720 --> 00:02:45,600 Speaker 2: you know, just a few years ago he got very 57 00:02:45,680 --> 00:02:49,200 Speaker 2: very ill and was still trying to tour, and he. 58 00:02:49,160 --> 00:02:51,280 Speaker 3: Did right up into the end in and he's had 59 00:02:51,720 --> 00:02:53,920 Speaker 3: still pushing. There's been more than a few people have 60 00:02:53,960 --> 00:02:57,240 Speaker 3: tried to replace him. I mean, well they've got from 61 00:02:57,280 --> 00:02:59,760 Speaker 3: screaming Jets is the obvious choice, and he does such 62 00:02:59,760 --> 00:03:02,000 Speaker 3: a job, but it's the only one that stood. 63 00:03:01,720 --> 00:03:03,600 Speaker 2: In for the only one. I mean, the Brewster brothers. 64 00:03:04,160 --> 00:03:06,280 Speaker 2: John could played a lot of gigs over these and 65 00:03:06,320 --> 00:03:07,960 Speaker 2: played those songs, but it's really been David. 66 00:03:08,440 --> 00:03:11,639 Speaker 3: Like the Gallagher brothers, aren't they Well, yeah, to be classy. 67 00:03:11,400 --> 00:03:14,400 Speaker 2: Yeah, but they get on, they get like each other. 68 00:03:14,560 --> 00:03:17,240 Speaker 2: But is trying to get a Brewster brother at a 69 00:03:17,240 --> 00:03:18,920 Speaker 2: gig to try and laugh because they used to do 70 00:03:18,960 --> 00:03:21,640 Speaker 2: that really, Yeah, especially Rick, he used to stand there 71 00:03:21,760 --> 00:03:25,240 Speaker 2: and just like look really quite serious, quite intense and 72 00:03:25,520 --> 00:03:27,600 Speaker 2: almost like Elliott Goblet of the you know, of the 73 00:03:27,680 --> 00:03:30,400 Speaker 2: rock world where he would be going internally. 74 00:03:30,720 --> 00:03:33,320 Speaker 1: But just great. They're actually really great guys. 75 00:03:33,360 --> 00:03:36,200 Speaker 2: But but the songs that I've written over the years, 76 00:03:36,560 --> 00:03:39,520 Speaker 2: and one of those was I'm over going to see 77 00:03:39,560 --> 00:03:41,640 Speaker 2: Your Face Again. But so many great songs and Night 78 00:03:41,680 --> 00:03:44,600 Speaker 2: Attack was a wonderful album in the early eighties as well. 79 00:03:44,800 --> 00:03:48,240 Speaker 3: Who told us recently the story about the first time 80 00:03:48,280 --> 00:03:49,960 Speaker 3: they did that and everyone in the audience did it 81 00:03:49,960 --> 00:03:50,600 Speaker 3: and they freaked out. 82 00:03:50,640 --> 00:03:52,320 Speaker 1: They don't know what was Barnes. 83 00:03:52,800 --> 00:03:56,240 Speaker 2: I'm pretty sure most probably Diesel. When we spoke about 84 00:03:56,240 --> 00:03:57,320 Speaker 2: his TV show. 85 00:03:57,160 --> 00:04:00,320 Speaker 3: Okay, he said, the first time the Australian crowd did that, 86 00:04:00,360 --> 00:04:02,880 Speaker 3: they came off and said, don't they like it? Didn't 87 00:04:03,400 --> 00:04:05,680 Speaker 3: And then it just became it, well became we used 88 00:04:05,680 --> 00:04:07,640 Speaker 3: to say, it was like the Australia that it was. 89 00:04:07,800 --> 00:04:09,480 Speaker 2: Yeah, it became like and if you didn't do it, it 90 00:04:09,480 --> 00:04:12,200 Speaker 2: was un Australian not to join not to join in. Yeah, 91 00:04:12,240 --> 00:04:14,880 Speaker 2: that kind of thing, And so many great songs over 92 00:04:14,920 --> 00:04:16,640 Speaker 2: the years. I Just Want to Be with You was 93 00:04:16,680 --> 00:04:19,919 Speaker 2: a great ballad of theirs with doctor and the smoky 94 00:04:20,040 --> 00:04:22,400 Speaker 2: kind of vocal. It looks like it's coming down, coming 95 00:04:22,440 --> 00:04:25,400 Speaker 2: down on me was a really good song. I'm fairly 96 00:04:25,440 --> 00:04:27,479 Speaker 2: intimate knowledge of their songs because I was listening to 97 00:04:27,520 --> 00:04:29,000 Speaker 2: it at sixteen seventeen. 98 00:04:29,360 --> 00:04:30,880 Speaker 3: Was it? Am I ever going to see your face again? 99 00:04:31,160 --> 00:04:33,320 Speaker 3: That was originally a ballad? I remember there was a 100 00:04:33,360 --> 00:04:35,640 Speaker 3: song and I might not have even been the Angels, 101 00:04:35,640 --> 00:04:40,080 Speaker 3: but big Australian sort of athemy song that is like that. 102 00:04:40,240 --> 00:04:42,599 Speaker 3: And I read once that it was originally a ballad, 103 00:04:42,720 --> 00:04:43,680 Speaker 3: and I searched and. 104 00:04:43,600 --> 00:04:45,480 Speaker 1: Searched and searched you trying to work out it was. 105 00:04:45,800 --> 00:04:47,400 Speaker 3: Google obia and I couldn't. 106 00:04:47,480 --> 00:04:48,760 Speaker 1: I couldn't find I'm. 107 00:04:48,640 --> 00:04:50,560 Speaker 2: Pretty sure there was a there was a Baby Animal 108 00:04:50,600 --> 00:04:52,440 Speaker 2: song that was a ballad that became a rocket that 109 00:04:52,520 --> 00:04:54,880 Speaker 2: was one of theirs. Maybe there's but there's a similar 110 00:04:54,960 --> 00:04:57,080 Speaker 2: kind of that rock star to the likes of the 111 00:04:57,120 --> 00:05:00,240 Speaker 2: Baby Animals. You mentioned Acadaca. They were in the albert studio, 112 00:05:00,360 --> 00:05:03,400 Speaker 2: the Alberts family who had so many of the big names, 113 00:05:03,400 --> 00:05:05,240 Speaker 2: but the Angels were one of those leading lights in 114 00:05:05,240 --> 00:05:05,640 Speaker 2: that era. 115 00:05:06,000 --> 00:05:10,800 Speaker 3: Obviously ac DC were far more successful on an international stage. 116 00:05:10,839 --> 00:05:13,480 Speaker 3: I don't think the Angels were made it the way 117 00:05:13,520 --> 00:05:16,280 Speaker 3: ac DC did overseas, but I always thought that they 118 00:05:16,279 --> 00:05:19,160 Speaker 3: were very to me, they were similar. 119 00:05:18,800 --> 00:05:21,159 Speaker 1: It was a problem, wasn't to the Duran Duran fam. 120 00:05:21,240 --> 00:05:23,320 Speaker 1: I know what you're saying. Yeah, they were similar and 121 00:05:23,360 --> 00:05:24,640 Speaker 1: the quality of the songs is up there. 122 00:05:24,720 --> 00:05:26,040 Speaker 2: Part of the problem was there was another band called 123 00:05:26,040 --> 00:05:27,840 Speaker 2: the angel So when they went overseas, the Angels had 124 00:05:27,839 --> 00:05:30,080 Speaker 2: to call themselves Angel City for quite a period. 125 00:05:29,800 --> 00:05:32,039 Speaker 1: Of really, which can be quite quite crippling. 126 00:05:32,080 --> 00:05:35,200 Speaker 2: And you worked up this incredible Australian momentum and then 127 00:05:35,240 --> 00:05:36,479 Speaker 2: you know, we're going to change your name. 128 00:05:36,520 --> 00:05:38,960 Speaker 3: You know that was always going to be a thing, 129 00:05:39,040 --> 00:05:41,440 Speaker 3: wasn't You would come up against another band called the Angels. 130 00:05:41,720 --> 00:05:45,360 Speaker 3: I do remember seeing them live. Do you remember the 131 00:05:45,400 --> 00:05:48,279 Speaker 3: Wembley golf course used to have a tavern there? 132 00:05:48,400 --> 00:05:53,039 Speaker 1: Yeah, yeah, oh that's him quick. That was where great hands. 133 00:05:53,040 --> 00:05:56,120 Speaker 1: The time is over? Yeah, great band. 134 00:05:56,160 --> 00:06:01,520 Speaker 2: Angels thirty six FM Clezie and Lisa